#bea questions
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20 primaveras
Mais um ano de vida e mais uma vez me questionam o que mudou e como estou me sentindo. É engraçado como a uns 5 anos atrás a perspectiva de completar duas décadas me deixava afoita, mas hoje... não me sinto diferente, não sinto que tenha tido uma mudança tão drástica desde os meus 15. É normal ou isso significa que ainda não amadureci? Que no papel eu sou adulta, mas aqui dentro de mim ainda mora uma criança? Acho que isso me assusta um pouco. Não quero ser uma criança envelhecida. Mas afinal, o que realmente significa ser adulto? O que faz as pessoas olharem para você e não enxergarem inocência e dependência?
Hoje eu faço 20 anos e meu primeiro presente, foi uma crise existencial.
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Does anyone know if using a bra bag would prevent my bras from becoming a rat king?
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I think a lot of queer people, trans especially, would realise they're otherkin if they viewed it less as "I am literally X thing right now in my current form" and more as "I would be happier as X thing and more comfortable with my body than I am now"
#bea binkying#genuinely this was the biggest hurdle for me a couple years back#like I was fulyy a furry I had a bunny sona.#but there was that feeling of “oh but I don't feel like I'm an actual real life bunny” that put me off using the word therian#but then I realised. someone who wasn't otherkin at all wouldn't be sat there questioning if they'd be happier as something nonhuman-#-as if it was an actual possibility right#and I've been binkying SO hard ever since :)
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Hmm so it turns out many people consider Ava a bad protagonist and find her annoying??? And that the show is slow??? And that it endorses disability erasure???
I hardly ever fall in love with main leads especially 'the chosen one' types and yet Ava was so easy to get behind and even relatable and I love her so much. And god I wish the show was even slower and it had more episodes like I wanted to see the dynamics between the sisters in depth, Ava and Bea's relationship progressing, little lost moments, their quiet times, their training sessions, them joking around and being normal idk. It still went by too fast?
And I might be wrong here but to me it wasn't disability erasure. Ava's disability is very much a part of her throughout. It's why she spends half the season running away because she hasn't lived yet. It's why she can't give up the halo either. It's why she can't drain the halo too much or can't fight as good as other warrior nuns (minus not being trained yet of course). It's her deepest fear. And it is so fundamental to her and Bea's relationship too like Bea touching her after that fight with Crimson, Bea reassuring her, Bea understanding her fears and hesitance....her disability is a very much constant presence throughout the narrative even though under the surface and ahhhhh I want to scream so bad rn.
I'm straight up not having a good day today and then finding out about these shitty opinions about this beloved sunshine of a character—
Are people allowed to have opinions I don't agree with? Yes.
Do I want to hit them on the head with a stick despite? Also Yes.
Now I'm wondering am I biased because I've read way too many fics and post analysis' and therefore see more depth than there was? Does it even matter?
#do I even need an answer to that last question?#don't mind me#i'm uselessly ranting because I'm sad#my opinions define my love for any media#others opinions can go to hell#ava silva is beloved#bea's darling baby#bea i love you too#sister beatrice#ava silva#save warrior nun#warrior nun#avatrice#ava x beatrice
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This could be answered privately but ive always wondered, Do you do NSFW art? Like have an alt or a pateon/subscribestar? The BG3 post finally made me wonder if you did XD.
hi; no, i don't currently do NSFW in the sense you're describing. while i don't personally consider stuff like the BG3 parody to be NSFW, i understand that occasionally my work will be (by definition) not safe for viewing at work simply due to depicting swimsuits/underwear/skin baring outfits. but that's as far as it gets for the time being!
edit: i do have a patreon but it's just to support my work and offer some rewards such as monthly phone wallpaper packs and process posts and whatnot. you can check it out here if you want!
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Do you ever think about how Lemony and Bea II are essentially the sole survivors of the entirety of the series. Do you ever think about how Lemony is ultimately the one who haunts the narrative, not Beatrice. Beatrice was dead from the beginning…but so was everyone else. It’s Lemony who is stuck on the other side. It’s Lemony who is a ghost in this world…and other than Bea…completely alone.
#I mean no wonder he’s so wet cat sad little meow meow#lemony snicket#a series of unfortunate events#daniel handler#beatrice baudelaire#beatrice II#Bea Baudelaire#the beatrice letters#Spoilers#asoue#all the wrong questions#atwq#vfd
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(rwarb spoiler)
Queen Mary: well what about heirs???? you have to have kids youre a prince for fucks sake
Alex: kids? oh yeah we're totally having kids not at all a problem we'll surely make it happen
Henry: .... we are?????
Henry: wasn't at all aware of that but alrighty then
Alex: I mean in my mind we have like 3 kids, 2 dogs, and a cat so-
#ok but like#alex answered to quickly to the question about “heirs”#to have not have thought about the possibility of them having kids before#and henrys just like???????#ok cool ig didnt know before just now but anyway#rwarb#rwarb book#red white and royal blue#henry wales#firstprince#first prince#alexander claremont diaz#alex claremont diaz#henry fox mountchristen windsor#rwarb incorrect quote#incorrect quote#bea fox mountchristen windsor#rwarb henry#rwarb alex
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I filmed a timelapse of my process for this quick one💓
Honestly not really happy with how this turned out & I’ll probably redo it😆 but I always love making process videos!!
I REALLY HAVE TO TRUST MY PROCESS🙏🙏🙏 these paintings always look AWFUL😳 until the very end but luckily I’ve painted enough of them to keep pushing through and not give up in tears bahahahahahah
1) I start out just painting the base colors. I have a dirty paint palette I NEVER clean😤 but tbh I like it bc every color I want is basically already mixed from a previous painting, and I like having all of the colors kind of blend together. If I need a different color though I’ve never had problems mixing to get exactly what I’m looking for💓
2) WAIT FOR IT TO DRY (I didn’t…you can see at one point I check the back of the page to make sure I didn’t destroy it completely). This paint dries SUPER fast…I am just impatient bc the next step is when it all starts to come together🥰:
3) COLORED PENCIL ON TOP!! I always make sure the paint covers almost all of the page except the parts I want to keep really white, because the colored pencil looks awful if it isn’t drawn on top of paint. I just sharpen them and go in with the small details, but I also love going crazy with the colors and using them to shade, add highlights, add extra pops of color etc. For example, on Bea’s shirt I used gold, dark blue, dark brown, normal brown, mauve, tan, olive green…I just like to experiment and have fun choosing the colors (esp ones that I think SHOULDN’T work but they DO🥰)
Sometimes I switch between the paint and the colored pencil bc the paint can be used to kind of “erase” any mistakes, but I can’t go too crazy or add a lot of water to it because I use the cheapest paper known to man and it gets destroyed SO EASILY 😫 all of the fanart I’ve drawn is in €1 notebooks
#this is himi gouache crayola colored pencils btw#on printing paper (or worse idk…)#in case you wanted to try and replicate😆 honestly for thinfs like this unless you’re a professional#I feel like the cheap stuff is fine#also do you guys like the timelapse?#or should I do like my normal ones where I film tiny parts up close and stitch them all together?#idk I just wanted to show how awful my paintings look until the very end so I chose this way😆#but I still don’t like it that much…#oh well this is fanart I’ll just do the next panel and keep trying to improve 😤🫶#hope you guys enjoyed this though!!!!! I’m not the best explainer#but if you have any questions or just want to talk about art !!!!!!#hogwarts legacy#hogwarts legacy fanart#hphl#hogwarts legacy oc#hogwarts legacy mc#leo babbit#leo x bea#Bea#i feel like this is unclear and I missed something…🥲
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one month.
It’s Ava who insists on a dinner schedule, citing the need for sharing responsibilities evenly. Beatrice is fine cooking. She finds the rote motion of the knife relaxing, the way the blade rocks back and forth as it dices onions and chops carrots. It gives her a way to clear her mind after a particularly grueling day of classes.
After a month of Beatrice cooking and a few nights where Ava convinces her to try new restaurants, ones she wouldn’t usually explore, Ava comes home from class and declares that Beatrice needs to teach her how to cook.
She would be annoyed that she’s being interrupted in the middle of watching a supplementary video on Dan Brown’s Angels and Demons, but the movie itself was problematic. That and Ava has on a top with a polar bear wearing a pair of star sunglasses that she’s cut the bottom off of, so she gets distracted just long enough for Ava to capitalize on her silence.
“Think about it. You teach me to cook, I make us delicious foods.” Ava beams. “Win-win situation, right?”
Beatrice swallows, then frowns. “You don’t know how to cook?”
Ava drops her backpack down near the door, half in front of it so that if they needed to exit in case of an emergency, Beatrice would trip over the bag. She thinks about telling her to fix it. But Ava is already moving on, dropping her shoes just far enough from the shoe rack that they’re a nuisance if she tries to vacuum. Beatrice can’t find it in herself to be annoyed by either of these things.
It’s unchecked chaos in the world of order she’s created for herself, but Beatrice finds that her care for it is relaxing slightly. She still empties the sink at the end of the night, still adjusts the blankets on the couch after Ava has wandered off sleepily to bed, still piles up the recycling to take down in the next morning. She just also finds herself letting a pillow stay out of place overnight, or letting her coat drape over the back of the couch for a few hours before she hangs it up.
Ava doesn’t round the couch all the way before she’s dropping onto the cushion, using the arm of it as a slide down. Beatrice watches the way her legs and arms twist into complicated shapes before she finds a position she likes. Her shirt rides up just slightly. Beatrice’s finger skips on the play button and the video comes back to life before she pauses it again.
“I mean, no,” Ava admits. “There weren't a lot of opportunities for me to try.”
Right, Beatrice thinks. Ava had to fend for herself in ways that were different from Beatrice.
“I think I could be really good. I have a good palette.”
Beatrice falters for a second. Last week, Ava thought mixing sugared marshmallow ducks and soda was a good idea. The thought of it made Beatrice’s stomach turn.
Ava must see her hesitation. “Okay, I could be good at it with a good teacher. And I think you’d be a great one.”
Beatrice feels herself blush. “I doubt it.”
Ava is already shaking her head like she knows what Beatrice was going to say. “No, I think you would be. You’re patient - more patient with me than anyone I’ve ever met, and I know I’m frustrating.” There’s a slight self-deprecating smile on her face that Beatrice wants to wipe away. “If anyone is going to be able to tolerate the thousand questions I have, it’s you.”
There’s something about knowing what Ava thinks about her that makes Beatrice feel like she’s doing something right. That makes her feel warm in a way she’s never felt before. It’s curious how quickly this feeling has rushed over her and taken up every corner of space in her mind. She can’t put words to it, her vocabulary suddenly shrinking in the face of Ava’s smile.
“I suppose…” she starts slowly.
Ava’s smile is quicker. “Yes!” She sits forward, elbows digging into her jean-clad knees. “Where do we start? Beef Bourguignon? Coq au Vin? Lobster Thermidor? Ratatouille? I really liked that movie.”
Beatrice shakes her head, her smile soft. “No. I don’t think I could even make most of that. Why don’t we start with something simple?”
Ava looks slightly let down, but shrugs off whatever conversation she’s having in her head. “Fine. We’ll work up to the Julia Child recipes.”
“How kind of you.”
“How about we make your favorite food instead?” Ava stands up and makes the slow walk across the apartment to where Beatrice is sitting, her laptop and notebook taking up most of the counter. Ava sinks into the seat next to her, her knee nearly touching Beatrice’s outer thigh. She drops her chin into her hand, propped up in the empty space. “What is it?”
Beatrice blinks. “My favorite food?”
Ava picks up her pen and idly doodles on an envelope she unearths from the small pile of mail Beatrice has been stacking up. Bills to pay. Beatrice watches her sketch out a flower with a wide stalk. “Yeah, your favorite food. We can do that.”
Her favorite food. She pauses a moment. What is her favorite food? What is the one thing she would pick every time?
The first thing that comes to mind is Marie, one of her family’s personal chefs. Beatrice can picture her in their large, sterile kitchen, a chef’s coat with her name stitched on the breast. She hadn’t minded Beatrice being in the kitchen like Tilda had, hadn’t chased her out like Jaques. She had poured Beatrice a cup of tea and asked about her day. It was a reprieve from the long silences that filled every other space in the house.
Beatrice had learned the difference between onions and shallots sitting on that kitchen table. She had tested the weight of different knives, something she was sure no other ten-year-old had ever done. Marie talked to her about the balance of salt and heat and acid. She let Beatrice peel potatoes, scrub carrots, prune the first layer of leaves on brussel sprouts. She taught Beatrice how to make her first knife cut and the importance of even dicing.
Beatrice carried those skills with her long after Marie was dismissed by her family. At twelve, it had felt like the end of the world. Her replacement, a brusque Russian man named Turov, hadn’t cared much for her presence and Beatrice didn’t care much for his okroshka. She stayed out of the kitchen after that.
Ava waits for an answer patiently - always patient, even as Beatrice stretches out silences as she struggles to find words no one has ever asked her for before now.
Beatrice thinks of Marie, thinks of sizzling pans and layered sauces and opens her mouth.
“Stir-fry.”
“Stir-fry,” Ava echoes. “You haven’t made that before.”
No, she supposes she hasn’t. “My family’s chef-” She stops herself. Ava doesn’t want to know her complicated history with her family’s chefs.
But Ava nods encouragingly.
Beatrice takes a breath. “My family’s chef when I was younger. Her name was Marie. She taught me how to make stir-fry. Of course, she didn’t serve it to my parents. It was a meal for us.” She smiles a little, thinking about the way Marie would plate the dish for her - just like it was a five-star restaurant. “But I loved it.”
Ava's hand flutters in the air like she might reach out and touch Beatrice’s. Her stomach tightens at the thought. But then Ava merely pulls it into her lap and smiles.
“Do we need to go grocery shopping?”
“We’re doing this now?”
Ava looks at the clock on the microwave. “I’m starving.”
Beatrice can’t help but laugh. “It’s mid-afternoon.”
“Can’t we have a snack? I had a long day.”
She laughs again. “Ava, you had one class today.”
Ava pushes out her bottom lip miserably. “But it was with Soro and he’s a tyrant.”
Beatrice is already starting to stack her things into neat piles. “He teaches world literature. He’s hardly a tyrant.”
“He’s, like, a low-key tyrant. Not as bad as Sumbal, last semester. But still up there.” Ava hands Beatrice a highlighter.
“I never had Sumbal.”
Ava groans. “You’re lucky. He once took points off because I cited something from this century as a reference.” She passes Beatrice a stack of sticky notes and Beatrice takes them, tucking them carefully into her pencil pouch for later. “The point is, Soro was boring, I’m hungry, and you need a break from studying.”
Beatrice can’t help but be amused. Ava exaggerates, but in a way that she doesn’t find annoying. Just in simple ways. And usually to get what she wants. Beatrice finds, no matter how short of a time they’ve known each other, she wants to give what Ava is asking for. But then she’s never had a best friend like Ava before, someone who always seems to know her limits and stops just short of them, who only ever asks what she’s willing to give.
And besides, she’s right; it is an important life skill.
So Bea puts away her study materials, despite only being an hour into a self-imposed two hour session. She’s already mentally calculating what they have in their refrigerator.
“We have things here, I think. Stir-fry is versatile. You can make it out of most anything.” Beatrice stacks her things against the wall, over the mail. “We should have some staples.”
“Do we have baby corn?” Ava asks hopefully. “They’re funny-looking.”
Beatrice opens one of the cabinets where they keep canned items. She pulls down one of them. “Baby corn.” She has to shuffle a few more around, until she finds the sliced water chestnuts too.
Ava jumps off her seat, pulling open the refrigerator. “What do we need from here?”
She focuses on finding the things she needs for the sauce. “Check the vegetable drawer. Pick whatever you’d like.”
While she collects the soy sauce, Shaoxing wine, oyster sauce and sesame oil, she listens to Ava hum something she doesn’t recognize. She likes the way it fills the silence - not that it’s an awkward one, the way it was with Gina. Speaking with Gina had always felt like a chore, and Beatrice did it the way she did all her chores: efficiently and with relief when it was over. Silence with Ava feels nice. Comforting, even. Knowing she doesn’t always have to be on in order to be interesting is relieving and addicting.
The vegetable drawer must have had more in it than Beatrice thought. Ava has onions, carrots, a bell pepper, broccoli, and sugar peas stacked on the counter. She grins at Beatrice.
“This enough?”
“More than.” She starts taking down bowls and pulls a wok out from the bottom shelf. Ava already has a cutting board out by the time she stands up. “Protein?”
Ava opens the refrigerator again. “Does chicken work?”
She was saving the chicken for baked chicken tonight, but that’s fine. She busies herself with opening the knife drawer and looking at the two chef’s knives she has. She wants a sharp blade, any chef’s best tool.
Beatrice carefully places the knife on the edge of the cutting board, blade angled away from Ava. It’s not that she doesn’t want to teach Ava; it’s just that last night Ava dropped a slice of bread from her hand and she tried to catch it with her foot. It’s just that a butter knife fell off the counter three days ago and Ava caught the blade in her hand.
Ava is, in a word, clumsy.
In two words, she’s charmingly clumsy.
Ava seems to read her mind. She stills her whole body - Beatrice hardly noticed the way she was vibrating with excitement, so used to Ava’s normal state - and takes a deep breath. “I’m ready.”
“Have you handled a chef’s knife?”
“Nope.” Ava pops the p. “But I’m a quick learner.”
She is. She mastered rock climbing almost before anyone else. And she catalogs everything Beatrice tells her with lightning speed, repeating it back to her days later. But facts on religious artifacts can’t send you to the hospital.
Rock climbing can, she reminds herself. And Ava did that okay.
“Fine.” Beatrice starts to roll up her sleeves. “First things first. Wash your-”
“Hands,” Ava finishes. She’s already turning on the water. “Happy birthday to you,” she sings quietly under her breath as she scrubs. When she finishes a second round of it, she smiles brightly as she turns to face Beatrice. “Next?”
Beatrice hands her a mixing bowl. “We’re going to make our sauce.”
She walks Ava through combining the different ingredients, hiding a wince when she adds a little too much soy sauce and correcting it by giving her a touch more sugar to mix in. Ava’s forearm muscles flex as she whisks the sauces together in sharp, quick, circular motions. Beatrice watches the way she moves. She is a quick learner, her hands adjusting to grip the bowl and wrapping around the whisk.
There’s something about Ava’s hands that Beatrice can never look away from. They move almost restlessly, always reaching out to touch something, to feel different things under the pads of her fingertips. She knows what Ava has told her. About the years where people touched her and she remained unable to do the same. She seems to be making up for lost time, Beatrice thinks. Ava’s always running her hands over the pillows on the couch, running her fingers around the handles of coffee mugs, twirling pens between her knuckles.
She’s always reaching and feeling and one day, Beatrice was struck with the strangest thought: what might happen if Ava reached out to touch her?
The thought had put a pause on the world. It was something she had never thought about before. Her friends touched her. Camila loved hugs hello and goodbye. Shannon always brushed a hand against her shoulder. Mary was known to give her an affectionate pat on the head every once in a while. Even Lilith, despite the look on her face whenever anyone seemed to get within five inches of her, was known to give a hug or two under dire circumstances.
But Beatrice went so long without any kind of physical interaction that she had to learn what it felt like to have someone’s arms on her shoulders, someone’s arms around her body. She had to learn to be comfortable with the bottom of Camila’s feet pressed to her thigh during movie nights. She had to learn to be comfortable with Lilith falling asleep on her shoulder during all-nighters.
She had to spend all her time learning to accept physical affection that she never quite put a lot of thought into giving it.
But watching Ava give it so freely - returning Camila’s hugs, knocking shoulders with Shannon and elbows with Mary, and the one time she pulled Lilith into a hug with the sole intention of, Ava’s words, unsettling her - Beatrice wondered what it might be like to give the same way.
And Ava. She wondered what it might be like to give it to Ava.
Ava didn’t touch her as easily as she seemed to touch everyone else. She reached out and always seemed to stop herself. Beatrice wondered what that meant. Did Ava not want to touch her? Was there something wrong with her? Did Ava see the same things in her that her parents saw? It’s a small voice, a whisper, but whispers always seem loud in empty corners of rooms.
The rooms aren’t as empty now, aren’t as quiet. Whispers aren’t as loud any more. Ava seems to fill the spaces more easily than Beatrice ever did.
And so she tries to make herself be someone Ava might want to reach out to.
Ava puts down the bowl with a smile. “Sauce, mixed.”
Beatrice nods towards the cutting board. “Then the vegetables.”
Ava frowns. “Not the chicken?”
“Protein last, unless you plan on using multiple cutting boards. And since you used our second one for your chemistry class experiment-”
Ava winces. “Yeah. I’m going to replace that,” she says, just like she said last week and the week before that one. She smiles again. “So, protein last. Vegetables first.” She picks up the carrots and reaches for the knife.
Beatrice stops her, a hand hovering out in front of her. “There’s knife safety we need to talk about.”
She thinks for a moment that Ava will be annoyed with her. Knife safety doesn’t have an adventurous ring to it. It sounds boring, technical. But Marie taught her the importance of knowing a tool and the dangers it carries.
Ava pulls her hand back, clasping them gently in front of her. She smiles patiently. “Go ahead.”
Beatrice blinks back her surprise. “Oh. Okay.” She clears her throat. “The first rule of knives is that they can cause serious injury if not used properly. Knives should be kept sharp enough to cut through a piece of paper - they’ll cut through your skin just as easily.” She scales it back a little bit, dulling the tone in her voice but Ava’s smile hasn’t flickered. “We’re always going to cut away from ourselves, not towards.”
“Do I need to write this down?” Ava looks serious, like she’s taking in every word Beatrice says.
“No. No, I’ll remind you as we go.”
Relief uncoils Ava’s shoulders. “Good. I was worried there was going to be a test, or something.” She says it without malice, like a joke that Beatrice is in on.
Beatrice smiles a little before she remembers one of the most important parts of knife safety. “Never, never catch a falling knife. Not with your hand or with your foot. We can clean a knife off. We cannot put stitches in your hand or your foot.”
Ava’s cheeks flush. “One time.”
“Twice,” Beatrice reminds her. “So, if the knife slips, just let it.”
“Aye, aye, Captain.” Ava bounces, some of that frenetic energy back. “What else?”
“Always make sure your cutting board is on a flat, even surface so that it - or your knife - doesn’t slide.” Beatrice gestures at the cutting board on the counter. “Make sure nothing is under it.”
Ava waits in the silence for a moment before she blinks expectantly. “Is that it?”
Beatrice thinks for a moment. “For now, yes.”
“Great. Let’s get started.” She rocks forward, hands a little slower as they reach for the knife. She looks at Beatrice, waiting for a nod before she picks up the chef’s knife. She taps the blade experimentally against the cutting board.
“You can start with the carrots,” Beatrice suggests. “You don’t need to dice them.” She leans against the counter and watches as Ava examines a carrot critically, before she puts it down on the cutting board and grips it, fingertips out, as she raises the knife.
Beatrice shoots forward, hand curling tightly around Ava’s fingers on the knife, careful to hold on so Ava doesn’t drop it in surprise. “Not like that,” she murmurs. Her body follows her arm, putting her close enough to Ava to breathe in the slight tang of the pineapple shampoo she bought by accident.
Ava turns, eyes wide. “Sorry.”
“You’ll cut your fingers off,” Beatrice continues quietly. She carefully lowers Ava’s hand back down to the cutting board. “You need to-” She squeezes Ava’s hand once until it loosens under her palm. She feels the tension radiating through Ava’s arm slacken. “You need to curl your fingers in.”
Ava blinks at her. “I need to what?”
Beatrice lets go of Ava’s knife hand, placing it down gently. “Hold on. Can I-”
Ava shifts slightly, opening up her side. “Yes.”
Beatrice nods shortly and steps in, her hand settling around the one holding the carrot. Her fingertips press back against Ava’s fingernails until they curl back and it’s the flat of her knuckles showing. “Like this. Curl your fingers in or you’ll cut them off.”
She doesn’t realize she’s holding Ava’s hand in her own until Ava turns her head and they’re a whisper apart from each other. She nearly lets go, but Ava is staring at her and waiting for her next instruction. Beatrice swallows heavily. Ava’s hand flexes in hers, the carrot under it scratching against the cutting board.
This is what it feels like to touch Ava. To feel the warmth of her skin against the palm of her hand. Beatrice can feel the ridges of her knuckles, the sharp bone under her callouses. It’s warmer than she thought it might be. Drier. She can feel her own palm growing hot in return and she nearly pulls away, afraid of catching fire.
Ava only meets her eyes, tips her head to one side, and smiles. “Like this?”
She has to clear her throat twice and then gives in, just nodding.
Ava doesn’t pull away. She leaves Beatrice’s hand where it is as she readjusts her grip on the carrot, holding it as steadily as possible between her fingers while the flats of their knuckles face out. She looks at Beatrice and waits for another nod before she picks up the knife. She pauses, looking expectantly at Beatrice.
Beatrice doesn’t understand. She looks back, unsure of what to say. The circuitry between her brain and the rest of her body is flickering in and out. And Ava is waiting so patiently, asking a silent question that Beatrice can’t understand. She nearly scowls; she’s behind something she can’t define and she doesn’t like it.
“Help me?” Ava finally asks.
“Oh.” Beatrice’s free hand twitches and Ava nods encouragingly as she extends it, reaching across Ava until her hand is wrapping around Ava’s knife hand.
She stands here, both arms stretched across Ava’s body in a slightly odd angle and thinks: Oh.
Her heart starts to beat, loud enough that she’s sure Ava can hear it, and her cheeks flush. Oh, this is what it feels like to touch someone and want to set the world on fire. Oh, this is what it feels like to want more of something so desperately, she’d be willing to stay stuck here until it’s taken away from her. Oh, this is what it feels like to be so overwhelmed that her whole world dials down to the places where she stops and Ava begins.
Ava carefully brings the knife down over the carrot and they watch as it slides through it gracefully. She feels the flex of Ava’s hands under hers and thinks oh, oh, oh.
This is love.
Now that she knows what it feels like to touch Ava, the last fraying thread holding back her tidal wave of feelings - ones she’s held dormant - snaps like the core of a carrot as the knife slices into it again. It’s like this was the last line of defense. It comes crashing down the way a house of cards folds. All of the things she’s learned about Ava - the years in the orphanage, the way she dunks her french fries into ketchup and then mayo, the nights she pretends not to cry herself to sleep, the stretch of her smile that matches the way she stretches across the couch - burst forward from a tight knot in Beatrice’s chest and overwhelm her.
Once, she thought she was in love. Once, she had written Mrs. Penelope Marshall, the first girl who broke her heart, in the margins of her notebook while her Latin teacher droned on about derivatives, and Beatrice had thought that it was the best thing she could ever be.
But Ava looks sideways at her and smiles as their hands move together, and Beatrice thinks that if what she felt then was love, there’s no word in any language that can describe what this is now.
“You’re a good teacher,” Ava says, rocking the knife on the cutting board. “I knew it.”
Beatrice inhales, the scent of pineapple in her nose. “You’re a good student.”
Ava preens for a second. “I knew I would be.”
Their hands still. Beatrice doesn’t let go. Now that she knows what it’s like to touch, she never wants to let go. But her palms start to sweat, and she knows that Ava will be able to feel it. She takes a step back, putting an ocean between them again, and nods encouragingly as she tries to keep herself steady.
“You try.”
“Without you?” Ava pouts slightly, but recovers quickly. “Okay. Stand back, chef. Watch me.”
Beatrice watches. She’s always watching. She’s been watching since the moment Ava crashed into her table, spilling the entire contents of her to-go mug onto her notes. She’s been watching since Ava moved the last box into their apartment, declaring herself moved in. She’s been watching and watching and never touching because touch is reserved for the moments that really matter.
Because touch is the last puzzle piece holding her together, but now she doesn’t even have that.
Ava slices another round off the carrot and grins. “Totally easy.” She looks back over her shoulder and winks. “I knew I would- ow!”
Beatrice frowns, blinking at the sudden change in pitch and volume. It takes her a moment to realize that Ava has nicked her finger, and blood is starting to run down it as she holds it up into the air. Beatrice stares at the bright red bead as it slides across warm, dry skin she was just touching for a beat too long. By the time she moves, Ava is already turned away, turning on the tap.
“Shit,” Ava hisses as the water rushes over the cut.
Beatrice snaps to attention, grabbing a dishcloth from the cabinet next to the refrigerator. She pulls Ava’s hand out of the water and examines the cut. It starts to bleed again. “It’s small. Hold still.”
Ava stops wriggling. “Don’t-”
Beatrice tightens her grip, pressing firmly on the cut. Ava hisses. “I’m sorry,” she says gently. “I’m not trying to hurt you.”
Ava’s face softens. “Of course not, Bea.” Her free hand rests on Beatrice’s wrist. “You didn’t tell me first aid was included in this lesson.”
“You won’t need stitches.”
“Bea.”
“I have a first aid kit in the bathroom.”
“Bea.” A hand drops to her waist and she shivers. The hand drops away. “Honestly, it’s fine. It just caught me by surprise.”
Beatrice still doesn’t look up from the cut. “Dull knives are worse. They require more force to get through food, so when it slips and cuts into your hand, the cut is usually deeper.”
“Good thing you keep these things sharp enough to cut steel,” Ava jokes.
Beatrice slowly unwraps the dishcloth from the cut and examines it. Blood still trickles down, but much slower. Good. She needs a first aid kit, so she can wash it and then dress it. It shouldn’t require much work. The cut looked simple enough.
She takes a step away but Ava grabs her wrist, pulling her to a stop.
Oh.
“We can still cook, right? You’ll still teach me?” Ava smiles hopefully.
There’s that check-in, again. Ava always asking what she’s willing to give. Even if now, that limit has expanded a thousand miles in the span of time it took to slice half a carrot. Beatrice knows - has known - she can’t say no, and now she is acutely aware of why.
“Of course. We’ll just be more careful.” She takes a step away and Ava’s hand slowly drops from her wrist. She feels the loss of it like a limb that’s been cut off.
“You’re the best, Bea,” Ava calls as she slips into the bathroom in search of the kit.
Beatrice stands in front of the window above the sink, studying herself in its reflection. She doesn’t look different now that she knows that she’s fallen in love with Ava. Nothing on the outside has changed, but everything on the inside has toppled over and formed new shapes that feel strange. She wasn’t looking to be in love, wasn’t expecting it to happen to her any time soon, or all. But she’s learning that most things with Ava are big and unexpected and exactly what she’s looking for, no matter that she didn’t know that.
She holds her hands up in front of her face, turning them over. She expects to see Ava’s fingerprints burned into her skin, but they look just the same as they did minutes earlier when she was just Beatrice. They don’t burn; they don’t glow. They only ache. To go back out there and touch again, a need she thinks may never be sated.
Beatrice meets her eyes in the window and looks at this new person staring back at her.
Touch is a love language, she knows. She just didn’t know it was one of hers.
~
two months.
There's poetry in swimming. A grace in the way arms cut through still water, propelling forward. It cuts away on either side of her and she glides through it like she’s exhaling. The world feels weightless in the water, like she could float away contentedly.
It’s the smell that begs the question of why Beatrice agreed to this.
The school pool smells over-chlorinated and it sticks to the inside of her nose. She resists the urge to sneeze and clear it, focusing instead on dipping her toe into the water, testing it.
Warm.
She frowns, turned off by the idea of bathwater. Whatever bacteria is being fed by the warm water, they’re trying to shock away with chlorine. Why is she paying so much in tuition for warm, bacteria-infested water?
“You’re on scholarship,” Ava reminds her.
She blinks, unaware she spoke out loud. Ava laughs and bumps a nearly-bare shoulder into her arm gently. Her frown ebbs away like the water lapping at the side of the pool. Ava’s skin is already damp from the humidity in the air and Beatrice marvels at the idea that this is what it must be like when Ava steps out of the shower and wraps a thick towel around her body, shoulders and neck still exposed. She flushes.
Ava bounces lightly, careful of the slick floor. “At least we have the place to ourselves.”
That might be another problem. Because they are alone, the pool empty in the middle of the day. There’s no one here to see the way Beatrice can’t quite look Ava in the eye or the way her hands shake a little as she grips her towel a little too tightly. At least at tomorrow’s Color Run, there will be crowds of people and chaos surrounding them, reminding Beatrice to curb that impulse to touch, to keep her hands to herself.
Here, alone, Beatrice has no buffer, just her and Ava and her heart lay bare.
This touch thing has been a bit of a nuisance. It consumes her. It’s been a couple weeks since the world shifted on its axis and now she wants to be touching Ava all the time. Sometimes it’s small - a brush of a hand as they pass a spatula back and forth at dinner or trade the television remote. Sometimes it’s bigger - pulling Ava into a hug after a long day of classes where her back has tightened up to the point of pain and willing it away. She limits herself, though. Sometimes per day, sometimes per instance. She never takes too much, always gives Ava her space.
She doesn’t want to push. Everyone has taken so much from Ava. She’s not going to be a name added to that list.
Some nights, she still feels like she takes too much. She touches the back of Ava’s hand or she pokes delicately at her ankle bone as Ava stretches her feet into her lap or she leans into the way Ava seems to always be leaning in towards her. Those nights, she stays in bed and stares at the ceiling and thinks about what would happen if she went into Ava’s room and curled around her. Would she survive that? Would they?
“Thank goodness,” Ava admits. She’s a little breathless. “I was kind of worried about that.”
All of Beatrice’s reservations fade away at her words. Ava is what’s important here. She turns, meeting Ava head-on. “We don’t have to do this if you don’t want to.”
“I do,” she says quickly. Her eyes cut nervously to the deep end of the pool. It’s 8 feet down to the bottom. “I’ve been wanting to do this.”
Beatrice reaches down and curls her fingers over Ava’s wrist, feeling the thudding pulse under her fingertips.
“Ava,” she says softly. Ava looks back at her, a tremulous smile on her face. “We can come back another day. Or just sit on the edge with our feet in the water.”
Something stretches Ava’s spine straight. “No. I’ve waited long enough. I’m going to swim.”
“You’re going to learn,” Beatrice stresses. “Actual swimming might not happen today.”
“Sure, sure,” Ava says dismissively. “Cannonballs by the hour’s end.”
Her wrist slides out of Beatrice’s grip as she moves towards a long, sweating wooden bench lining the wall. Ava drops her towel - a large pink thing with a flamingo in an inner tube on it - and slides out of the flip flops she wore, tucking them under the bench. She turns, hands on her hips, and surveys the pool.
Beatrice inhales sharply, feeling that chlorine burning in her nose again as she takes in the sight of Ava.
She saw the bathing suit when Ava bought it, of course. Ava held it up in front of her, going on about how she picked red because every movie she saw with a lifeguard in it had a red swimsuit on. It’s funny, Bea, she explained at Beatrice’s blank look. The girl who can’t swim playing pretend as someone who rescues people in the water? She wasn’t deterred by Beatrice’s silence. She shrugged and ordered Thai.
But seeing Ava holding it up in front of her, separated from her skin by a pair of electric pink soft cotton shorts and a bright yellow tank top - a combination that seemed like some kind of criminal offense, even to her - was entirely different than seeing it on her.
Because on Ava, the swimsuit seemed impossibly smaller than it had before. It did things she had only read about in books: hugged curves, fit like a second skin. She’d never experienced the kind of feeling romance novel protagonists talked of, but the words suddenly made sense to her. She blushed whenever her eyes roamed anywhere past Ava’s shoulders.
She swallows now, as Ava stretches her arms above her head and sighs contently. Ava turns and Beatrice looks away quickly, eyeing the shallow end.
She hears Ava’s bare feet padding through the small puddles where the floor is uneven. Two hands fall to her waist from behind and squeeze slightly. Another sharp inhale; she tastes the chlorine in her throat.
“You’re not going to wear that in the water, are you?” Hot fingers pluck along her side at the perfectly respectable cover shirt she’s wearing. “Because that’s not fair.”
Beatrice forces herself to breathe out, grateful for Ava being at her back. Having Ava’s touch so close, she wants to just… lean into it. She finds she’s always seeking it out, that simple reminder that Ava is alive and next to her. Since the floodgates opened, since she experienced what it was like to touch and to be touched, she finds she’s reaching into every corner hoping to come up with some part of Ava between her fingers.
But she knows Ava’s casual touches don’t mean what she wants them to mean. She knows she shouldn’t read into them.
“Of course not,” she says almost to herself.
Cool air rushes across her neck where Ava exhales. “Oh, good. Because I’m wondering what kind of bathing suit might be under there.” She winks when Beatrice glances back.
Despite the balmy air, Beatrice shivers.
Ava doesn’t seem to notice, stepping away and surveying the pool. “So, where do we start?”
“We won’t cover much today,” she says as she starts to take her shirt off, folding it neatly and placing it next to Ava’s towel. “We’ll practice floating, I think.”
When she turns, Ava is staring at her. “There is a body underneath that shirt.”
Beatrice feels her cheeks redden. “Ava.”
“And it’s not made up of wires, either.” Ava shakes her head. “It’s a crime, hiding that under a polyester-cotton blend.”
She sighs. “Ava.”
Ava grins and holds up her hands in surrender. “I’m just saying, Beatrice. You’re denying the people.”
Am I denying you?
She blinks rapidly at the thought. It feels blasphemous to think such a thing. She’s grown more comfortable with those thoughts lately. But never in the same room as Ava. Never when she’s standing five feet away in a bathing suit as bright red as she’s sure her face is right now.
So she shoves it down for now and thinks instead about the different things she’ll teach Ava. Thinks about the lessons she read online: the importance of starting with floating, and staying calm in the water, and maintaining contact with an instructor during a first lesson, and - oh no. I need to touch her.
“Wait. You’ve done this before, right?” Ava asks suddenly, interrupting her thoughts.
Beatrice wets her bottom lip, tasting chlorine. “I looked up how to begin swimming.”
Ava’s eyes narrow. “On a swimming website for babies?”
“For children,” she admits. She rushes to add, “But not babies. Small children.” She pauses for a moment. “The same size as you, actually.”
“Beatrice,” Ava gasps. She presses a hand to her chest. Beatrice pointedly ignores it. “You’re just a few inches taller than I am, you know. And I can still ride amusement rides.”
She ignores Ava. “The first step is getting into the water. There are different ways to enter a pool. The ladder, of course. Or you can sit on the edge and swivel in.”
Ava bites down on her bottom lip, eyes back on the pool as she weighs her options. “How’re you getting in?”
“I was going to sit and swivel, if you’d like to.” Ava is silent. “I find that sometimes sliding in is the best option. The stairs give me too much time to change my mind.”
Ava considers this. She’s bouncing lightly, eyes darting back towards the deep end every few seconds.
She’s nervous. Beatrice steps forward, hand finding its natural place on Ava’s wrist. She squeezes until Ava meets her eyes. They’re ringed with worry. It’s not that Beatrice didn’t know Ava was hesitant around large bodies of water; she just didn’t understand how much.
“I promise I will not let you drown. I will not let anything happen to you.” She says it firmly, hoping Ava knows she means it.
“It’s not you I’m worried about.” Ava takes a shuddering breath. “It’s the drain at the bottom of the pool. What if it sucks me in?”
“The… the drain?”
Ava nods, staring at it now. “Yeah. I saw a movie once, one that an older boy snuck in. This girl - she was annoying, but still - she went swimming and the pool drain just… sucked her in.”
She wants to laugh. It’s ridiculous, that Ava could even fit in the pool drain, or that it would do something like start to suck out water in the middle of the day. But the fear in Ava’s eyes is real, and her heart aches instead. She turns Ava gently, holding her gaze.
“We are not going in the deep end. We’ll be 50 meters away from the pool drain. You certainly wouldn’t fit in it if, for some reason, the pool did start draining.” Beatrice smiles softly and squeezes her hand. “And more importantly, I won’t let anything happen to you.”
Ava’s eyes search hers. “Okay,” she says after a minute and squeezes back. “I trust you.”
Beatrice swallows under the weight of the words. She smiles softly and releases Ava’s hand, taking a slight step back. Her toes splash in the pockets of the floor as she walks to the edge of the pool.
Ava follows her lead. “Okay, so sit and swivel?”
Beatrice takes a deep breath and smiles tightly. “Sit and swivel.” She slowly lowers herself into the shallow end of the pool. The water laps at the back of her thighs, soaking her bathing suit. She looks up when Ava hesitates. “I’ll go in first, then you can.”
Ava nods jerkily. “Sure. Totally cool.”
Ava lowers herself to the tiles and scoots forward gently so her feet slide into the water. Beatrice watches carefully, making sure to angle herself so that if Ava slips, she can catch her. But Ava moves slowly until she’s mirroring Beatrice. Water splashes against her knees.
“Perfect.” Beatrice smiles and turns her body, sliding the rest of the way into the water. It comes up to her waist. “Now it’s your turn.”
Ava seems like she’s breathing a little easier. She slides into the pool, splashing a little. The water hits her hips, waving up around her as she stands an arm’s length away from Beatrice. “I did it.”
“You did it.”
They’ll have to go a little deeper to teach Ava anything. And the distance might help Beatrice’s pounding heart a little too. Beatrice then takes a large step back, towards the deep end, until the water comes up just below her chest.
“Now, we need to go out a little further to-”
“You said shallow end.”
“You can’t build confidence in the water if it’s at your belly button.” Ava eyes her warily and Beatrice ebbs back towards her, careful not to touch her. “I told you. I’m not going to let anything happen to you.”
“Okay,” Ava says softly after a minute. She takes a short step forward. Beatrice slides back another. “Bea.”
“I’m right here.”
Ava is looking at her now, eyeing the distance between them. They’re in the middle of the pool now, nothing to hold onto and that nervousness is back in Ava’s eyes. Beatrice changes tactics.
“How about we practice treading water?” she suggests. She cuts past Ava back to the side of the pool and grips the edge. “You can hold on and we can practice here.”
Ava seems relieved. “Sure. That works for me.” She takes a step closer to the deep end, the water rising to her shoulders now. She takes it with confidence, the kind she usually carries. “So I just…”
“Hold on. And let yourself drop a little bit. Treading water is about conserving energy while staying afloat.” Beatrice lowers herself into the water, letting it come up to her neck. She kicks her feet a little. “See how I’m staying up?”
“You’re holding on,” Ava points out.
Beatrice resists the urge to roll her eyes and lets go. She holds her arms out, perpendicular to body. She kicks her feet again and bobs in the water. “By nature, we float. So as long as there is air in your lungs, you’ll be fine. Your arms and feet just add to the buoyancy.”
She straightens up, feet flat on the bottom of the pool. When she stands, the temperature change between the air and the water makes her shiver. “See, it only comes up to my neck,” she reassures. “You try it.”
Ava grips the edge of the pool and lowers herself slightly. The water brushes up against her chin and Beatrice sees her eyes widen. But then she kicks her feet a little and she bobs back up, bouncing on the surface of the water.
Beatrice smiles. “See?”
Ava beams. “Treading water? Check.”
“Well, not quite,” Beatrice laughs. “You need to let go next.”
“Cool. Cool, cool.” Ava let's go with one hand and her body dips down. She quickly grabs it again. “Not cool.”
Beatrice laughs a little and drifts forward. “Come on,” she beckons. “I’ll be right here.”
She expects Ava to argue, to convince her they can go sit in the shallow end and talk instead of swimming. She expects Ava to say, “this isn’t for me. I really wanted to learn, but it’s just not in the cards right now.” Or even that she’s a bad teacher and she’s going to ask Shannon - who’s been a summer lifeguard since she was fifteen and has far more experience than Beatrice - for lessons.
What she doesn’t expect is for Ava to take a deep breath, blow out her cheeks, and leap forward into her arms.
Beatrice is nearly knocked back by the force of Ava’s jump. Her feet slide against the slick pool bottom and she swallows a mouthful of chlorine. She can’t focus on it. There are hands. There’s skin. Ava’s hands glide over her shoulders, fingernails trying to find purchase in the straps of her swimsuit as their bodies crash together.
Her hands ghost along Ava’s ribs and oh. Ava’s swimsuit has an open back. She can feel the scarring along Ava’s spine, could count each of them if she ran her fingers up and down. Her fingernails scratch against skin she’s only ever imagined under her hands. She wants to map each inch she can touch, commit it to memory.
Ava’s hands finally find a place, locking around the back of her neck as she tries to hold on tighter.
Everything in her seizes. Her legs, tangled smoothly against Ava’s, freeze and lock into place. Her arms go slack against Ava’s back. She feels the water come up over her mouth again. A knee digs into her stomach and she gasps, swallowing the warm water again. Something sharp scratches against her shoulder as she starts to go under. She feels a heel dig into her thigh and then she’s being pulled sideways through the water.
She bumps against the side of the pool and then a hand winds itself into the strap of her swimsuit, pulling her up and out of the water. She gasps for air as her shoulders crest the surface.
“I thought you said people float!” Ava shouts, the words so loud in Beatrice’s ear.
Beatrice has to shake her head, blinking rapidly.
“Oh, god.” Ava’s hands flutter around her face, tipping her head back to study her face. “I’m sorry. I just thought- I thought you’d catch me.”
Beatrice sucks in a ragged breath. “I did.” The pool wall is cool against her back. She leans her head back against the edge, sucking humid air into her lungs.
The world comes back into sharp focus and she goes still again.
Ava is crowding her against the side of the pool, one hand tangled in her bun as it comes undone and the other brushing the rolling drops of water off her cheek. Their legs are tangled again, Ava’s toes skimming along her shin. Ava’s eyes are almost wild, darting back and forth as they search her face.
“Jesus, Bea,” she exhales. One of her legs hooks around Beatrice’s and it pulls her closer. “Are you okay?”
No. She doesn’t know what to do with her hands. They flutter in the water, fingers clenching around nothing. She knows where she wants to put them: right where they were a minute ago, sliding across Ava’s sides to her back. She knows that she wants to dig her fingertips into Ava’s skin and leave them there so Ava can feel them even after she pulls away.
Pull it together. She swallows heavily.
“I’m fine.”
Ava’s body is still moving with the water, still ebbing in and out against her. The hand at her cheek goes to the pool’s edge and it drips water down on Beatrice’s shoulder, drops rolling off her skin. “I thought people float,” Ava breathes, her words hot against Beatrice’s face. “You said they did.”
Beatrice finally touches down, thumbs stroking against Ava’s ribs involuntarily. Ava jumps a little. “They do. When they’re not being jumped on.”
Ava looks sheepish now. “I just… I thought that I would just go for it, you know? That maybe I was a natural swimmer and I’d just…”
“Stay afloat,” Beatrice finishes.
“Yes. And if I couldn’t, you’d rescue me. I just-” Her hand scratches lightly against the back of Beatrice’s neck. “I was a little enthusiastic, I think.”
She loves Ava’s enthusiasm - not when it’s trying to sink her, of course. But generally, she loves it. She finds it intoxicating, contagious. She wants to let her sweep her up almost all the time.
Her thumbs count Ava’s ribs. One, two, three…
“You’re sure you’re okay?” Worry winds around every word and Ava’s hand slides along her jaw to her chin, titling her face up. “You swallowed a lot of water.”
She can see small beads of water running down the long line of Ava’s neck, disappearing into the surface of the water. She watches the race down over smooth skin and she wants to track it with her fingertip.
Pull it together.
“I’ll have a stomach ache later, maybe. And I need to brush my teeth.” She doesn’t even want to think about the chlorine anymore. “But maybe we should-”
“Try another day?” Ava nods. “Yeah, we should try another day. I owe you, like, tons of coffee. And take out, definitely. Your choice. No spending limit.”
She smiles softly. “I meant, maybe we should, um…” She looks down between their bodies.
Ava looks down and startles. “Oh! I’m sorry, I was-” She starts to pull away, her hand getting caught in Beatrice’s hair. “I’ll just-”
“It’s okay.” Beatrice doesn’t pull her hand back right away. “I’m fine.”
“No, this is your space and I’m just- dammit.” She finally works her hand out of Beatrice’s hair and her leg slides across Beatrice’s hip as she grips the edge with both hands and pulls herself around Beatrice’s body.
The water feels cold as it rushes into the spaces where Ava’s body had just been. She has to blink a few times, trying to pull her head together. That was more than just a brush of a hand or a fleeting kiss to the top of her head as Ava rushed to get to class. This was her hand against Ava’s side, long enough to feel Ava’s ribs under her fingers. This was her legs sliding against Ava’s. This was Ava’s hands in her hair and fingers at her jaw and and and.
Ava pulls herself up and out of the pool, sitting on the edge of it, legs still in the water. They still brush against Beatrice’s shoulder. “I’m sorry.”
Beatrice stares at the other side of the pool, going through breathing exercises until she can turn and smile and mean it. “Don’t be. I should have prepared you better for this.”
Ava smiles. “It’s not your fault. I’m the one who flung myself into your arms.”
Do it again.
She blinks. “Next time, I’ll be ready to catch you.”
Ava’s smile stretches. “Next time, huh? Careful, Beatrice. You’ll make a girl swoon, telling her she can run into your arms at any time.”
Her cheeks flush. She knows it. Ava always gets this look in her eyes when she’s successfully made Beatrice blush. “Yes, well.” She clears her throat. “Maybe we could be done for the day?”
“Of course, Bea.” Ava pats her gently on the shoulder. “I was serious. Coffee and take out on me. We’ll even watch one of your documentaries, if you want. Anything you want. Nothing too small.”
It's not a date. It's just friends getting coffee and eating out. Friends do that all the time. It's not a date unless they say it's a date and that's not what they're saying. Beatrice can't remember the last time she went out on a date and Ava hasn't since they met. But if they did go out together on a date - a thought she's had before that always seems to make her heart stick a little - she'd want it to be more than coffee and take out.
But, she's not going to think about that. She's going to just stay in a bubble where neither of them are going on dates and spending all their time together.
That can be enough.
“You don’t have to do that.”
“It’s the least I can do. I nearly drowned you.”
She almost rolls her eyes. “I would have been fine. I just needed another moment to get my bearings.”
“Still,” Ava says brightly. “You had a near-death experience. Let me take care of you.” She doesn’t wait for an answer. She leans down, brushes her lips against her chlorine-soaked hair, and stands up. Beatrice can hear her padding through puddles towards the towels.
She takes another minute to get out, letting herself bob in the water as she tries to let it wash away the feel of Ava’s body.
She doesn’t think she’s going to ever forget.
~
three months.
Beatrice likes to think that she’s more than capable of reading Ava’s moods. She can separate out mad from frustrated, happy from content, sad from melancholy. Maybe it’s from living in such close quarters; from the fact that she spends an average of 18 hours a day with her and it’s hard not to know someone so well after all that time.
The point is: Ava comes home from class and she is not just mad. She’s angry.
The kind of angry Beatrice saw last week when Ava declared she was willing to face incarceration for Beatrice, if it meant that her parents would never hurt her again. The kind of angry that took Ava hours and a movie night with their friends to come down from.
She throws the door behind her, catching it at just the last moment so it doesn’t slam shut. Beatrice appreciates it. Her neighbors are nice. And one of them has a baby that’s just gotten onto a sleep schedule; she doesn’t want to be responsible for waking it up. Especially since a sleep schedule means it’s not up half the night crying.
But Ava comes crashing through it all the same. She throws her backpack down, cheeks red and forehead pinched. It slides a little across the floor into the coat rack, but doesn’t knock it over. She doesn’t even kick off her shoes, stomping around the couch and past the breakfast bar where Beatrice is set up between classes, right to the refrigerator that she pulls open and thrusts her hand into. She comes up with one of Mary’s beers, left behind after a movie night earlier in the week.
Beatrice is up around rounding the bar before she even thinks about it, plucking the bottle from Ava’s hand.
Ava turns and nearly growls before she seems to recognize Beatrice. Her face smooths out.
“I can make you some tea.”
She’s expecting a bit of a fight, but Ava just sighs and nods miserably, sagging back against the counter.
Beatrice busies herself with putting the beer back and turning on the kettle. She moves around Ava, careful not to touch her. It’s not that she’s scared of touching her. It’s just that everything has changed between them. Knowing she’s the most important person in Ava’s life, that she always will be, hasn’t just tinted every interaction they’ve had in the last week. It’s changed everything. It’s changed her.
The entire situation has her on her back foot, a place she despises. For the first time in her life, she doesn’t know what she’s doing, or how to act. How does she move them forward from that without losing what makes them them?
She can start with tea. She finds Ava’s mug, the one with Dog Dad written in blocky letters on it. She can take care of Ava the way Ava takes care of her. She can listen. She can show Ava how important she is in return.
It isn’t until she’s pulling down a tea bag that she feels slim fingers encircle her wrist and pull her to a stop.
“Sorry,” Ava grumbles.
Beatrice smiles patiently. “Tough day?”
“You know Francesca, in my history class?”
Beatrice tries to shuffle through the various characters Ava tells her about. She doesn’t remember a Francesca off the top of her head. Francis in her feminist lit class, yes. But Francesca…
Ava takes her silence as the no that it is. “She’s the one I told you about who had the crappy boyfriend?”
Vaguely, Beatrice pulls to mind a time when Ava came home complaining about some guy who interrupted their class to yell at girlfriend. Francesca, apparently.
“Well, guess who showed up when we were headed to get some coffee after class?” Beatrice doesn’t have to. “Yeah, he just ambushed us on our walk. Totally embarrassed her in front of our whole study group. And you want to know the worst part?”
Beatrice pours hot water into Ava’s mug. “What?”
“He grabbed her. In broad daylight. Grabbed her by the wrist and tried to pull her away from us. I had to jump in and-”
“Are you okay?” Beatrice abandons the kettle and grabs Ava’s hand, gesticulating wildly between them. She turns it over like she was the one who was grabbed. “Is Francesca?”
Ava sighs but doesn’t pull away from her as Beatrice brushes her fingertips over a pulse point. “Yeah. I mean, I had to hit him with my backpack a few times before he took off.”
“You what?”
“And we sent Francesca home with Juan,” Ava says over her. “He promised he’d stay with her the rest of the day. But that douche knows where she lives and there’s no chance he doesn’t go back to try and bother her.”
“Ava.”
Ava looks at her, face red again. “You just can’t come up to someone and grab someone like that, you know? It’s assault, at least. She was totally spooked. And I don’t blame her!”
Beatrice abandons Ava’s hand and grabs her shoulders, holding her steady. “Ava.”
“If I see him again, I’m going to hit him with more than just my backpack. I’m going to take my fist and punch him right in the-”
“Ava,” Beatrice says sharply.
Ava blinks. “What?”
“Are you alright?”
“Oh.” Ava looks a little sheepish now. “Yeah, I’m totally fine. The bagel I was saving you is probably squished and I’m sure I have cream cheese all over my history textbook so I won’t get my money back, but I’m-” She reaches up, loops a few fingers around Beatrice’s wrist and tugs gently until her hand is curled up against Ava’s chest. “I’m fine.”
Beatrice exhales a thin stream of air. She turns her hand in Ava’s until their palms are pressed together.
She feels like she’s attached to Ava here. Like a thread pulls her in, staring at Ava’s lifeline and tugging until her calloused palms are pressed to Ava’s smooth ones. She doesn’t fight it, she lets it consume her. And she keeps the feel of it long after she’s separated from Ava.
“Okay,” she says, more a reassurance to herself than anything. “And Francesca?”
“Like I said, embarrassed. And I think her wrist hurts, but she wouldn’t tell us that.” Ava looks sad now. “He was such an ass. Going on about how she can’t leave him. Honestly, he was embarrassing himself. I told her to file a report. He’s a big guy, he could go right through Juan.”
As long as it isn’t right through you.
“But it got me thinking about something,” Ava continues. “I couldn’t do anything to, like, help her. He just grabbed her and we all stood there. Sure, my backpack doubles as a small weapon-”
“Only because you refuse to take anything out of it.”
“But,” Ava stresses, rolling her eyes. “It wasn’t enough. I needed him to go away on the first hit. It took, like, six tries before he finally let go. I need to do better. So, you need to help me.”
Beatrice frowns. “I need to help you, what? Hit someone with a backpack?”
Ava pauses. “Well, no. Though, I should start coming to the gym with you, I think. That backpack is really heavy. Maybe Mary could make up a workout plan and I can learn to push one of those heavy bags across the gym. That’s very sexy, I think.” She narrows her eyes. “Can you do that?”
Beatrice swallows, a little hot under her collar. “No, I don’t believe so.”
“Damn.” Ava pouts. She looks off to the middle distance, eyes clouding over for a moment, then blinks and looks back at her. “Right.” She smiles crookedly. “I need your help fighting someone.”
“Fighting someone,” Beatrice repeats. “I’m not going to help you fight someone.”
Fighting someone isn't the answer. It's not even the question.
Beatrice can appreciate what it means, the way that Ava is willing to step up for her friends and help them. One of the things she loves about Ava is the way she seems to want to do what she can for everyone. She's the first person Mary calls when she needs to go left off some steam. She's the first text when one of their friends needs a study buddy - even if Ava isn't too sure on the material. But it’s not just their circle of friends. Ava is someone everyone can count on. Someone who cares enough to help everyone around her. In the moments where Beatrice lets herself think she's a good person, she thinks Ava is someone a lot like her, just a little bit more impulsive.
But the last thing she wants to do is encourage Ava to put herself in harm’s way.
“Pleaseeeee.” Ava pushes out her bottom lip and blinks up at Beatrice through her lashes. “You’re already a great teacher. And you’re, like, a celebrated fighter. You’ve won trophies, Bea. That means more than one. You could show me how to kick someone’s ass and then the next time that douchebag shows up, I’ll-”
“Next time, you just walk away,” Beatrice interrupts. “You don’t fight a man as tall as a mountain.”
“Okay, he wasn’t as tall as a mountain. More like, as tall as Lilith.” Ava starts to walk her other hand across Bea’s arm, looping gently just below her elbow. “But it’s going to happen again. He’s like a parasite. A cockroach. And when he does come back, I want to be able to put him flat on his back. Bruce Lee style.”
Beatrice is shaking her head before Ava even finishes. “I’m not teaching you how to fight someone. And you shouldn’t be wanting to fight someone either. You’re very small.”
“I’m not-” Ava huffs, crossing her arms over her chest. “Wouldn’t that make me a better fighter? Because I could duck and weave and kick someone directly in the kneecap?”
There’s some logic to Ava’s thought process. Being small has its advantages. A lower center of gravity. Typically more movement than a man built like a brick house. But Ava is not a fighter by nature and a man built like a large rhinoceros would break her in half like a rotted out piece of pine board. No. She can’t teach Ava to fight.
“No.”
“Bea,” Ava sighs, frustration licking at the corners of her name. “I don’t need to know, like, all the steps it takes to become a black belt. I just need to know how to scare him off.” She steps closer and Beatrice feels the air between their bodies leave the room. “Come on. Show me a couple of things. You know I’m a good learner.”
“Cooking, yes. But the last time I tried to teach you how to do something physical…”
“Yes, I tried to drown you. That was once and I was panicking. And the next time we went swimming, I did a lot better.”
Beatrice shakes her head. “Fighting is a situation where you will panic. I still panic every time I get into a fight.”
“Okay, what if I make you a deal?”
Beatrice eyes her warily. “What kind of deal?”
The last time they made a deal, Beatrice ended up in the observatory after hours, hiding from campus security while Ava tried to escape the locked tower. They finally had to call for Mary to come and pick the lock.
“You teach me a few things about fighting and I’ll go with you to that conservatory luncheon conversation thing. The one about religious texts in modern media.” Ava thrusts her hand forward in a handshake. “Deal?”
Beatrice wasn’t planning on going to that. She could probably learn more from the supplementary texts her professor provided last class. But Ava is looking at her with soft eyes and her fingers are brushing against the inside of Beatrice’s elbow and Beatrice feels her resolve falling like her attempt at making a souffle, another one of Ava’s ambitious ideas. She can’t say no. She’s never been able to say no.
But also, a small part of her thinks, it’s an opportunity. There are times when Beatrice thinks that maybe Ava feels this too. Maybe she touches Beatrice because she wants to, just as much as Beatrice wants to touch her in return. And this is a chance to touch Ava, to explore what that feels like.
“Okay,” she sighs. She shakes Ava’s hand shortly. “But you have to promise you will not get into any fights until I say you’re ready for that.”
Ava cheers loudly, wiggling around. Beatrice winces and pulls her hand away before it gets tangled up in whatever complicated motion Ava is doing. “Thank you, thank you. Where do we start? Leg sweeps? Wrist breaks?”
Beatrice can’t help but smile at Ava’s enthusiasm. Lilith calls her soft when she thinks Beatrice can’t hear her. She doesn’t try to tell her off, because she knows it’s the truth. It’s not just that she can’t say no. It’s that she also can’t bring herself to be mad about it.
“Not wrist breaks.” Ava pouts again and Beatrice has the nearly irresistible urge to brush her thumb against Ava’s bottom lip and smooth it away. “But I can teach you how to throw a punch.”
“As long as it’s not the only thing you teach me,” Ava negotiates. “I want to know more than that.”
“We’ll start with a punch.” Beatrice is going to hold firm on this. “It’s the foundation for a lot of other things.”
Ava considers that for a moment. “Like treading water.”
“Just like treading water.”
“I’m very good at that now, you know.” Ava practically preens, lifting her chin into the air.
“You are,” Beatrice says dutifully. “Your breast stroke is also very good. Don’t laugh because I said ‘breast’,” she warns Ava, who is already smirking.
“Pretty soon, I’ll be making a run for the Olympic team.”
“Of course.”
“Don’t doubt me, Beatrice.”
Beatrice means it when she says, “I would never.”
Something on Ava’s face softens and she ducks her head. Beatrice might also say she looked shy, if she had to name the emotion on her face. But she doesn’t, because no one is asking, and because she doesn’t want to.
“I can settle for a punch, sure.” Ava finally breaks their connection, sliding out of her hold. Her fingers graze Beatrice’s arm as she steps back. “So, show me.”
“What? Right now?”
“Whatever you’re doing-”
“Biochemistry.”
“-can wait.” Ava makes a face. “Biochem? Yuck. Wouldn’t spending time with me be more fun than that?”
Of course it would be. She knows that. Ava knows that. It’s why she’s had to pull all-nighters more in the last three months than she ever has in her educational career. She’d rather spend all her time with Ava, completely addicted to the way she laughs and the way she smiles and the way she always seems to rest her hand on the closest part of Beatrice she can reach.
She especially wants to spend her time doing that.
“Fine. Fine.” Beatrice abandons her biochemistry homework without a second thought. She’ll need to make it up eventually and she knows Ava will sit at the table with her later and tell her funny jokes she reads online while Beatrice tries to focus on equations.
Ava beams. “We’ll be quick.”
“We will not be if we do it correctly.”
“Then we’ll be correct and not worry about the time it takes because form is important,” Ava amends. She waits for Beatrice to nod in agreement before she thrusts her hand into the air and clenches it into a fist.
Beatrice hums. Ava looks at her expectantly, a hopeful smile on her face. It starts to fade the longer Beatrice looks. After a minute, she meets Ava’s eyes.
“May I?” She gestures towards Ava’s fist. Ava nods. “First of all, you’re holding your first too tightly.”
Ava immediately loosens it and her fingers fall apart.
Beatrice laughs. “No, not like that.”
She doesn’t hesitate now. Before, she might have paused, might have stopped herself from reaching out and manipulating Ava’s hand into the shape she wants it to be. But that was Beatrice months ago. Beatrice now, so used to touch, to Ava’s touch and the way it fits so neatly into her life, just reaches out.
Ava’s hand is pliant under her fingers. She softens her wrist, lets her fingers relax. Beatrice works them back into a fist, keeping firm pressure across her fingers. She taps Ava’s wrist into place, smiling softly when she sees the look of concentration on Ava’s face.
“Your fist can be your biggest weapon, if you wield it properly.” Beatrice runs her fingernails over the ridges of Ava’s knuckles. “But it comes down to the proper mechanics. Because the person you hurt might be yourself.”
“I want to hurt Eduardo.”
Beatrice wrinkles her nose at the name. She knew an Eduardo once. He was a terrible child, one of her parent’s political friend’s children. He once pushed her down and stomped on her new dress. Her mother had been furious. Suddenly, she wants Ava to hurt Eduardo too.
“Then you need to make sure you’re using the proper form.” She stands in front of Ava, studying her fist. “First, your thumb.”
“Inside, right?”
“Outside,” Beatrice corrects. She gently places Ava’s thumb on the outside of her fist. “If you leave it inside, you run the risk of breaking it.”
“Would I get a cool cast?” Beatrice glances at her and Ava grins widely. “Would you sign it? Dear Ava, you’re an idiot. Affectionately, Beatrice.”
“That wouldn’t fit on a thumb splint.”
Ava’s smile doesn’t waver. “You could figure it out.”
Beatrice sighs, the sound laced with the kind of fondness she’s found she reserves for Ava. Her hand pulses over Ava’s, reminding her of what she’s doing. She curls her fingers around Ava’s wrist and holds her other hand up flat so that the flat of Ava’s knuckles press against her palm.
“Keep your fist straight. Like this.” She puts a little force behind her palm, feeling the resistance of Ava’s fist. “When you punch, the flatter your knuckles are, the more surface area you cover. The more even the distribution is.”
“So if I’m punching Eduardo in the mouth…”
Beatrice rolls her eyes, smiling still. “If you keep your fist flat, you could break several teeth instead of one.”
There’s a look in Ava’s eyes that tells her she shouldn’t have said that. She can see the wheels churning in Ava’s mind.
“More teeth,” Ava agrees. “I can totally remember that.”
Beatrice thinks about correcting her, about telling her that she should not go out with the intention of punching a man built like a woolly mammoth. She should make sure that Ava understands this is for self-defense and not to go on the offensive. But Ava is studying the shape of her hand intently and she thinks Ava knows that, in the very back of her mind, that she shouldn’t go out swinging at a man built like a steam engine train.
“More importantly, you won’t break your first two fingers,” Beatrice says, drawing back Ava’s attention. "It’s easy to want to punch with your index finger like this.” She makes a fist out of her own hand, clenching her index finger tightly so that it bubbles out and the knuckle leads away from her fist.
“Watch.” Beatrice tightens her grip on Ava’s wrist and pushes her hand into her palm with her index finger leading. “See how it impacts right against these fingers?” She’s close to Ava now, her voice quieter as she steps in. “But if you flatten your knuckles…” She smooths out Ava’s hand and presses against. “It distributes more evenly. Saves you from breaking your first two fingers.”
Ava nods, head bobbing up and down. “Uh, okay.” She smiles a little crookedly. “The hardships I’m willing to endure for friends, huh?” she jokes. “Next, we should teach Juan.”
“He doesn’t know how to throw a punch?”
Ava snorts. “He’s too busy being in love with Francesca to do anything but try not to trip over his own feet.”
In love, she thinks. Is Ava in love with Francesca, if she’s willing to fight off this Eduardo? The thought is traitorous but there.
“But that’s what we do, right?” Ava’s hand shifts a little in her hold but Beatrice hardly feels it. “When we- Like, your parents. I’d fight them in an instant, to protect you. Juan and I have that in common.”
Beatrice feels a ripple of affection rush through her before it’s swallowed up by the overwhelming thought that no one has ever so vehemently and blindly defended her before. It nearly pushes her back a step, but she’s still holding onto Ava and she doesn’t want to break their connection.
She doesn’t want to let her go. She wants to touch, to stay in this moment. She wants… more. She doesn’t know if she should take it.
But Ava hasn’t shied away from her yet. Hasn’t pulled away. She’s leaned into Beatrice. She’s let Beatrice stand close and shape her.
Would she allow Beatrice to be a little closer?
She pulls her attention back to the task at hand. Ava is still standing there, waiting for instruction. “Make sure your hands are up, to protect your face if your opponent decides to throw a punch back.”
Ava scoffs. “I’m a one-and-done kind of fighter. I get one in, they’re done.”
Beatrice slowly motions a punch towards Ava who blocks it just a second too late, throwing her hands up above her head. “Hands up.”
“Fine, fine. Hands up.” She takes the carelessness out of her words with the look on her face as she brings her hands back into a resting position, one situated at her chin.
“Your form isn’t terrible.” Beatrice ignores Ava’s small cheer. “You’re right-handed, so this is your power hand.” She taps Ava’s hand. “Throw a cross punch.”
Ava pushes her hand forward, twisting naturally in a way that Beatrice knows is hard to teach. She frowns, though, walking around Ava in a small circle as she studies her.
“You’re punching from the shoulders.” She carefully touches the top of Ava’s shoulder. “You need to watch your extension. Beginners always punch from their shoulders.” She finishes her circle around Ava and rests her hand on her shoulder blade. Ava looks back at her, face pinched in concentration. “Most people think that punching is all arms, especially when you twist.” She pushes a little, leading Ava into a small twist.
“But your real power comes from your hips.” She drops Ava’s shoulders to brush her hips. “You twist your hips with enough torque, you generate enough power to make an impactful punch because you are putting your entire body behind it.”
She pushes Ava’s hips to twist to demonstrate. Ava moves easily with the motion.
“Blunt force trauma, baby,” Ava sings. She looks up abruptly and twists a little to meet Beatrice’s eyes. “I need a superhero name.”
Beatrice smiles despite herself. “You’re just learning how to punch.”
Ava doesn’t hear her. “The Halo.”
“The Halo.”
Ava grins. “Yeah, remember that Snapchat filter with the blue and purple background that makes me look like I’m bisexual Jesus?”
“Ava,” she scolds.
“That could be my official superhero artwork.”
“Do you want to know how to throw a punch or not?”
Ava snaps to attention. “Yes, ma’am.” She thrusts her fist back into place and turns back around to face forward. “You were saying something about hips,” she says over her shoulder.
Beatrice gulps. She was. She just got distracted by the way it felt so easy to have Ava moving under her hands. Still, she needs to focus. Ava is. She can too.
Her eyes trail down from Ava’s shoulders to those hips and down to her feet. “Can The Halo take off her shoes, please?”
Ava looks down, cheeks flushing. “Oh, sorry.” She hurriedly kicks them off, sending them across the living room.
It almost makes her laugh. Their first week living together, Beatrice would have followed after Ava until she put them in their proper place by the door. Now she doesn’t miss a beat, just continuing on and knowing that Ava will take care of it when they’re done.
“It’s just that I need to see your footwork and I can’t if you’re wearing sneakers. Footwork is important to your legwork.” Beatrice points at Ava’s hip. “When you turn, turn sharply. Your core strength builds from there.”
Ava hesitates for a second, long enough that Beatrice catches it and frowns. “Uh, do you think…” Ava bounces a little on her toes. She’s nervous. It takes her another minute to get it out and Beatrice waits as she always does when it comes to Ava: patient and willingly.
“Do you think that my back affects my power?”
“Oh,” Beatrice says softly. She takes a step closer, her hand already reaching out to wrap around Ava’s arm. Just to give her a touchpoint.
“Well, a lot of your power does come from being able to rotate your core, of which your back is a part of. But you can compensate by strengthening the oblique muscles in your abs. The majority of your power though comes from your stance. Drawing power from your legs and transitioning to your upper body. Lift with your legs, right? You’ll still feel it through your body, of course, because things like boxing and mixed martial arts are whole-body practices.”
She smooths her fingers over the sleeve of Ava’s cropped cutoff - a Baba Yaga on roller skates - and hopes Ava feels the intention in her touch.
“But for a part-time superhero who remembers to use their legs, a few punches will be okay. You just need to learn and keep your form.”
Ava’s face clears. “Okay. So…” She grins. “How’s my form?”
“We need to fix your stance. Start with your weight evenly distributed. You also want to square up your feet. Lead foot forward but toes still pointing forward.”
Ava pitches to one side.
“No, no, wait. You’re leaning back on one leg too much. You’re giving me 70, 30 distribution. You can stand like that when we are ready to teach kicks. But for now, for just punching, I need 50, 50. Make it equal.”
Ava turns, confused. “Can you just show me?”
Beatrice immediately steps back, hands fall away. “You want me to demonstrate?”
“No, I mean- Can you just… move my feet where they need to go?”
There’s a hint of frustration in Ava’s words, like she’s getting upset that it doesn’t make sense the first time. They both have that in common. Ava just tends to be a bit more vocal about it.
“Show you…”
Ava nods. “Just move my feet. I know, feet are gross. I promise they’re clean.” She waits. “I washed them two days ago.”
Beatrice knows for a fact that Ava washed her feet yesterday, because she likes to sing to her toes when she gets out of the shower. That’s not what’s making her pause. Her hesitation comes from knowing exactly what it will mean to move Ava’s body this way. She’s going to have to get even closer, cross an invisible line that only she can see.
But Ava wants to learn and Beatrice isn’t going to let her get her information from someone at the Student Center who doesn’t know the difference between a jab and a cross punch. So she takes a halting step towards Ava, rests her hand against the small of Ava’s back, and stretches her leg out between Ava’s.
“This foot here,” she instructs. Ava’s ankle bone rubs against hers. She feels like the male lead in a Victorian novel; feeling Ava’s ankle has her heart racing. “And that foot- Yes. There.”
She looks down to check on both sides and eyes her work. It could be better. Ava is still leaning one way a little heavier than the other, but she seems to be swaying back and forth and it could work to her advantage. Satisfied, she looks up and realizes exactly how close Ava’s face is to hers. Ava grins and Beatrice’s heart shudders into place.
She tries to focus and steps behind Ava. “Now I want you to bend your knees a little like you’re going to squat.”
She doesn’t wait to be asked this time. Her hands flutter down to Ava’s waist, fingers curling into the dip of her hip bones. She feels Ava’s body go taut and she nearly lets go, but it relaxes just as quickly and Ava is loose under her hands.
“You want to create a stable base, so that means keeping your center of gravity low. That way when you punch, you can draw all that power from your legs.” She keeps her voice clear despite the way she feels like she’s trembling.
“Power in the legs, got it.” Ava looks down at her feet.
“When you’re low, there’s somewhere to go. That momentum can add to that force when you twist and throw that cross,” Beatrice’s hand pinches at Ava’s hip gently. “It starts down here.”
“Okay, so stay low.”
Beatrice nods. “The muscle groups you need to pay attention to are your quadriceps and your glutes.”
Ava is still staring at her feet. “The what?”
Spurred on by a need she can’t quite fully articulate - to protect Ava the way Ava protects her, maybe. To make sure that Ava can always defend herself, surely - she runs a hand down the outside and top of Ava’s thigh. She feels a surprising amount of muscle there, pulled tight.
“These are your quads,” she says quietly. “If you’re not engaging them properly then I can just… push.”
Beatrice gently pushes Ava forward. Ava has to take a slight step to avoid falling. Beatrice pulls her back up right and back into the cradle of her hips. “Focus on it. Engage it. And this time…” She leaves her hand pressed to Ava’s thigh and pushes with her other hand. Ava barely sways.
Ava looks back over her shoulder, eyes cutting down to where Beatrice’s hand is. “So engage my thighs.”
“Yes, front and back. Quads and glutes,” Beatrice corrects. “Your glutes especially. They’re your strongest muscle group.”
“So what you’re saying is,” Ava starts slowly, grinning. “My ass is my strongest muscle.”
Beatrice sighs, suffering already. “Take this seriously. If you’re not doing it correctly, you can get hurt.”
“I am,” Ava says quickly. She’s still smiling a little. “Totally am.”
She slides her hand back up to Ava’s hips, swallowing heavily when Ava looks away. “Once you’re there, you want to focus on your hips. Turn them sharply.”
“Butter knife sharp or-”
“Chef’s knife sharp.” Beatrice slides one hand a little further around Ava’s front, enough to get a slightly better grip so she can turn Ava’s hip back. “The sharper, the harder your punch is.”
There’s nearly nothing between them now. A piece of paper would wrinkle. And Beatrice feels alive. She feels like the air is cleaner. The lights are brighter. She could be glowing warm yellow light and levitating off the ground and she wouldn’t know because Ava is thisclose and she’s forgotten to buy different shampoo so it still smells like pineapple and caramel from her coffee and every single one of Beatrice’s senses is electrified.
She’s been in love with Ava for a while now and each time they touch, she sinks a little further into the feeling. She lets it envelope her. She drowns in it. She lets it consume her most of her waking moments and all of her sleeping ones too.
She’s very dramatic. But she also loves Ava Silva more than she’s loved anything in her entire life and sometimes, dramatics are necessary.
“So,” Ava breathes out. “Just… twist my hips.”
Beatrice pulls her back again to her starting position. She can feel the muscle of Ava’s hamstring against her thigh. She keeps her voice steady, a feat harder than anything she’s ever done before.
“Twist. Like this.” She spins Ava’s hip again. “Transfer your weight onto the ball of your foot when you twist. That’s the only time that your heel should lift off the ground.” She touches the back of Ava’s knee, pressing in a little. “Bend here more to lift as you twist up.”
Ava swallows, jaw clicking loud between them. “And my arm goes out at the same time.”
“Yes.” Beatrice uses one hand to guide Ava’s arm forward. “Put it all together to get that power. Bend, twist, punch.”
Ava lets herself be spun out again, a bend of her knee and a sharp twist of her hips.
“Good. Now reset.” She lets Ava set her feet. “Don’t forget to breathe this time. Exhale with your punch. It’ll loosen your muscles and create a more explosive force behind your punch. Now again.”
Beatrice hears Ava exhale with her punch. It echoes in her ears like a church bell - haunting and beautiful and ringing in her chest so loudly it sends small ripples through her body and into her hands. They shake on Ava’s waist as she tries to hold them still. She breathes in through her nose - pineapple and caramel and promise - and exhales against the back of Ava’s neck.
Ava pulls back to a starting position almost immediately, already catching on to the rhythm.
“Again. Together.” she says, reduced to single words as Ava’s body moves under her hand back again. “Bend, twist, punch, hold.”
Beatrice turns with her this time– bends her knee, twists her hip, punches out beneath Ava’s arm. They stay poised like that, an arm outstretched and molded against Ava’s back. She thinks she’s trembling - it can’t be Ava. She can’t be feeling what Beatrice is feeling. This feeling is hers and hers alone.
But Ava isn’t breathing. Beatrice starts to pull away but Ava steps back into her. Beatrice feels her breath catch and she rushes to cover it with a cough. That gets stuck in her throat too, and she’s suspended weightless, her hands and arms and chest burning where they touch Ava.
Her hand slides down along the curve of Ava’s leg where it presses back into her. Touch, a voice in her mind whispers like silk. The hem of Ava’s too-short shorts catches on her fingernails. She can feel Ava’s back pocket against her palm and she knows the imprint it leaves might never go away even when it isn’t visible anymore. She nearly tucks the tips of her finger into it, a slight flicker of possession that almost overtakes her.
Ava steps away, the heat of her body gone as she puts space between them.
Beatrice feels her stomach tighten as Ava stands suspended in front of her, back facing Beatrice. She went too far. She took too much. But before she has too much time to think about it, Ava turns and clears her throat.
“What about when I fight your parents? Should I put power into that?”
The tension breaks. Beatrice breathes out a laugh.
A thrill still shoots up through her every time Ava makes some kind of casual threat regarding her parents. She doesn’t wish them harm. She doesn’t wish them anything at all. But there’s a certain niggling wonderment in the way Ava doesn’t hesitate to declare she’d go to war for Beatrice. It makes her feel wanted in the best way.
Beatrice exhales. “Yes, you should always put power into your punches.”
Ava seems to need a minute, something complicated crossing her face before it clears. “Maybe I’ll take up boxing.”
Beatrice leans into the subject change, needing to distance herself for a moment too. “Mary has a friend at the campus gym. Mateo. He’s a good teacher.”
“As good as you?” Ava shakes out her arms and legs. “Because I want the best.”
So you certainly wouldn’t want me, a voice not unlike her mother’s whispers. She smiles despite it. “Other people are far better teachers than I am.”
“But you’re my favorite.” Ava grins and rests her hands on Beatrice’s shoulders as she leans up and gently headbutts her. Beatrice frowns. “I saw a cat do that once. Means I like you.”
“Better than pulling my hair, I suppose. Or kicking me down on the playground,” Beatrice murmurs. Ava doesn’t hear her, already moving back to the counter where the hot water for their tea has gone tepid.
Ava busies herself with pulling down another mug and dumping out her own, turning the kettle back on. “I want to watch a kung fu movie.”
“I have homework,” Beatrice sighs.
Ava shrugs it off. “So we’ll do homework first and then watch a Bruce Lee movie. You can correct his form.”
Beatrice snorts. “He’s Bruce Lee. His form is impeccable. And we practice drastically different forms of martial arts.” She sighs at the look on Ava’s face. “But I’ll let you tell me what you think he should be doing, if you’d like.”
“It’s like you know me so well.” Ava leans back against the counter and crosses her arms over her chest. “You’re my favorite person in the whole world, you know that? I’d punch Eduardo in the face for you, if you wanted me to.”
Beatrice does know. And it’s what makes everything so confusing. But it doesn’t stop her from loving the way it makes her feel any less.
“I’m quite certain I could punch Eduardo myself,” Beatrice says softly. “But that’s nice that you’re offering to punch a man I’ve never met.”
Ava shrugs. “So long as you know I’d fight anyone for you.” She puffs out her chest, resting her hands in the spaces where Beatrice’s had just been. She pitches her voice low. “The Halo will rescue any damsel in distress.”
“The Halo needs to maybe empty her backpack before the cream cheese in it goes bad.”
Ava’s face flushes and she darts for her backpack. Beatrice watches her openly and thinks, one day, I’ll let you rescue me. And I’ll hold on tightly if you let me.
–
It takes another hour before she’s done with her homework. Ava finishes in half that time but doesn’t rush her, passing her a highlighter when it rolls away from her and refilling her tea for her when she finishes it. And Ava puts away her shoes without the reminder, tucking them neatly on the shoe rack next to Beatrice’s running sneakers.
Ava never rushes her, always lets her make her way through things the way she wants to. For someone who rushes through so much, her patience is another testament to the ways Ava has changed for her.
“Alright, so it’s between Enter the Dragon or Fist of Fury Part Two.”
Beatrice wrinkles her nose. “What about Fist of Fury Part One?”
“Can’t find that one.” Ava immediately slides towards her when Beatrice sits down, the sharp point of her knees digging into Beatrice’s thigh. She barely feels them. “So maybe Enter the Dragon? He’s hunting down a drug king who killed his sister.”
“Sure.” Beatrice doesn’t care what the movie is about. Not with the way that Ava is arranging herself so that she’s pressed in closer to Beatrice.
Ava is too busy selecting the movie to see the way that Beatrice is controlling the way she breathes, using all her training to keep it even. So busy that when she reaches out and takes Beatrice’s hand, dropping it onto her thigh, she doesn’t notice the way Beatrice fails spectacularly at the only thing she’s focused on doing.
Ava’s thigh is still muscled, still warm and smooth. Beatrice’s fingers curl over the skin, molding to her leg. There’s nothing between them, no denim shorts. Just Beatrice’s palm, sure to sweat in a minute, and Ava’s skin.
She inhales one controlled breath, letting it out in a hot, quiet exhale. Ava looks at her and Beatrice forces a smile, hoping it doesn’t shake like she feels every nerve ending in her is. She must be succeeding; Ava smiles back at her and wiggles down towards her a little more.
Touch is her newest love language. She’s still growing into it, still trying to understand it as well as Ava does. So maybe she didn’t go too far. Maybe she didn’t push too much. If she had, Ava wouldn’t be seeking her out, would she? She would be sitting across the couch, a cushion like an ocean between them. She wouldn’t be here, pressed into Beatrice’s side with her hand on top of hers. Maybe - as Ava smiles and scratches her fingernails against the back of her hand gently - Ava is trying to tell her that they’re thinking the same thing; they’re on the same page.
But she still doesn’t know for sure. She doesn’t have any more answers than she did before.
She thinks about the words Shannon told her, right after Ava’s coffee date with JC. “Be honest. Be direct. Tell her how you feel. If you never say anything, you’ll never know and you might just miss your chance.”
Ava has many love languages. Beatrice wants to love Ava in every one.
“Just use your words, Beatrice.”
Maybe she just needs to adopt a new one.
#warrior nun#avatrice#ava silva#sister beatrice#forever roommates#aka 3 times bea teaches ava through touch#everyone say thank you kay thank you kay#because the literal hours she spent with me working on this cannot be understated#but as per ush this got exponentially out of hand VERY quickly#why use 1 word when you could use 100?#it's a question i ask myself often#touch is a love language GUESS WHO IS LEARNING ALL ABOUT IT?!#the first time i tried to copy-paste the words the whole screen glitched#we persist!
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I forgor to post this
Breton AU in full everyone !
Welcome Home if it was set in the region of Brittany/Bretagne, France
The plot a mess, mainly focusing on Sally and Wally coming back to their hometown as adults, and rediscovering the place. Sally is an author, inspired by the local folklore and trying to find the best plot ideas, going as far as to play detectives and get her nose in the wrong places
There is also a good bit of plot about faes living along puppets, religion taking over folklore, and the struggle of not quite being like everyone (*COUGH COUGH* neurodivergence allegory *COUGH COUGH*)
Anyway, finally finished the sillies ! I'm so proud of Sally and the Joyfuls designs
Feel free to ask questions ! I have plenty silly bits about them
#it's a comfort AU tbh#i fit in there whatever inspires me about my fav region#Bretagne can also be called Breizh by the locals hence the name I wrote on the art#feel free to ask questions !#i can actually draw the characters answering yk#goes for all my AUs#i wish I could interact more with my AUs#welcome home#welcomehome#welcome home au#welcome home art#julie joyful#julie welcome home#welcome home oc#wally darling#wally welcome home#poppy welcome home#barnaby welcome home#frank welcome home#eddie welcome home#howdy welcome home#jonesy welcome home#bea welcome home#franny welcome home#home welcome home#sally welcome home#any ship work in this AU#the only canon ship is Frank and Eddie#they are fiancés :)#i might wanna explore rarepairs here
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okay, art/lore dump for my fic Body Horror Baby. This kid's backstory is basically that Donnie accidentally scienced himself into being a teen dad. Like most Donne kids actually lol.
She was formed from a piece of Krang tissue removed from Donnie's back after the Technodrome that he kept for experimentation (this one was of particular interest because it retained some of his own genetic material). They slowly transformed over time from a shapeless blob into something resembling a tiny turtle, although Donnie didn't connect the dots until about a year post invasion. He immediately told his family upon figuring it out, although reactions varied.
After about 6 months to a year longer of living in the observation chamber Donnie built, the baby was removed and given the name Beatrice Helena (after two separate Shakespeare characters because Donnie is a theater nerd).
(she's named after this quote in particular lol. It's from Midsummer Night's Dream about the character Helena, and also it happens to be making fun of her for being short.)
Beatrice Helena stays very small for the most part, and (with a few exceptions) grows at a very slow rate. In some ways, this makes them easier to take care of because it's so easy to contain them.
She also has some ability to shapeshift (it's beyond the normal Krang ability because she was a part of the Technodrome and seriously, that thing molded itself into donnie's face in two seconds flat). This makes for some interesting tantrums. In their baby/toddler years, this is mostly limited to growing eyes or occasionally losing her turtle form, but it gets more precise/intentional as she gets older.
And just for funsies, here's some lineless art of her when she's a bit older. That's about all the art I have, I think, but if anyone has questions feel free to ask!
#i have a couple more doodles of her but i kinda want to fill the page before posting it lol#and if you have any questions ask me i wanna ramble about bea so bad. SO BAD#this is kinda the bare bones introduction to them i have so much more info i dont know where to start#rottmnt#rottmnt au#rottmnt fankid#beatrice helena oc#rottmnt oc#rottmnt donnie#donatello hamato#rise of the tmnt#rise of the teenage mutant ninja turtles#my art#rottmnt fanart#rottmnt fanfiction#undescribed
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Yoohoo
working on the blob lol why am I overthinking it
Don’t overthink it
It’s just a blob
❤️
There’s no pressure
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NOOOOOOO DETECTIVE WILLIAMS WHAT DO YOU MEAN YOU NEED MORE TIME YOU AND YOUR WIFE WERE MY FAVOURITE COUPLE!!!!!!
#DID SOMETHING HAPPEN IN S3 I DON'T REMEMBER OH MY GOD#THIS IS KILLING ME!!!! GIVE ME BACK MY LADIES OH MY GOD THIS IS A TRAVESTY#they just had a baby too ;-; what is this injustice?????#ok that aside. yet another *fantastic* episode i loved it#didn't know i needed to see eva longoria shoot a fake gun at a twerking santa gadget but. i did need that. yeah.#also BEA ARTHUR MENTION IN MY SILLY MURDER SHOW <3<3<3<3<3<3#it was just for a joke but i'll take what i can get lmao#also zsa zsa gabor! thank you hotvintagepolls for letting me get that one#oliver and zach in general were so fucking funny they have this incredibly toxic chemistry together. a trainwreck. loved them#and eugene levy and charles work so well together they literally share a braincell#onto serious things... i'm pretty sure we haven't heard the voice at frequency 445 before. i'd recognize the accent i think#and it seems specifically related to the murder... i thought it might just be a west tower thing#but the questions the trio asked were murder-related so...#many thoughts! many thoughts!!#(i don't think the voice is the murderer though. the murderer is more likely someone we *have* met. but they *do* know about the murder!!)#aaaa i can't wait for next week!!#omitb#omitb s4#omitb spoilers
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Webtoon Readers Are Very Harsh on Black and Brown Female Leads.
I've had this thought for a while, and I'm likely not the first to voice it, but I do want to talk about it. It's certainly not a coincidence to me after seeing it happen multiple times. For you to understand my frustrations, I'm going to focus on comparing the female leads from 3 comics: Let's Play, Late Bloomer, and Brimstone and Roses.
(Quick Warning: Let's Play did not originally market itself as an 18+ comic at the start of its publishing, but it very much turns into one after Season 1. Please read at your own discretion.)
(Image description is in the alt text)
Here are the 3 leads of each Webtoon:
Let's Play stars Sam Young, a 22-year-old White woman.
Late Bloomer stars Mai Rose, a 26-year-old Black woman. (Mai is pronounced as "May")
Brimstone and Roses stars Beatrice "Bea" Rosario, a 24-year-old Mexican-American woman. (According to the author, Bea can be pronounced as "Bee" or "Bay-uh")
Let's start with Let's Play.
As a former reader of Let's Play (I read through all 3 seasons), I did observe how this story was perceived by others. The White main character was constantly coddled by readers in the comments section. I would argue that Sam has stunted mental and emotional growth because of her upbringing, and this stays relatively consistent throughout the comic. Her dynamic with Charles wasn't healthy, nor did it actually lead to any significant growth for Sam's character, and it took 3 seasons for people to even realize that. Sam is heavily dependent on Charles, who is way too possessive over someone who isn't even his girlfriend. Sam even acknowledges that he's too pushy for her liking.
There's also this:
Which is just a visualized way of saying "I can fix him." It's set up like she thinks that she alone can help unpack all of his problems if she just gives him some of her own love and care.
The author wants her audience to believe that Sam is manipulating Charles during some points of the story, as Charles makes that point twice (Although, one of those moments is honestly just the author speaking through him), but Sam is portrayed similarly to that of a naive child who Charles takes care of at the same time:
(Context: She drank Irish Coffee sometime before this scene. She did not ask the waitress to elaborate on what it was, and for some reason the waitress herself didn't even tell her that either when she asked for coffee, not alcohol. Charles was left taking care of an intoxicated Sam from that point forward, and the question of whether he'd accept her offer to sleep with her was Season 2's cliffhanger.)
Sam is 22 and Charles is 26-30 (Confirmed in "Questions and Answers II"). They're both adults, obviously, but the way they act led me to believe that their mental and emotional maturity gap is significantly large (Meaning that I can more realistically buy Charles being 30 instead of 26). Sam is frustratingly naive, but someone who's been portrayed as having less power and awareness in the dynamic is a person who I have a harder time believing as being manipulative, compared to Charles, who is much more experienced than her and knows better. He admitted earlier in the story that their relationship was unprofessional and questionable, yet continued it anyway when he could have firmly said no.
Sam also is shown to leave her apartment door unlocked twice, despite knowing that a stranger could walk in. The first time Sam did it, she did it because Charles was coming over and she was going to take a shower, so she told him to let himself in once he got there. The second time was also because she expected Charles to show up, and she was relaxing in her bed while she was waiting for him.
Aside from Sam's character consistently being this glorified portrayal of innocence (seen through the lamb symbolism she has and how much Charles fawns over her because of it), she also isn't really relatable, something that the author tried to portray her as (given that she wanted a relatable and realistic story). Sam's dad is the founder and CEO of a software development company called Young Technologies, and her mom is a world-renowned model and actress. Sam herself is supposed to be a struggling game developer, but she also works at her dad's company as Charles's assistant. From a design standpoint, Sam is conventionally attractive just like her two friends, Angela and Vikki, with all three of them (and most of the women in this comic, honestly) having hourglass figures.
I'm not saying that pretty people can't be insecure or have problems, but every trait added together showcases that Sam, in comparison to most of her friends (Especially Dee, for example. Dee is a dark-skinned, plus-sized Black lesbian, and she works at a coffee shop), is insanely privileged. Given that she comes from a rich family that also has a high social status, with a dad who doesn't even take much convincing to do something when asked by his wife or daughter, Sam has no shortage of money to fund her game and can easily find help with marketing it as well (I'm aware that part of the story's conflict is that Sam doesn't want to take over her dad's business and wants to pursue a career in game development instead, but her dad's backbone is so non-existent that I doubt it would be that hard for her or her mom to get him to contribute towards Sam's games).
Next is Late Bloomer.
I read this comic before Let's Play was first published, so seeing the feedback between that comic and this one was like constantly being given whiplash. Mai works at a place called Galivoyage Travel Services. As the comic goes on, readers referred to her as lazy, spoiled, whiny, unsympathetic, desperate, inconsiderate, and horrible at her job (She is actually bad at her job, but I'll get back to that later). She was called shallow in Episode 8 for turning down Zander, a guy who admitted that he got himself arrested for attempted robbery at a pet store because of his fish obsession (she was also accused of hypocrisy for being put off by Zander's habits, since she has a trait that causes a rose bud to grow on her stomach).
Before this, Mai dated a blind guy in episodes 5 and 6. Because of what happened in Episode 6, readers later accused her of having a judgemental streak for turning down both Zander and this blind guy, claiming that she rejected the latter just because he was blind.
That was not the reason why Mai declined on taking the relationship further. The date was a bust, as neither parties were being fully honest with one another (Mai didn't even know that the guy was blind because he kept that information from her). The blind guy took her to a candlelit dinner that was pitch black, and he had his friend coaching him the whole time. Mai picked up on how sketchy he was acting, and things started to escalate. Her outfit caught on fire because the blind guy accidentally knocked over a candle, and Mai was drenched in water that was thrown at her via a bucket to put it out. Mai did not blame the guy for anything and even acknowledged that her friend, Flora, lied about things on Mai's dating profile while creating it. Mai simply wanted to forget that the night happened and hoped all parties would put it all behind them, but as she's leaving, the blind dude reveals his true colors: He's an asshole. He gets mad at her for leaving and insults her appearance, then proceeds to victimize himself by blaming her rejection on his blindness.
Readers were asking for Mai's character development by Episode 10. At the time of when I read this story (2017), I remembered readers also threatening to drop the comic if development didn't happen after this point in the story. Those comments may have been removed by now, but there are still others who say that they find it hard to like the comic with such a frustrating main character.
Onto Brimstone and Roses.
I'll admit that I'm a new reader for this comic. I'd heard that it featured a bisexual woman of color as a main lead, and the story deals with her personal struggles alongside a demon that she summoned. Bea is a very flawed character, and I appreciate that about her. She has flaws that revolve around the career she wanted to pursue, her complicated family life, and her romantic relationships - Aside from her having a demon, there was nothing really out of the ordinary all things considered.
What shocked me was that it only took 8 episodes for the readers to completely turn on Bea (though negative reception already had quickly built up to that point) and call her all types of names. The readers deemed her unlikeable, selfish, petty, stupid, childish, and a pathological liar. One person stated that they were now only reading the comic for Lazareth, the demon that Bea summoned. Others stressed that they wanted to see character development from Bea as soon as possible.
We are 8 episodes into the Webtoon. That was all it took.
Are you seeing the problem yet?
I need to stress that I'm not saying that Mai and Bea are above criticism just because the former is Black and the latter is a brown Hispanic woman. Far from it, actually.
Mai's work ethic is, like I mentioned earlier, not great. She prioritizes dating over her job, and consistently gets bad reviews from her clients. She and Flora are called out on this multiple times, and are both implied to be dragging the rest of their team down.
Bea, on the other hand, is desperate, selfish, and jealous of her ex-girlfriend despite pretending that it's the opposite. Lazareth calls her out on her behavior, and she comes to accept very early on that he is right. Now she has to deal with the consequences of summoning a demon for petty reasons.
These two leads being called out for their actions isn't the issue. The problem is that Sam constantly gets passes from readers despite having glaring flaws and little to no actual character growth, yet she is praised for having an "empowering" and "relatable" story. There is nothing relatable about a daughter of a CEO and model who has three conventionally attractive male love interests, and whose initial story about becoming a game developer is sidelined after Season 1 in favor of her pursuing her horny, BDSM-loving boss (No shade to anyone who likes BDSM, it's not inherently a bad thing. Charles is just very unprofessional and his unhealthy sex habits are part of the reason as to why). Sam's "empowerment" comes from her changing herself to please a man. Everything that Charles tells her, from how she should act to how she should dress (Wearing revealing or skintight clothing does not automatically make you a more confident person), is based on what he personally likes. Sam even bases some of her own choices on what she thinks Charles would like as well, rather than what she likes.
Sam does not learn much of value from Charles despite her initially claiming that he is the only one who's helped her improve. Her development is mostly stagnant until Monica and Marshall are around, as they're the only ones in the comic who give Sam actually decent advice (I'd count Olivia as well, but she hasn't been relevant in so long that I forgot she even existed). Sam's flaws are usually glossed over, and when she is called out, it's not for the right reasons (i.e. victim blaming, as she is somehow the real manipulator and not Charles).
Mai and Bea are much more heavily scrutinized in comparison, and in Mai's case, not all of it is for the right reasons either. As stated before, Mai did not leave her blind date because he was blind, and the guy's friend even calls out his behavior. The friend states that, because of him, Mai nearly received burn injuries and had her entire appearance ruined when the fire was put out. All she wanted was to go home, and she was within her right to do so. Again, Mai also acknowledged that she and her date weren't completely honest with one another about their identities. However, even though what happened was an accident, the blind guy's lies and planning caused more harm towards Mai compared to vice versa.
Mai was also within her right to turn down Zander. There's nothing wrong with him dressing up as a fish if that's an interest of his, but robbery and crimes are a dealbreaker for multiple people in the dating scene. It's not her job to help him through what's clearly a deep-rooted problem - as readers had claimed she should - since they'd only been on the second date thus far. None of this makes her shallow or picky, and it baffles me that the author of Late Bloomer was shamed by readers for writing this.
Sam's arc and initial plot can remain mostly static and many readers won't complain, but they turned on Mai and Bea because their character arcs weren't moving fast enough for them. Why is Sam's character allowed to move so slowly for multiple seasons, while Mai and Bea have a time limit of about 8 to 10 episodes to receive character growth before readers get bored or angry? If their arcs had moved that fast or been completed in that amount of time, their stories would be rushed.
It's explained later on in Late Bloomer that the reason why Mai is bad at her job is because she never received proper training, and Joune (Pronounced as "June"), a manager at a different branch in the company, shows her what's she's supposed to be doing. The audience is also shown that Flora is one of the main reasons why Mai continues to be distracted from her work. Flora is the one who came up with most of the dating plans for Mai, and constantly has her running around with her to go places. Mai obviously can say no to her, but Flora is characterized as being pushy and dragging multiple people into her antics. Readers knew that Flora was a bad influence and still put most of the blame on Mai anyway.
Eprille (Pronounced as "April"), Mai's boss, is one of two characters who chew Mai out for her unprofessionalism and bad work ethic, but he's shown to be a hypocrite throughout the story since he's just as unprofessional as Mai is, if not more. Eprille is insanely petty, using work as a means of getting back at his ex, Marche (Pronounced as "March"). Both Joune and Cloud (Joune and Eprille's friend) call Eprille out on this, and he's also playing favorites with Mai at work. It's later revealed that the reason why he was so interested in Mai, and the only reason why she didn't get fired from her job sooner, is because he's been fetishizing her rose bud. That bud is part of a process that Late Bloomer calls "Botanical Development." Mai's family line on her mother's side has a symbiotic relationship with a plant in their body, which grows more when it detects their destined partner. If the person chooses to sleep with that partner, the fully grown plant will fall off. Eprille knew about people with this trait, and he had been pursuing Mai solely so that he could have sex with her to see if her plant would detach (assuming that he's her chosen partner). By this point in time, Mai had also found out that Eprille had hooked back up with Marche, but Eprille didn't tell her as he had been pursuing her. He then proceeds to blame her for flirting with him despite him leading her on the whole time.
It was also Eprille's responsibility to train his employees, but he never did. The irony of him chastising Mai for not being a good worker is that her being that way is his own fault, because she improves significantly after Joune shows her the ropes.
Eprille is later demoted from his position by his grandmother (the founder of Galivoyage) for his consistently bad management, and Marche is also fired for being irresponsible at work and causing drops in sales.
As for Bea, I've heard plenty about how her character gets better and even more interesting as the story goes on. Although I haven't read much myself, I consider the author to be very talented for being able to get me hooked after 6 episodes while setting up the trajectory of Bea's journey towards healing as a person. That leaves plenty of time to carefully unpack her baggage and tackle her emotional instability instead of rushing through it just to get to an ending.
I focused on just 3 comics for examples, but I could have mentioned more, such as Haxor and Lookism. Some readers of Let's Play have actually referred to Haxor in the comments as a series where you can find "sjws,"-
oh man if you guys wanna find the Tumblr sjws just read big jo or haxor. the comments on the 1st ep of the latter is YIKES
-which I suspect is because of Iso, the comic's Black female lead. The "yikes" comments being referenced were part of a conversation that happened because non-black readers didn't understand why some people were genuinely ecstatic about seeing a Black girl as a main character in a comic. As a result, Black women ended up having to explain to White people why this was personally important to them, and the author himself was glad that Black women were enjoying his comic.
I didn't get very far with Haxor, but from what I did read, the audience would point out that Iso has a huge ego, and that she needed to be humbled. While being too confident is certainly a character flaw that is acknowledged during the story, as I was reading, I couldn't help but wonder if some readers would be this critical if Iso was White, since many White characters who have her traits are praised for being who they are unapologetically. Iso canonically is a young prodigy in the story, and several people depend on her for support. Obviously she isn't perfect, but it's easy to understand where her overconfidence comes from.
Lookism was a completely different case, featuring Park Hyung-Seok - known as "Daniel Park" in English - the comic's light-skinned Korean male lead. Daniel, for all intents and purposes, is a pathetic and unlikeable (though somewhat sympathetic) character when he is introduced to the audience. He disrespected his mom in the very first episode, as well as Episode 2, because he couldn't bring himself to admit to her that he was getting bullied and also prioritized how he was being perceived by his female classmates (who he repeatedly objectifies). Daniel did this while knowing that his mom was working hard at her job to provide for him, and also knowing that she was trying to defend him against his bullies. Despite this, Lookism is one of the most popular Webtoon comics, as many people kept reading and got the chance to see Daniel grow as a person. Daniel is referred to by readers as having a "great personality" (which I agree with, his character development is great).
If these readers have White and light-skinned characters with similar flaws and circumstances to that of some Black and brown characters as their favorites, but they react more negatively to the Black and brown ones, then they need to ask themselves why.
Why did they dismiss Late Bloomer's Black female lead as just lazy without knowing the full story? Why did they shame the comic's Black female author for not having her character settle for the first two men that she went on dates with?
Why is Brimstone and Roses's author not allowed to let Bea take her time to grow? People with her issues don't change in a day, or even a few. Why are readers less patient with her in comparison to White or lighter-skinned Webtoon leads who are just as flawed?
I am asking Webtoon readers to please give these characters the same grace and patience that you would your favorite White and light-skinned characters. If the story or characters aren't for you, that's ok. I've dropped plenty of media that I wasn't interested in after watching a few episodes of a show, or reading a few chapters of a book. However, when it's the very beginning of someone's story, you very well could be missing out on something great if you're disproportionately judging these women of color far too quickly, especially when many of you will sit through Webtoons that contain hundreds of episodes in them (As for the Let's Play fans, many of you guys sat there seeing nothing wrong with what was going on with Sam and Charles's entire dynamic until the second to last episode in Season 3, when Charles searches through her phone when he thinks Sam is asleep).
I'm not even saying that these stories are perfect, either! I had plenty of criticisms surrounding Late Bloomer as I was reading it, but I still love it despite its flaws. I'm saying that if you can enjoy flawed stories with heavily flawed White and light-skinned leads, you can do the same for flawed Black and brown female leads as well.
#webtoon#webtoon critical#let's play webtoon#late bloomer webtoon#brimstone and roses#haxor#lookism webtoon#racial bias#misogyny#misogynoir#also for those who don't know#lazareth's human form is a blonde white man#i didn't want to mention it in the main post since it didn't seem as important#but i do want to point out that readers kept giving him passes as well#despite him being a terrible guy at the start and not having enough character development at that point to be a good partner to bea#and i do think this happened because laz is an attractive white guy#since morally questionable men of color receive more scrutiny#no offense to the author because i do like his character and design but yeah#gold's essays
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how about this is how i come out to my dad and share my new name with the rest of my family:
i gather them all together and i say, “ok, here’s how this is gonna work. if anyone asks, i went on a deep sea fishing trip with my friend and her family, and unfortunately i died in a shipwreck, and the only survivor was my friend sabrina. since she lost her whole family, you decided to take her in and treat her like your daughter. does that all make sense?”
“no, that’s too much? ok, i guess i can settle for you just calling me sabrina and we’ll take it from there.”
#i see there are still some questions but unfortunately i do have another meeting to get to so i’m gonna have to run#good talk‚ bye! ✌️😉#trans#transgender#coming out#the marvelous mind of sabrina bea
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Chakotay being a person who (while of course being willing to follow orders to a point) ultimately puts what's morally right and wrong in his eyes over Starfleet protocol while Tuvok is shown to be a person who will follow Starfleet protocol (and more accurately Janeway's word) over what he personally thinks is right is something that could have been so interesting if the three of them were actually shown as a triumvirate instead of it usually being Janeway-Chakotay and even then mostly just Janeway.
It would be an opportunity to explore more about the Maquis v Starfleet dynamic, about how Chakotay & Janeway's different leadership styles work and don't work with this new crew and with different people, to interrogate what exactly Voyager should look like - to incorporate more leniency and Maquis tactics into its operation so that they really do become a blended ship instead of the Maquis simply becoming subsumed into Starfleet. It'd also give more opportunities to let all three characters shine and introduce more moral quandaries that they can have differing ideas about and how does that affect them? At one point Tuvok is willing to go against Janeway's orders because she wants to do something but can't due to Starfleet protocol. In another episode he also follows Janeway's orders to assist in killing an entire ship of people despite that being against both Starfleet protocol and certain moral standards because she feels strongly that they should. He protests this but once she rebukes him he doesn't object again or attempt to stop her (like Chakotay - though they both know at that point that she's crossing lines). This sort of implies to me that he's much more loyal to Janeway herself than he is to Starfleet as a concept. Meanwhile Janeway is shown to be staunchly and strictly Starfleet - adopting the code AS her moral compass a lot of the time. She sometimes has to go off-script due to the nature of their situation but most of her decisions are made depending on how Starfleet would feel about it. If she wants to do something but Starfleet would disagree, she rarely if ever questions Starfleet protocol and instead will go with what it says is best even if it's painful on a personal level. She also tells Tuvok in the episode aforementioned that he is "Her advisor, her moral compass" and having a moral compass/advisor that's either a bunch of rules written by the space government or a person who is mostly just going to agree with you no matter what they actually think and not challenge you if you rebuke them isn't the best idea. Enter Chakotay. Chakotay's willingness to disagree with Janeway and not back down is something I wish had been shown more. When he says "I don't care about logs or reports or whatever - I care about person to person shit. I care about what's right and what you're doing is wrong." it's something that could be so interesting and so necessary when contrasted with the other two. A good example is of course 'Equinox' but also 'Manuevers' where he goes off against literally everyone's orders and friendly advice because he feels responsible. And that's important - he's doing it because he feels responsible. That's different from Tuvok (who doesn't feel) and Janeway (who would most likely try to find comfort in protocol) - because Chakotay feels he's responsible and that he needs to protect the crew since he (in his eyes) is the one who put them in danger. He's a person who's shown to be willing to go against everything anyone says in order to do what he feels is right if the wrong is too great to allow. Voyager if these three were actually allowed to argue and be equals and figure out how to work together as sort of a microcosm of how this new blended crew is going to be able to fight and work and band together.
#st voyager#Chakotay#Janeway#Tuvok#bea actually wrote a long rambling post instead of rambling in the tags of a deceptively short post???? My God.....#Tuvok is NOT a guy who's gonna ask the hard questions...Chakotay IS!!!#I can see how Tuvok was more effective as an advisor in the alpha quadrant - I see it my mind's eye#All he would have to do really is prod at Janeway and remind her of protocol or tell a brief story and she'd be like -sigh- you always know#what to say old friend <3 but in the DELTA quadrant????#He's literally just as out of his depth as Janeway is and obviously becoming less preoccupied with actual protocol and more loyal#to her herself <- Another interesting concept!! & understandable. What's the logic (one might ask) of following Starfleet protocol#to the letter? Starfleet isn't around. I honestly don't think Tuvok would be following it if Janeway didn't put so much stock in it.#BUT Janeway's around. (His friend) The Captain's around so he'll follow HER and if SHE'S following Starfleet then he will.
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