#be adaptive

[aquilaofarkham]

every autistic person watching this episode of dungeon meshi:

[ruporas]

don’t worry about me. goodbye, big brother

[cozylittleartblog]

cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes

just to watch that all fall apart in the last year or so and especially the last two weeks

there's nowhere good to go anymore for artists.

edit - a lot of people are saying the tags are important so actually, you'll look at my tags.

#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

[greekcomedy]

i will give them that dionysus is Perfect. "i'm looking for my dad" "well i can help you with that... son" fuck off that was hilarious

[tisorridalamor]

Legendary mangaka Arakawa Hiromu is forklift certified!

[prokopetz]

If the second twelve episodes of the Dungeon Meshi anime keep the same pace as the first, they'll take us up to chapter 56. While I don't think it's likely this is the plan, imagine that's actually where episode 24 caps off, then the series doesn't get renewed. We get a flashback to how Chilchuck met his ex-wife and that's the end of the show.

[quibbs]

just had SO much fun with the fallout tv show... i love you missus okey dokey

[edains]

Rick Riordan constantly trashing the movies for not sticking to his books then releasing a show in which he rewrites everything and loses the spirit of the books entirely

[protoctist]

i know ryoko kui is a real one because she wrote 97+ chapters of a manga about fantasy ecosystems and food chains and not once did she write the phrase "survival of the fittest" (it's a bad phrase) (it's a social darwinist phrase even) (hated amongst biologists) (doesn't make sense) (darwin didn't use it) (coined by an business major) (one of the worst phrases in pop science) (no good)

[wisebeth]

One thing which genuinely bothers me is Annabeth's perception in the fandom. How she's seen as this cold, stoic, emotionless, reserved and intimidating girl. When in reality, she's a character full of love.

Annabeth, who immediately cried and felt attached to Cerberus after playing with him for a few minutes because she wouldn't get to play with him again.

Annabeth, whose deepest desire, which the Sirens lured her with, is saving Luke and having a good relationship with both her parents.

Annabeth, who believed in Luke's goodness, even after all the countless terrible things he did simply because she had faith in his humanity.

Annabeth, who cried in Percy's arms before entering the labyrinth and refused to reveal the last line of the prophecy because it said to lose a love worse than death and the idea of losing any of her friends is too painful, heartbreaking and worse than dying.

Annabeth, who kissed Percy before parting with him in St. Helens because if he's going to die, she at least wants him to die knowing she loved him.

Annabeth, who took a poisoned knife for Percy during the war because she'd rather die herself than let him die.

Annabeth, who convinced Luke to switch sides by reminding him of the promise of family he gave her. Which in turn, influenced Luke's decision to end himself to destroy Kronos. Hello, she saved the world with the power of love.

Annabeth, who spent months after months losing sleep and searching desperately for Percy when he went missing.

Annabeth, who kissed Percy to eternity in public at their reunion, not caring what anyone is going to say or think. An asteroid could've hit the earth, and she wouldn't have cared.

Annabeth, who told Percy “I love you” when falling in Tartarus because if she was going to die, she wanted them to be her last words.

Annabeth Chase is a sweetheart, who has always felt things deeply and she's so full of love. And I think it's time we let go of the “cold-hearted annabeth” headcanon because it's not true, that's not her.

[iimr3]

*hitting you with a stick* no benoit blanc movies should not interact. they should not lead up to something. you need to detox from the marvel/sherlock bbc poisoning. they should be completely independent movies (maybe w some cameos/little references for fun) and go on for as long as there are stories rian johnson wants to tell in this universe. i do not want an overarching plot i do not want a team up i dont want a benoit-focused prequel i want some good old fashioned episodic murder mysteries that have nothing to do with each other!!!!!!!!!!! also rian johnson has literally said he's not gonna do a prequel and he wants the movies to all stand on their own

addendum 1: by "marvel/sherlock bbc poisoning" i dont mean that those caused this over-serialization, but i think they are partially responsible for why audiences are expecting it. learn to engage w murder mysteries on the genre's own terms

addendum 2: idc what headcanons you have. i actively encourage you to write fanfic about marta and helen solving crime if you wanna. that is literally what fanfiction is for my guy! if you want to know how phillip and benoit met THAT IS WHY FANFIC EXISTS

[thechekhov]

Harrow's necromantic power includes the ability to create underlighting whenever it's necessary.

Bonus:

[dorcasmckinnonn]

“'Are you kidding?' He grinned at Annabeth.

'A chance to do quests, just the three of us? Like old times? The Three Musketeers!'

'The Powerpuff Girls,' Annabeth suggested.

'Shrek, Fiona, and Donkey,' I said.

'Wait a minute,' Grover said."

frostbite studios on insta

[greekcomedy]

biggest loss of comedic potential was not having the kids wear stolen tacky waterland merch for the next three episodes

[william-shakespeare-official]

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

[liath-art]

I just have to share this beautiful thread on twitter about AI and Nightshade. AI bros can suck it.