#bc they don't have the access/time to do it?

[redjaybathood]

They were probably talking about people not being able to afford heating or having a decent place to live. Like, I know everyone - but the people who actually lived through it/had talked with their grandmas and grandpas about their childhood and youth - believes USSR was some kind of paradise, ditto with communist China. Nobody talks about slavery, about not having enough food to eat - and I am not talking about the famous famines/Holodomor even, just the scarcity of food, unless you are in the party elite - about how people were forced to live in barracks (not like military type barracks, but the cheap flimsy dirty cold type of communal housing with no central heating, no water, not even an indoor toilet)

"oh but USSR gave people free flats" unless you are talking about flats former owners of which, say, Jews, other minorities and types of enemies of the people, were arrested and shot or imprisoned in slavery labor camp prisons (to escape which people even resorted to cannibalism at times... This remark is directly to people who compare USSR prison system to the US one and even find the US one more harsh. How to put it? Prisons in most countries formerly occupied by Soviets are way better than back then, and excluding some more EU oriented countries, the inmates are pretty jealous of the US' prisons conditions, let's put it this way) - so their flats were freed up and up to grabs.

And sure, some people would get those flats, but not everyone.

This is called socrealism not because it realistically and truthfully depicts what's going on: a woman from lower class with a lot of children gets to have amazing luxurious flat, leisure and conditions to grow houseplants, raise a cat, buy a deficit radio or bike - all thanks to Stalin. That wasn't the reality of most of USSR citizen, especially working/farming class (which her hairstyle suggest she's from). That's a carrot they hanged before your nose.

The reality was, even if you got an apartment built by the government, this could have taken years. My family, for example, worked for thirty years before getting a 2 bedroom for six people. And my gran was what they called then, an invalid of childhood (meaning, she got a work-impairing disability from the childhood, thus she was supposed to get more social help from the government. Yeah, right). She didn't have a light job either. She was working full time. My dad, on the other hand, was doing one of the most difficult and health threatening jobs ever.

But hey, you will say, it's still a free flat! I'm in the goddamn capitalist corporate hell America, and I am paying thousands of American dollars to rent!

I feel you, Buddy, I don't have a home of my own either. With the war, I never will - I am pretty sure I will die faster than I can save for a downpayment.

But free flats weren't really free. You were still paying for them, with your labour being the least of it, bc your labour was underpaid. Like, you guys have 401K or something, right? Well, imagine you from now on have to get a pay cut, with your employer keeping most value of what you created, to themselves, and using some of it for a housing fund, where you may or may not get a flat for your grandchildren somewhere down the line. If you don't die earlier or become an enemy of the state or just being not very liked or socially adept person. "Capitalists still do that! We work, they enrich themselves! And now I can't afford to buy a flat!" so yeah, you're basically saying that there's no difference between capitalism and communism, you're still exploited in communism. You get that, right?

So yeah, you would have to pee a lot because you don't have money for charcoal or access to the market - and will be thrown into jail and or short for buying it on the black market - under maoism. And you would have to live in flimsy housing with lotsa spiders because you have to work dozens of years to build a whole apartment building by the cost of your labour, before you get even one room there.

(and that's if you don't piss someone who is sitting on the apartment distribution channel, because oh well. No housing for you, comrade)

I'm glad you two at least did not make fun of settler colonialism.

to be fair i dont know much about communism but i dont remember ever heard of something like that being part of their beliefs if im being honest with you

[snitchbo]

I dont know how to explain why this is important

But let's not forget that Parkour Civilization is a meritocracy. A socialist autocratic meritocracy.

I feel people don't dwell on this fact enough, opting to just focus on the capitalist allegories, which is awesome bc the allegory is strong and well made, but the literal government seperate from allegory is ALSO very well made and unique, i mean I've never seen a fictional government quite like it, and it's impressive.

People often struggle to conceive the thought of another government or societal idea, and Evbo managed to make an entire government and social norm completely different from any of our own.

Like, let's break this government (or lack of) down.

Parkour Civilization has a sole and all-powerful ruler, The Champion. Which makes the society autocratic with a dictator.

The "businesses" ( housing stores, buying food and blocks, etc. ) are collectivley owned, not belonging to a single person but rather the community. Especially in higher layers, people receive as much as they give to their society. If they work, they get food, they do extra tasks, they get blocks. It's essentially a Marxist Leninist socialist society, but one that's heavily affected by the meritocracy, which can make it seem more capitalist leaning.

Speaking of Meritocratic society, people often mistake the meritocratic aspects as being outright capitalistic, like the social hierarchies and needing to parkour for basic necessities. HOWEVER this is because the society is structured based on your merits in parkour, those with a higher skill level are placed higher in the social chain. Thats why the Parkour Champion is a dictator, because they're the person who is THE BEST at parkour, making them the most capable to lead society according to meritocracy.

In any case, the fact that people are forced to parkour ALL the time is pretty understandable, considering this government is based on merit. They're encouraging people to show off and practice their parkour because their skill level is the only thing to get them anywhere in society. Based on their merits, they get their bare essentials, and if they have particularly good skill levels, they can rank up in society and have access to better resources.

People also always talk about how Evbo didn't make food and resources accesable for free without parkour, which is kind of where the capitalist lens takes over because those things ARE free. There isn't a system of currency in Parkour Civilization. it's all just MERITS. The fact they can die from parkour and the fact they use language like "buy" and "sell" makes it seem capitalistic, but they dont work and receive currency. The currency is infinite as long as their SKILL SET allows it. People had to worry about the consequence of dying from parkour, which is what made it scarce and less accesable, people werent willing to try. Evbo, however, gave them the ability to try again without consequence, which pretty much DOES make everything free, as free as it gets. They have infinite "currency" based on their skills, and theres no consequence for failing or trying again.

I also feel that when people beg Evbo or the future generations to turn Parkour Civilization into more of a communist society, they're completely ignoring the worldbuilding. That is an insane leap to make, from a society based on parkour abilities to having nothing to do with parkour? "Well, they can still parkour!" They could, but you'd be removing the vitality of it completely. I mean, imagine asking the states to become fully communist? It's an insane change that their society would never make, and thats not the end goal. Society can be functional and good without our interpretation of a utopic government because every society is different.

I love the government in Parkour Civilization. Please hear this. And ask me questions or talk to me about it.

[drdemonprince]

i'd like to say sth abt the x gender marker thing. i've just started getting the paperwork done for it myself, and although its an exhausting grueling bureaucratic pricess, it's filling me w the kind of joy i last felt when i got my first hrt prescription. i know i will have constant difficulties in a system of institutions that have no official way of dealing w nonbinary identities, and i fully expect the openly white nationalist party in my country to become a significant influence in national government within the next 10 years. i also have an escape plan of sorts, but i'm fully expecting that i may be legally detransitioned again. i would still be betraying myself fundamentally and stealing joy from myself, something that i get to have very little of, if i didn't do it anyway, bc i already cannot access plenty of services including healthcare bc i'm simply too dysphoric and institutionally traumatized to show up and be misgendered. there is no such thing as stealth or passing for a nonbinary person in the society i live in, only erasure; i might as well exercise this tiny amount of power i have been given for a brief time to force them to acknowledge me as who i am. i agree that having one's gender be irrelevant to one's personhood, including legally, would be vastly preferable, but i don't see how me getting an x in my id detracts from or otherwise influences that. my government already has plenty of ways of getting lists of trans ppl if they ever want one. i may be painting a target on my back, but as far as i am concerned, it is already there bc i am already incredibly vulnerable and restricted as a trans person for whom passing or stealth is not an option. i might as well get marginalized for who and what i am and make them look me in the eye at a doctor's office while they awkwardly tell me they don't have the infrastructure to process me as a patient than cringe and stammer while i tell them that actually i'm transgender and i would prefer for them to address me as this or that while knowing damn well they just see me as a quirky woman that they may or may not humor for hashtag diversity's sake. they may still do that ofc, but for all the risks and trouble i am incurring, it also corrects the scales of institutional power just a tiny bit in my favor by giving me legal grounds to argue. i'm also terrified of the police for good reasons, but i'm more terrified of them as a misgendered and scared but not out trans person unsure if and how much to advocate for myself than i am as someone confident enough to at least get hurt for who i am, rather than for who i am not and hiding out of fear of worse punishment. i am not advocating for anyone else to do or not do the same bc it is a subjective and highly varied set of risks and rewards that must be personally evaluated, and above all i'm very aware that as a white (not us) person, for all the institutional violence i have previously endured, i would be risking far worse if i were not, but as far as i am concerned, it feels like one of the best, most powerful things i can do for myself right now is to get the damn papers even if in the worst case they end up taking them away from me again.

Thanks for sharing your experience. I remember that when I was nonbinary and not medically transitioning, I felt much the same way. I was ready to really throw myself on the pyre for the sake of just actually being seen as not the gender I had been forced to be, for once. And honestly? Nothing short of medical transition did that. All the changes to my personal style, hair, comportment, voice training, the pronoun pins, the asserting myself, the putting pronouns in my email signature, the changing my medical forms and documentation at work to make me nonbinary, none of it made what felt like any lick of difference in how i was treated, because nonbinary identities are so thoroughly erased. The ONLY thing that got people to start treating me as gender ambiguous or to they/them me was to begin to transition as a trans man and use he/him pronouns, lol. (And eventually, most people did switch over to actually gendering me correctly as a guy, tho I still do get the they/them once in a while which annoys me and it's always VERY telling who tends to do it).

I don't know your situation or if you have medically transitioned in any fashion or not, or if you even want to, and our stories are different, but all of which is to say, I know how immensely frustrating it is and how confining it is to interpreted as your assigned gender seemingly no matter what you fucking do, and that sensation of being willing to take on serious risk to be seen. if anything that was part of what tipped me over into self conceptualizing as a gender nonconforming man rather than outside the binary altogether. different risks that i chose to take on, but still, the decision to take on risk rather than be locked away inside how people saw me.

I think structural nonbinary erasure runs so deep that very few individual level actions can make a dent in it and it's maddening. Of course there's all the intersections with transmisogyny that also impact who is visible as trans and who is not and who finds themselves yearning for greater visibility and those for whom visibility is nothing but massive vulnerability that itself cannot be escaped. But I understand that you've considered everything carefully and are aware of the risks in what you're taking on, and I hope that it does mean you don't feel that confined unseen feeling anymore. Because as much as I'm qualifying things I do know how fucking awful that sensation is and how few avenues there are for doing a damn thing about it that people will take seriously.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[moregraceful]

Mostly still talking about this to help normalize and de-stigmatize using accommodations like this as an adult bc I think sometimes we think oh I'm a grown ass adult that's not for me...but truthfully there's never a reason not to at least ask. I was talking to some friends and they were like, oh we did not know that was available for everyone!

We were at the Lehigh Valley Phantoms game at PPL Arena and they mentioned they have a sensory quiet space, which got me curious if the Wells Fargo also had sensory accommodations. I am not autistic and will not be discussing the various things going horribly wrong in my brain at all times but I have a tendency to try to pack too many games into one week and ends up completely hitting a wall by the end of the set of games and either vacate planet earth for several hours if not days or just like am so miserable the entire time that I'm unable to enjoy what's going on. And I'm not what one might call situationally aware but at this point in my life I'm usually able to be like, okay so if I got to three hockey games in three days and two of those games involve very long drives at night, including one on the NJ tollpike, I will probably be feeling a little wacked out by Monday. But I didn't want to miss any of the game if I didn't have to because tickets were expensive and I miss my Sharkies violently, so I went digging for more info.

The Farg's website said they had a whole sensory room for people who are feeling overwhelmed and said it was for everyone! So I went to check it out during first intermission because I was very much about to start experiencing full body horrors. I figure at worst they say it's for kids and I have to go find a quieter spot to dissociate in and just hope I get back on my feet before the second period (which I have done before and it was not. fun lol.) I found guest services and they just gave me a wrist band and directions. Everyone I had to interact with was very respectful and kind, if treating me a little bit like a ticking time bomb, but I think when you're in your 30s looking harrowed while advocating politely for yourself, it's really like oh this guy Needs it. There was a guest services person set up in front of the room and I'm guessing it's bc the room is on the suite level and they need to make sure it's like people who need to use the room for its intended purposes and not drunk adults goofing off. But it was very quiet and calm inside, I think they did some sound dampening and with a white noise machine + that deeply hilarious sensory wall and a bunch of fidget/stim-type stuff on the walls to play with as well as other toys on shelves. I was there bc I needed quiet space so I spent all of the time I was there sitting on the floor staring at an orange water feature on the wall, but I imagine for kids or adults who need fidget toys it's probably a dream.

Very calming in there and I did NOT miss the rest of the game or have to experience the horrors so it was a success overall! I missed three minutes of the second period just trying to get back to our seats but I'll take three minutes over 45 minutes, which has happened before lmao. I will almost certainly end up there again bc I will absolutely end up trying to pack 3 games in 5 days again at some point lol.

I don't really have a concluding thought, I think it's basically like...Just Ask...what's the worst they can do. I think most people following me are adults and porn bots so it's like, yes we can handle our shit but also if there are accommodations available that explicitly say they're open to everyone, just ask yk. At worst they say no and probably we have all ways of dealing with whatever we're going through or we just grit our teeth and white knuckle it through shrockey. But I feel like people pretty often do want to help you if they can so it never hurts to at least find out what's available.

And then I got this sick ass wristband giving me VIP access to a water feature lmao

I would do anything for the Sharks, including driving close to 4 hours round trip to tell Eetu Mäkiniemi, an ex-prospect, we love him and driving close to 3.5 hours round trip to Newark the next day to see the Sharks but I do think today is the day I end up seeing if they let adults who are not autistic into the sensory room to meditate at the Farg lmao

[akai-anna]

Round 7

Round: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8

[iraprince]

Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow

hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.

like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.

anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better

[kenobihater]

23 is young and i don't wanna go acting like it isn't but sometimes i see stuff from baby zoomers and i feel fucking ancient. skibidi toilet? i have yet to understand what that's referencing. reality shifting? i was into new agey stuff as a teen and i get the whole law of attraction/manifestation thing, but the rest is all greek to me. a good half of the aesthetics i see talked about online? literally got overwhelmed when i stumbled on the aesthetics wiki last year and i feel like an idiot seeing all these kids list off like 4 different hyperspecific aesthetics to describe themselves 😭 girl what does any of that mean? patiently explain it like i'm 85 when it comes up, or don't expect me to know what the hell you're talking about. i'll just end up smiling and nodding like your out of touch grandpa who loves your energy but is frightened by cellphones and the concept of smartfridges 💀💀💀

[mishkakagehishka]

I think "whatever a woman chooses to do is feminist on account of the fact that she's a woman" did awful things for the movement. I really do.

[pollen]

:|

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.

[fictional-worlds-are-exquisite]

i'm pretty sure i've cut all content consumption out of my routine now

i don't mean that in the sense of i no longer consume content, i mean i've managed to remove it from routine behaviour

yes i will scroll instagram but it's not the first thing i do on waking until i get through all the posts since yesterday. it's just something i choose to do when i feel like it

yes i will watch youtube but i no longer go through all videos since yesterday from all the channels i'm subscribed to and watch them all or add it to watch later if i can't squeeze it into the day. this was my most recent success so i'm avoiding my subscriptions tab so i don't fall into the hole and am instead looking up individual channel videos to watch for no more than an hour. when i'm convinced my brain will behave i believe i will be able to scroll subscriptions casually and only when i want to.

this used to cause me such trouble because i genuinely saw these things as part of my routine so i'd be over here like man my routine of consuming content is all messed up because i went out for the day with someone i will need to double it tomorrow to fix it so i'm back on track. or i'd be like kinda wanted to do this today but a youtuber i follow uploaded a 2 hour video so I won't be able to fit it in :/

anyway that was trash. now i think i just have routines around food (3 meals a day) and work/study. Everything else is clean and free. I can do whatever I feel like when i have free time. i feel a little lost now but at least i'm no longer spending hours on content consumption when it's not actually making me happy

[judicent]

Yeah, I did fill 4 sketchbooks in 4 months so far this year. Huh? Am I gonna post even an ounce of it? Well, you see, I am allergic to my phone, so you will have to come CATCH ME

[welcometogrouchland]

Also in the replies of the Steph concept art on twitter announcing she was gonna be in a new project at DC (posted by Travis Mercer), there were at least 3 comments saying "will Tim be there?" I don't care how hard you ship timsteph I'm exploding you with my eyeballs if you do that on my girls post again

[viscericorde]

in the uncomfortable situation of having drawn a lot of art of characters that belong to a person that i want nothing to do with anymore. it's frustrating bc a lot of these pieces are also stuff that i'm proud of, skill-wise, but they are essentially tainted now. they will always remind me of who i drew it all for. but i also hate the idea of essentially throwing paintings into a digital fire.

[emdotcom]

Thank you Astral Spiff for combating the narrative that Post Shift 2 is a hard game o7