#bc he’s not relatable at all! and i kinda love it!!

[wikiangela]

Hi, a bit late but joining in on the @alliwantforchristmasislou project 🫶

I decided to donate to a polish organisation called the stonewall group (which is why the pic is in polish lol)

chose this one just because im the most familiar with this one, and they do amazing work in support of lgbt+ people and fighting for our rights in this... not so queer-friendly country 🫶

now, ive been in the 911 fandom for almost 4 years now (gonna be 4 in i think February), and i only started after the episode Buck actually bc it was allll over my dash. i binged the whole show in a week, before the next episode is even aired, I loved it SO much.

as most of y'all know, I initially shipped buddie - it was the big ship, ofc i did, i wrote so much fic for them and i had so much fun and met so many moots i still love seeing on my dash 🫶❤️ but it might've been obvious (or not, idk) i was kinda getting bored and losing enjoyment, more and more of my fics and snippets were focusing on other characters with buck or eddie, i wasnt really as into it anymore - but i still loved it and wanted to enjoy it (which ironically was killed dead later on by the buddie fandom itself lmao)

and then came bucktommy and everything changed. initially i tried not to give in but within a few days i had two fics and more ideas lol they completely took over my thoughts. ive never been this inspired to write, to create, I even learned how to make gifs for them (with lots of help from amazing talented friends 🫶🤣) during fall and winter I always get so depressed and sad and having very dark and depressing thoughts (last year my buck driving fic was a result of that lol), and its so hard to find motivation to do anything, even write. but this year, even tho I had a lil crisis moment, i wrote through it and im as inspired as always - i havent stopped writing since april. they're literally the most inspiring ship ever - and fun fact, usually i prefer writing about fanon ships, so this was a huge change and surprise

I always related to buck a lot, and especially once we got his bisexuality canon - checking out and appreciating hot people of the same sex and not realizing what it means is too real lol - and Tommy is so compelling and theres so much potential for so many stories there, I wish the show would do something interesting with him 😭 despite being so confident and cool, he feels like he's holding back some sad, maybe (probably) traumatic backstory that could be so good and interesting - and lou is such a good actor and itd be amazing to see more from him in this role

they wrote tommy as the perfect love interest for buck, and it was amazing to see it on screen, it was such a breath of fresh air to see this kind of queer representation on a network show, it was so gentle and adorable, and they initially handled it with so much care, and id love to see where they'd go from there 😭 the break up broke my heart not only because it happened, but because it felt ooc and abrupt and not at all like that's where the story was going. wish they'd fix it and give us tommy back 😭🙏

and lastly but most importantly - thanks to bucktommy, i met so many amazing friends ❤️😭 even when I was writing fics and interacting with mutuals on here, i was never really talking to a lot of mutuals, not for longer than a few messages, and now i got this wonderful community that i feel so comfortable in, everyone is so nice and friendly, and I love y'all so much, this is the best fandom experience ive ever had ❤️

thank you all, ive been having so much fun since april, i love y'all. here's to more bucktommy in 2025 ❤️

[multifandommadnessblog]

More Never learning headcanons bc I'm insane

uhm... no one asked for these but I'm throwing more of my headcanons for this au in here so they don't just sit in the doc collecting dust

--- Characters (besides the narilamb) Baxter/The Goat (he/they)

Lamb's roommate, tennis player so he got into this school with a solid 2.7 GPA but also a full ride

"Skater boi™/sufer man aesthetic… also kinda greasy" copied straight from my doc...

has a good few friends, but he's no social butterfly he just vibes with who he vibes with

Does consider Lambert his closest friend, I love it when roommate pairs actually work <3

The Bishops (but they're not bishops here duh) Leshy: same age as Lambert + Baxter, roommates with Iris (aka yellow cat) basically is just forced to live in the dorms until he can join his family in their joint apartment Heket: same age as Narinder, gender studies + art double major bc she's cool, craftsy and lowkey second in command in the apartment Kallamar: juniorish age, pre-med, volunteers at a local animal shelter on top of work, a pathetic wet man Shamura: seniorish age (or graduated, haven't decided yet), caretaker of the bishops (they pay most of the rent), doesn't have favorites (but totally does)

All of the bishops are related, but it is a complicated connection (so like... different dads maybe same mom situation??), but they all are related and have since moved away from whatever parental situation there was

Leshy is the least connected to the rest of them, as he still lives on campus (has to as a freshie)

If Shamura is still in school, it's part time so they can work, if they're graduated, they only work so they're not around much

--- Narilamb bits tehe

once Narinder starts dating Lambert he kinda jumps between staying in Lambert's room and his own room

It's basically a system so they can stay together if they want to, or they can have their own space (sometimes Lambert stays with Narinder also, if they want to give Baxter space

I imagine Lambert's love language being physical touch and quality time + Narinder's is quality time :3 - So they both spend a lot of time together once they start dating <3

One of the chapters I'm planning is where Lambert tells their friend about their (potential crush) feelings for Nari

...Lambert tells this to LESHY

...chaos ensues

--- okay spicy suggestive bits now UNDER THE CUT

Now do these two start banging it out the minute they get together? Probably not

Lamb is a freshie who just got here and lives out of state, they don't want to move super quickly

Narinder is fairly unexperienced in this realm, only having dated a small handful of people (and none super seriously)

Also, there aren't alot of opportunities for these two to be alone. Lambert lives in a shared room with Baxter and Narinder lives in an apartment with three other siblings

So you better KNOW these two learn to sneak around a little (ohoho)

I mean the first spicy oneshot I wrote has the premise that Baxter is out of town lol (will I ever publish that to the public? who knows)

[mumblesplash]

so i’ve been watching jojo’s bizarre adventure and i think i’ve figured out the source of all their powers

[fear-no-mort]

favourite thing: his new habit of saying uhuh/mhm and also this

[raticalshoez]

i'm having hyperfixation drought so i did what i did best and created a crossover episode

[suja-janee]

I love Lucy Maclean, she’s such a sweetheart

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[taibobo]

massenet's relationships with everyone in the cast! thank you @rapturemctro for the blank ver. , you did a great job!!

[selfinflictedgunshotwound]

i'm kind of amazed how most of the stardew marriage candidates just want you to be their manic pixie dream whatever by agreeing with everything they like and plying them with compliments or praise or whatever (which is fine but a bit. Much) but for shane his romance is just you being there for him while he figures his own shit out... dunno why i never wanted to romance him before he's so good

[hum--hallelujah]

honestly if I were ever to throw the Suitehearts into any of my Killjoys stuff the dynamic would literally be the stupidest thing in the world. you do not want to have the Four and those guys together in any setting. it's a recipe for disaster. Jet and Benzedrine bitch and bicker like old ladies. telepathic warfare is waged via a complex language of glares and eyebrow movements between everyone in the room. Sandman makes a wholeheartedly joking comment to Ghoul like "I want to study you in a lab" and Kobra Kid gives him a black eye on the spot. Crab and Donnie end up playing hide n seek with the Girl until someone else who isn't aware of the game accidentally dumps a whole dude out of their hiding spot on accident and then gets elbowed for it. everyone hates each other but they're also kind of pals in the way that people who occasionally help each other out but don't see each other outside of that can be. that kind of thing

[welcometogrouchland]

[ID: a black and white animatic based on the owl house set to "Letter to an old poet" by Boygenius. End ID]

Not sure when/if I'll finish this (I have the rest planned out!) BUT I liked it too much to just sit on it forever!!! So take this messy work in progress. She's not perfect but she makes me Feel Things

(sorry about the lack of ID, I don't know how to write them for videos! If you have any suggestions/want to give it a go, feel free!)

[judicent]

Yeah, I did fill 4 sketchbooks in 4 months so far this year. Huh? Am I gonna post even an ounce of it? Well, you see, I am allergic to my phone, so you will have to come CATCH ME

[pastriibunz]

we do NOT like Kai’s bio parents in this household

so much so they don’t even GET designs thats how much we don’t like them

[special thanks to @local-soda-can for helping write this :3]

[bluberimufim]

IT'S TIME!!! IT'S FINALLY TIME FOR THE RANT ABOUT 19TH-CENTURY PORTUGUESE URBANISM!!!! (@kingkendrick7 mentioned they were interested a While ago and who am I to withhold information about my Interests)

I'll be focusing exclusively on the city of Porto in northern Portugal because it's what I studied in my Anthropology class. And also: disclaimer! I'm translating all the names of the things from Portuguese so if it sounds weird, yeah, that's why.

The Industrial Revolution in Portugal created a very weird relationship between work and personal life due to the way the cities were planned. Basically, the people who worked the factories, and even the owners, lived extremely close to their place of work - and I mean they were pretty much neighbours. The factories were also built in the city centre itself. This is much more similar to the work-life relationship of rural areas than any model existing in normal cities.

There was, at this time, a strange impasse when it came to building housing. Porto specifically is known for having extremely thin and deep plots of land in the oldest parts of the city - I'm talking 5 by 100m (approx. 16 by 328ft). No house is gonna be that deep, so there's always about 80 to 70m of backyard.

Workers were paid extremely low wages. Like, so low they couldn't afford housing anywhere. So the factory owners would ✨selflessly✨ give up their backyards and build housing for their workers.

Can we just take a moment to think about how absurd this is? Like. Imagine taking pity on your employees for being poor. My brother in Christ, WHO DO YOU THINK IS MAKING THEM POOR?

Anyway, this new type of housing is called an Island. Its name comes from the fact that it's an "island" of low-income housing in a semi-rich neighbourhood.

Basically, an Island is a long exterior corridor with tiny houses on one or two sides and communal bathrooms at the end. Here's a picture:

The way this worked is that the owners of the big, street-front house would open a passage on the ground floor that could be fully closed wuth a gate. This kept the Islands invisible and, thus, out of the city hall's jurisdiction, since they can only legislate on what is visible from street level.

Here's an irl picture of an Island today:

Btw they tried solving this problem bt building houses from scratch but they realuzed that workers' wages were so low that just adding plumbing would make a house unaffordable. Yeah...

Porto currently stands as the European city with the most recent outbreak of the Bubonic Plague, in 1899. This is because Islands had such poor hygenic conditions that it re-kindled the Black Plague epidemic. Just so you can kinda picture what level of "horrible" this whole thing is.

Here's a quote by David Moreira da Silva about the Islands that I translated from French:

"Housing, essential organ of the city, offers us in Porto obe of the most miserable and tragic displays and one of the grave causes that greatly contribute to the huge mortality that is constant. We say, justly, that Porto as a city is the vastest cemetery in Europe."

(Parallel to this there was also the "Sleep Business", which consisted of renting places to sleep. The main two were sub-renting, in which you rented a place to sleep and paid by the hour, and the Rope, in which you rented a piece of rope to lean on while sleeping. Thought it might be interesting to add.)

I'm not mentioning as we go because it'd be exhausting, but backlash was VERY strong every step of the way. Doctors were warning against living conditions in the Islands and city hall was trying to pass laws banning these types of buildings by extending their jurisdiction deeper into the city's plots of land. But they were unsuccessful.

They tried to propose a rehabilitation of the Islands in the early 20th century but their inhabitants basically responded with "Please tear our houses down and make us new ones somewhere else. The Islands are unsalvageable".

The whole factory work-life thing ended with the fascist dictatorship, which reorganized the city centre, but there's still plenty of people living in Islands today.

To this day, the Islands stand as a warning of what rampant capitalism does to people when left unchecked. But that doesn't stop tone-deaf bourgeois pricks from romanticizing them.

This has been a rant. I hope you enjoyed it <3

[midnightfangz]

There's something about silly cafe AUs that soothes my soul so much

[hexados-on-a-string]

the only reason hydron didnt live is bc if he was part of the brawler's interdimensional found family, that'd involve him getting a character arc on account of actually having a support system and also the fact that zenoheld is dead and they didn't wanna write that so they just killed off hydron. this lives in my brain though.