#battlestar galactica season 4

[maaruin]

I watched Battlestar Galactica episodes S04E05 "The Road Less Travelled" and S04E06 "Faith" today. Overall good episodes, but I have to ask: After Kara left with the Raptor to find the dissident Cylon faction, why didn't they just jump the Demetrius back to the fleet? As I understood it the Raptor didn't have enough fuel to even return to the Demetrius, so if they failed, there wouldn't really be a point in waiting. Jumping the Demetrius back could have saved Gaeta's leg and informed the Galactica about the dissident Cylons before they jumped to the fleet.

[justonemorewallflower]

Another something I made the other day. I like this one more.

They're the pros at invading each other's personal space, ESPECIALLY when they're angry at each other. Like goddamn, can't even stay away from each other when you're on bad terms, can you? Lol

And I love how it's not just one of them either who's guilty of that, it's both of them which makes it all the better.

While Kara is definitely good at ignoring him sometimes, there are a good amount of times when she's angry at him and immediately closes the distance between them, making a point to get in his face, like when they're arguing about stims.

And he's done it too, a particularly good example when he goes to talk to her after he finds out she slept with Baltar. He approaches her and keeps his distance but follows her around, though eventually he initiates standing close to one another, eventually standing right across from her. And then the punching each other...

And then when he comes by to talk to her later, still angry, he immediately decides to stand right in front of her this time.

And Kara during their fight in Unfinished Business... just goddamn.

I could rant about them for days but alas, this is an edit post so I'm going to refrain from saying anymore beyond that I will never stop posting about them istg, at least for a long while. I love them too much <3 they're probably the biggest ship obsession I've ever had.

[athenasdragon]

So much of Battlestar Galactica is about death. It’s about genocide and suicide, death on such an unimaginable scale that it’s easier to count the survivors than the victims and death on an intimate and personal scale, parental death, child death, what happens after we die, heroic redeeming deaths and pointless avoidable deaths, resurrection and reincarnation, mortality as an essential component of the human condition and the thing that can finally end a war, staring death in the face for years, avoiding death as a core character trait, mercy killings, revenge killings, faked deaths, executions, assassinations, suicide bombings, desolate nuclear wastelands, tombs of gods, funerals, memorials, altars, and grief.

It’s about being diagnosed with terminal cancer the morning the world ends and then still having terminal cancer. It’s about rolling over a charred corpse and seeing your own face looking back at you. It’s about erasing and rewriting the survivor count, now one lower, with tears in your eyes. It’s about the harbringer of death being a character. It’s a show about many things, but death is the core.

[redheadgleek]

Fuck, that one hurt.

[animentality]

I spent all of last night ranting about Battlestar Galactica and how we could improve the ending to a buddy of mine, who was similarly enraged after we watched the finale, and let me tell you.

That's MY version of phone sex, man. More intimate, more passionate, and more deranged.

[brian-in-finance]

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WHAT THE STARS ARE SAYING

Check out why so many famed actors use Backstage

Trusted since 1960

Founded in 1960, Backstage has a storied history of serving the entertainment industry. For over 60 years Backstage has served as a casting resource and news source for actors, performers, directors, producers, agents, and casting directors.

Over that time, Backstage Magazine has also appeared on numerous TV shows, such as “Mad Men,” “Entourage,” “Glee,” “Oprah,” NBC's “Today” show, Comedy Central's “@Midnight”, NY1's “On Stage,” and “Saturday Night Live,” as well as multiple mentions on shows like “Inside the Actor’s Studio,” “Girls,” and appearances in films such as “13 Going on 30,” the Farrelly brothers' “Stuck on You” and Spike Lee's “Girl 6,” and even a mention in Woody Allen's short-story collection “Mere Anarchy” and Augusten Burroughs' novel “Sellevision” – and Backstage has received accolades from multiple Academy Award-, Emmy-, and Tony-winning actors and directors. (Plus, the hit musical “The Last Five Years” even includes Backstage in its lyrics: “Here's a headshot guy and a new Backstage / Where you're right for something on every page.”)

CAITRÍONA BALFE

ACTRESS

"I still get Backstage emails 'cause I still subscribe to Backstage. [Backstage is) kind of the Bible in the beginning, which is amazing. Samuel French and Backstage go hand in hand, you know? You go there for your plays when you're in classes, and then you get your Backstage."

Backstage 1

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Brian’s Note: The following story originally appeared in April 2015. Most recent update is December 2020.

The Gorgeous Determination of Caitríona Balfe

Caitríona Balfe is on the move. That's been true most of her adult life— especially the 10 years she was modeling for Victoria's Secret, Dolce & Gabbana, and others—but as she sits on the rooftop patio of a West Hollywood hotel in mid-March, she mentions that she's pulling up stakes from Los Angeles.

"It just feels silly to have an empty place for 10 months until I figure out what I'm doing with my life," the Irish-born actor says. "I've rented the same place for the last four years and now I have to give it up." Her apartment is being razed to put in condos, but her departure from L.A. is extra poignant considering this is the city where Balfe journeyed when she decided to put aside that successful modeling career and focus on the vocation she'd always wanted: acting.

Photo: Luc-Richard Elie

"I've moved so much since I was 18," she says. "I mean, l've lived so many places. New York, I lived in for almost eight years [while modeling], and that's been the longest of anywhere since I left Ireland. But L.A. is where I came and said, 'OK, this is what I wanna do with my life.' "

She refuses to think of her move as a permanent one, though. "I'll be back," she declares, "but it feels really sad. My little apartment, it's got so many memories."

Balfe's sadness is no doubt mitigated by the fact that part of her need to move is due to the precipitous rise in her fortunes. She'll soon be flying to Scotland to shoot the second season of "Outlander," which returns to Starz April 4 to conclude Season 1.

When last we saw Balfe's Claire, the resourceful British nurse who comes home after World War |I only to be inexplicably teleported into the 18th-century Highlands, she was half-naked with a knife to her breast. Don't worry: Claire will get out of that scrape, but more perils await-to say nothing of the emerging multi-era romantic triangle developing between her, the Scottish warrior Jamie Fraser (Sam Heughan), and her 20th-century husband, Frank Randall (Tobias Menzies), who wonders where she's gone.

Based on the much-beloved Diana Gabaldon novels and developed for television by "Battlestar Galactica" rebooter Ronald D. Moore, "Outlander" is an ostensibly lush period-piece-within-a-period-piece drama that's consistently richer and thornier than its romance-novel trappings suggest. And much of the credit goes to Balfe, who had managed small parts in films such as “Super 8” and “Now You See Me” before landing the central role in this adaptation.

In person, Balfe is far less imposing than the steely Claire, who has to weather the dangers of being a woman in sexist, violent Scotland in the 1740s. Cast late in the preproduction of “Outlander”—Moore has mentioned in interviews how hard it was to find the right Claire—she didn’t have time to consider what the role would do to her life. “I’m so bad on social media," she confesses on this warm afternoon, nestled underneath a cabana. "I had set up an account on Twitter maybe a year or so before I got this job and had, I thought, a lot of followers — 250 or something, and most of them are my friends. Within about a month or two, it was thousands of people — and my phone, I didn't know how to turn off the alerts, so it was just going all the time. That was the beginning of the awareness."

Growing up in the small Irish community of Monaghan, Balfe had considered acting from an early age. ("I was devastated that I wasn't a child actor," she says, smiling. But after traveling to Dublin to study theater, she changed course once she received an offer to model. It wasn't a secret passion of hers, but who turns down a trip to Paris? "My parents felt that I should finish college," Balfe recalls, "but l'm slightly headstrong, so l took their advice and I completely ignored it."

Over the next decade, she lived in France, Italy, Germany, and Japan, her modeling inexperience hardly a detriment. "You'd be amazed how little information or training goes into it," she says. "When I first arrived in Paris, I was told to take a bus to the office. I left my suitcase — I barely spoke any French — and someone took me across the street, helped me buy a Carte Orange. They printed out five addresses that I had to go to that day, and then they sent me off." She still remembers at 18 riding the subway alongside 16-year-old aspiring Russian models, who knew no French or English, homesick and sobbing their eyes out. "That was just the way it was," says Balfe. "You become pretty tough. When I went to Japan, it was similar: They would drive you to their castings, but the minute you got a job, it would be like, 'Here's an address, here's a map. Good luck.' They don't have signposts in English in Japan, so the map and the address are not always very helpful."

Hear Balfe recount her early misadventures in modeling and you can't help but think of Claire, who's equally thrown to the wolves once she arrives in the 18th century amid people wary of the English in general and assertive women in particular. "Honestly, l've been in so many situations in my life where you just are completely displaced," Balfe says. “You have to adapt very quickly and figure it out. I definitely think that informs Claire a lot. It helped me understand her."

Did moving to Paris at such a young age teach Balfe that she can cope in any circumstance? "I think I didn't really realize that until many years later," she replies. "I have a great knack of not thinking about things and just going for it. You learn the hard way sometimes that you're able to get through, but sometimes it's quite tough when you're in a situation where you don't know anyone and you're trying to find your way around cities. But if an opportunity presents itself and it seems like a good idea, l'm just like, 'OK, let's do it, then I'll figure it out.'”

The decision to reconnect with her acting ambitions was conducted just as boldly. Ready to quit modeling, she moved to Los Angeles because a writer she was dating lived there. He was the only person she knew, but she had read a Vanity Fair interview with Amy Adams in which she said she trained with Warner Loughlin. "I could walk to that place from my ex-boyfriend's house," she says, "so l was like, 'Well, I'm gonna go there because I can't really drive. I started from scratch. I didn't have any managers, I didn't know any agents, I hadn't acted in almost a decade." But she just kept taking classes, moving from Loughlin to the studios of Sanford Meisner and Judith Weston. "I think when I first got here, I had a nice little air of delusion: 'It's gonna work out,'" she says with a laugh. “You just don't know how."

And then came "Outlander." By email, Moore admits that he didn't know Balfe's work until her audition tape came unsolicited to his office from her agent. Once she was chosen for Claire, he made it clear how demanding the job would be. “I told her in our first meeting that this was going to be an even bigger responsibility and workload than the normal TV lead," he writes. "Because the story was being told from Claire's point of view, Cait was going to be in every scene, every day for months, which is an extraordinary amount of work, far beyond what most actors are ever asked to do."

Moore's warning didn't faze Balfe. Writes Moore, "After she met with the president of Starz... and it was clear that she was going to land the role, I walked her to the elevator and just before the doors closed on her, I said 'Your life is about to change forever,' and she gave me a grin that was both thrilled and slightly nervous. I never saw her hesitate after that."

She's never hesitated before. As Balfe prepares to say goodbye to L.A. (for now, she thinks back to her early days in the city, trying to convince casting directors that she was more than just a model. "I went on many, many, many, many auditions that were Hot Girl No. 2 — you wanna shoot yourself," she says, laughing. "But, you know, I'm very lucky that l was even getting those auditions in the beginning. And it toughens you up. At least for me, to have that fuel to prove people wrong—it definitely spurs me on and makes me wanna work harder." Then she smiles conspiratorially. "And shove it to them."

Backstage 2

Remember… I told her in our first meeting that this was going to be an even bigger responsibility and workload than the normal TV lead. — Ronald D Moore

[kwebtv]

Terry Carter (born John Everett DeCoste; December 16, 1928 – April 23, 2024) Actor and filmmaker, known for his roles as Sgt. Joe Broadhurst on the TV series McCloud and as Colonel Tigh on the original Battlestar Galactica.

Carter acted in numerous television series, specials, and theatrical films. Carter was a regular cast member of The Phil Silvers Show (popularly known as Sergeant Bilko), appearing as Pvt. Sugie Sugarman in 91 episodes between 1955 and '59. Carter played boxer Rosie Palmer in a 1964 episode of the ABC drama Breaking Point. In 1965 he was the only black actor to have a role in the World War II drama Combat! in the season three episode "The Long Wait". He is best known internationally for his co-starring role as Colonel Tigh in the popular science-fiction TV series Battlestar Galactica. He was originally cast as Lieutenant Boomer, but was cut following a roller skating accident that fractured his ankle. After replacing Carter with Herb Jefferson, Jr., producer Glen A. Larson instead offered Terry Carter the role of Colonel Tigh, second in command of the ragtag fleet of starships, giving the series the distinction for the time of having more than one regular African-American character in the principal cast. Carter also starred as Dennis Weaver's partner, Sergeant Joe Broadhurst in the detective series McCloud for seven years.

In 1975, Carter started a small Los Angeles corporation, Meta/4 Productions, Inc. for which he produced and directed industrial and educational presentations on film and videotape for the federal government. Carter was president of Council for Positive Images, Inc., a non-profit organization he formed in 1979, dedicated to enhancing intercultural and interethnic understanding through audiovisual communication. Under the council's auspices, Carter produced and directed award-winning dramatic and documentary programs for presentation on PBS and distribution worldwide. (Wikipedia)

[curioussubjects]

Feedback Fest 2024

Since everything I've read for the past 1.5 years has been pilots, all 10 of the fics here are Kara/Lee from Battlestar Galactica. I'm only listing one fic per author, so be sure to check individual author pages if you liked their style.

(go here over on @transformativeworks for more info!)

1. In the Whole World by pennyante (M, ~80K, WIP)

Summary:

The Cylons aren't quite human, and the humans haven't quite forgiven them. Political stability is less certain than ever now that the war is over: Lee Adama finds himself up for re-election, where being defeated will mean a Gemenese theocracy puppeteered by Leoben Conoy. Meanwhile, Kara Thrace has nothing but questions about her death and destiny. The only answers available come in the form of the vision of a temple, and from her hybrid/comatose husband's cryptic ramblings about a sister artifact to the Arrow of Apollo.

There's violence in the air. Civil war looms. Can Lee and Kara save each other, and keep the fledgling colony whole?

Thoughts: The best season 4 fix-it, lives in my head rent free, rewired my brain, etc. Also I've read it, like, 3 times (and I cried).

2. We're Not Friends by ninety6tears (M, ~25K)

Summary:

When two soldiers in the middle of a war can't seem to like each other, baptism by fire is apparently the natural solution. (AU in which Kara never knew Zak and first meets Lee after the fall of the colonies.)

Thoughts: I love a different first meeting AU, and this one takes pilots on a fun rivals to lovers spin that works surprisingly well. They're still very unwell about each other, though, make no mistake.

3. Artemis Rising by clairza (M, ~11K)

Summary:

The next morning Lee makes a few phone calls, and when everything has been organized and his credit card has been used for the first time in three months, and he’s had the pleasure of telling his mother that no, he has plans this week, he tracks Kara down in the quad. 

She's lying on her stomach poking sticks upright in the grass. He sits down beside her, and he can see the tension in her shoulders.

“So,” he says casually, and he’s very proud of the way his voice doesn’t shake at all. “I hear the Aegean Peninsula is nice this time of year.”

“It probably is.”

“I’ve booked a unit.”

“Where are you going with this, Lee?” Thoughts: I have a huge soft spot for fluffy academy pilots and this fic absolutely delivers. Happy baby pilots go to the beach five stars no notes.

4. An Arranged Meeting by lark_ral (E, ~11K)

Summary: Even outside of wartime, you might be surprised by the pressures our service men and women are under. The most effective among them either have, or need a release valve. Thoughts: Lee and Kara are scene partners for years, then the Cylons come. Somehow less messy than the show, but still delicious.

5. Rota by leda13 (E, ~2K)

Summary: The days are arbitrary, in space. Bereft of the guide of a planet's rotation around the sun, they live in slices of time, stealing as many as they can. Thoughts: Emotional support curtain fic of pilots sneaking around.

6. Sufficient to the Day by rachelindeed (T, ~1.5K)

Summary: At the sound of Lee’s voice, she feels her stomach twist and drop. Reluctantly, she opens her eyes and sees him come to a stop an arm’s length away, settling one elbow onto the corner of the bleacher behind her. His jacket is unbuttoned, his hair mussed, jaw ghosted with stubble, and the frakking sun is rising behind him. The look on his face is casual and fond, but he breathes as if he’s been running. Thoughts: Mandatory UB morning after fix-it...sort of. I really like this one because all I wanted was for Lee to get to Kara first. Or for him to call her bluff. This fic is both. It's not a showdown on main street like I enjoy joking about, but it's quiet and it's them (so it's better!).

7. Contrecoup by Fahye (T, ~2.2K)

Summary:

Contrecoup (n): A concussion or shock produced by a blow or other injury, in a part or region opposite to that at which the blow is received, often causing rupture or disorganisation of the parts affected. (One story told right-way-up, the other told upside-down, but both in the same narrative.)

We begin at a single point in time. The present goes forwards. The past goes backwards.

The story is AU-within-canon and set after episode 1x11, "Colonial Day."

Thoughts: I can't say too much because I don't want to spoil the fic. So: a bit angsty, a lot sweet, with a side of Kara's amazing problem-solving skills.

8. Lee's Emo Coffeehouse by haycorn (M, ~2.9K)

Summary: Lee has a bar, and sometimes Kara makes his life more interesting. Thoughts: I love cute modern AUs in general, and I love them even more when there's pining involved. There's not nearly enough of this type of fic for pilots, either! Many thanks to the author for their service. Would read 100K of this 'verse.

9. Breathing Room by callmeonetrack (M, ~12K)

Summary: Kara and Lee adjust to their new, very separate lives on the Pegasus. Badly.

Thoughts: My favorite Pegasus fic! Being on the Pegasus sucks, but then Lee and Kara find each other and things get better. Chef's kiss, peak pilots.

10. And I Feel Fine by hazellazer (M, ~2.4K)

Summary:

“That was… that… why?”

Her hands stay firmly on his face, thumb brushing over his cheek. “I was just thinking—”

Cutting her off, he smirks. “You think?”

She swats at his arm, hard enough that it might actually bruise. “I thought you were dead, Lee.” Her gaze is harsh on his, voice rasping, before something softens. “And I should’ve done this the second I knew you weren’t.” Thoughts: Season 1, but Lee and Kara are together. It's nice, refreshing, and plain good.

[aceofwhump]

There's some really great whump in battlestar galactica, 2003! It's a smaller fandom, but in one episode. one of my favorite characters- Felix Gaeta- ends up getting shot in the leg while him and a few other crew members are away on a classified mission, and they can't get back immediately so he has to wait 15 hours until he can get medical attention. It's a really great ep in season 4 called "Faith" if anyone was interested 💪💪

Oh yeah? I watched the original Battlestar strictly for Dirk Benedict (love him) and he has a really great whumpy episode in it where he's injured and feverish and on the run. So good. But I've never watched the reboot of the show. There's good whump in it too? Awesome! OOoh I love a good shot in the leg episode. Like if a character is gonna get shot I hope it's in the leg. Oh man and waiting for medical help!? YAS! That's the way to do it!!! MAKE THEM WAIT! MAKE THEM SUFFER AND THEN MAKE THEM WAIT FOR HELP! YES! GOOD! lol anyways thanks for the rec!!

[utilitycaster]

you getting push back on that post is crazy to me isn't it enough to watch and get invested in something for what it is currently rather than what it will be? I have so many unfinished projects in my own life it'd be crazy to demand polished completion from everything I watch/read. my unfinished sketches and embroidery and abandoned dnd campaigns still brought joy and growth without having a polished thing to present at the end

So what's funny to me is like. I have referenced this before here and elsewhere but like, as a child, I was SO bad at ambiguous and sad endings and my mother was like, not unkind about this, but neither did she coddle it, and I think that laid a groundwork that was really necessary.

My tags, which got lost bc I did NOT expect that post to break containment, do actually touch on how Netflix and other streaming services canceling things to avoid paying people a fair wage fucking suck but yeah here's a list of creative endeavors I participated in or watched/listened to/read that do not as of this posting have endings and I still liked, and many of them aren't even directly attributable to capitalism because this is just a fact of life and art.

As mentioned, both A Song of Ice and Fire and the Kingkiller Chronicles.

Multiple D&D campaigns for sure (I actually don't make D&D characters without a game in mind and find it weird that people do and so I'm like why am I the one arguing for the beauty of the incomplete).

Multiple fics, both mine and others.

King Falls AM, a podcast I binged in like 2018-2019 and despite being a mystery never actually completed bc the creators couldn't agree.

I think Battlestar Galactica 2003 is one of the most brilliant shows of its era and also the finale, which happened when the creators intended it to, is really dumb, and that doesn't undo the fact that I loved everything else.

How I Met Your Mother ends really poorly in a way that arguably undercuts the whole series, but like, I still liked that too.

Ditto for Chuck, which also struggles in that it was on the chopping block most seasons so they kept ending in ways that probably weren't true to whatever the original vision may have been.

I saw Firefly on DVD after it had already been canceled, I think Serenity is good but I don't love all the choices, and Joss Whedon has since been revealed to be a dick but like, I enjoyed myself greatly while watching it.

As mentioned, Heroes. I didn't watch much TV until my teens anyway because we didn't have cable and our reception sucked and we were very much a book household, and this was one of the first series I recall watching from season 1 and it's also the first TV series where I was like yeah I don't care anymore, and it went on for 4 seasons and I think I gave up either late S2 or early S3.

I didn't watch Supernatural, Game of Thrones, nor Grey's Anatomy but all of those are famous for outstaying their welcome, sometimes it's better to burn out than fade away, etc.

I had already long outgrown Harry Potter and started to see its limitations by the time Rowling's transphobia became public but like, now it's not something I would ever recommend to my friends' kids or anything, and that doesn't undo the fact that I did greatly enjoy it as a child and teenager; it was indirectly the reason why I was introduced to the superior fantasy of Diana Wynne Jones, which I do still reread from time to time. (I think the "well I never liked it" mentality about works from artists who end up being terrible people is tied into the "I can't get invested in anything that might end in an unsatisfying manner." Tumblr University's media studies grads are not the brightest stars in the firmament, that's for sure.)

Like, cancellation (let alone cancellation specifically because of the unique shittiness of streaming services) is just one of the many reason things might end in a way you dislike or become difficult for you to enjoy at a later date, and that's just talking about television. Are you really going to deny yourself the joy of anticipation and watching a story unfold in real-time because the thought of something not satisfying you at every single turn is so unfathomable?

(oh, and because this is, as we know, a CR blog much of the time, I should add that this mentality is really pervasive which is wild because your average 3-season canceled Netflix show is probably the equivalent of maybe 9-10 CR episodes; thinking about how many people who now claim C2 is terrible watched 141 episodes and also the person who is iconic to me who unironically asked me what the point was in getting invested in characters who will die re: Chetney)

[maaruin]

Battlestar Galactica, towards the end of Season 4 [SPOILERS]

Chief Tyrol should have gone with Boomer. But even after commiting treason to save her life he is unable to commit.

[justonemorewallflower]

Soooo... I've been watching Battlestar Galactica (2003) for a while and yesterday finally finished it. I love this fandom and want to be more involved so I'm wanting to find others in the fandom to connect over this show with. I'm not sure how alive the fandom still is since the show is more than 15 years old lol but I'd love to find some Battlestar Galactica friends.

Also, for if anyone in this fandom does end up seeing this, I let my thoughts run wild towards the beginning of Season 4/end of Season 3 as I had really thought Starbuck was a Cylon. So I started a fanfic AU where she is and it's already at 35k words. I'm having such a fun time writing it as Starbuck is my favorite character and writing her is so painful but fun, especially with her circumstances in this fic and dynamics she has with other characters, like Lee.

Also I ship Starpollo, so if there are any other Starpollo shippers out there please show yourselves to me, I'd love to talk about the pair and cry over them, etc. lol. I'd also love to rp them if anyone would be interested in that, I love rping ships I really love and I think this pair would be so interesting and fun to rp.

[moistvonlipwig]

Top 10 Favorite Final Seasons of a TV Show

For @loisfreakinglane's enjoyment.

...This was actually so hard. I'm limiting myself to TV shows with multiple seasons that have officially for-real ended, as well as to final seasons that I've watched in full (so there are some seasons of shows I watch that maybe should make the cut that won't because I haven't gotten around to them yet). In the order that I thought of them:

Breaking Bad Season 5: A really strong & exciting final season with some great new characters (Lydia Rodarte-Quayle I love you Lydia Rodarte-Quayle!!!) and some of the show's best episodes.

Once Upon a Time Season 7: My favorite season of the show, and one that weirdly addressed a lot of the problems I had with the first six seasons. The new characters were great and they did some cool & unexpected things with the old characters. Hardly perfect, and it somehow made the show's already-convoluted timeline worse, but it was a very strong note to end the show on & it helped me look on the show as a whole in a much fonder light, which was no small feat after some of the bullshit the show had previously pulled.

Amphibia Season 3: A great final season. I loved seeing the Boonchuys on Earth in 3A, and I loved the story arc of Anne & Sasha co-commanding the resistance in 3B. IMO a lot of the complaints about this season come from people who didn't really understand what the show was about. ¯\_(ツ)_/¯

Steven Universe Future/Steven Universe Season 5: I kind of consider Future to be the proper 'final season' of Steven Universe and not its own show, but I know some people disagree and consider it a separate limited series and would say that Season 5 is the real final season of the show. Either way, both seasons are quite good. I think Future is consistently stronger -- Season 5 has a stretch of 6 or so episodes that are kind of weak -- but Season 5 has higher highs. But again, both are very good final seasons, whichever one you consider to be the 'true' final season.

Person of Interest Season 5: Honestly, this is not the best final season -- I think being limited to 13 episodes really hamstrung the writers, and not all the episodes are good -- but it does end on a really strong note, and also I ran out of final seasons I consider legitimately great, so, uh, good for you PoI, you arguably don't deserve to be here but you're here anyway!

Better Call Saul Season 6: I'm not gonna lie, I had problems with the way 6B unfolded -- I thought the pacing wasn't the best and some of the character/plot beats didn't quite land -- but both 6A and the finale were very strong, and I'm not opposed to most of the events of 6B in theory. Plus, BCS is just well-made TV in general, so even when I didn't love it, I was still appreciative of the artistry that went into the show.

My Little Pony: Friendship is Magic Season 9: I remember really liking the first half of this season and thinking it was some of the best stuff the show had put out in years. The second half was more par for the course but not bad. The actual season-long plot was pretty whatever but it produced some good episodes, and Daniel Ingram, as always, delivered with the music.

Battlestar Galactica Season 4: Look, anyone who's taken a cursory glance at my BSG tag knows how I feel about what BSG S3 & 4 did to Boomer, and S4 additionally committed the sin of killing off Anastasia Dualla, but I don't actually think S4 is overall a bad season. I think it could've been better, sure, but I honestly was fine with it aside from the stuff I hated. Lol. Also, Kara Thrace turns into a pigeon, and that's hilarious.

Infinity Train Season 4: Technically this is a better season of television than some of the seasons listed above, but it was not intended as a final season and you can tell; nothing about it makes for a particularly effective ending to the show. I will forever mourn the remaining 4 planned seasons of this show that we never got. But, hey, it's still a good season, even though it's probably the show's weakest outing.

...Revolutionary Girl Utena's Apocalypse Arc: LOOK I KNOW IT'S NOT A "SEASON" I RAN OUT OF FINAL SEASONS I LIKE OKAY. It's better than pretty much everything else on this list though because it's RGU, how could it not be.

Tagging @jioinfocommlimited, @02511213942, @occidentaltourist, @cassphos, @nocticola, and anyone else who wants to tackle this challenge. Be warned, it's harder than it looks!!!

[blasphemme]

thank you for tagging me @minotaurmutual !! ☆ ～('▽^人)

favourite colour: pine green

last song: what once was by her’s

last film: i went to a rerelease of the phantom menace last night! i always forget how good episode 1 is, but seeing it in a cinema was an excellent experience!!

currently reading: i’ve been stuck in chapter 4 of horus rising by dan abnett for like. 6 months lmao

currently watching: season 4.5 of battlestar galactica (2005-09). honestly this season has been an absolute drag, and atp i’m mostly just watching it for closure lmao

currently craving: pad see ew 😋

i’m tagging @cmbdragon98, @thehighmass, @goblinparty, @baltears , @woundposting and anyone else who wants to take part!! <33

[jazzfic]

I was tagged for my top 15 favourite tv shows by lovely @muirmarie

1. The West Wing

2. Lost

3. ER

4. Battlestar Galactica

5. Friday Night Lights

6. Star Trek Voyager

7. Star Trek Picard Season 1*

8. Star Trek Discovery Season 1*

9. Red Dwarf

10. Firefly*

11. Black Mirror

12. Parks and Recreation

13. Barry

14. Salvation

15. The Big Bang Theory*

I have stuck with the first fifteen that came to mind and no doubt the second I hit post I'll remember something great and meaningful and go dang and blast in my head. Some of these I have rewatched so many times I can replay scenes in my sleep. Some I haven't looked to in a while but are always there.

(And with the * indicating this, this has made a great impact with me in the ways of fandom and I will be for always thankful to the hills and craggy stars for the fact that I decided, in each beginning, to take a peek. Oh, I'll just watch this...)

[beatrice-otter]

Fic: Six Things That Changed Because They Were In A Sedoretu, and One Thing That Didn't

Six Things That Changed Because They Were In A Sedoretu, and One Thing That Didn't (7929 words) by Beatrice_Otter Fandom: Battlestar Galactica (2003) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply

Written for: @tielan in Sedoretu Exchange 2023

Relationships: Lee "Apollo" Adama/Kara "Starbuck" Thrace, Anastasia "Dee" Dualla/Kara "Starbuck" Thrace, Sam Anders/Kara "Starbuck" Thrace, Lee "Apollo" Adama/Sam Anders, Sam Anders & Anastasia "Dee" Dualla, Lee "Apollo" Adama/Sam Anders/Anastasia "Dee" Dualla/Kara "Starbuck" Thrace Characters: Lee "Apollo" Adama, Kara "Starbuck" Thrace, Anastasia "Dee" Dualla, Sam Anders

Additional Tags: Alternate Universe - Canon Divergence, Sedoretu, Alternate Universe - Everyone Lives/Nobody Dies, Happy Ending, Polyamory, Podfic Welcome, Don't copy to another site Summary:

what it says on the tin

On AO3. On Squidgeworld. On Dreamwidth. Rebloggable on pillowfort.

Betaed by iberiandoctor With an old-school fandom, I figured why not go for an old-school format?

Fic wittering and explanation of a sedoretu behind the read-more.

sedoretuex has revealed, and I can now reveal that I wrote TWO stories! (I have not yet had time to read any stories but my own--I have been really busy this January--but I am planning on making my way through the collection soon.)

My second story for this exchange was a pinch hit for tielan that I had been eyeing for treat purposes since the beginning, because our tastes are very similar and every one of her ideas was amazing and absolutely a story I wanted to exist. But there was a problem! Each one of those stories, my feeling was "I want that to exist, but I don't know if I can do justice to it."

Here were my main options:

1) Relationship and prompt I have written for tielan before (MCU, Steve/Maria/Natasha/Bucky, the previous fic being Look Clear and Calm)

2) Really interesting relationship and prompt from a TV show I've only seen sporadic episodes of (Simon Basset/Anthony Bridgerton/Daphne Bridgerton/Kate Sharma (Bridgerton TV), The oldest son and oldest daughter of the Bridgerton family finding and settling on a sedoretu husband and wife for their familial quartet. In the middle of the season. With the ton looking on.)

3) Relationship I requested myself and would really like to se done, but I requested it because I'm not sure of my ability to write it and the canon is a TV show I haven't watched in almost 2 decades. (BSG, Lee/Kara/Sam/Dee)

4) Relationship I already wrote for this ficathon for my original assignment. (Star Wars Legends, Luke/Mara/Leia/Han, the other fic being Dawning Understanding)

And these were just the top four. There were 13 requested quartets and I could have written 10 of them! I was spoiled for choice! Honestly, it was a little bit paralyzing.

But in the end, I went with BSG, and decided that Wikipedia would have to be enough canon review. And it really did write itself; everything poured out. As always, for me, Dee was going to have a major role and survive; I love her and she was done so dirty by canon. Her death was the first time I got incandescently angry about a fridging because I could see it for what it was. And of the relationships in this foursome, Lee/Kara is my least favorite. (I am glad that in Kara we got to have a female character who was fucked up and messy and not punished for it or considered 'whiny,' but at the same time, there were a lot of other fucked up and messy female characters on that show, and a lot of the other character arcs interested me more than 'cosmic destiny + will she and Lee ever get their act together.' But I know that Lee/Kara is tielan's favorite! So as I was plotting out each section I had to restrain myself: how much Dee was too much? What could I find to say about the other three? Because if I was writing it for myself, the balance would have been very different. (But I think it would have been a weaker story, less balanced.)

A sedoretu is a specific organization of a poly marriage created by Ursula K. Le Guin in her short story "A Fisherman of the Inland Sea" aka "Another Story" available in a 1994 short story collection of the same name. It includes four people and specific arrangements of the relationships inside it. All people have a "moiety" that is considered as inherent as gender; the two moieties are Morning and Evening. Sex with someone of the same moiety is considered incest. The expected relationships within each sedoretu are: The Morning woman and the Evening man (the “Morning marriage”) The Evening woman and the Morning man (the “Evening marriage”) The Morning woman and the Evening woman (the “Day marriage”) The Morning man and the Evening man (the “Night marriage”) (i.e. two homosexual and two heterosexual pairings)

Here is the Fanlore explanation of it and the E2 explanation.