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sweetmodel · 2 months ago

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How I became a master shifter (+ why methods aren't working for you)

Hello! I’ve been seeing a lot of disinformation lately, and I’ve noticed that some people might need help, so I wanted to chime in. I can shift whenever I want, and I see a LOT of limiting beliefs—but I understand because I was once on the other side.

Disclaimer: This is all based on my personal experience with how I became a master shifter. You’ll want to read everything—it’s important.

I first shifted around March 2022. I would always use methods. I would affirm, tell myself I was detached from this reality, and so on. During my very first shift, I literally affirmed all night long (if this sounds familiar, it’s because I used to have another blog here, lol). You know, really complicated stuff. Then... things changed. I couldn’t shift anymore. I kept using the same methods, but they didn’t work!

That’s when I started questioning everything about shifting and consciousness. Why was it that I could be in another reality where things like magic exist, but then suddenly I couldn’t shift anymore? Why were the methods, like lucid dreaming or the void, seemingly more powerful than the act of switching realities itself? Why, when I shifted from my Desired Reality to my Current Reality, all I needed to do think of my CR to shift back—but it didn’t work the other way around?

None of it made sense! And I’m sure many others have asked themselves these same questions.

I came up with two theories:

This reality has something unique compared to the infinite other realities. To shift from here, you need something extra, like a method.

There’s something else at play, something unrelated to the realities themselves.

I dismissed the first option. There’s nothing inherently special about this reality. So why do we use methods here but not in our DRs?

Then, I thought back to how I used to shift... detaching from my body, affirming until I shifted. It all aligned with my subconscious beliefs. The method didn’t work because that’s how shifting works, but because it made sense to my subconscious. Of course I would shift if I did these things—because that’s what I believed shifting required.

Well... kind of. As I said, it made sense because it aligned with my beliefs. So when the method failed, I wasn’t letting myself shift.

Did you catch that? I didn’t let myself shift. Of course, it wasn’t the method. At what point do you actually shift? Is it when you affirm? Do you really think the universe is just waiting for you to say the right thing enough times before it switches you to your DR?

No. It’s you.

So, you have two choices:

Find a method that truly aligns with your beliefs, or

Change your subconscious beliefs.

Changing your beliefs might seem hard, but I’m going to explain why it’s not as difficult as it feels.

All your life, you’ve had certain beliefs, but those beliefs came from somewhere. You weren’t born thinking you need methods to shift—it’s something that developed over time. Which means it’s not set in stone. It can be changed.

I realized that every reality holds the same weight. There’s NOTHING you can do in this one—no intrusive thoughts or negative emotions—that can stop you. Why? Because those thoughts and emotions are products of this reality. Shifting is simply changing what you’re aware of. That’s literally it. Anything outside of that can’t stop you.

Yes, we’ve all seen those posts saying things like, "Oh, you’re not focused enough" or "You spend too much time on X, Y, Z" or even "You don’t go outside enough" (I legit read this on here—y'all are wildin’). Are you in your DR thinking "Oh, I thought about failing to shift, it means I won't :("? Of course you aren't! But nothing can stop you from shifting. Nothing can stop you from being aware that you are a master shifter.

So, how do you become aware of that?

I started affirming throughout the day. I would tell myself these things:

I’m pure consciousness. I create my reality, and everything around me is just what I choose to perceive.

I’m a master shifter. I don’t need methods. All I need to do is choose to shift, think of my DR, and it happens.

Nothing in the 3D can stop me from shifting, because I’m in the 4D and pure consciousness.

I told myself these things constantly, and I truly understood what I was affirming. What being pure consciousness and being a master shifter actually meant. I stopped using methods. I stopped acting like this reality was special compared to the ones I wanted to be in. And then... it happened.

I shifted. During the day. I simply thought of my DR, told myself, I want to shift, and there I was—in my DR. It happened because, as I said, my subconscious beliefs changed and then manifested in my reality. The same way they did when I believed I needed methods.

Naturally, I stopped using methods. I stopped trying to shift. I no longer thought, Okay, tonight I’m going to shift, and I'm going to use X method. Because that’s not how you think or act when you’re a master shifter. I let go—why would I bother using a method before sleeping when I could just stand up, think about my DR, and be there? Why would I bother doing a method before falling asleep when I knew I'm a master shifter?

I allowed myself to shift. It was me! When people ask, What method did you use? What did you do to shift?—do you really, truly believe it’s the method that makes you shift? Of course you do, because you live in a reality that seems logical, and you apply that logic to shifting. But shifting isn’t logical! It just happens! I have no idea why—it’s literally just magic to me—but that’s how it works.

So, you need to understand: You make it happen. That’s a good thing, right? It means you don’t need methods, and you don’t need to keep searching for “the key.”

Anyway, I hope this helps someone. (Also yes, before you tell me, I know this is basically Law Of Assumption. But I wanted to explain it in more of shifting terms)

(Also if someone wants to post this to another social you have my permission- especially reddit since I was active in that community but I deleted my acc lol)

Edit: Hey guys there are some additional notes in the comments that might be useful!

#reality shifting #shifting #shifting motivation #shifting realities #shiftblr #desired reality #shifting reality #quantum jumping #nondualism

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txttletale · 19 days ago

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"you, specifically, are a bad and evil person that all my posts are written to condemn" this is not what i said. i'm sorry for not being clearer. i just feel like everyone in this space, not just you, look down on people who live in the first world as people who willingly don't change anything about how the world works when it's just not that simple. i know you all love to combat this and say otherwise but it will never change the simple reality that for some people it really is very hard, if not impossible, to do anything politically, for a variety of reasons. i'm disabled, i live in a remote part of the country, and i'm bad at talking to people. i don't have the money to just move to a population center or get lessons on how to speak to people. i can't do anything and i feel like every time you or one of the other communists on tumblr talks about the imperial core, i feel like i, personally, am being held to an unreasonable standard that i would not hold anyone else to, if i were in one of your situations. obviously i want things to change. i don't want genocide to be a thing that's constantly happening, i don't want my country to have its tendrils dug into every other country, i want socialism and eventually global communism, and if i could do anything meaningful-- anything at all-- to achieve those goals i would be working on that. but right now that just is not the case for me, and i feel like i'm not alone in that either. i just wish you had like a smidgen of empathy for some of the people living here who don't fit into your stereotype of what a member of the imperial core looks like-- i'm not even trying to say that sarcastically, it genuinely feels like you all don't see us as human. like nyanguard especially seems to think of us as incapable of saving ourselves, and one of the reblogs to my first ask just said they "like to imagine that (i'm) crying as i type this". how am i supposed to react to that? is this how all of you feel about people like me? would your feelings about me change if i lived in another country, or would you find some other excuse to talk down to me? is it really just the country i live in that's the problem, here? i'm not trying to accuse you, i'm asking this question genuinely.

i know it's tempting to respond to this with a snarky comment but please just try to understand where i am coming from. i really am willing to help if i can.

i don't think any marxist seriously has a political theory of imperialism that amounts to "citizens of the imperial core simply choose not to do anything because they are all individually bad people". i mean the whole point of marxism is that economic relations are the ultimate drivers of historical change, not abstract psychological or moral qualities of people.

i'm sympathetic to your situation! the imperial core is a very atomizing place to live, and there are places and situations where there's just no practical path to getting organized and taking meaningful political action in the near future. however, your problem here is:

i feel like i, personally, am being held to an unreasonable standard that i would not hold anyone else to

nobody is posting about you, personally. like at the end of the day you have to learn to either not take posts like that personally or just block everyone who makes them to manage your own time on the computer vis a vis niceness--i don't think it's the responsibility of me or any other communist to constantly provide asterisks and carveouts that we're not talking about the Good Ones Who Have Extenuating Circumstances when we talk about the usa and its material political base.

& in the same way that you ask for empathy for your situation i would ask you to extend a level of understanding to people whose homelands and countrymen and communities have been devastated by US coups and sanctions and invasions, that they have as much a right to express the rage and fury and hurt of that cultural legacy as you do to express your own sadness about your own situation. imagine, for example, how you would feel if your grandparents could not reliably get medicine because of us sanctions. & of course the correct target for these feelings are not random usamericans--but these posts are also not serious politcal platforms, they are venting from people who live their lives under the weight of empire.

if you think what they're saying is unfair to you, then you need to develop the ability to say 'well, i understand why they would feel that way' and move on. like i understand why you are upset, and i don't say this to be dismissive, but as real advice: it is not fair (especially to bloggers from the global south) to essentially rest your happiness and self-worth at their feet and demand that they validate you.

genuinely, i hope this helps. it's all i really have to say on the matter.

#ask

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thewriteadviceforwriters · 4 months ago

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The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors.

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fox-guardian · 1 year ago

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hey guys did you know that um. did you know. first of all did you know i'm losing my mind, secondly, do y'all remember in tma how when someone reads a written statement, they don't really Stop unless they're interrupted? and they read the whole thing easy cheesy, no issues with reading whatever words are there? like. jon literally could read french for a whole statement and was Fine. granted, that's Jon, but like nobody else struggled with pronunciations and whatnot (that i can recall)

presumably, this is an eye thing. either as employees of the institute, or because everyone there is just also eye-aligned in some degree (melanie had the ghost hunting show, the eye is fond of martin, etc)

and then there's tim in season 3 ep 86

[Sigh] Statement of… uh, Benjamin Hatendi… Hateendi? Regarding a… [papers rustling] a blanket. Dead friend. Monster. Regarding his unavoidable and gruesome end. How he tried to hide. He couldn’t. Statement is from… 1983, March 2nd. And I guess… [long sigh] I guess I’m doing this one. Tim Stoker. Archival assistant… Archival prisoner at the Magnus Institute.

correct me if im wrong but i don't recall anyone struggling with pronunciations before this bit. but that's not even the biggest thing here, that's just a lil Taste, a lil Flavor.

note the phrasing there. "Regarding his unavoidable and gruesome end." why would he say this when the written text on the statement says this:

Uh, right. Benjamin Hatendi’s account of… [rustling pages] oh for… a, a strange encounter. Er, statement date, March 2nd, 1983. Melanie King recording. Apparently.

"a strange encounter". that's it. nothing about an unavoidable death, just a "strange encounter". Tim Why Did You Say That.

why would our dear timothy bimothy, who is being pushed to the brink, who is becoming rapidly more depressed and losing hope, say this?

this isn't the only time he's said some weirdly grim shit tho (ep 104)

There was never really any hope for me, though, was there? This was how it was always going to go.

and then there's this bit from elias apparently having Looked into tim (also 104)

TIM All right, hit me with your X-ray eyes then, boss. What do you see? ELIAS Disruption. An unpredictable, angry man with nothing left but the desire to feel in some way revenged. TIM [Sarcastic] Ooh, terrifying! Surely only magic could have let you see so deep inside my very soul.

"nothing left" but the desire to feel revenged. and tim doesn't dispute this, because it's true.

when he first joined the institute he did so in order to look for answers about danny, but then he stopped seriously looking. and now that the circus is back, this is all the drive he has left. not looking for answers, just wanting revenge. closure. an end, if you will.

this is Literally It For Him. a couple lines later he suggests elias kill him, he's At The Breaking Point.

he is so tired, he's lost all hope, and he's saying all this grim shit about "unavoidable death" and "this is how it was always going to go" like hmmmm sounds familiar doesn't it. DOESN'T IT (<- is going insane)

(ep 11) [....] despite the rapid response of the paramedics and how much of his medical history I had immediately to hand, there was nothing I could do to save him. (ep 11) I have no responsibility to try and prevent whatever fate is coming for you. Based on my previous experience, such a thing is likely impossible anyway,[....] (ep 121) There. That was it. That was our fate; where we would always be.

hmmmm sounds a bit like oliver huh? everyone's favorite ex-accountant avatar of the end?? right??

but then there's this last bit i have from ep 86.

why did he stop reading the statement

Statement. “My parents never let me have a nightlight. I was always afraid, but they were ju–” Ugh, this is stupid.

why did he do that. again, correct me if im wrong but when else has someone just Stopped Reading like that without someone or something else interrupting them? why could tim just stop himself?

my theory is this: at this point, tim is completely gone from being aligned with the eye. he no longer seeks to know what happened to danny, he just wants closure. he doesn't wanna do any statement work, and he keeps mentioning these tidbits about hopelessness and the inevitability of terrible events, specifically death.

the eye isn't compelling him to read the statements like it does the others, because it doesn't have as strong a hold anymore. the grip is slipping from him. and by the time the unknowing rolls around, maybe it's lost him for good. maybe he finally fell into a different power he never meant to serve, and yet, he does.

and maybe. just maybe. because i'm so not in denial. but MAYBE. he did die in the unknowing. but maybe he got better.

basically end!tim truthers rise up, this is how end!tim kayaking with his bf oliver banks can still win, etc etc I'm Going Feral <3

#ramblings with major #the magnus archives #tma #tim stoker #oliver banks #timoliver #lil bit uwu #tim stoker tuesday #end!tim #cursing #tma angst #ig #i hope this is coherent and makes sense im losing my MIIIIND im losing my Mind

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chokamo · 2 months ago

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crossing paths

pairing : single dad!charles leclerc x fem!reader

summary : you moved to monaco, a place you never expected to call home. after an unexpected dm, you met charles, leaving you to wonder whether it was fate or coincidental.

a/n : this is part one of the “fateful encounters” series .

yourusername

liked by yourbsf, charlesleclerc, user and others.

yourusername 📍🇬🇧 hope i make it out of here

user so excited to see 💞

user have a safe trip

user love the caption

yourbsf YEAYYY

you liked this comment

user is this the girl charles followed recently?

user -> yes she is !

user -> omgg

user uhhh who is she 😬

user -> y/n is a model / content creator. ☺️

user -> based in the uk ;)

user -> and is moving soon

user cute girl

you added to your story .

yourbsf liked your story .

yourbsf is that WHAT YOU ARE BRINGING ??!

you replied -> uhhhh yeaa…?

yourbsf -> you do know you are going to MONACO right? not hawaii, ibiza orrrr bali

you replied -> leave me and my summer dream ALONE 😠

yourbsf im speaking from concern u better pack necessary stuff !!!

you liked the message

charlesleclerc liked your story .

charlesleclerc -> hey, i saw you are moving to monaco

charlesleclerc -> can we meet up?

seen just now

if someone had told you that you’d end up in a long-term relationship with your neighbor, you would have laughed and brushed it off with a “that’s crazy!” or a “in what world that would happen?” but here you were, as it turns out you were wrong.

it was around the month of may. you had recently moved to monaco for a job opportunity, and, by some wild coincidence, the building you rented your place was the same building he lived in, and, little did you know, it’s the same man who’d soon be occupying more of your thoughts than you’d ever expect.

with the help of your best friend, you managed to moved all your belongings up into your new apartment. boxes after boxes piled up like a mountain, and you’d think after months of dedicating to “decluttering” you’d minimize the items you own, hoping that it would fix your life. but it didn’t and here you are sorting it all out.

“i cant believe you are finally here in monaco” she exclaimed, while folding the boxes down in the corner, with a large grin.

if you didn’t know better, you’d think she was the one moving, with how bright she’s smiling.

“right? it feels like a dream.” you replied, laughing.

“yeah, and as i was saying. as your friend who cares about you, you better hook up with some rich monaco dude here” she teased, pointing at you with faux seriousness, her eyes glistening with mischief.

you laughed, rolling your eyes. “oh please, don’t get me started with that, i just got here!”

“i’m serious!” she insisted, a playful smirk painted on her face. “monaco is full of hot guys - you’re bound to snatch one up. . . i mean, just look at you!” she exclaimed making a show towards yourself “you are a total catch, babe!”

“you say this with every country we’ve been to” you pointed out, chuckling at her antics.

she shrugged playfully “ well, have i ever been wrong about this?”

you nodded your head, “ yes and yes, but i’ll test your theory out” you said with a wink.

time passed, and the adrenaline rush quickly faded turning into a comforting silence.

after countless of kisses and gratitude of thank-yous for her helping hand, she turned to you with a shaky smile.

“don’t miss me too much, will you?” she teased.

you let out a shaky laugh “ i’ll try, you know how much i need you in times like this”

with one last hug, she rushed off to catch her flight back home, leaving you to settle alone.

you couldn’t lie - you were nervous. this was your first time being in a foreign country living by yourself which only made it harder to accept. despite all the months of planning and preparation, it still wasn’t enough to ease the knot in your stomach as you stood infront of the building taking it all in, you sighed and made your way back inside the lobby, wondering what this new chapter of life would bring.

unaware of the person infront, you had accidentally bumped into them, knocking the item they were holding as it tumbled to the ground making a light thud noise. you gasped, at the sound more concerned about potentially breaking the person’s item more than your own stupidity. quickly, you knelt down and moved to pick up the fallen item - what you now noticed was a phone and swiftly handing it back to its owner.

“im sorry, so sorry” you blurted out, your mind racing as panic seeps through your system. what a good first impression, you thought, note the sarcasm. it wasn’t until seconds later after - you realized you’d spoken english in monaco, where the people dominantly spoke french, and suddenly, feeling self conscious about it. but before you could back track, thankfully, the person spoke english as well with an accent you could assumed sounded local ;

“don’t worry about it” his tone sounding amused.

you lifted your gaze to take a look at the mysterious man, your eyes trailing and tracing over his features - his lips, his shining eyes, the tousled hair. he was undeniably attractive, you realized, a thought that would lingered longer than you might expected.

then, suddenly, something clicked. that undeniable beautiful eyes and his gorgeous face - you had seen him before. your breath hitched as recognition dawned on you.

it couldn’t be. . .

but there was no mistaking it now. the man standing right before you was none other than charles leclerc. the man who dmed you the other day, but didn’t have enough time to respond.

this wasn’t just a coincidence, or was it? your mind raced, trying to grasp the situation. the man in front of you or was it really fate - the universe bestowed upon you?

breaking your shameless staring, a sheepish smile tugged-on your lips, “i’m really sorry about this. it’s not the best way to start the morning with, is it?” you said with a small huffed.

he smiled, chuckling softly “it’s not something you experience every day - that’s for sure” he replied.

“though i wouldn’t mind getting interrupted by you” he added, his smile remaining on his beautiful face sending jolts down your body and leaving you feeling fuzzy. “in exchange for your time “ he continued, his accent making the word lulled like musical notes.

you blinked, your mind freezing at the brazen request “ you want me - uhh my time?” you echoed playfully after breaking from your shock, trying to match his boldness.

“you would be suprised” he said lowly, his voice dropping down to murmurs.

“i’m charles, i live here,” he continued, his voice smooth introducing himself .

“oh, really?” you said jokingly, already knowing who he was. “i live here too” you replied.

his eyebrow arched in a feign suprise “i’ve never seen you here before?” he remarked, seeping through his tone as he studied your face.

“ i just moved in. . . today” you explained.

“ah, i see,” charles said thoughtfully, a small smile tugging at the corner of his lips.

you raised your eyebrows, genuinely surprised by his nonchalant tone “you already knew that? didn’t you?”

he grinned, “you caught me” raising his hand into a playful surrender pose “your best friend told me about you” he added with a mischievou glint in his eyes.

your eyes widen in shock, “my best friend?” you gasped.

“she’s a good help, credits to her for - “

“no wonder she was persistent about that earlier” you confessed, feeling betrayed by her slyness, a knowing smile crept to your face, recognizing how she was always on the lookout for a chance to play matchmaker. “i should have seen it coming.”

after a brief pause, he nodded, “it was nice meeting you y/n” his lips forming into a smile.

“it’s a pretty name” he complimented, his smile widened, showcasing his full lips.

you offered him a soft smile “thank you” .

“take care, then.” his words were simple but warm, and you returned the gesture with a quiet, “you too.” you whispered softly.

as you walked away, your thoughts drifted to charles. in a massive building surrounded with so many people - the probability of running into him is slim, you figured you would never see him again. and maybe, that wasn’t such a bad thing after all. a part of you was relieved by the thought.

but as much as you tried to convince yourself, there was a stubborn part of you that hope to cross paths with him - just once more.

but what you didn’t know was that charles hoped the same. how could he not? his aka “celebrity crush” or whatever, pierre, his best friend teased him with was you.

the moment he came across your page, he was hooked. he wanted to get to know you. but he had no way to communicate you - not until your move to monaco, it gave way as a perfect opportunity for him to meet you. even if it was just a friendly exchange, he wanted to seize the chance to get to know you better.

yourusername

liked by yourbsf, charlesleclerc, francisca.cgomes and others.

yourusername first week here 🇲🇨

user GORGEOUS

user so exciting

yourbsf found him yet? 😏

you replied -> PRIVATE message exist and yes you traitor

user gorgeous

user hellooo

charlesleclerc beautiful 🤍🤍🤍

you liked this comment

user -> WOAH

user -> new girl??????

user -> AND she’s im monaco

user -> this was the same girl he followed awhile ago.

user -> damn.

user -> OMGG

francisca.cgomes 💞💞

you liked this comment

user -> YESSSS

user -> a NEED to see them together

user -> 😫😫😫

user -> are they friends???!

you added to your story .

yourbsf liked your story .

yourbsf -> missing youu

you replied -> imyyyyy moreee

francisca.cgomes liked your story .

francisca.cgomes -> gorgeous 💐💐

you replied -> says you 🫶🫶

charlesleclerc liked your story

charlesleclerc -> hey, if you have time

charlesleclerc -> would you like to go out and meet somewhere?

you replied -> sure ;)

you replied -> what time?

a/n : tell me how u feel about this lol (my writing is mehhh and i re read this so many times i gave up even checking for any errors) and part two will come in october <3

checkout the fateful encounters masterlist

part two is already out -> here

disclaimer: this is a work of fiction, the events and characters depicted are not based on real life, and any resemblance to actual persons, living or dead, is purely coincidental.

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macabr3-barbi3 · 8 months ago

Text

CTRL ALT DELETE- Task Manager (Vox/Reader)

Something's up with Vox and you offer to help troubleshoot- it both does and does not go how you're expecting it to.

https://archiveofourown.org/works/54688282

The least serious thing I've ever written: inspired by the time i started a timer in class one day to see how long my teacher talked about her son instead of teaching us; i ended up realizing 4 months later that i never stopped the timer and it was just running in the background and making my shit slow that entire time lmao there's a screenshot in the ao3 notes

Tags: Stress Relief, Sexual Tension, Chair Sex, Vaginal Fingering, Begging, Computers. Dirty Talk, very basic knowledge of computers

<3<3<3<3<3<3

Your new boss seemed stressed.

Not in the usual way that he was stressed, either- the note from the assistant you had replaced was that usually when Vox was having an off day he would call for Valentino or have you pull a list of low earners for the month, banishing you from the room in either case. But he hadn’t spent any time with Val in months, basically the entire time that you’d been working with him as a personal assistant after getting promoted from a stage grunt for the news channel.

You had thought for a bit that he might make a move- that maybe that was why he promoted you, that he was charmed enough by you to end the on/off thing he had going on with Val, which made sense based on the timing. But when you tested that theory recently- made double entendres, brushed your hands against his arms or leg or back, blatantly invited him out for dinner and drinks- he didn’t seem interested. He declined your invite, allowed you to touch him without being overcome with lust, and the sex jokes just seemed to go whoosh.

Right over his head.

He was on edge and twitchy. He took longer to respond to things than he normally did, his processors slow, occasionally getting a ‘buffering’ message that flashed across his screen when someone asked a question. His hypnotic eye seemed to be suffering as well, the swirls having slowed down now to the point that they were no more mesmerizing than watching paint dry. It was frustrating and enraging him, and in turn frustrating you- he was fucking hot when he was angry, which didn’t help your attraction to him that he was ignoring.

He was sitting at his desk in the control room when you entered, head in his hands as he stared at a piece of paper on his desk. The monitors were all lit behind him, showing recorded footage of the Tower throughout the day- you spotted a short recording of yourself talking to some of the marketing team a few hours ago. Like a Valentino caricature he read the paper, blinked his eyes a couple times, read it again. Picked it up and pulled it closer to his face like that would help, and his screen scrolled the words along the bottom like his internal system was trying to transcribe it so something he could understand. He finally dropped the paper with a groan, letting it flutter to the floor where it slipped under his chair and stopped just before you.

“Are you okay, sir?” The question is out before you can stop it, and as was the normal recently it took a few minutes for him to answer.

“I don’t know what’s wrong with me,” he muttered, swiveling around to look at you. He clutched the sides of his screen, eyes narrowed and mouth delayed in its movements as he spoke. “I feel like I can’t focus on anything. I can’t process anything. My- just, fucking everything is slow and useless in my head right now! How am I supposed to be a master media manipulator when I can’t fucking concentrate for more than two minutes at a time?”

“You have seemed more… stressed than usual,” you agree. “Are none of your usual relaxing activities helping? Or have you done any troubleshooting?”

He raises an eyebrow. “Pardon?”

“Troubleshooting,” you say again, and at his blank stare you chuckle a little. “You know, doing a couple ‘quick fix’ things to see if that’s what’s causing the problem. Do you have like, a cache or something that you have to clear? An archive dump to get rid of old files?” You let your eyes track his body from top to bottom. “I’m not super familiar with how your… anatomy works?”

God, but you wanted to be.

He blinks a couple times. “I think I used to have someone that did that for me,” he says. “Years ago. I fired them because it didn’t seem necessary, I was running perfectly fine.”

“Yeah, well, that might be what the problem is.” You offer him a soft smile. “Sometimes stuff will work in sub-optimal conditions for a while before it starts causing issues. I used to do programming customer support when I was alive- it’s been a while but I could take a look if you want?”

His mouth twists in a frown. “I guess so,” he agrees. “I’m desperate enough to try anything. I need to be able to fucking concentrate if the Vees are gonna stay on top, everyone fucking knows that Val is hopeless with the business aspect of everything.” He gets the buffering symbol on his screen for a few seconds, groaning and shaking his head as he clears. “What do you need access to?”

“Do you have a way to access your… system? Externally,” you clarify. “I’m not a surgeon- I don’t plan on cutting into you to get to anything.”

Vox gestures behind him. “I can hook up to the monitors,” he says, “but we’ll have to be pretty close, doll. I have to be sitting here to be hooked up, and since this is the only chair, looks like this will have to be your seat.” He pats a hand on his thighs, not so much an invitation as a statement.

You fucking wished. You know this isn’t him trying to initiate anything though- you’d been trying for long enough that you’re ready to give it up and just accept that your hot, overlord boss didn’t want to fuck you. Helping him out felt more important than that anyway, so you would do your best.

“You got it,” you say, and cross the remaining space to perch yourself gracefully on his lap. You push the inappropriate thoughts about how firm his muscles are underneath you- how exactly did this man’s body work? Was it really just his head that was not organic matter?- and let him rotate the chair back to face the monitors.

The sight is intimidating, as is the position- you’re surrounded by reflections of yourself from every angle, Vox’s lithe frame seated behind you. This is where he does most of his business, the background site of everything that VoxTec handles. And he’s trusting you to help him fix whatever is wrong with him so he can get back to handling all of that, free of distraction.

You watch as thick wires come up from the floor to plug into the back of his head, the sharp hiss making you wonder if it was painful or intrusive. You won’t ask though, not when you’re getting ready to try to restore him to his usual ruthless self; he might consider that to be prying.

He pulls something up on the main monitor, the one that sits directly across from you, and waves a hand to it. A little keyboard and mouse emerge from the desk as the monitor powers on, and when you glance back you can see the same thing reflected on his face. “Have at it,” you hear him say, even though you can’t see his mouth moving.

Ignoring his open programs for the time being in case he needs any of them, the first thing you do is go in and clear his archived files. He’s got entire terabytes of useless information; employee records for people that have been dead or fired for decades; funny videos that he saved; resources for old news stories that are no longer relevant. Some of it you help him upload to a cloud server- after explaining to him what a cloud server is- and create files to designate for actual important shit.

You find the internal browser that he uses to pull information on the fly and help him clear the cache and cookies.

You help him sort security footage from Vee Tower and get rid of stuff that wasn’t actually necessary, like the short bits of static and dead air that happened whenever he used the cameras to teleport around the building. Everything that he has saved about mentions of that fucking radio demon also goes into the garbage. There are some files you can’t access, things like his memories and day to day recordings of conversations and things that he personally is part of.

You delete what you can and empty the recycling bin.

As the process has gone on, Vox has relaxed more and more behind you. “I still don’t feel completely back to normal,” he murmurs, “but this is already loads better. It’s like a massage directly on my brain. You know, if I still physically had one.”

You hit the keys to open his task manager- CTRL ALT DELETE. “Unholy fuck- Jesus, sir, if you thought that was good this is gonna feel orgasmic,” you say absently, scrolling through the opens apps and programs that he has running. Has this man ever closed anything? You hadn’t realized a person or device could even have so many things going at once. “Do you just leave everything open in the background?”

He peers around your shoulder, bracing his hands on your hips as he sits up a little straighter. The movement causes your stomach to drop, arousal threatening to make itself known, but you push the notion down as he sets his hands back on the arms of the chair. “I guess so?” He watches you scroll through the extensive list. “I guess it just never occurred to me to close them. Opening the programs to use is just like my stream of consciousness I suppose.”

“Kay, well, that’s stopping now.” You click on the first item on the list- VoxtaGram. “I recommend closing non-essential stuff out at least once a month. More, if you have the time to go through everything. For now, just in case, there is something important we’re gonna go through some of the more recently opened things, set them up to open automatically when you start up, before we reboot your system- wait, can we reboot your system entirely without killing you?”

“No worries there, dear. I can, I just haven’t done it in years because it can take a while to start back up afterwards.” He sneers at the social media page. “You can close that shit. Any of Velvette’s crap she can handle on her own. Same with any of the fucking games that Val loads up when he’s bored- can I delete those entirely? Or block them? Fucking moth and his blue-light addiction…”

You get through a lot of the list, Vox kind of dozing off and only passively participating in the process. You’ve got the gist of it; things like his news sources, contacts list and phone, and the notes app are staying open and set to automatically launch when he does reboot and start back up. Pretty much everything else is closed out, things he pulled up for two seconds weeks ago to check on something or another before abandoning it. You’re making excellent progress when the next thing on the list gives you pause.

“Vox? Why is this- oh my god.” You can’t help it- you start laughing, throwing your head back to rest on his shoulder as you look at what’s now displayed on the screen.

A stopwatch had apparently been started and never stopped. The elapsed time was over three thousand hours, which came out to something like four months if your mental math was correct. He had had this running constantly in the background since you had started working for him, possibly even before. “I think I found the problem,” you chuckled, and his eyes were narrowed as he looked at the timer continuing to tick. “What is this?”

“What the actual fuck?” He buffers for a second- and you’re pleased to note that it’s already much faster than it has been lately- before you hear a dinging sound coming from him. ‘Fucking Hell, I should have known this was all Valentino’s fault.” He drags a clawed hand down his screen in an imitation of a facepalm. “I was timing him. He was fucking ranting about Angel Dust again while we were in a strategy meeting with Velvette- I had the stopwatch going to see how much of the hour session he wasted talking about that whore. I must have forgotten to turn it off.” He barks out a laugh, throwing his head back with the force of it while you look at him with amusement. “I’m gonna owe you big time for this, doll, you’re a lifesaver.”

You close the app out with a smile. “Just trying to help,” you say. “I think that was probably the worst of it- do you want to just try rebooting now?”

He lets out a groan when the app closes, and the sound shoots through your body straight to your core. “Go for it, hun,” he says, eyes closed as he leans back against the chair. “I think I’m good to go now, but it can’t hurt. You were right, sorting this shit out feeling fucking good.”

You’re suddenly very aware of the dampness of your panties as you bypass ‘kinda horny’ straight to ‘fuck me on this desk.’ You scold yourself mentally: Don’t jump your boss. He’s trusting you to help him right now- do not take advantage of that. Do not ride his leg like you very clearly want to because his voice is fucking hot. Fucking focus.

You clear your throat, closing out the task manager and hitting the button to restart him. “See you in a bit, sir.”

You stay seated on his lap just in case- he might still have something he wants you to do when he comes back online, some settings you could apply to close out things that are used for more than a week or so. It’s definitely not because you like the feeling of his strong thigh underneath you, tantalizingly close to your cunt if you, by chance, decided to tilt your hips forward and start grinding down on him.

After just a few minutes get a message on the main monitor telling you to wait a moment- things start popping up on the other screens surrounding the central one, and it takes you a moment to recognize the pattern.

Its all videos of you- shot from Vox’s perspective, and a mortifying blush takes over your face. They’re all the moments that you had tried coming onto him. The innuendos and subtle entendres, the times that you touched him, pressed yourself against him in a tight space despite having another way to get to the copy machine, when you had invited him out for dinner. There’s also videos where he had just been watching you, apparently, taken from a distance as you spoke with Velvette or passed instructions along to a member of the team or discreetly tried to hide behind a vending machine when you noticed Val coming into a room.

There’s a satisfied grumble behind you, and before you can turn to look at him Vox has settled his claws onto either side of your waist and shifted you over a bit, to rest directly on the erection straining his pants.

Which is a surprise, albeit a pleasant one.

“Thanks for the reset, doll,” he says, and his voice is a quiet growl as he lets his hands wander from your waist to your hips and back again, claw tipped fingers catching on the fabric. “I got a chance to look at some files while I was under and found quite the treat in your logs.”

This could either be very bad or very, very good. “Sir-”

“You know, I’m usually pretty good at picking up what a woman is putting down. Imagine my surprise when I realize you’ve been coming onto me for weeks and my shit was so fucked up and bogged down that I didn’t even notice. Like that?” He uses one hand to point to a screen in the far left of the central monitor, while he snaked his other hand down to rest on your thigh, his hand large enough to encompass the muscle at the edge of your skirt. On the screen, you had come to his office to drop off meeting notes for something you attended on his behalf. You had dropped the stack as you came around his side of the desk, and got down fully on your knees to pick them up, glancing up at him through your lashes. You blush watching it now- it had seemed obvious to you even then, but watching it now, the way that Vox had seen it? When he didn’t say anything about you being face level with his prick you had used a hand on his thigh to brace yourself to stand up, letting your fingers run along the inner seam of his trousers when you rose back to standing. Still no reaction, and you had left his office equal parts turned on and irritated with yourself. Him not having acted on it had been the final nail in the coffin cementing the fact that he was not interested in the slightest.

You let out a weak exhale as the Vox sitting under you gets his other hand in the same position as the first, using his grip to ever so slightly spread your legs on his lap. He lets his fingers skim your inner thighs and you shake with the effort of not begging him to just touch you. This was delicious, agonizing torture.

“Had I been in my right mind for that display, baby, I would have fucking ṛ̣̬̫̍͌ͩ͟ụ̴̴̾̀͟͡i̧̻̻͉̜͑ͪ̾͟n̫̫̘̗͕̲̲̎ͥḛ̡̰̳͓̥ͬ͋ͪͧd̶̵̯̯̼̘ͨ̓ y͙͙̪̰ͫ͌́o͙͙̙̘̙ͤͫ͞ụ̴̴̾̀͟͡.” His voice crackles and glitches on the last words, and the sound of it forces a moan from your throat as you let your head fall back. You clutch your hands to the arms of the chair as his tongue- and who even really knew he had a tongue, what the fuck?- licks down the side of your jaw and at your exposed neck. “I would have had you choking on my cock before getting a taste of that sweet cunt and fucking you into the desk for hours.”

One hand finally slips under the edge of your skirt and you shiver when his fingers make contact with your soaked core. “Is that what you want now, babygirl? You want me to give you my cock as thanks for helping to set me straight? To make up for lost time?” He slides a finger under the thin material of your panties, groaning in your ear at how slick he finds you. “That’s what I want, doll. I want you to ride me so hard you go stupid with the feeling, and you never feel whole without some part of me in your cunt for the rest of for-fucking- ḛ̡̰̳͓̥ͬ͋ͪͧv̹̹̘̼̞̻͆ͩ̓ͪ͢ḛ̡̰̳͓̥ͬ͋ͪͧṛ̣̬̫̍͌ͩ͟.”

“Fuck, please,” you gasp out, the word devolving into a cry as Vox finally slides a finger into you, mindful of the claws as he pushes in and quickly follows the first with a second. He uses his free hand to hold your hips still as you try to grind into his digits, keeps you held firmly against his erection as you squirm in pleasure.

His sharp fingertips angle to prod gently at a spot inside of you that has you seeing stars; your eyes are clenched shut as you ride the feeling, so close to the edge you feel like you’re going to implode with the force of it when you finally tip over. “Fuck, sir, please, so c-close,” you mumble, and his tongue is back to licking at whatever parts of your skin it can reach.

“You wanna come like this, sweetheart?” The main monitor in front of you glitches out, and when it comes back into focus you see yourself on the screen- like a mirror, you’re reflected, and you can see Vox’s grinning face behind you. Your skin is flushed, sweat dripping down your face, the hint of tears along your lashline as your mouth drops open when he adds a third finger. “Look fuckin’ beautiful, baby, you were made for this- maybe we give Valentino a call, he could-”

“No!” You release the arms of the chair to grab onto his wrists where his hands meet your body. “No one- no one but you, sir. Vox, please, l- let me come. Please?” You let a little whine into your voice, and you can see the way his mouth goes lax and his eyes laser-focus on where you’re grabbing at his hands.

“I didn’t mean to join us, dollface, just to record- but you’re right, you’re right.” He pulls his fingers from your pussy, slicing the center of your panties in the process before he brings his digits to his mouth- you watch on the screen as he curls his tongue around each one, licks the flavor of you from his skin and glitches out at the taste. “How could I possibly share such a fucking vision with anyone else?

He shifts you to one side so he can get his dick out, and the sight of it in the monitor, his own arousal beading at the top and rock hard, has you whimpering before it’s even inside of you. He carried himself like a man with a big cock, but Christ.

“Hope you like what you see, hun, cause it’s all yours.” He scoots forward in the seat, tilts his hips forward for the right angle, and moves you back into your previous position with ease- this time, the tip of him is pushing inside you, and you watch in the monitor as you sink inch by glorious inch onto him.

Once you’re fully seated, Vox seems to lose capability for rational thought. “Fuck me, you’re perfect,” he moans, bracing his feet more firmly on the ground to thrust up into you, getting a firm grasp on your hips to pull you down into it. The result is a beautiful stab at that sweet spot inside of you that makes you clench and cry out, watching Vox’s hypnotic eye start spiraling at its normal speed on the screen, and you can see backwards scrolling text of his stream of thoughts- a bunch of nonsensical letters and cuss words interspersed with your name. “I want to fucking- chain you to my desk so I can have this perfect pussy whenever I want it. Fuck, I can’t believe we- we could have been doing this for weeks.” He punctuates his sentence with a hard thrust.

“A-all the more reason to regularly clear your task manager, sir,” you say, so caught up in the feeling of him railing you from below that you can hardly believe you formed a coherent thought. He feels so fucking good and you’re a hair trigger away from collapsing and wringing him for all he’s got.

With one quick movement he’s shifted, and there’s a hand on your throat arching you backwards at the same time that he gets a couple clawed fingers rubbing at your clit. The shock of the combination makes you flutter around his length, a choked noise escaping your throat before he tightens his grip- not enough to really cut off your air supply, but enough that your brain starts going soft and mushy and the vice grip your cunt has on his cock gets impossibly tighter. You can see the shine of your slick arousal coating him every time he pulls out to rut back into you, and the sights and sounds are threatening to rip you into the chasm of ecstasy that you’re flirting with.

“Vox,” you whine, “please, I’m so fucking- please please please-“

“Christ, babygirl, whatever you fucking want.” His eyes are wide and frantic as they watch the place you’re joined, his mouth set in a snarl as he fucks into your pliant body. The cry you release is nothing short of agonized- it’s so fucking close you can taste it, nearly overwhelmed with the tension.

“You wanna fucking cum on my cock? Do it, angel, let me see it- come on, baby, cum for me-“

Your walls clench down hard as you reach your orgasm, Vox’s grip on your throat making your vision and mind go fuzzy with the force of it as you choke on a moan that tries to escape your tensed muscles. You’re distantly aware of Vox thrusting hard into you, more praise and curses falling from his lips as he hits his peak as well, pressing his screen to the side of your face when he relinquishes his handle on your throat to clutch at your hips and grind into your cunt as he spills inside of you. The aftershocks of your release leave you twitching, milking his cock of everything he has to offer before he collapses into the chair behind you, a boneless pile of a man now simply running his hands over any bit of skin he could reach.

It’s truly a testament to how helpful the reset and reboot had been that Vox’s system doesn’t simply crash. “Fucking Hell, I haven’t felt this good in decades,” he mutters in your ear, and you shiver at the feeling of his tongue brushing the sensitive skin.

“Ha, you think that’s the reboot or the mind-melting orgasms?”

He hums contentedly. “Jury’s out on that, doll. Guess we’ll have to do a re-run on both and see how it stacks up to this one.”

“I’ll make sure to schedule some time out for it,” you chuckle before fixing him with a stern glare through the monitor. “I’m serious about clearing your apps and shit more frequently though. Christ, you had decades of backed up shit open-“

“Don’t berate me while my dick is still inside you, fuck.” He leans you forward far enough to pull out, and you grimace at the feeling of his cum starting to spill back out of you. He notices the expression though- “Whoops, sorry,” he says, and after a quick second during which he tucks his softening prick away he scoops you into his arms, standing from the chair and stepping away from the desk. “Let’s get you cleaned up at the penthouse, angel, what do you say?”

“If you’re carrying me then lead the way.” You gesture towards the door out of the control room. “Just don’t start any timers to see how long it takes to get there or anything and we should be good.”

The glare he fixes you with shouldn’t be hot, but it fucking is. “Hardy har,” he deadpans, and rolls his eyes while he stalks towards the elevator, control room door closing behind you; but there’s a small smile on his screen despite his ire and he’s functioning normally, and when you see the little stopwatch icon pop up in the bottom right corner of his face and start counting, you can’t help but laugh.

#vox x reader #vox smut #hazbin vox #ao3 writer #ao3 fanfic #hazbin hotel #x reader #my stuff <3

900 notes · View notes

jenchan-writingmultis · 6 months ago

Text

What do the dorm leaders + a few more students do when you leave them without saying goodbye / you go missing? (Series: Part 2)

──────⊱⁜⊰──────

Genre: Fluff/ Angst

Pairing: Leona x Gn Reader

A/n: Ooh It took me a while to create an update of this, I’m still in my second semester hell but I got a bit of time! So, I decided to write something for our dearest Lion, also I wanted to note that I’ll be doing this based on the book chapters, for example, Riddle First, Leona Second, Azul Third, and so on… I hope you like this part! I loved writing every part of it.

Credits: The design was made by me in Canva and the art that was used is all from the Official Twisted Wonderland Cards.

Warning: Cussing, OOC Crowley (lmao), smitten Leona, slight blood mention Masterlist Part one (Riddle x Gn Reader)

──────⊱⁜⊰────── Sypnosis: You went off already, actually, they didn’t even know where you were right now, Grimm was worried about you, where have you gone? You just vanished into the mirror that you were talking to every midnight, he knew that he should have listened to his gut feeling when he realized that you were warning him about your sudden disappearance. The moment he went dashing out of Ramshackle, paws cold from the snow that he stepped on and it was really bad that when he needed Hornton he wasn’t there. Savanaclaw:

Leona: He was annoyed when Grim started screaming outside of his dorm in the middle of the night causing all beastmen to wake up due to his ruckus, but his annoyance vanished when he realized what the furball was saying. You were gone, while he looked indifferent outside, telling Grim to calm the fuck down because he can easily hear him without him screaming in his ears, he was a bit worried. (Just a bit)

“Oi, can you tone down your screaming?” he grabbed Grim by the collar as the kitty sobbed, “Calm down, we’ll help” He sighed, causing Ruggie to stare at him surprised, “What do you mean we?” Leona scoffed before he threw Grim at him.

“This furball will just keep on screaming if we leave him” He sighed, scratching the back of his neck. Ruggie huffed “Well, it’s surprising for you to immediately agree to help though” he whispered to himself, Leona could clearly hear him, but he ignored what the other said. It was rare for you to leave Grim all alone, you two were practically attached to the hip, so you vanishing out of nowhere was odd, did you finally get back to your homeland? You didn’t talk about it, but he can see how you look at others when they’re with their families and he knows that look. It was a look he had when he was younger, when Farena was the golden child, and he was the black sheep.

He wanted that kind of familial love from his parents before, but they never gave it to him. You probably missed your family in your original world, he understands the feeling, but he can’t help but feel a bitter ache in his heart. Did he and the others not make you feel at home here? Sure, they overblotted and probably could have killed an herbivore like you, but he’s a changed man, surely you didn’t leave because you got sick of him or the others, right?

Of course, he went to interrogate Grim, asking him various questions, and after a few hours of barking orders to his fellow beastmen, he went to Crowley personally to ask, he was running out of options, and he was starting to feel that his theory that you went home was right. The last time Grim saw you was you got sucked in the mirror that was inside your bedroom. He tried to check on that mirror too, he didn’t feel any type of magic in it, it was just an ordinary mirror. You’d know he’s already at the edge of his seat trying to find you when he asked Crowley out of all people for help, denying the feeling in his gut that you were truly wiped out of this world.

“You’re saying that the prefect vanished?” Crowley put his hand on his chin, he was a bit annoyed about how calm Crowley was, and he crossed his arms glaring at the guy. “Did you send them home?” He questioned, getting straight to the point, which made Crowley shake his head “No, I didn’t, I have yet to find the portal back to their homeland, but this is certainly worrisome, I’ll try to help you find them, and can you summon the other head wardens for a meeting?” Crowley walked past him, Leona’s eyes following him. “I’ll be getting the teachers involved, this is a missing student case after all” He murmured, now that’s the sight he likes to see, somehow his opinion of Crowley increased. He guessed Mc became important to him as well.

However, despite the ton of effort to find you, none of them got any leads, the ache he was feeling from before got worse, he found himself awake than asleep most of the time, his head was aching, it was affecting his health too. When the housewarden meeting along with the teachers happened, of course, the majority of them volunteered to have their housemates search for you outside and inside, Crowley couldn’t get any officers involved since you weren’t officially in Twisted Wonderland, you were a walking unregistered herbivore; it was dangerous, it could get the school closed so he had to ask his staffs and students to help around, which no one complained. Everyone cared for you, you helped them one way or another; helped them grow as a person and as a mage, it made him fascinated that you get to change almost everyone in this school in just a few months of your presence, and you’re magicless even.

The improvement of the school happened because of you, and you just vanished out of thin air just like that, like some God who graced everyone with their presence only to leave once everything was sorted out. What about him?

Leona couldn’t help but feel numb, eyebags evident on his face, it was so unlike him to be overworking trying to find you, you were just a herbivore to him, someone who had the audacity to annoy him before just to gain his help. Ruggie was worried about him too, the guy tried to ease him into that he would try to use his “connections” to gain more manpower to search the whole twisted wonderland, it made him laugh, he was a second prince, he had more connections that can help with the search than Ruggie, plus he knew that you weren’t here anymore. He couldn’t accept it at first, it was just slapped on his face multiple times.

Your scent continued to fade as the days continued, he didn’t have any motivation to do anything else but try to find you, find you, and find you for the first few weeks health be damned, but when you manifested in his mind, festering him to do something else, to try to finish third year, then maybe during internship he can find leads to you. He decided that if he plans to continue to persevere, then he will. After all, he was known for his tenacity before.

Ruggie was surprised when one day, Leona started to become focus on his studies, Leona was sometimes going to class, just enough to the point he could be promoted to 4th year, where he could do internships. He thought that Leona might have forgotten about you, which kind of annoyed him, was Leona only good at doing stuff in the first place and abandoning it once he realized it was futile? Of course not! Ruggie slapped his cheeks and shook his head, Leona could never, he’s mischaracterizing his Housewarden.

While the search died down, plenty of students gave up because they kept reaching dead end after dead end in their search. Grim was often with Ace and Deuce, he noticed that the furball lost a lot of weight and he often seemed out of it. Most of the students who knew Grim understood the devastation of losing someone whom he treated as family. They try to get Grim to eat more, but he always ends up either overeating or not eating at all, the only housewardens who get him to eat normally are Vil and Riddle who have strict diets for him. Riddle is more lenient due to knowing Grim longer than Vil.

The housewardens get split custody of the Cat, and the main custody being with Riddle, Ace, and Deuce. Leona barely gets any time with Grim, and when he does, he usually just gives him to Ruggie. One time, Grim got really upset at him though.

Leona flinched in pain, blood seeping out of his arm, a scratch mark forming on it. Jack jolted and grabbed Grim’s arms, subduing him immediately. “Grim! What are you doing!?” Jack yelled out, gripping on the squirming cat.

“You! Out of everyone here, you’re the one who’s always so calm and relaxed!” Grim cried out, glaring at the Lion. Leona glared at him as he used his magic to heal his arm. “Do you even care! You just gave up after a few months!” He continued, biting Jack making Jack let go out of pain, and when Grim jumped on Leona. He got grabbed by the scuffle.

“What makes you think I stopped trying to find them?!” Leona snapped, gripping on the cat, as if he’s a cub misbehaving, this was annoying, people thinking that he doesn’t do a lot when in fact he’s been giving more than just effort “You think I’m not trying my best here!?” He lets Grim go who is surprised at his outburst. “Shit” He pinched the bridge of his nose, Jack carrying Grim again. “I’m really sorry Leona” He apologized on Grim’s behalf, but Leona just waved him off. “It’s fine,” he said, looking down at the cat. “But I want you to understand that some people just prefer doing work behind the scenes, just because you don’t see it doesn’t mean they’re not trying.”

He really was trying. The you that was cuddling him in his dreams, playing with his hair and kissing him, telling him to do his best. That had kept him sane while trying to find you. It was stupid and pathetic, but at least he knew that somehow, he never forgot your face, your scent, and your voice even if it took years. Even once he graduated, even if Falena tried to set him up with other Beastwomen or some high-ranking princess. He rejected them all, in favor of waiting for you, despite not knowing if you’ll ever come back.

He never even got to tell you his feelings before you vanished, if he did would that make you not go back to your own world? Even after a few years, your friends had already graduated, he was working in Sunset Savanna, temporarily because his brother asked him for help, he was busy jumping from place to place to maintain connections and build new ones so while his brother is gone, he was the one in charge, Cheka was already in Junior High school dreaming of getting inside Royal Sword Academy where his friends would be around as well as his father encouraging him to enroll there due to being an alumni, and his sister in law kept festering Leona about mates and stuff.

Right, did he tell you that he kept the mirror that you vanished from to his room? When he finally graduated, he felt that he needed the mirror, so he decided to buy it from Crowley, who graciously gave him the mirror without any complaints. Sometimes, he looks at himself in the mirror, hoping to see you behind it. He really wishes you would come back.

He went to sit down on the edge of his bed, sliding himself into the covers, his bed feeling cold and needing another, he stared at the ceiling, wishing in his mind that when he woke up, you’d be there, touching his cheek.

Drifting into sleep, he dreamt of you again, a dream that he saw multiple times after you vanished, his head laying on the soft plush of your thighs, he stared up at you, who was looking down at him with a soft smile, he nuzzled the hand that you placed on his cheek, placing his hand on it as he guides your hand to his lips, kissing it.

“I miss you” he murmured in his dream, your hand felt incredibly warm and soft right now, it felt… real. Maybe whatever Deity from above decided to pity him today and give him your touch that he was constantly seeking.

He didn’t want to wake up, the warmth of the sun hitting his body except for his face which you were shielding it from. The moment he lifted himself up, to go nearer your face, he wanted to kiss you now or else he might never feel this surreal experience ever again, a blinding light suddenly flashed in his vision, causing him to flinch.

“Oh, sorry Leona” a familiar voice apologized, making him groan and blink a few times, was he still dreaming? He felt his head resting on something else and not his pillow, it felt softer. When he finally was fully awake, he realized that he was in fact, not dreaming anymore. He looked up only to see you, in the same position as you did in his dream.

“Herbivore…” he froze as you rubbed his cheek gently. “Yes, I’m here” You hummed as you pushed away a bit of his hair just to see his face better. “Oh wow, Leona you became prettier!” you giggled, causing him to sit up, grabbing your cheeks, he examined you. He can’t believe it, it really is you, he’s not dreaming anymore.

“How? What?” he questioned, glaring at you maybe this was a trap, if this was some doppelganger or some shapeshifter, he’d turn you to dust, but the way you weren’t scared of his glare made his will falter, you were warm, you were there, your scent was there too, nobody can replicate that. “Herbivore you’re back” he finally caved in, pulling you into a crushing hug, which you gave back happily. “I’m back Leona, I’m sorry I vanished,” you said, burying your face into his shoulder. “You idiot, I definitely deserve an explanation for this” He growled out, not letting you go at all.

Word Count: 2,359

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