#basically these characters are the main characters of my storys
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knighta3 · 2 days ago
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I've created my own categorization of the various canons. It's similar but unrelated to the EU-days system.
Core Canon: Episodes 1-6. This is the base for everything else.
Lucas Canon: Anything Lucas directly participated in. Episodes 1-6 and Star Wars the Clone Wars(2008). I tentatively include the Dark Disciple novel and Son of Darhomir comics, since they were supposed to be included in the Clone Wars if it hadn't been canceled, but had to be reworked to a different format.
EU canon or Legends Canon: The old novels, video games, comics, etc. that are pre-Disney days. Such as the Force Unleased, Knights of the Old Republic, Republic Commando, Star Wars Clone Wars(2003), etc.
There are problems with this level. Such as some of them being created before the prequels existed, and thus contradicting core canon. Many authors contradict each other too.
Lucas himself rarely looked at any EU/Legends content. He'd give the authors and developers guidelines for what they couldn't touch on(he forbade the prequel era and Yoda's backstory, for example, because he wanted to tell those stories himself), and that was about it. So EU/Legends is basically just fanfiction Lucas could profit from. He was most likely to see things from the visual media and incorporate some of those ideas however he saw fit. Such as Quinlan Vos, Darth Bane, Darth Revan, etc.
Filoni Canon: the things Dave Filoni (who is regarded as Lucas's "padawan") worked on. So this level includes things like Star Wars Rebels, the Bad Batch, the Mandalorian, etc. The stronger his participation/influence on the work, the stronger its status as Filoni canon.
Disney Canon: Anything produced by Disney. Rebels, the sequel trilogy, the fallen order games, the various shows, Rogue One, Solo, etc.
Alternate Canon: mostly stuff like Star Wars Visions or the Lego iterations, where it is officially created content, but should not be regarded as actual canon.
Personal Canon: for clarity, this is different from headcanon. Individual fans just pick and choose whatever they want from any established canon and incorporate it into their personal canon. (For example, I reject the sequel trilogy)
Headcanon: fan interpretations that are not from any established canon. Things like fan theories and ideas of a character's favorite color. There are two main types of headcanon: 1. has a basis in canon, but isn't confirmed; 2. Has no canon basis, but it doesn't contradict canon either.
Headcanons can be incorrect at times, due to fans misunderstanding or forgetting established canon.
Crack Canon: A secret 3rd type of headcanon. They are either absurd or contradict established canon, but it doesn't matter because it's not serious. Things such as Anakin/Vader being defeated by pocket sand fall into this category.
Fanon: headcanons that escalate to be widely accepted by many fans, despite there being no established canon to confirm or deny. Depictions of the clones often fall into this category.
Fanon can also be incorrect due to misunderstanding canon
Arguments about what's canon and what's not in SW fandom are kinda pointless, I know for a fact that every fan has their personal frankensteined version of canon based on what's best for their own blorbos. I love picking up a random licensed book to sneer at half of its ideas and then steal the rest. Some shows and books and comics and whole movies are simply not incorporated into my belief system. That's how we roll
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sebek and his big ol' heart
Y’all thought I would be writing an extensive analysis on [REDACTED] or Skully but JOKE’S ON YOU, I love my lame idiot child Sebek 😭
When I tell you I actually CRIED MULTIPLE TIMES reading his Nightmare Suit vignettes… because all the pieces fit together SO well…
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Before reading this (long) post, I’d like to ask that you also take your time to read this analysis and this analysis. They will help you understand some of the points I made later regarding Sebek and his internalized racism + how he expresses himself.
Have your recommended reading done? Great, then let’s hop to it!
***Spoilers for Sebek's Nightmare Suit vignettes, book 7, and various other Sebek and Silver card vignettes.***
Sebek is one of those characters that lives in infamy for how much time he takes to get warmed up to. He presents himself as loud and brazen, with these traits often earning him the ire of both in-universe peers and irl fans alike. Worst case scenario, Sebek can be seen as someone who is outright hateful. He’s rude to most people (including Silver, his childhood friend, sometimes), denounces humans, acts like Malleus can do nothing wrong, and doesn’t seem to respect his own father.
Well, I’m here today to tell you those claims are false and that Sebek is actually capable of so, so much love. All you need to really do is look at his Nightmare Suit vignettes—and how well they connect with the rest of his lore—to understand what I mean.
The vignettes start with Jack Skellington finishing a bento that Sally made for him. Sebek tells Jack that he should now return the basket that the bento was delivered in to her and to let her know what he thinks of her meals, but Jack says he can’t because he’s busy with Halloween preparations. Jack asks Sebek and Azul to return the basket in his stead, which they do. They aren't allowed to see Sally because Dr. Finkelstein has locked her up for misbehaving, so they leave the basket. Azul advises that they also pass along Jack's comments (he had called Sally smart, thoughtful, and kind; he often forgets to have meals when he's absorbed with his work, so it's generous for her to prepare a delicious meal like this for him). Sebek loudly refuses, as he believes that hearing these grateful words from Jack himself would be much more meaningful to Sally.
He later confronts Sally at Town Hall and asks to speak with her privately (in an ALLEYWAY lol). There, Sebek flat-out tells Sally that such roundabout tactics will never help her feelings reach Jack because he's way too dense. Of course, she reacts with denial which sends Sebek into a passionate speech about the lengths Sally will go to for love (short of actually speaking about it). She literally threw herself out of a window and put herself in bodily harm to get to Jack when Dr. Finkelstein locked her in her room. She deliberately disobeyed her guardian and brainstormed a way to get out when theoretically she should not have been able to move around freely. If that's not motivated by love, then what is? Sebek declares that it's really annoying to watch Sally dance around the issue and to see her devotion go to waste. IT'S LIKE HE'S WATCHING/READING A ROMCOM AND THE TWO MAIN CHARACTERS KEEP PLAYING THE "WILL THEY, WON'T THEY" CARD... She admits that she can't share her feelings because Sally thinks she's not worthy of someone as impressive as Jack... They're not compatible. And you know how Sebek responds??? BY TELLING SALLY ABOUT WHAT IS BASICALLY TWISTED ROMEO AND JULIET... Sebek reading tragic romance confirmed 😭 He describes the story as one of two lovers whose families do not approve of their union. In desperation, the lovers try to elope--but their plan fails and they return to their warring families. Instead of committing dying like in the original tale, the lovers live the rest of their lives lamenting the outcome and how they can no longer see the person they love most. Sebek shares his own interpretation of the story and its moral: because the lovers gave up hope that they could get their families to accept one another... because they never tried to get their families to get along... because they could not properly articulate their feelings to their families... the lovers could not be together. He is convinced that if they had communicated better, the story would have a happier ending. Sebek is of the firm belief that a story itself cannot come to be without the author wanting to share their own thoughts or feelings; he even suggests that maybe the author of Romeo and Juliet experienced something similar--a regret that resulted from neglecting to express deep-seated feelings. It's not just this book either, Sebek claims to have many stories with a similar theme or miscommunication leading to conflict.
Above all, Sebek stresses to Sally that she must believe in herself and take swift, decisive action. And why does Sebek whole-heartedly throw himself into this belief? Because his own family is living proof that a happy ending is possible if you try hard for it.
If you've paid attention to Sebek lore prior to this, you'll know that he has a human father and a fae mother. Their marriage faced opposition and scrutiny in Briar Valley, a country which is isolated from the rest of the world and suffered greatly from human invaders pilfering the fae lands for resources. One of these sources of opposition and scrutiny is Sebek's own grandfather and his mother's father, Baur. Apparently, Mrs. Zigvolt married Mr. Zigvolt against the wishes of her dad.
Sebek shares even more details with Sally in his Nightmare Suit vignettes. To this day, Baur does NOT approve of his daughter's marriage--but Mrs. Zigvolt doesn't let that get her down! No, she does everything in her power to prove to her father that she made the right choice and she's perfectly content with her life. She'll send letters enclosed with photographs of her family, take her children to visit Baur's home, and invites him to join family dinners. Sebek adds that he's sure his mom made other efforts too--all to try and get Baur to acknowledge her marriage. More recently, Baur seems to have lightened up a little... as in, he always used to turn Mr. Zigvolt away at the door, but now lets him in about once a year (though Baur still avoids eye contact with him and continues to frown). Mrs. Zigvolt stubbornly believes that if she keeps this up, her dad will one day change and bless her marriage with the man she truly loves. Sally commends Sebek and his mother's ability to speak their minds loudly and proudly, but then disparages herself again by saying she can't do the same. Sebek then confesses that he can relate to Sally's frustrations. He related her feelings to his own inadequacy in serving Malleus, the powerful and noble king-to-be of his country. That feeling... Sebek describes it as akin to heartache. But instead of wallowing in that heartache, he pushes himself to close that distance between himself and his idol. If he keeps hesitating, then there is absolutely no way he can catch up to where Malleus is! Sebek must dedicate himself to becoming someone worthy of serving him. He encourages Sally to do the same through both her words and her actions! At that moment, Jack walks in and Sally makes good on Sebek's advice. (This part isn't important to the analysis on Sebek's character, so I'm glossing over it.) The vignettes end with Epel complaining about Sebek being loud as per usual. Sally doesn't take issue with his volume though. She simply giggles and informs Epel that Sebek speaks so loudly and clearly so that his words can resonate with others--like how his words gave her courage.
We have learned new lore about Sebek's grandfather and mother. What does this tell us about Sebek? A lot, actually--if you slate it with all the other lore we have on hand.
We see just how strong of a woman his mother is. I suspect this is where Sebek picked up a lot of his hard-headedness, as well as the tendency to express himself very overtly, from. However, it also speaks to the loving environment he grew up in.
His mother seemingly never questioned her own life choices and never gave up fighting to prove her happiness to a father--and likely an entire community--that rejected her marriage, her husband, and maybe even her children. She fiercely loves and defends her family and the life they have made for themselves. Sebek states that he looks up to her for her magical strength, but that he also admires her principles and strong convictions. Indeed, it was her who ardently pursued Mr. Zigvolt and did not allow naysaying to deter her.
Then there is Mr. Zigvolt. In Sebek's Birthday Boy vignettes, he describes his father as "a strange man" who is "magically deficient" and "never lets his smile fade, no matter what I say to him [...] he defies comprehension." Though Sebek doesn't seem to hold the same amount of respect he has for his mother for his father, we don't hear Sebek openly insulting his dad, just expressing confusion about him. When asked about it, Sebek denies depending on his father--but it's clear there is a fondness there that he's not addressing. Mr. Zigvolt is impressed whenever his children use magic, buys them snacks they never asked for, and talks with them for long periods of time in a calm, patient manner. His father, too, has given Sebek so much compassion and understanding.
We don't know a lot about Sebek's siblings, but they seem to get along fine! He has mentioned going to parks with them. They've also gone fishing together and witnessed magic competitions, which they were all amazed by. The Zigvolts in general (or at least the parents) seem to be accepting too, as they volunteer to take Silver in whenever Lilia is unable to take care of him.
And you'd think that's where it ends, but NO. Baur ALSO has a lot of love to give. Despite not approving of his daughter's marriage, he doesn't actively despise his grandchildren. Quite the opposite, in fact! Though he's rough around the edges and looks scary, Baur doesn't fault any of his grandchildren for being born half fae and half human. He actually makes it a point to bond with them, and especially with Sebek. It was Baur who taught Sebek the language of nocturnal fae and instilled in Sebek his love for reading (as he bought many books for him and tells many stories himself). He also personally reached out to Lilia to train Sebek, as the young boy (at around age 7) expressed an interest in martial arts. Sebek has a love for salmon carpaccio because he and his siblings would fish at Baur's house and then prepare the dish for him--Baur was so happy about it. Additionally, Baur values getting a good education and was proud when Sebek shared with him that he was invited to attend Night Raven College.
Sebek grew up in a country that dislikes humans, but he was raised in an household where he was loved unconditionally and provided with all the resources he could need to get a good education and become someone who is physically strong. So of course he becomes frustrated when he sees Sally, who is so nervous to act on her feelings. What would have happened if Sebek’s mother had been like Sally? Sebek, as the youngest of three, might not event exist. His parents may not still be together… or maybe they wouldn’t have gotten together in the first place. It’s exactly because Sebek knows what love is supposed to be like--courtesy of his own family—that he can see it so well in others, and wants them to act on it. His very existence is proof that love is possible, and it transcends arbitrary labels like race that serve to divide people into categories.
One quirk of Sebek's is how he's always dishing out back-handed compliments or making comments that come off as rude but aren't at their core. He can't seem to help but say a good thing that sounds like something bad. His Diasomnia classmates, usually Silver, have to translate these Sebek-isms for others, who misunderstand him or interpret his words in the worst possible way. For example, from one of Silver’s Fairy Gala lines; “Sebek said to me that no self-respecting disciple of Lilia’s would dare get a single stain on this clothing. That's his way of encouraging me.” In Silver's Dorm Uniform vignettes, Sebek tries to reassure his friend and tell him to not let other people's opinions hurt him--but he phrases it as, "Hmph, ridiculous! I see no reason for you to heed a few random comments from some humans." The duo is also shown to be competitive with one another in training; it's never malicious, they both want to prove themselves as the superior knight, and the other serves as motivation to improve and/or a means of measuring one's own growth against a fellow disciple. When the mostly elderly population of Harveston is in need of physical labor, Sebek comments "[...] the humans in Harveston are woefully out of shape," yet he insists he "still [has] energy to burn" (as if to volunteer himself to do more work) and call such tasks "simple" (as if to point out how easy it is for him to do, so don't worry about troubling him). He hauls apples and helps the villagers with whatever they need, declaring that they should "be grateful"--but if he truly did not care, he could have stopped at any time or settled for just making fun of them. But Sebek doesn't, because he DOES care deep down. This aspect of Sebek is made even more obvious in Fairy Gala: What If. He appears at Ramshackle and opens by declaring, "NO! I am by no means worried about anyone! [...] Don't mistake my intentions. I am NOT here to help! If your mission doesn't succeed, the repercussions will definitely affect Malleus and Lilia. Hence... I shall lend you uneducated humans my aid! [...] You're welcome to weep with joy at my magnanimity..." Time and time again, we see Sebek demonstrating a lot of kindness, but deflecting or not being totally transparent with his intentions due to pride or embarrassment. This behavior is very reminiscent of Baur, the grandfather that Sebek loves dearly and spent so much time with. Baur, too, can be very passionate and loving, but struggles to speak of those feelings openly. Just look at how the man deals with Mr. Zigvolt. The behaviors of the family, then, imprint on Sebek and influence his behaviors--and being that Sebek is from such a loving group, it follows that Sebek puts out a lot of love into the world too.
A lot of times when the fandom discusses Sebek's attitude, I feel it's from the context of him being hateful towards humans. I'm not going to deny that Sebek has said some pretty nasty things about half of his own identity. The point I would like to make here is that Sebek can love just as strongly.
The most obvious thing that supports the claim that Sebek is capable of strong love is how he views Malleus. It's no great secret that Sebek practically worships the ground his dorm leader walks on. That's essentially Sebek's key defining character trait. What I'll ask you to consider instead is the nature of Sebek's love--not the obsessiveness of it, but rather the unconditional nature of it.
In Lost in the Book with Nightmare Before Christmas, Skully laments that Sebek has not been disappointed by his idol, Malleus. Sebek actually corrects him by saying that love isn't imposing your own views on your idol, it means preparing to accept them, flaws and all. He says the same of Malleus; should the time ever come where Sebek's expectations of Malleus falter or their paths have to diverge, then he will still embrace his young master, never once turning his back on him. And where does Sebek gets this from? His parents. The father who loves his children no matter how critical Sebek may be of him. The mother who remained so strong in the face of her friends and family being against her life choices.
A common fandom sentiment regarding Sebek is that he blindly follows Malleus--but when speaking about his idol to Skully, Sebek says that agreeing with someone and continuing to love them are different things. You can disagree with someone's actions and still continue to love them and accept them. This follows what Sebek does in book 7; though he is betrayed and hurt by Malleus turning his powers against the world, Sebek does not let up on the hope that he can bring his young master back. He even sillily calls the yet-to-be-hatched Malleus tamago/egg-sama, showing even an infant form of Malleus great respect after witnessing his OB. Skully took the opposite path that Sebek did; when he realized that his own idol, Jack Skellington, was not as he imagined him to be, Skully became enraged and lashed out over it. Sebek points out Skully's inadequacies as well, which ties back to how he spoke of his own drive to improve in his Nightmare Suit vignettes. Skully confesses to trying desperately to emulate Jack--so much so that he breaks down when Sebek's UM destroys his iconic shades. He wallows in his current state and doesn't make efforts to change or to be better; the past and his own vision is where he's comfortable. It's a strong contrast to Sebek, who has made it clear he will continue to train and work hard to prove his merits and to be someone worthy of protecting the great Malleus Draconia.
It is Sebek's passion and boundless love that makes him a hero both in Lost in the Book with Nightmare Before Christmas AND in the main story's book 7. He serves as a foil to Skully in the former and actively saves Silver when he's on the brink of despair in the latter. After learning that his biological father is the man responsible for killing Malleus's mother and leading the Silver Owls' onslaught on Briar Valley, Silver despairs and comes to the conclusion that his father must loathe him. "He could never love the son of the man he despised! He has to hate me! He has to!" Sebek rushes to Silver's side using Living Bolt, a UM he has yet to master (thus causing residual damage to him when he casts it), to correct him:
"You have this much strength... and you dare to say you weren't loved?! That you were hated?! [...] If [Lilia] hated you, he didn't have to give or teach you anything. He could've just raised you into a dimwitted coward and made you a servant. But he didn't--and look at you now. Even alone and helpless, you stood firm. You spoke up, unfaltering in the face of our liege's madness. Even trapped in the darkest despair, you kept on fighting! Who raised you to be so strong? LILIA DID! Why don't you see? Why do you doubt? You should have understood years ago! What can you call your strength, if not the direct result of Lilia's love?!"
WHETHER SEBEK REALIZES IT OR NOT, A LOT OF WHAT HE TELLS SILVER HITS HOME FOR HIM TOO... Like, thinking about it... Sebek must have faced a lot of prejudice from his community because of who his father is. He might have grown up thinking he, too, was hated, had he not been protected by his loving mother, father, and, yes, even grandfather, who is still struggling to accept the human in their family. Baur must have been feeling very complicated emotions upon meeting his half human grandchildren for the first time... but even though he dislikes humans, he could never find it in himself to dislike his grandkids. If he had hated Sebek, he wouldn't have wanted him to get a good education. Baur wouldn't be happy that he got into NRC. He wouldn't personally ask Lilia to train the grandson who expressed an interest in combat. He wouldn't buy so many books for Sebek or read with him or tell him stories or teach him his language. But Baur DID do all of these things, because deep down he loves Sebek no matter what he is. If it was anything less than love he felt for his grandson, if he decided to neglect his grandkids, then Sebek would have grown up as some "dimwitted coward". IT'S ALL CONNECTED.
And now here Sebek stands, able to tell others that they are loved and should be cognizant of that love. He reminds Silver that Lilia loves him. He advises Skully to reevaluate how he sees his idol. He tells Sally to speak honestly about her feelings, because it was his own mother speaking honestly about hers that led to Sebek and his entire family being as happy as they are now. He shouts at people to act and to speak their minds because he doesn't want them to live with regrets, because he doesn't want to see them be weak and timid--a version of himself that could have resulted if he hadn't been loved so strongly.
You can say many things about Sebek: that he's loud, that he's rude, that he's a fanboy, that he has big muscles. But of all those muscles, Sebek has a very big heart too. And what made him so strong? All the love he received from his family, despite growing up an environment that surely invited hatred for humans.
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dilemmars · 2 days ago
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⠀⠀⠀⠀⠀⠀“ DIE WITH A SMILE. ”⠀⠀───⠀⠀arcane.
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⠀⠀𝗆𝖺𝗌𝗍𝖾𝗋𝗅𝗂𝗌𝗍.⠀( arcane series , on going. )⠀by dilemmars.
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1.⠀⠀ PAIRING⠀⠀:⠀⠀violet x f!reader.
2.⠀⠀GENRES⠀⠀:⠀⠀based on the storyline and universe of arcane ( league of legends tv show )⠀; first love trope, started dating recently, stablished relationship, exes to lovers. basically you and vi were dating before the start of the story, then got separated.
3.⠀⠀WARNINGS⠀⠀:⠀⠀i will add the warnings that the tv show has: slight presence of sex and nudity, foul language, alcohol, drugs and tobacco. moderate scenes of fear and terror. high content of violence and gore. also, mentions of prostitution, anxiety, depression, death, grief and post-traumatic stress (of course). we know the show, we know what happens. still, more detailed warnings per chapter.
4.⠀⠀AUTHOR 'S NOTE⠀⠀:⠀⠀i watched season one the first day of november with my friends, a marathon, and i had no idea about the plot or the tv show in general besides the fact that my friend had had a crush on vi back in 2021. turns out i was victim of the vi effect and i'm obsessed now too hehe. enjoy 🤍
5.⠀⠀IMPORTANT⠀⠀:⠀⠀this is a work of fiction. i do not own arcane or any content produced or owned bychristian linke, alex yee, riot games or netflix. all rights belong to netflix and the writers of arcane. all plot events and character developments that are not related to the main character's story belong to the writers and creators of the series.
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𐙚˙⋆.˚ 𝗌𝑦𝗇𝗈𝗉𝗌𝗂𝗌.
the brothel whispered that to be loved is to be cursed. you knew it, your mother had told you more times than you could count, and yet when you had the opportunity to prove you had learnt from the prostitutes you lived with, you couldn't help but drown in her affection like a shipwrecked sailor finally succumbing to the strength of the ocean. you weren't naïve, just fifteen, when you thought imagining she was your destiny wouldn't hurt anyone. but time proved you wrong ━blood spilling between the cobbled, dirty stones of the downside's ground━, her sweet words the withering reminder of the loss of your life. with the doomed destiny of the country in the hands of only a few, power might be the only way to recover your sanity... and maybe, if it isn't too late, getting her back.
─────  “ㅤ🥊ㅤ⸻ㅤwhat brings 𝑦ou to the lost and 𝑓ound?
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𐙚˙⋆.˚ 𝗂𝗇𝖽𝖾𝗑 𝗈𝑓 𝗍𝗁𝖾 episo𝑑es.
━━━━━     𝒇irst 𝒔eason.
ACT 01 01 ⊹    welcome to the playground 02 ⊹    some mysteries are better left unresolved 03 ⊹    the base violence necessary for change
ACT 02 04 ⊹    happy progress day! 05 ⊹    everybody wants to be my enemy 06 ⊹    when these walls come crumbling down
ACT 03 07 ⊹    the boy saviour 08 ⊹    oil and water 09 ⊹    the monster you created
━━━━━     𝒔econd 𝒔eason.
to be released. . .
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ㅤㅤ© dilemmars ★ do not copy, translate, repost or share this work as yours on other platforms ! consider leaving a comment or reblogging.
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cripplecharacters · 1 day ago
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For reference, I'm autistic but I'm not physically disabled. I'm wondering if I'm playing into some bad stereotypes with one of my disabled characters. She's primarily a wheelchair user, but she can walk short distances with mobility aids. Basically, she's always visibly disabled.
I gave her quite a few of my own traits (and accidentally made her autistic in the process). One of these traits is I made her aroace. But now I'm thinking it's maybe not the best idea to have an autistic wheelchair user be explicitly uninterested in sex and romance when there's a lot of stereotypes about both groups being uninterested in / incapable of these things. Emphasis on the wheelchair user aspect since that part of her character isn't drawing on my own experiences in the slightest.
If it helps, she's not the only autistic character or the only visibly disabled character in the story. But she is the only wheelchair user, and the only character who's explicitly aspec.
Her being aromantic is pretty essential to her character and storyline, but her being asexual isn't really. I could probably change her sexuality without changing too much else about her. So I guess my main questions are:
1. If I keep her aroace is there anything else I can add to help avoid too many stereotypes regarding sex and romance for wheelchair users?
2. Would making her allosexual help with the situation or would I just be removing an important aspect of representation without doing anything to improve the negative stereotypes?
Thanks for the help
Hello!
While there are stereotypes about physically disabled people not having sex, it's usually more in the realm of "disabled people don't have sex" or "disabled people can't have sex" rather than being about asexuality or aromanticism specifically.
There are stereotypes about autistic people being aromantic or asexual but, as with most stereotypes, there will always be people that fit their description. Their existence is just as important as somebody who doesn't necessarily fit those stereotypes.
This is to say, if your character is aroace and disabled, good for them! That's completely fine, there's nothing wrong with that.
If you are still worried, you could always add more aspec characters or more wheelchair users, though I honestly wouldn't worry too much.
You could also consider having her talk a bit about her experiences being aroace, even if it's just a few throwaway lines here and there. That would help solidify it as being part of her individual identity rather than equating being disabled with being aspec.
In general, though, I don't see anything wrong with this character.
Cheers,
~ Mod Icarus
Hey! I strongly agree with Icarus on adding another wheelchair user that's not aroace. There's nothing wrong with having a disabled aroace character, but it's hard to ignore the fact that often autistic and physically disabled characters get to be the ones headcanoned as aroace because of the "physically disabled/autistic people don't have sex nor romance" stereotype.
Coming from someone disabled and on the aroace spectrum: disabled characters who are aroace are cool, but having disabled characters coincidentally always be the only asexual and/or sex repulsed ones is certainly frustrating. Just put in some variety and you will be good.
If you do want her to be asexual and not add any other character, it would be interesting to see her identities actually intersecting. Does she ever feel "like a stereotype" for being autistic and not being interested in dating? Same thing but for being a wheelchair user who doesn't want sex? Maybe gets annoyed when people assume that her asexuality is caused by her disability, or when interacting with people who just presume that she doesn't have sex/romantic relationships because she's autistic and uses a wheelchair, and not because she's aromantic and asexual? Basically anything to give her depth as a character who is all these things so it doesn't seem like she just got the "default orientation" that disabled characters often end up with in LGBT media.
mod Sasza
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sl-walker · 1 day ago
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Self-Promotion as Distraction
Want something to read? Here's my stuff that I'd rec, along with what kind of mood it's good for. Feedback adored if you read any of these and wanna give it.
Supernatural - The (Second) Book of James - Long Good if you like stories written before Season 9, tons of angel lore and metaphysics, angel-vessel relations, Jimmy Novak, a story told backwards-and-forwards, and something with a very bittersweet ending that is not actually the ending. Some warning for tragedy, of a sort. If you love Cas and Jimmy, though, it's a hell of an adventure, especially if you like Cas as a total badass.
Star Trek: The Original Series - The Arc of the Wolf - Long Good if you love your Trek stories very grounded and humanistic. Pretty much the life story of Montgomery Scott, it's very much a Scotty story first and a Trek story only sometime after that. There's drama, humor, high seas piracy, friendship, found family and even if you don't actually know Trek very well, I've been told you don't need to in order to enjoy it.
Star Wars - Witness me - Long Good if you like Maul and specifically Obimaul, especially with the more Legends lean on Maul's characterization. Basically an AU where Maul was captured after Theed, the series doesn't ignore the fact that Maul was cut in half, so it's very heavy on the psychology and relationship building. It also has a whole gamut of emotions explored, and beyond the Obimaul, you also have found family and friendship building and an absolutely awesome cast of clones in Blackbirds: Year One. Probably my most popular work, and not entirely without reason.
Star Wars - Undersong - Long-ish Good if you like id-fic! A Sith AU where both Obi-Wan and Maul are raised by Sidious before escaping together, it's largely written in a serial format, with short chapters and a lot of momentum. Good if you don't like long, dense chapters, but do like a story with some real rollercoaster emotion. I enjoyed the hell out of the supporting cast, and so does everyone who reads it, too.
DC Comics/JLI - Past Resolution's Power - Mid-length Good if you want a shorter tale but with teeth. The prequel series to Stardust, this one primarily looks at the short span of time between the book Justice League: Generation Lost (and Booster Gold Vol. 2) and Flashpoint, mostly centered around Booster, but also with Rani and Rip and Michelle and Guy. It's a pretty heavy and genuinely mature story, though it's got its light spots, too. Also called the Mk. I timeline, as its the first.
DC Comics/JLI - Carbon Cycle - Long Good if you want something long, involved, sometimes incredibly fluffy and definitely filled with warmth. The Mk. III timeline -- meaning the third reboot, versus the Mk. I timeline above -- takes place mostly around DC's Rebirth era, on the notion that the characters aren't getting cleanly reset every time and instead that there are these echoes from past lives. The main story, Stardust, is Booster/Beetle slowburn, lots of funny but also lots of sincerity, and later on some heavier stuff creeping in, but the supporting cast has some serious screentime, too.
How about you, Tumblr? GIVE US YOUR DISTRACTION RECS.
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thenightshadowqueen · 10 hours ago
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Let’s talk about the finale.
A lot of people say killing off Arthur was a bad decision. I disagree. There were a lot of things I thought the writers could have done a hell of a lot better (ships, timing/pacing, character development), but I don’t think killing Arthur was one of them.
I’m not saying it wasn’t sad. It was heartbreaking. But. From the beginning of the show, Arthur’s death had been foretold. It was both hinted at and explicitly stated from the very first season. And ending with anything other than it would have felt cheap, like a plot armour cop-out. I think people less familiar with Arthurian stories were surprised—god knows I was—because we’re so used to main characters surviving despite all odds (which is actually a huge issue I have with media, but I digress). The build-up to it could absolutely have been more satisfying; we should have gotten to see the changes Arthur was making to the kingdom, for a start. But the decision to kill Arthur was a good one.
Despite how fucking deviating it was, I am genuinely so glad they did it that way. I think I would be disappointed if, after all the build-up they had, they’d let him live. It would feel forced, false.
I’ve heard people say that the reason they killed him off was to stay true to the legends, and that that’s why it was “forced in”. And I’m not saying that that’s not why the writers made the decision—but it wasn’t forced in. It was carefully thought-out and evaluated, and it was quite well-executed, and it was a good decision.
Basically, in summary, my thoughts on the finale: it was deviating, but it was good, and it was a good narrative decision.
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stxrslut · 3 days ago
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THE OUTER BANKS X HUNGER GAMES AU
new and improved hunger games au introduction post!
lets start with the basics!
what are the significant events in this au?
the first significant event in this au is the 75th hunger games (the quarter quell). It is significant as it is what brings all of the characters together for the first time and is where a lot of my fics are set. the next significant event is obviously the rebellion, and alike is where a lot of my fics are set!
what kind of fics do you write for this au?
the fics that I write for this au don’t really make up one huge story like a novel might. instead the fics I write are just little snippets of the events that happen, often reflecting little, often romantic moments between the characters going through the bigger plot lines.
and obviously as I write for different characters, some of the fics may not match up if you were to try and place them on a storyline.
do any of the characters from the original hunger games exist in this au?
yes! Annie, Cinna, Clove, Cato, Snow, Boggs, Coin, effie, haymitch
what are the useful things to know about this au?
this au follows the movies in the sense that district 4 tributes are all reaped, rather than careers like they would be following the books.
the rebellion is first inspired right before the 75th games, in the period where the tributes are desperately trying to stop the quarter quell from happening. (much less touching then the katniss / rue narrative, but unfortunately I couldn’t find a way to make that work)
once the tributes win their games, they are given the opportunity to live in the capitol, all of the characters take it up.
in the quarter quell, instead of two tributes being picked form the winners of each district, four are picked, two male tributes and two female tributes.
how similar is this au to canon hunger games?
this au is similar! whilst some of the canon characters do not exist, it still follows the same pattern of, 75th games happen, tributes are taken to d13 and rebellion takes place.
what characters do you write for in this au?
in a romantic sense, in this au I write for all of the same people I write for normally, but obviously the hunger games version of them!
HUNGER GAMES AU CHARACTERS
JJ Maybank. district 4.
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jj won the 68th games at 16 years old. the arena was set out as a desert with scattered lakes around.
he is known for his combat and survival skills. he fought his way into winning. he used a machete knife retrieved from the cornucopia as his main weapon, his signature move being to essentially gut the other tributes. it was a violent tactic but it worked.
he became known for his charm and charisma after moving to the capitol. the ladies are all over him though he’s never taken too much interest, a one night stand here and there satisfying him enough until he finds someone perfect.
John B Routlege. district 4.
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john b won the 69th games at 17 years old. the arena was set out like an abandoned mine shaft, very cold and very few areas had light.
he won his games using his extremely good survival tactics. he set basic traps around him and then mostly hid, using the few recourses he retrieved from the cornucopia to survive the three days that the games went on for.
when moved to the capitol, he reunited with his childhood best friend jj maybank. they became an iconic duo of sorts, always seen together, a pair of heartbreakers to the public. two of the most liked victors in the whole of the capitol.
Pope Heyward. district 3.
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pope won the 66th games at 15 years old. his arena consisted of multiple sharp, jagged rocked mountains, white rapid rivers and waterfalls.
he used natural recourses to create electricity, setting it up near the water so that it would react and kill any of the tributes who would unsuspectingly go near.
he lives on the outskirts of the Capitol, much more rarely seen than the other tributes. he’s smug and snarky, though he has enough charm to make people like him.
Rafe Cameron. district 1.
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Rafe volunteered for and won the 65th hunger games at 15. his arena was a tropical forest with waterfalls and caves all over.
he was trained well, he used pure combat skills, channeling all of his rage into winning the games. he was determined to prove his doubtful family wrong.
he’s known within the capitol to be quite the ladies man, always attending the big invite only parties and walking out with a different girl hanging from his arm. though there’s another, more angry side of him that’s also known to be seen from time to time. he’s one of the most known victors, loved by all and yet also strangely feared.
Kiara Carrera. district 2.
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Kiara volunteered for and won the 71st games at 17 years old. the arena was made to be a big thriving forest, full of poisons and mutts.
she used her training from the district 2 academy to simply fight her way through the games, winning only shortly after the cornucopia.
she lives a life of luxury in the capitol, often showing off her inherently “bitchy” personality in public, she may be less liked but she sure knows how to win some games.
Sarah Cameron. district 1.
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Sarah was pushed into volunteering for and won the 72nd games at 18 years old. her arena was filled with snowy ice glaciers.
she used her training from the academy to make herself a shelter and wait out the games, though she was occasionally seen shooting down other contestants with the wooden spears she’d fashioned from her spare firewood.
in the capitol she’s seen as mysterious, only ever making appearances when she absolutely needs to. the other tributes have met her and are on friendly terms with her, though she never goes out of her way to spend time with anyone but herself.
Cleo. district 13.
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cleo was born and raised in district 13, and once the revolution begins, is one of the people to help the tributes of the 75th games.
cleo was one of the only children to survive the plague in 13, her parents died during it. she was taken in by boggs, who taught her everything she knows about survival.
she has a tough exterior and she doesn’t trust coin, she is in fact known to be one of the only people in the district that coin is just a little bit scared of. despite this, she is there for the people, and is not afraid to fight for what is right when she needs to. even if what she is fighting for is as simple as demanding a child like primrose everdeen to be able to keep her cat.
thg!reader. district 4.
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you won the 73rd hunger games at 18. your arena was built as a ruined city, full of rubble and abandoned amenities.
you used your own innocent demeanour to trick the other tributes into trusting you. once you had them in a good position you’d throw a knife or stab them in the leg or arm with a knife coated in nightlock. you’d make it seem like an accident, keeping them to protect you for as long as you could. by the time they would think about betraying you, the poison running through their blood would kill them already.
you become well known in the capitol, loved by all because of your sweet personality. the other tributes also take a fascination to you, though none of them go further than a little flirty conversation from time to time. little do they know that the third quarter quell is approaching, and they’re all about to be thrown right into the games that they all thought they’d never experience again…
ADDITIONAL CHARACTERS
ward cameron : won the games young and quickly rose up the rankings, by the time rafe and sarah were made to compete he had secured a permanent job as presidential advisor for snow himself, subsequently placing incredible pressure on his two children’s shoulders to live up to him
big john routlege : climbed up the ladder as quickly as he could the moment that his son won the games. he valued nothing but fame and status. he became a game maker, earning his sons hatred as he now undergoes the horrors that he designs.
barry : after winning his games for district one young, he decided to stop caring. he lived a life on the edge of the capitol, selling contraband to peacekeepers and learning the ways of the dangerous people. only for his life to change ever so slightly, when he is made to mentor district ones rafe cameron.
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droaxa · 13 hours ago
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the villainesses scheme
✧ tags: yandere haikyuu male leads x villainess reader
✧ warnings: yandere behavior (later on), reader hits her head
✧ a/n: hi guys guess who’s back!! i love the isekai trope where the mc gets reborn a few years before their death and i needed to put my own lil’ twist on it! i’d love to turn this into something longer (like a series or something) so give me your thoughts!! my recent haikyuu obsession led to this one lol, inspired by: the male leads were stolen by an extra
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You were a loser, well not exactly. You had a pretty stable job and a nice flat but lacked one major component in your life: friends. But it’s not like you were antisocial! Moving to a new city just a few months ago, you had been busy with moving in and didn’t exactly have enough time to make friends.
Besides you were preoccupied with your favorite web comic of all time: Flower of the Estate! A commoner girl that has three noble men falling for her? This girl really had some crazy cha(rizz)ma. You weren’t really into harem type stories but wow did it keep you coming back to see what happened.
It was another late night reading Flower of the Estate when you decided to head to the kitchen to get some snacks to keep you fueled. However, when you turned to retreat back you slipped on spilled water near the sink and hit your head on the granite counter! You mentally curse yourself for not cleaning it up as you drift into a deep slumber.
When you open your eyes and the lights blind you, quickly slapping a hand over your face you shoot up. Registering the soft plush beneath you you opened your eyes, when did you get in bed? Looking around your jaw drops, who the hell put you in a room like this! The whole room was illuminated by sunlight peaking behind the luxurious navy drapes and you gasped at the sheer size and extravagance of the bedroom. You were… in a castle?
Jumping off the bed you immediately fell to your knees with a thud. How long had you been out for that your legs were this weak? You push yourself up and stumble to the mirror on a vanity next to the bed. The satin fabric of your night gown fell to the ground, revealing the length that had been bunched up while you were sleeping.
In the mirror, the first thing you see is (e/c) eyes and a face eerily similar to yours. It was your face and body for sure but the state of it wasn’t, your hands were usually rough and your knees were scarred from playing as a child but now both were smooth and even. Then your eyes feel on a crest engraved onto the top of the vanity and your heart dropped.
The beautiful family crest of a black fox protected by two swords was a prevalent symbol in Flower of the Estate. It was the crest of the villainess. You, (y/n) Aleria, were the cruel villainess of the story, waking up here and looking like this had no other explanation. To see if it was true you quickly pushed the sleeve of your left arm up, on the wrist was a faint birthmark. A scar in the shape of a half moon, your fate was sealed. You fall back on the bed. ‘Shit.’
You were official the villainess of Flower of the Estate, who bullies the main character, get thrown out of high society, and then dies. You knew the path that the villainess followed and the actions she took, did that mean you could avoid facing the same death as her as well? The first mistake that she had committed that set her on the path of destruction was her bullying of the main character.
The villainess was notorious for her extravagant lifestyle and cruel manner, she didn’t have anyone close to her and the book never showed her point of view. You knew the basics about her but who was (y/n) — really? Was she really just jealous of the commoner girl that had managed to outshine her or was it deeper than that?
No matter why she behaved that way, you knew that following on her footsteps would only lead you to doom. You needed a game plan, plus you read enough reincarnation manga to know what basic things to avoid as the villainess.
Love Interests and Relations:
Tooru Oikawa - Childhood love (One sided) and (y/n)’s main obsession
Tobio Kageyama - Royal knight who pledged their loyalty to (y/n)
Ushijima Wakatoshi - Esteemed scholar who ended up being (y/n)’s tutor for a short period of time
Ok… this would a little harder than you thought. Why were all the love interests involved with the villainess anyway? Oikawa could be avoided easily enough, you just needed to distance yourself from him and considering that Oikawa was keen on getting rid of you. If you remembered correctly he was rather annoyed by the villainess who would cling to his side like a lost puppy. As for Ushijima, you knew that he would only be your tutor for a month, then leave your care to meet the main character who he would eventually fall in love with. Kageyama would be the hardest to get rid of compared to the other two, he would be around the villainesses the longest and somehow fall in love with her. However much like the others, he would fall in love with the female lead and leave (y/n) to be with her, withdrawing his pledge to be by her side.
Ugh. This is going to be a headache isn’t it?
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venerawrites · 16 hours ago
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Helloo! could I humbly request relationship headcanons for Sasuke before and after the war? as in the difference between him then and after? I always thought he'd be a lot more mature and his views on things might change? especially since before he never would've had the time to actually consider things like romantic relationships and such to a deep extent? I'd love to hear your thoughts! I wish you a good day/night!
(fem reader or gn!neutral is up to you! I'm okay with either!)
author's note: hi, lovely! I am so glad to get a request for Sasuke, as he is one of my favourite boys, but I don't really get the chance to write a lot for him. I guess the "after the war" Sasuke can be a bit OOC if you follow Boruto, but as I haven't watched it and I don't really agree with how most of the characters developed... I just kind of wrote the way I envision it. I hope you enjoy! <3
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BEFORE the war
It is very hard to imagine Sasuke having a relationship with someone during the time when the only thing that plagued his mind was the idea of revenge.
If he was to get interested in someone, I would imagine it would be a civilian/retired ninja during his travels with Team Taka. (I don't really imagine him falling for a ninja tbh)
I think even here, we have to separate before and after Itachi's death...
Let's roll with the idea that he meets his s/o before killing his brother. During this time he won't be really interested in forming a relationship - for a really long time he won't even understand what is that funny thing inside his chest and why he feel the need to visit his s/o's house every few months.
Sasuke has the tendency to do whatever he wants, whenever he wants, so I imagine that this is how he will behave with his s/o the same way - he will visit his their house at random times, always staying for different periods of time; demand that they heal him (if his s/o is a healer or had any basic medical knowledge); he would buy stuff for the house from the local market or leave some of his own (such as some of his clothes), almost as a way to establish a claim over them/their property.
He would never put a label on the type of "situationship" him and his s/o share, but it is clear to both that whatever is going on is deeper than a friendship.
Still very cold and reserved - would share very minimal information about his past or his goals, preferring to either sit in silence or ask his s/o questions.
Kind of grumpy and rude ALL THE DAMN TIME.
He didn't want to entertain the idea of having feelings for someone, yet he couldn't stay away. The intentions of his visits were always masked with some type of "excuse" - he was in "hiding"; he needed somewhere to "heal"; he wanted a "break" from his team etc. Yet he couldn't help but feel annoyed he was getting distracted from his main goal and he was taking it on his s/o in the form of snappy comments, rolling eyes, constant huffing and just in general bad attitude.
A silent protector - he would check on his s/o quite often, sometimes not even visiting their house, just watching from a distance to make sure they are okay. I imagine during this time he would be highly alert and worried Itachi may try to target his s/o, so he may even act a bit controlling by banning them from leaving their house after dark or letting any strangers inside.
Now Sasuke after killing Itachi and learning the truth about his clan... is a COMPLETELY different story.
We all know his mental health completely collapsed during this time and his mind spiraled downward. This would affect not only his actions, but also his relationship.
For starters, he would clearly establish that he consider them as "his" (if it was not clear before, it is now). His paranoia that everyone is after him, fueled with the fact that he not only wanted a revenge on Konoha, but also the belief that he needs to start rebuilding his clan soon, would push him into constantly trying to persuade his s/o to leave with him.
Now I've said that before, but I don't see Sasuke with the shy, agreeable type of partner... so most likely his s/o would just cuss him out and tell him to leave.
Lot's of arguments, jealousy and gaslighting - Sasuke is literally a walking RED FLAG during that time.
He also is not the type to give up easily, so even if his s/o tries to 'break things off', there is no getting rid of him - his s/o is HIS and he would make sure not only they understand it, but that the WHOLE WORLD does. Nobody loves like an Uchiha after all...
AFTER the war
If you expect head canons based on Sasuke's personality in Boruto... you better stop reading here! I've never seen Boruto, but I've read enough to know that (at least for me) almost all of the OG characters are ruined. So here is my interpretation of what type of partner Sasuke would be after the war...
Firstly, let's start with the fact that he will be by himself for a long time while travelling during his "exhile". Even if he had some type of partner/crush before the war, it is unlikely their relationship would survive after the war.
(which is quite good actually, because as I mentioned above, such relationship would be highly toxic and dysfunctional!)
I think at least a few years need to pass for him to really find himself, find his purpose and accept his past and that of his clan. He has been through a lot of trauma which needs a lot of healing and self-discovery.
Like mentioned above, I don't think he would fall in love with a ninja. In fact, I believe someone who is not really part of that bloody and cruel world would be perfect for him and he would finally have the chance to be himself.
Someone with a lot of patience would suit him well, because while he is more mature, I think he would be very insecure. He never really formed any significant bonds with other people, so he is unsure how to proceed and how to properly treat his s/o.
Definitely friends-to-lovers type of love story.
Sasuke after the war would be more patient and calm, but still fiercely overprotective. I still think he would scold his s/o of they are too careless or too trusting with strangers, he would be nearly as controlling as his younger self.
Tbh I never understood the character development in Boruto, because in my opinion adult Sasuke would totally want a quiet settled life with his partner, away from battles and more bloodshed.
It's already settled in him to be a provider and to be honest I imagine him as a very traditional male figure - the head of the family, the one taking care of his partner and kids, providing protection and security.
He still has a lot to learn and overcome, but the main thing that sets him apart from his younger self is the willingness to listen to his partner and work on himself.
He is still occasionally rude and snappy, and to an outsider way too cold and reserved toward his partner, but to his s/o it would be obvious that he does try to show affection in his own way - waking up before everyone else, so he can prepare breakfast; unconsciously shielding his partner (and kids) with his body in public; small gifts, most of which handmade; subtle touches on the arm or the lower back...
Overall, a piece of work... but definitely one that is worth it!
cc artwork: Christian Benavides
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raidensharkgun · 2 years ago
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I made this so I won't do a Christmas drawing lol
the base I used(oh credits to the original artist)
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blackkatdraws2 · 8 months ago
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The Main Character.
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[Blank Scripts AU]
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starrysharks · 1 year ago
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hotel manager
#zeno's art#i'm not sure if i should tag the show itself as i'm not a fan but i guess its “fan”art so i will#hazbin hotel#charlie hazbin hotel#vivziepop#i was bored and wanted to draw something#my main goal here was to create a design that looked distinct and could (potentially) be moderately easy to animate#of course based on charlie's character i added as many angel images as possible through the hair and bowtie#(i know white on white is a character design sin but i wanted to show the angel wing detail ;w;)#also to express the personality and juxtaposition of a sweet devil her horns are supposed to curve into a heart shape#of course the garterbelts are upside-down/st peters crosses because of her satanic themes#i also tried to go harder into the goat theme but its still subtle i think#i actually think the goat theme is really interesting because of the story of the sheep and the goats in the bible#but i cant remember if it was actually something intended in her original design#i'm not going to draw anyone else so dont even anticipate that#this was basically a cooldown? ok i think i'm rambling now#goodbye#ok edit to say it clearly: i am not a fan of vivziepop or her work. i just wanted to redesign charlie as a cooldown/exercise for fun#because i used to be a fan of the character before i wised up about what vivzie had and has done#and before i matured and noticed the cracks and fundamental flaws in her works#so yea i dont support her at all and this redesign is critical i guess#also the reason why the tag “vivziepop” is there in the first place is so that anyone who has that tag silenced can scroll past#without seeing anything related to her work. in case that clears anything up#its the same reason why i tag “long post” and “food” and the like
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dammarchy211 · 7 months ago
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Ain’t That A Kick In The Head
The funny part about it is that this Courier Six doesn’t even kill him he just threatens the fuck outta him
Bloodless alt:
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Some Benny doodles too but these are a bit more old so they’re also a bit more shit
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jeeliebeeliegoomiebear · 4 months ago
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On Isolde and Many Doors (and One Key)
Thinking about Isolde and how she feels like she is constantly trapped in a small cramped room full of 1 million doors. Each door represents a presence that haunts her, an identity that lives inside her that calls to her from beyond the grave, a new mask to dawn.
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If every person in the world were to have a room, most would have just one door, their own. But not Isolde.
Isolde feels like an empty vessel who is only there to serve as a point of entry for other people and their spirits. She has been forced to become so repressed by her environment, upbringing, and her nature as a medium that she finds it easy to forget herself. Her “self” is not someone she has ever been allowed to know.
The room grows increasingly smaller, claustrophobic and strangling her with pressure as the amount of doorways in it only increase, every new person she meets a new doorway she is plagued with, a new voyeur who has granted themselves full access to her life and her body. Something she is now willing to let them do. It is easier that way. Easier to let someone else command her vessel, something that never solely belonged to her to begin with. An escape from all the pressure, the expectations, the perfection demanded from her. It is something she should do. The duty of someone like her. Something to hide her wretched face from view, to give the people what they want, to uphold her family’s legacy. A performance that was never allowed to end. Each new door lead right back to that.
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The only exception is Kakania. The only person Isolde believes has ever really seen her as more than a host for other identities or something to mold into shape, prop up as a set piece. A perfect lady. The star of Vienna. A tragic heroine. A dangerous hysteric witch. A curse manifested. The only one who was ever interested in finding Isolde’s door and that door alone. When she is with Kakania, a new door does not appear in that ever shrinking empty room, although at first she expects it to. For the first time she meets someone and is not greeted with a new ghost to haunt her. Not a door. But a key. A key that Isolde knows can unlock her own door, even when she herself cannot find it.
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slymanner · 8 days ago
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Look all I'm saying is if that a shadow game can work THAT well and be so well designed story wise and gameplay wise
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HE can work
#sonic#silver the hedgehog#sonic the hedgehog#silver right now is such a open canvas of a character#story wise and gameplay wise#he's been a side character for so long and in the one time he was a main character his whole story was basically axed from canon#he's definitely been explored since then but not to extent we've probably wanted with this character-#and I'm talking mostly game silver cause obviously in IDW and archie he got some LOVE there#even if we never saw idw silver actually explore his good future#which i still think is a shame but also apparently if sega doesn't want that to be explored in a comic and saved for the games then#THEY BETTER EXPLORE IT SOON#and honestly gameplay wise he needs another shot as well#like C'MON his psychic's just needed better...well...PSYCHIC'S TO WORK#can you imagine what cool and fun movement he'd have now that sega is now slowy understanding what kinda stuff they wanna do with#the sonic franchise again and how it should play#i don't know if i should fully expect a silver game at any point#but he should ATLEAST be a second main character in a new game so people can be reintroduced to him and they can cook with him#IM TIRED OF SEEING MY SON GETTING HATED ON OR CALLED LAME#I WANT PEOPLE TO BE REMINDED OR SHOWN HOW COOL AND FUN HE CAN BE WHEN GIVEN THE SPOTLIGHT#archie and idw are the best examples of him as a character#he is a lovable friend and ally#but serious when he can be character#and his powers are literally so COOL AND INHERENTLY UNIQUE AND POWERFUL COMPARED TO OTHER'S IN THE CAST#like when surge saw silver come in casually carrying a large object and she got nervous THAT'S WHAT IM TALKING ABOUT#THIS MAN CAN BE A THREAT.#okay rant over DHDNDNDB
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spasikonik · 11 days ago
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me if making fanarts of fictional bands was a job
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