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captainkirbypunch · 4 years ago

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My love has left tumblr once again.

As many of you may know, the account under the name MDZADR, has left tumblr. They felt unsafe in their fandom, and as such have deleted their tumblr and AO3 account due to the bad memories linked to them.

As a part of their departure, they have asked me to post something in their name, as follows.

If you want more details about how I came to this realization, continue to read. If not, here is your summary:

TL;DR: For the safety and health of this fandom, I wanted to spread the word that Mooping-10 is filled with people who absolutely cannot be trusted, creating a very hazardous environment for the zadr community, and MelodyoftheVoid is connected to all of those people, living a double life amongst those of us that don’t “ship zadr correctly.” She has plenty of friends her inner circle knows nothing about, and nobody on either side knows who she really is.

Full story below.

I’m sorry I didn’t say goodbye. Nobody did anything to me today, but this just wasn’t worth it.

My AO3 and tumblr are both gone. I didn’t say goodbye because I didn’t want to look like an attention seeker.

Here’s the thing. I wasn’t going to name drop, but you guys need to know the truth. I’m instructing my boyfriend (hi y’all) to turn asks off for his own safety after this because this is going to be a nightmare, but... allow me to tell you the full story. I’ll try to break up the text so it’s less difficult to read, but this is important. I’m sorry to air discourse so publicly, but please... I need you to listen to me.

I’ll start from the beginning, without being vague anymore about who “she” is. I request that you please read the whole thing and not skip parts of it. The whole story matters.

I finally returned to the fandom about two months or so ago. As I’ve mentioned, I don’t do well in my thoughts while left alone too long, so I posted saying I would stop messaging people I knew because I didn’t want to bother them. There were only two people I was talking to at the time, but one of them is famous so I didn’t want to message her directly saying that. Doing so would have put her in a position of feeling obligated to say “you’re not bothering me” rather than just simply being able to sigh with relief from no longer being contacted.

But the first person to contact me was the famous person, and she asked if I was okay, and told me she liked talking to me.

God, I actually cried.

But, that’s just her. Melodyofthevoid is the type of person to talk to people in the fandom, totally unaware of her demigod status. She comments on stories, interacts on posts, messages first... a pillar of kindness, so it seemed.

But let the story continue.

Over time, we were talking more often.

Mostly sending memes (cause everyone I knew, myself included, aren’t exactly great at holding conversations. No shade. Memes are a love language). I was still in the hero worship stage of our relationship, so my view of her was that that was perfect.

Now, let me bridge a connection with a new story idea I got around December 28th or so, and my thinking she was perfect.

I had recently finished watching Madoka and questioned “If I had magical powers, what would they be?” It then turned into its own story idea, basing creators’ powers around the strengths and weaknesses in creations. I actually realized “oh fuck. My stuff is incoherent. My friends’ works aren’t too different...”

Thus spawned the name “Incoherent” for the project.

What does that have to do with this? Well, here’s the thing that really fucked everything up quickly.

This was not on purpose, because originally the project (which I had told nobody of yet at the time) was all about improving your works, making platonic friends, dressing our personas in cute outfits, and writing fun magic.

While listening to music and thinking of the story one day, my brain accidentally shipped my persona with hers, and I couldn’t unsee it. And I’m lousy at keeping my own secrets (other’s are different) so she found out on probably day one or two about my weird crush because of an ask meme of all things.

She didn’t try to put me off any, which was another problem for future things to come, and so I decided that since Incoherent was finally making me feel alive again and feeling the euphoric feelings of love wouldn’t hurt anything (I figured they’d mellow out on their own eventually because that’s how infatuation works) since they helped fuel my inspiration, and then we would just continue from friends to better friends one day and this part of our lives would be over.

Besides, the forbidden is attractive somehow, and makes stories more entertaining. She’s aro/ace, so I had no chance anyway. Someone safe to crush on, in her own way.

This isn’t a story of a love betrayal however. There was no such thing. But it’s important to the story because Incoherent is where my mistakes were made, and hers brought to light.

By this time, I had a handful of people I was talking to, and I created a discord server for the project. Only my boyfriend (hi!) and I were in it at the time. I was not-so-subtly asking my friends what they’d look like if they were a magical person, what their names would be... I thought I would have had to lure Melody in to make her want to join us, but I managed to get her in very easily. Everyone was happy and excited! It was a no obligation, no time limit thing for us to enjoy, a little sandbox to play around in.

Sure there were plans to make it bigger and I was working on art to the best of my ability, but it was gonna be a fun thing mostly. No pressure on anyone.

And how things started becoming a problem was that the rest of us posted publicly about the project and interacted with each other’s posts relating to the story, but she had started to interact publicly less and less with our things, and everyone noticed it.

It wasn’t because we were greedy and wanted the popular girl to reblog our things. It’s because we had a feeling she was ashamed of being seen publicly with us. The reason we were worried before then and started making that connection was because I mentioned I was going to ask another user if they were interested in joining Incoherent. Melody was the only one that seemed uncomfortable, and I messaged her asking about it. We agreed I wouldn’t invite that person but I knew things were off about it.

That person is like me. How long until Melody didn’t want to talk to me anymore? A few days ago, the other shoe finally dropped. A member of our little group and I were talking and (let’s call them Friend for simplicity. They asked to not be name dropped here) Friend was worried they had made Melody upset by tagging her in a meme picture they drew of her persona, and the two had agreed that Friend remove the tag. This spawned an anxiety-filled conversation where Friend and I expressed our concerns about Melody not interacting with the project, or us.

So since I wanted reassurance that that wasn’t the case, I messaged Melody with my concerns. I told her I had the feeling she was ashamed of being seen in public with us because of her friends, and she didn’t refute me. She simply told me to go get some rest. I messaged back with “I’m right.”

I deleted Discord off my phone for hours and nearly deleted my Tumblr, AO3, and the server after my boyfriend helped pass messages between us. Melody confessed that was the case because her friends expressed discomfort with my works, and she was playing both sides.

Her words, not mine.

Melody told me she would be withdrawing from the Incoherent project because it wasn’t fair to us if her heart wasn’t in it.

She didn’t stand up on my behalf when they said things about me. Her friends are the type who talk behind creators’ backs for shipping zadr “incorrectly.” Worse than antis because they actually participate in the “pro-shipping” side of the fandom. I broke that day and messaged her at 3 am.

We finally spoke at 3pm. We both missed each other. I tried to understand more. I wanted it to be more like a conversation rather than an interrogation. It was only one-sided however, and she never opened up further. And I made some mistakes and poor choices of words, and we ended up parting ways permanently right there.

I nearly deleted everything, but much like a coma patient attached to many machines on a hospital bed, my blog was kept alive a little longer by people sending kind words in droves. I was briefly fuelled by spite, wishing to watch the world burn by making everyone on the "correct" side of the fandom upset by posting the worst, most vile content this fandom has ever seen.

I was also welcomed with open arms by a very kind server with fellow degenerates, all of them screaming and crying and partying when they managed to get me in their server. It was so heartwarming...

But as I spoke to others about my situation, I realized something. A disturbing pattern.

People telling me horror stories about how Mooping-10 was cult-like. How the people running it were antis. I was even told once that they have a secondary server where they go to have their talks and do their work, likely the place where the real bashing is held.

The server itself has rules against such behavior, but I suppose it's different when they do it.

One person (and this is the most unnerving part for me, personally) told me Melody actually set off alarm bells in their head without having even done anything yet, and the most disturbing part of the story was that one of the moderators was afraid and upset because they got Covid, and received basically no moral support at all. Only getting told "spoiler that. Sorry you got Covid".

I was horrified. That server has 100 people in it. How many of them are the same? They act like popular kids in school who picked up an unpopular main character and then bash others, and the main character joined in because they don't want to be left behind by their new "friends".

To put it short, back to my point:

TL;DR: I simply only wanted to spread the word that: Mooping-10 is filled with people who absolutely cannot be trusted, creating a very hazardous environment for the zadr community, and Melodyofthevoid is connected to all of those people, living a double life amongst those of us that don't "ship zadr correctly". She has plenty of friends her inner circle knows nothing about, and nobody on either side knows who she really is.

#Invader Zim #zadr #tagr #rapr #zagr #mdzadr #MelodyoftheVoid

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crispyjenkins · 4 years ago

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hi! i am just very confused about one of ur posts with the mandalorians and cultural genocide and was wondering if maybe you can explain more? i thought mandalorian culture was about like family and arts with the colors and stuff? is it really just about war? i know a lot of people headcanon that the clones are mandalorian but now i feel uncomfy about putting a warrior culture on characters played by a maori actor, whose people still struggle with martial race stereotypes today :(

hello!! i am absolutely not an authority on this topic, so i’ve compiled a bunch of posts that explain it better than me, but short answer is: mandalorian culture is not all about war. there is a ton of intention put into mandalorians (specifcially not death watch, who literally fought in the civil war because the true mandalorians were like “maybe stop pillaging and killing people for no reason” and they didn’t want to stop; or the new mandalorians who threw out every god and myth important to the true mandalorians, as well as its language, cultural importance/sacredness of armor, religious customs, etc, because Satine interpreted true mandalorian culture as nothing but war, but that is extremely extremely not the point of the resol’nare or the codex) and how they draw on Māori culture and customs, because temuera morrison played jango fett in the prequels.

your concern is so so valid and absolutely something to keep in mind when interpreting “canon” and “legends canon”, but satine’s take on true mandalorians is inherently false.

links under the cut with a lil explanation for each! (edit: this is long as fuck, i’m so sorry 🥲)

we’ll start with this one which is from star wars insider issue 86, because it covers a lot of the basics of how eu and legends wrote mandalorians. HOWEVER, also keep in mind this groundwork was all laid by karen traviss who is a racist, sexist, classist, homophobic dirtbag, like i don’t even know where to begin with her, but her early work for jango fett in the republic commando novels is still important to understanding mandalorian culture in current continuities. (i also believe this issue was from before clone wars began airing)

this one goes more in depth than the post i recently reblogged which i think you’re referring to, about the imperialism of the new mandalorians and their cultural genocide of true mandalorians more or less based on satine kryze’s experience with death watch, a splinter cult off of the true mandalorians (i’m using cult intentionally here, btw) who literally just didn’t want their murdering and stealing to be regulated.

this post is about mental illness in true mandalorian society, which is intrinsically tied to the root of true mandalorian and early mandalorian religion and daily culture, and the concept of fighting stagnation and destruction/war against the things that are choking you and stopping self growth, it’s not about conquering people or planets, it’s about bettering oneself constantly, based on the mandalorian creation myth ( @izzyovercoffee goes more in depth with this in the post). death watch, and many fans, interpret this ideology as the right to violence and the destruction for destruction’s sake, which isn’t what it’s about at all.

alright this one is directly related to the concepts of the last one, and surmises a lot of the points, and is maybe the easiest post in my list for a quick understanding of mandalorian philosophy?

here’s a shorter post that gives a little more insight/reiterates new vs true mandalorian ideology, because lord knows my autism brain likes more than one way of explaining something.

this one is an interpretation of canon and new mandalorian imperialism, which is technically headcanon, but boy howdy does canon not disagree with it, and forms the basis of my own interpretation of mandalorians as a whole

here’s a cool post going into the language mando’a and how it cannot be separated from culture, which i think is incredibly important to keep in mind when looking at new mandalorians and how they don’t use mando’a.

more explanation and interpretation of new manadlorians and their portrayal in the clone wars, and why it’s important against all the canon content we got before clone wars aired

this one is from before boba’s return to “canon” material in season two of the mandalorian where he and jango were reconfirmed as mandalorians, but is still super, super, super important in relation to mandalorian diaspora, and the way writers cannot separate mandalorians from their roots in māori culture, when it was created because temuera morrison played jango fett and his clones. also goes into how important “family without blood” is as the basis of mandalorian family and cultural structure, which explains a lot about the show the mandalorian!

this one’s just a cool take on the parallels between mandalorians and jedi, who are also rather disgustingly misinterpreted by fans (interestingly as the opposite, as complacent and too bureaucratic vs the violent and imperialist take most have on mandalorians).

here’s a post going into how din djarin’s tribe/sect in the mandalorian tv isn’t a cult, and how that relates to bo-katan kryze, her position with death watch, and her connection to the new mandalorians because of it.

okie the next few are about how māori customs, things of cultural significance, etc are intentional in the portrayal of (true) mandalorians

this one is about the keldabe kiss or the kov’nyn, forehead-kiss, headbutt

this one is a video of boba fighting set to te reo māori thrash metal, and a short explanation of the importance of the battle its about, which i think is important in remembering that while the māori people today do suffer from awful marital stereotyping, you cannot divorce them from their own form of warrior culture without erasing that history or importance; there isn’t anything inherently wrong in warrior cultures, just how white people interpreted and appropriated it.

THIS ONE I LOVE and is mr morrison himself bringing the traditional māori dance the haka into boba’s fighting style in the mandalorian tv, as well as the use of māori-style weapons

which also relates to this post by @catboydindjarin

and sums up my feelings on associating mandalorians and the māori people, how important jango and boba fett have been to people like temuera morrison and daniel logan (who played lil boba in atoc) and bodie taylor (who played the mid-20s clones). as a white person, it’s incredibly important for me to remember the stereotyping and violence still being done to indigenous and first nations people, and to be aware of and respectful of how i use and take pieces of the those cultures in anything, but especially fictional aliens. but to pretend forms of battle, pretend weapons and songs and philosophies that do involve violence were not and are not still culturally important to those peoples is erasure, and is what satine kryze chose to do when faced with a completely different people’s violence. to separate (true) mandalorians from the māori people is to erase them from the narrative completely.

so!! on a lighter note, here’s a post with bodie taylor and captain typho’s actor jay laga’aia performing haka with mr morrison during an aotc press event

here’s an excerpt from one of the repcom novels about jango being a Dad and how important children are to the true mandalorians

it won’t let me upload gifs at the moment so here’s a post of several delightful gifs of mr morrison on set for aotc with a rainbow umbrella

here’s one that touches on the importance of armor color as you mentioned in your ask

this wonderfully funny textpost from @letitrainathousandflames that illustrates more of the mandalorian parental instinct (which is shown time and again in extended/legends canon to be more important than “war” or battle)

here’s some highlights from the eu about boba reconnecting with his mandalorian heritage after jango’s death

this one is a short post by @jester-mereel about what jango chooses to be jaster’s legacy, which is vital because jaster mereel the one who created the super commando codex and the true mandalorians, is the one who looked at how people like tor vizsla were using their heritage and thought “we can do and be better than this”

here’s the wookieepedia article on jaster mereel (all wookieepedia stuff should be taken with a grain of salt, of course, especially in regards to the jedi order but that’s another matter)

here’s the wookieepedia article on the supercommandos, which is what earlier material referred to the true mandalorians as, basically the commandos that followed jaster and the supercommando codex

here’s the one on the codex if you want to jump to that specifically

this is an actual copy of the basics of the codex as well as the resol’nare or six tenants, which existed far before jaster, but what jaster used as the ethical basis of the codex (the site is written from the point of view of a supercommando, just a heads up if that’s confusing)

here’s the wookiee article on death watch, i trust you to keep an open mind and don’t take anything said by the vizslas or bo-katan at face value, because, again, they splintered from the supercommandos because they wanted to keep stealing and killing people just because, and used the “savage warrior past” of mandalorians to excuse it

here’s the mando’a dictionary that’s most accessible, also remembering that translations are interpretations (specifically the discourse about “k’atini” comes to mind) and is constantly being revised

and then some of my favorite excerpts from it, in relation to what mandalorians actually find important:

“Ni kyr'tayl gai sa'ad” | adoption vow - lit. “I know your name as my child.” (meaning adoption is no less important than blood heritage, and in some interpretations is actually more important)

mandokar | the *right stuff*, the epitome of Mando virtue - a blend of aggression, tenacity, loyalty and a lust for life (and aggression does not always mean violence)

“Gar taldin ni jaonyc; gar sa buir, ori'wadaas'la.” | “Nobody cares who your father was, only the father you'll be.” (Lit: Bloodline is not important, but you as a father are the most valuable thing.) Mando saying emphasising the importance of a father's role, and that a man is judged more by that than his lineage. (this dictionary chooses to gender things unnecessarily, when words like “buir” are gender neutral, but you get the gist: parenthood is very important to mandalorians, which is of course the entire basis for the mandalorian tv plot)

demagolka | someone who commits atrocties, a real-life monster, a war criminal - from the notorious Mandalorian scientist of the Old Republic, Demagol, known for his experiments on children, and a figure of hate and dread in the Mando psyche (again, children being more important than violence)

bajur | education, the raising and nurturing of children - a wider meaning than just school work, includes preparation for life and survival Aliit ori'shya tal'din | Family is more than blood.

shereshoy | lust for life and much more - uniquely Mandalorian word, meaning the enjoyment of each day and the determination to seek and grab every possible experience, as well as surviving to see the next day - hanging onto life and relishing it. An understandable state of mind/ emotion for a warrior people. Closely related to the words for live, hunt and stay safe - and, of course *oya*. All from the same root.

and since you mentioned color, this post is so feckin cool as it talks about white =/= purity, and goes into quite a bit about the “destruction” in mandalorian culture being about the rebirth, not the violence

and then here’s a few links to content in the mandalorian tv

“the poc experience of keeping ur mouth shut bc ur too tired to argue w/ a white person“ about boba downplaying his mandalorian-ness to bo-katan, a known violent xenophobe

more on din’s sect the children of the watch not being a cult vs death watch

some cool thoughts on the differences in how boba and bo-katan interacted with din during season 2 which i think is important in terms of illustrating the differences between death watch and true mandalorians, again

a cool dialogue on din and removing his helmet in season 2 and his religious/cultural views in relation to being mandalorian

i spent like three hours on this and i definitely only meant to give you like. five links. but uhhh i hope this helps!! feel free to shoot me further questions, but just keeping in mind i am not māori and cannot speak to the māori experience in fandom or in regards to jango fett and the clones.

i hope you’re safe and well!! 🌻

#long post #anon #mando'ade #cj answers #if anyone wants to add anything #feel free!!#or correct me or provide more info or call me out on something

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rechoired · 4 years ago

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A problem with the Tales Of Arcadia community

First and foremost, I’d like to ask anyone taking the time to read this to please read the post all the way through before commenting on the matter. There is a lot of dirty laundry to unpack here, and some points will be building off previous ones.

I’ll get right to the point. Most everybody in the Tales of Arcadia fandom will have heard of the blog imthegingerninja / ginger-le-gay. She is one of the most well-known ToA-centric blogs, after all. (If you’re wanting to avoid her on Twitter as well, her account is Margaret Bell, or @The_Book_Bell.)

This is your PSA, TOA fandom: Ginger is a toxic, manipulative person.

This is not a claim I like to make lightly, but it’s long overdue that this issue is properly brought up within the fandom.

I’ve seen so many people wonder why the Tales of Arcadia fandom is so small. Well, I and many others very strongly believe that Ginger is one of the main reasons for that, if not the main one. To make matters easier, I’ve tried to break this down into some main points. So let’s take a look at how Ginger falls under this category.

Disclaimer: Please DO NOT look at this post as an excuse to harass Ginger or any other blog mentioned here. This sort of behavior is NOT acceptable. The point of this post is to educate those who may not know the extent of her harrowing behavior, nothing more.

1. Dishonesty and Death Threats

[EDIT: Shortly after this post went up, she started blatantly lying about me to try to cover for herself. You can see those lies being easily disproven here]

Ginger has been kicked from at least three Tales of Arcadia servers, all for similar reasons of violence. While I cannot provide screenshots as I am no longer part of the servers they were in, there are multiple witnesses that can verify the disgusting behavior she engaged in. The one I saw specifically was her saying that certain members of the fandom should be gathered up and hunted for sport, among other gross things. (Elaboration of why can be found in point 3, though it still doesn’t excuse this kind of talk)

Here is some points made by another blog that also sums up similar issues with Ginger, though:

While there were multiple instances of her inciting violence towards others, this is unfortunately one topic I cannot provide specific screenshots for at this time. But I will add them in as I can find them. That being said, I want to move to the dishonesty, something I do have a screenshot for.

While you could argue that people sometimes notice the similar things, this is far too close together to be considered an “original find”. The reblog button is there for a reason, but she instead decides to steal the OP’s premise and present it as her own original thought.

There have been a couple other blogs that have confirmed that their theories and analysis posts were often stolen and presented as Ginger’s own as well, to the point where they stopped bothering even making such posts, as the above blog points out. (Out of respect for their privacy, I will not be naming these blogs. Say what you will about that possibly weakening my point, but if she’s willing to so blatantly steal from that person shown above, it shouldn’t surprise you that she’s so willing to do it to others.)

Theory-making and analysis posts aren’t as solidly “original content” as a piece of art or fanfiction, sure, but it’s still common fandom courtesy to give credit where it’s due. Ginger has intentionally avoided extending that courtesy far too many times.

2. Hypocrisy

Most of this is going to be about past Merlin vs. Morgana drama, though there are also words to be said for the incredibly shaky relationships she forms with “friends”.

But first let’s talk about those wizards.

This is a topic I’ve tried to approach with Ginger before, but she borderline refused to acknowledge any of the points I was trying to make, and when she did, I don’t know if I just wasn’t being clear or what, but it honestly looked as though she was purposefully trying to misunderstand what I was saying in her bizarre responses. (To be fair, I was sending messages out of anger because she vagueposted about a blog I admired, calling them a “disgusting creep” because of them simply saying they’d hoped Jim and Merlin would be able to actually bond at some point... Not really a justifiable reaction to such a harmless thought, in my opinion. But my point is, I recognize that the circumstances may have clouded my ability to vocalize my thoughts clearly.)

That aside, we should first acknowledge this post Ginger made to save face after having gotten some backlash about hate-train related things (Side note: I couldn’t find the original post, so this is a screenshot I got from someone else. I did not add the writing. The text underneath it should still be slightly readable, I hope.):

Taken at face value, this is a very reasonable post. I think everybody would and should be able to agree on it. Hate-meme him for fun, sure, but don’t actually harass or insult others over a fictional character. Simple, right?

Apparently not, because Ginger’s done loads of that to others. Probably why the “LOL” was added in, I bet.

This post confused me. First of all, exploring dark topics (”angst”, as you put it) has never been a rare occurrence, every fandom has that content, most in heavy abundance. I’ve noticed no staggering difference in volume of this fandom compared to others I’ve been in. People enjoy angst not because they think the character “deserves to be in pain”, they enjoy a fictional blow to their own emotions. There’s lots of different reasons people like angst, but it’s barely ever been out of a genuine hate for whatever character’s the focus, from all the things I’ve seen. Your own friends have indulged in Jim angst and body horror posts before, does that mean you think they’re awful people? I feel like I shouldn’t have to explain something like this.

Also, way to basically admit you think all Merlin stans get off on child torture. So much for “If you like Merlin as a character, you’re valid”, am I right? God, what a mess of a post. (It’s been very recently deleted, which makes me wonder if she got more backlash on it, but just... wow.)

Let’s look at another one.

Again. Vagueposting about someone specific, I’d wager, since most of the people I’ve seen comment on this topic either think both characters are morally gray, or hate both.

But of course, when it comes to Morgana, suddenly excusing bad behavior can be justified. Ginger can call someone a disgusting creep because they want a familial bond between Jim and Merlin, that’s just wrong, but pushing the Mom-gana narrative with the genocidal abuser and Toby is completely fine, folks.

(Note: I would like to point out that I really don’t care about what theories and hopes people have for Morgana. You should be allowed to love that character in any way you want, same as I would say for Merlin. My issue with these examples is the completely brazen hypocrisy in which these two characters are treated. You’re obviously allowed to love Morgana without consequence, but the same should be said for any character of the show, and yet it’s not.)

The most obvious instance of this double-standard is well observable here, I believe:

... I think this mostly speaks for itself. Sorry, but this is very blatantly trying to excuse Morgana’s actions, here.

Oh hey, remember that post about Ginger saying that liking Merlin must mean you want to see Jim in horrible pain?

Say anything similar about her with Morgana, and suddenly she takes issue with this line of reasoning!

I’m sorry, but if you can’t take this sort of thing, then you shouldn’t be dishing it out. One of your own friends is still getting hate over the simple fact of liking Merlin, and all this mentality is exactly why.

Let’s look at one more.

Fun fact! Morgana horrifically abused somebody for centuries, tried to kill multiple kids, took horrible advantage of Claire (probably traumatized her), and canonically wanted to genocide humanity, not to mention all the OTHER murders she's committed, both directly and indirectly.

But somehow pointing any of this out “doesn’t count”. This is why the fandom keeps saying more and more things like this:

And this:

I could be going through her constant hating on Merlin and people who like Merlin for days straight, but I hope you all get the idea by now.

Again, I would like to just reiterate: You can like whatever character you want for whatever reason you want. The problem with this case is the hypocrisy and mistreatment of others, not your taste in characters.

Now interestingly enough, she’s lately been singing a different tune about the guy, switching from the “I hate Merlin I hope he dies!!!” mentality to “Oh he should get a redemption arc too :)” sort of thing.

I’m highly convinced that the only reasons for this “change of heart” is because of the constant backlash she was getting for the obnoxious amount of hate posts being thrown around all the time, but also because Aaron Waltke keeps tabs on the fandom more lately, and has spoken himself about Merlin not being a villain.

I could go on about this point forever, but I think I’ll just leave the Merlin topic with this post going through the hypocrisy of the Merlin Hate Train. In fact, here’s two just for fun.

Now onto more real-world focused areas of hypocrisy. One such instance can be found in Ginger’s Janus Disorder server.

Just take a look at this post.

While the offender in this case isn’t Ginger specifically, it still takes place in her server, and she made no moves to enforce her “No discourse” rule. All over... what? A random kudos on a fanfiction that’s not even about anything controversial since all characters involved are adults? I immensely don’t understand the point of why this ever had to be an issue, or why nobody spoke up about how ridiculous this is.

I’d also like to point out a certain user called firecat17. For some quick context, waaay back in the Kung Fu Panda fandom (around 2018), this user had been harassing people and saying incredibly vile things, a person of which Ginger had a bit of a feud, but firecat’s anon threats had gotten to the point where Ginger ended up having to block their IP.

Obviously, the user firecat was the one in the wrong, here. (Also, the irony in this comment is through the roof...)

Interesting point there, Ginger. Sure would be nice if you practiced what you preached.

Why am I bringing this random old drama up, you may ask? Well, it just strikes me as strange that someone who was so vile to Ginger is suddenly on her okay-list again, sending her asks and getting casual responses as if nothing ever happened.

To be fair, there is the possibility that they worked out their differences in private. But given the severity of the kinds of words being exchanged, I would still find that rather suspicious.

When someone who’s said things so vile can be so easily forgiven, yet something as harmless as leaving a kudos on some random fanfiction is considered grounds for harassment, it’s obvious there’s no stability or room for trust among this group of people. Unsurprising when there’s been several instances of this “friend group” turning on each other.

If you think you’re somehow different, that your “friendship” with Ginger or the others is more valued than that, then I’m sorry to burst your bubble but it’s likely not true. She’d throw you under the bus at the hint of you doing something she deems problematic, as it’s happened to multiple blogs before you.

3. Demonization of and insensitivity towards s*xual abuse victims

(This topic is one that’s hard for me to talk about, being a victim of CSA myself, so I’ve gathered some different sources to do most of the main talking for me. I tried to form more commentary on this myself, but I get too emotionally charged in my responses, and I don’t want that to cloud any reader’s perception of what I’m trying to communicate here, so I’ll try to keep most of my comments brief on this one.)

One thing recently brought to my attention about Ginger and her squad that especially bothers me is their rashness in labeling people p*dophiles and p*do apologists. If these claims were true, then I wouldn’t have a problem with it.

But these people are accusing others of these horrible things and threatening them on the sole basis of fictional content.

Now before you fly off the handle at me, let me be very clear: I absolutely understand that there are gross people out there who use the “It’s all just fiction” argument to hide their actual, pr*datory behaviors. (We’ve all probably seen at least one or two neckbeard memes of that caliber)

But like it or not, exploring traumatic themes through a fictional lens is something that has been studied and proven to be a genuine coping mechanism for some. It’s not something that works for me, but I knew a few people from past therapy groups that it worked surprisingly well for. Bringing a trauma into a controlled environment and processing it through fictional means can and does help some victims deal with what they went through.

It’s important to understand that not everyone processes their experience in the same neat, little boxes you have laid out as the only “acceptable” ways of coping. Trauma fiction and expressive arts therapy are commonly used by victims, and it does help some people, whether you like it or not.

I’m already dragging this on too much, so here are some sources for better-worded information on the topic (Warning: Most of these deal with highly sensitive themes such as gun violence and s*xual abuse.)

Source 1 - Source 2 - Source 3 - Source 4 - Source 5 (pages 61 onward, specifically) - Source 6 - Source 7 - Source 8 - Source 9 - Source 10 (and believe me, if those all don’t satisfy you, I can easily supply more.)

And this quote from source 9 I think sums it up best:

“Fiction works differently. My imagination gives me a framework to process the grief and terror and the consequences, even when I myself have not found any resolution. It allows me to enter my own traumatic experiences sideways and linger inside them, if I know I can give them to characters who might be lucky enough to find the antidote: love, connection, community, family. In other words, I can enter — and exit — the trauma loop through stories that are not exactly the same as mine.

This goes for the reader also. Recent studies periodically assure us that stories — literary fiction, hardcover books, even the simple act of reading — promote empathy. We rarely have identical experiences, so fiction is how we practice linking our similar or parallel realities so we can feel them. This seems particularly useful in our current society, where we are all so separated, and are working so hard to block the violence that keeps happening to us from our minds.

Fiction connects us, and it can also contribute to our healing. When we see ourselves in worlds we don’t live in, like The Handmaid’s Tale or The Color Purple, sometimes, that very different violence helps us finally process our own. Because as much as our memoirs and testimonies are brave and validating, fiction does not just mirror our truths so they are safe to experience; it also helps us endure the aftermath. Because long after the immediate experience is over, survival struggles onward, in every moment of our daily lives.”

While most professionals have in the past advised that victims keep their trauma-related works more private, to only show it to your trusted friends or family, the fast-growing use of the internet has led more people to sharing it in an online platform, which is not unexpected behavior.

I unfortunately don’t have the screenshot of the original post, but there was a post made some time back literally telling a fandom member to go and hang themselves over this garbage. A survivor of s*xual abuse, no less. And to top that off, one of Ginger’s squad @emmy-puff commented in support of that violent post, as well as blatantly misgendering the target of it. While, again, I was unable to get screenshots, there are multiple witnesses to this instance, one Anonymous even having called them out on it back when it happened. (I suspect that Emmy deleted that answer due to how bad it made them look.) If anybody reading this has screenshots of the initial post or the ask that came of it, please feel free to share.

I don’t care who you are or who you’re talking about, if you use misgendering someone as a way to hurt them, then you are an insult to the trans community. That is an awful thing to do, and you lose so much credibility if that’s the only thing you can fall back on when getting in a fight with someone. While this post isn’t about Emmy specifically, this is exactly the kind of hateful rhetoric that’s being encouraged in the environment Ginger’s made.

Another thing I would like to point out on this matter is an instance that happened in the ToA fandom a couple years back. I, again, don’t have screenshots available (I believe the original post ended up deleted) but the post in question caused enough of a fuss that I’m sure a few people must remember it...

A while back, there was an artist that posted uncensored, untagged r*pe art of Aaarrrgghh, Gunmar, and Jim in the main Trollhunters tag. As you can imagine, this infuriated many people. Many of which are among the list of those who’ve been labeled “p*do apologists”. Almost the very minute that post showed up in the tag with no trigger warnings of any kind, the fandom immediately got on OP’s tail about it, because they all shared that basic understanding of “This is a traumatizing subject for many people and they should have the ability to avoid it”. If the people you’ve labelled as pr*dator supporters were really as awful as you say they are, they would’ve jumped to that person’s defense, too. But they were completely against OP’s horrible lack of consideration of survivors, right alongside the rest of the fandom.

Am I saying you have to like trauma fiction? Absolutely not. Are there people that make trauma fiction that are actual pr*dators? I’m sure there are. But those people would be that way whether trauma fiction was out there or not. Gross people have existed and will always exist regardless of what media is out there.

I deeply understand the controversy, uncertainty, and stress that surrounds this topic, I promise you, I do. But the fact of the matter is, some people actually do use trauma fiction and expressive arts therapy as a way of coping, as has been observed in people even from ages as young as 5. To say otherwise is blatantly untrue. This isn’t a matter of opinion or morals, this is plain, studied facts that you cannot change about human psychology.

Nobody should ever have to go through something as horrible as s*xual abuse of any kind, and I know how deeply upsetting it can be to see certain images or stories with those themes in play. Those users with a sense of decency and understanding for fellow victims will tag their posts with the appropriate warnings. After that, it’s up to you to filter out what you don’t want to see. You curate your own internet experience, and it’s just plain irrational to try and harass everyone into conforming to your rules. While it’s an 18+ blog’s job to make sure to tag and label their content appropriately, it is your job to block the things you don’t want to see, whether you’re an adult or a minor. It is YOUR job to blacklist content that you know will upset you, because it is always going to exist on the internet, and any internet user needs to know and understand that. Multiple times I’d seen people going off about posts that were already appropriately trigger-tagged. If you don’t have those upsetting tags blacklisted by now, then the fault is mostly on you in that kind of case, not the OP.

Before I end this topic off, just one more example of blatant disrespect towards victims:

I’m sorry, but the absolute nerve of comparing some random fictional character you’re petty over to an actual pr*dator who’s terribly hurt real children is just awful. Imagine how insulted one of Onion’s victims would be if they saw that. Lord.

Ginger claims to care about victims, but she’s made it abundantly clear that she only cares about those that behave the way she think a victim should.

4. Ableism

I’m going to just show a couple posts here and let them mostly speak for themselves.

Just... my God. You looked at the definition of psychopath and decided that was enough to give you qualification to speak like this about it? Do you realize the extensive work and study of human psychology goes into the diagnosis and understandings of psychopathy? Not to mention, you just admit to thinking people deserve hate because of a mental disorder they legitimately have no control over? I’m sorry, but that is just cruel. Demonization of the mentally ill is not cute or funny. Next.

While I’m still annoyed with Emmy’s transphobic treatment of another user mentioned earlier, they make a very solid point in this instance. (The first post they referenced has since been deleted, but here’s the second one speaking out against the ableism.) I feel I don’t need to add much to this, as these points have already been argued very well by users better qualified to speak on the subject than I.

5. Manipulation tactics

This part is more observations of two kinds of abuse tactics Ginger appears to demonstrate, using the above as points of reference.

First, there’s DARVO.

Then, less formally, there’s this good point about online cult mentality.

Before you say anything, obviously I don’t think Ginger thinks of herself as some sort of deity. While it could be argued that she considers herself a point of authority within the TOA fandom maybe, I haven’t seen enough of this to say for sure how far that goes. So that point can be ignored, because it mostly doesn’t apply in this case. (The “Dictating parts of your online life” might also not apply, but I can’t say for sure as I haven’t gotten any confirmation of that sort of thing in Ginger’s group.)

But there are grains of truth in the other four points, especially that last one. Plain and simple, she’s made people afraid to speak their minds about even harmless things such as character analysis.

Ginger is someone who can’t seem to comprehend different viewpoints and life experiences. She’s extremely unsympathetic towards people she doesn’t understand, as can be observed in above examples. Assuming malicious intent from everybody you can’t understand is a dangerous and hurtful mindset to have, for both you and those who you unnecessarily scorn.

There are a few outcomes I’ve speculated should she ever come to see this post.

1. She will ignore this post completely, pretending as if it doesn’t exist

2. She will dismiss me as being some sort of horrible person, a p*do apologist or something of the sort (despite being a victim of that myself, clearly she doesn’t care about who’s actually been hurt by real p*dos or not if they don’t conform to her narrow worldview), and claim nothing I’ve said bears any meaning, despite the extensive evidence I’ve provided.

3. She will get people to try and attack me.

4. She will actually address these points in a tactful, mature, and serious manner instead of her usual act of trying to dismiss everything at the slightest hint of non-conformity. (The least likely outcome, but one can dream.)

I could add to this post all day, but it’s long enough as it is and my focus was on getting the main points out of the way. I understand that I lack some of the receipts necessary to back myself up in a few parts, but I know that many other fans have bared witness to those things, so I know there will be at least some people who’ll know what I speak of is true, and that’s good enough for me.

That being said, if anybody has screenshots of the instances I wasn’t able to provide for, it would be greatly appreciated if you could add them into the conversation.

!!!-If you have screenshots, but are too uncomfortable to get involved in this, then you can private-message them to me and I would be grateful and more than happy to add them in while keeping you completely anonymous.-!!!

(I've removed the section with all the tags, as I recognize it was probably going overboard. My goal was just to spread information, not to try and involve those tagged, but I understand how that may have gotten lost in translation and made people uncomfortable. Also, it apparently was showing up multiple times in people’s notifications when I only tagged people twice, so I’m not sure why that glitch happened, but I apologize for that annoyance as well.)

Now, to end us off, my responses to questions or angry comments I’m probably going to get:

You don’t even have all the evidence! How are we to know you’re not just lying about some of this?

Admittedly, I don’t have as much screenshot proof as I would like, that’s true. But for most of the instances I couldn’t provide for, there were other witnesses to her bad behavior. I don’t really have the need to lie when there’s already a lot of knowledge out there of the bad stuff she has done. Nor do I really have the emotional investment in this fandom anymore to lie for the pointless reason of causing drama.

Why post this on a throwaway account if you think people are on your side?

I just don’t really want my main blog associated with TOA anymore, to be frank.

You tagged a bunch of people, so you must be trying to get them to attack Ginger!

No. I tagged a bunch of people because I think this information should be heard on a wider scale, considering the position Ginger has in the fandom. I don’t want her or anybody else to be attacked, but her negative impact on this fandom deserves to be acknowledged.

Again, I don’t think Ginger or any of the others deserve harassment or cyberbullying or anything of that manner, that’s kind of what this whole post is against. And it just hurts the situation more than it helps it. What bothers me is how she’s never apologized for or even once acknowledged the gross way she’s treated people. While she might be more low-key about it now, she still treats people who don’t deserve it like garbage. There are still several people upset about the damage she’s caused to this fandom, rightfully so. I wouldn’t be so loud about making this post if I didn’t think it was something worth drawing attention to.

Thank you for reading.

#TrollHunters #3Below #TOAwizards #Tales of Arcadia #TOA

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sheliesshattered · 4 years ago

Text

This Isn’t A Ghost Story extras for Chapter 8: The Temple

The eighth and final chapter of This Isn’t A Ghost Story has been posted! You can find it here on AO3 and here on Tumblr. Below the cut are extras for this chapter and a few things for the story over all. I’ve had such fun writing this fic, and hope you’ve all enjoyed reading it and following along with the writing process here too!

Like the previous chapter, chapter 8 is named for the location where it takes place, in this case the Mortuary Temple of Hatshepsut, which is near the Valley of the Kings, Thebes, and modern Luxor, on the west bank of the Nile.

As mentioned in both this chapter and previous chapters, several sections of the temple have stars painted on a blue background on the ceilings:

The ‘towering statue’ Clara comments on is one of a line of statues depicting the pharaoh Hatshepsut as the god Osiris, only a few of which are still standing:

Here’s a short video showing both the exterior and interior of the temple from earlier this year.

I came across the Temple of Hatshepsut fairly early in my writing process, when I was looking into what archaeological dig sites were active in the 1910s and 1920s. This photo from the late 1920s shows the continuing work going on in the area (that’s the Temple at the back left), and served as part of the inspiration for Clara’s memory of finding the Doctor at a dig site in Thebes in 1921:

About a month into writing This Isn’t A Ghost Story, I was grappling with the detail of Clara’s wedding ring, based on the poll results you guys gave me. I had been toying with going with an emerald for her ring, since emeralds have some interesting ties to ancient Egypt, but I also really wanted to go the route of a TARDIS-blue sapphire, and in particular a star sapphire really appealed to me, for its look and its symbolism. The results of that little impromptu poll clearly pointed to a star sapphire -- but also suggested I tie it into the world-building somehow.

Those two elements came together in my head rather abruptly when I remembered the star ceiling at the Temple of Hatshepsut, and after digging into the history of Hatshepsut, I realized it worked almost too well. On 28 June this final epilogue chapter sprang into being in basically the form you see it in here, baring a few edits I’ve made to it in the three months (!!) since then.

As the Doctor says in this chapter, the Temple was designed and overseen by Hatshepsut’s head advisor Senenmut, and many modern Egyptologists do in fact believe that the two may have been lovers during Hatshepsut’s time as pharaoh. While there are many stylized statues of Senenmut (including a few of him with Hatshepsut’s daughter, to whom he served as primary tutor), archaeologists have also found ostracons, chips of limestone that ancient artists used as throw-away sketching surfaces, that depict Senenmut in what he more likely looked like in life:

Please tell me I’m not the only one who sees this resemblance:

And then there’s Hatshepsut herself, who is depicted in numerous different ways throughout art and statuary, sometimes shown as more typically male in her role as pharaoh, but more often shown in what Egyptologists believe she looked like in life -- large eyes, full cheeks, and a small chin:

I mean:

Once my brain made that connection, I really couldn’t let it go.

I had originally planned to end the story with the sequence in the Cairo museum that eventually became chapter 7, but the connection between Clara and the Doctor and the real historical Hatshepsut and Senenmut -- with the added parallel of Senenmut as tutor and guardian of Hatshepsut’s daughter corresponding to the Doctor watching over Margot in Ghost Story, even -- was just too good to pass up.

Senenmut’s tomb is as the Doctor described it, with the oldest known astronomical ceiling of any tomb or temple in Egypt:

His tomb is very near to the Mortuary Temple of Hatshepsut, and tunnels into the cliffside such that it is extremely close to Hatshepsut’s own tomb, which is entered from the Valley of the Kings, on other side of that mountainous area. This has only further fueled speculation that the two were very much in love -- as pharaoh, Hatshepsut had to have her tomb built in the Valley of the Kings, and as a commoner Senenmut couldn’t be buried there. But they could design their tombs such that they would be as close as possible to each other, even if the entrances are miles apart.

Part of my goal with this final chapter was to give a hint at a larger story that this version of Clara and the Doctor are just a part of. I left the possibility that they had once been Hatshepsut and Senenmut intentionally open-ended, so the reader can make their own decision. They might have been, they might not have been, but in the end what matters is that they are together and in love now.

Similarly I also wanted to make allusions to both Doctor Who canon -- Senenmut as an ancient astronomer, and Clara’s comments about travelling the stars together in their next life -- as well as the wide variety of fanfiction that exists for this ship. In a way there are thousands of versions of them scattered about out there, finding each other and falling in love over and over again. This Isn’t A Ghost Story doesn’t exist in a vacuum, it’s part of a much larger multi-layered story that is constantly being told and re-told. And in many ways, that’s what I love best about fanfiction versus any other genre of fiction.

The process of writing this story has been so interesting and rewarding, frustrating at times and huge amounts of fun at other points. With this final chapter posted, This Isn’t A Ghost Story is officially the first multi-chapter, non-series fanfic I have ever actually finished, in more than a decade of posting fanfiction online. This is the first time I’ve made myself wait to start posting a story until it’s nearly complete, and I documented more about my process thoughts here on Tumblr than I have for anything I’ve written previously.

It has been a fantastic nearly four month journey, and so much of that is down to the lovely interactions with those of you reading, both here and over on AO3. From the early interest many of you expressed way back at the beginning of June, to the comments and cheerleading on my #process thoughts posts throughout the summer, to all the many wonderful and humbling comments on the story on AO3, I could not have made this journey without you guys. With what a strange, stressful, and often depressing year 2020 has been, I know that when I look back on this year, this is what I’m going to remember the best, taking this journey along with all of you.

And on that note -- do any of you have any questions about Ghost Story? Anything about the writing process or the world building or really anything at all, I am more than happy to answer in as much detail as you like. Feel free to ask here, or on AO3, or use my Tumblr askbox, now or at any point in the future. ❤️

@tounknowndestinations had asked about the timeline I worked out for the entire story, that I’ve been keeping under wraps for fear of spoilers. Originally this started as just a way to keep straight how many years had passed -- ‘do I say eighty-six years here, or eighty-seven??’ etc -- but eventually ballooned from there to cover the entire narrative, and even some of the timeline that is only hinted at in places. This is its final form in my working googledoc:

1875: the Doctor is born

1885: the House is built

February 1899: Clara the 1st is born

13 May 1921: the Doctor and Clara the 1st meet in Cairo, she is 22, he is 46

12 May 1923: the Doctor and Clara the 1st marry in Glasgow, she is 24, he is 48

June 1925: Clara and the Doctor return from Egypt

August 1925: purchase of the House

23 Nov 1927: the Doctor dies, age 52

21 August 1928: Margot is born

23 Nov 1928: Clara the 1st dies, age 29

8 April 1956: Ellie is born. Margot is 27

23 Nov 1986: Clara is born. Ellie is 30

1991: at 5 years old, Clara tells Ellie and Margot about the ghost

September 2000: Ellie dies of cancer, age 44. Clara is not quite 14

January 2010: Dave Oswald dies of a heart attack, age 56. Clara is 23

October 2014: Margot dies, age 86, leaving her house to Clara, who is nearly 28

16 Nov 2014: Clara has the nightmare that begins to unlock her past life memories

13 May 2021: Clara and the Doctor return to Cairo to mark 100 years since they met, the Doctor is restored to life

18 May 2021: Clara and the Doctor visit the Temple of Hatshepsut, which leads Clara to wonder if perhaps they have met and fallen in love before

Thank you so much to all of you who have followed along during the writing process, to everyone who has reblogged chapter posts here and commented on AO3, and everyone who has cheered me on during the past four months. You have made writing this such a joy, and I cannot wait to share my next project with you. ❤️

#This Isn't A Ghost Story #This Isn't A Ghost Story extras #process thoughts #my writing #Doctor Who #Doctor Who fanfic #Clara and the Doctor

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senlinyu · 5 years ago

Note

Thank you so much for sharing all that you have about the writing process! How important is promotion of your work across different platforms? Is it important at all?

Sorry. I’ve been sitting on this ask for a while... but we were just having a discussion on the Dramione Fanfiction Server about promotion and I realised I should get to writing all this out.

This is sort of a follow up on my post about doing weekly updates and writing my fics in full prior to publishing them. Find it here.

Caveat, these are my personal observations only. I’ve been involved in the fandom for a little over 2 years, and at least tried most of the fandom platforms to some extent and followed a lot of discussions among writers and readers.

This is basically a rundown of things that I wish someone had told me about promotion when I started. It’s also an info dump, I’m sorry. You don’t need to do all these things, or any of these things. But if you’re trying to figure stuff out, this is what I’ve noticed. A lot of this is based on my experiences and the experiences I’ve heard from other writers.

Publishing

• The first step you’ll take in promotion is publishing your fic: The most active platforms for fic are archiveofourown.org (Ao3) and fanfiction.net (FFN). There’s also wattpad, but my experience there is limited, so I won’t comment on it. Older fandoms are still hanging out on FFN, but a lot of people are finally migrating to Ao3.

I cross-post most of my fic, with the exception of very sexually explicit content. FFN hasn’t enforced their content restrictions in years, but they have cracked down in the past and deleted fic without warning, and if you’re reported and they decide you violate their terms it’s extremely difficult to dispute based on everything I’ve heard from fandom olds.

Title: It’s ideal to find a title that doesn’t already have seventy fics attached to it for your fandom/ship. But there are a finite number of titles, this may not always work. However, if there’s a super popular fic already with that title, it may be advisable to choose something else because people will get confused about which fic it is and the other fic will tend to show up first in a google search.

If you choose a long title (more than five words), or a title with multiple words in a foreign language, people will have a harder time remembering it. One of my favorite fics has a long Latin quote for its title that isn’t a super common phrase. I cannot ever remember except that it starts with an ”a.” I have to refind it every time I want to rec it by googling one of the author’s other fics and then sorting through her listed works. Avoid this if possible.

Summary: Don’t say things like “story’s better. I suck at summaries.” If you can’t figure out what to put in the summary, put in an excerpt that you feel captures the tone and spirit of the story.

Smut sells. On ao3, a not overly-explicit excerpt of a scene will often garner more hits than anything else. Although I wouldn't promote a fic in that manner if there’s actually minimal smut in the story.

Rating: On FFN it’s unfortunately better to be safe than sorry. People will sometimes complain if T rated fics even allude to the existence of sex. But M ratings will create the expection of some level of smut. If you’re writing a M rated fic without sexual content, it can be a good idea to have an author’s note at the very beginning explaining what the rating is and isn’t for. (Many people never ever read author’s notes, but at least then it’s not on you anymore.)

Tagging: On Ao3, good tagging can make or break a fic. The balance is between under-tagging and over-tagging. Dramione is relatively chill about tags because a lot of readers are from FFN where there are no tags. However, newer readers, especially those coming over from other fandoms, can be very particular about tagging and complain in the comments if your tagging it insufficient or misleading.

Fandom etiquette dictates: use the archive warnings and always tag triggers. Even if it’s a plot twist. People who really care about not having plot elements spoiled can hide additional tags from their browsing. The main archive warnings are: graphic violence, character death, rape, underage. If you include any of those things without an archive warning or tags, people will not be inclined to trust you.

I know that’s not how published books are, but it’s a question of which hills you want to die on. I strongly discourage dying on this hill when you’re first starting out.

Additional tags. There’s a very tricky balance between over-tagging and under-tagging. People don’t like tag walls, but they do want some information. Tag the story’s main tropes: enemies to lovers, mutual pining, miscommunication, coworkers, Veela, etc. Tag the triggers. (A word of advice, if you’re writing a fic with rape/non-con that occurs but isn’t committed between the main pairing, specify that in your tags, e.g. ‘attempted sexual assault, not by Draco’ ) Tag kinks, especially if they’re not garden variety. Very, very few readers are going to be pleased to have a kink sprung on them, one person’s kink can be another person’s squick. People who want your fic may not find it if you haven’t tagged it, and people who don’t want that kink will not be pleased about tripping on it.

Don’t over-tag. If “explicit sexual content” is tagged, most people will assume the general explicit sex spectrum. Unless there’s a particularly heavy focus there’s no need to list every single basic aspect of sex in your tags: “vaginal sex, vaginal penetration, fingering, humping, groping, oral sex, breast worship, etc etc”. Nor should you tag every single character or subpairing who happens to appear unless they’re a significant element of the plot.

Promotion on other platforms:

Dramione and HP is an older fandom. The Hermione-centric parts of fandom are primarily here on Tumblr and on Facebook in the form of private groups, some that are ship specific and others that are slightly more general. Reddit is fairly inactive for dramione, and the HP subreddit is not particularly fond of dramione.

Dramione is beginning to establish itself on discord, but it's still a gradual process.

Some writers join the FB groups with their IRL accounts, but its a growing trend to create fandom pseuds for FB groups, which is what I do. Some Facebook groups require that new members privately provide the admins with a form of ID for age/identity verification. Whether or not you're comfortable/willing to out your pseud in that way is a matter of personal discretion.

Most groups do not require this... but it’s something to be aware of.

Tumblr: Posting about story updates on Tumblr is one the the best things to do for promotion beyond the basics of posting your fic. Since it’s a public platform unlike FB, it’s one of the most visible ways to boost your story and let people know about updates.

Cover art/aesthetics for your fic are a great way to catch attention. If you’re like me and very bad at making aesthetics and covers the @dark-arts-society-fbhp is a group specializing in covers and manips. If you’re not a member on FB, the admins say that writers can submit requests via the tumblr asks and they will be shared to the group. Send them:

Title:

Penname:

Characters/ships:

Tone:

Fancasts:

Other info:

Tumblr

Post a fic update on tumblr with cover art, links, and an excerpt of the chapter. Personally the fics that catch my attention have excerpts that are at least a couple paragraphs long.

You want to include enough content to pique reader curiosity and demonstrate your writing style. It makes you less an unknown to readers looking for something new. Every update is an opportunity to catch the attention of new readers and each new excerpt can do that.

A couple don’ts:

Don’t just keep reblogging the same post, adding a link to the latest chapter. Reblogs don’t show up in the tumblr tags. Make a new post for each chapter update and use the fandom tags every time. The first five tags you use are what can show up in tags, everything after the first five should just be for your tumblr’s personal organization.

Do not include triggering content in your excerpt. It’s rude and a way to get unfollowed or blocked.

Don’t use too many links on your update posts. If there are too many links, tumblr won’t have the post to show up in the tags. I’m not sure what the cut-off is because tumblr is an illogical beast. 2-3 links seems to be fine. Link to FFN and AO3 and nothing else.

Don’t use your tumblr solely as a personal house organ. If no one is interacting with your posts, tumblr is less likely to decide you’re a real blog and let your posts show up in the tags. Connect to other fandom blogs by reblogging and liking their content. I generally don't follow tumblrs that blog solely about their own content, because I'd just subscribe to the story or the writer. Reblog art, reblog aesthetics, reblog fandom memes, reblog drabbles, reblog updates from fics you’re following, etc.

However, even if you do all that, tumblr’s algorithm is a mysterious and illogical creature. Sometimes posts need to have a certain number of likes and reblogs to show up in the “Dramione” tag, although the algorithm is inconsistent there are many exceptions, but as a general rule this seems to be the case.

In my most recent Dramione update post, the post in question never showed up in the recent ”Dramione” tags, despite fairly high engagement. I have no idea why. That’s all the more reason to create a new post for every update, because tumblr will just randomly screw you over at times. 😑

If you write dramione, one of the best forms of exposure is by getting your fic updates reblogged by @dramioneasks, they have a very large following on Tumblr, and regularly go through recent posts under the dramione tag and reblog the story updates that show up there. A lot of writers have noticed a dramatic difference in engagement if their updates get reblogged by DramioneAsks.

Another way to promote your writing more generally is by accepting prompts and/or posting ficlets solely on Tumblr. Those will usually get more reblogs and likes than a story update will. In my observation, ficlets tend to do best when they’re between .5k to 2k words (longer than that and people will complain about huge walls of text in their feed.) DramioneAsks will also reblog those.

Facebook

The other main platform for the Dramione fandom is FB. It’s the place that a lot of the fests and comps are hosted and where a lot of writers will begin forming some fandom relationships. People will post recs for stories they like, and ask for recs with certain tropes, etc. You can also post story updates there.

However, it’s also a lot of individual ponds because the groups are all closed, and there’s only partial overlap between them in terms of membership. Different groups have different cultures and fic preferences and you only tend to start figuring them out after being there for a while.

They also all have different rules and policies about things, such as requiring members to provide identifying information to mods, file-sharing, fic update promotion etc. So you have to make sure you check the rules and keep track of which group requires what.

But it’s very active and the place where you’ll encounter more discussions of fics, start getting to know people more, and have more one on one interactions. It’s best to start in just one or two and then slowly branch out from there if you choose. I’d recommend starting in groups specific to your ship, or if you write rare-pairs, to join rare-pair oriented groups.

I’m currently a member of more than 25 groups, but I’m active in less than five of them.

Conclusion

Again, this is not intended to be a to-do list. You don’t need to do all of this, or any of it. It’s more a rundown of different elements and factors that can make a difference in my experience and observations.

The thing with fic promotion is that fics sometimes have a tipping point. My fic Manacled crept along with limited engagement for a long time (like more than 30 chapters) and then hit a point where I got a bunch of people who started it leaving comments saying “I’ve seen the updates for this so many times, I finally decide to click,” or “I started this but didn’t think it was for me, but then I saw some of the excerpts for later chapters and they made me curious so I jumped back in again.”

There are some readers who will check out everything regardless of stats, but particularly in Dramione where you have a lot of fics and authors, people are less likely to click every fic they see. You can build recognition through engagement with fandom and visibility.

My very first work-in-progress multichap got a lot more attention after I posted a one-shot that allowed readers to check out my writing in a “lower commitment” context. It wasn’t even a very popular one-shot, but it gave people a chance to read a completed work of mine without requiring the investment that a 90k word WIP did. Once they decided they liked my writing style and characterizations they decided to check out my other works.

Anyway. This ended up incredibly long. 🤦🏻‍♀️

If you read this and have a different opinion or feel like I’ve left anything out, feel free to chime in. Or if you disagree. I am happy to reblog additional and differing perspectives as long as the tone stays civil. 😊

#on writing #fic promo #fandom #dramione #senlinyuspeaks #asks

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anxiety-and-witchcraft · 4 years ago

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A very long description of my OCs and their universe.

I have made the decision to start writing oneshots and short stories as well as prompts now, so woo! And that means…*drumroll* I’m going to be explaining in great detail my OCs and the universe I’ve built around them! Also, I am aware that 90% of OC posts are art, but I cannot draw anything and I don’t have any digital art pad type stuff to do it on anyway so no Imma just write one loooooooooong block of words. I regret nothing, btw. (Rosa and Robin’s descriptions will be the longest, so just try not to fall asleep until you’ve finished reading them?)

Okay, so, my OCs all live in this village out in the English countryside called Thistledoor. It’s like a whole old-timey, chocolate-box-village type deal, minus the school (which is joint secondary and primary) of course. (Americans might want to look up when British kids start school if you guys don’t already know, just to understand Noah’s predicament.)

The whole thing is a sort of monster AU, kinda a Gravity Falls type deal where they’re just things like gnomes and goblins and the occasional horde of brainthristy zombies to deal with.

The Maddoxes live in the middle of the village, while the Lupins’ house is a bit further away along the edge of the woods. Robin and Rosa are my main characters, Rosa lives with her parents, twin brother Gabo, and younger brother Noah, and Robin lives with his mum, his two older siblings Molly and Jack, and younger siblings, the triplets Ethan, Ben and Sirsha (It’s actually spelt Saoirse but Robin’s mum spelt it wrong on the birth certificate), and Starling. Robin’s entire family have faint Irish accents (idk and idc why). Maeve is one of their friends and Gabo’s crush, and Marcus is the school jerk who likes to flirt with Rosa. Now, what the characters are actually like:

Rosa Lupin (15):

Medium-reddish-brown hair that’s so thick and silky but not that shiny and reaches the middle of her back. It’s always wavy even when she brushes it.

Her skin is quite light, and she cannot tan, she just burns. She has freckles on her nose and her cheeks, but you can’t see them as much in winter. When she smiles… Oh. My. Goodness. Her smile is so beautiful, and her nose scrunches up and it’s just ADORABLE! Her eyes are wide and dark brown, but they get a tiny bit lighter towards her pupils. She also has a little crescent-moon-shaped birth mark just above her collarbone. Gabo has one too. She’s quite tall and kind of slim, but still a bit curvy at the same time.

She always wears oversized jumpers and jeans when it’s cold or t-shirts and shorts in the summer, or occasionally she steals Robin’s jumpers when it gets cold because for some reason his are mostly warmer than hers.

She’s about 5’6.

Her favourite colour is purple, she loves ballet, singing, reading, chemistry, and making up conspiracy theories with Gabo, and she’s quite quiet around most people but a force to be reckoned with when someone makes her mad, mainly by insulting Noah. She and Gabo also get killer migraines and insomnia when they’re stressed. Rosa is also the mum friend of my group of chaotic 15-year-olds and has a thing about loud noise and crowded areas (as in if she stays around them for too long she’ll either freak out or get a migraine or both). Gabo’s similar, but he can just about manage.

Robin is her best friend in the whole world, and they’ve known each other since they were 5. Secretly, they both like each other more than that, but they’re much too shy to tell each other, which obviously leads to their siblings making devious matchmaking plots to get them together. Rosa and Robin then get back at them with their own schemes, mainly with Gabo and Maeve.

Robin Maddox (15):

His hair is dark brown and so messy it’s unbelievable, and literally impossible to imagine him with tidy hair. Somehow it never gets knotty. Ever.

His eyes are really dark brown and sparkly, kind of like an actual robin’s. He’s a bit tanned and he’s not really muscly but still quite strong. Like seriously, he can carry Rosa when she falls asleep in the middle of doing something or if she gets a migraine.

Lives in red t-shirts and brown jeans rolled up a bit so they don’t get dirty, and literally never wears shoes except at school because Thistledoor is the best village in the area for not littering so there’s nothing to cut his feet on. Some people tease him for it but he just ignores them (or splashes in a big muddy puddle to get water all over them) He does actually own a few jumpers that aren’t red or brown, but they are mostly stolen by Rosa. That’s actually why he has them but shh, no-one needs to know that.

He’s about 5’7, or maybe a bit taller.

Robin’s favourite colour is red, he likes inventing, playing music (he can play about a gazillion instruments) and pretty much just tagging along with whatever mystery hunt Rosa and Gabo have gotten themselves into. He’s very bold, brash and silly, occasionally getting into fights with Marcus before Rosa drags him back to her house by the ear, but he does have a very sensitive, protective side, particularly over Starling, which you will learn why when I get to their mum’s description.

Gabo Lupin (15):

He’s Rosa’s twin brother, so he basically looks like the boy version of her. His hair is pretty short and neat, and he has a fringe pushed over to the left side of his forehead. He is incredibly short sighted and can see literally nothing without his glasses.

His favourite colour is yellow, he likes reading, poetry/songwriting creating conspiracy theories, and dragging his sister on mystery hunts with him, on most she and Robin end up saving his life when he reads out the words from a cave-wall-painting-crypt-thing to summon the dead. He’s very quiet and intellectual and gets scared easily unless he’s too busy finding stuff out.

Noah Lupin (4 or 5 depending on when the story takes place):

Noah looks a bit like Gabo, except his hair is much lighter and he doesn’t need glasses. Noah is a rather unusual four year old in the way of his intelligence – he’s got the same IQ as his father, who is a scientist. He didn’t start talking at all until he was about three, but when he did it was in full sentences with none of the normal baby talk, but he doesn’t like to talk around people so most people think he’s just dumb.

Mrs Maddox (Robin’s mother):

Mrs Maddox is possibly the worst mother in the history of the whole multiverse ever. She’s drunken, angry, neglectful, and doesn’t have a job, leaving supporting the family to the government funding and Molly, who’s 19 and has two part time jobs at the weekends and after school. Mrs Maddox leaves most of her children alone in the physical sense, except Robin and Starling. She hits both of them, usually just a slap across the face or something, always small enough for everyone to just assume that Robin had gotten into a fight or Star had fallen down the stairs, clumsy as she was. Neither of them wanted to correct them otherwise. Rosa, Maeve and Gabo figured it out fairly quickly, though.

Molly (19), Jack (17), Starling (11) and the triplets (6):

The rest of Robin’s siblings don’t make an enormous appearance in my stories, them being mainly centred around Robin and the Lupins, but I’m going to describe them anyway. Molly’s the oldest, and generally the one taking care of all her siblings. Jack is basically a father figure to his younger siblings, as their dad died when Mrs Maddox was pregnant with Ethan, Ben and Sirsha. Sirsha never learnt to talk. Starling is very clumsy, but other than that she’s just like Robin. They all hate wearing shoes.

Okay, I think that’s it!

P.S. I’m going to use a tag with my username as a way to get all my stories together, so if you’re reading this in the future and want to read my stories, that’s a quick way to do it without being swamped by reblogs and whump prompts!

#marthmello #my ocs #character description #ocs #introduction to my ocs #intro to my ocs #ocs intro

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artdaily7 · 4 years ago

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Reading Between the Lines: The Basics of Analyzing Poetry by hypnoticwinter

INTRODUCTION Outside of literature classes, very few people read poetry closely. Hardly anyone on tumblr does; people scan a poem, decide immediately if they agree with what it’s saying or not, or judge by some arbitrary scale how aesthetically pleasing it is, like or reblog it, and then move on to the next.

Appreciating poetry requires time and effort. Putting in the time and effort will allow you to recognize truly good poetry and distinguish it better from mediocre poetry.

Poetry has rules. None of them are hard and fast, and they all can and should be broken in different ways, but knowing how they’re broken or upheld in a particular poem will improve your own poetry and your interpretation of poetry.

CONTEXT The first step in analyzing a poem is discerning the context of the poem. Who is the poet? How old is he? What gender? When and where was he born? When was the poem written? What things were going on in the poet’s country and in the world at the time? Sometimes this information is not available, sometimes it is. When it is, knowing it can lead to singular insights into a poem that might not be apparent otherwise. “Absalom and Achitophel” (Dryden) is entirely indecipherable without the historical context Dryden is writing in, whereas with this context, it’s only mostly indecipherable.

Does the poem stand on its own or does it make references to other work? “God’s Grandeur” (Hopkins) can be read on its own but if the reader has any knowledge of Christianity at all it makes more sense - and what other work to go to for Christianity than the Bible? If a poem requires additional reading, do it. And if you can’t tell whether it does or not, investigate.

If a poem is entirely self-contained, is it more accessible? Literally, yes. Does it gain more than it loses by not making any references or calling on real-world events? Depends on the poem.

CONTENT AND DECISIONS Read the poem twice, once in your head and once out loud. Note your reactions each time. What did you feel when the poem was finished? Did it elicit any emotional response at all? Poems that don’t aren’t necessarily bad - but the ones that do are rarely bad.

If you do react, focus on that - why did you react the way you did? If you groaned at the end and thought ‘wow, that was a long poem,’ was it really, or did it just feel long? Was that feeling the fault of yourself or the poem?

Once you’ve read the poem out loud, think back over what you’ve just listened to. Was there rhythm? There doesn’t have to be - but discord is usually better to be avoided than embraced, unless for a specific reason.

When a poet begins to write a poem, he must make decisions. One of the first is in even writing a poem. Every poem can be equally expressed in prose - that is to say, the meaning transmitted can be transmitted identically via prose. Why did the poet choose to write a poem rather than prose? Is it apparent?

Some of the decisions a poet makes when writing a poem are not immediately decipherable. Sometimes they are made simply because a decision has to be made and one choice is as good as another. But other times they are made for a purpose, and understanding the reasons is important to be able to interpret the poem more fully. In order to do this you must examine every decision, even the trivial ones, for a trace of meaning. These decisions can vary wildly based on the actual content of the poem, but from a strict formal perspective, they usually go something like this:

Why write a poem? What should I write about? What is the purpose of my poem? Should I write in an established form? Should I rhyme? Should I use meter? Should I use some other organizational method? Should I use other devices, such as alliteration? What words should I use? How should I break my lines? How long should my poem be? Should I use stanzas? What sort of tone should I use?

The next sections will go over each of these criteria one by one, so get comfortable.

WHY WRITE A POEM? What’s the difference between poetry and prose anyway? Line breaks come to mind, and prose poems don’t even have those - but they are still poems.

According to wikipedia, “Poetry is a form of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre—to evoke meanings in addition to, or in place of, the prosaic ostensible meaning.”

Also according to wikipedia, “Prose is a form of language that exhibits a grammatical structure and a natural flow of speech, rather than a rhythmic structure as in traditional poetry.”

Rhythm is apparently a key element of poetry, and this is a statement I’d agree with. Poetry tends to use heightened language and imagery while prose can afford to be more prosaic, as it were, as it has a story to pull itself along with, rather than just words. A poem can tell a story too, but many do not.

A poet chooses to write a poem because he wishes to write beautifully. Whether that wish is realized is another story.

WHAT SHOULD I WRITE ABOUT? Choice of topic is another basic decision for the poet to make, but one that has perhaps the most effect upon the finished product.

Topic limits a poem’s audience, and upon reading a poem, whether you liked it or not, you should consider ‘what sort of person would like this kind of poem?’ and ‘who wouldn’t?’ Does the author belong to this audience? Are they writing for themselves, then? Do they want to be part of this audience?

The poet’s choice of topic is effectively their choice of audience. Poems that are written obviously for a certain audience make a reflecting statement about the poet.

WHAT IS THE PURPOSE OF MY POEM? This question is different from ‘what should I write about?’ because it deals with a macro level, rather than a micro level. Purpose is something like 'to transmit a feeling’ or 'to tell a story’ or 'to send a message.’ Purpose is often obtuse; if it is obvious, that can reflect on the quality of the poem - specifically, poems that set out to tell a specific message tend to be one-dimensional and flat.

Ambiguity is better than obscurity is better than directness. In reverse order, one interpretation is worse than a million interpretations is worse than several interpretations. Poems that tell one specific message read like church hymns, which can have beautiful language and evoke fond memories, but which are still flat and lifeless because they focus on one thing only. Obscure poems cannot be interpreted easily because the reader doesn’t know what the writer is talking about. A million interpretations can be made but none mean anything because there is room for all of them. A few interpretations is the best choice because it provides room for different views but squeezes them in tightly enough that they must be fought over.

SHOULD I WRITE IN AN ESTABLISHED FORM? Note that the choice is not between 'writing a sonnet’ and 'writing free verse.’ Sonnets are an established form, but a form can also be something like two seven-line stanzas with four pairs of rhymes between them. Forms the poet makes up on their own are still forms, and restrict their writing - and are more difficult to write within the confines of.

'More difficult’ doesn’t necessarily mean 'better,’ but writing a striking poem while under restrictions is more impressive than writing a striking free verse poem.

If a poet does write a sonnet or a villanelle or in an established form, you should pay attention to how closely the poet follows the rules of the form. If the poet doesn’t follow them closely, that’s a statement - and it’s up to you to figure out what that means. Sometimes it means the poet is just lazy.

SHOULD I RHYME? Like writing in an established form, rhyming places restrictions on a poem. The main thing to watch for when reading a poem that rhymes is how well the rhymes flow with the content of the poem. Forced rhymes are the mark of a poorly-planned poem; rhymes should be effortless, integrated wholly within the narrative of the poem. If a poet suddenly talks like Yoda just to maintain their rhyme scheme, they just choked - and letting that out into the public eye is another choke as well. Or is the poet doing it for a purpose? Only rarely will a purpose justify this, and bad poets will use art as a crutch to excuse their fuck-ups. Do not believe them.

If a poet doesn’t rhyme, their poem is less difficult - and thus less impressive when good, and more excusable when bad.

SHOULD I USE METER? These days fewer poets use meter than rhyme, and fewer poets rhyme than write free verse. Meter isn’t necessarily difficult, but it does require a lot more work from the poet to produce a poem that doesn’t sound stilted. If a poet doesn’t use meter, they’re making a statement - that meter is antiquated, or that they don’t want to put the effort in, or that meter wouldn’t suit what they’re saying. Pay attention to this - but excuse them, because meter is a lot of work, and isn’t as impressive as it used to be.

On a more basic level, meter can include rhythm - which is essentially just asking whether or not the poem sounded good. When you read the poem out loud (you read the poem out loud, right?) any line that sounded odd should be noted. Often these are lines that are far too short or far too long for the other surrounding lines. Putting in lines like these can cause the reader to rush if long, or slow down if short. Sometimes this is what the poet intends; but more often the poet cultivates this effect through punctuation or other means.

Rhythm, if used well, accents what’s going on in the poem. Pay attention if a poem is short and choppy or long and plodding and see if it matches up with what’s being said.

SHOULD I USE SOME OTHER ORGANIZATIONAL METHOD? There are very few poems that don’t use some kind of organizational method, even if that’s only because line breaks are a means of organizing a poem. If a poem doesn’t have one that’s immediately apparent, count syllables in lines, read the first letter of each line, count words in each line, look at line lengths, see if the poet is doing anything interesting with tabs - if you can discern a pattern, that’s intentional. What does it mean? Depends on the poem.

Sometimes poets do so simply because symmetry is appealing. Other times because they’ve just discovered the function of the tab key on their keyboard. Other times still when the method of organization ties in with the poem in some way - and this last category is the most skillful.

Like the above categories, this is a method of increasing the difficulty of writing a poem, like conducts in Nethack. Taking a bunch of conducts doesn’t make a win more valuable, as a win is still a win, but it does make doing so more impressive, considering the increased odds stacked against the player - or the poet.

SHOULD I USE OTHER DEVICES, SUCH AS ALLITERATION? These devices often don’t make a poem more difficult, but can make it more interesting to read. Think back to vocab words during your high-school lit classes and you’ll probably have a good idea of what these devices are. If they’re there, take note - and if they’re not, don’t worry too much about it.

WHAT WORDS SHOULD I USE? One of the more important choices a poet can make. Blunt language leads to a different feeling than hidden or symbolic language. Being too flowery can set one kind of tone, while being too vulgar can set another. Pay attention to a poet’s word choice and pay very special attention to the imagery, metaphors, and similes they use, as these are what largely determine if a poem is good or not - how original, skillful, and simply GOOD word choice is. A good poem should make the reader think 'damn, I wish I’d written that’ - and if there are no clever turns of phrase or beautiful images, that’s less likely to occur.

A special note is to be given on uncommon words and on profanity, which is that if it is in one part of the poem, it ought to be in all parts of the poem. If it isn’t, that raises the question of why - and can be jarring depending on how much or how little the element is used. Good poets will use this to highlight a shift in tone or in speaker, while bad poets simply won’t think about it.

HOW SHOULD I BREAK MY LINES? While to an extent this can also cover 'how long should I make my lines?’ this question usually boils down to 'to enjamb, or not enjamb.’ Enjambment, for all our level one learners out there, is when a sentence is stretched between multiple lines of a poem and thus the lines break in the middle of a thought. Note that the reason this usually DOESN’T cover 'how long should I make my lines’ is because skillful poets will usually figure line length based on how it makes the poem sound.

On a very basic level, enjambment makes the reader hurry up and move on to the next line. Not enjambing (end stopping) makes the reader pause, even if very slightly, at the end of a line. Good poets will use this to control the pace of the poem - and if it is used, you should ask what it does to the poem’s pace.

HOW LONG SHOULD MY POEM BE? If a poem is too short, it can be extremely difficult to make it good. If a poem is too long, it can be extremely difficult to hold the audience’s attention unless it is very good. If it felt like a poem dragged while you were reading, go back over it. Ask if each line is necessary to the narrative of the poem. Can anything be cut? Should anything be cut?

Likewise, if it feels like a poem isn’t long enough, ask what it’s missing. Did it get to a point, or did it end before it could?

In any case, a poem should be entirely focused and tight. Poems that meander all over the place, even if they’re of a sensible length, lose the reader’s interest fast - and after all how couldn’t they? If the topic is too boring for the poet to stay focused on, how will the reader be able to?

SHOULD I USE STANZAS? If a poem is long enough, it’s rare not to see stanzas. Stanzas are usually used in some capacity or other to break up distinct thoughts into their own sections. If they’re not - what’s the stanza doing there? Does it have a purpose or is the poet, as with rhyme, sticking blindly to an organizational scheme that is no longer organic with the poem?

WHAT SORT OF TONE SHOULD I USE? Ideally a poem’s tone would match in some way with its subject matter, but at the same time, it doesn’t have to. No matter the topic, tone makes a statement - and it’s up to you to determine whether a matching or mismatching tone means something important - and in a good poem, it generally will.

Two specific mentions should be made here, and those are GRAMMAR and SEX.

Like in any other form of written work, improper grammar breaks the audience’s attention. When you read the world-famous quote “In this moment, I am euphoric. Not because of any phony god’s blessing. But because, I am enlightened by my intelligence,” what stands out first? If you know anything about English at all, it’ll be the grammar. Using improper grammar takes your audience out of the poem and makes them think 'oh look, a comma’ instead of 'oh wow, this poem is great.’

The same thing can be said about sex but to even more of a degree. As soon as a poet refers to sex, the reader pays less attention to the poem and more attention to the sex described in the poem - which is why the best poems about sex are suggestive but not explicit.

GOOD AND BAD POETRY As any bad poet will tell you, art is subjective, which means that there isn’t any definitive thing to point to and say 'you did this here which means this poem is bad.’ Whether a poem is bad or not depends on who’s reading it. Don’t think of the above decisions as criteria, and if a poem doesn’t meet a certain number of them it’s automatically bad. A poem can disregard every single one of the above decisions and still be good if the writing is beautiful and vice versa.

Most of the decisions above regard difficulty - and a more difficult poem, if done well, will be more impressive than an easier poem. Not better - just more impressive.

Goodness usually comes down to word choice and imagery and the application of all those little mechanics of writing. Those can’t be taught; you either have it or you don’t. A good poet doesn’t think about it; a mediocre poet balances everything in his mind at once in his effort to write a good poem; a bad poet also doesn’t think about it.

Marcel Duchamp 1919 L.H.O.O.Q. pencil on reproduction of Leonardo da Vinci's Mona Lisa, PC

#hypnoticwinter #The Basics of Analyzing Poetry #Reading Between the Lines #Analyzing Poetry #Learning Poetry #Poems #Poetry #Art #Fine Arts #Painting #Marcel Duchamp #Duchamp #L.H.O.O.Q #Leonardo da Vinci #Mona Lisa #da Vinci #Poets on Tumblr

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ask-de-writer · 4 years ago

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Several of my stories have mentioned Canbe, a mortal living in the Borderland of Nightmare with the Lamia Flowering Ash. This is the tale of how they met.

Return to the Master Story Index

Return to MLP Fan Fiction

Return to Tales to Read AFTER the Lights are OUT!

The Day After Nightmare Night

De Writer (Glen Ten-Eyck)

2284 words

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Users of Tumblr.com are specifically granted the following rights. They may reblog the story provided that all author and copyright information remains intact. They may use the characters or original characters in my settings for fan fiction, fan art works, cosplay, or fan musical compositions.

All sorts of fan art, cosplay, music or fiction is actively encouraged.

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I really should have known better. It was the day AFTER Nightmare Night. Morgan and I were out strolling around, looking at the remaining decorations and assorted minor pranks that had been played.

Sawnax's Lumber Yard office had got it by at least two or three pranksters. It was covered in ribbons of cheap toilet paper and the windows had been painted over with egg whites and liberally dusted with dirt. It was understandable, if not really excusable. He was always too cheap to put out a Foal Bowl.

Passing Caramel Treat's Sweets, we saw that Ponyville's genuine werewolf was still in the form of the gigantic Everfree Ridgeback Wolf that was her when she was not a pony. Smiling, she was passing out treats to any who were still in costume.

A good many foals knew of her habit and were lined up, chanting, “Nightmare Night has passed away! Now it is Nightmare Day! Please give us something sweet to bite, to celebrate the daylight!”

She was happily giving treats out and posing for pictures with the assorted little ghouls, alicorns, very phony deer, liches, and witches.

We watched for a little and went on our way.

It was not long before we were passing the shoulder high stone wall of the Ponyville Cemetery. We found a perfectly lovely and unusual gray mare staring at us, over the wall. She smiled, keeping her lips shut, and said with mild humor, “So, looking over the wall between life and death?”

“Sort of,” Morgan replied. “Canbe and I are out looking at all of the assorted pranks that have been pulled, that's all.”

She kept pace with us, she on the inside, and we out. Her head swayed in a sort of undulating way, instead of bobbing a little, like a pony's usually does.

She offered, “Are you just looking, or are you doing anything to help fix the pranks? I am not sure why, but some ponies think that it is fun to mess up the graveyard. Do they think that they will disturb the rest of those who have passed beyond life or are they trying to upset the living by knocking over or wrecking grave markers?”

Actually looking across the wall, at something besides the lovely mare's head and shapely neck, I commented, “I don't see any damage here. What happened?”

Sadly, she replied, “You can't see it from here. There is a really ancient part of the cemetery. Nopony knows how old it is. It is far older than Ponyville. It has crypts, tombs, mausoleums and markers that nopony around here now knows how to read. It is over the hill, there, where those big trees show their tops.”

She pointed to an area that I had never paid attention to before.

I sort of shook my head in surprise. “I did not even know that those trees were in the cemetery! Old stones that nobody can read? That sounds really neat, actually. If I come to help you, would you mind if I made some rubbings of those stones? Maybe a scholar like Twilight Sparkle could read them.”

The gray mare raised her eybrows in polite surprise. “That would be a true boon, if she could. So many old things are simply forgotten.”

Morgan snorted, “Never could figure out why anypony bothers with history! Basically, it is a pack of lies told by the winners to make them look better than they were!”

The gray mare gave Morgan a disturbed look. “That is partly true. The truth of what did happen can often be found out. It is the best understanding of the past that can serve to guide you and help you to avoid the mistakes that your ancestors made.”

Bitterly Morgan snapped back, “I was one of those 'mistakes' that somepony made! I was abandoned on the steps of the Ponyville Orphanage without even a note! I don't want to know who my mother or dad was!”

Morgan rudely turned his rump and stomped off.

The lovely gray mare turned to me and gave me a beseeching look. “Will you come to help us? We cannot undo the work of the vandals alone.”

I shrugged and opened the gate. Entering I offered, “Sure, why not? What is to fear now that it is broad daylight?”

The mare had hidden behind a large stone monument. She pointed a shapely foreleg and hoof skyward. “That is a common misconception. So long as the Moon of Nightmare remains in the sky, we can be abroad. That, I fear may tell you who you are coming to help.

“I will guarantee your safety if you do come to help us do what we cannot do ourselves alone.”

I paused to think over this development. “I will make you a small deal, my sweet pony. Show me yourself. If you are an undead, as you have said, and guarantee my safety, I will aid you as well as I can to fix what the vandals have damaged.”

She nodded gracefully and slithered out from behind the stone. Her body, from the navel back, was that of a huge serpent. “As you can see, I am a Lamia. Had I not guaranteed your safety, I could easily crush and rend you. You may still leave and I will thank you for even considering giving aid to such as I.”

I kind of shivered all over but gamely offered, “Lead the way, my Lady Lamia. I am known as Canbe.”

She led me across the hill. If I remembered correctly, the back wall of the cemetery was down the hill only a little ways. Before we got to where the wall should be, I noticed that the Lamia cast no shadow from the light of the sun. She did, however, cast a shadow. It was from the light of the moon, still in the sky, though getting low.

We passed under the trees without coming to the cemetery wall. Long streamers of moss like stuff hung from branches that almost seemed to move of their own volition. The foliage of them was a far darker green than it had appeared when seen from the street in Ponyville. It almost looked black. That was when I noticed that nothing here, not even me, cast any shadow but one from the full Moon of Nightmare which was now at zenith, rather than nearly set.

I nearly fled when I noticed that. My promise held me.

I was led to a fallen obelisk about two or two and a half meters long. I saw the marks where it had been pried from its base. I pointed out, “I cannot lift this, it is too heavy for me.”

Several voices replied, “We can lift it if you will help us. Lay your mortal hooves on it and keep them on it until we have restored the stone to its place. This work takes the cooperation of both the mortal and those beyond.”

As I laid hooves to it, a little past the center, the stone was seized by hooves of several undead sorts. I did try to help with the lift, but it was the strength of those ponies who were long past the grave who actually did most of it. As the stone was properly replaced, the break appeared to simply vanish. The stone stood tall and proud again.

As we were walking to the next damaged monument, I stumbled on a fallen slab of stone. A simple grave stone. I paused and asked, “What about this one? It has fallen too.”

The Lamia looked back and replied, “True, it has. Time did that, not vandals. You agreed to help us to undo the vandalism. This goes past your agreement.”

I sort of surprised myself by replying, as I scraped at the moss grown stone to get a better grip, “Not quite so, my lady Lamia. Time is the greatest vandal of all. Let us set to rights all that we can. Even the simplest grave deserves to be remembered.”

The many undead here all looked at me thoughtfully and agreed, “What he wants to do goes beyond our agreement. We should do the same for him.” If appearance was any guide, faces that had not smiled since they died smiled in agreement.

As we were lifting the stone back up to standing in a well dug socket hole, one of the liches actually shed a tear. He stated, “This stone and grave are mine. Thank you, Mortal.”

I think that the others were astounded when I held his apparently rotting body and said, “You are welcome. Now I am doubly glad that we did it for you.”

We all went on, from grave to crypt to mausoleum fixing and setting things to rights. If I could touch even so much as a rotting bit of an ancient oaken and iron bound door, some one among them was able to make it whole again. We even did the same for the decayed remains of coffins in the ancient crypts.

It did take a long time to do. I was bone tired at the end of our labor. Not hungry. Not thirsty. Proud. The ancient necropolis was now well tended and all was as it ought to be.

I looked up. The Moon of Nightmare was unchanged in the sky. It was still at its zenith.

My lovely Lamia saw my glance and spoke softly, “Our lives spring from and are ruled by Her. The Princess of the Night. We may be of the Nightmare Realm but our Ruler is not without compassion.

“We did notice something about you as you helped us to restore our ancient homes. Not only did you not shrink from us, going so far as to give comfort and share happiness with a zombie, you appear to like us. Is that true?”

That sort of opened up my eyes. I had been getting along with these once living beings far better than I ever had with any living ponies. It just took Lamia's question to make me notice it!

I nodded sort of slowly as it sank in. “That is true, my lovely Lamia. If there was some way to stay with you, my friends, and keep this gift of helping you all, I would have no desire to return to ponies who do not care about me at all.”

The Lamia stood up, supported by her elegantly coiled snake body and said softly, “My name, Canbe, is Flowering Ash. You have asked a boon of Our Princess of the Night and we in no way forced you to it or tricked it from you.

“Do you truly ask of Princess Luna, Ruler of the Night, Harbinger of Dreams and Sometimes the True Embodiment of All Nightmare, the boon to stay with us, keeping the ability to aid us in preserving our places of rest, our homes?”

I did not hesitate, “If it can be done, Flowering Ash, I do ask that boon of Princess Luna.”

There grew a shadow on the Moon of Nightmare overhead. Gliding down to a landing as silent as a dream was Princess Luna. She alighted before me and smiled.

“Canbe, I have favorably heard your request. You are a creature of the Day. A pony who grew up under the sway of my Sister, Celestia. Would you renounce her to fulfill your request?”

I thought carefully and she gave me the time to do it. “Princess Luna, you and your Sister Celestia are two parts of a whole. I had not heard that you two are in contest.”

I gathered the lovely Flowering Ash on one side and the zombie whose grave I had restored on the other into a hug. Still holding them, I went on, “Knowing that you two Sisters are not in contest, I will willingly do whatever is necessary to fulfill my request.”

Princess Luna bowed her horn to just touch my forelock. A fine wisp of midnight magic, shot through with stars flowed between us.

She straightened and proclaimed, “Canbe, as the subject of us both, Myself and my sister Celestia, you may stay here with your friends. Here, you will retain your Mortal Gift to aid them. Here, you will not age. Here, you will not hunger. Here, you will not thirst. When you do much, as with this night's labor, you will tire. A little rest will cure that.

“You may leave here and return at will but only through the Ponyville Cemetery. While you are away, you will age. While away, you will hunger. While away, you will thirst. While away, you will tire from labor as you always have.

“You have chosen more wisely than you know.”

With that, Princess Luna spread her huge wings and made a powerhouse of a downstroke. She flew up, seemingly to the Moon of Nightmare.

Luna alighted on a patio of the Palace of Canterlot and trotted into the Dining hall. There she found Princess Celestia happily munching on chocolate topped donuts.

Princess Celestia's snicker suddenly turned to a stricken look as she saw Luna's expression!

With a grin that showed her perfect teeth, Luna reported, “I WON!

“Canbe did NOT renounce me when he was put in with those Nightmares! Most interestingly, he chose to STAY with them but he was clever enough not to renounce YOU either!

“Now pay up!”

Luna hoofed over a substantially sized tray.

Glumly, Princess Celestia began to pile on tan topped pastries. She returned the tray to Luna with a sad, “Farewell, my butterscotch treats!”

~~THE END~~

Return to the Master Story Index

Return to MLP Fan Fiction

Return to Tales to Read AFTER the Lights are OUT!

#THE DAY AFTER NIGHTMARE NIGHT #MLP Fan Fiction #Tales to read AFTER the Lights are OUT #Written by De Writer

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mychemicalraymance · 5 years ago

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ok so a few things!

1. i have a lot of new followers which i love and appreciate!! thank you all so much, it means a lot to me that anyone would be interested in my mcr fanblog haha. this is the first time i have been such an active participant in a fanbase... since maybe ever..... i’ve basically been a silent internet observer my whole life. i participated a little bit in online communities when i was a kid and i was burned a couple of times so i just stopped for a REALLY long time. i never actively participated, really, until recently with mcr returning. it is so nice to have a community around basically one of the few things in my life that i can genuinely talk about for hours. mcr is one of the longest ongoing interests of mine, i’ve been hardcore invested since i was 11, 2010. i have been around and about for a LONG time, but i’m definitely not an oldschool fan, and not a scholar. as i said i have never really been an active participant, just privately hyper focused. i was an embarrassing baby fan but i’ve grown out of that and it feels really good to re-explore my interest again as a real person with a better understanding of myself and what’s important, with other people with similar life experiences and values.

2. some basic stuff about me uhhh i dont like to put this stuff in my bio because it feels like a weird laundry list to have on display all the time and i don’t like leaving too much of a paper trail to my real identity (i am an mcr supervillian lesbian by night normal artist/intern teacher by day) but these aspects of my identity are sort of important to what i post and if i ever get out of line i feel it’s important to openly discus my mistakes without hiding behind obscurity. i’m a 21 year old white woman and a lesbian, i use she/her. i have had issues with gender non-conformity but i am cis. i am neurotypical but i have in my recent life struggled with depression, and am diagnosed with pmdd. i’m pretty fat and i like to make very light jokes about weight sometimes because it can be funny to me but i try to be sensitive about it. here and here are two posts about my policy of lesbian jokes/using she. here is my policy about following/interaction with minors.

3. follows! i appreciate them all! i was actually recently followed by a user that i have been following for years now! it was amazing (not going to name names because it feels braggy to me and i dont wanna blow up their spot lol). i only maintained following 2 mcr blogs in the great my chemical recession of 2015-2019 in my life and one of them is the person who followed me and i feel so! happy about it. if you follow me and i dont follow back here a few things to think about

- i do not follow minors just as a personal policy

- this is a side! my main shall remain a sexy little secret in order to maintain my alter ego and because i like to keep stuff a little close to the vest

-i like to sort of scope out what a person is like before i follow back so a lot of the time i keep an eye on a blog i like and see what they have to say before i hit follow (even with ppl who are not mutuals. often i will check a blog manually for a while to see what theyre about before i follow, just on my own).

-sometimes i just dont personally enjoy a blog. sorry.

also: mutuals can use my name in their reblogs/tags, i don’t have a problem with it. i just don’t give it a permanent position in my bio.

4. i am not interested in nor do i condone shipping/rpf. i have experience in that realm and it got especially dark for me, and i dont like it as a whole. i’m not going to fight with anyone about this. the end.

5. my art- i read almost all the rb tags on my art and i appreciate all of them. i love it all and it encourages me to make more!! if you like my work, reblogging and saying so directly contributes to my artistic drive. i’ve slowed down a little bit as of late because i’ve been busy with christmas. i cannot guarantee that i will always maintain posting art, but right now i’m really enjoying it and i hope you guys do too. i regularly reblog my art because it is the best way to get traction with art on tumblr. sorry if this is irritating; it helps me get feedback on my work. if you want to use my work for anything PLEASE contact me before you do and give me credit where you use it. this is almost all fanart, i will in all likelihood say yes, i just like to know where my art is being posted/used.

that’s all i can think of right now. thanks again.

#:)#about #long /

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juliabohemian · 4 years ago

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backhanded compliments & the art of commenting on other people’s creative content without being a complete twat waffle

WARNING: This is a long post.

I'm a word person. That's probably why, when I do find myself becoming irritated by someone else's unsolicited critique, it is almost always due to their choice of words. Words are important and very powerful. Words have different meaning to different people. Which is why we need to take care when choosing them.

Now, whenever possible, I will click on the profile of the person who left the unsolicited critique and try to get a feel for what type of person they are. Just so I can better understand why they might have left the comment in question. If it is clear they are not a native English speaker, I stop right there. Learning a foreign language is hard. English is one of the most ridiculous languages on the planet. So, mastering its nuances is a challenge for someone who may not have grown up using it. I’m sure I have offended at least one person with my Spanish, at some point. I’m working on it.

BACKHANDED COMPLIMENTS

When I say choice of words, I am implying almost exclusively to something known as a backhanded compliment. A backhanded compliment is a statement that seems, on the surface, to be positive, but is actually an insult. If you are not familiar with the backhanded compliment, I direct you to the mom from American Beauty who says to her teenage daughter "Honey, I'm so proud of you. I watched you very closely, and you didn't screw up once!"

There are a lot of reasons why people make such comments. It would be reductive to suggest they are all suffering from some form of insecurity, although many of them probably are. Some may genuinely believe that they are being helpful. Others may be jealous of the attention another person is receiving and want to either sabotage them or find a way to get in on the action.

However, it is most likely that the type of person to give a backhanded compliment is either very young, very sheltered or very privileged. And thus, they may not realize that their opinion about something may not carry the same weight on the internet as it does in other venues. Or they may not realize that the world is filled with people who are more informed and more experienced than they are. They mistake their opinion for objective analysis and therefore, offer it freely and without hesitation.

Now, I would like to state that if you see something and you REALLY think it is problematic, you should absolutely offer your critique. Note: if you dislike or disagree with something, that does not make it problematic. Anything that promotes the maltreatment or marginalization of any living thing is problematic. Even so, you should stop and ask yourself whether your critique will accomplish anything or if it would be more worthwhile to simply report the post in question and move on.

That being said, here is MY analysis of some of the backhanded compliments I have received over the years (amalgamated for brevity), and a guide to leaving more constructive/supportive comments for the content creators in your life.

ARTWORK (including photography)

“Definitely not my style, but beautiful.” Do we need to know that it's not your style? If you think it's beautiful, just say that.

“This is so great, but it would have been better if you had used yellow instead of red!” Color choice is a creative choice and its value cannot be objectively measured. Just say it’s great and move on.

“Wow, this is way better than your old stuff.” Do I need to explain why this is bad? I hope not.

“Wow, you're really improving.” Slightly better than the previous one, but still bad. This is a really good example of something that might even feel like a compliment, but actually isn't. Saying that someone is improving is basically saying that it needed to improve.

Unless you are speaking to your own student or a child, or a really close friend or family member who has openly shared with you their desire to improve as an artist, this is completely unnecessary.

It's important to remember that not everyone is doing things with the same objectives as you. Not every artist or photographer is aiming for technical mastery. If an artist creates something that is very personal and feels pleased with it, the last thing they want is for someone else to come along and tell them what’s “wrong” with it.

Really ANY comment that suggests that the piece of artwork in question would be improved if it were altered in some way is a no no. Unless you are an art teacher or someone has specifically asked for you to give them this information, or you are paying someone to make something especially for you.

FANFICTION (or really writing in general)

“Oh man...I was so excited when I saw your story summary, until I saw the pairing.” Do not comment on a story just to tell the author that you don't like their pairing. Ever. If you accidentally click on a story without seeing the pairing and you are disappointed, your feelings are valid. But there’s no need to let the author know.

"This was good but I don't think (character) would say (quoted dialogue)." Then, you should go and write a story with that character, but where they say different things.

"I noticed you used a semi-colon in the third paragraph. Semicolons are actually supposed to...." Critique grammar, punctuation, spelling and writing mechanics ONLY if you are the author's editor, the author's teacher, or if the author requested it. Period.

If you are commenting to point out what you believe to be a factual error, stop and ask yourself...is this really an error? Is the error intentional? Does the error represent the views of the author or the views of a specific character in a fictional work? Does this story have a reliable narrator? If not, might that narrator be misinformed or biased? And the most important question to ask yourself before correcting an author...do I actually know what the fuck I'm talking about?

Once, in a story, I referenced Copernicus and mentioned that he was imprisoned by the Catholic church. Which we know that he was. Someone commented to leave a long, bullet pointed explanation for how this is a common misconception and that the Catholic Church never mistreated Copernicus, along with many links to articles and videos as evidence. Guess who made all the articles and videos? The Catholic Church. SKIP!

When commenting on a fictional work, consider letting the author know how the story is making you feel. Speculate about what you think might happen next. Express excitement and anticipation. Ask a question for clarification about what you just read. And you can never go wrong by simply thanking the author for taking the time to provide you with free entertainment.

MEMES & JOKES

I love to make people laugh. I have been making people laugh since I learned to talk. This was actually bourne out of an inability to interpret facial expressions. I couldn't tell when people were angry or annoyed. But when they were laughing, I knew exactly how they felt.

That being said, people on the internet LOVE to tell me when something isn't funny. The only problem with this is that humor is very subjective and often very esoteric. I have made memes that I knew were esoteric and knew that not everyone would understand them. I have memes just for birdwatchers. Hell, I have made memes just for a dozen people who participated in a specific academic discussion. But it amazes me how people who don't get a joke are often most compelled to comment and let me know that it isn't funny. How can you know if you don't understand it? Is it so hard to imagine that things exist for which you are not the intended audience?

It's perfectly okay to comment and say you don't understand, and ask for an explanation. But if you look at something and think "I don't understand this, therefore it lacks value" you may have some growing up to do.

Before reblogging someone else's joke to add to the joke, stop and ask yourself whether your intention is to correct or improve upon the joke, or if you are attempting to laugh along WITH the OP.

We've all done this, I'm sure. I know I have. But it really inconsiderate to hijack someone's meme, meta or artwork with a completely unrelated discussion. I can't tell you how annoying it is to post something and check my inbox days later, only to find pages of notifications of people reblogging my shit over and over as part of some completely unrelated discussion.

Once again, if you're commenting to point out a factual error, ask yourself whether the error was intentional. I recently made a meme about the Star Trek films in which Data uses contractions. All of his dialogue is ridiculously out of character, in fact. Which is kind of part of the joke. But someone felt the need to reblog AND comment to let me know that Data wouldn't say that because he doesn't use contractions. Which I already know. Because, well, I’ve been a ST:TNG fan since the day it first aired on TV. I don't even know what to do with a comment that, to be honest. I kind of feel sorry for the other person for not grasping the joke.

So, how DO you compliment someone whose work you enjoy? Imagine yourself speaking to them in person. Imagine that they are emotionally invested in whatever they have created. Consider your objective. Are you expressing appreciation? Or is there something else going on.

And avoid qualifiers.

When a compliment includes words like "if" or "but" then it's probably not a compliment. You would be so pretty IF you lost some weight is not a compliment.

Choose words that are unlikely to be misinterpreted.

If someone's art or writing IS improving and you really want them to know, a good way to do that is to use the word evolving. Wow, I really like the way your art is evolving. This works because it implies that the art is changing over time, as the individual grows as a person.

I know what some of you might be thinking...ugh...it's like you can't say ANYTHING anymore! Aww...boo hoo, fam. As a person on the spectrum, I’ve spent my entire life dancing around other people’s feelings, navigating neurotypical subtext and struggling to say things without offending anyone. This is a cake walk compared to that. And I hate to be the bearer of bad news, but if actually thinking about how other people feel BEFORE you share your opinion would require a great deal of effort on your part, it's possible that you're just an asshole.

TL;DR

Creators of original content are actual human beings with feelings. Don’t offer them unsolicited advice or criticism. Think before you comment.

#I know this is long and no one is putting a gun to your head and making you read it #these are just my views #backhanded compliments #unsolicited opinions #unsolicited advice #how to comment without being an asshole #theory of mind #unwanted critique #critiquing #commenting on fanfic #fanfic comments #I have autism if I can be tactful then so can you

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wainwrightjakobshammerlock · 5 years ago

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finally. i decided to do this. anyways hello there, i am jake and today i want to talk about something; you see, if you are in the tf2 fandom, you probably know about heavymedic. Wherther you are a hardcore gamer who resents f2p’s or a person that never played the game but has trillions of notes on their art- you know heavymedic exists and most of all you probably ship it.

And I find that weird. In the few fandoms in my life I have been in I had never seen a single ship be so widely if not shipped, then accepted. Sure, maybe everyone in the GF fandom knows what Billdip is - for better or for worse. Sure, maybe the HS fandom is 70% shipping.

But I have never ever seen such a phenomenon in a prominent multiplayer game fandom. A fandom, sadly, oftentimes filled with toxicity. Overwatch is very similar here - yet ships are either a hot topic of discussion or straight up ignored. But TF2? In here for whatever reason we ship these two mercenaries. And in this essay I will try and find a reason or two why is that.

Apologies for any mistakes or incoherency. English is not my first language, I need to ramble, and my vocabulary is all over the place.

Content warning: mentions of homophobia, blood, death, mentions of WLW fetishization, nsfw mention. Also MASSIVE SPOILERS FOR THE TF2 COMICS.

Part 1: Canonical Evidence and Interactions

Let’s be honest: I could ramble about this one for days on end. But I’ll try and keep it short.

First and foremost we have the official videos. And of course the first thing that comes to mind is Meet the Medic.

At the very start of the part where Medic himself appears, we see him telling a joke about a particularly gruesome situation to Heavy.

He laughs along with him, visibly enjoying his company. He even smiles as he waits for another joke. Heavy only shows genuine fear a lot later.

And of course this damn scene always cracks me up. Medic slightly pinches Heavy’s cheek and strokes his lip gently (the other part is almost not noticeable unless you play the video at slow speed).

Of course we all know about the Hand Hold that happens somewhere halfway in the vid. I don’t think I have to explain the gayness in that. The fact their hands stay interlocked even after Medic helps Heavy up. The deep breath Medic takes because even he cannot handle the emotions. That few seconds is unresolved sexual tension manifest.

Overall the short shows a strong feeling of trust between these two. Medic confides in Heavy and reverse. Yeah he puts a baboon heart into his friend’s chest cavity but the fact (as proven at the end of the video) that Heavy was the first one to have an Ubercharge implanted into him shows that Medic at the very least considers him a lab rat.

I treat End of the Line as non-canonical, as do many others, and as such won’t discuss it here. But it will forever crack me up that Valve endorsed such levels of homoerotic subtext.

These two have some short moments in other videos, like for example in Invasion Heavy helps Medic up (CINEMATIC PARALLELS) but it’s nothing major so I guess I’ll skip forward.

Second is their interactions ingame. You might call me a weirdo for trying to find stuff in there but holy shit I have things to say and I’m going to say them.

You thought I was going to fanboy over the “i love this doktor” voiceline huh? Well not really. I wish these two had unique lines if they assist one another.

Heavy is literally listed on the official wiki as the “ideal medic buddy” and multiple pages on that exact wiki say some pretty interesting things.

I have to say something about the Gentleman’s Ushanka and/or Pocket Medic. They are both community cosmetics - but the fact they both got accepted by Valve says a lot. Above is text snipped from the actual wiki.

Last but not least: The Comics. Darned comics. The pair of mercenaries has basically no interaction - unless you count issue 6.

Heavy getting absolutely PISSED when Medic is killed by Ch*avy. Their reunion. Medic referring to Heavy by “my friend” in a totally straight way. Kind of sad Valve wasted an opportunity for them to hug. Maybe they knew their comic artist ships them and wanted to avoid having to answer the Question™.

Part 2: Dynamics

This part’s a bit trickier, mostly due to the reason that I’m new to this whole dynamic analysis thing. Yeah I’m good at spotting canonical evidence but very specific shipping dynamics often escape my gaze.

The most obvious one is Big Guy, Little Guy. Quoting the TVTROPES page:

[…] This trope describes a pair of guys who always fight together, are best friends forever, and quite often have a very obvious hierarchy: The little guy is often in charge […] The little guy is usually listed first, since he’s the leader, and they are always listed together, as if they are one entity. In fact, some episodes may center on the fact that they can’t live without each other. […] If this is a case of Brains and Brawn, the Big Guy is usually the Brawn, and the Little Guy the Brains. It’s almost never the other way around, but in some cases the Big Guy can be rather smart too. […]

A sub-type of this, a common favorite here on Tumblr is known as “small chaotic big calm” and hoo boy if that isn’t these two. I don’t really have much to say here - again I am not an expert.

Part 3: Fandom Impact

So you don’t think Red Oktoberfest (as Heavymedic is sometimes called) is super popular on anywhere else than Tumblr? Wrong.

It’s hard to find TF2 fics on Archive of Our Own not tagged with Heavy/Medic. Of course most of them only contain hints to their relationship but go in the main tf2 tag and I can guarantee you, you’ll gonna see “implied heavy/medic” all the time.

But these two go further than AO3 or Tumblr or Instagram or whatever. They are recognized even within the wider circle of the fanbase. Take this SFM, for example. (I am using the Saxxy Awards version of Secret Lives here mostly due to the fact that the Heavymedic moment is much gayer. In the normal version, the dialogue isn’t changed, but they simply hold hands.)

youtube

But it gets deeper. (WARNING: THE GAY MOMENT IN THIS ONE IS NSFW. NOT EXPLICITLY SO BUT JUST A HEADS UP TUMBLR PLEASE DO NOT FLAG ME)

youtube

And the best part? The comments are extremely positive. You’d expect hoards upon hoards of homophobes screeching but no, the comments are supportive. Even on places such as Reddit or Youtube, comments like “yeah they’re gay and in love” do not get downvoted/disliked to hell; in fact the opposite.

Part 4: Canon Status

Let’s be real. Most ships are shipped because people want to explore the dynamics in fanfic, fanart or something else. But Heavymedic is shipped because… well, I have no idea.

Actually, I kind of do - but only theories. You see, while the canonical evidence is here, the creators have never said anything about them. No confirmation, no disproval, no hinting, nothing.

But the ship is so prominent! There has to be something causing this!- you say. And to that I present you 2 theories on why Heavy/Medic is so popular.

Theory number 1 states that we simply all choose to interpret their interactions as homoerotic. And this is very easy to disprove - there’s simply no way we just collectively agreed on these matters out of nothing. There has to be something bigger.

And theory 2 states that, well, our interpretation is the desired interpretation. But this is even more ridiculous than theory 1 for a number of reasons. If they are in fact gay, why hasn’t Valve made them canon yet?

A Theoretical Scenario

I am going to ramble big time on this one, so buckle up lads. I’ll discuss a theoretical scenario in which, well, if that was not obvious, Valve confirms Heavymedic as canon. Maybe then we will see why they will probably never do so.

TF2 is considered by typical capital G, alt-right Gamers as a “non-political” game. This means no women (in the game itself, at least, and if even, sexy women only), no queer folk and no minorities (for some reason they accept Demoman but throw a fit if someone draws any other merc as not being pearl white). Team Fortress 2 was around before Gamergate and other things like Gamers Rise Up. It’s a classic and Valve is regarded as the good guy to Epic Game’s bad guy. If Valve did anything to confirm doubts, wherther it be clearing up popular fanon or confirming ships, these people would throw hands. (Although they seemed to ignore when one of the writers confirmed Miss Pauling is a lesbian. Huh.) Even those that don’t play TF2 would come to the aid of their bros.

Let me illustrate with two very similar examples. In both cases these confirmations were the first made by the company as a whole, both are fairly recent and both confirm a character as gay.

First we have the confirmation of Tracer from Overwatch as a lesbian. It was done in one of OVW’s comics. Tracer is the FACE of Overwatch as a whole and while most of the fanbase accepted it (thankfully the Gamers are reluctant to infest ow), some people threw what I can only describe as a hissy fit. At least her girlfriend’s a background character.

Second is Neeko from League of Legends. Unlike Tracer she was added a while before it was confirmed she was gay. LOL is much more toxic and filled with Gamers than OW and holy shit people smeared LOL so much.

Of course these are not accurate to Heavy/Medic. In both of the cases I listed it was girls being wlw and we all know how much cisgender heterosexual gamers LOVE yuri porn. Apparently only girls can be gay because they can jack off to it - if it’s two guys then it’s disgusting. Nevertheless I think these are good approximations - in every case the company gets “shat on” on social media and other sites. With the community that Valve has, I think even if they wanted them to be gay, they would never ever confirm it.

Conclusion

I’m sorry for that ending. I had to theorize a bit. Regardless I’d love if you shared this on other sites, reblogged or whatever - I wasted at least 1 and a half hours of my life on it. Feel free to cite this as a source if someone asks you why you ship the big heavy weapons expert and the feral battle medic.

#my post #text post #tf2 #medic #heavy #heavymedic #long post

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cyn2k · 5 years ago

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Sherlock Fic Recs (mostly lesser-known)

All right, I’ve recommended individual fics from time to time,and I certainly reblog fic rec lists, but this is the first time I’ve tried to assemble a Sherlock rec list of my own. I’m trying to select stories I’ve not seen often (or ever) on other lists for this, and they are in no particular order. Mind the tags. Nearly all are end-game Johnlock, although a couple are more gen.

Since this is my first time writing a fic rec list, please let me know if you enjoyed it.

A Telling Touch - by MikayoToudaiji, 91K, E, Sherlock Holmes/John Watson

Post-Reichenbach. After Sherlock’s death, John manages to get himself re-enlisted and is sent back to war. But when two series of gruesome murders link home and outland together, John is suddenly faced with more battles than he could have imagined. A Reunion, multi-chapter, case fic.

This is one of my go-to fics. John is grieving the loss of Sherlock and back in the army, this time in Syria, courtesy of Mycroft, when he is called home due to the mysterious death of Irene Adler. Irene was the latest victim of a serial killer, but she has managed to leave John a mysterious message. Sherlock does eventually return, but badly injured. There’s a fascinating case fic, a very different and totally platonic Mary Morstan, Sebastian Moran makes an appearance, and a Mummy Holmes who’s absolutely lovely. I find this story so emotionally rewarding, on many levels.

Follow My Voice - by flawedamythyst, 9K, T, Sherlock Holmes/John Watson

Sherlock's voice is all John has.

John is in a coma, and his only link back to the world is Sherlock’s voice. Told mostly from John’s perspective, the payoff when John finally wakes up is lovely.

Meeting Clara - by BlueSkye12, 2K, G, no pairings (pre-Johnlock, perhaps, if you squint)

John and Sherlock have a chance meeting with John's former sister-in-law and Sherlock learns a thing or two about John's return from Afghanistan.

Sherlock learns exactly how much damage John suffered from the bullet that brought him to London and that fateful meeting at St. Bart’s. Clara is very protective of John, even if he’s no longer her brother-in-law.

Bitter Sweet - by distantstarlight, 17K, E, Sherlock Holmes/John Watson

Alpha John Watson is a retired army doctor with a chance to acquire an omega mate. He meets the most unusual omega he’s ever encountered.

A somewhat unusual take on A/B/O dynamics, where alphas need to have a use in life, either with a satisfactory career or as a parent to the next generation. Omegas, including Sherlock, are bought at auction, which some may find disturbing, but there’s no indications of maltreatment on anyone’s part. It’s Sherlock who has all the power in this relationship, although he’s deleted the reasons why. John may have to pay the price for that.

The Art of Seduction series - by flawedamythyst, 97K across 6 works, T to E, Sherlock Holmes/John Watson, Sherlock Holmes/Jim Moriarty, Sherlock Holmes/many OMCs, John Watson/OMC, Mycroft Holmes/Greg Lestrade

Sherlock ran a website called The Science Of Seduction, on which he gave advice on the best ways to get laid, wrote blog entries detailing the results of his various sexual 'experiments' and generally contributed to the stereotype of 'every gay man is a sex-mad playboy'. John avoided the thing like the plague. AU in which Sherlock treats sex like he does crime in canon. Inspired by Queer As Folk UK, but it very quickly went its own way.

I love this series. Sherlock is obsessed, not with crime, but with sex. John is his flatmate and pretty much the only gay man in London with whom Sherlock has not slept. John pines, Sherlock sleeps with most of gay London, and they all go dancing every weekend. Then Jim shows up and ruins everything. Or does he?

Semper Fidelis - by Blind_Author, 57K, M, Sherlock Holmes/John Watson, Mycroft Holmes/Anthea

Written for a prompt. Moriarty frames John and "Anthea" of betrayals which cause both of the Holmes brothers to cut them off. Cue BAMF!John and BAMF!"Anthea" doing their best to clear their names.

John and Anthea go on the run after they are both framed the same day. They protect one another and bond over the idiocy of their respective Holmeses. Both are in established, if hidden, relationships. They bond while on the run.

Evidence of Human Life - by thesardine, 17K, E, Sherlock Holmes/John Watson

Sherlock's sanity deteriorates while he and John are stranded on a deserted island.

I basically summed this up in my personal bookmark as: Sherlock and John on a deserted island. They hunt seals, Sherlock periodically goes nuts, and they start having sex.

This Doesn’t Feel Like Falling - by Dark3Star, 148K, E, Sherlock Holmes/John Watson, pre Mycroft Holmes/Greg Lestrade

When he fell from St. Barts, Sherlock knew he loved John Watson. John couldn't love him back (or so he thinks). Now that he's back from the dead things are back to normal... sort of. When a serial killer targets increasingly high profile gay couples Sherlock is on the case. With a, possibly ill-advised, plan Sherlock and John go undercover as a couple to uncover the truth.

Part 1 of a series, although this is by far the largest part. Your classic “married for a case” trope, taken to the extreme. There’s a decent case fic, a lot of mutual pining, and some interesting wedding planning. Heed the warnings, there are some pretty graphic depictions of violence when they finally confront the murderer.

The Secret Identity of John Watson - by scifigrl47, 27K, G, John Watson/OFC (but don’t let that scare you!)

Taken out of context, John Watson leads a terrifying life. You have to wonder what those poor women he dates thinks of it, especially if John decides to try keeping one away from Sherlock, and Sherlock decides that it'd be best if he could get rid of her. After all, Mycroft's taught him a thing or two about removing potential 'problems.'

Told from the point of view of the bank girl John saves and then dates. Guys, I am a total Johnlock shipper, and so is everyone else in this crack-fest, although they aren’t actually together. Samantha and her girlfriends are an absolute riot, and their impressions of both John and Sherlock are hysterical.

Small Steps - by crossroadrain, 16K, unrated, Sherlock Holmes/John Watson

"It's John's birthday and all his army buddies have got him a prostitute for a laugh.

A/B/O fic, where Sherlock is an unwilling omega stripper hired to entertain for John’s birthday get-together with a bunch of his army buddies. When John takes him aside to protect him from his army buddies, he learns something more is going on. The writing is a little uneven, because the writer is not a native English speaker, but the story is quite good.

Endings - by Purple_Slippers_18, 3K, T, Sherlock Holmes/John Watson

Fifty years. Eighteen thousand two hundred and sixty two days. It was a long time to be alive, never mind the thirty-four years Sherlock had breathed before he'd met John, which the man in question most certainly did not. As far as Sherlock was concerned, his life – the one whose memories he hoarded like a dragon protecting caverns of stolen gold – began on that serendipitous January afternoon when two strangers met in the research labs at St. Bart's.

Not for those who can’t deal with MCD or find assisted suicide disturbing, but they’re so in love here. Retirement!Lock.

Body Language - by CeruleanDarkangelis,2K, T Sherlock Holmes/John Watson

There is a language to dancing; a call-and-response from one body to another. Even with the poncy kind of dancing I knew he was versed in, the kind that requires classes and counting and rules, there is communication between bodies. Watching him now, I’m more than pleased to discover that he understands my dialect as well.

This is just 2K of absolutely hot dancing seduction. There’s a follow-up fic, Touch Me, about what happens when they get home

Blind series - by inspiration_assaulted, 19K across 3 works, G to T, Sherlock Holmes/John Watson

Lt John Watson, 25, will do just about anything to stay in the Army, even if it means marrying a man he's never met. It's only for two years, and he'll probably be in Afghanistan the whole time. How much can his life really change?

Mycroft arranges a marriage between Sherlock and John, allowing John to stay in the army and Sherlock to pay for rehab. They write each other letters, but have never met. I originally read this story on FF.net and loved it. I was delighted to find it on AO3, which is easier on my eyes.

Words of One Syllable and At A Loss- GwendolynnFiction, 101K across 2 works on FF.net, M, Sherlock Holmes/John Watson

The landmine at Baskerville leaves Sherlock deafened. Unable to stand living without his friend John agrees to learn to sign, but foreign languages cannot be learned in a void. Sherlock helps John learn to sign by finally learning to talk to him.

This was one of my early favorites when I first started reading Sherlock stories on fanfiction.net. The author has slightly different versions up on AO3, but I find these much more enjoyable, as their relationship just seems to work better. The followup story is what happens during the Moriarty trial and after the fall, when Sherlock has to return unexpectedly after John goes missing.

The Otter and the Hedgehog - by Trinity Fire, 23K on FF.net, T, Sherlock Holmes/John Watson, Mycroft Holmes/Greg Lestrade.

Just when John and Sherlock think they have time to rest after a case, they get an unexpected surprise... Unexpected, yes, and fluffy!

This is a little uneven, and has a very awkward, very weird self-insert OC, but Sherlock the otter wandering around the flat tucking John the hedgehog into his scarf to carry him everywhere is just too cute!

Letters to a Soldier - by Pakmai, 70K on FF.net, T, Sherlock Holmes/John Watson

Captain John Watson is a soldier in Afghanistan. Sherlock Holmes has just been admitted to a drug rehab facility, assigned to write a letter to an unknown soldier. He doesn't expect to get a letter back from someone as interesting as John. John doesn't expect to get letter from a recovering drug addict. Together they form an unlikely friendship through letters.

I’ll admit, it’s been a while since I read this one, but this series turned me into a big fan of epistolary fics. The follow-up fic, Letters to a High-Functioning Sociopath, finished after I’d stopped reading regularly on FF, so I admit I don’t know how the series ended.

Flare - by iMusicalMinji, 6K on FF.net, T, Sherlock Holmes/John Watson

John has a lot to learn about an elusive species when he ends up living with one. Like how he doesn't have to change under a full moon, how he is fireproof even if he cannot breathe fire himself, and how he loves the doctor. MythicalCreature!AU

A sweet dragon!Lock story, with some parental elements. Sherlock’s hoard made me laugh, and then I thought about it and it made sense.

#johnlock fic recs #Sherlock #bbc sherlock #johnlock

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gojira007 · 5 years ago

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So About That Slap

So I was originally just gonna do this as a comment on @thankskenpenders‘ post but

a) I’d already reblogged that post twice to highlight the on-point comments from @robotnik-mun and @starsandpawprints so doing it yet a third time with my own comments felt kinda tacky? Plus their comments wound up feeding into my own so doing this as my own post means I can refer you more easily to both of what they had to say (read ‘em here ‘n’ here respectively)

b) This got kinda super-duper long

And just to preface this with some stuff that I do think is important for context

1) I do not now nor have I ever condoned or approved of the way Jon Gray or Karl Bollers were treated over what happened in this issue; the harassment they’ve both faced even now about this plot point is utter bullshit on every level and I want to be crystal clear that none of what I say or how I feel here is meant as an attack on them at any level

2) I’m very aware that this is older than Old News; the comic is literally over, the moment itself happened 15 years ago, and even at the time it wasn’t really The Biggest Deal no matter how the fandom took it. This isn’t meant to be any sort of Definitive Final Word or whatever on the whole thing; it isn’t even necessarily meant to be Me Venting My Anger. But I do have Feelings on it even all this time later and hey! Since the topic’s come up again? I felt like putting them down.

All that having been established? Let’s dive right in!

So I’ll say upfront I actually agree with a lot of what TKP has to say on the matter! Not just that the reaction to it as a whole was ridiculously over-blown at the time (and I will admit upfront that at the time my feelings on the topic were pretty raw), but that textually speaking, we’ve been building up to this for a while! On The Page, there is in fact a lot that informs why Sally does what she does the way that she does (and for that matter I actually do think Jon Gray’s art for the scene really works; I know some have complained that the zippy cartoony look undercuts the drama of the scene but I actually think it places the exact right emphasis on the intensity of the emotions and the violence with which they swing as the scene progresses)! For that matter I agree a lot with what @starsandpawprints said about how brutally unfair the situation is to Sally when you actually step back and take a look at the circumstances surrounding it! And to be clear? I’m a big Sally fan; not only am I already inclined to relate to and sympathize with her character but I think that notion of Sally struggling with these exact sorts of personal issues is a fascinating and worthwhile story to tell with her that could have lead her down some interesting and meaningful paths.

However, I also think @robotnik-mun is onto something when he points out that the overwhelming majority of the audience saw Sally’s actions as unsympathetic and unreasonable. Only I’d take it one step further: the problem isn’t simply one of perception, but of framing.

For one thing? As much as we’re all picking up on how ill-considered Max’s choice to put all of this on Sally’s head now of all times is, nothing within the comic itself actually suggest that this is meant to be taken as a poor choice; although Alicia airs her concern over the matter, nothing in the comic suggests that Max’s confidence that Sally can handle it is meant to be regarded as unfounded or foolish (we even get an absolutely-adorable shot of Sally looking super-happy and flashing the V-for-victory sign to go with it), even as it does ultimately prove to be mistaken. Likewise, there really isn’t anything in this comic or the prior comics that specifically goes into detail about the strain Sally’s relationship with the rest of her friends is under; we may perhaps infer that fact if we’re so inclined from the bare facts but the truth is nothing in the “Home” arc thus far has really delved into it with any real detail. Which makes sense! Sally isn’t our point-of-view character here (which poses a problem of its own admittedly but we’ll get to that), we only have so much space in any given issue of this comic, it’s easy to see why that element wouldn’t be deemed relevant enough to go into detail on. It just also means we the reader aren’t given any reason to view that as a factor in Sally’s emotional state of being; all we have to go on, all the story focuses on, is her fear of losing Sonic again.

And the thing is? That’s kind of just how she’s been written for a while now.

Again: at the strictest level of what’s on paper, the idea that Sally is suffering from PTSD (and quite possibly Depression, something the fantastic @sally-mun has explored in some really interesting ways) is pretty easy to support, but in the framing I’m not entirely sure it scans. This exact kind of Emotional Reaction when it comes to the idea that she’ll lose Sonic has in fact been THE go-to Thing Sally has been doing for the last few years in the comic at this point; what happens with The Slap really doesn’t seem all that far removed from how she acts during all that asinine Love Triangle Nonsense with Mina right up to her teary farewell to Sonic in #125. Which in turn makes it feel a lot less like this is the repercussions of deep-seated trauma rooting their ugly head but rather that as far as the writing is concerned this is just sort of how Sally handles this stuff when it comes to Sonic, which is to say poorly. Indeed, even the way she’s restricted to staying in Knothole away from the fighting feels less like an example of her parents being unfair, and more like the entirely right course of action to protect her from her unstable Emotions, No Matter How Hard It May Be.

In other words, I don’t necessarily think this is a case of us being meant to sympathize with Sally that we just misunderstood; I’m really not convinced we actually are meant to sympathize with Sally here.

Which isn’t to say that one can’t! Again, there’s a ready-made case that one should! It also doesn’t mean I think this story hates Sally and wants us to hate her too. But a story is more than just raw data, and whatever we might be able to infer from that data, what reactions and feelings the story wants from us comes down to how it attempts to guide us through that data, and in this case it is really hard for me to see that being done in a way that is favorable to Sally much at all. We as the readers intrinsically know that she cannot be right to ask Sonic to stay: Sonic cannot be meant to Not Be Out Fighting because he’s the Main Hero of the book and that’s just flat-out what he does, to say nothing of the fact that it’s what he wants to be doing, and as the main character his is the point of view we’re generally meant to take, with the book again doing nothing to indicate that we shouldn’t in this case. Meanwhile, with no real reason to think of all the other factors that could be influencing Sally’s state of mind here, we’re really only left with the one explicit reason she offers, which is that she wants Sonic to stay with her where he’ll be safe. Not in and of itself an unfair feeling, but in this context? With a War going on that the rest of the story keeps insistently reminding us about? As part of a story where we saw that a single year of Sonic’s absence was enough to drive the Freedom Fighters to the brink of destruction? It’s exceptionally easy to read it as Over-Emotional Sally putting her need for Romantic Security over the safety of the rest of the planet. And while I don’t know that I think the story quite intended it to land that harshly? It’s really easy for me to feel like it at least wants us to be thinking in that direction.

Because the thing is we get zero insight on what else it is that drives Sally to this point otherwise. @thankskenpenders put it really nicely during a look at #88: “for a long while now, the main action the writers have permitted Sally is a series of sudden emotional outbursts. We rarely see the action from her perspective, as Sonic is the protagonist and the audience viewpoint character. So instead of being about Sally’s emotional struggles, it becomes about how Sonic can never please Sally.” By much the same token, what could have been a story about Sally finally breaking under the myriad emotional and psychological pressures that have been building up inside of her in the year she spent stewing in the belief that Sonic was dead while the rest of the world slowly but surely fell apart without him instead becomes a story about how unfair it is for Sally to expect Sonic to be something he fundamentally isn’t simply to make her feel better. We aren’t given her point of view; nothing prior to this story (and only one thing after this story prior to Flynn about which I have Decidedly Mixed Feelings but I’m trying to keep us focused only on what has already happened up to this point so I won’t go into that here) attempts to delve deeper into her mental or emotional state at this point in time; the framing of the story provides us no context to Sally’s reaction save the apparently-overwhelming strength of her Romantic Attachment to Sonic. Is that basically business as usual with this comic? Absolutely; that TKP quote above is in reference to an issue published four whole years prior to this one!

But that’s precisely the problem for me.

The Slap stands out as especially bad to me because it is the final breaking point where all the problems baked into the approach the book has taken to writing Sally over the years-simultaneously unapproachable and out of focus as a Main Character and yet constantly present, rarely if ever allowed to actually do anything of consequence but always available for a Big Emotional Reaction-came home to roost. It was a culmination of the bad direction they’d been taking her in for a long time, and as a result it felt the most difficult to reconcile with the character as I’d understood her; back in the day this marked the first point at which I basically dropped out of the comics for a while, keeping my finger on the pulse via online scans and fan reviews but absolutely not going out of my way to pick up and buy new issues as I’d been doing consistently for about as long as I’d been a fan prior to that point, and it was because I really just didn’t understand what they were doing with Sally’s character, my favorite character, anymore at all. These days I’m more sensitive to the Behind The Scenes realities that drove this choice, and also just older and more mature in general such that it’s not quite as upsetting. But I won’t lie (in case the preceding near-2000 words didn’t convince you already): even now I think it’s a pretty bogus choice all things told. One that could have worked? Sure! One that did? I don’t think so at all.

#sonic the hedgehog #archie sonic #sally acorn #sonally #analysis #gojira007

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lunawings · 5 years ago

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King of Prism SSS Episode 9 commentary (Alexander)

FINALLY!!!!! Finally I can talk about a few big things from this series I have been dying to talk about....

...............What did I sign myself up for.

A quick rundown of what it says here: More and more people are becoming interested in the street-style and choosing to be street-style stars since the Prism King Cup. In the graph, the gold portion is academy-style and the silver is street-style, before -> after the Prism King Cup. Below it points out that Kazuki and Hiro’s “sparking” scores from the Prism King Cup (the Prism Watch data) were equal and suggests Schwartz Rose needs to step up their game in the street category.

Every time I laugh at this.

Every time I feel kinda bad afterwards.

But

So Ace was entered as an official participant. It says “reserve”, but still. I guess that may have helped to make Joji’s score possible and not break the system.

(In between writing my episode 5 commentary post and now, I got to read the interview with the director in spoon2Di where he confirmed that Joji’s high score was only because Ace joined in what was supposed to be a solo show.)

Flashy, huh. We’re going with flashy this time for “charachara”.... Okay. (Better than gaudy I guess.)

I love this so much. Kakeru coming outside just to watch Taiga exercise and get all sweaty and all that. I wonder how long he stood there. Or rather I wonder how long he watched with binoculars after heading back inside.

I’m such a dumbass. After episode 3 aired someone pointed out that this is Taiga’s mom vs. Alec’s mom, and my excuse for not noticing then was that it’s in the background and such. (Can’t pause the movie in the theater and didn’t think to check it afterwards.) But here the camera actually pans over them slowly, so yeah I have no excuse.

But regardless. Amazing!!

Another thing I didn’t catch in the theater. But I have never had a reason to know the Japanese word for asthma before. I’m glad that gave him an actual reason for being sickly instead of just.... sickly child syndrome.

As long as you’re happy, Victoria.

But really though, their relationship is pretty damn interesting.

I wonder if she knows he borrowed her clothes.

No I don’t know why these grown-ass men have nothing better to do than pick on an actual seven year old child...............

So uh. This line confused me for the longest time. The way he says it, I really thought he was giving “Daikokuno” as another last name and I thought it was some kind of DJ KOO reference I didn’t get or something.

But thanks to Crunchyroll I finally realized.... ITS A PLACE. He’s just saying where he’s from, and that’s how Alexander is able to find him. GOOD LORD IM SUCH A DUMBASS.......... Another point for Crunchyroll.

HE BIKED ALL THE WAY FROM YOKOSUKA TO YOKOHAMA

Okay so now that I have the luxury to pause this, as soon as I did I opened up Google Maps in another window, zoomed in and....

WELL THEN

At least I finally know where it is

BUT DAAAAAMN

Fuck asthma am I right

It wouldn’t give me the cycling time, but yeah, you can imagine.

They only have this one image of Rei doing a jump and gosh darn they are gonna use it to the fullest.

So during this scene and the next people cheer for Rei in the theater, but nobody really knows what color he is. There was a whole lot of variation at the beginning before people (in Nagoya at least) finally settled on red. (For the flames maybe? I don’t know if it’s official.....)

Alexander actually had a flashback to this moment on Prism Rush during the Road to SSS 9 event. I reblogged it recently on my @prism-rush blog trying to disguise it as part of my Alexander birthday spam. (It wasn’t.)

YEAHHHHHHHHHHH BOY

So if you have no idea where the heck this egg came from and what it is..... Rainbow Live.

But anyway.

I can finally FINALLY talk about this!!! Even though I knew it would probably be all over Twitter, I really wanted to protect this spoiler on Tumblr if I could. It was such a big deal to me when I saw it in the theater and I really wanted you guys to have the opportunity to be as blown away as I was. I could not possibly think of anything to say about it that wouldn’t be a hint, so all I could say all this time was just that Alexander’s episode has “a surprise” in it.... SURPRISE!!!

But yeah, when I saw this for the first time I thought it just came out of NOWHERE. Total shock! I thought this was not predictable at all!

But then it hit me. All of a sudden I remembered something. Something important.

Again, in Road to SSS event 9....

So, for folks who follow my @prism-rush blog, remember that one Alexander PR where he was looking into a box? And nobody knew what was in the box? But there was something weird following him? I even mentioned it and my confusion over it in my summary of that event. WELL GUESS WHAT.

We finally know what was in the box don’t we.

I asked a friend to see the card story to fill in the blanks and see if there were any obvious hints to what was going on at the time, and it’s just mentioned as a strange animal he picked up. Alexander struggles with what to do and not really wanting to take care of it, but then he asks himself what Rei would do..... (Whether he could see Momo at that time, I do not know ahah....)

So in the beginning after seeing Part 1 in theaters I said on Tumblr that the Road to SSS events from Prism Rush didn’t have much to do with the SSS anime, and most of them didn’t and still don’t. All of course except for Road to SSS 9, just that one, which ended up being way more important than I would have ever imagined. And this isn’t even the only reason either, there is also--

SO UH anyway Road to SSS 9 took place in June, so this flashback is taking place in June DURING Road to SSS 9. A very roundabout way to dating the episode, but really cool. I like how Road to SSS was significant after all.

And another surprise for me. In the theatrical version he’s not glowing here. They wanted to emphasize that he’s powering up I suppose eheh. I was really freaking out about this in the stream chat. SO COOL.

To the right of his little dragon house you’ll see some “dorayaki” because.....

Although they never actually mention it in the anime, his name is Dorachi. (Confirmed on Twitter.)

(Note: Dorayaki is also the favorite food of classic Japanese character Doraemon.)

Even though Dorachi doesn’t talk in this episode, in the theatrical special video for Alexander he talks A LOT. An UNFAIR amount. So much I do not remember most of what he said since I only saw it once and it went by so fast.

But his real name is very long (like the manager names from PriPara) and he talks about spreading the prism sparkle. I’m sorry, that’s honestly all I remember right now.

Will he show up again in the main anime before the end?

(Okay yes.)

And at least they gave you guys was a bit of original(??) art of him in the new ending.

WHATEVER THEY MAKE OF THIS CHARACTER I WILL BUY IT

Okay moving on.......

Urrgh..... okay so.............. When I first was watching this with you guys in the stream I was like UGH because I don’t think “flashy” fits here at all. I really wished they had stuck with “playboy” since it would work better with this scene.

But then when I watched it again, I realized they already used “flashy” once in this episode to describe Kazuki’s sweater, and it did kinda work there.

If we go back to my episode 3 commentary, my main complaint with Crunchyroll’s translation of “charachara” was actually less about the words they used, and more about how it just wasn’t consistent.

This episode..... is consistent.

..................

................................

Another point for Crunchyroll.

I officially cannot complain about the subs in this episode.

Another little thing in SSS I have spent way too much time thinking over is how Joji got here.

In every episode up until now, it’s always been Louis seen walking beside Jin like his pet. But in this episode. JUST THIS EPISODE.... it’s Joji instead.

I think the reason is because Louis is performing next, so he has to rest (since he’s not exactly in the condition he once was.....) So Joji scooped up the opportunity.

Whatever the reason, I find it really interesting.

HERE IT IS

My all time favorite Alexander face

In a weird way I actually think he’s cuter here than in the Prism King Cup

This song.... was not quite what I was expecting for Alec, but I love it. No part of me anticipated he’d just launch into a ballad but WOW. I just love how they picked something that really shows off his beautiful voice like this. Alexander is in my top three singing voices in King of Prism (1: Hiro, 2: Taiga, 3: Alexander) so I loved hearing him belting this out.

Now time for my like.... 4th(?) embarrassing confession in this post.... I had no idea this song was a cover until like AN HOUR before this episode aired. You guys were playing TRF songs in the stream, the original came on, and while y’all were like “what should we watch next” I was sitting there like “!!!!!!!!FFFFFFFFFFFFFFFFFFFFFFFFF”

Well, it’s a new song to me. And I think it’s perfect for him.

Poor Joji and his inconveniently timed fruit.

He finally gets to spend time with Jin, and he just can’t get a break.

I love the generation gap here. Kazuki’s existence has been so big to Taiga he can only think of Kazuki. But Kazuki and Hijiri are able notice the subtle differences that make this an OG Rei move.

I could certainly spend a whole lot of text speculating why Alexander did not change into his battle suit, but I won’t waste your time and just admit I have no idea. I’m glad he doesn’t, since it keeps the spotlight on Alexander since HE CAN’T PERFORM ONE GODDAMN SHOW WITHOUT TAIGA BARGING IN ON HIM BUT MMMRGGHGHG

TAIGA YOU SHOULD HAVE KNOWN BETTER

Yeah I was SO MAD about this when I first saw it at the midnight showing.

A lot of people change to green when Taiga comes out, but I do not. This is the only battle where I cheer for Alexander the whole time.

Not only was I mad at Taiga for being so dumb, but just mad at the whole concept of Taiga barging into Alexander’s one show to do basically the same jumps we saw in Pride the Hero again.....

But.....

Nowadays I forgive my idiot son. And I hope you do too.

This wasn’t the moment I forgave him. No, that’s coming later. I was mad at him for an entire month. But yeah.

He’s just so confident and everyone believes in him................................

So Alexander breaks the street-style curse and gets a damn good score. Higher than Taiga’s original score.

But just like Joji’s score was due to Ace, I can’t help but think Alexander’s score was a good deal due to Taiga.........

I had a feeling this would happen.

I knew long before Part 3.

Even back when I had only just seen Part 1.... I just knew the tables would turn in this episode.

Maybe it would be difficult to guess by watching week-to-week, but for me having Alexander’s episode as the last episode of the theatrical Part 3 just seemed like it would be WAAAAAY too much of a coincidence otherwise. So I had a strong feeling Schwarz would come out ahead at the end of this one. (I didn’t guess the reason would be because Taiga would get a penalty, but yeah.) And especially because the performances are kind of out of order to make this work? Up until now I thought all of the Schwarz Rose boys performed first, but Yu was up before Alec? And Louis is up next. Maybe it wasn’t a guaranteed thing that the Schwarz Boys always go first, but I noticed it.

So up until now score has not mattered much as Edel Rose has just sailed on though. But now it does. It matters a lot.

So this is the second surprise of this episode, and why I was saying it’s the beginning of the chain of events that lead to the end.

But about score mattering now, one of the reasons I have been questioning Taiga’s score the whole time is because I knew this was going to happen. So I just.... I just hope Taiga’s score wasn’t lower to begin with on purpose for mathematical reasons so they could get their desired progression of the overall score or something. IDK.

I don’t blame Rei for not figuring it out right away. Even though I KNOW this is Alexander, I still have trouble connecting his younger and older selves. I mean, getting muscular doesn’t make your eye shape completely change does it....?

Poor Kazuki. He doesn’t care.

So if I interpreted this episode correctly....

This was Alexander’s official transition from an antagonist to a protagonist. (Or just to a normal rival at least.)

During the first two movies and for a good long time of Prism Rush, he always played the part of the villain. But once Road to SSS started that began to change. We saw him reminiscing about Rei, making awkward conversation with Louis, struggling over forming a duo with Joji, etc. So I had a strong feeling they were taking his character in this direction, but this right here was the official turning point I believe.

No more destroying stadiums. From now on he’ll be spreading the prism sparkle with Dorachi.

And still trying to beat Kazuki but you know.

So I don’t have a source handy (if someone challenges me to find one I’ll dig it up) but I remember I read one time that Alexander was actually originally a character that was only created for the first movie. But then they realized they had to keep him on when he was just so popular.

So if you have ever supported Alexander, this episode was for you. Fans make King of Prism possible.

So.... one more thing I guess. Something I learned from the Minato episode was that even if I ignore controversy and specifically state I don’t want to talk about it, it still finds its way into my inbox anyhow. So I might as well get this over with I guess.

After Young of Prism Alexander was revealed to have light skin, someone told me a theory that mixed race children are sometimes born with lighter skin which darkens as they grow older. So up until her design was revealed, I had always imagined Alexander’s mother as a black woman.

So yeah. I don’t know the reason for his darker skin color now.

But I’d like to point out that in this episode being pale was associated with being weak and unhealthy, while darker skin was associated with being healthy and strong and just leave it at that.

And thus ends Part 3.

Next week begins.................. what I have been dreading for a long time............

So...................

So up until now I have been pretty tight-lipped about spoilers. But once episode 10 airs, the floodgates will pretty much be open. Episode 10 and episode 11 are so connected it’s really hard to talk about one without the other. I mean, once you know about episode 10, I seriously might as well. So after episode 10 airs, at the bottom of my commentary post and after a warning I plan to share some episode 11 spoilers.

Because I have been through this......

And I know how it’s gonna make you guys feel......

And since I was lucky enough to get some answers right away, I’m going to give you guys those same answers for those who want them so you don’t have to just sit on episode 10 for a week. I am not that kind of a monster. I won’t put you guys through that.

So after episode 10 ends, take a deep breath, cry it out if you need to, and get some tea.

I know how you’re gonna be feeling. I know. Don’t send me a panicked anon ask right away. Give me a little time. Hold on.

#king of prism sss #kinpri #king of prism #king of prism shiny seven stars #alexander yamato

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