#basically any fantasy ip

[nonspaced]

I'M GONNA DO IT I SWEAR I'M GONNA give serious consideration to making a rp blog for léla ....one of these days....

[vexwerewolf]

If I could ask you for some advice, what do you think helps the flavour text of a mech or piece of equipment sell a player on the fantasy of using it?

I'm finding it frustratingly difficult to do so with my own homebrew content: I can come up with lore and backstory easily enough, but re-reading it feels dry, and I can't help but contrast it with how the descrptions in official content and other supplements is more evocative, at least for mechs.

Let's observe some corebook Lancer flavour text and examine the various varieties it comes in.

Purely Functional

While it's usually not the most fun type of flavour text, this just tells us what the weapon is, and - if it has any particular tags or on-hit effects - why it's like that. The Hand Cannon is a good example: here's what it is (modified pistol), here's why it does more damage, and here's why it has Loading.

The main advantage of Purely Functional flavour text is that it provides space for other types of flavour text to breathe. Flavour text is a great place for jokes, but it's not good for every piece of flavour text to be a joke - the pauses between notes in music are just as important as the notes.

Obfuscating Vendorspeak

The Bristlecrown Flechette Launcher this is a great example of dark humour that Lancer uses quite often: marketing fast-talk to cover up something really unpleasant. The joke here is based on us understanding precisely what the equipment does mechanically, and then seeing how the manufacturer tries to sell it. There's a bunch of dense technobabble here meant to obfuscate the fact that this weapon fires knives in every direction specifically designed to kill infantry.

Deadpan Weirdness

The joke here relies on describing something extremely weird like it's the most natural thing in the world. Wait, you're telling me that in a world where I can just print new parts if the old ones break, they put DRM on my fucking knife and I have to apologise to the fucking knife maker to get a new one? What the fuck, dude? Why are you acting like this makes any sense?!

My sword uploads fucking what to the Space Internet?!

Third-Act Twist

This type of flavour text disguises itself as something else - most often Purely Functional - and then hits you with Third Act Twist. It makes you go "wait, what?!" It's very classic setup-punchline stuff. You're telling me my mech can rot?!

As a side note, Lancer loves to use this for its NHPs.

WHY DID YOU PUT THAT IN SCARE QUOTES, LUCIFER

Worldbuilding

This is similar to the Purely Functional, but instead of just describing technical specifications of the weapons, it puts the weapon in the broader context of the setting's history. Okay, so we know what this weapon is and what it does - why was it built? What was the original use case, and why? Most importantly, what can the existence of this weapon tell us about the world that build it?

Whimsical Aside

This is the insertion of a light-hearted, humanising little insertion regarding how this piece of equipment gets used in the field. This serves to remind us that soldiers aren't cold, unfeeling killing machines: they can be as emotional, irreverent and silly as the rest of us, and they do things like name their mobile bombs...

... or call resupply drones "mech snacks."

The Ominous Out-Of-Context Quote That Explains Nothing And Only Raises More Questions

As I've said in multiple textmash memes, this is basically Tom and Miguel's shorthand for "this technology is Intensely Fucked Up in a way that it is more fun and scary not to explain." This is essentially Lancer's version of SCP's [REDACTED].

You might think this is the domain of HORUS, and you'd be right, but every single manufacturer indulges in these - although IPS-N had to wait until NRFaW to get theirs:

What the fuck do you mean by that, Lancer?

[ilanprofile]

ILAN_PROFILE'S FANTASY / MYSTERY CARTOON GUIDE

Looking for Cartoons to Watch? Need a Guide for Animated Shows? Are you a Beginner or a Pro in watching TV shows? THIS ARE ALL THE MYSTERY / FANTASY CARTOONS I RECOMMEND!

About Each Section:

WATCH THIS: Shows I think are a MUST Watch for anybody getting into cartoons

NEW CARTOONS: Ongoing shows premiered in the past 2-3 years

STILL RELEVANT: Older shows / Already finished shows that still get a lot of attention nowdays

BONUS MENTIONS: Other Shows I havent watched that much of or arent as widely known as the others above

STORYDRIVEN: Fully serialized shows with lot of conitnuity

SEMI-EPISODIC: Shows with an ongoing story but also have self contained arcs

EPISODIC: Shows with minimal continuity, you can watch basically any episode

DISCLAIMER: I tried to limit myself to only 1-2 shows of each IP, UNLESS each of them feels too different from one or another (Like The Looney Tunes Show vs the classic Looney Tunes Cartoons) or you need to watch all shows together to get the full narrative (Ben 10 -> Alien Force -> Ultimate Alien -> Omniverse)

[envy-of-the-apple]

Oh my goodness I adored Sun eats Moon. It was such a well-put together story! Cannot stop thinking about it as well as your other works. Even though the trilogy ended, I was thinking about Satoru’s reaction to if he caught the reader cheating? How would he take it?

!!!!!!!!!

ik i said no more sem asks buuuuut omg?? such SUCH a good question

i personally feel this is the only situation where cheating is excusable. i mean, youre stuck in an abusive relationship with no way out, i dont blame you. since satoru has basically stopped all communication with your friends/family and youre stuck in a penthouse all alone and pregnant, maybe you turn to the internet as a last ditch effort to feel something other than despair???

and that's when you meet him.

you two have never sent eachother pictures. you dont know what he looks like. you dont care about any of that. the things you two talk about feel so real. passions, favorite hobbies, etc etc. soon it moves onto fantasies: where he'd take you out on the first date, where he'd propose, where you two would get married.

it's so pathetic, but it's the only out you have.at least until Gojo finds out. when he does. It’s CHAOS. He’d loose his mind. Just the thought of you LOOKING at another man is enough to make him go insane but now he’s reading these chats and you’re talking about marriage, kids, a fucking pet dog

using his super richguy status he’d track down the IP and find the guy relatively quickly. And this person is probably the exact opposite of what he described himself as: a 40 year old man who still lives with his mom and lives vicariously through his internet persona….but so are you…it’s equally pathetic. still Gojo is furious. He’d probably force you to look at he kicks the shit out of this poor nobody. Maybe he’d ask one of his bodyguards to pitch in. And when that’s over he’ll order you to strip and suck him off in front of your AP so he can humiliate you even further. after that whole fiasco he’ll just get that guy blacklisted from every company in the city, but your punishment isn’t done.

even less freedom, even more supervision. youre basically just trapped in his penthouse. he doesn't trust bodyguards anymore, what if you start cheating on him with them too?? cameras are the only solution. you arent given real clothes anymore. your entire wardrobe of designer that he thought you'd be grateful for is ripped away in place of lingerie. its all youre given. and if you dont want to wear that, you could always just walk around naked since you're so insistent on being a little slut

from now on, its only rough sex. youre still gonna finish but hell make sure its torture. for weeks he'll refer to you as 'slut' 'whore' 'prositute'. no matter how many times you apologize.

he'd forgive you eventually, but until he does....oh boy

[cursed-40k-thoughts]

So where the hell does all this hate for the so called "Ultramarine Simp" boogeyman Matt Ward come from?

You can't bring up anything about the Smurfs without Ward being brought up and dragged for an alleged infatuation for the Codex Astartes, rivalling little shit Leandros.

I own no books or tabletop codexes so I am completely lost on why everybody seems to hate him.

Basically, back when codexes still had authorial names attached, Matt Ward was the front-facing writer for a collection of them, both 40k and Fantasy. Some of them were perfectly fine, some of them were not great. There was a trend of faction bias through them that resulted in a couple of very distinct overblown narratives that didn’t mesh with the established canon well. Every codex is inherently supposed to hype up its respective faction, but there was a general feeling that some of these codexes stepped over the line into being narratively masturbatory.

Now, this is far from the only time situations like this have occurred in Warhammer media, and Matt wasn’t the sole source of content for the codexes, but the hivemind of a particular subset of Warhammer neckbeards (the ones who think 4chan is peak internet) decided that he was personally attacking their IP. So they sent him death threats. And threatened people around him. And said really fucked up shit. Because they were a bunch of maladjusted keyboard crusaders. They also massively overexaggerated Matt’s impact upon the canon of the setting and the extent of the poor writing choices across the codexes.

Matt isn’t any kind of boogeyman. The codexes attached to him contain plenty of perfectly good content. They just also suck off the Ultramarines and Kaldor Draigo a bit too much, but not in such a way that it had any meaningful impact upon the setting other than “That writing’s a bit shit and doesn’t line up”. Not something new to any Warhammer setting, conceptually. It was absolutely no reason for the utterly disgusting and unhinged shit he had levelled at him afterwards.

I really don’t like the way Guy Haley has written Cawl, right? I’m not gonna threaten him and declare him solely responsible for the character’s presence in a fictional setting owned by someone else, because I’m not a fucking moron.

TLDR; “Matt’s” codexes contained some continuity errors and some hyperbolic factional portrayals. A bunch of pissbabies/neckbeards threatened to kill him over this and declared him the antichrist. Fuck those people, honestly.

[aroaceleovaldez]

Part 2 response to this ask / [this post]:

For recent books, I think that it's less of a consideration of the audience and more a reflection of the general state of the publishing world currently. Disney as a company (which owns the publishing house through which Rick's works are published) is also in a weird spot right now and that is probably also lending itself heavily to why recent franchise stuff is the way it is:

A.) The franchise is basically guaranteed free money. Disney does this a lot with their properties. Star Wars and Marvel are great examples. They don't need to make something good, they just need to make literally anything and because it's such a massive franchise it'll sell regardless.

B.) One of their main focuses right now is clearly that JKR is in a bad spot and if they can fully dethrone Harry Potter as The de-facto middle grade fantasy series (cause PJO is fully number 2) that's going to be really good for them. Because it basically guarantees that PJO will be even MORE free money. That's probably part of why we got the show when we did, because HP was trying to move forward with an HP show. (And the HP show was probably announced when it was to directly try to compete with PJO) (Also don't forget, Disney also owns the PJO movies now. They don't need to do better than the movies because they're competing with themselves. In fact, by constantly pitting the show against the movies, they're basically doubling advertising for themselves by drawing attention to both.)

B.5.) Another thing is that if they dethrone HP, that's gonna not only hurt Universal, but SEVERELY hurt Universal PARKS, which is the Disney Parks' number one competitor. And the Disney parks are also in a tight spot right now and they REALLY want breathing room. (You might have heard that the Disney parks are doing a TON of cuts and reshuffling right now.) They don't need to actively put PJO stuff in their parks (yet), because just by taking out HP they'd massively injure what is basically the number one draw to the Universal parks (which is probably also why the Universal parks is expanding right now, particularly in similar avenues to how the Disney parks are expanding, re: more fantasy-focused areas and an emphasis on animated/Dreamworks franchises - Universal needs to be able to continue competing with Disney in the absence of HP, and it seems like they're panicking a little bit - so they're leaning more on their Dreamworks properties as Dreamworks becomes a significant competitor to Disney re: animation and otherwise just copying Disney's homework and also making more fantasy-focused park areas right now) and thus Disney would totally kneecap their primary competitor. That would increase draw to their own parks in the absence of a significant competitor and also then if they add literally any PJO stuff to the parks (which would be INCREDIBLY easy just due to the nature of PJO - especially as they cycle out older and less profitable IPs from the parks) then they'd basically IMMEDIATELY get a massive draw from what used to be the HP crowds - because a lot of those casual crowds do not particularly care about HP itself. It's entirely just that HP is the number one mainstream middle grade fantasy series. If PJO takes that spot then they'll just go to wherever PJO stuff is, because they're a passive audience, not an active audience (though Disney is also VERY much known for it's active audience and being partially responsible for making fandom as a concept mainstream and directly advertising to that market - tying back to the first post, lmao).

C.) Disney is DESPERATELY trying to save their streaming service. That's why it's so emphasized that PJO TV is a Disney+ series. Disney is kind of in hot water with investors because streaming services all across the board are tanking and Disney+ is a big one that's going down. That's why they're pivoting so much towards streaming and throwing literally whatever Marvel and Star Wars at it, because they know those are massive franchises that practically support themselves and any kind of draw to the platform is good. PJO is part of that - it's a massive well-established mainstream franchise with a passionate audience. It's practically a default classroom choice for assigned reading and that's free advertising/publicity. They know they can make a mediocre PJO adaptation and throw it on Disney+ and it will have a draw and that's all they need. They just want more eyes on the platform period to try and prove that it's profitable. Not to mention how we just explicitly know the CoTG trilogy only exists as marketing for the show. The recent books are not meant to be a continuation of the story. The actual content within them is literally irrelevant. CoTG trilogy only needs to exist so that it can bring more attention to the show (which is why it's being grouped in with the first series, because search engine optimization). TSATS only needed to exist to get people to stop being mad at Rick/get distracted from his little PR disaster.

Disney has also been doing a lot of cost cutting with their media recently, particularly also relying on their own brand to make new stuff profitable because they're actively looking for cheap solutions instead of making new things. They don't do 2D animation anymore because 2D animation is more expensive because it's unionized. 3D animation has also since become unionized and yknow what they're doing now? Shifting to live action. Shifting to CGI, which is only starting to become unionized because it's newer. They're making one billion live action remakes of existing properties because those properties are profitable and a live action remake is cheap. They don't need to worry about making it good because press is press and they know it will sell regardless. They can cast some popular actors for some default attention and leave it at that (Hi LMM cameo). Even with their newer animated movies - Wish was entirely reliant on the fact that it was heavily drawn from other Disney properties and they used that as an active selling point. Meanwhile they're intentionally tanking other new projects (see: Strange World) because they want to be able to turn around and say projects like that aren't profitable and aren't worth making. (This isn't a conspiracy theory btw, they do intentionally flop certain movies. This is a regular thing Disney does and they've been doing it for a while.) This type of cost-cutting strategy is very clear with the PJO show - they have this absolutely massive budget that isn't reflected in the end project at all. It's extremely clear to anyone with anyone with eyes that they're majorly cutting corners all the time (blatantly avoiding even slightly more complex CGI cause that'd cost money, CGI that is shown is often extremely cheap looking or rushed, reusing assets for Olympus, speeding through certain scenes, very little done with costuming - ever notice how all the costuming in the show looks way too new? The costuming department is supposed to weather even just basic outfits to make them look worn-in and they don't seem to have done that. - poor lighting to obscure details because actually making it look good costs more, etc etc) and the show is poorly produced. They have the money to do it properly. Someone is pocketing that. Usually it's executives. This is not unusual behavior! I would not be surprised at all to hear if it was the case with PJO TV too!

Tl;dr: I don't think the quality of recent books going down is because they expect the books to have a shorter pop culture lifespan, i think it's just a combo of the current publishing industry overall dropping in quality and Disney being Disney and not caring beyond saving their own butts and making a quick buck.

[ordheist]

HELLO

If you’re reading this, I’d like to hear from you!

I’m trying to restructure my practice towards custom commissions for preexisting character-focused IPs in the scifi/fantasy space.

The main reason for this is that with original character briefs a lot of time is added on with client correspondence, working together to make sure I’m understanding their request and producing something they’re happy with.

Considering the vast majority of my clients are based in the US, I have the time zone delay to work around as well.

I’ve had a lot of interest in these custom Elden Ring and DnD cards, which work a lot better for me because they’re way more prescriptive and limited in scope, and usually require almost no revisions. Because of how quickly I can do them, I can also charge a much lower rate.

So basically I’m wondering if there are any other IPs out there with a similar character centric focus. Pokemon comes to mind, but I’m sure there are other smaller players in the RPG space that I’m missing!

Please lmk in the notes if you have any ideas!

[calder]

hello! i stumbled across your blog very recently and am curious as to what the tag v13 means- sorry if you’ve answered this before, i’m on mobile!

fallout is based on wasteland. wasteland is based on a canticle for liebowitz. a canticle for liebowitz is about catholics bickering about fiction in the dust of america for hundreds and hundreds of years. it is about religion and the concept of a dark age

VAULT 13: A GURPS Post-Nuclear Adventure was the ip's name in the conceptual phase. the very first VAULT 13 worldbuilding pitch doc--a timeline--spoke of a Dark God, a term deployed throughout Fallout but only contextualized in the fallout bible, which does not actually use the term. Laura has a special voiced line just for Tell Me About: Dark,God: "The what?"

Project V-13 was interplay's original Fallout Online, which was cancelled by the publisher bethesda like fifteen years ago now.

pylon v-13 is a location at the end of Fallout 76's map where a character from Project V-13 built a time portal and disappeared. it is the most cursed location in the game

by accepting its premise, we arrive at v13 lore, the rejection of canon in light of canonical time travel and multiverse, which has always been a thing, and is also literally a joke. it's the realization that fallout is defined by creativity, interpretation, expression, and argument. it is the understanding that non-canon lore and controversial lore are basic and vital pieces of the history of the setting. and it's the begrudging admission that fallout is a cultural legend, irreplaceable and beyond anyone's control. fallout makes sense to everyone and demands our imagination. it always will

enabled by all the most hated and rejected lore, my characters are time-travelling supervillains who know the things i know, and scour the wastelands endlessly to expand their knowledge. this diegetic headspace and cosmology is a lens i use to explore the concepts of conspiracy theory, paranormal thought, religion, and occultism, all of which i am deeply critical of. i have learned a lot about these matters because i was able to fully engage with them in the context of fallout.

also the talking deathclaws lived in vault 13 and the courier carries the vault 13 canteen. there's also some esoteric shit about 13 high priests, 13 ghouls, and 13 landmarks. it's a pretty specific throughline. it's there if you're mad enough to look for it. and we'll never really know what it means if anything

thats what it means. to me

another thing i always say is. any setting where humans don't see ghosts is a strange fantasy. humans have always seen ghosts. don't mean ghosts are real. just means folks see ghosts. and at some point you gotta talk about it

hope this isnt complete nonsense

[doodlenoodleboi]

A fellow Toasty lover I see...👀

Do you have any headcanons for them yourself, both general and within a relationship? I'm curious :3

Nakedtoster Headcanons!

◦ Toast loves Final Fantasy as everyone knows and because of that he’s becomes rather irresponsible with money when it comes to it. Buying the books, props and every single game.

◦ Toast and Xyx are the best of friends Toast can find your IP address and Xyx loves trolling people

◦ When Toast gets in a relationship and his significant other gets any type of hate online best believe Xyx is trolling them online, it’s a hobby of his.

◦ Toast owns a pair of pink cat ear headphones half as a joke and the other is because he likes cats and his hair is pink.

◦ Toast has been misgendered often in public because of his pink long hair.

◦ Toast comes off as the type to have a comfort game like, animal crossing, Minecraft, or Roblox.

◦ He doesn’t own many consoles he’s a PC and a Nintendo switch and maybe a Ds or something from when he was a kid.

◦ Toast is not against doing inherently feminine things like makeup and painting nails if you want to. He might not even take off the color off hid his nails because he’s too lazy.

◦ If you’re in a relationship with Toast he most likely sees you as a friend and a lover next.

◦ He would love it if you played Final Fantasy XV comrades with him and Xyx.

◦ He definitely wears those cringey shirts saying I left my video games for this not because he likes them but I they were gifts and couldn’t care less what he wears most of the time.

◦ If you have been with Toast long enough eventually he might dedicate a character In the games he makes to you.

◦ When it comes to dates with Toast they aren’t common given he is an introvert but you will be treated to snacks and Resident evil and the bad Final Fantasy movies he claims doesn’t do them justice yet but watches them anyways.

◦ Toast is the type of guy to go to comic con and other conventions, after all it’s hinted that he is a content creator with his Final Fantasy advertisement.

◦ He generally likes anything concerning Capcom for the most part and enjoys story more than combat.

◦ He can solve a Rubik cube no problem and rather good at puzzles of all sorts.

◦ I don’t know why but once again I see him as a monster energy drink consumer not so much on G fuel not even if he was payed.

◦ Toast can cook but only basic things like a proper breakfast and a sandwich dinner is a 100% on you or take out because even if he tried the food might be bland. He is willing to learn through.

◦ From what I can tell Toast dyed his hair he’s a natural blonde that dyed his eyebrows brown/black or he’s a brunette that has to bleach and dye his hair every so often. Whatever the case is, Toast would appreciate it when you help him with his hair.

◦ When it comes to you guys first kiss he is rather clumsy out of all the Blooming panic love interest I think he has the least romantic experience.

◦ Every year he allows you to pick out his glasses frames as he couldn’t care less what he picks through most of the time it remains the same and you’re just putting random frames on his face to see how they look.

◦ Toast doesn’t necessarily need glasses but he’s couldn’t see the writing on the board in the back of the class. He still wears them today to “enjoy the effort but into the games and graphic blah blah.” He doesn’t want to admit that he’s actually a bit blind.

◦ His favorite thing on would probably be a sundress (an actual sundress) or cosplay/ convention clothes.

◦ He loves the taste of Pepto-Bismol

◦ He does have back problems given his horrendous posture during gaming.

[absolutebl]

Because your opinion means a lot: Any chance you feel like sharing 5 upcoming BLs you're most excited about and why? And maybe as a bonus, something you think many BL watchers will love but that you will hate?

Ooooo, how exciting what a fun one. You sure you want this from me? I have very odd taste.

The 5 Upcoming BLs I'm Most Excited About

(this forced me to put together the 2024 Announced BLs list which is coming soon)

1 Spare Me Your Mercy

Increased rates of deaths in terminal patients has a police captain investigating the palliative care doctor with whom he's fallen in love. Their relationship deepens but the mystery persists, driven by mistrust.

Why? It's adapted from the novel Euthanasia by Sammon (Triage, Manner of Death) but more important, it stars some old guard BL actors: Tor Thanapob from Hormones as the doctor and (fuck me YES) Jaylerr from Great Men Academy and goddamn Grean Fictions as the captain!

2 Wandee Godday

GMMTV and AllThis Entertainment producing a very pulp offering with new pair, GreatInn doing high heat, boxer meets surgeon. It features a one night stand, fake relationship, and all the cheesiest of tropes. Also features Drake, Podd, and Thor+ pretty boy (be still my heart).

Why? This is totally my kind of BL even if it isn't GMMTV's style of BL, and it's GREAT, so I'm in.

3 The Next Prince (ZeeNew)

Domundi brings us more ZeeNew in a fantasy/historical set in a palace where Zee plays a knight and Nu a prince - YES PLEASE.

Why? I did not expect this pair to stick so I really hope this happens. Give us the Little Pink Riding Milk BL we deserve!

4 Lover Merman

Fantasy BL about a man who falls in love with a merman.

Why? I don't think it will be good but I LOVE merfolk.

5 Me and Who

Domundi for WeTV brings this adaptation of Wickedwish’s novel of the same name. It depicts a young man who dies and is reborn into the body of a billionaire heir. The heir happens to be engaged to a handsome man.

Why? I flipping LOVE this trope but I never expected to see it drive a BL.

10 I am cautious of but VERY intrigued

JAPAN'S Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka

From YTV releasing 1/11 about Soga, who, after a divorce and relocation to Osaka, seeks solace in dining at 26-year-old Sakae's restaurant. Unbeknownst to Soga, Sakae sees him as more than just a regular customer.

TAIWAN's Love For Love's Sake

Based on the Manhwa Love Supremacy Zone by Hwacha, this will star actors Lee Tae Vin, Cha Jun Wan, Oh Min Su and Cha Woon Ki. The plot of the drama is based on Tae Myung Ha, a young man who is dropped into a game based off of a novel that he knows. His mission is to make another player, Cha Yeo Woon happy. Cha Yeo Woon is Myung-Has favourite character in the novel. But then the game starts going completely different from the novel.

City of Stars AKA Fueangnakorn

Star Hunter started filming this 12/23 about an actor falls in love with a programmer and the narrative intends to “explore the ramifications of being public figure in the social network era who must endure critics, bullying, and defamation.” Looks like another Lovely Writer, Call It What You Want sort of thing.

My Stand-In AKA My Stand In

Chinese IP ALERT! Adapted from the novel Professional Body Double (职业替身) by Shui Qiang Cheng (水千丞) stars Up (Lovely Writer) and Poom (Bake Me Please).

OMG Vampire AKA OMG! Vampire (LeeFrank)

Frank and Lee Long Shi are back only vampires now. So many vampires.

The Rebound (MeenPing)

VIU Basketball based romance staring Meen (a national basketball player, so yay for that).

We Are (PondPhuwin)

GMMTV's university friendship Bl featuring PondPhuwin, WinnySatang, AouBoom, MarcPawin - basically ALL in the good kind of messy friendship group (so more My Engineer and less Only Friends). Looks a bit like the Kiss series but everyone is gay. I'm IN! Trailer here.

Love Upon a Time (NetJames)

Domundi announced for 6/7/2023 then delayed to 2024. NetJames in a historical BL! Also feat Tonnam (Dr Sing from Triage).

Jack & Joker (YinWar)

DeHup brings us be gay, do crimes. Yin, War, Mark and a few other familiar faces doing Leverage but gayer. Yes, thank you, I will have that.

My Love Mix-Up Thai Remake (GemniForth)

GMMTV. Hum, well I do love this pair and I did like the original and maybe this time these characters will actually kiss? I'm actually fine with this pick-up. I kind of enjoy seeing different countries remake the same IP. Especially if it's IP I'm mostly unfazed by.

[thydungeongal]

Huh okay so it looks like Mythras by The Design Mechanism has been on sale for quite a while now. I personally grabbed it on sale quite a while ago but it's still going

For context, Mythras is effectively a rebranding of The Design Mechanism's RuneQuest 6th edition. The RuneQuest IP has been kind of all over the place, having been at first the Chaosium RPG (Greg Stafford originally founded Chaosium to publish his Glorantha board games), the license then having switched to Avalon Hill, then Mongoose, then The Design Mechanism, and now back to Chaosium (who have released the latest edition of it with the subtitle Roleplaying in Glorantha).

Because the RuneQuest IP has not always switched hands concurrently with the publishing rights to Glorantha (the original RuneQuest setting) the game has developed a reputation as something of a toolkit fantasy RPG with heavy integration of society, beliefs, and organizations into the gameplay. Mythras basically upholds that legacy of RuneQuest, with RuneQuest now once again being The Glorantha Game.

Anyway I've personally gotten the Mythras brainworms. Ultimately it runs on the same workhorse BRP engine of Call of Cthulhu and RuneQuest, and it's a decidedly lower-powered game than many other fantasy RPGs. It remains gritty at all levels of play.

It's a toolkit game and obviously carries its own setting expectations, but in the hands of different GMs I could see it being fit to a bunch of different purposes:

Because of the integration of cults and other organizations into the gameplay and character advancement it remains perfect for bronze age fantasy in the style of RuneQuest.

Due to combat being gritty it obviously works for dark fantasy (with some further options in the Mythras Companion to elevate that style) but also for any style of fantasy gameplay where you want to actively disincentivize engaging in casual combat, including...

Romantic fantasy, which gains further support from the system of Passions, character connections and ideals that are mechanically enforced and can both benefit and hinder characters.

Finally, the focus on integrating cults and various other organizations into the gameplay actively means that it encourages characters to create actual connections into the world, and is also the worldbuilding diseased GM's dream game.

Also, in-text integration of queer narratives, including joining a cult to access the gift of Trans Your Gender and forbidden queer love because heterosexuality is considered taboo in your cult

⬆️Link to buy da game

[thepoetjean-makes-stuff]

HOW TO ACTUALLY WRITE -- THE BASICS (AKA STEP 0-1)

(AKA ThePoetJean justifies their Master's degree and makes it everyone else's problem)

1) "WRITING IS REWRITING" AND WHAT THE HELL THAT MEANS -- No writing is law or set in stone upon the first draft, and whoever taught you that is a bum. Even permanent glue can be removed by nail polish remover, so why is editing your first draft no different? When writing for fun, oftentimes you can edit the post and clean up the story when things are no longer working (it's called a cutting room floor for a reason). When writing for publishing, you'll often be paired with an editor who'll send tweaks back-and-forth to you, chipping away at any structural mistakes or grammar flaws to bring out the point of your writing piece in the process. The first draft is just about getting the general vibes of the story down: like the batter for the cake recipe before you start baking it. This part is meant to be fun and messy and no one expects you to serve them go when you're just cracking your eggs open. Let yourself be messy cuz (burnt or fluffy), this is the first step to making your story, so no need to have something be all pretty and presentable the first time around! Again, a lot of writing is just rewriting cuz drafts are a thing so getting stuff down is most important. And another amazing thing -- if the story sucks, you can always change it later! You gotta trust yourself to get it done in order to get it out to the world one way or another, so go do that!

2) LEARN YOUR OWN WRITING PROCESS! -- (OH MY GOD PPL, LEARN HOW YOU TO THE THING IT'S HALF THE BATTLE!) Most of the struggles I see with newer writers is never learning how they write, and that sucks since have the joy of making things is making the thing -- so why make writing stories so arduos for yourself. Learn your own methods and use them whenever you get to writing! Learn the writerly basics like plot, structure, framing, character voice, setting, time period, etc and learn how best you can utilize them in your own stories! On a purely craft level: Learn ALL THE WRITING CRAFT and keep in mind that all writing craft is meant to be guidelines rather than hard rules. Learn many ways about how to write in general cuz no writing advice is one size fits all and being embarrassed of your process is dumb and hinders your creative growth. Trust yourself as a writer, you'll improve faster that way. Believing you can and believing it's possible is the first step to doing anything! (Plus all writing is rewriting anyhow to there's no need to feel embarrassed about something you can fix later, anyways, right?)

3) Read projects like your project in order to get a better feel of your project. Whether it be writing style references, basic literary craft examples, or just you want to break down the vibes of the stories so you can better emulate in your own -- GO AND WATCH/READ/LISTEN ETC TO WHATEVER STORIES YOU THINK WOULD MATCH THE VIBES OF YOUR OWN!! Now, this isn't a 1-to-1 copy, you're not mean to make a clone of the thing you like or take properties for the IP that you're into -- that's more along the lines of fanfiction (which can be fun and is ofc, super valid) -- BUT! To create your own stories, you need to learn where you get your ideas from, and learn how to implement, borrow, twist, etc from the story structures and properties you gather your inspo from. Other writers are your peers, not your enemies -- so treat their work and your own with the respect it deserves. No two chicken sandwiches are ever exactly the same; true artists steal from many places, so learn how to be a good thief (creatively speaking). Example from my own secret WIP novel: I'm writing a New Adult Urban fantasy novel with a dark, powerful lady protagonist that uses lots of philosophical themes, alternate history perspectives as well as using mythology as a basis for a lot of the magical roots and setting roots. Likewise, this a story about friendship and romance after major loss and trauma, and how to come back to yourself after grief, so I've been looking for stories that cover those themes in their plots, which has made the story a lot more fun to read and write outside of just being a cool concept to play with.

If you're writing a second-chance romance story, read romance stories. If you're writing a sci-fi story with lots of robots, read stories about robots. Presumably, you enjoy the same stories you're writing in concept if not in execution, so don't hesitate to seek those stories out, and break down how those stories work in order to scrap them for literary parts. You're smarter than you think you are, and breaking down stories is a lot of fun once you get the hang of it, so please consider doing this as you go into your next project, your writing will thank you for it!

OPTIONAL:

4) If the story works better as something else, swap the format and see what happens.

Have you ever read something and been like "Huh, I like this book, but with how iconography is used in the actual text, it might be better as a movie or a comic book"? So have I!

So, if you ever feel like the story you're writing isn't working so well as a novel or a play, consider turning it into a movie or a webcomic! Of course, this is all easier said than done, and every writing format comes with its own rules and limitations, but I'd give it a try if you ever want to see your project from a fresh perspective! If nothing else, you'll learn something new -- and become a better writer for it!

Til next time, beloveds~

__

PS. Take all advice with a grain of salt. I am not your parent or your principal, I'm just a lady with a writing degree and a lil free time. Take what resonates, leave what doesn't, etc. PLEASE SHARE THIS POST AROUND TO ANYONE WHO IT MIGHT HELP! THANKIES :3

KOFI: https://ko-fi.com/thepoetjean

[jbeefletcher]

Thots and feelings about Dragon Age : The Veilguard (I'm disappointed)

DRAGON AGE : THE VEILGUARD SPOILERS UNDER THE CUT (CRITICAL)

I truly cannot believe the direction they went for this game.

Everything in Veilguard, from equipment and combat to the story, characters and lore - EVERYTHING has been simplified and sanitised to the point of complete sterility.

It’s not glossing over some minor lore points to make itself less daunting to new players. It is completely erasing or ignoring major points of its own lore in order to be palatable for the widest audience.

It should have been a direct sequel to Inquisition, but is instead a complete 180 from it. It is so completely disinterested in continuing on from other games that it actively tries to pretend that the 3 previous games didn’t happen. To make it absolutely clear that all of your characters, decisions and experiences from the previous games couldn’t matter any less, it basically turns all of Southern Thedas - every area we have ever been to or interacted with - into a giant smoking crater. Everything we’ve done in any of the previous games is undone. All the areas that we helped, the people that we saved, all the peace and order, all the political stability or instability, all the structures we established or destroyed - gone. Destroyed off screen. Like it never even happened. Wiping the slate completely clean so it can march forward with this new terrible direction and not be burdened with trying to tell the same cohesive story that it’s original player base were fascinated with and waited 10 years for.

All they had to do was continue telling the story they were already telling, in the world setting they already established. If BioWare were so indifferent about making a Dragon Age game with any semblance of cohesion or follow through, then they should have just made a different IP that would have quitely flopped like Anthem did.

And to all the dudebros saying this game is failing because of woke, fuck you. This game is failing because they gutted everything that made it a unique, interesting and immersive world in lieu of churning out a generic, soulless fantasy MMO to sell as many units as possible to people who never gave a shit about Dragon Age before.

After waiting 10 years for this, after seeing the constant nightmares of its production cycles (plural), mass staff layoffs, mass quitting and the overall apathy and exhaustion of everyone involved, I’m beyond disappointed. I’m crushed.

[doubleddenden]

The topic of Palworld is pretty charged, but often times I see people be shamed for liking it because the CEO tweeted stuff about NFTs and the company using AI art in a separate game. Acting as if that's the most damning thing ever for a gaming company in an industry filled with similar people.

Make no mistake, I dislike both AI art and nfts, but do you realize how many gaming companies have involvement with that?

To begin with, Pokémon used AI art in a promotional piece for Pokémon Go in September, and nobody gave a shit because uwu Pikachu. The Pokémon Company also put a job listing some months back seeking an expert in NFTs. That's not quite damning evidence, but if I were a betting man, no "NFT expert" will willingly say "yeah nfts suck are bad for the environment, man, I'll take my paycheck and fuck off now." There's also a strong argument to be made that Pokémon has stolen ideas from fakemon artists (Finizen and Palafin, Scovillain, Dipplin, etc) and other franchises (kaiju movies, Dragon Quest, Megaman, final fantasy, western cartoons and food mascots, etc), a dubious legal statement that claims they own all fan art from the remixes and fakemon made on youtube to the pikachu your kid drew at breakfast; they have yet to apologize for the state of Scarlet and Violet while charging full price to millions of paying customers for a clearly unfinished and barely functioning game (which i did enjoy, but you can't tell me it was finished baking when it struggles not to shit itself just to run), and a bunch of other things people shit on Palworld for, but A. It's Pokémon so people don't care and think it's fine, and B. That's not the point of this post.

You know who else does NFTs and AI art? (Yes I heard Muscle Man from Regular Show in my head just now, too, moving along)

Square Enix sold several of their IPs for NFTs and claims to have used AI art "a minimum amount" in Foam Stars, yet I see nobody yelling for boycotts of Final Fantasy 14, 16, Kingdom Hearts, Dragon Quest, Life is Strange, etc etc etc.

Sony has invested in both, they want to implement AI into gaming, and has a patent for nfts to be used in games and consoles, yet there's no movement to throw out your playstations.

Bandai Namco- you know, that company with a hand in pretty much most anime games on the market and popular games such as the Dark Souls games? They have a game called RYU that's essentially a virtual pet game that uses the blockchain, and its AI driven, among other projects. Yet there's no outcry to stop playing the many, MANY games they brand with. This also includes quite a few Nintendo games (btw they just partnered together to form a special studio quite recently) like Smash Wii U/3ds and New Pokémon Snap. Nobody gives a shit though.

Android, Microsoft, Google, Apple- I don't even need to explain those, they have whole teams dedicated to both. Even popular VPN companies accept crypto.

I'm just saying an awful lot of you guys that scream and shit bloody murder about Palworld's company being involved with that shit are either the biggest "It's okay when my favs do it" type of hypocrites, or you're sorely ignorant to just how evil and greedy most corporations are. You'll be hard pressed to find a game company with popular AND fun games that DOESN'T have some interest in either, let alone movie and show studios. That's the awful reality we live in.

You have 2 options

1. You basically stop doing anything involving most modern tech, including throwing out your pc and smart phone. You could probably live a comfortable life with tech circa 2010, but you have to be aware that any thing you buy may go towards a cause you don't like.

2. You accept that people can enjoy a product while not necessarily agreeing with the CEO of said product. Most CEOs tend to be jackasses anyway, that's kind of the shared trait they all have. You can also discourage companies from using them while understanding it is everywhere.

Palworld at the end of the day is just a toy, that's it. From the looks of it, it's not even actually hurting anyone, and it seems like the company at least treats their employees pretty decently- at least according to a few things I've seen here and there that seems rather progressive for a Japanese studio (with room for doubt obviously, it's a company after all and as we've established, they're all evil). At the least its not like when people supported Hogwarts Legacy and directly put money into JKR's wallet so she can openly hurt more Trans women. In fact, the only people seemingly hurt in all of this Palworld drama are obsessed Pokémon stans that can't accept a parody, or the Pokémon Company themselves, who rightly deserve some punching up tbh.

You can just say you dislike the game, that's fine, I totally get that. Even though I personally think The Pokémon Company deserves a few nut shots after the way they've treated fans these last few years with the state of their games (and you know, stealing ideas from fans without credit), I can see why someone would be turned away from a parody that's literally meant to be Pokémon with guns. I can totally understand all of that, personally I'd prefer if the game was MORE like Pokémon with turn based combat.

But if you're going to defend Pokémon because you think its perfectly innocent because of Wooloo or something like that, just be sure you're aware you're defending the World's Richest Franchise and their own attempts at AI and NFTs while calling out an indie company (a real one thats learning as they go, not the fake "We're totally indie" franchise that hasn't been indie since gen 3) for having a ceo that also seems interested in the same stuff. And remember, you don't become number 1 without hurting people somehow (we could dig up receipts about certain partners Pokémon has teamed up with, such as Tencent with Unite, but I'd rather not right now.)

Just saying. I don't think you're an irredeemable person for still liking Pikachu, cuz I do too believe it or not. I've been a life long fan and still have fun with the games despite the clear scummy business practices towards their paying customers. Just maybe extend that courtesy to the millions of players just trying to have fun in this awful, putrid, shithole planet that just keeps getting worse and worse with each passing day.

Plus... you know, think about it. Do you think Pokémon would ever get around to making a gunless Palworld? Probably not. Do you think Palworld would exist if The Pokémon Company and Nintendo were the slightest bit chill about Pokémon fan projects like SEGA is with Sonic? Also probably not. From what I've read, the devs just wanted to make a fun game that happens to mostly be ARK with Pokémon adjacent monsters. That's not really a bad thing, all things considered, and it seems like the worst they've done is reference official Pokémon when making their own models.

Palworld being successful is actually beneficial to Pokémon fans, as well. It'll never really truly compete, but it has outsold Legends Arceus in terms of units sold (not as much financially because Palworld was only $30 plus a sale recently, but still impressive), and it is enough that Game Freak is aware of its existence. Let Palworld light a fire under their ass, and maybe GF will actually finish their next game before releasing it for full price (and no, we're not bringing up the tired imaginary ball and chain game devs, game freak owns 1/3rd lf the franchise and can easily take methods to get more dev time, they just haven't because money). Just saying, at least the Paldevs were honest enough to sell it in early access for half the price.

[crezz-star]

CREZZ⭐STAR

( do not reblog. this is just a pinned post.... )

20 + | Cancer | Artist | INFJ | Devil May Cry ( Nerologist ) | ONE PIECE ( Zorologist ) | ENGLISH / FILIPINO / (bits of basic) JAPANESE

Greetings! I'm Crezz! I DRAW WHAT I WANT and what I love and give me inspiration. I found myself drawn to Isekai fantasy genres lately! I also love sparkles, color gold/yellow, cats and DMC's NERO, very very much! ✨✨✨✨

I like games / manga / anime / comic though I do have my favorites that will be stated below:

✨ Devil May Cry series ✨

✨ Final Fantasy XIV ✨

✨ ONE PIECE✨

✨ Detective Conan ✨

Hazbin Hotel

Final Fantasy VII Crisiscore

Kingdom Hearts series

Final Fantasy XV

Tate No Yuusha no nariagari

MARVEL

I like to draw on my own pace as i do not like pressure nor being hired with a deadline. I work best when i'm taking my time because I find inspirations to fuel me to make the piece exquisite.

>> Also NOTE: I like a chill environment and time so I am very much the fiction is and only remains fiction type of person, meaning i'm PROFICTION / PROSHIP, and thus can tell the difference, and DOES separate IRL from fiction. Meaning I can handle seeing most dark themes as well. Although If there's things I do not like, I tend to ignore / mute or block it to avoid it. So i'd recommend you do the same if there's things you don't like that i draw / like / make or plainly of me being proship. Because I am not anyone's online babysitter. This is my blog and YOU came here. Don't act like you own me or control what I make. You don't, so don't go acting entitled.

>> Also 2nd NOTE: Pairings / shipping wise I have top / bottom positionals preference for very few particular characters. That being firstly DMC Nero (top only) and Roronoa Zoro (top only). While there may be times I like art that depicts them as the opposite, its more of appreciation to the art and skills of the artist itself. Nothing more.

>> Also 3rd NOTE: anywhere I go, which ever social media account. I block people. It can be the stuff they make (fanart of pairings i don't like) /say makes me uncomfortable or I see them agreeing or even doing cyberbullying and doxxing of others themselves. It's nothing personal. I just want to vibe and have a good time and avoid terrible people so I use block ( or mute ) . Especially on X where I go on blocking spree sometimes, block chain, to keep my timeline peaceful and thus peace of mind.

>> Also 4th NOTE: any anons planning to send hate in my ask box. don't even think about it. You will only make yourself look like really terrible laughable ( in a bad way ) clown because I will just delete your ask and block you. ( yes even when you are anonymous, there's an option to block, which if i recall correctly, it's your ip that tumblr blocks instead. ) save your energy. Because AGAIN in case you missed it. I DO NOT HOLD BACK IN BLOCKING. Use your energy on things that makes you happy rather than hating on people.

I hope you enjoy your stay! May the stars shine your path to a sparkling future!

----------------------------------------------------

LINKS

Gank ( with monthly art rewards )

X ( twitter )

Twitch

BLUESKY 🔞🪦🕊🔞

facebook page

pixiv🔞 🪦🕊🔞

[youryurigoddess]

Case study and analysis of the 1992 Good Omens movie screenplay (“the shitscript”) in light of the ongoing WGA strike

As one could suspect, the topic of the 1992 Good Omens movie screenplay and its infamy has recently emerged from the depths of the fandom. In light of the ongoing WGA strike it’d be good to properly address this issue, starting with Neil Gaiman’s own recollection written in 2004:

It’s basically the same old story — of brilliant creative workers struggling under the pressure of detached studio executives and being legally forced to mutilate their work again and again for no artistic or economic reason — we’ve heard before in many different contexts.

If you’re reading this and somehow still wondering why writers are fighting for their rights at the moment, their job security hasn’t changed much since then. Please follow the WGA, SAG-AFTRA, and other unions’ official channels for detailed information and ways to help the cause.

Anyway, it took over a decade and an enormous effort to print the screenplay in a limited edition of 552 copies. It can’t be distributed otherwise due to IP law, but some fans shared its fragments online and heavily criticized them, dubbing the 1992 source material #shitscript

There’s been obviously a lot of controversies over the changes in the plot and the relationship between the main characters. And rightfully so — the number of iterations has created something very different from the beloved book and the award-winning show we can all enjoy today.

It’s… objectively not good. Wouldn’t be considered a hit back then and certainly not by today’s standards. I don’t think I would watch it in any other way than through channel surfing. However, it’s not a monstrosity some people believe it to be and not a case of low effort.

Let’s start with the world building: the setting wasn’t changed to the US. It’s still very much based in the UK, mostly London and Tadfield, although the latter lies now by the sea and seems much more ominous. Interestingly, the British Museum becomes a prominent location as well.

The main character and the designated hero is not surprisingly Crowley, this time in his 90s anti-hero glory. If you haven’t watched many movies of this era, esp. dark fantasy, this trope involves middle-age disenchantment, cynicism, as well as hefty doses of sarcasm and brooding.

90s anti-heroes are a dark, grim, and unnecessarily violent embodiment of power fantasy, matching the destructive ideology of that time. Combined with uber-masculinity and performative strength over weaker characters, nowadays they naturally evoke more cringe or worry than awe.

1992 iteration of Crowley is basically in his Furfur era. Deeply unhappy and stuck in a dead end job, all he talks about is how he hates Earth and his assignment here, considering a transfer to Alpha Centauri as his one and only possibility of career advancement. Or life, really.

The talking part is important here, because he clearly compensates by insulting everything and everyone. He hates on the whole planet at length only to confess that he’d rather stay here with Aziraphale due to “no good restaurants”, “no decent bottle of wine” in Alpha Centauri.

Yes, he’s verbally abusive in his automatic response to stress. But doesn’t hate Aziraphale. In one particular scene he calls Azi stupid twice only to assure him that they are friends and to offer to solve the problem when he sees that his words were taken seriously and hurt him.

Crowley refers to him as “my angel” and “my dear Aziraphale”, agrees to Aziraphale’s suggestion of sharing a room, praises the angel as a “miracle worker around the home”, drinks the tea he makes for him, and generally proves to be much softer towards him than he wants to admit.

Aziraphale, on the contrary, wears his heart on his sleeve. He’s the one engineering ways to spend more time together, following Crowley around, checking up on him (including miracling himself into his apartment and office when no one answers the door), offering help right away.

He’s successfully calming Crowley down through his anxiety attacks, overcomes his dislike of heights (!) for Crowley, directly challenges him and even breaks rules only to make Crowley stay with him. Crowley seems to be his main motivation in this movie, not the saving the world.

1992 Aziraphale also has the most badass scene in the whole Good Omens multiverse to date, taking a 180 degree turn from the typical guardian angel we all know and love to the real angel of wrath protecting Crowley from harm in his true form.

But there’s no Their Side in this universe. The only semblance of that concept appears in the context of Anathema not representing either of their respective bosses, but humanity. “That’s the trouble with the humans. They’re on their own side.”

This Crowley appears not as much on Hell’s side as under Satan’s heel. He’s scared of him and subservient, and needs Aziraphale to prevent his escape as a pretext to do what is right. He lets the angel stop him by pretending that he doesn’t even see him cheating during their duel.

By finally standing up to his toxic boss (Satan is like Gabriel during the body-swapped trial, suave and cruel) and leaving Hell’s side to do good, Crowley takes an emancipated and employee-focused stance instead of fighting for his relationship with Aziraphale like shown in S1.

Which is a shame, but matches the overall tone of the screenplay and the times it was written in. The concept of free will, while simplified in a true Hollywood-style to issues like mind control and fear, is still crucial to this interpretation of the Good Omens original plot.

Especially the character of Anathema is seen fighting both of these things. There’s no Agnes Nutter with her prophecies here, only a 21-year-old witch and her will to thwart the ultimate evil versus her fear of doing it at a cost of one boy’s life, versus Satan’s brainwashing.

Madame Tracy appears slightly redesigned as a new character as well, but isn’t 𝘲𝘶𝘪𝘵𝘦 𝘵𝘩𝘦𝘳𝘦 for the most part. She’s been enjoying her youth way too much to see how fast it was fleeting, and this sudden realization left her in shock from which she denies to come back.

Unfortunately she’s also the one who took in baby Adam and now stays under his care. The level of his parentification is unnerving, much like his bullying and loneliness. He struggles to be loved and ask for love, which becomes his main quest beyond, y’know, the apocalypse thing.

Don’t worry, despite everything all ends well just like in the book. The family of two gets a chance to start again on much healthier terms and Anathema to live for herself for the first time in years. Our heroes get back in their car, Crowley tempting Aziraphale with an apple.

All in all, this whole post is a very long reminder for Amazon Prime to #PayYourWriters, #PayYourActors, and #RenewGoodOmens! The strike is still ongoing and crucial for any new content for this and many other fandoms #GiveMeS3orGiveMeDeath