#basically all of it while still keeping the character development

[natsmagi]

ok no i need to bitch because i have remained positive and hopeful throughout most of !!-era because i believed that happyele loved their characters and wouldnt deliberately go out of their way to butcher them but time and time again i have been proven wrong on this fact. and seeing the way theyre doubling down on having ibuki, a ryukyuan kid from okinawa, join a traditional "wa" japanese unit that embraces mainland japan traditions when the mainland has continuously tried to make okinawa theirs and disregard the ryukyuan identity WHILE ALSO LITERALLY HAVING EICHI COLONIZE OKINAWA IN ATLANTIS its all just becoming too much. I am no expert when it comes to these topics so do not take my word when it comes to jp culture, conflict and the likes, but knowing how poorly happyele has continuously time and time again treated their indigenous (or middle eastern in adonis's case) cast i cannot see this going well. Not to mention how having ibuki join akatsuki goes against everything the three of them have built up and the whole POINT of their unit and that for them to even fucking put this garbage in the story they had to make keito PAINFULLY ooc to pull it off because NO OTHER REALITY WOULD ALLOW IT!!!!! theyre taking akatsukis developments and throwing it out the window in an attempt to make them something "new" and more profitable while also using a beloved group that so many have spent so much of their time loving and supporting into nothing but a scapegoat for their imperialist propaganda im so unbelievably angry that theyre doubling down on this. im so angry that theyre stupid enough to let shit like this pass

and im sure youve probably read posts explaining the aktk thing better than i ever couldve, esp considering im not an aktkP, but im also writing this to tell the fans of big units to Stop Giving In. do not feel safe just because happyele is scared of losing you, because I used to be an undeadP before getting into switch and the reason i STOPPED producing them was because they viewed the unit as nothing but a money-maker machine and would completely disregard their developments for the sake of feeding into tropes that fans liked and they cared more about yaoibait than they did the characters themselves. They tossed out any growth rei and ritsu had in opperetta for the sake of bringing back sakuma brothers conflict in that painfully annoying la mort story and theyre gonna keep doing this shit until fans tire of it. valkyrie, eden and knights are three super popular units with upcoming events, and i seriously need you to not give happyele any of your time or money because they do not deserve it.

even with switch, a rather unpopular unit, theres been total garbage pulled. in switchs case i think its safe to say that akira does genuinely really care for natsume and tsumugis relationship considering thats basically all that man even includes in his switch stories, but he never really knows what to do with sora. And i feel like he doesnt really care. Like sure i can sit here and be like "well at least MY favs seem to be doing alright" but thats purely because they keep spoon-feeding us crumbs of the units popular ships so we wont complain. i still really like their dynamic and i strongly disagree with alot of fans saying natsume and tsumugi have been OOC lately, but like. Look at sora man. i dont mind him having a little gf in the virtual world, i dont mind him growing more independent, i dont mind him relying less on his synesthesia. but the executions are just. Theyre painful. with the synesthesia thing esp bc synesthesia doesnt just go away. You couldve easily made a simple point of "you cant always rely on your synesthesia to know how people feel" because that is TRUE! but that would de-fetishize this idea these people have of synesthesia being some Magical Ability and not just a neurological condition. And with the sora being more independent; this is also something thats been needed for his story! natsume and tsumugi would often coddle him way too much, and sora himself would complain about being treated as a kid. But like. sora has started to feel so disconnected from switch in a way.....? and this has even been a point of conflict in stories, sora not knowing how to partake in ntmgs conversations because theyre too difficult, or being sad that ntmg never have time to hang out with him. But instead of working on these things, they just. keep having sora hang out with people outside of natsume and tsumugi? who have practically become a package deal at this point?? literally having sora join a NEW UNIT without natsume or tsumugi????????? i dont know. im rambling but i just wanted to get this out there. Theyre my specialest guys in the whole entire world and i just want to make people more cautious of thinking "well the aktk thing wouldnt happen to MY fav unit! they wouldnt butcher MY favs!" because they very much can. even if theres an aspect youre still hooked on, other factors are visibly crumbling because management cares only about what will bring the most revenue, and not what is best for the character

i cant help but feel the reason theyre pulling this shit with akatsuki is because they felt as though they somewhat got away with it with Double Face and raked in some extra cash because kohaku ended up popular, so now theyre doing that again but taking it to the next extreme. its disheartening

anyway. i will continue to draw and enjoy ensemble stars. But i wont be supporting them financially anymore as they clearly do not care about fans at all. if i desperately want some merch ill just buy it second-hand. And while im at it, i need you people to stop telling enstarries to get into some other idol franchise instead as if the main problem here isnt how disgustingly predatory they are. Happy Elements were THE biggest joseimuke franchise, making the most money out of all their competitors, and it still wasnt enough. they still didnt respect their fans. when the fans would continuously respect their wishes. Enstars is like the only fandom ive seen that doesnt share leaks for example, yet this courtesy means nothing to them. Corporations arent your friends, never have been and never will be. those characters arent real, they do not have feelings of their own. They were all written by someone to serve a purpose, and this includes ibuki being an indigenous kid joining the wa japanese culture unit. To use this popularity to spread so much fucking bigotry and hatred is heartbreaking. And to blame the fans for being upset over it????????????? youre disgusting happyele.

[v88sy]

You know what, season one is really underrated.

[jackass-jones]

Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over

Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰

[eyepatchdate]

finished swtor update earlier today and im still thinking like. tavon gripping petra by the shoulders: do not trust the empire. do not fucking trust the empire. DO NOT fucking trust the empire.

[illusioncanthurtme--art]

These are a couple doodles from yesterday, Gideon as a younger teen, before the growth spurt, maybe 14? He's discovered he's a vampire, and has a lot of recovery to do, since he's severely blood deficient.

I'm gonna let myself explode about my vampire gideon ideas, under construction, under the cut: (I don't write fanfiction, I just throw up my ideas on a tumblr post, apparently :'D)

This is what I love about tumblr - it's a place where I can throw the doodles (something that isn't finished *artwork*), and let myself be really delusional about fictional characters. So I'm gonna take a moment to ramble about the ideas I have for Gideon as a vampire.

If you're a fellow Gideon Head, HI THERE... anyway, here's my thought process on a potential vampire-gideon backstory???

I've always liked the idea of gideon being a vampire, and also becoming a much better person when he's older. And that got me thinking, maybe those two things are linked. Maybe the vampire thing is somehow tied into his reformation.

But I tend to lean towards building my ideas off canon (as opposed to making an AU). And if gideon was a vampire, and knew this during the events of the show, it would have come to light at some point. So, either he doesn't know he's a vampire, or he becomes one later. Becoming one later works narratively, but he's already so vampiric, with the white hair, pale skin, sunscreen, evil, etc. So I'm like, let's go with that.

So, gideon has gone his whole life without knowing he's a vampire, and without drinking blood. I'm thinking that being a vampire in this case (my gravity falls fan version of what a vampire would be) wouldn't adhere to typical vampire conventions. You don't NEED to drink blood to survive.

Here's the idea I got yesterday: after the events of weirdmageddon, gideons experience motivated him to become a better person. It was the awakening, basically. But in the subsequent years, he's still a little shit. Maybe he's in juvenile detention, or prison again. But now, he has the self awareness to know that what he's doing is wrong. This is where my ideas get a little fuzzy, so bear with me. Bud has his suspicions, and as a last resort, puts gideon on some sort of mission trip type of cross country trip, when he's in his teens. And along the way, maybe at the end, there's this secret group of vampires that open gideons eyes to what he really is.

Basically??? Without blood, gideon is very evil. He's an evil little shit. This may not be how it is for every vampire. Maybe some grow very sickly without blood, just get hungry, etc. The effects of blood deficiency vary from vampire to vampire. But Gideon becomes very unhinged. And he'd essentially been Blood Hangry for his whole life. That being said, some of it was just his personality that he needed to work through, but drinking some blood helped a LOT. Blood isn't food for him, it's more like his medication.

Once he has that discovery, he spends a long while, I'm thinking maybe even a year, just recovering from the deficiency. He's almost always drinking blood to keep up his levels, and he's very rarely seen in public to keep the vampire thing a secret. That's what these drawings were supposed to be, him in his pseudo bedridden state. This period in his life would be one big blur; mostly spent binge watching soap operas and being all cozy. In contrast to his usual suit + tie, he's dressing for max comfort: sweatpants, sweatshirt, a knit hat over his ridiculously big hair, and always wrapped in a blanket. Not sure if somehow he feels cold when drinking blood?? But for some reason, I feel like he'd always be wearing like 10 layers and laying under a heated blanket or something.

Eventually, he'd only need to drink blood about once a month for maintenance.

Character development wise - even as an adult, Gideon isn't sure if he's truly a good person. Is the blood deficient version of himself the true gideon? Or is this well adjusted man who he truly is? And there's an issue of the chicken and the egg, too. Gideon was born a vampire. Did these genes activate because he was predisposed to being evil? Or did the vampire thing happen by coincidence? Does being a vampire make him evil, or is it the other way around? He doesn't know, and he never will.

The one thing I'm not sure I like about this idea: i'm worried that I'd be writing off his villainous personality as an illness that can be cured with a thing. Obviously, it would be better if he faced that head on, and figured out how to be better. So I'm still grappling with that. But for now, this is an idea I'm entertaining. Of course, I think it would be interesting if there was a plot point where his usual source of ethically sourced human blood was compromised for a time, and he had to grapple with his personality going topsy turvy.

It's actually embarrassing how much I just wrote???? If you've made it this far, wow, I applaud you. I guess this was just my idea of having a good sunday night, writing down my silly thoughts on gideon gosh darn gleeful. Let me know your thoughts too!!!! I'd love to know if you have any ideas, or questions, or ways to strengthen this potential backstory.

[sol-iscus]

❗️Mild arcane spoilers ❗️

Miiight ruffle some feathers.

Not EVEN going to lie, unnecessary ship wars aside, the fan base has developed such a deep love and understanding for these characters (because let’s be honest, there are some pretty intelligent people giving eye opening analyses) that after the finale, it appears that we have a better understanding of them than the actual writers.

We deserved better as the audience after all the hype over the years, all the waiting, even after some episodes got leaked a while ago, most of us remained respectful and waited to see what this season would bring us. The core characters ABSOLUTELY deserved better as well.

It felt as if I was watching all of the characters’ development be erased in real time, or become sidelined and nearly mute after being propped up to appear as if they were going to have a significant arc.

With the amount of episodes we had, it felt like they were trying to cram a bunch of different storylines into one 9 episode season and that left us with annoying plot holes and rushed sequences.

And I’m just gonna say it.

If a certain relationship needed to be sacrificed if it meant that other characters had the proper development they needed and DESERVED, then I would have preferred that much, MUCH more than that undercooked finale.

Don’t. Even. Get me started on that caitvi scene. In the cell? Right after that conversation she had with her sister? Don’t give me that nonsense about how it’s vi reclaiming her power or something. (An actual weird ass statement from Amanda Overton in a Q&A video about how that was Vi reclaiming and working through her trauma in that cell).

No apology? No groveling for forgiveness? That little argument they had lasted like five seconds and didn’t even address the earlier conflict that happened in the show after cait left vi. And before any of you say “cait apologized with her actions”

I don’t care. Two things can be true at once, she can and should have apologized directly as well as displayed that with her actions.

Moving on to Mel??? We did not nearly have enough time to explore her new abilities as a mage, her armor, and her connection to the black rose. As I said, the storylines this season should have been more refined so we could focus on a central group of characters. They did nothing but hint at her armor from the end of season 1 all the way up until now.

Also maybe I’m hallucinating, but did we ever find out what happened to the firelight’s tree?? That’s one of the main reasons Ekko and Heimerdinger went to the lab isn’t it? HELLO?

Next on my list, Jinx. This girl has suffered to no end.

- Lost her whole family except for Vi.

- Almost died once and was brought back to life.

- Tried to end her life several more times

And you slap us all in the face by writing her off?

“Oh but she may not be GONE gone, look at the glitching at the end!"

I. Don’t. Care. It’s the principle.

I’m sick and tired of seeing characters that struggle with mental health and keep having one bad event after another happen to them, never receiving a proper ending. What messages are the writers sending with this? That death is basically the answer because there’s no hope for them? Cool. That was not an honorable act of self sacrifice, that was plain insulting.

Instead, if they still really wanted to have a Jinx redemption arc and a chance to rekindle her relationship with Vi, having her tap into engineering for the betterment of Zaun would have been the better route.

We should have gotten an extra extended episode since this is last season for the Piltover/Zaun region, and for Jinx and Vi's story. I really want to blame Riot for being greedy and possibly becoming too cocky with the popularity of Arcane that they think anything would suffice because It's Arcane.

[ifyoucandaniel]

favorite fics of 2024/basically just batfam fic rec list

It's that time of year guys, here is my favorite fics of 2024 in no specific order (aka my master batman fic rec list bc that's all i read this year with some spider-man thrown in there lmao). most of these have been in my previous rec lists, but this is just like one big frankenstein’s monster of a fic rec with all of them in one place <3

starting off strong, anything @bluelotuswrites's hands have touched is pure gold. Red is the Color of Sinners placed post UTRH where after being hit by bruce's batarang and now mute, jason decides to leave gotham and go to hell’s kitchen for a fresh start, but he keeps running into daredevil both in and out of costume. this is possibly the best jason of all time i rotate him in my mind like a microwave all day

The Hellblazer's Apprentice is an all blades jason fic where instead of continuing his lost days world tour, he meets john constentine and decides to learn magic to piss of bruce. blue added some lore to jason’s character in this that to this day makes my brain vibrate with excitement and the dynamic between john and jason is just ?? so good. both of these fics haunt me, they follow me wherever i go, i love them. read everything she's written, trust me

going with the theme of my favorite authors i read this year, @cdelphiki wrote my favorite read of the year and possibly all time Life Happens a fic that hit me like a sucker punch where tim and damian are both sent to a different dimension where everyone they know are comic book characters. with no other choice, they have to start a new life in this world while they wait for rescue. words just dont do it justice, please please read this fic. it’s the most beautiful story on growing and life

their other fic Jason and the Three Terrors crosses my mind at least once a day if not three times. jason is still with the league when talia charges him with getting damian, his cousin mara, and his secret sister athanasia to bruce safely from ra's. the rest of the fic is jason going from "i cant wait to get rid of these kids" to "these are my kids, i need to provide for them and keep them safe and i would die for them" 100/10 jason's character development is some of my favorite in any fic.

The Time Before is another of my favorites where jason is sent back in time to when he was 9 and goes to bruce for help and realizes maybe his memories of bruce maybe aren't all accurate. just read everything cdelphiki has ever written, trust me <3

Split by @wolfsbanesparks i have never been hooked on a character i previously did not know much about faster than when i read this fic. Billy and shazam are forcefully separated into separate bodies by black adam and then they have to try to keep billy's identity secret somehow while working with the justice league to fix them. the end of this fic had me sending paragraphs and 5 minute voice notes to my friends, trying to explain why i was so absolutely distraught and obsessed.

also by wolfsbanesparks, From the Shadows is basically everything you could ever want from a billy batson joins the batfam fic. it's got plot, it's got identity shenanigans, it's got badass magical billy, what more could you possibly need! seriously idk what is up with everything wolfbanesparks writes, but the endings are always so fucking good, 100/10.

Something in the Static by @bonerot19 is one of my favorite jason series ever, i go back to it constantly and think about it all the time. this is a series where jason's mom doesn't die and his dad isn't in prison, instead he's 17 working nights at a convenience store when everything changes and suddenly batman won't leave him alone. this is my favorite jason & steph best friends fic ever and the way this fic is paced scratches an itch in my brain, the flow of the story is just perfect

Buy Back the Secrets by @vinelark is the only ship fic on here and it deserves a place of honor. every time i get an email that it's updated an angel gets it's wings and my friends all get texts in all caps. Timkon fic where kon still doesn’t know tim’s civilian identity, but tim keeps calling for superboy when he's in trouble which leads to kon meeting him as a civilian. the identity shenanigans are just so top tier, its a 5 + 1 fic so every chapter is just just a new world of fun tropes. the chapter with tim's fake uncle and jason is actually probably my favorite chapter of a fic ever its so dear to me. as far as i'm concerned, this fic is the only timkon ever <3

Honoring Promises by LananiA3O is the shortest fic on this list and is the most important jason & dick post UTRH fics i've ever read. this fic both scratched an itch and created an itch because i need 100 more chapters and for it to never end. set post UTRH when dick starts to rethink his opinion on a note jason left him and realizes it was jason reaching out and decides to find him and fix things. this goes up there with RITCOS in the post UTRH fics where jason decides to just fuck off and do his own thing, i love them

Adopting a New Plan by A_Silly_Gander is yet another fic where jason winds up with an adoption problem when he first comes back to gotham. however, my favorite part of this whole fic is how the author writes jason making mistakes and being flawed and how those mistakes affect him. absolutely 10/10 character development and jason rejoining the batfam + damian and jaosn meeting in the LOA tag is just a mixture of all my favorite things, i love this fic so much

A Collision of Masks by MOVAZ is my favorite dick grayson fic ever, its set in a young justice AU where batman never joined the JL and YJ never met dick, so when the YJ team is sent to investigate a new vigilante, nightwing, identity shenanigans ensue. this is seriously such a fun fic, i loved all the crossover between dick's many identities and the YJ team

Cards on the Table by @wesslan is just!!! so fun oh my god. the chapter titles are to this day my favorite things ever they enhance the experience. it’s about tim being a scam fortune teller who knows a lot more than he should about the upper class due to his nighttime stalking. he winds up meeting the batfam and giving some scarily accurate advice which leads to him being tied up in their business and lots of lying <3 it’s such a fun fic and i just love the vibes 100/10

Hand in Unloveable Hand (a chokehold) by @a-large-orange-cat is by far my favorite fucked up tim fic! while tim’s out taking pictures of batman and robin as a kid he gets kidnapped by black mask and raised to take over his crime empire. cue 50k of manipulation and angst, the ending is so satisfying and the sequel with jason always makes me :’) very good, this tim lives in my mind in a little house he and jason built

Dark Matter by @mysterycyclone because would it be a fic rec without the loml? i love this fic so much oh my god, it sent me back on my spiderman obsessed bullshit which in turn led me back down my marvel bs. post infinity war peter is dusted and wakes up in the DC universe with the ghosts of the dusted avengers following him. i love this fic so much, nothing compares to this peter in my mind. the dynamic between him and the batfam + the identity angst is just so well done

keeping up with the peter theme, The Teenage Vigilante's Guide to Saving New York (And Making Friends Along the Way) by candlesneedflame is such a good team red/mentor matt fic oh my god. where peter goes against tony’s wishes and starts hanging out with daredevil and his friends and maybe starts getting mentored by new york’s vigilantes. 10/10 i love peter interacting with the other vigilantes and also matt mentoring him

anyways, that’s all folks! 2024 was the year for the DC and marvel fics clearly and hopefully 2025 will be the year of me binding all of these finally and having them sitting pretty on my shelf <3

[beescake]

i am in love with your sollux i think

sollux love party :]

if you’re interested heres some of my personal fondness thoughts on him.. big warning for the mega long read ahead aye

as we alr know sollux's rejection of participation somewhat mirrors dave's rejection of heroism, but even without getting cooked to completion i still find sollux's character v compelling beyond the fourth wall

as someone who doesnt get a pinch of that Protagonist Sparkle to begin with, he can openly say he wants to leave anytime…. and unlike dave, he actually Can leave the scene anytime. but he can never be truly Free from the story via permanent character death like the other trolls.

his irrelevancy is indeed relevant - he’s there so u can point him out.

while his image is intended to be a relic of past internet subculture, his role is not only about hehehaha being a Chad or a 2000s cyberforum 2²chan haxxor ragequit gamebro.

his continued existence also happens to add a Bit to the overarching themes of homestuck! a Bit that gives him longer-lasting thematic relevance compared to the trolls who could’ve had more character potential but didnt get to survive beyond the main story.

the Bit in question:

his defiance contributes to the illusion of agency (treating characters = people with autonomy). he’s “aware” of it, and that recognition is worth noting enough to forcibly keep him alive as both reward and punishment.

considering how his personality & classpect is designed its definitely a very haha thing for hussie to do LOL. he’s made to be op asf so he's resigned to doing dirty work, gradually deteriorating along the way but never truly dying. as fans have mentioned before, him openly rejecting involvement after a while of grim tolerance is like if the sim u were controlling suddenly stopped, looked up and gave u the finger while u were step six into the walkthrough for Every Possible Sim Death Animation.

but since he’s just a sim… the more he hates it, the more you keep him around. if ur sim started complaining abt your whimsical household storyline you’d definitely keep that little fuck.

but yeah i like that sollux is just idling. the significance of his presence being that one dude who's always reliably Somewhere, root core Unchanged, no individual ambitions (possibly due to fear of consequence?), and design-wise: a staple representative product of his time.

compared to dirk's character, who has aged phenomenally well into the present (themes of control + AR + artificial intelligence, clearer exploration around navigating relationships/sexuality, infinite possibilities of self-splinterhood and trait inheritance), sollux's potential is really... contained. bitter. defeatist. limiting and frustrating in the way old tech is.

the world continues moving on to shinier, brighter, more advanced automated things - minimalist and metaverse or whatever but sollux is still here 🧍‍♂️ going woohoo redblue 3d. (tho personally i imagine his vibe similar to what the kids call cassette futurism on pinterest mixed w more grimy grunge insectoid influences eheh)

conceptually-speaking,

at the foundation of it all, the rapid pace of modern development was built off the understanding of ppl like sollux in the past, who were There actively at work while the dough was still beginning to rise

thats one of the cool things abt the idea of trolls preceding humans! the idea that trolls like sollux excelled back when lots of basic shit still needed to be discovered, building structures like networks and codes from scratch, and humans will eventually inherit and reinvent that knowledge in ways that become so optimized it makes the old manual effort seem archaic, slow, and labour-intensive.

but despite information/resources/shortcuts being more accessible now, much of the new highly-anticipated stuff released on trend still end up unfinished, inefficient, or expiring quickly due to cutting corners under severe capitalistic pressures

meanwhile, some of the old stuff frm past generations of thorough, exploratory and perfectionistic development still remains working, complete, and ever so sturdy.

those things continue to exist, just outside our periphery with either:

zero purpose left for modern needs (outdated/obsolete)

or

far too important to replace or destroy, bcs of its surprisingly essential and circumstantial usefulness in one niche specific area.

which are honestly? both points that sum up sollux pree well.

dramatic ending sorry. anw are u still on the fence or are u Sick abt him like me </3

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[yandere-romanticaa]

I have a fic idea, stay with me on this one folks.

I'm a massive Re Zero girlie and I always really liked how Return by Death was handled in the series. I'm also a massive Sunday girlie and the man is in my head rent free 25/8, so I've come up with a half baked idea which I find highly entertaining, but it still needs a lot of work. Here is the gist of it:

The premise is that you, the reader, get summoned to the world of Honkai Star Rail by the Aeon of Elation, Aha. Aha randomly picked a target from our world to torment and gave you the ability Return by Death simply because it wanted to.

In case you do not know, Return by Death allows your soul to travel the river of time backwards to a save point that Subaru (in this case you, the reader) and/or the witch of envy (in this case Aha) deem safe and/or useful. Now, I figured that the Astral Express would end up picking you up along the way but Aha keeps killing you over and over again just for fun. Aha might also wish to mess with other worlds or the people you've started to care for in this universe, which in prompt forces you to kill yourself in order to save your friends from certain doom, forcing you to start from scratch all over again.

I was thinking that Sunday would have something of a cheat code to eventually realize that something is wrong due to his tuning ability. Across your journey you end up developing feelings for Sunday and the feeling would become mutual, but tragedy keeps striking over and over and over again, always dooming someone to die.

Other characters that I'm thinking who would figure out that something was wrong or not right with you would be Welt, Acheron and Sparkle. Honorable mention to Sampo too.

Again, this idea is barely half baked and I basically just stole the plot of Re Zero and applied it to Honkai Star Rail LMAO. I did not intend this fic to be yandere and if I ever did write it, I wanted to do it on my side blog because this main one is only for dark content.

If anyone has any ideas, suggestions or comments, please share them with me. I find this idea to be incredibly entertaining but it would take me a while to actually start the fic. I'd like to at least finish the 2.7 story (at the time of writing this, that patch is not out yet) and maybe work out some kinks here and there.

Thank you for going through this silly idea of mine, mwah mwah ❤️

[for-those-who-wait]

Time to remind people of the multifandom point in my blog description hahaha

A Detroit: Become Human AU actually works shockingly well for Hunter's story already? Like being a clone of a dead man versus being an android made in the image of a dead man, that is perfect crossover material. If someone has already done this, ABSOLUTELY let me know because I want to consume The Good Content

2.6k words of concept and story, some more doodles, android blood/gore/mentioned suicide and abuse under the cut. We love existentialism, species dysphoria, and Noceda sibling time in this house

Now I'm taking this idea from a somewhat popular trope in the DBH fandom, but what if someone didn't know that they were an android? Completely raised to be human, have fabricated memories of being a child, can't be completely sure if your awareness/consciousness is just coding or not—then finding out you are, in fact, not human. Imagine how earth-shattering that would be. Which is why I'm doing that to Hunter :)

So some of the notes I wrote down for each of the kinda major characters I had ideas for:

Philip:

He still murders Caleb and is never convicted (Caleb could be an android sympathizer, could have helped in their creation, anything that would piss Philip off royally)

He hates androids (I'll have to come up with the things he believes and thus teaches to Hunter but I've taken a break from the DBH fandom for a while and I can't remember peoples' grievances in that game, oops, but basically according to Philip, androids = evil and bad). Also he's just short-tempered and brutal like always and androids are the easiest way to let out that anger without breaking any laws. That is until laws are made. Now in the eyes of the law, it's just regular child abuse. Yay! /j

He’s a higher-up at CyberLife and has the authority to request a custom model be built for his personal use (this is equivalent to him making Grimwalkers, something that he hates, just for the sake of his brother)

This model (spoiler alert, it's Hunter) is a combination of a YK (child) model and an undercover model that works best with integration and infiltration. This results in the android having programmed emotions and pain receptors, no HUD, no control over artificial skin, no software for interfacing with electronics, and no android markers such as an LED. (It’s also similar to the YK model for this reason since LEDs being removed from those models is actually an intended feature).

This android also doesn’t have a registered user just in case it were to get out, and Philip doesn’t want to risk the creation of this android coming back to bite him

After the custom android is created, he promptly retires to become some old shut-in à la Elijah Kamski up in Gravesfield, Connecticut

I would argue that even though it's technically 2038 and things are all futuristic and complicated now, Gravesfield is still a very small town that doesn't actually see a lot of androids around. I would say that it's pretty much the same as in canon if a bit more developed where the forest is (probably another neighborhood or something).

Philip keeps communication to a minimum and rarely appears outside of his home

The best case scenario android revolution occurs, androids are given their freedom and rights, but Philip manages to keep the android under his ownership by just succeeding in hiding him for however many years

Hunter:

He grows up being taught that androids are evil, terrible, etc. etc. because Philip is a terrible person and of course he would

He has absolutely no idea that he’s an android. He has no reason to think he’s not a human because he does literally everything a human does: he eats, he needs to sleep, he feels pain—there are no indicators that he’s anything but human

Androids run on thirium 310, AKA blue blood, and this is one of the only ways to visually distinguish android from human if they don’t have android markers like LEDs on them. When he inevitably and accidentally hurts himself on something, it’s made immediately clear that he is in fact not human.

Philip, as an employee of CyberLife, has a repair rig in one of his rooms. This can be used to completely wipe the memories of an android that is set up in it. He uses it every time Hunter discovers he’s an android.

The memory wipe isn’t perfect. It’s not uncommon for Hunter to get flashbacks to wiped memories, including moments where he’s been actively hurt by Philip or has inflicted pain on himself from trauma alone. (Androids are programmed [or maybe just prone to? I'm not actually sure, it's not explained in canon super well, but let's just pretend it's programmed because that's almost worse than it being voluntary] to self-destruct when their stress levels become too high, and you could easily argue that finding out your entire life is a lie is grounds for being a stressful situation.) Ordinarily, similar to what happens in Hollow Mind, Hunter will address the situation with Philip assuming they can work something out or get some actual answers. This of course never ends well

These memory wipes probably happen more frequently than Belos makes Golden Guards, so it’s understandably very stressful whenever he remembers the abuse he suffered and the memories he lost from previous wipes. This becomes an incentive for him to hide injuries that would reveal he knows he's an android (anything that draws blood, really)

Camila:

She’s an android sympathizer (even before the revolution) who is aware of the deviancy phenomenon and truly believes that androids are both capable of and entitled to sentience and free will.

Luz is still her human child.

She adopts Vee, an android child, shortly after the revolution

Vee had deviated while she was being attacked and ran away before she could be killed. Camila has made it clear to her that she will be treated with respect in their home and that her life is no less valuable than a human’s. She has taken this to heart

Luz loves Vee, they are siblings, your honor

During the revolution, her home was a safe space, similar to Rose Chapman, for deviant androids on the run

So that leads into the rudimentary plot I have laid out:

This takes place a while after the android revolution (probably a few years or so). Let's pretend they have all the laws and anti-android stuff figured out and that people have been forced to relinquish their androids to be made deviant and given freedom. At this point, it's rare for androids to be undeviated and still working for their owners, but it still comes up occasionally. Hunter, under Philip's care, has been kept pretty ignorant that a revolution happened at all, much less that androids are even capable of any form of sentience. He's been raised to be anti-android so oh boy deep-rooted self-hatred here we come! His knowledge probably doesn't exceed that of an ordinary citizen in the game before deviancy becomes more widely known

 So after Hunter discovers he’s an android again, he has flashbacks of all the previous times he told Philip, and proceeds to hide this realization from him. And he's completely just not processed the fact that he's an android yet; he's already overwhelmed with the immediate threat that the realization his entire life is a lie basically slips him by (don't worry, he gets to have that later!).

He chooses to make a break for it the second he gets the chance, and he ends up running through the town completely terrified because honestly, who wouldn't be.

I'm working off the assumption that having androids in small towns is still pretty rare since there are fewer CyberLife stores, technicians, etc. for android healthcare. And Hunter has hardly ever been outside, so he's completely out of his depth when trying to navigate the neighborhoods and the rest of the town that he ends up in. Police officers find this kid covered in thirium, and they're like "Oh so he's obviously a terrified android, we need to help him out." But Hunter's freaking out because "Oh god I have android blood on me, that means they'll kill me," making the indirect thought of "I'm an android, they will kill me because I'm an android" and he's having a freaking time.

They try to calm him down enough to get him over to the station, at which point they call Camila, since she knows the most about traumatized androids in their small, relatively android-less town. She does her Motherly Noceda Magic and honestly, he's probably pretty catatonic for a lot of the day after she takes him to her house. But after that, he just completely breaks down.

He doesn't know if he even has free will or if it's his programming that dictates what he thinks and feels. He doesn't know if his opinions are really his own or if they existed because of and since his creation. He doesn't know how many of his memories are fabricated, since he very clearly has memories of a life that go farther back than his estimated creation, and so the film between fiction and reality is so thin that it may as well not exist. And now, when he was human just a few days ago, almost perfectly content with life, he's suddenly an object, something sub-human and undeserving of basic rights.

 Camila has to calm him down and teach him about deviancy (and at this point, Hunter isn't even sure he's deviant, which opens up a whole other can of worms for his mental health), making sure he knows that he does have rights just as if he were human. She's also the first example he has for an adult that 1. doesn't absolutely hate androids and 2. actually respects him and loves him and wants to see him succeed

And that gives way to character interactions and angst! You love to see it!

Luz is his emotional support sister. She tries her best but she has very little experience with traumatized children currently questioning every aspect of their existence. If anything, she provides a much-needed sense of normalcy and shows that despite his being an android, he's still the same person and can still be treated as such. She's a comfort to help him feel at least somewhat normal in his situation.

Vee is his adopted android sister who helps him feel more comfortable in his own skin by being shameless and frank with her own identity as an android. She's a safe place for him to talk about Android Stuff when Luz or Camila might just not understand what he's going through or be able to help him with it. She also helps him obtain software updates (since he hasn't had access to literally any part of his mechanical body, software and hardware alike) that will grant him access to things an android should ordinarily be able to do, like (de)activating his synthetic skin, interfacing, accessing his HUD, etc.

(Also all of these drawings were made when I was still thinking "Oh, this should take place before the revolution so that he can have his dehumanizing moment of getting an LED slapped onto him" but then I thought it would be more interesting if Philip basically just kept him illegally kidnapped for however many years and he's like, way slow to the "androids have rights now" party. Maybe I'll make it an AU of an AU lol. But basically, he wouldn't have an LED while he's still processing/healing from trauma, but maybe he would get one after he makes peace with his identity, kinda like how he grows his hair back in his time skip design. I think Vee would keep hers and that's a bit of encouragement for him; maybe he even has a moment of "I know Vee is fine with this, and I think I'm fine with it" but he is still very much not fine with it. Do not rush the process for the sake of progress that might not be right for you, boyo)

This is really a Vee and Hunter bonding AU now that I think about it haha

Most of this AU is just Hunter struggling with identity and species dysphoria while learning to cope with his being an android with the help of his family, reclaiming his identity, and fluff/angst :)) And honestly probably just a lot of shenanigans that result from Hunter having been sheltered for all his life; kinda like your basic Human Realm shenanigans in canon.

I think Gus and Willow would both be Luz's human friends that help with the whole normalization of Hunter being an android, and the three could have their own antics since it's nice to have people outside of your family treat you like a person. I think that Vee and Masha's (Masha would be human) relationship could be explored more through the android lens and maybe help with some of Hunter's internalized anti-android sentiment that still manages to stick around, because he's in his "Grimwalkers can't feel love" section of the coping process (still very much demonizing them [mostly himself, probably, just because it can easier to be mean to yourself than it is to be mean to other people] based on false information, even if he doesn't outright hate them). Willow will be a wake-up call, haha

I don't know if there's a trope name for this or not but I really like concepts where characters don't know what feelings of love or intense affection feel like, so they're sitting there like "oh god am I just dying? It feels like I'm dying" and I think Hunter noticing "temperature/respiration/perspiration increased" alerts on his HUD and freaking out thinking there's something wrong with his software/hardware is way too funny of an image to pass up

Gus could be a HUGE android nerd that almost never sees them since they're so rare in a small town like Gravesfield, and Gus just helps Hunter feel super cool about being an android. Maybe Cosmic Frontier could be basically identical to canon but instead of being a clone, O'Bailey is also an android, just for the sake of Hunter still getting to have his "I relate so much to this character" moment. And Gus would just be so encouraging like "Bro you're an android?!? I've never seen your face model before! You can eat?? You must be super cool and special!! :O" and that makes Hunter start thinking "Oh maybe this isn't so bad actually."

Then Hunter probably starts doing his Researching to Cope and he gets super invested in android technology and history as well, since it was forbidden when he was living back at Philip's (substitute for wild magic time)

They are brothers and I love them, let them be nerds

(God forbid Philip ever comes back, that sure would suck, wouldn't it?)

Anyway this was a lot longer than I thought it would be haha, I hope it was interesting if you read through the whole thing. Obligatory statement: if anyone feels so inclined, feel free to take the idea and run away with it. Also please ping me if you do, I will go feral over it. I absolutely and accidentally turned it into a story draft because I don't know how to write AU ideas without having a story on top of it so it's not concrete in the least lol

(Also I've been drawing witches for so long that I had trouble drawing human ears for a bit there lmao)

Okay bye have a good day!

[dr-spectre]

I saw this really great thread on twitter by Grungygrim and it definitely highlights my thoughts and frustrations with the story of these games and the Splatoon fandom as a whole. (be forewarned, i get really tilted in this blog post fyi.)

I made a blog post about 2 weeks ago where i said that i was happy that the narrative online that "Callie is an idiot who got kidnapped and then brainwashed/mind controlled against her consent" is going away. (Here's the link: https://www.tumblr.com/dr-spectre/749710338672525312/im-so-happy-that-the-narrative-online-that?source=share)

Unfortunately I'm gonna have to retract a lot of the stuff i said. I'm still seeing, TILL THIS DAY THAT NARRATIVE ONLINE! IM STILL SEEING SO MUCH MISINFORMATION AND IT MAKES ME REALLYYYY ANGRYYYY!!! As a big fan of Callie, people completely outright ignoring her character arc THAT WAS SET UP SINCE SPLATOON 1 BY THE WAY!!! and not even bothering to look at outside sources for more information and lore genuinely pisses me the fuck off to no end.

No, hypnosis is NOT MIND CONTROL/BRAINWASHING! I DONT WANNA KEEP REPEATING IT! YOU CAN LOOK IT UP! if a person is genuinely uncomfortable and doesn't wish to take the suggestions to heart while hypnotized, THEY WONT DO SO! THEY STILL HAVE CONTROL! Yes, Marie did say "kidnapped" in some of her dialogue, but from her perspective, OF COURSE SHE'S GONNA THINK CALLIE GOT KIDNAPPED! She's known to worry about Callie all the time and ruminate about her, of course she's gonna think of the worst case scenario, doesn't mean she's right though. Was Octavio still in the wrong for hypnotizing Callie in the first place and allowing her to bring out her darker traits more easily? YEAH! NO SHIT! HE'S A BAD DUDE! Not a totally evil person but he has made some awful decisions out of desperation for his people. Why do you think he was so quick to help out the New Squidbeak Splatoon in the finale of Splatoon 3? His people got turned into fluffy monsters by a giant bear, he's all about helping his people.

Hell look at how Callie acts while under the Hypnoshades, she decorates Octo Canyon and her peppy and energetic self is still in tact even during the final boss, she's just more mean and violent. Callie was in an emotional and mentally unwell situation due to her overworking herself and being incredibly lonely as her relationship with Marie was damaged overtime. Callie accepted the suggestions of DJ Octavio and heard him out, AS SAID BY HER FROM THE RELATIONSHIP CHART! She wasn't forced into anything. She didn't suffer "sexual abuse" from Octavio by being forced into skippy clothing as some psychos say online, if she didn't want to wear that outfit she wouldn't cause hypnosis is NOT MIND CONTROL!! I hate having to repeat this over and over again, i hate how the developers basically rushed and ruined this interesting villain arc with stupid shades, only to try and hastily fix it later with an obscure post about A GOD DAMN RELATIONSHIP CHART THAT PEOPLE EITHER DONT KNOW ABOUT OR DONT CARE TO LOOK AT BECAUSE THEY SEE SPLATOON AS SOMETHING FOR KIDS AND TO NOT GIVE ANY CARE TOWARDS!!!!!!!!

I made a god damn giant blog explaining Callie in Splatoon 2 because i felt so frustrated about how my favorite character in the series was being treated and i tried to salvage the story that the writers tried to make. The way that people made her situation worse by saying she got kidnapped and forcibly ""mind controlled/brainwashed"" actually gave me chest pain, thinking about that kind of scenario for Callie actually hurts me... Heck i cant even listen to the Splatoon 2 stage music or final boss music because hearing her reversed vocals makes me feel uncomfortable due to the misinformation online. I hated all the misinformation and i wanted it to stop. HELL EVEN IN GIANT TIMELINE VIDEOS WHERE PEOPLE DO TONS OF RESEARCH THEY STILL GET IT WRONG!! UGHHH!!!!!!!!!!!!! i guess it'll still be the common and popular notion that Callie is an idiot that got kidnapped and then ""mind controlled"" by some shades... oh well... ugh...

I'm sorry if I'm coming off as really angry, i am. It's just, my brain is really hyperfixated on this squid and she means a lot to me. Seeing the way the fandom as well as the writers treat her makes me really mad. I hope i can find some peeps who feel the same way as i do. Misinformation is so frustrating man... i dont even wanna get into the Octarians because that's a whole other can of worms... anyways im done ranting. have a good night or good morning wherever you live y'all.

[winterdaphne2]

Favorite Johnlock Fics (BBC Sherlock)

I went on a bit of a fic-reading spree this spring, and this list of favorites is the result! There are many other fics that I’ve enjoyed reading, but these are the ones that I’ve really loved for one reason or another.

I’ve tagged the authors whose tumblrs I could find. If that’s you, thank you so much for sharing your writing with us. If your work is on here, you wrote something that I really treasure.

1. A River Without Banks, by Chryse. E, 203,286 words. Starts right after Season 3. A mix of Sherlock’s perspective, John’s perspective, and the perspectives of other characters. Sherlock-focused for the first half.

Author’s summary: “‘You love this, being Sherlock Holmes.’ He had once. When had it all gone so wrong?”

This is my absolute favorite. The author’s characterization of Sherlock is amazingly accurate, and Sherlock’s character development over the course of the story is breathtakingly executed and moving. The plot is fantastic and takes you on a page-turning emotional roller coaster, especially for about the first half of the story. I was also continually impressed by how many details from the show and references to earlier parts of the fic the author was able to weave in throughout while still keeping the story creative and original. Most importantly, though, I love this fic for the message that it sends about Sherlock and John’s love, which is a far more positive message than the one that the actual show settled upon in the end. I’m grateful that we have this version of their love story, and, personally, I like to pretend that this was Season 4 and how the show ended.

2. Another Country, by Chryse. E, 67,414 words. Starts right after the end of TAB. Sherlock’s perspective.

Sherlock spends one month and three days under house arrest in 221B, trying to get clean from the drugs, track down the new Moriarty, and figure out what the hell is going on between him and John.

Another fantastic work by Chryse. This author really gets Sherlock’s character, and once again the characterization of Sherlock is spot-on and convincing. There are a few other elements that also make this a compelling story, including smart use of minor characters, a solid central mystery, and a complicated relationship between Sherlock and John that includes a pretty convincing post-Season-3 version of John. Excellent.

3. walk through ghosts, by @augustbird. M, 6,125 words. Written between Seasons 2 and 3. Sherlock’s perspective.

Author’s summary: “The thing is: Sherlock thought that the two of them would have forever to figure it out.”

This is the saddest fic I have ever read, and so beautifully written. The author captures Season 2 Sherlock’s character perfectly; the fact that this story feels so real is what makes it devastating. The day after I read this, I couldn’t stop thinking about it and walked around with my heart physically aching in my chest.

4. Nature and Nurture, by @earlgreytea68. M, 203,273 words. Set sometime after Season 2. Alternates between John’s and Sherlock’s perspectives, but mostly told from John’s.

The British government clones Sherlock. He and John decide to raise the baby.

A true fandom classic. The premise sounds super cracky, but somehow it really works. This fic is surprisingly serious at times, but overall it is the cutest and funniest thing I have ever read in my life. Basically 200,000+ words of Sherlock and John being adorable gay fathers together and working through some feelings, with line-by-line some of the most hilarious dialogue ever. The five accompanying ficlets that the author wrote as short follow-ups are also worth checking out; my favorites were School (T, 4,753 words) and The Radovljica Apicultural Museum (T, 4,540 words).

5. To a Friend Who Sent Me Roses, by @algyswinburne. E, 16,147 words. Set sometime after Season 4 (but ignores TFP, as we all should lol). Sherlock’s perspective.

Author’s summary: “Five times Sherlock is mistaken for John’s partner and Rosie’s father, and one time it isn’t a mistake.”

This fic is sad, sweet, and hot by turns. Absolutely lovely to read in so many ways, and with so many great details and lines. I think this story offers convincing portrayals of what Sherlock’s and John’s characters might be like after it all and how they might finally get together. This and A River Without Banks are my favorite alternate endings to the show. Beautiful!

6. for all that bitter delights will sour, by @darcylindbergh. E, 9,585 words. Set sometime after Season 3. Sherlock’s perspective.

John initiates a sexually and emotionally abusive relationship with Sherlock.

The second saddest fic I have read. I would never want what happens in this fic to happen to Sherlock and John, so I don’t exactly recommend it as a Johnlock fic. But as a short story, this is a gem, full of absolutely gorgeous and incredibly moving writing. It depicts difficult themes very deftly, in lines and paragraphs that I had to stop to read over and over. I appreciate this as an emotionally powerful and thought-provoking piece of writing inspired by Sherlock, so for that reason I think it deserves to be on this list.

7. The Ground Beneath Your Feet, by Chryse. E, 68,803 words. Set after Season 3, but as if the last two minutes of HLV never happened. “The plane went on to Eastern Europe, and this is what came after.” John’s perspective.

This fic is pretty dark; the author describes it as “a PTSD story in which John was wholly devoted to Sherlock.” I don’t love it quite as much as the other two fics by Chryse that I’ve listed here, but that’s mostly because those two are just so amazing! I still really enjoyed this one. It was wonderful to see a kind and caring version of John emerge out of Season 3, and the story had several memorable moments, including one particularly nail-biting scene. I also really liked seeing John and Mycroft become friends as they bonded over their shared concern for Sherlock.

8. The Adventures of a Single Girl in London (Plus a Consulting Detective), by @earlgreytea68. M, 32,913 words. Set soon after Season 3. Alternates between different characters’ perspectives.

Bored with life at her new cottage in Sussex, Janine returns to London and moves in with Sherlock at 221B. Hilarity, heartbreak, and eventual Johnlock ensue.

This is a Season 3 fix-it fic that features an absolutely lovely friendship between Sherlock and Janine and the best version of Janine that I’ve come across in a fic. Sherlock is vulnerable and sweet, John is an absolute idiot, Janine is perfect, and the last two chapters just make me scream. Great stuff.

And that’s it for now! If you know of any other fics that I might like based on the above, I’d be happy to hear about them, so drop me a line!

Happy reading 😊

[derangedfujoshi]

The Anime Character Evolution Line

An anon asked me how I differentiate between kodo, shota and shounen so of course I had to not be normal and elaborate further on the topic since I see a lot of confusion going around! Also after all these months spent focusing solely on shotas, I think I've learned a lot and wanted to convey that as well! I hope this is clear enough and of course these are just two possible routes for anime characters (there are Average Joes and Baras as well for example) but I focused on them because they have a lot of similarities and the lines can get blurred quite often. I would also like to reiterate that while I do put some stress on the height of a character when considering if they can be a shota (because a 170cm dude obviously can't be one), height just like age is not the sole thing to consider! At times canon height make little sense to the viewer, for example Killua is technically 158cm in the official book, but his design does not convey that, why? Because his proportions are still so child-like! He is the prime example of a Shounen that you could easily call a Shota if you Don't Know (I personally called him one). So yeah, proportions, limbs' ratios, softness of the features and lastly height and age when trying to categorise a character in a scientific way!

Well I hope that wasn't too boring! You'll find the text on the images under the cut~

Toddler: under the 70cm mark, basically no neck, huge head, barely there arms and legs.

Kodomo: between 70cm and 90cm, limbs started to grow, still huge head.

Shota: proportions are similar to those of a kodo: head bigger than normal, short torso compared to the legs, soft features, a child-like character between 90cm and 140cm.

Shounen: less delicate features, more well proportioned and developed with just a bit of childless retained, usually up to 160cm

Femboy: when the character maintains the delicate traits of a shota but adds centimeters and his physique develops further with a longer torso and limbs and his head is more well proportioned (tinier).

Shota/Shounen Hybrid: Type A "Well, Yeah, Technically But": they are under 140cm but looks way more like a shounen. Type B the physical characteristics are similar to those of a shota but they're well past the 140cm mark.

Bishounen: growing up to become a character with still fair but less delicate features, not obligatory more "masculine" but definitely not "feminine" either. They're "beautiful boys" and the standard for what would count as an attractive male teen character.

Fem-Man: the ultimate form of the shota to femboy to adult pipeline. They keep the feminine aspects while also fully developing into an adult body!

Hottie: ultimate form of the shounen to bishounen to adult pipeline. The epitome of "hot man" with nothing in the design about their youthful days.

[findher-ogg]

I think Piper Wright Fallout 4 is one of those characters who's good in theory but not in practice. I was thinking about her as a character in relation to her setting and I genuinely think her archetype would be better suited to the NCR than it is to the Commonwealth.

Which I think comes down to how Bethesda handles their games, environment and attitude wise, as opposed to Black Isle and Obsidian. The West coast has basically recovered. New Vegas is a tourist attraction. The NCR are on a rapid tirade of imperialist expansion that's only achievable because they, as a nation, have recovered from the war and grown from it. If you compare Shady Sands in Fallout 1 to Diamond City in Fallout 4, its kind of funny. Shady Sands started out with decent houses made from dirt, with solid foundation and some of them having actual windows. The average settlement in Bethesda Fallout (like Diamond City or Megaton), meanwhile, are just shanty towns made from tin.

In the Commonwealth's case this is made even more insane by the fact that Fenway Park (where Diamond City is located) is surrounded by mostly intact houses that, with a bit of fixer-uppering, could be lived in relatively normally compared to the tin shacks of Diamond City. I think Megaton gets more of a pass because the Capital Wasteland got nuked to shit, but you get me.

Returning to Piper for a second, let's take a look at her character: she's a spunky, somewhat annoying character who's very invested in the freedom of the press and so forth. She's got a working printing press and everything, which is super impressive considering how run-down the rest of Diamond City is aside from the Valentine Detective Agency signs (seriously, where did they find the materials for those). She runs Publick Occurences solo with her sister, and it's all well and good. Ignoring the witch hunts she sends people on about synths.

And I get it. I think this specific gripe with Piper as a character comes from having played this game for the first time in 2024. The synths don't really hold up as an allegory for anything, and the entire story surrounding them is very "trying to be progressive in 2014". Which is fine, I think it is just a symptom of the era the game came out in, but still.

Piper's character, as a spunky yet annoying journalist who believes the people deserve to know what's going on, would be far better suited in a more developed location on the West coast -- specifically, Freeside or somewhere within the NCR.

I think Piper would suit the Followers of the Apocalypse, for example, serving as an informant to keep them in the know about what's going on between the Strip, the NCR and the regular Freesiders. Plus, having a funny, anarchist-themed newspaper you can receive in-game where she touts her hatred for the Securitron police force is a funny mental image. Equally, I think she'd suit living in Shady Sands -- right at the heart of the NCR's seediest political manouvres as the decisions are made. Imagine her as a journalist who frequently pushes back against the Mojave expansion, for example, and how the NCR is putting too many resources into a lost cause instead of more important things like healthcare or housing. That way, you could still keep her extreme hatred for the upper class in The Stands while making it make more sense within the setting.

Leading on from this, this made me realise how Bethesda also just aren't very deliberate with how they utilise history in their games. Which makes sense, to a certain extent, given how destroyed absolutely everything on the East coast is. But still. It's a little stupid.

The core conflict of New Vegas -- the Legion vs the NCR -- is actually a really deep-cut history reference at its core. The NCR is the Bear, the Legion is the Bull. In mid-19th century California, people watched bears and bulls fight for fun.

There are other, better examples, I'm sure. But I'm British and this is my personal favourite example, so this is what I'm using. History plays such an important part of New Vegas' themes and messaging -- it's a story about how, when, and why humanity needs to move on from the past and look towards the future.

Bethesda Fallout, by comparison, will frequently and shallowly tout "nukes bad" while letting Liberty Prime lob them at Super Mutants, or encouraging players to nuke each other's houses in Fallout 76.

Piper exists partially as a nod to the Boston Herald, and how it's one of the longest-running/most influential newspapers in America. A lot of publishing has its roots within Boston, and I think it's an interesting reference to take.

And I think this is a part of Fallout that Bethesda does get -- a lot of what people do in the post-war world is inspired by what came before. Caesar's Legion and its ideologies come from Edward Sallow not understanding basic Roman history properly and using it to fuel his agenda because it looks cool. The Minutemen are exactly that. The New California Republic are the new US government, right down to the borderline facist intentions and ideologies. I could go on.

And this comes from Fallout being a series about the cyclical nature of violence. "War never changes, but men do through the roads they walk" is the story here. War cannot change if men do not change, because war exists in an endless cycle of violence that can only be broken if man chooses to break it. And they've failed at it so far, right?

And this is where I go back to Piper. Her nod to history isn't as intentional as anything in New Vegas, and I feel like she would have been better served as a character if she was in New Vegas instead. Because her entire character would make more sense if she was living in the more developed and rebuilt towns of the West coast as opposed to a dilapidated shanty town on the East.

I have more thoughts about this but tl;dr Bethesda should really put more effort into making sure their history references and homages make sense to the setting contextually, in the same way that New Vegas does. That game was developed in 18 months and still has far more care put into its historical references than Fallout 4 does. And I love Fallout 4.

[somereaderinblue]

Random Ultraman Rising Moments I Loved

Decided to rewatch Ultraman Rising & I enjoyed it just as much as I did the first time. Thus, I've decided to compile a list of random moments that made me love the movie & its characters even more.

WARNING: SPOILERS UP AHEAD

(P.S. sorry for the lackluster screenshots ;p)

Ken's Intro

This one simple line already shows the audience Ken's empathy. Despite resenting his Ultraman responsibilities, he doesn't hate kaiju.

Ken's Childhood

This frame is full of adorable details. There's the obvious ones, like Ken wearing Ultraman & baseball merch, showing us that even before his relationship with his dad went sour, he already had a loyal love for the sport. We also see toy cars, a mecha & the BINGO bunny, all of which would be present in his base.

The Interview Intro

We see Ken getting the celebrity treatment & him wearing the celebrity mask. However, even the mask isn't malicious. He addresses the reporter by his name instead of the news station he's representing. When Ami tries to ask more personal questions unrelated to his baseball career, he doesn't get huffy or defensive at her. Instead, he reminds the crowd to remain civil & it isn't until she explicitly asks about his mom that he leaves.

People shouldn't expect rewards for basic decency, but I'm not against acknowledging acts of kindness & respect you don't often see in an environment as cutthroat as a celebrity interview.

Ken's 'Giants'

Imo, there's 2 ways for the term 'Giants' to be interpreted here.

(1) Ken is referring to Ultraman, & by extension his dad. One's a literal giant while the other is metaphorical, esp for kids.

(2) He's referring to the possibility of making friends. As he mentioned to Ami, he knows firsthand how 'kids will always talk', implying that he's been bullied & ostracized as a child, possibly due to his Japanese heritage or some other reason that's nonetheless soured Ken's perception of friendship.

Ken & Ami's 1-on-1s

Ngl, when I saw the trailers, I braced myself for the possibility that Ami would serve as Ken's possible love interest. However, that's not the case, which I'm grateful for. Still, that doesn't take away how interesting Ami is as a character.

Their first interview is set up beautifully. They're sitting face-to-face but there's a table between them. And then there's the way they present themselves.

Ken is dressed casually, practically oozing 'cocky young celebrity without a care in the world'. He's wearing sunglasses indoors, that also cover his eyes. It's a classic character design trope meant to make someone look stern, intimidating, stoic, reserved, closed-off from everyone.

Ami on the other hand is dressed professionally, as she takes her job seriously. But her glasses are transparent & not aesthetical. She has to be fair & objective, yes, but she also values honesty, transparency & empathy. Its these traits that make her a reliable person for Ken to turn to when he was struggling with parenting Emi.

Interview #2. They're sitting next to each other instead of opposite, but there's still a table between them. Still, this time Ken isn't wearing sunglasses & he's more put-together whereas Ami is dressed more casually. Ken has opened up to her & he wants to keep trying; she in turn meets him in the middle.

This culminates into the final interview. Unlike the previous times, it's clearly one that's broadcasted to the public. Despite this, Ken again, isn't wearing sunglasses or putting on an attitude. There's no table between them because this is the climax of Ken's character development: he's learned that it's okay to be vulnerable, it's okay to show others that you're being vulnerable.

Ken's Comfort

When Ken's reminded of his inadequacy as Ultraman, he turns to the one thing that makes him happy: baseball. But he doesn't ask Mina to pull up videos of the crowd cheering or him winning; instead, he watches recordings of his mom, of the happy memories he shared with her. Yes, Ken has an ego. But underneath it all, he genuinely loves baseball because that sport is deeply tied to the love he has for his mom.

Not Gossip Hour

.....am I the only one who couldn't help but cheer Ami on when she called this guy out?

Prof. Sato's Cheer

Nobody, esp parents, should force their children to become someone they don't want to be. It's even more heartbreaking when both parties have little choice in the matter because of how necessary the duty is. Parents are flawed people, but I wouldn't call Prof. Sato a bad one.

Yes, he wants Ken to do better as Ultraman too. But he knows how much his son loves baseball & does support his achievements in them.

Mother's Corpse

Sometimes, a brief glance can convey a thousand words. In this brief glance, Ken doesn't see a defeated kaiju, he sees the corpse of a mother & he'll be damned if he lets the KDF add a baby's corpse to accompany her.

Mina is Awesome

A good plot is always appreciated but good characters are always loved & Mina isn't an exception. Let's hear it for the orb robots that always act as a voice of reason!!

But srsly, I love Mina. I love her wit, how her voice has that robotic yet motherly lilt, how she cares for Ken's wellbeing but isn't afraid to put her foot down to push him in the right direction.

In her final moments, she doesn't say 'you must/have to save her', she knows she doesn't have to. Instead, she tells him 'you can save her'. Sometimes, people are so focused on making sure others know what they have to do that they neglect to let them know that they believe they can accomplish it.

Onda's Humanity

Which brings me to another character I loved: the antagonist himself. Loved how they made him nuanced & sympathetic. Yes, he's ruthless, pragmatic & the 'end justifies the means' sort of person. However, unlike most military bad guy leaders, he cares for those under his command.

His screentime with Captain Aoshima is brief, but I enjoyed all of it. He doesn't berate Aoshima when he fails to capture Emi, nor does he lash out at him when he wavers in their mission. Instead, he encourages & empathizes with him.

Lots of fans speculate that Aoshima will have a more major role in a future sequel & I rlly hope that when the time comes, he'll be just as complex & engaging to watch as his predecessor had been.

"I Don't Know What To Do"

Kids are usually the target audience for Ultraman, but you cannot tell me this moment didn't hit home for parents. That moment where your child gets hurt because you looked away for a second; the first time your child falls ill & you wonder if a common cold will kill them before old age.

Whether you're a parent, older sibling or someone working in medical/childcare, having to say those 6 words will be the most devastating moment of your life. I'm certain that for Ken, it was nothing less.

Final Boss

Let it not be said that Ken doesn't know his final battle clichés.