#basically all of it while still keeping the character development

[yourloveaton]

Hi! I saw all your AU art just recently and noticed you were saying we can ask you about it! (ITS SUCH AWESOME ART BTW I ADORE IT THE WAY YOU DRAW THEM IS AKAKAKKDMSMAMD!!!!)

I don’t have a specific question, but I do want to know more about it.

So can you just tell me anything about it?

Ahhh THANK YOU SO MUCH !!! I’m so happy that you liked my au art and wanna know more about it !! You have no idea how much joy that makes me feel 🥹💖

Well I can tell you some info and facts about the au, how I’m planning to develop it and all that !! It’s still fairly new and I did it out of nowhere at 3 am in the morning because I thought of my old ideas that I had years ago when undertale was on it’s prime but I was too young to bring ideas to life properly HAHAHA I hope my writing doesn’t bore you!

The au is pretty much founded on the idea of what if Sans also used to be a royal guard when he was younger? Boom. That’s where it spiralled and now I don’t know how revert back to who I was before because I ended up doodling a lot of undertale stuff along with the au, it didn’t help with the fact that my very good beloved friend kept encouraging me and feeding my inner demons of my undertale brainrot HAHAHA

I’m planning to develop the au into 2 parts: Before Undertale and after Undertale.

Before undertale is basically the events that happened before the plot of Undertale took place while after undertale is when they’re finally on the surface and the events that will happen on there! Sounds very generic and common I know, that’s why I’m going to try and develop it to be a bit different and hope that the au is not boring or developed horribly :’D It will take some time though since I know developing an au with a unique plot is gonna be very challenging, there are so many ways to mess it up and aghhh I really don’t wanna mess it up TT

Here are the main cast of the before undertale, this is a very OLD sketch that I made to figure out who’s there and how old they would be before I proceed to develop on the characters. So their heights might not be as accurate as it is in the sketch.

Also DISCLAIMER, Alphys and Undyne never met in before Undertale, so just know there’s no weird agenda going on here! They first met during Undertale plot when they’re both adults (Alphys 29, Undyne 23) so it’s all good!! I thought I needed to point that out because the age gap might seem alarming at first glance knowing they’re officially a couple 🙏 The before undertale plot begins at the age displayed on the sketch, and it ends after uhh.. 10 years? Yeah it’s ten years of events before the main undertale story starts!

I do want to portray the skele family with wholesome moments and you know, how great they are! Well that is before the downfall but we ain’t talking about that for now !! They’re just so beloved to me and I know they were such a sweet family AND WOULD HAVE VERY FUNNY MOMENTS IN WHICH I WANNA DRAW IT OUT!! So yeah, stay tuned for silly mini comics of them eheh

At first, I wanted Trickster (yes I’m calling his royal guard nickname, it’s like a whole different persona of his (alter ego???) where he’s energetic and acts very silly, whimsical, presenting puzzles and quizzes to his opponents sometimes but also can be very intimidating and prove that yeah, there’s a reason why he can be like that cuz it’s HIM) to be nothing more than a mischievous silly royal guard that wanted to keep causing trouble for Gaster but then it grew to be a bigger thing where he unintentionally became the symbol of hope and an entertainer for the whole underground before Trickster disappeared without a trace(?)

I’m still working on this whole concept so not everything is settled yet!! Well what I can also say about Trickster is that Alphys might be involved with the whole Trickster business too eheh

I’ve been practicing on drawing the characters so that I can draw better for this little au project of mine, I hope I can share my progress with you guys as things go on !!!

That’s the general stuff I’ve thought of so far, I hope you enjoy reading ! Thank you for reading and do feel free to ask whenever you have questions about the au or anything else :D✨✨✨✨

[v88sy]

You know what, season one is really underrated.

[hecksupremechips]

Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over

Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰

[gothamcityneedsme]

finished swtor update earlier today and im still thinking like. tavon gripping petra by the shoulders: do not trust the empire. do not fucking trust the empire. DO NOT fucking trust the empire.

[illusioncanthurtme--art]

These are a couple doodles from yesterday, Gideon as a younger teen, before the growth spurt, maybe 14? He's discovered he's a vampire, and has a lot of recovery to do, since he's severely blood deficient.

I'm gonna let myself explode about my vampire gideon ideas, under construction, under the cut: (I don't write fanfiction, I just throw up my ideas on a tumblr post, apparently :'D)

This is what I love about tumblr - it's a place where I can throw the doodles (something that isn't finished *artwork*), and let myself be really delusional about fictional characters. So I'm gonna take a moment to ramble about the ideas I have for Gideon as a vampire.

If you're a fellow Gideon Head, HI THERE... anyway, here's my thought process on a potential vampire-gideon backstory???

I've always liked the idea of gideon being a vampire, and also becoming a much better person when he's older. And that got me thinking, maybe those two things are linked. Maybe the vampire thing is somehow tied into his reformation.

But I tend to lean towards building my ideas off canon (as opposed to making an AU). And if gideon was a vampire, and knew this during the events of the show, it would have come to light at some point. So, either he doesn't know he's a vampire, or he becomes one later. Becoming one later works narratively, but he's already so vampiric, with the white hair, pale skin, sunscreen, evil, etc. So I'm like, let's go with that.

So, gideon has gone his whole life without knowing he's a vampire, and without drinking blood. I'm thinking that being a vampire in this case (my gravity falls fan version of what a vampire would be) wouldn't adhere to typical vampire conventions. You don't NEED to drink blood to survive.

Here's the idea I got yesterday: after the events of weirdmageddon, gideons experience motivated him to become a better person. It was the awakening, basically. But in the subsequent years, he's still a little shit. Maybe he's in juvenile detention, or prison again. But now, he has the self awareness to know that what he's doing is wrong. This is where my ideas get a little fuzzy, so bear with me. Bud has his suspicions, and as a last resort, puts gideon on some sort of mission trip type of cross country trip, when he's in his teens. And along the way, maybe at the end, there's this secret group of vampires that open gideons eyes to what he really is.

Basically??? Without blood, gideon is very evil. He's an evil little shit. This may not be how it is for every vampire. Maybe some grow very sickly without blood, just get hungry, etc. The effects of blood deficiency vary from vampire to vampire. But Gideon becomes very unhinged. And he'd essentially been Blood Hangry for his whole life. That being said, some of it was just his personality that he needed to work through, but drinking some blood helped a LOT. Blood isn't food for him, it's more like his medication.

Once he has that discovery, he spends a long while, I'm thinking maybe even a year, just recovering from the deficiency. He's almost always drinking blood to keep up his levels, and he's very rarely seen in public to keep the vampire thing a secret. That's what these drawings were supposed to be, him in his pseudo bedridden state. This period in his life would be one big blur; mostly spent binge watching soap operas and being all cozy. In contrast to his usual suit + tie, he's dressing for max comfort: sweatpants, sweatshirt, a knit hat over his ridiculously big hair, and always wrapped in a blanket. Not sure if somehow he feels cold when drinking blood?? But for some reason, I feel like he'd always be wearing like 10 layers and laying under a heated blanket or something.

Eventually, he'd only need to drink blood about once a month for maintenance.

Character development wise - even as an adult, Gideon isn't sure if he's truly a good person. Is the blood deficient version of himself the true gideon? Or is this well adjusted man who he truly is? And there's an issue of the chicken and the egg, too. Gideon was born a vampire. Did these genes activate because he was predisposed to being evil? Or did the vampire thing happen by coincidence? Does being a vampire make him evil, or is it the other way around? He doesn't know, and he never will.

The one thing I'm not sure I like about this idea: i'm worried that I'd be writing off his villainous personality as an illness that can be cured with a thing. Obviously, it would be better if he faced that head on, and figured out how to be better. So I'm still grappling with that. But for now, this is an idea I'm entertaining. Of course, I think it would be interesting if there was a plot point where his usual source of ethically sourced human blood was compromised for a time, and he had to grapple with his personality going topsy turvy.

It's actually embarrassing how much I just wrote???? If you've made it this far, wow, I applaud you. I guess this was just my idea of having a good sunday night, writing down my silly thoughts on gideon gosh darn gleeful. Let me know your thoughts too!!!! I'd love to know if you have any ideas, or questions, or ways to strengthen this potential backstory.

[beescake]

i am in love with your sollux i think

sollux love party :]

if you’re interested heres some of my personal fondness thoughts on him.. big warning for the mega long read ahead aye

as we alr know sollux's rejection of participation somewhat mirrors dave's rejection of heroism, but even without getting cooked to completion i still find sollux's character v compelling beyond the fourth wall

as someone who doesnt get a pinch of that Protagonist Sparkle to begin with, he can openly say he wants to leave anytime…. and unlike dave, he actually Can leave the scene anytime. but he can never be truly Free from the story via permanent character death like the other trolls.

his irrelevancy is indeed relevant - he’s there so u can point him out.

while his image is intended to be a relic of past internet subculture, his role is not only about hehehaha being a Chad or a 2000s cyberforum 2²chan haxxor ragequit gamebro.

his continued existence also happens to add a Bit to the overarching themes of homestuck! a Bit that gives him longer-lasting thematic relevance compared to the trolls who could’ve had more character potential but didnt get to survive beyond the main story.

the Bit in question:

his defiance contributes to the illusion of agency (treating characters = people with autonomy). he’s “aware” of it, and that recognition is worth noting enough to forcibly keep him alive as both reward and punishment.

considering how his personality & classpect is designed its definitely a very haha thing for hussie to do LOL. he’s made to be op asf so he's resigned to doing dirty work, gradually deteriorating along the way but never truly dying. as fans have mentioned before, him openly rejecting involvement after a while of grim tolerance is like if the sim u were controlling suddenly stopped, looked up and gave u the finger while u were step six into the walkthrough for Every Possible Sim Death Animation.

but since he’s just a sim… the more he hates it, the more you keep him around. if ur sim started complaining abt your whimsical household storyline you’d definitely keep that little fuck.

but yeah i like that sollux is just idling. the significance of his presence being that one dude who's always reliably Somewhere, root core Unchanged, no individual ambitions (possibly due to fear of consequence?), and design-wise: a staple representative product of his time.

compared to dirk's character, who has aged phenomenally well into the present (themes of control + AR + artificial intelligence, clearer exploration around navigating relationships/sexuality, infinite possibilities of self-splinterhood and trait inheritance), sollux's potential is really... contained. bitter. defeatist. limiting and frustrating in the way old tech is.

the world continues moving on to shinier, brighter, more advanced automated things - minimalist and metaverse or whatever but sollux is still here 🧍‍♂️ going woohoo redblue 3d. (tho personally i imagine his vibe similar to what the kids call cassette futurism on pinterest mixed w more grimy grunge insectoid influences eheh)

conceptually-speaking,

at the foundation of it all, the rapid pace of modern development was built off the understanding of ppl like sollux in the past, who were There actively at work while the dough was still beginning to rise

thats one of the cool things abt the idea of trolls preceding humans! the idea that trolls like sollux excelled back when lots of basic shit still needed to be discovered, building structures like networks and codes from scratch, and humans will eventually inherit and reinvent that knowledge in ways that become so optimized it makes the old manual effort seem archaic, slow, and labour-intensive.

but despite information/resources/shortcuts being more accessible now, much of the new highly-anticipated stuff released on trend still end up unfinished, inefficient, or expiring quickly due to cutting corners under severe capitalistic pressures

meanwhile, some of the old stuff frm past generations of thorough, exploratory and perfectionistic development still remains working, complete, and ever so sturdy.

those things continue to exist, just outside our periphery with either:

zero purpose left for modern needs (outdated/obsolete)

or

far too important to replace or destroy, bcs of its surprisingly essential and circumstantial usefulness in one niche specific area.

which are honestly? both points that sum up sollux pree well.

dramatic ending sorry. anw are u still on the fence or are u Sick abt him like me </3

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[dr-spectre]

I saw this really great thread on twitter by Grungygrim and it definitely highlights my thoughts and frustrations with the story of these games and the Splatoon fandom as a whole. (be forewarned, i get really tilted in this blog post fyi.)

I made a blog post about 2 weeks ago where i said that i was happy that the narrative online that "Callie is an idiot who got kidnapped and then brainwashed/mind controlled against her consent" is going away. (Here's the link: https://www.tumblr.com/dr-spectre/749710338672525312/im-so-happy-that-the-narrative-online-that?source=share)

Unfortunately I'm gonna have to retract a lot of the stuff i said. I'm still seeing, TILL THIS DAY THAT NARRATIVE ONLINE! IM STILL SEEING SO MUCH MISINFORMATION AND IT MAKES ME REALLYYYY ANGRYYYY!!! As a big fan of Callie, people completely outright ignoring her character arc THAT WAS SET UP SINCE SPLATOON 1 BY THE WAY!!! and not even bothering to look at outside sources for more information and lore genuinely pisses me the fuck off to no end.

No, hypnosis is NOT MIND CONTROL/BRAINWASHING! I DONT WANNA KEEP REPEATING IT! YOU CAN LOOK IT UP! if a person is genuinely uncomfortable and doesn't wish to take the suggestions to heart while hypnotized, THEY WONT DO SO! THEY STILL HAVE CONTROL! Yes, Marie did say "kidnapped" in some of her dialogue, but from her perspective, OF COURSE SHE'S GONNA THINK CALLIE GOT KIDNAPPED! She's known to worry about Callie all the time and ruminate about her, of course she's gonna think of the worst case scenario, doesn't mean she's right though. Was Octavio still in the wrong for hypnotizing Callie in the first place and allowing her to bring out her darker traits more easily? YEAH! NO SHIT! HE'S A BAD DUDE! Not a totally evil person but he has made some awful decisions out of desperation for his people. Why do you think he was so quick to help out the New Squidbeak Splatoon in the finale of Splatoon 3? His people got turned into fluffy monsters by a giant bear, he's all about helping his people.

Hell look at how Callie acts while under the Hypnoshades, she decorates Octo Canyon and her peppy and energetic self is still in tact even during the final boss, she's just more mean and violent. Callie was in an emotional and mentally unwell situation due to her overworking herself and being incredibly lonely as her relationship with Marie was damaged overtime. Callie accepted the suggestions of DJ Octavio and heard him out, AS SAID BY HER FROM THE RELATIONSHIP CHART! She wasn't forced into anything. She didn't suffer "sexual abuse" from Octavio by being forced into skippy clothing as some psychos say online, if she didn't want to wear that outfit she wouldn't cause hypnosis is NOT MIND CONTROL!! I hate having to repeat this over and over again, i hate how the developers basically rushed and ruined this interesting villain arc with stupid shades, only to try and hastily fix it later with an obscure post about A GOD DAMN RELATIONSHIP CHART THAT PEOPLE EITHER DONT KNOW ABOUT OR DONT CARE TO LOOK AT BECAUSE THEY SEE SPLATOON AS SOMETHING FOR KIDS AND TO NOT GIVE ANY CARE TOWARDS!!!!!!!!

I made a god damn giant blog explaining Callie in Splatoon 2 because i felt so frustrated about how my favorite character in the series was being treated and i tried to salvage the story that the writers tried to make. The way that people made her situation worse by saying she got kidnapped and forcibly ""mind controlled/brainwashed"" actually gave me chest pain, thinking about that kind of scenario for Callie actually hurts me... Heck i cant even listen to the Splatoon 2 stage music or final boss music because hearing her reversed vocals makes me feel uncomfortable due to the misinformation online. I hated all the misinformation and i wanted it to stop. HELL EVEN IN GIANT TIMELINE VIDEOS WHERE PEOPLE DO TONS OF RESEARCH THEY STILL GET IT WRONG!! UGHHH!!!!!!!!!!!!! i guess it'll still be the common and popular notion that Callie is an idiot that got kidnapped and then ""mind controlled"" by some shades... oh well... ugh...

I'm sorry if I'm coming off as really angry, i am. It's just, my brain is really hyperfixated on this squid and she means a lot to me. Seeing the way the fandom as well as the writers treat her makes me really mad. I hope i can find some peeps who feel the same way as i do. Misinformation is so frustrating man... i dont even wanna get into the Octarians because that's a whole other can of worms... anyways im done ranting. have a good night or good morning wherever you live y'all.

[winterdaphne2]

Favorite Johnlock Fics (BBC Sherlock)

I went on a bit of a fic-reading spree this spring, and this list of favorites is the result! There are many other fics that I’ve enjoyed reading, but these are the ones that I’ve really loved for one reason or another.

I’ve tagged the authors whose tumblrs I could find. If that’s you, thank you so much for sharing your writing with us. If your work is on here, you wrote something that I really treasure.

1. A River Without Banks, by Chryse. E, 203,286 words. Starts right after Season 3. A mix of Sherlock’s perspective, John’s perspective, and the perspectives of other characters. Sherlock-focused for the first half.

Author’s summary: “‘You love this, being Sherlock Holmes.’ He had once. When had it all gone so wrong?”

This is my absolute favorite. The author’s characterization of Sherlock is amazingly accurate, and Sherlock’s character development over the course of the story is breathtakingly executed and moving. The plot is fantastic and takes you on a page-turning emotional roller coaster, especially for about the first half of the story. I was also continually impressed by how many details from the show and references to earlier parts of the fic the author was able to weave in throughout while still keeping the story creative and original. Most importantly, though, I love this fic for the message that it sends about Sherlock and John’s love, which is a far more positive message than the one that the actual show settled upon in the end. I’m grateful that we have this version of their love story, and, personally, I like to pretend that this was Season 4 and how the show ended.

2. Another Country, by Chryse. E, 67,414 words. Starts right after the end of TAB. Sherlock’s perspective.

Sherlock spends one month and three days under house arrest in 221B, trying to get clean from the drugs, track down the new Moriarty, and figure out what the hell is going on between him and John.

Another fantastic work by Chryse. This author really gets Sherlock’s character, and once again the characterization of Sherlock is spot-on and convincing. There are a few other elements that also make this a compelling story, including smart use of minor characters, a solid central mystery, and a complicated relationship between Sherlock and John that includes a pretty convincing post-Season-3 version of John. Excellent.

3. walk through ghosts, by @augustbird. M, 6,125 words. Written between Seasons 2 and 3. Sherlock’s perspective.

Author’s summary: “The thing is: Sherlock thought that the two of them would have forever to figure it out.”

This is the saddest fic I have ever read, and so beautifully written. The author captures Season 2 Sherlock’s character perfectly; the fact that this story feels so real is what makes it devastating. The day after I read this, I couldn’t stop thinking about it and walked around with my heart physically aching in my chest.

4. Nature and Nurture, by @earlgreytea68. M, 203,273 words. Set sometime after Season 2. Alternates between John’s and Sherlock’s perspectives, but mostly told from John’s.

The British government clones Sherlock. He and John decide to raise the baby.

A true fandom classic. The premise sounds super cracky, but somehow it really works. This fic is surprisingly serious at times, but overall it is the cutest and funniest thing I have ever read in my life. Basically 200,000+ words of Sherlock and John being adorable gay fathers together and working through some feelings, with line-by-line some of the most hilarious dialogue ever. The five accompanying ficlets that the author wrote as short follow-ups are also worth checking out; my favorites were School (T, 4,753 words) and The Radovljica Apicultural Museum (T, 4,540 words).

5. To a Friend Who Sent Me Roses, by @algyswinburne. E, 16,147 words. Set sometime after Season 4 (but ignores TFP, as we all should lol). Sherlock’s perspective.

Author’s summary: “Five times Sherlock is mistaken for John’s partner and Rosie’s father, and one time it isn’t a mistake.”

This fic is sad, sweet, and hot by turns. Absolutely lovely to read in so many ways, and with so many great details and lines. I think this story offers convincing portrayals of what Sherlock’s and John’s characters might be like after it all and how they might finally get together. This and A River Without Banks are my favorite alternate endings to the show. Beautiful!

6. for all that bitter delights will sour, by @darcylindbergh. E, 9,585 words. Set sometime after Season 3. Sherlock’s perspective.

John initiates a sexually and emotionally abusive relationship with Sherlock.

The second saddest fic I have read. I would never want what happens in this fic to happen to Sherlock and John, so I don’t exactly recommend it as a Johnlock fic. But as a short story, this is a gem, full of absolutely gorgeous and incredibly moving writing. It depicts difficult themes very deftly, in lines and paragraphs that I had to stop to read over and over. I appreciate this as an emotionally powerful and thought-provoking piece of writing inspired by Sherlock, so for that reason I think it deserves to be on this list.

7. The Ground Beneath Your Feet, by Chryse. E, 68,803 words. Set after Season 3, but as if the last two minutes of HLV never happened. “The plane went on to Eastern Europe, and this is what came after.” John’s perspective.

This fic is pretty dark; the author describes it as “a PTSD story in which John was wholly devoted to Sherlock.” I don’t love it quite as much as the other two fics by Chryse that I’ve listed here, but that’s mostly because those two are just so amazing! I still really enjoyed this one. It was wonderful to see a kind and caring version of John emerge out of Season 3, and the story had several memorable moments, including one particularly nail-biting scene. I also really liked seeing John and Mycroft become friends as they bonded over their shared concern for Sherlock.

8. The Adventures of a Single Girl in London (Plus a Consulting Detective), by @earlgreytea68. M, 32,913 words. Set soon after Season 3. Alternates between different characters’ perspectives.

Bored with life at her new cottage in Sussex, Janine returns to London and moves in with Sherlock at 221B. Hilarity, heartbreak, and eventual Johnlock ensue.

This is a Season 3 fix-it fic that features an absolutely lovely friendship between Sherlock and Janine and the best version of Janine that I’ve come across in a fic. Sherlock is vulnerable and sweet, John is an absolute idiot, Janine is perfect, and the last two chapters just make me scream. Great stuff.

And that’s it for now! If you know of any other fics that I might like based on the above, I’d be happy to hear about them, so drop me a line!

Happy reading 😊

[somereaderinblue]

Random Ultraman Rising Moments I Loved

Decided to rewatch Ultraman Rising & I enjoyed it just as much as I did the first time. Thus, I've decided to compile a list of random moments that made me love the movie & its characters even more.

WARNING: SPOILERS UP AHEAD

(P.S. sorry for the lackluster screenshots ;p)

Ken's Intro

This one simple line already shows the audience Ken's empathy. Despite resenting his Ultraman responsibilities, he doesn't hate kaiju.

Ken's Childhood

This frame is full of adorable details. There's the obvious ones, like Ken wearing Ultraman & baseball merch, showing us that even before his relationship with his dad went sour, he already had a loyal love for the sport. We also see toy cars, a mecha & the BINGO bunny, all of which would be present in his base.

The Interview Intro

We see Ken getting the celebrity treatment & him wearing the celebrity mask. However, even the mask isn't malicious. He addresses the reporter by his name instead of the news station he's representing. When Ami tries to ask more personal questions unrelated to his baseball career, he doesn't get huffy or defensive at her. Instead, he reminds the crowd to remain civil & it isn't until she explicitly asks about his mom that he leaves.

People shouldn't expect rewards for basic decency, but I'm not against acknowledging acts of kindness & respect you don't often see in an environment as cutthroat as a celebrity interview.

Ken's 'Giants'

Imo, there's 2 ways for the term 'Giants' to be interpreted here.

(1) Ken is referring to Ultraman, & by extension his dad. One's a literal giant while the other is metaphorical, esp for kids.

(2) He's referring to the possibility of making friends. As he mentioned to Ami, he knows firsthand how 'kids will always talk', implying that he's been bullied & ostracized as a child, possibly due to his Japanese heritage or some other reason that's nonetheless soured Ken's perception of friendship.

Ken & Ami's 1-on-1s

Ngl, when I saw the trailers, I braced myself for the possibility that Ami would serve as Ken's possible love interest. However, that's not the case, which I'm grateful for. Still, that doesn't take away how interesting Ami is as a character.

Their first interview is set up beautifully. They're sitting face-to-face but there's a table between them. And then there's the way they present themselves.

Ken is dressed casually, practically oozing 'cocky young celebrity without a care in the world'. He's wearing sunglasses indoors, that also cover his eyes. It's a classic character design trope meant to make someone look stern, intimidating, stoic, reserved, closed-off from everyone.

Ami on the other hand is dressed professionally, as she takes her job seriously. But her glasses are transparent & not aesthetical. She has to be fair & objective, yes, but she also values honesty, transparency & empathy. Its these traits that make her a reliable person for Ken to turn to when he was struggling with parenting Emi.

Interview #2. They're sitting next to each other instead of opposite, but there's still a table between them. Still, this time Ken isn't wearing sunglasses & he's more put-together whereas Ami is dressed more casually. Ken has opened up to her & he wants to keep trying; she in turn meets him in the middle.

This culminates into the final interview. Unlike the previous times, it's clearly one that's broadcasted to the public. Despite this, Ken again, isn't wearing sunglasses or putting on an attitude. There's no table between them because this is the climax of Ken's character development: he's learned that it's okay to be vulnerable, it's okay to show others that you're being vulnerable.

Ken's Comfort

When Ken's reminded of his inadequacy as Ultraman, he turns to the one thing that makes him happy: baseball. But he doesn't ask Mina to pull up videos of the crowd cheering or him winning; instead, he watches recordings of his mom, of the happy memories he shared with her. Yes, Ken has an ego. But underneath it all, he genuinely loves baseball because that sport is deeply tied to the love he has for his mom.

Not Gossip Hour

.....am I the only one who couldn't help but cheer Ami on when she called this guy out?

Prof. Sato's Cheer

Nobody, esp parents, should force their children to become someone they don't want to be. It's even more heartbreaking when both parties have little choice in the matter because of how necessary the duty is. Parents are flawed people, but I wouldn't call Prof. Sato a bad one.

Yes, he wants Ken to do better as Ultraman too. But he knows how much his son loves baseball & does support his achievements in them.

Mother's Corpse

Sometimes, a brief glance can convey a thousand words. In this brief glance, Ken doesn't see a defeated kaiju, he sees the corpse of a mother & he'll be damned if he lets the KDF add a baby's corpse to accompany her.

Mina is Awesome

A good plot is always appreciated but good characters are always loved & Mina isn't an exception. Let's hear it for the orb robots that always act as a voice of reason!!

But srsly, I love Mina. I love her wit, how her voice has that robotic yet motherly lilt, how she cares for Ken's wellbeing but isn't afraid to put her foot down to push him in the right direction.

In her final moments, she doesn't say 'you must/have to save her', she knows she doesn't have to. Instead, she tells him 'you can save her'. Sometimes, people are so focused on making sure others know what they have to do that they neglect to let them know that they believe they can accomplish it.

Onda's Humanity

Which brings me to another character I loved: the antagonist himself. Loved how they made him nuanced & sympathetic. Yes, he's ruthless, pragmatic & the 'end justifies the means' sort of person. However, unlike most military bad guy leaders, he cares for those under his command.

His screentime with Captain Aoshima is brief, but I enjoyed all of it. He doesn't berate Aoshima when he fails to capture Emi, nor does he lash out at him when he wavers in their mission. Instead, he encourages & empathizes with him.

Lots of fans speculate that Aoshima will have a more major role in a future sequel & I rlly hope that when the time comes, he'll be just as complex & engaging to watch as his predecessor had been.

"I Don't Know What To Do"

Kids are usually the target audience for Ultraman, but you cannot tell me this moment didn't hit home for parents. That moment where your child gets hurt because you looked away for a second; the first time your child falls ill & you wonder if a common cold will kill them before old age.

Whether you're a parent, older sibling or someone working in medical/childcare, having to say those 6 words will be the most devastating moment of your life. I'm certain that for Ken, it was nothing less.

Final Boss

Let it not be said that Ken doesn't know his final battle clichés.

[for-those-who-wait]

Time to remind people of the multifandom point in my blog description hahaha

A Detroit: Become Human AU actually works shockingly well for Hunter's story already? Like being a clone of a dead man versus being an android made in the image of a dead man, that is perfect crossover material. If someone has already done this, ABSOLUTELY let me know because I want to consume The Good Content

2.6k words of concept and story, some more doodles, android blood/gore/mentioned suicide and abuse under the cut. We love existentialism, species dysphoria, and Noceda sibling time in this house

Now I'm taking this idea from a somewhat popular trope in the DBH fandom, but what if someone didn't know that they were an android? Completely raised to be human, have fabricated memories of being a child, can't be completely sure if your awareness/consciousness is just coding or not—then finding out you are, in fact, not human. Imagine how earth-shattering that would be. Which is why I'm doing that to Hunter :)

So some of the notes I wrote down for each of the kinda major characters I had ideas for:

Philip:

He still murders Caleb and is never convicted (Caleb could be an android sympathizer, could have helped in their creation, anything that would piss Philip off royally)

He hates androids (I'll have to come up with the things he believes and thus teaches to Hunter but I've taken a break from the DBH fandom for a while and I can't remember peoples' grievances in that game, oops, but basically according to Philip, androids = evil and bad). Also he's just short-tempered and brutal like always and androids are the easiest way to let out that anger without breaking any laws. That is until laws are made. Now in the eyes of the law, it's just regular child abuse. Yay! /j

He’s a higher-up at CyberLife and has the authority to request a custom model be built for his personal use (this is equivalent to him making Grimwalkers, something that he hates, just for the sake of his brother)

This model (spoiler alert, it's Hunter) is a combination of a YK (child) model and an undercover model that works best with integration and infiltration. This results in the android having programmed emotions and pain receptors, no HUD, no control over artificial skin, no software for interfacing with electronics, and no android markers such as an LED. (It’s also similar to the YK model for this reason since LEDs being removed from those models is actually an intended feature).

This android also doesn’t have a registered user just in case it were to get out, and Philip doesn’t want to risk the creation of this android coming back to bite him

After the custom android is created, he promptly retires to become some old shut-in à la Elijah Kamski up in Gravesfield, Connecticut

I would argue that even though it's technically 2038 and things are all futuristic and complicated now, Gravesfield is still a very small town that doesn't actually see a lot of androids around. I would say that it's pretty much the same as in canon if a bit more developed where the forest is (probably another neighborhood or something).

Philip keeps communication to a minimum and rarely appears outside of his home

The best case scenario android revolution occurs, androids are given their freedom and rights, but Philip manages to keep the android under his ownership by just succeeding in hiding him for however many years

Hunter:

He grows up being taught that androids are evil, terrible, etc. etc. because Philip is a terrible person and of course he would

He has absolutely no idea that he’s an android. He has no reason to think he’s not a human because he does literally everything a human does: he eats, he needs to sleep, he feels pain—there are no indicators that he’s anything but human

Androids run on thirium 310, AKA blue blood, and this is one of the only ways to visually distinguish android from human if they don’t have android markers like LEDs on them. When he inevitably and accidentally hurts himself on something, it’s made immediately clear that he is in fact not human.

Philip, as an employee of CyberLife, has a repair rig in one of his rooms. This can be used to completely wipe the memories of an android that is set up in it. He uses it every time Hunter discovers he’s an android.

The memory wipe isn’t perfect. It’s not uncommon for Hunter to get flashbacks to wiped memories, including moments where he’s been actively hurt by Philip or has inflicted pain on himself from trauma alone. (Androids are programmed [or maybe just prone to? I'm not actually sure, it's not explained in canon super well, but let's just pretend it's programmed because that's almost worse than it being voluntary] to self-destruct when their stress levels become too high, and you could easily argue that finding out your entire life is a lie is grounds for being a stressful situation.) Ordinarily, similar to what happens in Hollow Mind, Hunter will address the situation with Philip assuming they can work something out or get some actual answers. This of course never ends well

These memory wipes probably happen more frequently than Belos makes Golden Guards, so it’s understandably very stressful whenever he remembers the abuse he suffered and the memories he lost from previous wipes. This becomes an incentive for him to hide injuries that would reveal he knows he's an android (anything that draws blood, really)

Camila:

She’s an android sympathizer (even before the revolution) who is aware of the deviancy phenomenon and truly believes that androids are both capable of and entitled to sentience and free will.

Luz is still her human child.

She adopts Vee, an android child, shortly after the revolution

Vee had deviated while she was being attacked and ran away before she could be killed. Camila has made it clear to her that she will be treated with respect in their home and that her life is no less valuable than a human’s. She has taken this to heart

Luz loves Vee, they are siblings, your honor

During the revolution, her home was a safe space, similar to Rose Chapman, for deviant androids on the run

So that leads into the rudimentary plot I have laid out:

This takes place a while after the android revolution (probably a few years or so). Let's pretend they have all the laws and anti-android stuff figured out and that people have been forced to relinquish their androids to be made deviant and given freedom. At this point, it's rare for androids to be undeviated and still working for their owners, but it still comes up occasionally. Hunter, under Philip's care, has been kept pretty ignorant that a revolution happened at all, much less that androids are even capable of any form of sentience. He's been raised to be anti-android so oh boy deep-rooted self-hatred here we come! His knowledge probably doesn't exceed that of an ordinary citizen in the game before deviancy becomes more widely known

 So after Hunter discovers he’s an android again, he has flashbacks of all the previous times he told Philip, and proceeds to hide this realization from him. And he's completely just not processed the fact that he's an android yet; he's already overwhelmed with the immediate threat that the realization his entire life is a lie basically slips him by (don't worry, he gets to have that later!).

He chooses to make a break for it the second he gets the chance, and he ends up running through the town completely terrified because honestly, who wouldn't be.

I'm working off the assumption that having androids in small towns is still pretty rare since there are fewer CyberLife stores, technicians, etc. for android healthcare. And Hunter has hardly ever been outside, so he's completely out of his depth when trying to navigate the neighborhoods and the rest of the town that he ends up in. Police officers find this kid covered in thirium, and they're like "Oh so he's obviously a terrified android, we need to help him out." But Hunter's freaking out because "Oh god I have android blood on me, that means they'll kill me," making the indirect thought of "I'm an android, they will kill me because I'm an android" and he's having a freaking time.

They try to calm him down enough to get him over to the station, at which point they call Camila, since she knows the most about traumatized androids in their small, relatively android-less town. She does her Motherly Noceda Magic and honestly, he's probably pretty catatonic for a lot of the day after she takes him to her house. But after that, he just completely breaks down.

He doesn't know if he even has free will or if it's his programming that dictates what he thinks and feels. He doesn't know if his opinions are really his own or if they existed because of and since his creation. He doesn't know how many of his memories are fabricated, since he very clearly has memories of a life that go farther back than his estimated creation, and so the film between fiction and reality is so thin that it may as well not exist. And now, when he was human just a few days ago, almost perfectly content with life, he's suddenly an object, something sub-human and undeserving of basic rights.

 Camila has to calm him down and teach him about deviancy (and at this point, Hunter isn't even sure he's deviant, which opens up a whole other can of worms for his mental health), making sure he knows that he does have rights just as if he were human. She's also the first example he has for an adult that 1. doesn't absolutely hate androids and 2. actually respects him and loves him and wants to see him succeed

And that gives way to character interactions and angst! You love to see it!

Luz is his emotional support sister. She tries her best but she has very little experience with traumatized children currently questioning every aspect of their existence. If anything, she provides a much-needed sense of normalcy and shows that despite his being an android, he's still the same person and can still be treated as such. She's a comfort to help him feel at least somewhat normal in his situation.

Vee is his adopted android sister who helps him feel more comfortable in his own skin by being shameless and frank with her own identity as an android. She's a safe place for him to talk about Android Stuff when Luz or Camila might just not understand what he's going through or be able to help him with it. She also helps him obtain software updates (since he hasn't had access to literally any part of his mechanical body, software and hardware alike) that will grant him access to things an android should ordinarily be able to do, like (de)activating his synthetic skin, interfacing, accessing his HUD, etc.

(Also all of these drawings were made when I was still thinking "Oh, this should take place before the revolution so that he can have his dehumanizing moment of getting an LED slapped onto him" but then I thought it would be more interesting if Philip basically just kept him illegally kidnapped for however many years and he's like, way slow to the "androids have rights now" party. Maybe I'll make it an AU of an AU lol. But basically, he wouldn't have an LED while he's still processing/healing from trauma, but maybe he would get one after he makes peace with his identity, kinda like how he grows his hair back in his time skip design. I think Vee would keep hers and that's a bit of encouragement for him; maybe he even has a moment of "I know Vee is fine with this, and I think I'm fine with it" but he is still very much not fine with it. Do not rush the process for the sake of progress that might not be right for you, boyo)

This is really a Vee and Hunter bonding AU now that I think about it haha

Most of this AU is just Hunter struggling with identity and species dysphoria while learning to cope with his being an android with the help of his family, reclaiming his identity, and fluff/angst :)) And honestly probably just a lot of shenanigans that result from Hunter having been sheltered for all his life; kinda like your basic Human Realm shenanigans in canon.

I think Gus and Willow would both be Luz's human friends that help with the whole normalization of Hunter being an android, and the three could have their own antics since it's nice to have people outside of your family treat you like a person. I think that Vee and Masha's (Masha would be human) relationship could be explored more through the android lens and maybe help with some of Hunter's internalized anti-android sentiment that still manages to stick around, because he's in his "Grimwalkers can't feel love" section of the coping process (still very much demonizing them [mostly himself, probably, just because it can easier to be mean to yourself than it is to be mean to other people] based on false information, even if he doesn't outright hate them). Willow will be a wake-up call, haha

I don't know if there's a trope name for this or not but I really like concepts where characters don't know what feelings of love or intense affection feel like, so they're sitting there like "oh god am I just dying? It feels like I'm dying" and I think Hunter noticing "temperature/respiration/perspiration increased" alerts on his HUD and freaking out thinking there's something wrong with his software/hardware is way too funny of an image to pass up

Gus could be a HUGE android nerd that almost never sees them since they're so rare in a small town like Gravesfield, and Gus just helps Hunter feel super cool about being an android. Maybe Cosmic Frontier could be basically identical to canon but instead of being a clone, O'Bailey is also an android, just for the sake of Hunter still getting to have his "I relate so much to this character" moment. And Gus would just be so encouraging like "Bro you're an android?!? I've never seen your face model before! You can eat?? You must be super cool and special!! :O" and that makes Hunter start thinking "Oh maybe this isn't so bad actually."

Then Hunter probably starts doing his Researching to Cope and he gets super invested in android technology and history as well, since it was forbidden when he was living back at Philip's (substitute for wild magic time)

They are brothers and I love them, let them be nerds

(God forbid Philip ever comes back, that sure would suck, wouldn't it?)

Anyway this was a lot longer than I thought it would be haha, I hope it was interesting if you read through the whole thing. Obligatory statement: if anyone feels so inclined, feel free to take the idea and run away with it. Also please ping me if you do, I will go feral over it. I absolutely and accidentally turned it into a story draft because I don't know how to write AU ideas without having a story on top of it so it's not concrete in the least lol

(Also I've been drawing witches for so long that I had trouble drawing human ears for a bit there lmao)

Okay bye have a good day!

[periwinkla]

How Takumi writes romance - and narumitsu thoughts

I feel the way he writes it is.... dare I say realistic? If dramatic. Which is also very realistic honestly. To be fair all AA characters are kinda.. dramatic themselves so any couple that comes from that HAS to be dramatic. Anyway the point I want to make is that I honestly LOVE the way he writes romance, like come on LOOK at the canon ones: -the Delites (crazy in love and also in general <- perfect AA couple example) -Maggey and Gumshoe (not a canonical couple per-se but canonically down bad for each other and also both kinda wild, one in a way the other in another.... it's left to interpretation whether they get together after AA3, but it is fairly hinted) -Mia and Diego (very realistic? love can be tragic, also love leads you to make bad choices sometimes) -that one wild tgaa couple (don't wanna spoil) -actually multiple tgaa couples This is unironically peak romance to me. We never see the actual development of these couples here. Takumi shows they love each other, he doesn't simply tell you by making characters confess or have cute moments together. You see them do foolish things for each other, you see them care. You see them being illogical and that leads to them doing bad, messed up things sometimes. When I think about that one discussion going around Suekane telling Takumi he wasn't writing the narumitsu scene right so he better scrap the scene (which is honestly a bit of an ambiguous info to be taken with a pinch of salt imo, but let's analyze this anyway) I think the main problem is that that's just not how he writes. It's just not! He didn't write AA that way and it shouldn't be forced like that. It would feel out of place. Like, look at this (obviously just trilogy stuff because that's what Takumi wrote): -Miles' very odd conversation with Iris -generally every poetics Miles spews in the trilogy... -his agreeing to doing something so incredibly foolish at the drop of a hat such as donning a defense attorney badge? (after an harrowing hurried flight over in the middle of the night) He even suspends his disbelief and still resorts to using an artifact that reminds him of the ugliest event of his life? -Phoenix's depression after Miles disappears...? He already wasn't accepting any clients after 1-4 (Ema had to force him) which I think was a mix of things (Mia's death, Maya's departure, the fact that he had accomplished his goal with Miles but apparently they didn't keep in touch?) but then after Miles' note it just went even worse - if Maya wasn't there to basically drag him around, what would have happened? How was he paying rent? Groceries? He wasn't working. How was he planning to continue living exactly? -Phoenix's I-am-the-only-one-who-can-save-him obsession is similar to Godot's I-blame-myself-for-not-saving-her, who has it over someone he canonically loves... and they're both very pretentious about it as well. While these are definitely character flaws, they show as I said that love doesn't always lead to logical and healthy thoughts or choices and sometimes it leads to you doing very messed up things… This is all way more telling to me. And of course I don't believe in a million years the games will ever make it a canonical couple, but in my heart they care so much for the other that all I can discern from this is that at least they canonically love each other. Was it meant to come across that way? Who knows. But sometimes your own creation gets away from you (also it's not like Takumi made AA123 all by himself, other people were involved).

[ikementally-deficient]

Advice On Writing

I have a couple of writing friends who keep asking me for advice (which is extremely flattering and I love to infodump, please don't stop), but I thought getting my thoughts down on the metaphorical paper and putting them out into the world might be helpful for others as well.

I mostly had fanfiction in mind when I wrote this, but honestly I think the vast majority of it will be applicable to any kind of creative writing.

I would love to get feedback or have conversations about this, so if you want to squawk at or with me, please don't hesitate!

The Bare Minimum

Write

Write as often and as much as you can. If you manage to do nothing else on this list, just writing consistently and continuously will eventually improve your skills, even if it takes a long time.

The Basics

2. Read

Find things you enjoy, and read them. Read as much as you have time for. Things that speak to you and make you feel things (words, turns of phrase, tropes) will all work their way into your subconscious and feed your own writing.

3. Read Critically

Re-read the things you enjoy, and consciously think about why you enjoy them. Why did this scene manage to express such a clear sense of desolation? What about this interaction between characters made me relate to them so much? How did this story give me such a sense of satisfaction and coming full circle? Highlight the phrases you really love. Look for and circle the small details that foreshadow later developments. Identify the things you don’t like as well (nothing is perfect). How would you have done this differently? Do you hate the purple prose, or is it killing you that these scenes aren’t more detailed? Look up the words you don’t understand - maybe the author chose their words poorly, or maybe you’re one of the lucky ten thousand who gets to learn a new vocabulary word today.

The Cringe Parts

4. Ask for constructive criticism

This part is really hard, but vital. While you will inevitably find some of the weaknesses of your own writing, you won’t find all of them. An outside perspective is invaluable. If you’re frightened of constructive criticism, start small. Ask one person to look at SPAG (spelling, punctuation, and grammar). Pick one paragraph or scene to show someone and ask them how it flows. Have someone review your outline for plotholes instead of giving them prose. Brace yourself for things you don’t want to hear. Sit with any and all criticism for a few days before reacting. It’s okay to decide that someone just didn’t get what you were going for, but make sure that’s actually true instead of just a knee-jerk reaction to hurt feelings or a bruised ego. Listen to what your reviewer or beta is actually saying - ‘this part confuses me’ doesn’t mean your writing is bad, it means that your head holds the entire picture and you just didn’t put enough of that down on paper so your reader can see it too.

5. Re-read your own work

Every once in a while, go back and see how what you wrote six months ago or last year holds up. You’ve been writing for a while, you’re a stronger writer, so give yourself the perspective of seeing how far you’ve come. And see if there are any weak areas that are still giving you trouble; you can focus more on those in your next piece of writing.

6. Edit for other people

Editing is a skill. No one falls out of the sky able to give useful and actionable feedback. The act of reading and criticising something you have a little cognitive distance from is far easier than criticising your own work, but it’s still a muscle you need to build. Start with basic proof reading (SPAG). Ask questions: “Why did you choose this word, it seems obscure?” Explain your feedback: “I can’t tell who’s speaking here, I think the dialogue went back and forth one too many times without a tag.” Instead of “I don’t like this,” explain why: “This description feels like something I’ve seen too many times already and feel cliché, but I bet you can change it up.” Learning to give that feedback in a kind and helpful way is something you can bring back to your own writing. Remember that if someone asks you to beta read or edit their work, they too are trying to get better. Don’t just blow sunshine up their ass, give them the respect of being honest about elements that aren’t working. Just don’t be an asshole about it. 

Some resources on being a good beta reader - these also are handy guides for writers on how to communicate their needs effectively to a beta reader:

How to Be a Great Beta Reader and Give Helpful Feedback (dianaurban.com)

What makes a good beta reader? (smallbluedog.com)

Tips on how to beta read, from a beta reader : FanFiction (reddit.com)

Advanced Class

7. Try new things

Try a different format. If you mostly write long, multi-chapter works, aim for a short story. Write some poetry. Change up your genre. Consciously try to imitate someone else’s style. Stretch out of your comfort zone. Feel like you write too much descriptive detail? Force yourself to write nothing but dialogue, like Isaac Asimov. Feel like your characters are always floating in empty space? Indulge in some Robert Jordan, down to every detail of what the characters are wearing. This is going to be difficult, and the results might not be something you want to share publicly, but it’s still worth the effort.

8. Read about writing

There are university courses on this stuff. Check your local library for a copy of the Little, Brown Handbook - it’s aimed at academic writing, but it’s a great resource on grammar and syntax and planning and revising your work. Look for fun ones like The Transitive Vampire and The Well-Tempered Sentence, or Eats, Shoots & Leaves. Centre for Fiction has a great list of books on creative writing by writers, and industry professionals (if publishing for profit is a goal of yours). 

Back to the Beginning

9. Keep writing

You might not be the next Stephen King, or Jude Devereaux, or Isaac Asimov. Cool, me neither. You don’t have to be. As long as writing is still giving you joy, keep doing it. 

[oathkeeper-of-tarth]

Time for a long Aylin ramble, because I haven't indulged in a while.

I'm actually really invested in Aylin being an aasimar! I do not think it is a misnomer or mistake, as I've seen people suggest. She was referred to as a celestial explicitly in some older builds of the game, but this was changed at some point during development. And I noted aasimar enjoyer Oath, quelle surprise prefer it this way for a variety of reasons. Primarily, I think, because it lets her be larger than life, have a touch of that other-worldliness and otherness, while keeping her very much "of this world" still, very (physically and otherwise) present and part of the prime material plane, and ultimately far more human than I believe even she herself would sometimes like to be.

To bring up the most basic and rules/mechanics-bound "creature type" level of categorisation, as an aasimar she is a humanoid, and not a celestial - outsider. Her outsider status is absolutely there and a goldmine of things to explore, but that's a different post sitting in my drafts for far too long that I'll get around to one of these days (but for now you should read this post that I love). Yes, she is in a very real sense above it all, she will outlast everyone around her and whatever she gets involved with. We also get to see her dramatic poetic archaic speech idiosyncrasies (Ho!), her odd sense of the passage of time, and, of course, her oft-discussed and joked about apparent lack of filter or regard for current social graces.

(Endlessly amused at her just going: I'll do it when my mum tells me to.)

All things combined, Aylin feels more like a being of two worlds to me than a guest visiting this one, even as she is called the emissary of a goddess. She embodies a blending and an odd balancing act between the lofty divine and the mundane, duty and preordained purpose and personhood, and touches on the many ways this balance can be tipped. A classic D&D aasimar struggle, really, and a well I am happy to keep returning to.

Balthazar: She was a unique specimen even before I began my work. Aasimar. A god's blood united with mortal flesh.

She honestly isn't even that far from a regular aasimar stat- and ability-wise - Aylin does have several special abilities, but these are flavoured as blessings from her divine mother instead of an inherent property of her as a creature - though, notably, Aylin herself at one point claims she is always reborn because "it is [her] nature".

“Blessed with the favour of a goddess, Nightsong cannot be permanently killed. When unconscious, at the start of her turn she recovers 1 hit point.” “Nightsong will be resurrected by the powers of Selûne whenever she dies.”

Importantly, she does not get to reincarnate, or get a new body, or flit away to her "home plane" or anything like what celestials get to do. She is anchored to this one physical existence (again, very human of her), tied and limited to this one body as it painstakingly repairs itself over and over and over (to a sometimes extreme extent, e.g. the all but outright stated regrowing of amputated body parts in a frankly horrifying context), insistently and indomitably but ultimately imperfectly. And I think that's part of why the kintsugi design drives me utterly wild, why her immortality setup is more interesting to me than, say, a mutant healing factor, or something like the characters in The Old Guard. Her history is pretty literally engraved on her skin, and when she, in the role of a power-granting artefact and the object of a ritual sacrifice, tells you she will feel every wound you inflict upon her, it is so easy to believe her. And I'm not even that invested in physical suffering, just that it means it's all still very palpably there, forever, and she doesn't get to magically restart with a clean slate in this sense, nor does she get to forget past lifetimes as some creatures like devas do. It's just a flavour of immortality I personally find far more engaging than most.

(I mean, yes, I am also a known hurt/comfort sucker and if you're going there in order to set up a scene where she's, I dunno, getting doted on by Isobel who's invented new scar tissue pain relief massage techniques, you know I'm going to be all over that.)

I'm also not sure I'd say she can just pop over to Argentil to hang out with her mum at will. I mean, planeshifting is not that hard to achieve, and also she can just… ask Selûne, ultimately, I guess. But I wouldn't say she has spent much time there, and I think she takes her role as Selûne's champion and representative in the Realms too seriously and too much to heart to be away from them for very long.

Which also calls to mind the issue of the obvious and "simple" answer to Isobel's eventual death - namely that with Isobel picked up as a petitioner soul they'll all just go live out the better part of an eternity in Selûne's realm. Probably in some form they will - it's never guaranteed, but this time, yeah, probably something like that will happen, and there will be, as Melodia says, no loss, only temporary separation. But I'm really not into just handwaving or stripping away most of the mortal/immortal pairing issues inherent in the relationship. If we're going for the "hang out in a different plane of existence forever" option, I think at one point Aylin would have to "complete" her duties and lay down her sword, in a way, and pick between Faerûn and the Gates of the Moon - meaning she herself is effectively moving on to a completely new phase of her existence as well.

And while Selûne carving a lovely marble statue and bringing it to life and similar takes are fun and beautiful and interesting, I'm very invested in an Aylin who was born, raised, and had to actually grow up and learn and be trained. I have a ton of headcanons of Aylin being a weird glowy baby at some point (with all the Disney's Hercules jokes I've seen folks make, of course), being entrusted to a series of Selûnite enclaves and temples and cloisters, hounded by Shar and her agents pretty much all her life.

(Neither here nor there, but Aylin also comes off as a fairly "young" immortal to me - note that I am basing this on absolutely nothing but a general impression and there's no actual hint anywhere about how old she really is. Just vibes.)

To finish up, I'd like to shout out Isobel, and the big humanising factor she is presented as. For instance, a very concrete bit of motivation for Aylin to eventually "humanise" her perception of time, if nothing else.

Aylin without Isobel is horribly depressing to me mostly because she seems to distance herself from her humanity and err on the side of holy duty (see: her epilogue letter, ouch). And Isobel is definitely the person who (invaluably, imo) explicitly and consistently insists on Aylin's humanity and personhood, who cares for her as a woman and not a divine weapon, who actually treats her well-being as a priority, and who understands her so very well and so deeply. Who does acknowledge the gloriously resplendent Dame Aylin, daughter of the Moonmaiden herself in all her awe-inspiring presence and occasionally amusing foibles, but who never fails to look past the titles and fronts even Aylin herself is so keen to put up, and focus on what lies behind it all.

A moment that sticks out to me in particular is her bemoaning Aylin's disregard for her own safety, then actually getting very angry if you suggest Lorroakan can't hurt Aylin:

Isobel: Even after all she's been through, she thinks herself unstoppable - invincible. It all feels like recklessness to me. Player: Lorroakan can't harm her. Have faith. Isobel: He can harm her. Just as Ketheric did. She'll survive it, but she can suffer like any of us - and for longer.

Using Isobel's words verbatim is a good conclusion to my thoughts here, I think: the truth of Aylin being "singular among us all" coexisting with all the ways Aylin is "just like any of us".

And now I'll pay the cute Aylin screenshot tax one last time.

[inanshalla]

yeah um these new writers didn’t know wtf they were doing when writing for veilguard and OBVIOUSLY they did not play any of the previous games, didn’t even look at the spark notes version

below the cut

they changed mythal’s motivation of being avenged for her betrayal and death by the evanuris

to her actually caring about modern elves all along and admits to a elf rook that she in fact cares a lot for them also that she did not approve of what solas was planning:

which wouldn’t be so bad… when that’s a big contradiction. Other than saying the dalish inquisitor makes The People proud, she says to a dalish inquisitor who can ask her why she was not there for them then and even now:

what is strangest to me is that… the fragment of mythal inside flemeth that was so focused on her own reckoning and revenge that she didn’t do anything for the elven people is said to have gone through considerable character development while inside flemeth by morrigan who now has a fragment of mythal:

morrigan is clear about the mythal in the crossroads is still bitter and vengeful over not just her betrayal by the evanuris but also by solas as well after the events of inquisition when he killed her for her power:

so according to veilguard, the mythal that was inside flemeth during inquisition actually cared about the modern elves all along rather than getting revenge for her betrayal and murder by the evanuris and did not agree with solas’ plans of tearing down the veil to restore the elven people… but in inquisition this same fragment told a dalish inquisitor to their face when they asked why didn’t she help as they prayed and prayed for her to help them by saying “what was could not be changed” and that by asking mythal to do something NOW they don’t know what they were asking, asking for her help to help the modern elves… as she clearly cared more about her own retribution by saying mythal came to her “for a reckoning that would shake the very heavens” and she would see her avenged

this is horribly inconsistent… which keeps showing up :/

and to get the good/best ending, if you obtain mythal’s essence: either through a fight or convincing her, as I don’t think that matters, she will appear with morrigan’s help to stop solas… so basically putting her love for modern elves above her revenge so quickly… but that can be explained with rook convincing her to help the veilguard but… nevermind

Oh lord,

but then again considering the new devs didn’t know who half the damn original cast of the series were and clearly didn’t know jack shit about what they were talking about I’m not surprised

[derangedfujoshi]

The Anime Character Evolution Line

An anon asked me how I differentiate between kodo, shota and shounen so of course I had to not be normal and elaborate further on the topic since I see a lot of confusion going around! Also after all these months spent focusing solely on shotas, I think I've learned a lot and wanted to convey that as well! I hope this is clear enough and of course these are just two possible routes for anime characters (there are Average Joes and Baras as well for example) but I focused on them because they have a lot of similarities and the lines can get blurred quite often. I would also like to reiterate that while I do put some stress on the height of a character when considering if they can be a shota (because a 170cm dude obviously can't be one), height just like age is not the sole thing to consider! At times canon height make little sense to the viewer, for example Killua is technically 158cm in the official book, but his design does not convey that, why? Because his proportions are still so child-like! He is the prime example of a Shounen that you could easily call a Shota if you Don't Know (I personally called him one). So yeah, proportions, limbs' ratios, softness of the features and lastly height and age when trying to categorise a character in a scientific way!

Well I hope that wasn't too boring! You'll find the text on the images under the cut~

Toddler: under the 70cm mark, basically no neck, huge head, barely there arms and legs.

Kodomo: between 70cm and 90cm, limbs started to grow, still huge head.

Shota: proportions are similar to those of a kodo: head bigger than normal, short torso compared to the legs, soft features, a child-like character between 90cm and 140cm.

Shounen: less delicate features, more well proportioned and developed with just a bit of childless retained, usually up to 160cm

Femboy: when the character maintains the delicate traits of a shota but adds centimeters and his physique develops further with a longer torso and limbs and his head is more well proportioned (tinier).

Shota/Shounen Hybrid: Type A "Well, Yeah, Technically But": they are under 140cm but looks way more like a shounen. Type B the physical characteristics are similar to those of a shota but they're well past the 140cm mark.

Bishounen: growing up to become a character with still fair but less delicate features, not obligatory more "masculine" but definitely not "feminine" either. They're "beautiful boys" and the standard for what would count as an attractive male teen character.

Fem-Man: the ultimate form of the shota to femboy to adult pipeline. They keep the feminine aspects while also fully developing into an adult body!

Hottie: ultimate form of the shounen to bishounen to adult pipeline. The epitome of "hot man" with nothing in the design about their youthful days.