#basic soup

[petermorwood]

That was lunch, made quick-and-simple * but dressed up nicely for its photo-op.

* Very quick-and-simple; it was based on a packet of just-add-water oxtail soup, because there are some days when I Could Not Be Arsed, even a simple tomato soup that’s just a couple of tins of tomatoes, an onion, some garlic, some peeling, some chopping, some oil, some seasoning, some cooking, some blending...

Yeah. Enuff said.

However, that didn’t stop me from a few grab-and-chuck-in enhancements - and once I’d announced that, @dduane​ said: ”Write it up for your followers, and take pictures.”

So...

The enhancements were some orzo and a splash of red wine vinegar from the cupboard, sweet paprika, smoked paprika, cayenne (it’s cold today) and ground caraway from the spice drawer, and some frozen red and green sweet pepper from the freezer.

(Side-note - I slice and freeze my own peppers on cookie sheets, then bag ‘em; also onions and carrots, i.e. the sort of thing I’d take from the freezer, weigh frost and all then throw straight into a pot when making soup or stew. Casual approach? You bet... :-> I’ve never done a price comparison, but I bet it works out cheaper-by-weight than buying them that way.)

So I made the soup as per instructions - add water, stir until boiling, heat down and simmer 5 mins - adding everything else at the beginning and extending the simmer to 15 minutes because of the orzo and peppers.

Then it went into a bowl, got garnished with a dollop of plain yogurt and another grind of chilli, and behold:

Soup even with pasta in it works better with bread, and it just so happens we’ve been baking interesting loaves recently.

So, some First Draft and Second Draft herb bread went into a bowl and onto a plate - these, like the cutlery, are mostly meant as photo props - and behold:

For something which started as little more than flour, salt and flavourings, that soup turned out remarkably well; warming, filling and tasty.

As for the bread, the 2-D herb loaf is just as good as the 1-D, but more herby since DD doubled the amount of herbs while reducing the variety. It’s possible for too many different herbs to argue with each other and end up cancelling out the very effect you’re hoping for, something I suspect happened with the 1-D loaf.

2-D loaf used just basil, tarragon and an “Italian Seasoning” (bought as a packet, put in a jar, so no ingredients list, sorry!) which seems to rely on oregano.

Also, confession time, I wrote in the 1-D recipe that DD was using pumpkin-seed oil (since ETA’d to correct); she actually used olive oil since she couldn’t find the pumpkin-seed oil because someone (cough) had put it away without saying where.

The 2-D bread did have pumpkin-seed oil, which affected both the colour and - wow! it’s nice - the flavour. This now makes us both wonder about using walnut, hazelnut and similar unusual oils in an otherwise basic bread recipe, such as the one I bake every couple of days for the house.

Something ELSE to experiment with. :->

[lazylittledragon]

a word for word interaction i had with my boyfriend that i think about at least once a day

[grimalkinscribbles]

Mhin accidentally walks in on mc changing:

[redbean-nom]

A handful of "Boba Fetts" (none of them know what his armor actually looks like)

[tanglepelt]

Dp x dc idea 31

Danny is having a conversation with some dc hero this is the gist.

Hero: so your a meta

Danny: whats a meta

Hero: so an alien???

Danny: aliens exist?!

Hero: so where are you from

Danny: Illinois

Basically Danny has no clue what’s going on in the outside world. Whether it be a info blackout in amity or just him being to stressed to keep up. Just this hero trying to figure out what he is.

[rockethorse]

That pink soup post is well-intentioned but loudly wrong. fwiw

[ouaw-facts-i-just-made-up]

Kremy HATES being sick. He not only feels like shit, but does important tasks at half the speed and half the quality, IF he can get to the tasks at all. If the Krew want him to take a break to get better, they have to basically burrito him so he can't sneak off. One time Gideon just threw him over his shoulder until he fell asleep, after Kremy of course tried to fight him tooth and nail (which actually would hurt a lot, since he's an alligator)

[ineed-to-sleep]

*me immediately after going through a terrifying and traumatic experience* haha yeah I guess it was rough but I'm fine now like I'm totally chill. It was kinda funny actually if you think about it

[mildmayfoxe]

series of meals

[ethaaan22]

The “NULL” Echoic

[soupthatistohot]

BSD 110: An Absurdist Analysis

The fate of Aya Kōda

Since my post analyzing BSD 109 in accordance with Asagiri's absurdist storytelling got so much love, I've decided to continue analyzing the chapters thru an absurdist lens when I deem it relevant, and making predictions accordingly. I think that not only is it an effective way of reading BSD, it gives us readers a bit more hope that things will turn out okay when the plot is... like it is right now (lol).

I recommend checking out my BSD 109 post if you haven't already this since I explain the philosophy of the absurd in depth there :)

BSD 110 spoilers below!! Obviously! Also TW for discussion of suicide.

So. I really don't think the ten year-old girl is going to die.

On top of Aya being "the last hope" (more on that later), suicide is one of those things that absurdists really frown upon.

Aya's plan as I understand it right now is to add her weight to the table in order to pull the sword from Bram's body, this is why she jumps. If this works, the sword will be dislodged and she, the sword and the table would fall to the ground, which is very far below -- she would likely die upon impact.

Absurdists really don't like suicide as a solution to hopeless situations, most absurdist storytellers have their characters commit suicide because they have "given up". It's submission, giving into the meaninglessness of our reality rather than rebelling against and embracing the absurd.

We see this with Oda in Dark Era, his suicide mission is framed as him giving up on life because the orphans were killed. Of course, it also served as catalyst for Dazai's character development, compelling him to escape a situation that would have likely ended up in his own eventual suicide. All this to say that even though Asagiri chose to make Oda go on a suicide mission, the overall narrative purpose still lent itself to absurdism through Dazai's decision to defect. It needed to happen for the story to move forward as it has (and as we know from BEAST, there literally cannot be a universe in which both Oda and Dazai are alive).

So, if Aya dies now, what message does this send? It's almost certain that the world will literally end if she does, meaning that everyone's efforts up until this point have all been for naught, which, as I explained in my BSD 109 post, is the opposite of the entire point of BSD as an absurdist text. Aya is really the "last hope" right now, with all our other main characters pretty much screwed or just not present.

"Nothing is impossible for a warrior of justice. We beat the bad guys and save the world, no matter what happens."

What Aya says right here is something I'd liken to the Dazai quote I brought up with my BSD 109 analysis: "The ones who actually make the world turn are those who scream within the storm of uncertainty and run with flowing blood." Both communicate the idea that there's never an acceptable point in time to give up (suicide), that there's always something more that you can do, even when things seem bleak. Those who "make the world turn" are one in the same with Aya's concept of "warriors of justice."

Aya may not succeed exactly the way we expect her to, but she absolutely is not dying like this. On top of the absurdist storytelling reasons, she's just a child. Of course, we know Asagiri isn't above killing kids, but Aya is a bit different than the other children we've met in BSD. Her character has been built up and developed, she has a fleshed-out backstory, and we've spent a lot of time with her. To kill off a little girl we've come to care about a lot would just be cruel, plus her death wouldn't really serve a narrative purpose right now.

So, what could happen?

One prediction is that Aya adding her weight to the table does dislodge the sword and she falls, but she is saved by another character. We know Kenji and Tecchou are out there right now, we haven't seen Yosano or Kyouka in ages, etc. etc.. Basically, there are definitely people out there that could come to her rescue.

But there's an option I like a lot better: Aya's ability manifests.

Aya Kōda was a 20th century Japanese novelist and essayist, and the namesake for the Aya we know in BSD. As far as we know, all the characters who are named after real-life authors possess an ability inspired by the life/work of said author. Aya doesn't have an ability yet, so logic follows that she will develop one by the end of the series.

I'm not sure where I read this, so take it with a grain of salt, but I believe that in BSD the character's abilities manifest because of trauma. Not only does Aya live in a somewhat emotionally abusive household, but she's literally been thrust into the middle of a conflict in which the world could literally end and has decided to jump off of a tall building to try to save the world -- I'd say that's pretty traumatizing!

I'm not familiar with the irl Aya Kōda's works enough to speculate about what her ability would actually do, but there's a decent chance that because of the current situation, her special ability will manifest in order to prevent her from dying and/or dislodge the sword from Bram. This would also fit absurdist storytelling very well, she's literally doing jumping off a building as a complete last ditch effort, it's a crazy plan that probably won't work -- but her other option is to just accept death, and that's not acceptable. If she were to manifest her ability in this moment, it would reinforce the idea that rebelling against the absurd has value, that even when things seem at their worst there's always something you can do.

Anyway, these are just my thoughts! Please feel free to add anything you find relevant, especially if you're familiar with Aya's irl counterpart! See you next month ;)

Here's the BSD 110 translation I pulled the panels from.

[borderlinereminders]

Every time I make a post about improving relationships, I also inevitably get the comments about how “yeah but sometimes people don’t want to be your friends and you should let them go”. And yes? That’s true.

But my posts are from a specific point of view of someone who has been insecure and sabotaged my relationships in the past.

Not all posts will be relevant to your situation and I can’t cover every single possibility in my posts.

[saccharineomens]

You know, watching the anime made me realize something, so I went looking.

We (manga readers, anime-onlies beware spoilers later on) already know Senshi’s tragic backstory and that the reason why he stays in the dungeon is to take care of it.

Early on in the manga, Senshi behaved with a complete disregard to Chilchuck’s orders to keep them safe. It’s possible Senshi behaved this way because he didn’t respect Chilchuck’s skills, or he thought that none of the traps would be able to harm him (due to being a dwarf). When he offered up his life to the orcs (before his vegetables, even), maybe he was simply trusting that Zon wasn’t actually going to kill them (despite them brutally murdering an entire pub in front of their eyes). But what if he simply…doesn’t care whether he lives or dies?

Senshi shows no interest in returning to society, preferring to keep to himself. He lives only for tending to the dungeon and cooking his next meal. He behaves recklessly with his own safety, and he hasn’t moved on from the trauma he experienced almost eighty years prior. He also believes that resurrection is unnatural, and accepts his own death with relative ease.

I think his survivor’s guilt left him passively suicidal, just waiting for his inevitable death to come to him, and holds fiercely onto Gillin’s final wishes that Senshi lives on as a reason to not seek it out.

[priscirat]

the moon got a shine of her own

[wraithsoutlaws]

back to cyberpunk brainrot ive been sitting on a full maelstrom oc because i need (want) someone to stir shit up for the boys :3c

[lord-squiggletits]

On the MegOP fandom trend of saying "Optimus should apologize to Megatron"

(Speaking specifically for IDW1, though it applies to a lot of MegOP especially ones that do continuity soup with heavy reference to IDW1)

I was talking to a friend in DMs and they mentioned a common headcanon/fanfic trope that I also concurred with, and both of us said it's something that bothers us: a common take in the MegOP fandom goes basically along the lines of "If Optimus had just apologized to Megatron, the war would've ended" (or other variants including "if he'd tried harder to understand Megatron/work in collaboration with him").

And firstly, this is incorrect for a number of reasons:

There were attempts at peace negotiations during the war, but they fell through. So Optimus WAS trying to work with Megatron to the point of participating in formal diplomatic meetings.

Optimus tried multiple times on page to convince Megatron to just stop fighting and work with him for peace (Autocracy, Chaos Theory) that Megatron rejected. Given that these on-page examples take place at the start of the war and at the end of the war respectively, it makes sense that Optimus asking Megatron for collaboration is something he was trying/willing to do the entire time. So again, Optimus was always willing AND ATTEMPTING to work with Megatron and find a joint solution

Even before the war when Optimus was still Orion, he was very explicitly inspired by Megatron's writing and names Megatron as one of the people who "opened his eyes" to the wrongs of Cybertronian society. So how is it that people claim "the war went on for too long because Optimus never tried to understand Megatron" when OP literally named Megatron as one of his biggest idols, thus implying that OP does understand Megatron's ideals

But the primary purpose of this post wasn't to defend Optimus, actually. Even though I personally think Optimus did plenty (dare I say, everything) to try to end the war, there are some who may still think otherwise, so instead of arguing about whether Optimus did "enough", or who should apologize to whom, or who "deserves the blame" for starting/continuing the war, I'd actually rather talk about this:

No matter who is most "to blame" for the war, it's my firm belief that neither Megatron nor Optimus would even expect/demand the other to apologize to them at all.

On Megatron's side, he would never seek to judge Optimus negatively for the decisions to the point of saying "you wronged me, apologize." Whether it's evil Megatron who doesn't care about atrocities and revels in an opportunity to expose Optimus as a hypocrite, or post-war/Autobot Megatron who knows that his own evil actions are irredeemable, the idea of Megatron judging Optimus and demanding an apology for the war specifically strikes me as out-of-character. Why would Megatron demand or even want an apology from Optimus when Megatron knows fully well that he has his own sins to bear, he prolonged the war for his own selfish/material gain, and that he is responsible for an untold amount of suffering? Demanding an apology would imply that Megatron sees himself as the wronged party and Optimus as the wrongdoer, but by the end of the war, Megatron is too aware of his own part in the war to ever demand such a thing of Optimus. Even if he DID think that Optimus was "equally to blame" for the war (which he doesn't/wouldn't, btw), Megatron's own feelings of guilt would prevent him from trying to seek the petty satisfaction of the moral high ground or making Optimus beg for his forgiveness.

Additionally, Megatron knows Optimus very well as a person: he knows that the position of leadership is full of "loneliness [and] agonizing self-doubt" for Optimus (Chaos Theory) and that "when Optimus hurts others, he hurts himself" (MTMTE). Another reason that Megatron wouldn't demand nor want an apology from Optimus is because Megatron knows Optimus so well that he already knows that being a war leader fills Optimus with immense guilt and suffering. Given that Megatron knows about Optimus' self-doubt and guilt, why would he even need an apology when he already knows how much Optimus regrets the war and desperately wishes/wished for it to end?

Then, as established in the previous paragraphs, Optimus is too full of guilt for his part in the war (both before it started and in being unable to stop it sooner) to demand an apology from Megatron. Again, demanding an apology would put Optimus in an implied position of moral superiority and/or victimhood, but Optimus doesn't see himself as morally superior or as a victim (or rather, he sees himself as being responsible for these bad things happening and internalizes this as a duty to do better/fix wrongdoings). In other words, Megatron and Optimus both share this view of themselves and each other: Their hands are so dirty, and they both feel such guilt over this, and they know each other well enough to know that the other feels this way as well. Because both of them feel blame for the war and are acutely aware of their own flaws/part in suffering, both of them feel far too responsible for the war happening for them to ever blame their archnemesis for "not trying harder" or "being responsible for the war."

Hell, if you even look at the socio-political climate of Cybertron before the war started, neither Megatron nor Optimus were the ones who put this conflict into motion. The corrupt legacy of the Primes, Functionism, class issues-- all of these things existed before Megatron and Optimus did. Even once they started doing things like writing about social issues (M) or fighting against the Senate (OP), both of them were "underlings" in sense that they weren't leaders:

Megatron's writings may have inspired the Decepticon movement, but that movement existed as an independent entity with its own leaders and speakers long before Megatron became the "official" ruler of the Decepticons. He wasn't even the leader of the 'Cons until he took control of the gladiator arena and the nonviolent sections of the Decepticons were (presumably) subsumed into the underground, exploitative battle culture that Megatron created.

Optimus-as-Orion was a police officer to start, but even once he started going against the Senate, he mainly worked in collaboration with others like Senator Shockwave and Zeta (later Zeta Prime), who he either saw as his idols or who were literally superior to him in rank due to government/military structures.

So with this in mind, even from a social level, while Megatron and Optimus may have been "catalysts" of a sort that caused the war to escalate to an outright planetary/galactic level, the scenario is too complex to solely lay the blame for the war at either of their feet. I'm not confident in saying that Megatron/Optimus would explicitly think of this when talking to each other, but what I'm trying to say is that M/OP were just catalysts in a long chain of brewing tension that exploded into a war. Even if one could claim that one of them "started" or "escalated" the war, the social issues that caused the war and the positions of power that allowed them to become leaders in the first place were falling into place before either of them actually BECAME leaders.

In other words, this shared fate of being the final reaction that exploded a societal conflict into outright war... Megatron and Optimus both have that in common. And because of this, I really don't think either of them would even think to ask the other to apologize because they're both in such similar positions, with such similar feelings of guilt and responsibility, that they understand each other's feelings without words. To demand an apology would be akin to taking that shared vulnerability/guilt and stepping on it, attempting to claim that one is right/superior and the other is wrong/inferior, and that the inferior one needs to grovel and take responsibility for the bad things that happened.