#based on Homer's Iliad
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"The gods envy us. They envy us because we're mortal, because any moment may be our last. Everything is more beautiful because we're doomed. You will never be lovelier than you are now. We will never be here again."
Troy (2004)
#Edit#Troy (2004)#movie quotes#based on Homer's Iliad#Homer#Iliad#envy#jealousy#mortality#doom#Greek mythology#Ancient Greek literature#epic poetry#Greek epic#poetry#poetry quotes#quotes#quotes blog#literary quotes#literature quotes#literature#book quotes#books#words#text#Greek gods
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So lately I’ve been seeing a lot of posts asking people to stop trying to make Odysseus look nice in their works cuz he’s a “messed-up person in the mythology”. Your opinion is valid however I have but one thing to point out:
You want to know who started all this? Who started to “make Odysseus look nice” in the first place?
It’s Homer. It’s nobody else but Homer himself.
A non-Homeric Odysseus would try to murder people out of his own interests. He’d murder Palamedes without remorse (and we’d be cheering over this but it’s a murder after all), he’d attempt to murder Diomedes just to get the Palladium himself, he’d volunteer to kill Astyanax…meanwhile you wouldn’t find any mention of either Palamedes or Nauplius in Homer’s poems, neither did he mention anything abt the Palladium heist (and Diomedes necessity did not happen until Conon’s version), the death of Astyanax, the distribution of war prizes, etc. And all the details in the Odyssey seemed to deny the existence of Nauplius’s vengeance at all, so Odysseus would not take any of the blame.
A non-Homeric Odysseus would be depicted as “cruel, treacherous”, meanwhile in book 10 of the Iliad Odysseus was not mentioned to have killed anyone during the marauding, neither did he promise Dolan anything at all. The negative interpretations are denied by these details subtly put by Homer.
A non-Homeric Odysseus would be widely known as a “coward” for only shooting arrows from afar. But Homer gave him a spear and had him absolutely slaying in both the Iliad and the Odyssey. That part of Ajax’s speech was invalid already.
Most importantly—a non-Homeric Odysseus would be having kids everywhere else, and the loyalty to his own wife as seen in the Odyssey is no where to be found. Meanwhile his lineage was a single-son line made by Zeus in the Odyssey, and his love for Penelope was one of his main drives, especially seen in book 5 of the Odyssey. He loved his family as a loving parent—something you don’t get to see in most of the non-Homeric writings—for most of the time they followed a different tradition indeed, in which Odysseus wasn’t half as nice as in the Odyssey.
TL;DR: in case you haven’t noticed, the characterization of the Homeric Odysseus was quite different from a non-Homeric version of Odysseus. It’s not that Homer didn’t know of the existence of other versions—he knew them too well, which is why in his version of the story, you don’t get to see any mention of them.
#and now hot take: your opinion is invalid cuz there isn’t supposed to be such a term as “nice” when describing a person#he did not join the war willingly and the war crimes he did were out of necessity#no god has judged him on these “war crimes” so neither should you#not especially when you’re basing it on your modernized view of this matter while the ideology of heroes is so different in ancient times#there isn’t such a term as “nice” or “not nice” when it comes to an Ancient Greek hero#they’re complicated persons with feats on their shoulders and family of their own#tagamemnon#the iliad#the odyssey#homer’s iliad#homer’s odyssey#the epic cycle#homer#odysseus#epic the musical#tagging epic cuz I’ve seen such opinions directing at Epic!Odysseus—but how on earth was he a “nice” person#he did much horrible things in act 2 and isn’t that what you would like to see or did I smell double standards?#*shrugs* I do not direct this at anyone—just at some specific opinions I’ve read online#anyways there’ll always be arguments but let’s just agree on the fact that he’s a grey character and he did stay grey in these adaptations#so fricking tired of these negative commentaries which are not constructive at all#Lyculī sermōnēs
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Odysseus once took a 5mg edible and spent the next three hours nonverbal and motionless on a couch with his hands over his eyes.
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could you draw patrochilles please?
Nothing like getting ready to commit war crimes with your husband
#based more so on the iliad than soa#but both work#achilles#patroclus#patrochilles#the iliad#the odyssey#song of achilles#art#digital art#artists on tumblr#greek mythology#greek gods#fanart#greek myth art#homer's iliad#iliad achilles#iliad patroclus#achilles fanart#patroclus fanart
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God I love epic poetry. The Iliad, which deals with mortality, remembrance, and fate vs free will. The odyssey, about perseverance and the indomitable human spirit. And…..um…. *checks notes on paper* their bastard cousin, a propaganda about the founder of rome and how cool and strong and sexy he was????
#the aeneid#I saw another post about the aeneid and now that I know there’s a fan base I needed to make a post#arma virumque cano#Greek mythology#epic poetry#poetry#Homer#the Iliad#the odyssey
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#greek mythology#achilles#the iliad#homeric iliad#iliad achilles#ginger Achilles#hades game#hades patroclus#patrochilles#a weird mix where i base achilles on the iliad bit patroclus on the hades game/modern media#my achilles has even longer hair#it was just hard to draw for what i had in mind#pretend its over his left shoulder#or stuffed into his hoodie
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- slightly modified the conversation from the original text - they dont wear armor because, duh, I dont want to - I mean, if greek artists never bothered, why would I...
#the iliad#homer's iliad#achilles#trojan war#hector#achilles vx hector#ancient greek mythology#ancient greece#ancient greek literature#comic illustration#comic art#colorful#my artwork#based on the books#comic pages#homer#hector of troy#violent language#content warning#the death of hector#the rage of achilles#classic literature
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i'm fundamentally opposed to book titles in translations of ancient epics ('beguilement on mount ida,' 'a hero's son awakens,' 'the olive tree bed,' 'camilla's finest hour,' 'juno served by a fury') bc it just seems like too much to me to presume you know what single thing the book is really about, but christopher logue is allowed to do it
#i have the collected volume but just bought the husbands (books 3-4) and yeah. he's right. that IS what books 3 and 4 are about#fitzgerald does call iliad 3 'dueling for a haunted lady' which is cool but the rest of his book titles suck#iliad 18 isn't 'the shield of achilles' and aeneid 8 isn't 'the shield of aeneas' there's a LOT more going on in both#even aeneid 5 isn't just REALLY about the funeral games (bc its also about the first punic war)#and all the more so with the homeric epics whose book divisions were not intentional and who had no author to focus on a single thing at on#titles are useful indicators of what the translator thinks the book is really about and what they think everything else is supporting tho#like does the translator think the embassy to evander is central and the shield a supporting detail or vice versa?#(aeneid translators are 50/50 on whether book 8 should be titled based on the shield or based on evander and the arcadians btw)#and like. does odyssey 4 take its title from menelaus' tale or helen's tale or do you call it 'the king and queen of sparta' or something#its really funny when translators try to do book titles with the metamorphoses though#'impious acts and exemplary lives'? 'of the ties that bind'?#those tell me nothing about what's even in the book let alone what the translator thinks the most important part is#(this is a not small part of the reason i have not gotten the new stephanie carter translation.#efforts to divide epic neatly even into the book divisions used by the author rub me the wrong way.#going beyond that and presuming to be able to say where one story ends and another begins... it's not for me)#mine
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Sometimes i remember we did 2 hours of iliad per week for an entire school year and it was taught so horribly, like how can you butcher one of the most beloved ancient texts THIS badly?
#the iliad#gr education system is based for how they give two entire years to homer#but the way these lessons are structured is heartbreaking
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every time i see a quote from troy (2004) attributed to homer i get a twitch in my eye for the next three hours
worst offender by far is this quote, which, for the record is the second most liked "quote" from the iliad on goodreads
sure this sounds beautiful but it is literally said by brad pitt's achilles as he tries to convince his spoils-of-war slave girl/love interest briseis that maybe blasphemy is ok bc actually the gods dont care and also theyre jealous that humans can die
here is the og version of this quote from the script:
BRO! homer didn't write this, this was written by david benioff (yes, the game of thrones guy) and u literally can tell by the fact that it is normal human sentences w modern day grammar and vocabulary instead of. u know. centuries-old poetry!!! not a single hexameter in sight smh
in conclusion:
#dont get me wrong it has some fucken banger quotes but that doesnt make it homer?#this movie is only extremely loosely based on the iliad but apparently ppl are still willing to believe literally every vaguely#pretty quote is lifted from the bard himself lol#the only scene w any vague resemblance to the og is whem king priam asks for hektors body#and even then they made up some shit abt achilles' dad being dead for some reason???#when in the original text achilles' dad being alive is actually priam's angle to get sympathy from achilles#anyway. did i need to put in this much effort into what is essentially an extremely niche ventpost. no#but i stumbled upon a pjo post using the quote mentioned and attributing it to homer again and i saw red so. sorry#the alternative wouldve been to reblog that w extremely bitchy tags and i am not that mean of a person so 4am shitpost it is#anyway. should i tag this w the main stuff or do i want peace . bro idek i should have been asleep 5 hours ago#so. welp. maybe later . actually no i want to find this on my blog so i'll tag it now or else im just gonna forget#cavetext#the iliad
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Unpopular opinion probably (maybe?) but I think people are over the top in how much they hate on song of achilles. It was a solidly fine YA (new adult? Idk) romance/myth retelling and my understanding is that the author is a classicist so she does actually know what she's writing about
#i will give that there are some weaknesses in the character writing but like. its fine. she didnt ruin lit with myth retellings or anything#ive just seen a lot of really extreme opinions on it lately that uh. honestly came across a bit homophobic#oh also because i know i looked this up once but its not only based on homer there's other versions of the story#and i have definitely seen criticism of x part of the story bc it didnt match the iliad but it did have basis in other versions of the myth
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Bitches be like "Oh Hades always has to deal with his stupid youngest brother Zeus who cannot keep it in his pants."
First of all, Ancient Greeks didn't wear pants.
Secondly, Hades and Zeus are actually decent with each other. Hades isn't ashamed of asking him for help whenever he considers that there's the case, whereas Zeus trusts his eldest brother enough to give one of his daughters as his wife. There's also this whole discourse claiming that Zeus got the best and Hades got the worst, but if you actually give a second thought to it the Underworld actually has some of the greatest peaks: besides the fact that you're extremely rich all the mortals eventually become your subjects. Even poets stated that in numerous works:
Ovid, Fasti 4. 443 (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) :
"[Zeus speaks :] ‘My rank is no greater [than Haides]. I hold court in the sky; another rules the sea [Poseidon], and one the void [Haides].’"
Or:
Seneca, Hercules Furens 53 (trans. Miller) (Roman tragedy C1st A.D.) :
"Dis [Haides] himself, who drew a lot equal to Jove's [Zeus's]."
But if you're so desperate to give Hades a brotherly rivalry then I'm here to tell you that there's no need to erase all of Zeus' qualities (leadership skills, wisdom, long-term planning, determination, cunning etc.) and over exaggerate all of his bad actions in order to portray him as an incompetent asshole Hades always has to deal with. You could simply give Hades and Poseidon this type of dynamic instead.
Poseidon is way more impulsive, temperamental and testy than Zeus. He doesn't hesitate to show his wrath, let aside make others suffer because of it. On top of that, he's the god of the sea and earthquakes, and he's also almost as powerful as Zeus. His attributes and realm could easily represent a threat to the Underworld if he lets his anger go too far.
Take this passage from the Iliad as a relevant example:
Homer, Iliad 20. 67 ff :
"Poseidon from deep under them shuddered all the illimitable earth, the sheer heads of the mountains. And all the feet of Ida with her many waters were shaken and all her crests, and the city of Troy, the ships of the Akhaians (Achaeans). Aïdoneus [Haides], lord of the dead below, was in terror and sprang from his throne and screamed aloud, for fear that above him he who circles the land, Poseidon, might break the earth open and the houses of the dead lie open to men and immortals, ghastly and mouldering, so the very gods shudder before them; such was the crash that sounded as the gods came driving together in wrath."
Dude was freaking out in this scene. During the entire Greek Mythology he's presented as stoic and rarely frightened, but when his brother was causing a strong earthquake he was shitting himself and sucking his thumb like a baby (metaphorically). For the first and last time we see a god being vulnerable and scared by other gods in a similar way a mortal who is about to lose all of his property and belongings would be. Poseidon is pretty much capable of drowning the entire Underworld or exposing it to the Aboveworld if he wants to, so who's actually the more problematic brother? The one who can maintain his calm and control and understands better how distructive power can be, or the one whose anger was on the edge of breaking the border between the realms of the living and the dead?
What if people would stop completely changing the original personalities of the Greek Gods and create more headcanons and fanfictions based on what's actually stated (or at least what is suggested/more plausible) in the myths?
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Odysseus drives a Honda Odyssey that he shares with Anticlea. It is nicknamed Deerslayer due to the great terror it has brought upon local wildlife.
#odysseus#the odyssey#the iliad#homer#anticlea#based on true events#a little on the nose but we think we’re funny
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hi, Wolfy!! I really love your Iliad/Odyssey designs so I was wondering if scar placements in your Odysseus design in particular are based on the descriptions from the text? the face-scar, to be specific. I've read Homer myself a while ago and I don't remember anything other than his leg scar and smth about his wrist from the war I believe
artist do interpret characters as they want but I've noticed that several artists add that thing to his appearance so i just wanted to know if you added it just for fun or not🥺🥺 it's super cool anyway makes him even hotter than he is without it
Not specific descriptors no! But a lot of his scars are based on the different entities he's faced. Especially the face scar I think that one was from Charybdis? Or when Zeus strikes the ship
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Why did Helen choose to torment the Greek Warriors inside the Trojan Horse? (An Odyssey Analysis)
Okay so here is a conundrum that seems to be quite interesting in homeric poems. One of them seems to be Helen's behavior before the sacking of Troy. Menelaus informs us and Telemachus on the events of the night before taking Troy and speaks on the moment where Helen knocks on the Trojan Horse and calls upon the Greek warriors inside imitating the voices of their wives.
Three times you circled the hollow ambush and out of the best of the Danaans you called the names and all the Argives heard the voices of their spouses. Nevertheless I and the son of Tydeus and the godly Odysseus heard you as you called out and while we two were eager to rush out and act to our sudden urge, Odysseus though held us back and restrained us despite our eagerness. Then all the other sons of Achaeans endured apart from Anticlus wanted to respond to your call but Odysseus placed his hand upon his mouth non-stop and strongly and thus saving all the Achaeans until Athena Pallas led you away
(Translation by me)
So basically here we see a very cruel act right? Helen knows the Argives were away from home and their wives way too long, over a decade so why would she play such a cruel game to them and call upon them by using the voices of their wives? It seems unnecessarily cruel at some point especially since she did express the need to go back to her husband already a year prior during the events of Iliad.
So here are a couple of explanations for it.
So for many I would epxect this would be something one might consider inconsistency at writing which leads many people to turn to the "different writer" trope. Quite honestly I can see why and as a hypothesis is really valid or maybe if one takes the hypothesis that Odyssey was witten way after the Iliad that the author himself changed his mind on some stuff or reconsidered his sources etc.
However let's hypothesize for one second that this is a logical continuation of the story and character development (yeah I am not convinced on the different writer theory, fight me! XD) and let's just think for a second the context of the scene based on what we know from the Iliad and the Epic Cycle in general.
We know that Helen lived in Troy a decade (yes for the "20 years theory" I have answered an ask here). She knew these people for a long time. We also know from the Iliad as she stood next to Priam, giving him information about the Greek leaders and kings and we know that she was not judged by him or any other of the Trojans. If anything she was blaming herself quite a lot for it. Even in the funeral of Hector she expresses her love for him (not romantic love guys) and her respect for him. She had no real hate for the Trojans even if she already had a change of heart or Aphrodite's spell on her had weakened. For the reasons why she stayed I also answered another ask right here but apart from that reason we know she wanted to go home so why did she do that to the Greeks? Well in the same scene Menelaus seems to be excusing his wife and he presents this very interesting explanation as to why she did it:
And then you came there: called by some god, no doubt, who wished to extend the glory of the Trojans
(Translation by me)
Menelaus seems to be excusing his wife once more and presents the hypothesis that Helen was inspired by some god or goddess (δαίμων) to go and disturb the Greeks inside the horse. Helen doesn't deny it but doesn;t confirm it either. In fact Telemachus speaks soon after and Helen orders the slaves to prepare stuff. The conversation on this subject seems to end there. So the one explanation could be that indeed Menelaus is correct and that Helen was once more either coersed or blackmailed by a god, potentially Aphrodite again, even if not mentioned, and went to the Greeks and tried to lure them out for the sakes of that god that wished better for Troy. It stands as an explanation as well.
However let's make things more spicy and let's assume that Helen was not influenced by divine intervention by the gods and instead it was her own free will to do what she did. If yes then why? So here's a hypothesis. Before in her narration Helen talks about how she met Odysseus and recognized him in his disguise. She also mentions how Odysseus informs her on the plan to take Troy:
And then he entrusted me everything he had in mind for the Achaeans
(translation by me)
How much he told her is not clear. Did he already have in mind to make the horse so he tells her that? Maybe he warns her on the one day that the Achaeans shall enter the city without speaking on precice details? Either way Helen would know Odysseus was up for some ploy and she knew she had to act fast. Menelaus also mentions how Deiphobos was with her at that time (how Menelaus knew? Well probably Helen told him). So immediately if Helen had a reason to do what she did, we have two reasons;
She wanted to persuade Deiphobos on her loyalty to Troy. Arguably when Odysseus escaped, as Helen said, he killed many Trojans on his way out. Most likely her loyalty must have been questioned at that tensed time thus being accompanied by her new husband all the time. By doing this, ellegedly tormenting the Greeks, was showing to Deiphobos her loyalty to Troy (manipulating him into believing that she was on their side) plus showing him like "See? Nothing here. No danger whatsoever". She probably knew already Odysseus would be inside and he wouldn't fall for her trick and she trusted him and her husband to hold the rest of the Achaeans inside the horse so they wouldn't cry out. So not only did she show to Deiphobos that she was on Trojan side but also manipulated him into believing indeed there was no danger.
Two, this part is the best, in my opinion, she was signaling to the GREEKS inside the horse. She called them all by name by immitating their wives. More or less tells to them that she KNOWS and that she knows EXACTLY who they are and who their families are, and that she could have betrayed them at any moment if she wanted to but she chose not to because she was on their side. Like that she would have more hopes not to be killed by vengeful Greeks during the siege of Troy or her daughter by Paris, Helen, and ensure her and her daughter's safety. Also signaling her change of heart in person to them.
Conclusions:
Like I said before I do not believe Odyssey was written by a different author altogether and Odyssey itself gives us some very good explanations on Helen's behavior. I am actually willing to side with my second hypothesis. Perhaps Menelaus was talking literally when mentioning a god but I tend to believe he was more like metaphorical. In an essence "what's gotten into you?" manner. However I tend to believe that regardless of whether there was or wasn't a godly intervention in Helen's behavior, Helen is extremely intelligent and she knows that after the fuss Odysseus caused (literally a Greek spy in Troy, possibly two if we count Diomedes too) that got in, stole the Palladium of Athena and killed people on their way out might as well throw suspicion on her and she needed to make sure she would continue have the love of Priam, which was literally her shield of protection at that moment. Two she knew that her husband was coming for her and that he was potentially furious and if it wasn't him, some other of the Greeks would be or they would get battle-drunk with their success. She wasn't going to rely only on Odysseus's silver tongue that he persuaded the Greeks on her change of heart but she wanted to make sure that they knew on her talents and power and the way that she could literally give them away at any moment and that she chooses not to because she is Greek like them and because she had a change of heart!
I hope you find this analysis interesting! Let me know in the comments below! I'd love to hear your thoughts! ^_^
#katerinaaqu analyzes#greek mythology#odysseus#tagamemnon#the odyssey#odyssey#homeric poems#the iliad#homer's iliad#homer's odyssey#homer iliad#helen#menelaus and helen#helen of troy#helen of sparta#trojan horse#trojan war#menelaus#odysseus and helen#deiphobos#massacre of troy#telemachus#homer odyssey#homeric epics#homer#helen and menelaus#menelaus of sparta#homer's odysseus#priam#diomedes
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Something that's neat is that when it comes to Ganymede's abduction, before the mid-300's BC the eagle doesn't feature in the visual record. (I don't remember off-hand where the switch comes in the texts, but earliest texts don't portray Ganymede as having been taken by the eagle, either; in the Iliad it's a generic "by all the gods" and the Homeric Hymn to Aphrodite, wind seems to be the method (though Zeus is the sole instigator this time).
So what you get before then is Zeus taking things in hand quite literally, with things like this:
Both of the above are from around the same age-span in terms of make. And then there's this, which is really interesting, as it reminds more of the depictions of Eos with one of her abducted youths:
Is Ganymede asleep or just really relaxed about the whole proceeding? Who knows!
While we of course can't know if there were anything that depicted (visual or text) Ganymede's abduction via eagle before ~350 BC, it definitely seems this one statue group by Leochares inspired a lot of art based on it. Like this one vase painting, which doesn't name Ganymede as the subject but with the setup it seems reasonable that it is him... though the abducting bird is a swan, not an eagle!
Ganymede is sometimes depicted as shorter/smaller than Zeus, like the terracotta statue above (though I'm not sure the statue, specifically, means to necessarily say anything about Ganymede's age. Sometimes gods are simply presented as taller than humans, too).
Most usually, however, he's about as tall as Zeus, a youth who's an older teenager at the very least.
And our oldest vase art/visual survival of Ganymede, which I really like:
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