#barbershop music

[alliterative-endlessknot]

It’s #BarbershopMusicAppreciationDay! Check out this video to learn about its connection to Rock and Roll

[help-help-i-need-an-adult]

I directed a chorus today. Like, at a performance the chorus was getting paid to perform at.

I don’t usually direct a chorus.

I did direct a (very small) school chorus when I was in high school and college. That was roughly a decade ago.

I haven’t had ANY formal training in music ensemble conducting, but I did learn some things by being in choirs (like, really good ones) as a kid. I also learned a little by being the “lab rat” for a choir director’s workshop that my childhood director ran and taught every year.

But again, nothing where I was the intended student.

Despite all that, today went really well. And I was really nervous about it.

Yay small wins!

[texaschainsawmascara]

Eve, 2000s

The term wife-beater reportedly became synonymous for an undershirt after a 1947 criminal case where a Detroit man was arrested for beating his wife to death, and newspapers printed a photo of the "wife beater" wearing a stained undershirt.

[skys-archive]

Unfortunately today has become a frustrated and upset about being disabled day

Perhaps working on my stuff for callbacks can distract

[dejablonde]

3-5 men singing in tight harmony fucks so severely

shanties, barbershop, gospel, the beatles

3-5 men has got to be one of the genres ever

[bruce-morrow]

Jheri Curls, St. Louis, MO, 1980s

[reality-detective]

(Unmute) They sound good to me!

[pseuddamntired]

It’s that time of year again. Barbershop parodies at barbershop conference performances.

[gameraboy2]

Barbershop Ballads - The World Famous Sportsmen Quartet

[vaporwave]

[alliterative-endlessknot]

It’s #BarbershopMusicAppreciationDay! Check out this video to learn about its connection to Rock and Roll

[cartoonybus]

doodles of danny's ex-wife and ex-stepson i really liked

[jellicle-chants]

@ride-a-dromedary Since you asked, here's my beef with Hugh Jackman Meredith Willson's The Music Man Sutton Foster. (No really, that's what the soundtrack album cover looks like.) Basically, I think the revival did a terrible job of capturing the soul and energy of the original show. If you want to read my protracted rant about it, then by all means, continue below.

(Note: I'm mostly going off of the movie adaptation to count for the "original" since it's the version I'm used to, but I also listened to the OBC recording occasionally to see what was shortened for the movie.)

I think the first big thing I should mention is that Hugh Jackman is simply a terrible choice to play Harold Hill. No offense to him, but in my eyes he's always been better at playing a character who seems very charismatic but is actually a bumbling fool (i.e. PT Barnum). Harold Hill might be a conman, but his whole livelihood revolves around getting people to believe that he means what he says and then believe that, too. You need an actor with an incredible amount of charisma and presence to be able to pull that off, and IMO, Jackman is not that actor.

He's also (again IMO) really just snoozing his way through this recording, especially on 76 Trombones! He's dropping R's left and right (to the point where it almost sounds like he's making the effort to sound Southern) and they had to add in a trombone sound behind his mimicking one because it sounds SO dull. Then he mispronounces "Creatore" somehow?? I know that's the littlest thing to get upset over but it also just shows how little this show's creatives know or care about what this musical is all about (more on that later).

And then: they do the MMM thing from Cats 2019. AKA, where they drop out all of the orchestra and sing the biggest song, probably the song that the most people in the audience will know, in a really annoying, slow build-up that entirely kills the flow of the piece. Speaking of killing the mood, the dance break in the middle of the song really does that as well. "76 Trombones" is about the farthest you can get from broke, so I have no clue why they tried to "fix" it in this way.

My least favorite Hugh Jackman song from this soundtrack, however, is not 76 Trombones, but Marian the Librarian. Just from the off, this is one of my favorite musical theatre vamps ever and they absolutely ruined it by playing it at like twice the normal speed. It also starts in the wrong key and then keys up again (???) before he starts singing, and from there it only gets worse. He basically gets every single vowel he possibly could wrong (my favorite being the classic Brit-as-American "Watt can I do") and just trips and falls through the entire song extremely uncharismatically. He says "li-berry" at one point, for goodness' sake! Please, if you haven't listened to the original Robert Preston version of this song (either from the movie or the show), go do it now and then listen to the mockery Hugh Jackman makes of it. It's so obvious that Preston has such a better command over his voice and sound that it makes Jackman sound like he has no clue what he's doing.

Sutton Foster is not nearly as bad as her co-star, although I think she's also miscast. Obviously a Shirley Jones-style voice is really hard to recreate these days, but she's just got such a bright singing and speaking voice that if you had told me in 2021 that she was going to be playing Marian I would've thought you were bad at fancasting. I think she still does a fine job with the poor directing choices she was given — a true professional.

OK, some quick things before I get to the most infuriating part of this revival.

It was also very bold of the creatives to not only keep My White Knight, which is one of my always-skips of the original, but to also add another one in in "Columbia, the Gem of the Ocean".

Why the hell is Pick-A-Little so slow??? It's a patter song, folks, it's supposed to be peppy.

I guess they directed the poor kid playing Winthrop to exaggerate the lisp as much as possible (could they have considered maybe just hiring an actor with a lisp instead?) because it straight up sounds like he's putting it on as a joke most of the time. 😬

I think the new lyrics to "Shipoopi" are cringe. Is it that hard to suspend your disbelief that people in 1912 had antiquated views on relationships? Is "hussy" really even that bad of an insult anymore? This song also gets the slowed down + long-ass dance break treatment, God save me.

So, if you're familiar with The Music Man, you might have noticed that I haven't yet mentioned a few key songs/moments. This is genuinely the part of the story of this revival that makes my blood boil. If you're unaware, 4 side characters in The Music Man make up a barbershop quartet, played in the original Broadway production and movie by the Buffalo Bills, a pre-existing quartet who Willson had become friends with even before writing the show. The Bills get multiple songs in the show, all sung in the barbershop style, and they all show off the iconic barbershop effect known as ringing chords, created from the quartet's just tuning. (I don't know enough about music theory to get into the weeds about this, but suffice it to say that barbershop singing and musical theatre singing are not interchangeable).

Apparently, when the revival was first being produced before the pandemic, a barbershop quartet called Category 4 was approached to play the quartet members. Great! Then, allegedly, post-pandemic, it was, to quote a spokesperson for the revival, "in the best interest of the show" for them to suddenly cut ties with Category 4, which would have broken contracts Category 4 said they signed. Less great. Instead, the 4 men credited as playing the quartet are Phillip Boykin, Eddie Korbich, Daniel Torres, and Nicholas Ward. I say "credited," but keep in mind that the OFFICIAL cast recording on Spotify does not credit Nicholas for "Sincere" AND "Lida Rose" (where Phillip's name is also misspelled), and on the two songs he is credited for, Spotify seems to have him confused with a violinist/conductor of the same name.

I bring this up to say that I don't blame these men for the situation Category 4 was put in — it seems the producers or someone else behind this production is extremely sloppy and willing to cut corners, including casting four musical theatre singers as a barbershop quartet. Because of this mindset, the songs are distinctly missing those ringing tones that are present in the Bills' versions, replaced with what I can only describe as "tricks" to make it seem like the harmonies are ringing, like a heavy overuse of dynamic changes, especially sforzandos. There's also at least one moment where one member (I think it's the tenor?) straight up sings the wrong note and completely changes the chord. Obviously I don't blame him for not being good at a singing style he literally isn't a professional at, but if there were at least one person in the booth familiar with barbershop or the original song, it hopefully would've been re-recorded.

And that's what hurts me the most — Meredith Willson was a huge fan of barbershop music and the Buffalo Bills especially, and now the music he wrote for them is being butchered by people 60 years later who want to make a quick buck. This revival has "cash-in" written all over it, from stunt casting the leads regardless of how well they fit the roles to not bothering to get actual professional barbershop singers to play a barbershop quartet. It's a soulless attempt to resurrect a great musical that didn't need to and shouldn't have happened.

[theshenanijiang]

Talking about my urban fantasy fic and I said Junior Quartet and now my wife and I are talking about a Barbershop Quartet AU. And I said: Okay, but who is OZZ? She said "Bass" so fast y'all.

Other parts: Baritone and organizing leader: LSZ Tenor: LJY Lead: JL (Prima Donna)

So now I guess I'm writing this someday.

[lazaefair]

In honor of Steve Harwell's passing today: the definitive barbershop quartet cover of "All Star".