#barbershop music

[deep-hearts-core]

The Competitive Barbershop Music Explainer, and Why More of Tumblr Should Be Obsessed With It.

I've been threatening this for now almost a year, so here it is. You probably have an idea in your head of what a barbershop quartet is: maybe you’ve seen The Music Man, or possibly the Louie Zong Hatsune Miku song. But barbershop exists as a hobby these days, too, and there are parts of it that are deeply cool and nerdy. Some of you--gasp--might actually enjoy it. 

What the hell is barbershop music?

Barbershop music got its name from the Black barbershop social space out of which it evolved. In the early 20th century, groups of guys would get together and harmonize as a way to pass the time. The style later got appropriated into white culture (I’m going to come back to this, keep reading) and evolved into what most people think of when they hear the phrase “barbershop quartet”. 

Barbershop got a lot less popular after the 1960s or so, but it’s not gone! Today, it’s overseen primarily by the Barbershop Harmony Society (formerly the Society and Preservation for Barbershop Quartet Singing in America, but… that’s long…), which organizes contests and codifies the “rules” of what barbershop is and how it’s different from other a cappella. Those rules are mostly music theory stuff, which I won’t go into here for fear of boring people, but if anyone is curious my askbox is open :D 

It’s not just quartets, either. There are also choruses that sing in the same four-part style, following the same music rules as the quartets, and they compete too. This is how I got involved.

Why is Tumblr supposed to enjoy this?

Reason #1: The competition. I’ve been on Tumblr for several years, and do you know what we love? Ranking things, picking favorites, and watching talented people do their thing. It’s actually kind of similar to Eurovision--there’s a jury and a points system, and people get mad about it every year; there’s a qualifying round and a nerve-wracking calloff; it’s even international! BHS operates in the US and Canada, and most competing groups are from here, but there are sizable scenes in the UK, Sweden, Australia, and Aotearoa, as well as smaller organizations across Western Europe and beyond. The Japanese organization held its first ever competition this year! Regional contests happen all over once or twice a year, culminating in the international competition the first week of July, where quartets and choruses battle it out to be the best of the best. People have favorite groups and try to guess where people are going to place each year. If you’re me, you can even do the Eurovision fan thing and overanalyze the running order. 

Reason #2: The talent. Listen, many of these people are incredibly talented singers. Take The Clementones from Denmark, for example, who delivered amazing Addams Family character work this year. Or Smoke Ring, the New York City-based quartet trying to singlehandedly make barbershop sexy again. I could give you so many examples of singers who can hold long notes forever and ever, but I’ll show restraint and only link two: Vocal Spectrum and Midtown. And of course I have to link this fucking amazing Hunchback of Notre Dame medley. Many singers also arrange songs specifically for their own groups. If you’re a music nerd in any way, this is for you.

Also, if you enjoy niche subcultures or #hobbydrama, there’s so much to rotate in your brain. This is part of what hooked me initially. 

But it's racist/culturally appropriated!

Well, you’re not wrong… but so are a lot of things. Bear with me for a second. I'm not going to come out and blindly defend the history and say oh there's nothing wrong with the organization we can't blame them. The organization was segregated for a long time. Women were only allowed to join as full members in 2018. The Black origins of barbershop singing were actively obscured by SPEBSQSA for decades and have only recently become well-known to most members. Hell, when the BHS went co-ed a splinter organization formed to try and keep the hobby all-male. There is bad history.

BUT. People are trying. There's a sizable contingent of young queer people who do well and become well-connected within BHS--including Smoke Ring, who I linked above. They’re causing a nonzero amount of controversy and are visibly queer and something new and unapologetic about that. More and more nonwhite people are joining and finding success competitively. Academics on the subject actively spread the history that barbershop is a Black genre, and this is increasingly common knowledge especially among young barbershoppers. The most successful barbershoppers in Aotearoa (BHNZ) are predominantly Māori and Pasifika. The BHS board, while they do not have any real understanding about how to execute this at all, does at least want to reckon with the history and is, in theory, trying. For all its many, many faults, there are good people here who are making change.

Ok fine, you've got me. Now what?

Go click on all the links in this post and then let the YouTube algorithm do its work. Also, send me asks! I can go on about this shit forever and ever.

Here are some more suggestions for you:

the chorus performance that first got me interested

Panic! at the Disco but it’s barbershop

these guys also do Spiderman! 

girls who will step on you and you will like it

the air raid warden song from that one tumblr post

air raid warden guys sing about ducks

totally not never gonna give you up. what? what are you talking about?

the first ssaa group to medal in bhs have since changed their lineup but this performance reigns eternal

And if you like to sing, see if there's a chorus (click here for SSAA only) or chapter nearby. I won't get preachy and say you'll have a great experience no matter what. Sometimes people suck; I have the luck to live in a major city on the East Coast and I can say with reasonable confidence that not everyone is going to be as chill as my people are. However, this is such a small space that everyone will be excited about a new person coming in and will likely give you a little leeway. 

I've only been doing this for a year and a half, but I can easily say that I love it and it's changed me. So, even if you scrolled to the bottom of this post rolling your eyes because I should just shut up about this already, thanks for listening. <3

[alliterative-endlessknot]

It’s #BarbershopMusicAppreciationDay! Check out this video to learn about its connection to Rock and Roll

[help-help-i-need-an-adult]

I directed a chorus today. Like, at a performance the chorus was getting paid to perform at.

I don’t usually direct a chorus.

I did direct a (very small) school chorus when I was in high school and college. That was roughly a decade ago.

I haven’t had ANY formal training in music ensemble conducting, but I did learn some things by being in choirs (like, really good ones) as a kid. I also learned a little by being the “lab rat” for a choir director’s workshop that my childhood director ran and taught every year.

But again, nothing where I was the intended student.

Despite all that, today went really well. And I was really nervous about it.

Yay small wins!

[texaschainsawmascara]

Eve, 2000s

The term wife-beater reportedly became synonymous for an undershirt after a 1947 criminal case where a Detroit man was arrested for beating his wife to death, and newspapers printed a photo of the "wife beater" wearing a stained undershirt.

[queenoffists]

Hii,

Still kickin ass & taking names behind the chair. 🫧🤍✨️🔮✂️

[bruce-morrow]

Jheri Curls, St. Louis, MO, 1980s

[reality-detective]

(Unmute) They sound good to me!

[pseuddamntired]

It’s that time of year again. Barbershop parodies at barbershop conference performances.

[gameraboy2]

Barbershop Ballads - The World Famous Sportsmen Quartet

[vaporwave]

[dumbkiwi]

I know only a limited few care about the Barbershop Harmony Society or its associated drama (for good reason lol) but Smoke Ring is so good and queer and hot and I'm still mad the BHS docked points for being distasteful during their performance of Air Conditioner (read: had some cleavage, visibly queer gender presentation, and a few wink-and-nod dick jokes) but EVEN SO they made 9th so yay :D

[deep-hearts-core]

Highlights from fall contest:

One of the singing judges basically said that I'm doing amazing and he had no notes for me

My friends' quartet did both Welcome to the Black Parade and Creep. Black Parade shops a lot better than you think it does. I don't have videos but please believe me I want to show you.

Another group did Wake Me Up Before You Go-Go. Again, I want to show you videos so bad it was so cute and fun and the song has been stuck in my head all day.

I DO however have video for the straightforwardly-titled "I Like Bananas Because They Have No Bones" because this group performed it previously. It's so fucking funny oh my god.

A member of the 2023 Int'l champion group (they did the Spiderman song linked on my explainer post) remembered me from meeting me last year? Said I was talented and that he wanted to sing with me? (We did not get to do this I think we went to different afterparties but listen there's always next year)

I DID however sing with the tenor of Smoke Ring (also linked in the explainer post) and she's incredible and she made the rest of us sound incredible just by singing with her. I want to be in a high-quality quartet so bad...

The Air Raid Warden/Duck Song guys (Secret Best Friends) (also from the explainer post) won the championship and it was SO deserved

Got to see this live and a bunch of my friends were in it and they're so cool!!

Got to hear this through the wall of the warmup room space bc they were on right before us

AND MOST EXCITINGLY MY CHORUS QUALIFIED FOR THE BIG SUMMER CONTEST NEXT YEAR DENVER I WILL BE IN YOU (if I can find the money because #expensive)!!!!!!!!!!!

[alliterative-endlessknot]

It’s #BarbershopMusicAppreciationDay! Check out this video to learn about its connection to Rock and Roll

[dejablonde]

3-5 men singing in tight harmony fucks so severely

shanties, barbershop, gospel, the beatles

3-5 men has got to be one of the genres ever

[jellicle-chants]

@ride-a-dromedary Since you asked, here's my beef with Hugh Jackman Meredith Willson's The Music Man Sutton Foster. (No really, that's what the soundtrack album cover looks like.) Basically, I think the revival did a terrible job of capturing the soul and energy of the original show. If you want to read my protracted rant about it, then by all means, continue below.

(Note: I'm mostly going off of the movie adaptation to count for the "original" since it's the version I'm used to, but I also listened to the OBC recording occasionally to see what was shortened for the movie.)

I think the first big thing I should mention is that Hugh Jackman is simply a terrible choice to play Harold Hill. No offense to him, but in my eyes he's always been better at playing a character who seems very charismatic but is actually a bumbling fool (i.e. PT Barnum). Harold Hill might be a conman, but his whole livelihood revolves around getting people to believe that he means what he says and then believe that, too. You need an actor with an incredible amount of charisma and presence to be able to pull that off, and IMO, Jackman is not that actor.

He's also (again IMO) really just snoozing his way through this recording, especially on 76 Trombones! He's dropping R's left and right (to the point where it almost sounds like he's making the effort to sound Southern) and they had to add in a trombone sound behind his mimicking one because it sounds SO dull. Then he mispronounces "Creatore" somehow?? I know that's the littlest thing to get upset over but it also just shows how little this show's creatives know or care about what this musical is all about (more on that later).

And then: they do the MMM thing from Cats 2019. AKA, where they drop out all of the orchestra and sing the biggest song, probably the song that the most people in the audience will know, in a really annoying, slow build-up that entirely kills the flow of the piece. Speaking of killing the mood, the dance break in the middle of the song really does that as well. "76 Trombones" is about the farthest you can get from broke, so I have no clue why they tried to "fix" it in this way.

My least favorite Hugh Jackman song from this soundtrack, however, is not 76 Trombones, but Marian the Librarian. Just from the off, this is one of my favorite musical theatre vamps ever and they absolutely ruined it by playing it at like twice the normal speed. It also starts in the wrong key and then keys up again (???) before he starts singing, and from there it only gets worse. He basically gets every single vowel he possibly could wrong (my favorite being the classic Brit-as-American "Watt can I do") and just trips and falls through the entire song extremely uncharismatically. He says "li-berry" at one point, for goodness' sake! Please, if you haven't listened to the original Robert Preston version of this song (either from the movie or the show), go do it now and then listen to the mockery Hugh Jackman makes of it. It's so obvious that Preston has such a better command over his voice and sound that it makes Jackman sound like he has no clue what he's doing.

Sutton Foster is not nearly as bad as her co-star, although I think she's also miscast. Obviously a Shirley Jones-style voice is really hard to recreate these days, but she's just got such a bright singing and speaking voice that if you had told me in 2021 that she was going to be playing Marian I would've thought you were bad at fancasting. I think she still does a fine job with the poor directing choices she was given — a true professional.

OK, some quick things before I get to the most infuriating part of this revival.

It was also very bold of the creatives to not only keep My White Knight, which is one of my always-skips of the original, but to also add another one in in "Columbia, the Gem of the Ocean".

Why the hell is Pick-A-Little so slow??? It's a patter song, folks, it's supposed to be peppy.

I guess they directed the poor kid playing Winthrop to exaggerate the lisp as much as possible (could they have considered maybe just hiring an actor with a lisp instead?) because it straight up sounds like he's putting it on as a joke most of the time. 😬

I think the new lyrics to "Shipoopi" are cringe. Is it that hard to suspend your disbelief that people in 1912 had antiquated views on relationships? Is "hussy" really even that bad of an insult anymore? This song also gets the slowed down + long-ass dance break treatment, God save me.

So, if you're familiar with The Music Man, you might have noticed that I haven't yet mentioned a few key songs/moments. This is genuinely the part of the story of this revival that makes my blood boil. If you're unaware, 4 side characters in The Music Man make up a barbershop quartet, played in the original Broadway production and movie by the Buffalo Bills, a pre-existing quartet who Willson had become friends with even before writing the show. The Bills get multiple songs in the show, all sung in the barbershop style, and they all show off the iconic barbershop effect known as ringing chords, created from the quartet's just tuning. (I don't know enough about music theory to get into the weeds about this, but suffice it to say that barbershop singing and musical theatre singing are not interchangeable).

Apparently, when the revival was first being produced before the pandemic, a barbershop quartet called Category 4 was approached to play the quartet members. Great! Then, allegedly, post-pandemic, it was, to quote a spokesperson for the revival, "in the best interest of the show" for them to suddenly cut ties with Category 4, which would have broken contracts Category 4 said they signed. Less great. Instead, the 4 men credited as playing the quartet are Phillip Boykin, Eddie Korbich, Daniel Torres, and Nicholas Ward. I say "credited," but keep in mind that the OFFICIAL cast recording on Spotify does not credit Nicholas for "Sincere" AND "Lida Rose" (where Phillip's name is also misspelled), and on the two songs he is credited for, Spotify seems to have him confused with a violinist/conductor of the same name.

I bring this up to say that I don't blame these men for the situation Category 4 was put in — it seems the producers or someone else behind this production is extremely sloppy and willing to cut corners, including casting four musical theatre singers as a barbershop quartet. Because of this mindset, the songs are distinctly missing those ringing tones that are present in the Bills' versions, replaced with what I can only describe as "tricks" to make it seem like the harmonies are ringing, like a heavy overuse of dynamic changes, especially sforzandos. There's also at least one moment where one member (I think it's the tenor?) straight up sings the wrong note and completely changes the chord. Obviously I don't blame him for not being good at a singing style he literally isn't a professional at, but if there were at least one person in the booth familiar with barbershop or the original song, it hopefully would've been re-recorded.

And that's what hurts me the most — Meredith Willson was a huge fan of barbershop music and the Buffalo Bills especially, and now the music he wrote for them is being butchered by people 60 years later who want to make a quick buck. This revival has "cash-in" written all over it, from stunt casting the leads regardless of how well they fit the roles to not bothering to get actual professional barbershop singers to play a barbershop quartet. It's a soulless attempt to resurrect a great musical that didn't need to and shouldn't have happened.

[queenoffists]

Just being a lil barber baddie. ✨️🌸✂️🔪