#barbara brandon

[thechanelmuse]

Jackie Ormes, the first Black American woman cartoonist

When the 14-year-old Black American boy Emmett Till was lynched in 1955, one cartoonist responded in a single-panel comic. It showed one Black girl telling another: "I don't want to seem touchy on the subject... but that new little white tea-kettle just whistled at me!"

It may not seem radical today, but penning such a political cartoon was a bold and brave statement for its time — especially for the artist who was behind it. This cartoon was drawn by Jackie Ormes, the first syndicated Black American woman cartoonist to be published in a newspaper. Ormes, who grew up in Pittsburgh, got her first break as cartoonist as a teenager. She started working for the Pittsburgh Courier as a sports reporter, then editor, then cartoonist who penned her first comic, Torchy Brown in Dixie to Harlem, in 1937. It followed a Mississippi teen who becomes a famous singer at the famed Harlem jazz club, The Cotton Club.

In 1942, Ormes moved to Chicago, where she drew her most popular cartoon, Patty-Jo 'n' Ginger, which followed two sisters who made sharp political commentary on Black American life. 

In 1947, Ormes created the Patty-Jo doll, the first Black doll that wasn't a mammy doll or a Topsy-Turvy doll. In production for a decade, it was a role model for young black girls. "The doll was a fashionable, beautiful character," says Daniel Schulman, who curated one of the dolls into a recent Chicago exhibition. "It had an extraordinary presence and power — they're collected today and have important place in American doll-making in the U.S."

In 1950, Ormes drew her final strip, Torchy in Heartbeats, which followed an independent, stylish black woman on the quest for love — who commented on racism in the South. "Torchy was adventurous, we never saw that with an Black American female figure," says Beauchamp-Byrd. "And remember, this is the 1950s." Ormes was the first to portray black women as intellectual and socially-aware in a time when they were depicted in a derogatory way.

One common mistake that erased Ormes from history is mis-crediting Barbara Brandon-Croft as the first nationally syndicated Black American female cartoonist. "I'm just the first mainstream cartoonist, I'm not the first at all," says Brandon-Croft, who published her cartoons in the Detroit Free Press in the 1990s. "So much of Black history has been ignored, it's a reminder that Black history shouldn't just be celebrated in February."

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[thepiratecaptianchuck]

Falsettos 2016 cast and their 1992 counterparts on the opening night of the revival!

[ceteradesunt]

Stage Fright (1987) dir. Michele Soavi

[weirdlookindog]

Deliria (1987) - Japanese chirashi

AKA StageFright; Sound Stage Massacre

[rosebug3]

OG Falsettos casts Revival Falsettos in an old playbill article.

Well, one of them guessed right. It probably helped that Michael did two previous shows with Christian, during which Christian fangirled about Falsettos and Marvin. It is really cute that he did think of him.

Leslie did attend opening night and I think this is the first time I’ve heard from Jonathan since the original closed. It’s cool that he came back for this.

[vint-knight]

Epic The Wisdom Saga Ranking:

SO I really loved this saga so here's my ranking and if you guys want to, you can add it your list by rebloging as well!

1: Little Wolf: Just from the start with Antinous being cold and vicious, Aryon killed it as always, I thought it would just be a long fight of Tele vs Antinous until it would end with either Penelope or Athena (perhaps both saving him in the last moment) But I was genuinely surprised to see Athena appear and aid Telemachus, also their dynamic is cute, and the animation, Liam Davidson delivered it with the videogame aspect of it and Luzia coming with the absolute beautiful animation and expressions, especially Telemachus, and Teagan just throws it out of the park here, I really love her voice that she has been doing since the rereleased Troy/Cyclops Saga albums and how it goes from a Tele getting his ass kicked, to Tele getting some aid but still getting beat up, while leaving some bruises to Antinous and how the Little Wolf taunt was more used like a compliment.

2: Love in Paradise: I would have thought this was gonna be like at the bottom (not in terms of bad, but just not quite top tier) first off the Time-Dive by Mircsy was absolute mind-blowing, from Aeolus, to Poseidon which I really liked because of how quick the "Ruthlessness is mercy upon ourselves" to Circe, Tiresias, Sirens, Scylla which has a really cool shot! and then ending with Thunder Bringer, then we have Gigi! her animation was amazing as always, we get introduced to Calypso who is played by the wonderful Barbara Wangui! she sounds so fun and playful but I like the general creepy vibes given to Calypso, then the cliff scene this absolutely shocked me then I remembered it was accurate to how Homer's Odysseus felt almost sucidial during his time on Ogygia, the belting Jorge lets out, letting out every single part of Odysseus's anguish before screaming for Athena, absolutely gut-wrenching it almost made me tear up

3: We'll Be Fine: I love this song so much, the absolute feels you can feel from Teagan's Athena, the guilt she feels that she can't even sleep, also noticed some lyrics were changed like "When I'll never left home shores" which I find intriguing, the growing friendship between Tele and Athena is just so wholesome and love the ending with him trying to lean his head on her shoulder then falling on his face lmao

4: Legendary: This was absolutely a great start, MICO as Telemachus was absolutely incredible and very proud of how he portrayed Telemachus, nice that Argos is shown following (sad that he was failing to catch Tele because he's a very old dog who's sick) a perfect song to show how a son wants to live up to his father that he never got to meet, the "Man of The House" callback with the suitors and Antinous being an absolute asshole, "DON'T YOU DARE CALL MY MOTHER A TRAMP" from Tele was delivered so well, showing how much respect and protectiveness he has for his mama.

5: God Games: Honestly I would have thought this was going to be at least at the top 1 or 2 for the list, obviously everyone did great, Brandon as Apollo was amazing, love how nonchalant he seemed, wish his part was a bit more longer (but he is LVL1, so it makes sense in video game terms) Hephaestus was quite good, Jorge's dad did amazing and the fact he's also a builder is very ironic, I was quite fine with his part being short because if the "Odysseus took Achilles's armour that Hephaestus specifically made for Achilles" because EPIC doesn't stay too long on the Trojan War (besides references and callbacks etc etc) Janani K. Jha and Earle Grensham Jr did SO GOOD as Ares and Aphrodite, love the fact that Aphrodite's love domain isn't just romantic or lustful love, it's motherly love as well, then we have POSEY as Hera!, love the disco music part of Hera's music, also Anniflamma's animation was so cute and funny! with Athena awkwardly dancing along with Hera, then we have Zeus's part.... alright first off Luke Holt POPPED OFF on this one, his voice was so intimidating here then in Thunder Saga or Troy Saga, the "Thunder Bringer" being brought back with that deep tone he brought in, but I do have some criticism which is I wish Zeus had more words to say, also did not like how he came off like a sore loser (he can be that in the myths sometimes) But I thought it more off like he was actually ashamed of Athena trying so hard to defend this "man full of shame" which in my opinion makes me think that he also felt shame was gonna be brought upon him for the fact The King of Gods's daughter basically going all this way to free one mortal man, besides that I love the small flashback with Athena and baby Telemachus which shows how determined that she is not only doing this for Odysseus, but for his son, then the end was okay, nice to see Ares was genuinely concerned for her, same for the other gods and it ending with Athena being unconscious (also the red blood is kinda explained as her becoming more human by Gwendy who did the last animation for God Games) still like the song but wished it was more longer

[notgilderoylockhart]

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nowness Watch Barbara Palvin and Soo Joo Park star in Eva Dolezalova's stylized body horror, following the metamorphosis of a snake-human interspecies

Set within a mysterious snake cult, the stylistic body-horror follows an attempt to initiate a snake-human hybrid through genetic engineering - creating an extraterrestrial higher power intelligence as a new influential force

Watch the full film on NOWNESS

Writer & Director: Eva Vik

Starring: Barbara Palvin, Soo Joo Park & Luke Brandon Field

DOP: Andrey Nikolaev

[luegootravez]

Bárbara Mascia by © Brandon Cabral

[palecleverdoll]

- Barbara J. Harris, “Power, Profit, and Passion: Mary Tudor, Charles Brandon, and the Arranged Marriage in Early Tudor England”

[angelstills]

Nope (2022)

[moviemosaics]

StageFright

directed by Michele Soavi, 1987

[therunwayarchive]

Barbara Valente at Brandon Maxwell, Fall 2022

[badmovieihave]

Bad movie I have In Harm's Way 1965

[knittinganddrinkingtea]

Brandon Maxwell Fall 2020

Model: Barbara Valente

[theaphroditefashionfile]

Brandon Maxwell Spring 2023 Ready-to-Wear NYFW

[swampflix]

Flesh and Fantasy (1943)

Most scholars cite the 1945 British “portmanteau” film Dead of Night as popularizing the horror anthology genre.  No one would claim it was the first horror anthology film, since the storytelling format is almost as old as the cinematic medium itself, but it is credited for establishing the rules & tones of the genre that would eventually be codified in anthologies from Amicus, EC Comics…