#bad vs good

[monomorphilogical]

— A speech by Ursula K. Le Guin, Presented at the Children’s Literature Breakfast BookExpo America (4 June 2004).

[this-is-lovin]

i can’t believe this but i wrote a mha fanfic. it’s an au.

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[archiepelago]

alternate surface au inspired by a few ive seen around on tumblr :3

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[yrsonpurpose]

Numbers on me being into dudes? Seventy-eight percent probability of latent bisexual tendencies.

[reality-detective]

Get informed about the food you consume. No amount of chemicals should be acceptable in real food. 🤔

[the-apocalypse-is-upon-us]

are you guys seeing this shit

[queenlucythevaliant]

Chiming in on the Bad Christian Art discourse. Christian art is bad when

A) It's trying to be a sermon rather than a work of art and

B) The sermon is bad

[somepinkthing]

"Hector was a good man" "diomedes was an honorable man" BZZZT WRONG. Diomedes was there to steal, burn, and wage war same as the next person. In fact, he was pretty adamant about it. Hector had no issue with the greek's actions, merely that they were directed at him—I mean look at what he wanted to do with patroclus's body, only to then cite respect for funeral rites when it was his own turn to die. Hector also owned slaves within his own city walls—people that he likely took from their homes during troy's own conquests. All that seperated him and the greek warriors was which side they were on.

The Iliad isn't a story about morally upstanding men. Sure, it has men who have honor and perform honorable acts, but these are not good samaritans. It's is a story about war and grief and the real victims of fights between so-called-honorable men and gods. The urge to find a "good guy" in this story is wasted. Hector doesn't have to be morally good just because achilles isn't. Troy didn't lose because they were more or less evil than the greeks. It all just. Is. Because of fate? Because the gods said so? Because people will always make disastrous mistakes and it will always end up biting not only them, but everyone else around them? Who knows? In the end though, doesn't it all feel so pointless in the face of the endless amounts of grief and destruction that war leaves behind? Maybe that's the whole point

[edorazzi]

Page 19 of my Miraculous Mentor AU comic A Matter of Trust! In which 1999's Chat Noir and Ladybug cross paths for the first time and find their Miraculous powers don't mix! 🧨💥

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Weekly updates each Sunday! You can also read ahead early on Patreon, and/or buy me a Ko-fi if you'd like to support my work! 💖

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[spacecravat]

the thing with good omens is that ultimately it doesn’t even matter to me if it’s kinda bad sometimes. these are my good friends aziraphale and crowley and i WOULD watch them do silly pointless nonsense for hours

[skaldish]

Look, I get people with higher privileges are more likely to be jackasses, but being straight, or cis, or white, etc. doesn't automatically make someone "problematic" because core identity is never the source of problematic behavior.

As soon as you've decided someone must be problematic because of a feature about their identity, you've lost. You've walked straight into Nazi logic.

There's only one point of measurement that matters when it comes to determining if someone's being problematic: Their behavior.

And then, before you decide that person's evil for behaving a certain way, you investigate why they're behaving the way they are, because malice isn't always the reason. Problematic behavior can also come from places such as ignorance, stress, or brainwashing.

I'm sorry, but we don't live in a world where people are categorically good or bad based on character tropes.

We just don't.

[necromycologist]

still thinkang about elrond half elven btw. like. your brother is mortal but you are not. your brother is a great king but he dwells far away in the middle of the ocean. your brother dies and you are still here. your brother’s line decays and sinks. they do not love you and perhaps do not even know you and still you are here. his people sink into the sea and the last queen of numenor dies gasping on seawater and the islan, wholly changed by hundreds of years, where once his feet might have touched ground, drowns forever and fully and still! you are here! fuck!