#bad vs good

[monomorphilogical]

— A speech by Ursula K. Le Guin, Presented at the Children’s Literature Breakfast BookExpo America (4 June 2004).

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[itslilacokay]

sending this crackship before canon!mitsi rips us apart (and also we see more victim and agent hopefully)

so um. mitvicagent??????? i guess????????????

[archiepelago]

alternate surface au inspired by a few ive seen around on tumblr :3

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[yrsonpurpose]

Numbers on me being into dudes? Seventy-eight percent probability of latent bisexual tendencies.

[somepinkthing]

"Hector was a good man" "diomedes was an honorable man" BZZZT WRONG. Diomedes was there to steal, burn, and wage war same as the next person. In fact, he was pretty adamant about it. Hector had no issue with the greek's actions, merely that they were directed at him—I mean look at what he wanted to do with patroclus's body, only to then cite respect for funeral rites when it was his own turn to die. Hector also owned slaves within his own city walls—people that he likely took from their homes during troy's own conquests. All that seperated him and the greek warriors was which side they were on.

The Iliad isn't a story about morally upstanding men. Sure, it has men who have honor and perform honorable acts, but these are not good samaritans. It's is a story about war and grief and the real victims of fights between so-called-honorable men and gods. The urge to find a "good guy" in this story is wasted. Hector doesn't have to be morally good just because achilles isn't. Troy didn't lose because they were more or less evil than the greeks. It all just. Is. Because of fate? Because the gods said so? Because people will always make disastrous mistakes and it will always end up biting not only them, but everyone else around them? Who knows? In the end though, doesn't it all feel so pointless in the face of the endless amounts of grief and destruction that war leaves behind? Maybe that's the whole point

[reality-detective]

Get informed about the food you consume. No amount of chemicals should be acceptable in real food. 🤔

[the-apocalypse-is-upon-us]

are you guys seeing this shit

[queenlucythevaliant]

Chiming in on the Bad Christian Art discourse. Christian art is bad when

A) It's trying to be a sermon rather than a work of art and

B) The sermon is bad

[cologona]

You guys ever notice how when the Todds were first introduced and Jason's death wasn't yet a sparkle in Starlin's eye, Willis' list of crimes seems very deliberately non-violent? Stealing cars and car parts, carrying betting slips and money to-and-fro for the local illegal lottery... it's very mundane.

And since Jason was introduced doing a car-related crime as well, there's a connection made between Willis' criminal activity and Jason's. Sure on one hand it's supposed to be seen as Batman says- Jason lost his father to a life of crime~ and now he's falling~ too. But on another level Jason and Willis are being framed somewhat nobly. Jason only steals what he needs to survive, and the mundanity of Willis' crimes point to Willis being similar (if not the source of Jason's attitude.)

I gotta think, if Jason's code was to keep your head down and to get by while doing as little harm as possible, what did it do to him when Batman showed him that violence *could* be justified? That it didn't have to be a thing you tried to avoid while eeking out a living, but something that could be used for the greater good (even when you have more money than god!)

If Jason had never died his character might've gone down the path of Steph and/or Mia (idk much about her) emphasizing that there's always a choice you can make and such, but since he *did* die... well a different point is raised.

"I'll be the you you're supposed to be."

[edorazzi]

Page 19 of my Miraculous Mentor AU comic A Matter of Trust! In which 1999's Chat Noir and Ladybug cross paths for the first time and find their Miraculous powers don't mix! 🧨💥

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Weekly updates each Sunday! You can also read ahead early on Patreon, and/or buy me a Ko-fi if you'd like to support my work! 💖

[aroaceleovaldez]

I was reading a post about CoTG and I realized: Rick has seemingly started to write every character pairing with the exact same dynamic, and he's not good at writing that dynamic and it doesn't make sense for 90% of the characters he writes it for.

It's that very specific dynamic of one half of the pair who is almost aggressive to the other party - "teasing" them constantly/insulting them, affectionately punching/judo flipping/maiming/etc, seemingly almost always exasperated with the other - and said other party usually just accepts this treatment or blanketly views it fondly, and may generally be framed as more incompetent than their partner and a little bit of a doormat (particularly relating to being insulted/teased/etc by their partner).

We start seeing this dynamic in HoO with Percy and Annabeth, as a sort of semi-inconsistent twist on their rivals-to-friends-to-lovers dynamic from the first series. Then the dynamic pattern develops further with Leo and Calypso. Then Magnus and Alex. Then Nico and Will, particularly in TSATS. And now in CoTG, it's Percy and Annabeth again but even more in this direction.

I know people have talked about Nico and Will's relationship over the series rapidly being shoehorned into Percabeth Two™, and it's extremely apparent in TSATS that Rick's doing it on purpose (including directly quoting Percabeth scenes but minorly tweaking them to be Solangelo). But recognizing it as an overarching trend in Rick's later books honestly reminds me a lot of how Rick started trying to apply the "Percy Formula" so-to-speak to nearly every protagonist in HoO (and then try to replicate similar character archetypes with Magnus and Apollo's narrations - moreso Magnus in being jaded and sarcastic, very much trying to be first series Percy. He only sounds unique because Rick failed at making him Percy 2. Apollo is more akin to later-series Percy characterization of being goofy and incompetent. Apollo [and Zeus] even got retconned to give Apollo a more similar backstory to Percy's). Rick seems to have decided that he thinks the audience wants this specific dynamic but 10 times over, except he's not good at writing it the first time because it's a bastardization of the time he did a different thing okay.

And Rick also seems aware of that too! Because he retconned Calypso and Leo at the end of TOA, probably because he realized how absolutely awful it was reading when they were written with that dynamic of Calypso just functionally hating Leo and constantly being aggressive towards him! The only time Rick's actually made the dynamic even semi-successful was with Magnus and Alex, because it actually fits within their characters, their dynamics with each other, and their environment. Alex beheading Magnus on the regular works out fine because there are no repercussions to that in Valhalla, Magnus will be fine, so it does genuinely come off as humorous. And Alex has been effectively established to be abrasive at times but have her genuine feelings shine through regularly, and that meshes well with Magnus' jaded-and-aloof-but-quietly-very-empathetic character. And Magnus has been established to, yes, not be great at combat, particularly compared to Alex. They are the only time that flavor of dynamic in that form was effective and cohesive.

Percabeth is no longer rivals-to-friends-to-lovers badasses on equal levels with shaky pasts who finally found some form of permanence with one another. Now it's super smart doting and affectionately aggressive girlfriend and her silly goofy 50%-of-the-time incompetent boyfriend who she judo flips/pushes off cliffs/etc - but affectionately~! Solangelo is trying to riff off of the early series "Poseidon & Athena are enemies" dynamic that Percabeth had but with Apollo & Hades being "opposites" but learning to accept each other, except it ends up with Will just coming off as a huge asshole and Nico being retconned to a complete doormat about it - when prior to that those characterizations would be completely contrary to their established characters (even just from TOA!). Calypso in HoO gets retconned from her PJO characterization to being snooty and aggressive, and Leo's false persona gets merged into his just normal personality except he just also becomes a doormat but more goofy than Nico with occasional haha-dark/depression-humor! Which Nico also got. Which was also a bastardized Percy trait that got redistributed.

It's exhausting. Rick write more than one relationship dynamic you can do it I promise

[idontcaboose]

Haunted car au, pt 6

The next part is fighting me a bit, so I will just post this one for now.

Previous

Duke reeeaalllyyy does not get paid enough for this.

Good news, he was able to get the names of the dealers and suppliers and also narrowed down the places of interest to three warehouses. All he had to do was drop that info onto the server for the night crew, and that was that, not his problem anymore.

Bad news, the car is becoming his problem.

When Duke entered the cave, he could see the wheels turning, and not in a sick burnout way Jason does anytime he gets behind the wheel, they were just turning left and right. Then to add more insult to Duke's attempt at ignoring it, the car opened its driver door in what may have been a mockery of a greeting. Honestly, Duke could have also ignored that but then it seemed to fucking Panic and set off its own alarms and proceed to flail all the doors open and reverse to the point that the back wheels made it off the platform and into the gutter that runs though the cave. If Duke was a betting man, and he was, he would bet that whatever possessed or replaced the Batmobile was so incompetent that he had to worry more about Its safety from the Batfam. Whether that was protection from arrest or adoption is still up in the air.

Either way, this is becoming Duke's problem. He is really not paid enough for this. Time to calm down a sentient car.

“Hey, car buddy? You ok?”

Duke wasn't sure what he was expecting when he was talking to a car of all things, but absolute silence wasn’t it. Was this thing going to try to play car now? After everything that just happened? Duke slowly walked up to the driver's side door and looked in for the green blob person, only to see them in the back seat sprawled out. Duke tried to not think too hard while putting the car back in its spot, but the list of facts he has so far kept ticking.

1. The Batmobile has a new passenger or has been replaced

2. The thing/person is not good at hiding, so probably not a villain plot

2a. If it is a villain plot, they got the absolutely wrong person to do it

2aa. Possible meta forced to spy?

3. The person just freaked out so hard they fainted after setting off the Batmobile alarms.

4. Alfred will know what to do right?

5. Try to communicate again with the person in the car.

It didn't take long for the blur on the backseat to shift again. Luckily they didn't immediately jump into the driver's seat, where Duke still sat. Duke turned to look in the backseat, time to start this interrogation.

“Hey, you ok?” Duke was happy that he was able to see the head nod that the fuzzy blur gave.

“That's good. Now, I can't see you too well, but we can work out some basic questions, alright?” Another head nod answered him.

"Are you in danger? Like, did someone force you to do this?” The head shake that was produced shook the car. Duke internally sighed in relief, not a villain plot or meta trafficking gone wrong.

“So this was just an accident, and I am guessing you are now stuck?” Duke knew he was not as good at body language reading as the others, but the wave of embarrassment and resignation this blob was giving off confirmed that whoever/whatever this is, was not a total threat.

Next?

As usual tag list!

@kizzer55555 @sebas-nights @candeartist422 @trappednyourheart @fandom-life-corrupted-me @tkiesai @2lbballpeenhammer @admiralwidow @rewrittenwrongs @whotfevenknowsanymore @symmetricalastigmatism @atinygracie

[jhezenkoss]

the thing with good omens is that ultimately it doesn’t even matter to me if it’s kinda bad sometimes. these are my good friends aziraphale and crowley and i WOULD watch them do silly pointless nonsense for hours