#bad media ‘enjoyer’

[red-garden]

Sometimes I feel as if no one would ever want me romantically, but then I remember the Shizun fuckers of tumblr dot com, and the fact that I also wear mostly green and white, also love teaching children, also listen to My Immortal every night to go to sleep, and also have a chronic illness

[lynxalon]

i've seen a fair bit of... pessimism about dorym lately, esp with the ep107, for example wondering if dorian's opposing views on the gods making orym fall out of love, and i have to say. i very highly doubt it, ur fr talking about the man who has held on to will for so long, holding onto will's family and affectionately calling this *his* family too because that didn't stop when will died. i dont think falling out of love is an option or even a thought to orym.

that said, we know that orym has contingencies for if anyone in bells hells crosses the line into being a version of themselves they would despise, for anyone who jeopardizes their mission. his mission. i think, for the first time since knowing dorian, orym finally has a contingency for him. the longer dorian is back, the more orym sees how scarred he is by what's happened (understandable so) and knows that dorian is with bells hells all the way. but if he isn't...

[hussyknee]

I'm really not a villain enjoyer. I love anti-heroes and anti-villains. But I can't see fictional evil separate from real evil. As in not that enjoying dark fiction means you condone it, but that all fiction holds up some kind of mirror to the world as it is. Killing innocent people doesn't make you an iconic lesbian girlboss it just makes you part of the mundane and stultifying black rot of the universe.

"But characters struggling with honour and goodness and the egoism of being good are so boring." Cool well some of us actually struggle with that stuff on the daily because being a good person is complicated and harder than being an edgelord.

Sure you can use fiction to explore the darkness of human nature and learn empathy, but the world doesn't actually suffer from a deficit of empathy for powerful and privileged people who do heinous stuff. You could literally kill a thousand babies in broad daylight and they'll find a way to blame your childhood trauma for it as long as you're white, cisgender, abled and attractive, and you'll be their poor little meow meow by the end of the week. Don't act like you're advocating for Quasimodo when you're just making Elon Musk hot, smart and gay.

[quietwingsinthesky]

was writing this down for an ask but realized i was quickly getting off topic for that ask lmao. let’s talk about Dean’s handprint, the wild misinterpretations of it, and how those have affected how people read Anna covering it during her sex scene with Dean.

We have to establish the obvious first: the number one way the handprint is misinterpreted is to establish a romantic connection between Dean and Castiel from their very first meeting. Because of how popular the ship is, we’re now left with the unfortunate aftermath of people knowing the ship first and the show second, and therefore being more inclined to interpret the show through the lens of the ship. Needless to say, while looking at season 4 through that lens for hints of destiel is fun, it doesn’t lead to a thematically cohesive reading. The handprint is the best way we can demonstrate this. If we take the handprint to indicate that Castiel has been romantically interested in Dean since minute one, or even that he sees Dean as a person rather than an instrument of Heaven’s will at first (put a pin in that), then the rest of his character arc for the season is incoherent and meaningless. To assert that this is what the handprint is about takes the conclusion Castiel needs the entirety of season 4 to reach and transplants it onto him at the very beginning in order to make it easier to find evidence for the ship.

There’s a lot of media out there where interpreting it through the lens of a ship, even one unintended by the author, can enhance the original text. (Lest we all forget our Winter Soldier roots.) Supernatural does not have that relationship to interpreting it to be about destiel. A season 4 where the handprint means Castiel is in love with Dean is a weaker story and does a huge disservice to Castiel’s actual character arc.

So, now that we’ve established what the handprint isn’t, can we talk about what it is? Yes. It’s pretty simple, actually.

Think of it this way: To Heaven, Dean is livestock, and the handprint is the brand telling everyone (but especially Dean) what ranch he belongs to.

Let’s start with the obvious: it isn’t a metaphorical brand at all. It’s literal. It’s burned into his skin permanently (or at least, when the makeup department wants to put it there.) I’d argue that from the nature of it being notable as the only scar Dean has from being raised from Hell and later showing up during his sex scene with Anna that even if we don’t see the handprint, we’re meant to interpret it as continuing to be there for… well. The rest of his life, most likely. And that’s horrifying. The handprint is telling us two things when it shows up: one, letting us know that Dean’s resurrection was intentional and through a manner we as the audience don’t have the information to guess at yet. Anyone who watched the show airing, or watches it now without knowing about angels would have assumed demonic deal intervention as being the cause of Dean’s new lease on life, and this. handily. discards that theory. But secondly, it tells us that this resurrection was violating. All resurrections on Supernatural are.

We assume from Castiel’s line, you know the one, we all know the one, Mr. Gripped-You-Tight, that he’s the one who put it there. However, to then make a further leap that it was Castiel’s personal decision to do so is, I think, a misunderstanding of his role. Take that pin out now. Dean is not a person to Castiel at this point. They’re not friends. Dean is a tool for Heaven to use, a tool that should be honored and grateful to be picked up at all. Make no mistake: Castiel branded him for Heaven, not for himself. Castiel’s a ranchhand. They aren’t in the business of letting the cows run free if they look a little sad to be slaughtered later.

Castiel needs to start here for his arc to be as impactful as it is. He can’t begin rebellious. He has to learn how to doubt. He has to develop a personal friendship with Dean that threatens his allegiance to Heaven. He has to see Anna having chosen to fall rather than obey Heaven and to be betrayed by Uriel being so desperate that he’s turned to killing their brothers and sisters trying to find a way out from under Heaven’s control.

There’s another line I think gets misinterpreted a lot in this initial meeting. “You don’t think you deserve to be saved?” On its face, easy bait for someone looking for shipping fodder, but that misses the actual point of the line. It’s a powerplay. We don’t learn until later why Dean wouldn’t think he deserves to be saved (aside from his general Winchester levels of self-esteem, but knowing that trait about him actually serves as a pretty good red herring to mask real reason Dean is thinking about himself as irredeemable now until the reveal. It’s not that Dean had a low opinion about himself in general, but that he tortured people in Hell and can never forgive himself for that.) , but Castiel does know. All of Heaven knows what Dean’s sin in Hell was. Without saying it, Castiel can remind Dean of it here. This line isn’t about Dean being so inherently good that Castiel had to rescue him. It’s about making sure Dean knows that the only way he can be ‘redeemed’ is through obedience to the heavenly powers who own his ass now. This is how he deserves to be saved. Because God commanded it. Because they have work for him.

And if he doesn’t bow? Then, as Castiel puts it in the very next episode, “I dragged you out of Hell. I can throw you back in.” This threat hanging over Dean’s head won’t go away for the rest of the season, not from Heaven. The only shift is that Castiel’s continued doubt and disobedience levels the playing field between them. They’ll both be punished, rather than Castiel taking on the role of disciplinarian. (It’s a really clever way of dealing with that power gap between them, actually. There’s always a bigger fish.)

The handprint and Castiel’s early conversations with Dean serve as a reminder of the precarious position he’s in. We shouldn’t take him ‘being saved’ at face value, no more than we should take Heaven being good just because they’re the angels in this equation as a given. Dean hasn’t been saved. He’s being used, just as much (if not arguably more) than Ruby is using Sam. (Because at least Ruby truly believes this is for Sam’s benefit, in the end.) And the worst part is how aware of it Dean is. How could he not be? His entire stint in Hell is defined by how Alistair used him. He’s just been handed off to a different owner, one that will still happily push him into the thing they ‘saved’ him from the minute it proves useful. Dean needing to torture Alistair reminds us just how little his circumstances have actually changed. He’s not allowed to say no to this.

So. The handprint is Heaven’s mark of ownership. It’s Dean’s status as their tool, their victim, burned into his flesh and inescapable. What does it mean when Anna places her hand over it?

I’ll lay my cards on the table. I’ve been thinking about this for so long because the aforementioned tendency to assume that the handprint is evidence for destiel means that the scene between Anna & Dean also gets lumped into being interpreted as more evidence for destiel. For over a decade, I have endured people joking about Anna being jealous of Cas for getting to leave a mark on their boytoy. And that’s one of the nicer things the Supernatural fandom will say about a woman who they perceive as a threat to their ship.

So, not to be rude or anything, but fuck Castiel. This ain’t about him.

This scene—It’s a lovely scene, a fantastic continuation of Dean and Anna’s previous conversation into the language of a sex scene—is about two people who have both been used and threatened by Heaven connecting over that shared trauma. Before, Anna gives space for Dean to open up about Hell, but he can’t, not yet, and though she knows what he’s gone through, she hasn’t been there herself. But when it comes to what Heaven has made of them, she does understand. It’s an incredibly vulnerable moment.

You make the handprint about Dean and Cas, and you erase what that scene is about entirely: the way Heaven’s abuse has tangled itself deep into Dean and Anna’s lives, into their bodies, and how they can resist it, if only for a few moments together.

The handprint was never about Castiel at all. It was about Heaven and its dehumanization of Dean.

[zedif-y]

can i just say i love talking to people who get the experience of. being obsessed with something that sucks so so bad. something that sucks so much shit but compels u anyway. like yeah it's ass and i hate almost everything about it but it Could've Been Good. I could've fixed it. i think. if everything about this thing was different except for what's good already (very little) it would be the best thing ever made. where are you going

[teddywesworl]

I can’t believe how controversial an opinion it is that Veilguard is good. I can’t wait until 2029 when the next DA comes out and everyone is super weird about it and also gets amnesia about how weird they were about this one

[sonknuxadow]

this is crazy get knuckles out of there

[shoechoe]

i am such a hater man i should blog more about things i actually genuinely enjoy (besides my bojack liveblogging rn)

[fights4users]

I think I’ve figured out one of my main gripes with legacy, and it’s one I’ve talked about but it’s never fully registered as an idea. I think this is because I just saw the new ghostbusters a few weeks ago so it’s fresh on the mind.

Legacy is one of those “screw the legacy cast” type continuations.

In that the original characters are sidelined or mis characterized for the next generation characters to step in and take over. It’s in an almost disrespectful way too— like it’s a ripping the torch out of someone’s hands rather than passing it sort of way. There’s no blending or cohesion really it’s just “screw you it’s been 20 years. Those classic characters are either dead or irrelevant— look at these new guys”.

I’ve already screamed forever and ever about the absolute assassination of Kevin Flynn into him becoming a plot device but it’s also the complete lack of explanation. There’s some backstory but we’re just tossed into a completely new digital world and culture with little mention of the old one or old real world. Even the backstory shared in the film is backstory of the new world— Tron himself is barely there and as much as I like Rinzler could’ve been done so much better if there was some sort of connector piece. I don’t know how to explain this.

The only legacy character to get some sort of respect is Alan but even then he’s sort of “he’s oh so very old and just here to set up hip young guy”.

And this isn’t to say I don’t like Sam or the new world and way of things — it’s just sort of frustrating as a sequel as it’s sort of not? There’s characters to tie it to the original. But it’s so so much its own separate story and rules— like Tron(82) was a fantasy whereas legacy is a generic sci fi.

Contrast this to the new ghostbusters films. Both are much more centered on the next generation cast but in a way that respects their elders™️. They found the torch on the ground and ran with it. The legacy characters get attention, time, characterization and love. There’s a relationship there. The world building is consistent and not rewritten — they don’t do “ew the 80s movies were so cheesy and old here’s our edgy and hip modern universe only related by film name”

Legacy is better (for me personally!!!) when I disconnect it from the original in my mind. And with the way the film and the world is that’s not very hard to do unfortunately. They really banked on “it’s 20 years later you mostly forgot the original here’s daft punk”

[chaos-potat]

I still find it funny how a pr*shipper called me an anti as if it was a negative thing to dislike ships that are problematic, y'all know the "pro" in "proship" stands for problematic, right? <-(probably a false statement but that's how I've heard it)

I'm not usually a hater but like, they came to my post (one where I said "I take shipping rise April with the turtles as inc*st since she's depicted as their sister and is even referred to as family by Karai") and told me that I'm crazy for saying that shipping people who call each other family makes me sick???

My brother in Christ, it wasn't a debate, it was a boundary, and you're added to my blocklist

[just-rhys-things]

My aroace ass when romance and/or sex are the villains of a story or character arc: 🥰🫶

[sysig]

The brainworms are winning, clearly (Patreon)

[ohitslen]

Watching Stampede with my family made me realize how genuinely insane I have turned thanks to it

Like wow the actual physical EFFORT it took me to not randomly start explaining the composition of a scene, the color choice, the framing, the voice directing and the choreographies of certain scenes, as well as some of the lore behind it I should not explain because spoilers.

No, sorry. I lied on my résumé . I can’t like anything a normal amount. I’ve liked this for less than 4 months and I’m very deep into the trenches. And it will unfortunately become everyone else’s problem as well, because this one will stick around for a long time.

[tempertyzias]

celebrating 1 month on T with the knowledge viktor hargreeves was the only one who didnt have an immense character assassination in season 4

[ianthesmells]

theres all these interesting designs in different cool styles and yet why do we look like a family guy character

[no1ryomafan]

Not to mention super vs real discourse because it’s stupid but any hardcore real fan who hates supers and saids they only like one super but it’s not getter robo their on my hitlist.

I’m sorry to be biased as I don’t think getter is perfect or anything but I will always be baffled by the people who can’t find enjoyment out of the sheer insanity of getter. They really have no fun in their soul.

“But the robot combing doesn’t make sense” who gives a shiiiiiiit man.