#backstory head-canon

[canisalbus]

What if I told you that RoobrickMarine went and wrote an entire novella starring my 16th century dog couple? It's very canon-adjacent, well researched and thoughtfully put together, has inspired me a ton during these past months and it's now publicly available at AO3. I highly recommend it.

✦ Separation ✦

[sappho-rose]

"The world doesn't know me yet."

[triglycercule]

imagining this very funny totally amusing bit where dust (despite having a lot of pockets) makes horror carry a lighter for him (only because he can't be bothered to remember to bring one on him all the time) and horror keeps it in his head

but horror's a dick so everytime dust wants to smoke and he needs a light horror's always like "whats the password :3" (he actually said the emoticon i was the quotation marks) and dust has to guess. because horror changes it every time. and its never something predictable. and then he either just totally gives up on that cig or he has to forcefully dig into horror's head to get the lighter because horror's being a PRICK

now dust is shoulder deep into horror's eyesocket while horror is clawing and screaming and killer's just standing there behind them watching this unfold with that fuckass smile on his face (he can't get this type of entertainment anywhere else)

[evilkitten3]

i have a theory about shinji, gin, and aizen, but i'm not really sure how to word it.

we never really see shinji and gin interact all that much, which makes sense bc both of them have significantly more important relationships with aizen, but at the same time it's a little odd how much there isn't.

like. gin cut hiyori in half. shinji is understandably pissed about that, but he aims that anger at aizen - and this seems to be one of the very few things in the bleach world that honestly isn't on him bc he never told gin to do that, he never even implied it. hiyori was never a threat to him. hell, we don't even know if she was charging in the right direction; if anything, attacking her implies that she was which is a really stupid thing to do when you're surrounded by a bunch of people who super want you dead and would kill you if they could be sure you weren't tricking them into stabbing each other (ofc it could also be a fakeout but still)

but i don't remember shinji's beef ever really being with gin, even tho he didn't seem to anticipate that gin was working with aizen the whole time during tbtp. so like does he feel responsibility there? cuz gin went straight from academy to 3rd seat and shinji could plausibly feel like that sent him right to aizen bc he doesn't know that gin was always aiming for that. did he blame himself? does he feel like he should've seen it coming? does he still see him as some weird genius kid? does he just view gin as an extension of aizen, which is both dehumanizing to an extent but also entirely fair bc gin did that to himself?

the thing is, since we never really see them interact much, it's kind of only interesting on shinji's side of things, bc gin doesn't really care about much outside of whatever the fuck he thought he was doing and the version of rangiku that he has in his head who needs back something that the real one doesn't ever seem to have realized she lost to begin with. gin's so disconnected with basically everybody that most of the time you can usually assume his thoughts are just "lol. lmao" and there's no reason to think that doesn't extend to shinji as well (gin has deep thoughts on: aizen, ichigo, and matsumoto (massive asterisk on that one ofc) and i think everyone else is kinda set dressing to him lmao the guy is Fucked Up)

anyway i think it's interesting to toy around with that relationship as it was in reality as well as how it might've been perceived, but also in the sense of both of them being sort of opposite ends of the manchild spectrum - shinji leans into his childish side but still has a fairly adult worldview, and gin is able to pull off maturity to an extent but was never able to escape a deeply childish mindset

[buff-muffin]

I've seen a few AU's where it's basically, what if ASL had a parent. Maybe Rouge lives or. Some time travel shenanigans happen. or Dragon or Shanks steps up. Whoever it may be, never see Sabo get the care he needs. Ace's anger issues are helped and managed. Luffys loneliness and attachments are worked on. But out of all of them Sabo is the most forgotten and it makes me so sad because while Ace and Luffy were without parents and never had a frame of reference for what they should be. Sabo had bad parents.

I want to see a story where whichever parental figure it is, recognises Sabo's constant rebellion and insistence for independence, his refusing help, his avoidance and distrust, his love at a distance. and still helps. Because Sabo has been hurt by his parents, and that's a whole other kind of situation to work on, w whole kind of trust that's been broken that needs to be reformed.

[watchforstars]

I didn’t like Ragatha that much at first.

I thought it was because she was boring and bland character.

Turns out—it’s because she reminds me of someone I’m not always super fond of.

From what I have observed, Ragatha seems to be a character with a personality of dishonesty/insincerity (i.e., People Pleasing, Approval Seeking, Conflict Adverse/Avoidant).

People Pleasing is generally not done maliciously; however, it’s a behavior to manipulate how people think, respond, and behave around her. It (usually) stems from the internalized core belief “I’m not good enough as I am.” All she genuinely craves is unconditional love, belonging, security, connection, compassion, and most of all: acceptance.

So she compensates by creating a caricature of what she observe people want from her. A “doll” that can fill any role that needs to be filled to be accepted. Be kind. Be approachable. Be pleasant. Be agreeable. Be reliable. Minimize self. Give. Give. Give.

Just don’t be YOU (because you won’t be accepted.)

And because of this faux persona, she struggles with being vulnerable to what it is that she wants and needs from others; thus, blocking that personal connection she craves in relationships (i.e., what Gangle was eluding to.)

It’s performative. It’s a form of a mask. It’s an endless loop of minimizing self to appease others. And it’s not sustainable. The pressure starts and keeps building under the surface. Internally building up inside. All those “negative” feelings you won’t allow you won’t allow to show that you stuff down and avoid. Those uncomfortable, ugly emotions: frustration, negative self talk, annoyances, rage, resentments, apathy, anxiety—fear.

So yeah…

I didn’t like Ragatha that much at first because her character reminds me of me.

(Even down to the stupid sauce usage. Mine was an addiction though. Put the sauce down girl!)

[princess-ibri]

King Magnifico Backstory Part 2

(Sorry it took so long. The holiday rush caught up with me, and it hasn't ended yet, so this is probably gonna be a three parter, actually. But here's the link to Part 1 and some other meta that connects to the backstory!)

The young man and his new bride sailed through time and space, through storms and starlight, out into the sea of a new world

Their ship crashed upon the shores of an island, on which stood the remains of a great castle and above which shown a brilliant star, shining as if it were a good omen that here they could build a new home for themselves

And such a home they built. The magic of the young man seemed to swell even greater beneath the light of the star--(the star he did not know was the home of his own fairy godmother)-- and as he and Amaya built their new home, others began to flock to them, as if also drawn there by the star.

The young couple welcomed them, and the young man used his magic to aid them in their dreams in exchange for their help in creating a new kingdom, where he hoped to be able to use his powers to bless those worthy of it--for he still felt the swell of love and happiness and wonder that came from helping to grant the wishes of others, so powerful it felt almost tangible at times.

They called the island Rosas, after the favorite flower of Amaya, and took the rose and the shining star above them as their symbols. Indeed, the star was already engraven on many parts of the now refurbished castle.

And soon enough, with the help of their new friends and subjects and the magic that flowed around them, a beautiful kingdom rose up, with Amaya as Queen, and the young man the people began to call “Magnifico” as King.

As the years passed, King Magnifico granted many wishes, and Rosas grew in prestige and beauty, people from the farthest flung places in the world began to flock to it, seeking its joy and bounty, and the chance to have their wishes granted.

Eventually the kingdom's population grew so great and so quickly that Magnifico--who had learned his lesson on granting wishes indiscriminately--decreed that only those who had lived in Rosas for a year and a day would have their wishes granted, and only then their greatest wish--so as to have time to prove their character and loyalty. Eventually this was raised to three years, then five, and finally all those who were born in Rosas and reached 18 were to have their wish granted, once per month at a grand ceremony.

To help aid and protect his new home, Magnifico studied magics both great and small, dark and light. He had books brought to him from all the lands that came to Rosas, and--though he did not know it at first-- the natural magic that drifted down from Rosas's guardian wishing star helped to aid him in becoming one of the greatest sorcerers in this new world, where magic was not as bountiful as the one he had been born in. One so great he managed to mostly stave off even old age for himself and his beloved queen, so as to keep their kingdom stable and secure

(And perhaps there was something of vanity within this. Having been starved of true affection for so long, Magnifico had became rather susceptible to flattery, and took perhaps more pride in his appearance then was healthy).

But for all his powers, and all his ability to grant the wishes of others, Magnifico found over the years that he was unable to grant the greatest wish shared between him and Amaya--to have a child of their own.

At last, one night, in desperation, remembering the vague story he had heard of his own birth, he wished upon the star above them.

And the star answered.

They named the child Maroula, “Wished for Child, or, Star of the Sea”, as she was born with the mark of a star on her forehead

The couple adored their daughter, as did the whole kingdom. Neither Rosas nor its rulers ever knew greater happiness than in caring for the young princess and watching her grow.

One day though, as young Maroula was playing in the rose garden of the palace, she heard a soft voice calling to her, though she could not see from where.

“Maroula, Maroula, wished-for-child of a wished-for-child. Great will be your power, but great too will be the trials that come to you from it. Would you face them when you are young, or old?”

And the little princess thought, “Far better to get anything bad over with sooner than later. Then, once it's done,I can live happily ever after without worrying about it”

So she answered “When I'm young”

"So be it" said the voice, and faded away...

And yet the years went by without any sign of these promised trials, until Maroula had grown into a beautiful young woman.

The princess has always been close with her father, and over the years he had taught her magic as well, and eventually she became his official apprentice, as well as his heir

Maroula studied hard, and became wonderfully proficient in all manner of spells and sorcery, helping her parents to bless their kingdom and aid in its prosperity

All seemed well, until the eve of the Princess's 18th birthday…

Part 3

[ssruis]

I personally really could not give less of a fuck about genderswapped ruikasa because first and foremost imo I think people just do it to get yuri warrior points instead of actually caring about female characters/wlw relationships. however I also dgaf because I think people do it in the most boring way possible without thinking about how tsukasa and rui’s personalities would impact how they present themselves as girls.

Tsukasa is so incredibly determined to be seen as a reliable mature older brother figure to the point where he dresses in an incredibly stuffy and boring way & has stripped his room of anything childish (& anything with personality). She would not dress super cute & girly. she would want to be taken seriously (& you should be able to be taken seriously wearing fashion like that but I’m not getting into that rn) & be viewed as anything but childish. She would not dress like Saki she would dress like she worked at a library or something. Her fashion would still be boring. Integral to the character.

I have less to say abt rui because I generally think less about what his fashion choices say about him (beyond hater of tight clothes #sensory issues king) but he is almost never in shorts and dresses in comfy loose fitting clothes he would also not be a hashtag girly girl wearing short skirts and bows either.

‘But I want to draw yuri and I want them in cute clothes’ draw emunene instead. Hope that helps.

[dukeofthomas]

I'm so mad that so far the only good robin!jason content i've ever found is his original run. Everything i've seen since has just been making him out to be the Angry Bad Problem Child and victim blaming him for dying. How is it that the only fucking good characterization of him is 20 issues from the 1980s

[lunar-years]

Okay because it was briefly mentioned in this post speculating on Roy's parents I really want to hear people's thoughts on Keeley's parents/childhood and why she had no prior family obligations on (Sexy) Christmas!

Similarly to Roy we only get very brief mentions of their existence in canon (and they're notably just about her mum, never her dad):

"I did used to worry I was gonna end up like my mum. She spent years tirelessly working at the same company just for a man to take all the credit. She wasn't brave enough to dream big. So I decided to do things very differently" - Keeley "We didn't open [the champagne] when your mum moved back up North" - Roy

The headcanons I've got are:

Keeley's parents are divorced and she isn't particularly close with either of them. Her mum irritates her literally every time they see one another. Her dad has a new wife and (step)kids he treats as his "real family," and Keeley is always the afterthought; she rarely sees him.

Her mum is extremely conventional and thinks Keeley needs to fit into that same box. She was appalled by Keeley's choice to do nude modeling, refused to talk to her because of it (which Keeley was thrilled by, and once her mum realized that she got even more upset and immediately started calling Keeley up again) and has never treated Keeley's modeling career as a real career.

Keeley moved out of her childhood home asap, like age 17/18 after taking her first modeling gigs. She rented a cheap flat with a bunch of other girls.

Keeley has made some of her choices in part just to spite her, whether its subconscious or not. For instance, if her mum was complaining about her first topless photoshoot, where her nipples were strategically covered by liquor bottles, Keeley made sure the next shoot she signed on for was tits out, no coverage. When her mum complained about that she did full nudes, etc.

When Keeley started working for AFC Richmond it was a backhanded "finally you have a REAL job, thank goodness" instead of "congratulations, I'm so proud of you." everything with her mother is like this

It is even worse with relationships. Her mum thinks Keeley needs to settle down, get married and have kids in that order - none of which are things Keeley has ever intended to do with her life.

her mum was thrilled when Keeley introduced her to Roy because "finally my daughter is in a serious relationship and they will give me grandkids soon" she completely dotes over Roy because of this while asking increasingly intrusive, prodding questions about the status of their relationship. Roy of course sees right through this but is trying his best to stay polite because this is Keeley's mother. The whole thing slowly infuriates Keeley until she's had enough and abruptly informs them they're leaving. this is how roykeeley have the "I never want kids" conversation very early on in their relationship

with holidays like Christmas, at first Keeley would use the other parent as the ~reason~ she couldn't be at theirs for the holiday. Like, she'd tell her mum "sorry, i told dad I'd go to his" and she'd tell her dad the opposite. of course this only works a few times before it's "why do you spend every holiday with the other parent instead of me," and which point Keeley remembered that wait, actually she doesn't give a fuck! and straight up told her mother she isn't coming because she doesn't want to and already has plans with her boyfriend/girlfriend (whoever it was at the time) 🤷‍♀️ slay queen

Keeley is out and proud and always has been, but her mum treats her being bi as another lie she's telling for attention, even though Keeley has literally brought girlfriends home to introduce to her mother before. No matter what she does, her mum maintains that Keeley is only doing it to piss her off and basically doesn't believe her or acknowledge her sexuality, which is understandably very upsetting to Keeley

Bonus ot3: Not to make everything about ot3 but I have a very distinct scene in my head where Keeley introduces Jamie and Roy as her boyfriends and her mum is forcibly polite to Jamie (whom she is meeting for the first time) but then pulls Keeley aside to be like "enough with your stunts, Keeley, how could you put Roy through this nonsense, after he took you back and all, this is how you repay him, by dating someone else?" (because 1. she's adamantly ignoring the part where Keeley told her all three of them were dating, royxjamie included and 2. she acts like Keeley obviously did something to "cause" Roy breaking up with her). Keeley for once is totally speechless and all the retorts she wants to and would usually say die in her throat and she just wants to cry because she's tired of this. Roy and Jamie overhear the conversation and Roy steps in like "okay, that's enough, we're leaving." Keeley has a breakdown in the car before they've even gotten out of the driveway and after that she basically cuts off contact for a long while with her mother, with Roy & Jamie's full support.

[scarycranegame]

>be me, fan of specific character

>find a handful of fics that characterize him particularly well

>the authors are all antis

>fuck my stupid baka life.wav

>a few other fics are written by proshippers

>they're all either trollfics, hastily-written basic smut, or fics where he shows up for like 0.5 seconds

mfw

[legobiwan]

Mario and Luigi for the drabble, “When I’m with you, I’m home.”

Thanks!

I realized I'm answering this one out of order. Whoops! Anyway, have some pre-Mushroom Kingdom conversations and lore-building as your author reminisces about the New York of the '90s.

~~~~~~

He wonders, sometimes, what their lives would have looked like if they had never left Brooklyn.

Barring a miracle - pretty bleak, in all honesty. Maybe being here, in the Mushroom Kingdom, was the miracle. He remembers the frenzied few days leading up to their disappearance. The previous few months had been a mess of unpaid bills and awful business decisions governed solely by spite and fear. They were probably a few months of missed rent payments away from eviction. They were definitely two days away from getting their kneecaps bashed in by some loan shark’s goons. 

He and Mario had gone for a walk, all the way down to Coney Island, 75th to Stillwell to Bowery, to the decrepit-looking Wonder Wheel and a depressingly empty Nathan’s Hot Dogs. It looked like the last of the hotels, some once-bright vestige of his mother’s era, had finally been condemned, tall wire fencing curling up towards the grey winter sky, a perfunctory guard which did nothing to keep out the local graffiti artists and homeless population. 

Luigi jammed his hands into his jean pockets, shivering. He couldn’t tell if he was freezing or terrified.

“What are we gonna do, Mario? We can’t stay here. If he doesn’t get us, the landlord will. You see how they’re starting to develop all that stuff around 86th Street. It’s going to travel north and we’re already behind two months in rent. We can’t stay in Bensonhurst.” Luigi sighed, little frozen puffs of air floating from his mouth. “I don’t even know if we can stay in Brooklyn at this rate.”

It was a miracle they weren’t out on the streets already. For once, their landlord’s habit of sitting around with a bottle of Thunderbird watching Honeymooners reruns and screaming at “that bum El Duque” to throw more strikes fell to their advantage. Sure, there was no such thing as maintenance in the dilapidated six-floor walk-up. But they were plumbers, tradesmen - a leaky faucet or misbehaving shower wasn’t going to be an issue.

Unfortunately, they weren’t also exterminators. 

Mario took a large bite of his hotdog, mustard splattering on the gum-stained sidewalk. It looked like something they’d hang in one of those trendy galleries that kept popping up in lower Manhattan, down around Houston Street. 

“We’re gonna be fine, Lou,” Mario said between bites, bits of bun falling from his mouth.

“We’re gonna end up homeless.” Or missing our kneecaps. Or worse.

Mario crammed the last of his dinner in his mouth, finishing off the hot dog with a few loud chews. He gave a contented sigh, licking at his greasy fingers before wiping his hands on his pants. “No, we’re not gonna be homeless. I’ve told you a million times, Lou, we could be in a cardboard box under the Van Wyck. When we’re together - “ Mario slung an arm around Luigi’s shoulder, pulling him in tight. “When I’m with you - I’m home. We’re unbeatable. And that means we’ll make it through this.”

Luigi eyed his brother’s yellow-tinged fingers and stained shirt cuff, hoping the impromptu moment of fraternal affection would pass. He could deal with Mario’s sunny optimism, usually. But living in a studio apartment one step up from a garbage dump had apparently encouraged his brother’s disposition towards a more slovenly existence. They might be home when they were together, but it wouldn’t hurt if Mario took a damn vacuum to himself once in a while. 

“Mario, I think this time - ”

“Oh, I get it.” The warm arm around his shoulder disappeared, his brother’s voice hardening. Luigi snapped his head to the side, his heart rocketing into his throat. What did I say this time?  

“It’s the location, isn’t it?” His brother gave him a searching, serious look. He looks just like Dad. He even seemed as if he were towering over Luigi, just like Dad used to, despite Mario being the shortest of the three of them. “You’d prefer a box under the BQE.”

Luigi gaped. “I - what?”

“Nah, nah, okay,” Mario waved his hands. “Let’s talk location. You wanna be by the Belt? Or maybe - “ A sly smile grew under his brother’s burgeoning mustache. “You want to move to Queens.”

“Oh my God,” Luigi groaned, slapping his forehead with his palm, pulling his hand down over his eyes. I’d move to Jersey if it got us out of this mess. “Mario, be serious.”

“I am serious! Your secret’s safe with me, bro. Even if you would betray Brooklyn like that." Luigi felt two steady hands take him by the biceps. “Besides, we’re gonna be okay.”

“Vinny Razzanti’s uncle said we had forty-eight hours,” Luigi groaned between his fingers.

Mario barked out a laugh. “Vinny Razzanti’s uncle couldn’t tell a pizza from a clock if we arranged the pepperonis the right way. The guy’s a dumbass.”

“Yeah, but he’s - “

“No, I ain’t hearing it.” Mario gently guided Luigi’s hands from his face, keeping his fingers wrapped around either wrist as he brought Luigi’s arms to his sides. “Look at me, Lou.”

Luigi swallowed down the wet desperation clawing its way up his throat, opening his eyes to his brother’s concerned, but steely gaze.

“If he comes, he comes. I’ve got a baseball bat next to the mattress and you can - “ Mario waved one of his arms in a broad gesture. “I dunno. Make some kind of exploding gadget or something. You used to want to show off your stuff to Cooper Union, right? Well, think of this as practice, you know, for the application.”

Luigi gave a small shake of his head. I don’t think home pyrotechnics meant to fend off low-level mafia muscle are going to impress the admissions committee. Not that they were going to waste their time with a twenty-one-year-old plumber’s application, anyway. That dream was long gone, buried in Cypress Hills along with their parents. 

“Here’s what we’re gonna do,” Mario’s voice broke through his dreary ruminations as he guided Luigi towards Bowery Street. “We’re gonna walk home, maybe pick up a cannoli on the way. Then we’re gonna check the answering machine. If we’re lucky - and I’m feeling pretty lucky right now - there will be a call from some lady in Borough Park.” His brother’s eyes gleamed. “No, even better, some widower in Carroll Gardens. One of those nice brownstones. She’s going to ask for our help. Clogged drains, backed up shower, toilet’s kablooey.” Mario made a slobbering sound meant to resemble a backed up toilet. Luigi thought he sounded like a dog on downers. “The whole shebang. We’ll say, of course, we can fix this, but we’ll have to charge the emergency rate. You know, business and all that. Three hours later - maybe four - boom! Vinny Razzanti’s uncle is out of the picture and we’ll be on our way to the good life.”

“You make it sound so simple, bro.” Luigi couldn’t quite contain the bite of sarcasm that accompanied that statement. 

As always, his brother took his waspishness in stride. Long strides, in fact, as they hurried past the metal skeletons that made up the Coney Island Train Yard, the whirr of traffic from the Belt Parkway rushing and thumping above them. Luigi felt like at any moment some old, rusted buckle would give way, sending a line of cabs and buses crashing into their heads.

He felt like that most of the time these days, to be honest. 

“It is simple, Luigi. You just gotta think positive. You never know what’s around the corner.” Mario tugged at his sleeve. “Now, come on. If we walk fast enough, we can get to Villbate’s before they close.”

“Alright, alright, you win, Mario. Something’s around the corner and for once, maybe it won’t be a guy with a baseball bat.” No. It won’t be a bat. It’ll be something worse. Like a flamethrower. Luigi was too tired to argue with his brother’s indomitable optimism. “Maybe we’ll get to your widower in Carroll Gardens and find the answers in her bathroom.”

Mario slapped his brother on the back. “That’s the spirit, Lou! Could be a whole new world waiting for us. Now let’s go - there’s a pistachio cannoli with my name on it and I am not missing out.”

“Hey, the pistachio cannolis are mine!”

“Not if you don’t run fast enough!” Mario gave his brother a playful push, taking off down Stillwell Avenue. Luigi watched his brother leap over a pile of trash bags, skittering between two cabs, one of which blared its horn in anger.

“Where you go, I guess I follow,” Luigi muttered to himself, adjusting his cap before taking off in his brother’s direction. And who knew? Maybe something was waiting for them around that corner.

[wilsons-three-legged-siamese]

My Meeks HCS and his traumatic backstory because he's my favourite 🫶

HCS;

He's deathly afraid of water

He zones out all too often

He takes notes every lesson, but they're boring as he can't be bothered

He's a love expert, always getting people together

He's basically completely blind without his glasses

He has way to many allergies to the point where the Poets have learnt to shake it off and stab him with an EPI PEN

He smells like electricity, in a good way

He enjoys drawing in his free time

He makes very good sweet pies

He only carries around tons of pens because Charlie never has one

He gets distracted easily

He enjoys poetry, but his own isn't the best, it's good but there's room for a lot of improvement;

He's very good at writing plays!

TW; sh, suicide, child abuse & neglect, mental illness

Backstory;

Meeks was born on the 12th of August, 1942 to Eloise Meeks and Reginald 'Reggie' Meeks. His mother quickly became quite abusive, often neglecting him of his crys, his father cared for him. Eloise regularly smoked in the house, not caring for really anyone. In 1946, Meeks' younger sister, Nancy Meeks, was born when he was 4 years-old. Later that year, Reggie drowned in a lake, causing Meeks' crippling fear of water, leaving Eloise with two kids. He quickly grew close to Nancy, and his cousin, William. William was a year older than Meeks. Eloise neglected Meeks daily, often giving him less/no food and sent to study in his room during absurd hours of the day and/or night. Then he met Charlie, Knox, Pitts and Neil at the age of 6. He regularly stayed at Charlie's, growing close to Charlie's older brother, Richard, and mother, Sally Dalton. Meeks grew up around the boys, hanging out with Knox as well, growing fond of his father, Robert, who was a father to him. He developed/discovered he had PTSD at the age of 8, mainly because of his father's death and mothers abusive behaviour; then it grew into anxiety. He found out various ways to hurt himself by the age of 12, hiding it well as nobody noticed. At 11, he was enrolled at Welton with his friends, finally getting away from his home life. The boys didn't know about his real life: Meeks sugar coated it and just didn't talk about it. All throughout Welton, he was a nervous wreck, yet he managed to mask it causing no suspicion. Upon going home in 10th grade, he was informed that William had committed suicide. This broke Meeks, he ended up staying at Charlie's, barely leaving his and Charlie's shared room. He's still in touch with Nancy, through the exchangement of letters.

[caramel-catss]

random draft because mizuki and aoba have a very interesting relationship to me. have a lot of ideas for them but this was the biggest on my mind at the moment

[ultrainfinitepit]

Probably not the smartest move right before Angeltober, but I got Baldur's Gate 3. It's very fun so far!

Here is my Tav, she is a drow cleric named Charity. She was found and adopted by a cleric of Kelemvor and raised in a convent. Charity never knew her biological parents. Her name comes from being called that cleric's "charity case" and then the name Charity stuck.

[strawberryshortcake1495]

The Story of Jasmine

(I can’t afford the fast-pass chapters so I’m not sure if her backstory has already been revealed, but as I said, this is all just my own interpretation and shouldn’t be taken as canon.)

Jasmine used to be such a happy girl. She was the eldest child in her family, having two younger siblings named Amara and Colton (aged 7 and 4). She was only 12 years old when she and her family went on a vacation to Savannah. They visited the Sorrel Weed House and Jasmine explored each crook and cranny of the house, drawn in by its history of being haunted. That’s when she saw a phantom from the corner of her eye but chose to ignore it. By the time her family left, it was nighttime, and they were making their way home when a large phantom blocked their way. In a frenzy, they quickly drove off into the forest and stayed at a cabin for the night. The next day, the phantom was gone but that wouldn’t be Jasmine’s last encounter with those ugly creatures. She and her siblings started seeing phantoms everywhere but they’d always disappear before they could really catch them. Amara told their parents and then they started seeing the phantoms too. This went on for like 3 weeks. Jasmine’s mother thought they were going crazy and started spiraling into madness. Jasmine’s father thought that the hotel they were staying at was haunted as well and that the only way to escape the phantoms was to just go home. So one fateful night, they packed their bags and started driving all the way back home. Jasmine kept checking her phone as they kept driving. 7PM. 8PM. 9PM. 10PM. 11PM. As the clock struck midnight, the skies turned red and there was a loud roar in the distance. Then the giant phantom centipede manifested and started chasing the family. Jasmine’s father was driving at speeds that shouldn’t be possible and Jasmine herself was hugging her siblings and trying to comfort them while crying her eyes out. Suddenly, they began to swerve off the road. The last thing Jasmine saw was a tree getting closer and closer and closer.

When she gained consciousness, the first thing she felt was something wet and mushy. Someone wet and mushy. As Jasmine’s vision cleared and she looked around, she realized something horrific. Her entire family was dead. She was laying in a bed of corpses. Distraught, Jasmine scrambled out of the broken car and began crawling into the forest. Her leg was twisted in a not-so-fun way. The only thing she could really see was the sky, which had returned to a somber dark blue with stars that illuminated the forest. Jasmine fell limp and closed her eyes, ready to die.

She awoke in a strange place with white walls. A man was standing near her bed. It was Maverick. Jasmine tried to leave but Maverick kept her put, and explained that she was sick. Infected with the virus. Maverick told her if she stayed, she could be able to help other infected people like her so they wouldn’t end up like her family. Jasmine stayed in that place for 6 miserable years until she turned 18 and started working professionally under the Paper Cranes.

Jasmine is presumed to be Patient Zero. A child who was gaslighted into believing she was crazy.