#back to basics i guess lol

[hanzajesthanza]

I saw a take that was like “Lady of the Lake” is a complete mess and barely even a Witcher book because by then Sapkowski just wanted to write Arthurian legend fanfiction and write and essay about meta text into the book

are you me?! lol, because i was on r/fantasy a couple of days ago and saw witcher catching stray bullets there too 😭

anytime i do hear this take, i want to say: “… and what’s wrong with that 😅🥲 and what’s wrong with that?!”

because, to be honest, i also didn’t really care about any of the arthurian stuff… but then i actually went and read his opinions on why it’s important; which turned out to be just as interesting as the book, so i see it as like… own author analysis of his characters and world… like this is the kind of thing you typically beg authors to explain about their series and he just did it 🤷🏻‍♂️

the problem with my take is that i didn’t read it when it came out in 1999 (probably due to not being born yet) so i have no abilityto judge it as it was “in the moment”. i also didn’t even read the series chronologically, and played witcher 3 before i read the books, so i suppose the ending had a reduced effect on me…

however; i was a mess at the ending… so i don’t want to know how i would have reacted had i read it free of spoilers… i probably would have been like the ‘99 fans and been pissed all the same. i get the frustration: “our heroes are dead and you’re prattling on about some old legend…”

but i feel like lady of the lake is a fine wine for how it ages well. well, maybe not the… library bit, or forest gramps bit. but it ages well if you reread it and do so with patience.

the nice thing about writing and reading is that it’s asynchronous. you have all the time as a reader to pause. if you don’t understand the references, use your time to look them up. you don’t need to understand it perfectly, you don’t need to be like sapkowski and become an arthurian fanboy.

you just have to understand what he was getting at: that in his view, the arthurian myth is the genesis of all the modern fantasy genre, and by not only intentionally writing parallels to it in his work, but writing his character into that world, he is humbly (hehe) submitting his work into the fantasy canon and sending it off after it's been completed; like ciri with her parents. if you understand it this way, it becomes very beautiful indeed. it’s not just “arthurian fanfiction” because in his view, ALL fantasy writing is “arthurian fanfiction.”

(and this is even more interesting from a cultural perspective btw to me because… well it’s better explained by paulina drewniak in her thesis, but arthurian legend (in welsh and anglo-saxon forms) is “western european”, same with the modern fantasy genre being english-dominate. and witcher is… well, poland is in central europe (look at a map), but characterized as “eastern” for socio-political, historical reasons. so witcher is absolutely insane genius because sapkowski took this western format and myth and mixed it with some polish history and sensibilities of the ‘90s audiences, as well as influences from polish romanticism, making something that ends up being intriguing to many more cultures than just the one. the internationality of the witcher began way before witcher 3 snagged game of the year 2015! hehe, also geralt as a character taking from american genre fiction—hardboiled crime, western genres. and at the same time he became a polish hero. (bold claim maybe, but i mean it like… well, i’m working on the essay for that now, so you’ll see i suppose ��)

witcher is just so damn unique for this reason. i think many works try to stay monocultural, but witcher is like this big soup that sapkowski throws a bunch of different ingredients into—and skillfully, not randomly. anyways this paragraph is really off topic but i think this was really cool :) i’ll write more on this later, at some other time. but to connect it back to topic: what i mean is, the arthurian legend makes witcher all the more richer. and then for me as a “western” reader reading it, it’s like this big full circle (even though idk crap about arthurian legend before i read the witcher :’D ))

i think that lady of the lake made me a better reader because i realized that fantasy and genre fiction, aka what i understand as "entertainment" and "reading for pleasure" is much, much more similar to "high literature" and "serious reading" than i had initially received it to be. sapkowski said it something like: “all writing is literature, everytthing except the tv guide and A to Z nutria breeding.”

the way i separated them in my mind was that entertainment books were to just entertain, and serious books were to hold an author’s message, so you should work at what they’re getting at. the witcher showed me that “entertainment books” ALSO hold the author’s message and you should work at what they’re getting at;

in other words, it’s not just about you, the reader, your pleasure; this is a two-way street. this is a game, for the enjoyment of both parties. it’s a bit like charades, or pictionary. the author is saying something, thinking something, it’s your side of the game to figure it out. and i found that figuring that out is much more fun when you also at the same time are receiving a story that you’ve become emotionally attached to and makes you giddy. but it’s not JUST about that story, the joy is not limited to just this world and these characters.

i adored english classes for this kind of game, but because we read stand-alone novels, the characters always felt a bit flat—and of course because most of the time they’re just vessels intended to carry the story. but with the witcher, with this saga, you get the benefit of a “low” work: the stakes which feel personal and intimate, the long standing development of the characters, the fandom excitement and buzz, and also the benfit of a “high” work: the allusions and intertextuality, the hidden meanings, the cleverness and play. it’s really the best of both worlds.

and the hussite trilogy takes this farther because it’s a historical fantasy so sapkowski could include as many historical and literary references as he desired… if they existed by the mid-15th century and were known in central europe. but that’s a LOT of sources to draw from already, pretty much an unimaginable well of context. and did i understand everything, no. i didn’t understand much. but i was pleasantly surprised because i understood more than i expected, and when i didn’t understand i could figure the intended meaning out through context clues. i mean, this proved to me that these references to other works are all just extra sauce anyways, to make the dish a bit richer and fuller…

it’s just nice metaphor, and a lot can be done with this. if you compare geralt to arthur or reynevan to lancelot (well… as HE believes himself to be…) … that makes the meaning sooo much deeper. i like this with “electra” most of all. i think we should all adopt classical or mythological psuedonyms that we feel represent us; these are shorthand for what we stand for and what we believe in, who we are. if you know a bit about just a few myths, you can extrapolate so much from just one name. this is also the case with fictional characters from the modern fantasy genre, so i see what sapkowski was getting at when he draws lines connecting the two.

the only reason i DON’T like it when he does this is because… i do feel a bit like: i went into a library to return a book, but instead of taking my book back, the portly old librarian wordlessly shoved two NEW stacks of books into my arms, then pushed me out the door back onto the street. because andrzej sapkowski is basically the offline version of a guy on forums who recommends you twenty new books every time you mention you enjoyed one. i cannot keep up! so now i have a reading list ten miles long. i think his recommendations and what he intertwined into the witcher will literally keep me occupied into my 30s. but that’s ok, i know what to bring now if i ever get abandoned on a deserted island.

for this reason, i think witcher is both the worst and the best introduction back into reading i could have asked for. if you dig for two seconds are basically handed a road map to not only the entire genre, but the wide open world of european literature, both western and eastern. and american literature too, which i think i’ll be giving a second go…

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[tsukiglitch]

Messy Random Ragbros in different outfit doodles.

(Why do I keep drawing siblings in different types of clothing instead of their canon ones recently? i mean it was only 2 times now but still)

[ganondoodle]

wont have time to work on anything for a few days probably, so uh, since i love reading comments/tags of people sharing their experiences- as part of the preparation for the totk rant script i got another question to ask :3

if you dont like tears of the kingdom, was there a moment that "broke" you, as in, the moment you knew this game is worse than you thought/hoped, and if so what was it?

personally, while i was suspicious after seeing its last trailer, i told myself its just me again and i kept up my hopes for a long time into my playthrough- its hard to point to a specific point since it was a growing feeling of something being off, things didnt make sense and i ever so more wondered how they would pull this all together (they didnt)- i do think the moment i stopped being in denial about it was when i found the shrine of life, the beginning of botw, and found .. nothing, a dingy cave practically licked clean of any traces of the shiekah tech like it never existed, instead of the medical bed a pathetic puddle of water that healed you, no one caring at all, like it actually never happened- i felt like the game pointed and laughed at me for caring about botw, pretty sure i was struggeling to keep it together on stream bc it forced me to realize this game truly is everything i hoped it wouldnt be, even if that sounds a little weird, at that time zelda and especially botw was so much more important to me, a passion for the franchise this game really did end up killing.

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[archivesweats]

the gay dads and their biological offspring

some people see every project as an opportunity to do something new, I just repeat and modify what I know

[v-arbellanaris]

although i get why they did it (except i dont) i kind of wish that the final confrontation with solas doesnt offer him the opportunity to have mythal come in and like idk address what happened. like i get it but also idk... if theyre framing it as an abusive relationship with a power imbalance (as opposed to like. a toxic relationship between two equals) the reality is that often you don't have your abuser like... ever taking a smidgeon of responsibility or absolving you of any responsibility for a situation. you dont get that apology, you dont get that regret, and a lot of the work that goes into healing from that kind of relationship, whether its a parent or partner or whoever, is coming to terms with the fact that youre likely probably never going to get even an acknowledgement that something fucked up happened. and you didnt deserve it and it wasnt your fault. you still have to find a way forward without that. idk it feels.. not to say unnecessary, though i do feel it is unnecessary to have mythal show up and like 'absolve' solas/acknowledge it wasnt all his fault, but for the kind of relationship theyre trying to portray - having solas basically cowering and flinching away from her, sobbing, holding out a knife for her to ostensibly kill him with - it just doesnt really fit to me nor does it feel... idk? satisfying? realistic? idk what the word is. but to have solas' heel face turn happen after a conversation with mythal where she basically goes 'dw it was also kinda my fault lol' when the story paints her as his abuser just feels like it falls short in some way

[uncanny-tranny]

I know other adults like to joke about how much pain they're in, but genuinely, please try to get your pain checked out if you're an adult experiencing it, or at least adapt your life in whatever way lessens your pain.

Your pain deserves to be addressed. Please don't "let" it get worse because you've been told that to grow older is to suffer. No, you aren't being needy or selfish or annoying. Ultimately, you are the one who suffers the most from the state of your health, and it's entirely reasonable to want your health to be up to your standards.

[spacekatdet]

Already seen victim blaming on xitter 👍 Lets not do that and lets leave the hermits alone. Make up your own minds on if you should support Iskall. But I feel like if one of his VH team members leaving for differing morals, the hermits going back 6 plus years to remove him from thumbnails and titles, and removing him from the site and merch should be enough Doc even said they can't talk about it which could mean anything, including something legal. Mumbo said there were no minors invovled but doesn't mean others weren't since there ARE victims Just leave the hermits be, and let the victims decide if they want to come out. And stop victim blaming lmao

[starry-toya]

seeing people be proud of being so overly dependent on chatgpt genuinely fucks me up because... the whole point of being human is to think for oneself, to enjoy creating and to have original thoughts. why would you be proud to outsource the one thing that ties us to our ancestors generations ago? why would you be proud to use something that causes so much ethical and environmental harm? are we collectively losing the things that make us human?

[ganondoodle]

hey! hey hey!! hey lads if i did a mini "fake screenshot" series of a rewritten totk (mainly without time travel and zonau) … would you like that? (and is it worth the risk of pissing half the fandom off)

[nobodyspecialhereblog]

ARTFIGHT #4, MANAGED TO GET IT BEFORE IT ENDED WHEW BOY. I honestly didn't expect to be able to get this done but sudden post of energy and motivation near the deadlines made me make a piece I'm actually very happy with.

if not obvious i had fun with the brushes.

Characters are Xewka and Liv

Extra WIPs:

fun fact about the second one! I was planning to leave it only at that since I genuinely didn't think I would've completed it! :0 who would've guessed slowing down a little makes it feel more doable ahaha.

[rintinningvt]

Started watching the Bayverse movies with my besties and... Are we just too gay for these movies??? Admittedly we only finished the first two and got through a quarter of the third, but the second one was such a drag to sit through at times and it probably doesn't help that we do NOT care about Sam that much. I hope that there is a character arc for him in the rest of the third movie. Because so far he has not been fun to watch in that one. He just comes off as a slight manchild to me, like... I can see why he would be frustrated with where he is in life but the way he acts with others and lashes out does not help him in the slightest. I do have to admit though that seeing him go to Cybertronian Heaven in the second movie was the funniest part for me and my besties lol.

I'll just hope that the other guy in the next movies will be at least a bit more interesting. Doesn't even have to be a good guy, just an interesting guy for me lol

[zykamiliah]

corporal punishment=/=abuse

corporal punishment=/=deliberately allowing a child to use a manual that would kill him in the long run

corporal punishment=/=allowing and enabling bullying in your own peak

corporal punishment=/=putting a child to sleep in a woodshed

corporal punishment=/=sending a child to fight against a demon elder

corporal punishment=/=pushing a child into literal hell

hope that helps ♥

[lord-squiggletits]

I think the main reason the fandom does Pharma so dirty is 100% because of just no one caring and no one bothering to think through the implications of his treatment, but I do also think that there are some people that have thought his situation through/some level of subconscious awareness where people simply decided that Pharma being "evil" justified his bodily autonomy being violated by having his hands stolen.

Which is still kind of fucked up though how people treat him wanting revenge for his hands as some sort of "obsession," as if Ratchet has more of a right to pieces of Pharma's body than Pharma himself does, as if there's some sort of "finder's keepers" logic that since Ratchet took them they're now his property and Pharma is the unhinged/crazy one for daring to still be attached to his hands.....

It's crazy what narrative framing + legacy character bias does to a motherfucker lmao