#b/c they asked the audience not to

[drowningparty]

O Azathoth, creator god, one Pandora update error away from destroying the entire universe, must be rough learning your spawn changed their name to Kayne, started dating a human, and stopped replying to your texts. Well, the human doesn't know they're dating, hence the chain. It's okay, I'm sure it will all be over soon

[unproduciblesmackdown]

among the boundless billions zaniness like laugh track as it definitely has that moment of expressing "rolling my eyes as The Left makes a kerfuffle of Acting like they have a stance as a veneer over the true belief that [xyz] is cool & chill actually" like what, approximate 0.000% chance wendy isn't, as usual, given the Objective Stance of "yeah yeah ohh we are cancelling involved parties talking about how we Don't watch this But. we all love this damn epic movie & already have it memorized so shut the fuck up, kids today" like. don't wanna really delve into how much billions thinks taylor or anyone is "really" trans / nonbinary like not too much benefit of the doubt in this material including what does provide info abt that specifically

& the general like [head in hands. what do you think any of this could possibly be about (you're the one that made your show at all about Power)] of "yes, it's bad/wrong to be someone that someone has done something to / victim of something" like that to be anti misogyny All Women Must Be Epic Winners b/c there's something to be proved: that they don't Deserve to be victims (of misogyny), not taken as a Given. while when we see some epic winner men stepping on other men (who need not all be guaranteed Winners so as to say misogyny is wrong), that's often Good, well beyond any assumption that various forms of basic disrespect / violation / patterns of emergent/entrenched power difference as Bad (for being things done to people, not for there being people they're being done to), & generally billions has to take an extra step when ppl get shitted on & tell us the Specific Cases when it was undeserved actually & someone was being mean to a specific person who didn't deserve that. & the specific cases when hey guess it wasn't that bad(tm) or when hey It's Okay that you're someone something was done to, in this case. & tell us what we were supposed to know all along like when someone who something was being done to (wrong Of Them, whether b/c they inherently deserve it no matter what, &/or b/c they failed to be someone who could make it Impossible to do anything to them, which, how do you do that besides being The Authority / Superior yourself, exactly? nonrhetorically? what if the in group vs out group / fascism / authoritarianism protected Me?) was actually being treated Too Well b/c ah well the abuse meant you were getting any attention, maybe it meant you were claimed as any superior's property, maybe it meant you weren't Already disposed of, as all Losers were in the end, You're Welcome.

obviously referring to winston where it's spelled out all the abuse towards him was deserved, & More than he deserved in the case of rian having more access & taking advantage of that, all for billions' enjoying its own sendoff there of, again, maximizing violation & violence short of [real violence is physical & leaves bruises / draws blood / Literally kills] which would be distasteful in general But doesn't it make wags look like the winner & winston the loser is that the former's completely unrelated completely impersonal ego blow gets way amplified taken out on winston, the most vulnerable recurring character when spyros as [first & ultimate Everyone Hates Him role] is more entrenched in there & billions still magnanimously pities tuk, as it does winston too, just not quite as much. again that like completely surface level realized power fantasy of forcing the mirror up to the Inferior so they're like nooo my inferiorityyyy & in doing so like, the projection in that lmao, we get it re: the valuing of & need(tm) for such Power Tripping & Reaffirming My Superiority & My Ego Restored; Everyone Claps like good god. & then for all ben & tuk are the slightly softer Two Too Nice Boys duo to the rian & winston quant duo, also like too nice i guess but not as much, ben is in charge of tuk but Any instance of rian being in charge of winston outstrips them in that "yay interpersonal abuse" dynamic, like then in the end billions may be like "yeah it's possible to be mean to them unlike how being mean to winston is actually Nice b/c he deserves everything he gets, we only vicariously enjoy it vs Feeling Bad for tuk & ben sometimes (still magnanimously & it's Not That Bad / just goofin)" like ben & tuk still Fail by not being people it's impossible to do anything to. & not Exceptions who anyone is really being Too Mean to. like if they were women, in which case, no problem surely with a "positive" kind of victim blaming where there is something Inherent that Will be victimized so hey how about to cancel that out there's this special Paternal Protection you Need always, Or Else? :) but instead they are men who are asian & is ben gay & w/tuk & winston nobody mentions glasses or fatness but billions doesn't really do much or very in depth textual mentioning of Anything, even w/nonzero mention that there may be gender & race in this world. a gay man, once. no disability. we just Know who are the inferiors who deserve it when they're treated inferiorly, or if they don't, they start deserving it when they fail to stop/avoid it, but if you start mentioning the factors behind who we all totally agree is inferior like whoa nobody was Saying any of that? being the real agent of oppression on the basis of the factors only You spelled out, much? nonbinary? i never say anything about the Gender Binary when i'm subscribing to it, sounds like You've created & enforced it. obfuscation & deflection onto [so Just Normal nobody has to label, explain, or argue it] couldn't serve a purpose & protect the existing power differences as they are. maybe You're the problem? perhaps you brought it upon yourself & now you're causing too much trouble standing up for yourself while everyone else's criticism is laser focused on you as the prior & continuing negative actions done to you are taken as a given / unquestioned / covertly protected to overtly encouraged?

anyway so wild if the Completely Normal(tm) Victim Blaming is uncritically recreated & oft embraced for "if you're watching this & don't wish you were axe / find him appealing" [billions as a sequence of vicarious power trips] purposes in this series....but a bit wild considering like this is your multiseason show that wasn't just purporting to be those power trips for [enough demographic & apparently specific personal tastes overlap w/creators] & was at all purporting to question the matters of power at play in the material, or yknow, at least to not be completely superficial material while said material is textually & thematically all about power difference being leveraged, how, the consequences, & so on. thus i will have to intermittently talk about it forever like this like lord unbelievable. & the funny little & sometimes less funny less little characters it has trapped in there so that those of us who were never meant to be in the audience can be cursed with this knowledge. like i have some feedback. "imagine not victim blaming" & "imagine adjusting your perspective can go beyond superficial layers added to politely defer to some other ppl while they're present but really like cmon do they deserve that. am i not just saying what we're allll thinking"

[quaranmine]

well, i've scraped together enough time to practice the presentation in full twice (~38 mins straight of speaking) and most of my talking points are written down, so I hope I'm good? but earlier I literally put Lord Huron on to trick my brain into calming down

[bartonbones]

About Kaz: I think the problem is not so much him "loosing" but the context of the whole thing? Like, getting beaten by a Tidemaker on parem who just *turns into mist* when you hit them and whom you did not expect because the possibility of such powers was previously unknown makes for a good scene. Kaz getting beaten by two ordinary bruisers who just stroll into his office, though? That is the kind of writing the books would not get away with because it contradicts Kaz' status - if Pekka Rollins can just go everywhere and kill everyone including Kaz, what is the point? This also doesn't get followed up properly - Pekka makes his threat, Kaz goes anyway and by episode 8 no consequences happen and the average viewer has probably forgotten. It also builds up Pekka's power too much, imo. Murder other wealthy barrel bosses whenever without consequence upsets the idea of a semi-stable system of power in Ketterdam. Like, he can get away with murdering common lowlife, but rich business owners? That would not work in the books. So the problem is not that Kaz looses, it is how he looses.

i think that the narrative reasons kaz loses that fight aren't just because he's overpowered by the jurda, although that contributes, it's because the manor in which the tidemaker is manifesting makes him think about jordie, which distracts him during the fight and makes him more vulnerable. it's not just touch that's a vulnerability, it's anything that relates back to jordie, and that includes pekka.

in the show pekka rollins showing up into this space that kaz has made sacred to himself is enough to disarm him and distract him becuase it reminds him of jordie, becuase here is this man that represents the entire reason he has any vulnerabilities to begin with, and so that's what the show is telling you by having pekka rollins show up and disarm kaz: it's not that pekka rollins is the most powerful scary antagonist, becuase he's not even the antagonist for the crows in the show, it's just to let you see a manifestation of what kaz's vulnerabilities are. in the book, we learn them through kaz's internal dialogue more than anything else--at the end of this scene he blames himself for being distracted, calls himself a fool. in the show, the absence of internal dialogue means we need external factors to let us know that kaz is vulnerable and he is frustrated by his own vulnerability.

i imagine this interact will pay off more in s2 when we as a show audience are told why pekka was so disarming to kaz specifically. it also allows them to set up this dynamic of pekka meaning a lot to kaz, but kaz meaning next to nothing to pekka.

also, i don't mean this to say i think the show is a perfect 1:1 for the books, bc obviously it isn't. and i don't want to give credit where none is due by saying that i think they're trying to show that the kaz in the show is a precursor to the more stable/powerful/intimidating book kaz, although i think that would be a more interesting take given that in the timeline kaz should technically be newer to all this, but what i am saying is that the "gotcha" ism of "kaz would never get beat in the books!" doesn't make sense to me and i don't think him being caught off guard by seeing pekka rollins personally for what i assume is the first time is character assassination as much as it is a nessicary evil of only being able to adapt a two-book series in to 10 minute slots of another show.

[musical-chick-13]

Genuinely I absolutely, thoroughly hate the way people have gotten in regard to "You can write fic about dark subjects, but don't ever go into detail about those subjects" (if they even concede that people are "allowed" to write about anything unpleasant at all).

Because I just read an excellent one that was...very fucked-up! Actually!!! But it was also a nuanced and gripping examination of abuse--switching between the POV of the abuser (who lies to themselves about the reality of their actions, making their POV sections all the more uncomfortable for it), their victim (who lies to themselves in a different way, by refusing both to acknowledge their own victimhood or to consider the ways they later come to continue that cycle) and, eventually, an outside party (who is the only one aware of the true reality, and tries (and fails) to help, through the comparatively powerless ways that are available to them).

And this thing was not reserved in any way regarding its depiction of all of this. It didn't cut away cleanly after a vague uncomfortable comment for the reader to fill in every single blank for themselves. There were even times where the victim themselves was under the impression that they were genuinely enjoying what happened, because they convinced themselves that they had control over a situation they never had control over!!! And I know that...certain people. Would absolutely accuse this fic of "romanticizing abuse" because of these things. Which I think is an INCREDIBLY unfair assessment of it, especially since most of the time the discussion of "romanticizing [x]" is less a discussion and more, "I don't care what the author intended, this story simply shouldn't exist because this is incontrovertible proof they are a horrible person in reality, also they should die."

[j-psilas]

Will we ever get anything quite like Code Geass again?

I don't think it's possible.

Code Geass is Japanese nationalist propaganda disguised as a global political drama, disguised as a military mecha show, disguised as yaoibait, disguised as a teen melodrama, disguised as a high school romcom, disguised as a Pizza Hut commercial...

...except those layers aren't layers at all, but are instead comingled in a giant snake ball of insanity.

The lead writer, Ichirō Ōkouchi, only ever worked as an episode writer for other shows prior to Code Geass, and never took the helm of an anime series ever again. And it shows. [EDIT: Several people have pointed out his other lead writing credits to me. So I misread Wikipedia—sue me. I maintain that this guy is a better episode writer than he is a lead writer.]

The minute-to-minute pacing is impeccable from a mechanical standpoint, with tension and stakes rising to ever-higher peaks, balanced out by the slow simmers of the b-plot and c-plot. It keeps the viewer on the edge of their seat at all times. Meanwhile, the large-scale plot is the most off-the-wall middle school nonsense I've ever seen, continually surprising the viewer by pulling twists too dumb to have ever have been on their radar—and therefore more effective in terms of raw shock value.

"Greenlight it!" was the mantra of this anime's production. It must have been. It has, in no particular order, all of the following:

Character designs from CLAMP, the foremost yaoi/BL group in Japan at the time—for characters who are only queer insofar as they can bait the audience, and only straight insofar as they can be more misogynist to the female cast.

Speaking of the female cast, hoo boy the fanservice. We've all seen anime girls breast boobily, with many cases more egregious than Code Geass, but there's something special about it happening immediately after—or sometimes in the middle of!—scenes of military conflict and ethnic cleansing.

Pizza Hut product placement everywhere, in every conceivable situation. High-speed chases, light slice-of-life scenes, intimate character moments, all of it. Gotta have Pizza Hut.

The anime-only Pizza Hut mascot, Cheese-kun. He wears a fedora.

The most hilarious approximations of European names—which I would love to see more often, frankly. Names like, I dunno, "Count Schnitzelgrübe zi Blanquezzio."

A depiction of China that is wholly removed from any modern reality, with red-and-gold pagodas, ornamental robes, scheming eunuchs, and a brainwashed child empress. There's a character named General Tsao, like the chicken.

Inappropriate free-form jazz in the soundtrack, intruding at the most unexpected times.

A secret cabal not unlike the Illuminati, run by an immortal shota with magic powers, holding influence all across the world, at the highest levels of government. They matter for approximately three episodes.

An unexpected insert scene of a schoolgirl using the corner of a table to masturbate. She's doing it to thoughts of her crush, the princess Euphemia—because she believes Euphemia to be as racist as she herself is, and that gets her off. This interrupts an unrelated scene of our protagonist faction planning their next move, which then resumes as if uninterrupted.

Said schoolgirl, in a fit of hysteria, threatens to detonate a worse-than-nuclear bomb in the middle of her school. She then goes on to develop an even more destructive version of that bomb, and become a war criminal, in a chain of cause-and-effect stemming from the moment she finds out that Euphemia wasn't actually that racist.

A character called "the Earl of Pudding."

A premise that asks us to believe that the name Lelouch is normal enough that he didn't need to change it when he went into hiding as an ordinary civilian. "No, that's not Prince Strimbleford von Vanquish! That's our classmate, Strimbleford Smith."

The collective unconscious, a la Carl Jung, within which the protagonist fights his villainous father for control over the fate of humankind. After this is over, the anime just keeps going for about ten more episodes.

An episode in which a mech tosses a giant pizza.

A gay yandere sleeper agent who can manipulate the perception of time.

Chess being played very badly, even to the untrained eye. Lelouch frequently checkmates his opponent by moving his king. This goes hand-in-hand with the anime's crock of bad chess symbolism.

A fictional drug that can most succinctly be described as "nostalgia heroin."

Roller-skating mecha in knightly armor, and some of the most sickass mecha fight choreography that I've seen.

I could go on and on, but I think you get the picture. This anime is what the average Westerner in 2006 thought anime was, and it was made in a confluence of factors that cannot be replicated. I've never had so much fun watching something that I found so... insulting. Repugnant. Ridiculous. Baffling. I love it sincerely.

Catch me cosplaying Lloyd Asplund at a con sometime, or maybe even the big gay loser himself, Lelouch vi Britannia.

[keyotosprompts]

love is like a lottery ₊˚⊹♡

closeness between two partners >>>

⇴ "oh, my partner? don't even get me started" and they go on a long tangent about the adorable thing their partner did today. their audience is sick of them because of how much they're praising their partner.

⇴ "it's only you. it's always gonna be you."

⇴ person a and person b are laying in bed together when person b just pulls person a into their chest. no warnings, just hold me.

⇴ person a and person b sit on a small piece of furniture together and have no qualms about sharing it. in fact, it's like they relish in the proximity.

⇴ eating breakfast together while preparing for the day.

⇴ packing bags for the other person. person a is in a rush but person b already has their bag ready and packed.

⇴ ^^ probably because person b has memorized person a's habits and knows that they'll probably wake up stressed and panicked. so, person b gets some stuff ready for person a so they won't have to worry as much.

⇴ "i really like this," person a says as they planted their face underneath person b's jawline. person a places kisses underneath the jawline/on the neck as person b tries to keep it together.

⇴ person a is talking shit to person b and person b is completely engaged.

⇴ ^ "yeah, and so person c did this and it literally shocked... everyone." "you're kidding. i thought they said that they didn't like that guy." "that's what i thought too!!!"

⇴ person a is hot, but they don't want to succumb to the cold air of their room. so, they take the blankets off of themselves and cuddle up to person b (who opens an arm out for person a to come between)

⇴ "comfortable?" "did you really have to ask me that?"

⇴ "i just want to lay here with you all day." "well... nothing's stopping you." "don't tempt me."

⇴ person b is doing person a's makeup. person a's eyes are completely closed while person b is trying so hard to mess up that if any bystander walked by rn then they'd have a hard time trying not to laugh.

⇴ ^ "how does it look?" "um. well. um. good?" (person b is direly shaking)

[chrissdollie]

rapper!chris x singer!reader hcs

a/n: lowkey a collab with @bambi-slxt bc of all the headcanons she sent me LMAOO thank u sweets!! <3

SFW

chri$ is definitely one of the more "soft" rappers. everyone knows that hes a lovesick puppy for you. he doesnt have ONE line including the words "my bitch". instead he replaces them with "my girl" OR "my wife" :((

i think he would 100% make an album fully dedicated to you. kinda like tyler the creator's "call me if you get lost" in a way. for example, in the song "HEAVEN TO ME", tyler explains his dreams. chris would rap about all of the things he wants to do with you and how he sees you in his life forever

he has many features on peace on the beach with my peach since its partially about your guys' sweet relationship! theres moments in the record where there are beautiful beats paired with your heavenly vocals and cute voice cracks while chri$ is dropping barssss (ill make a post ab lyrics i think he'd add)

sososososo supportive of your creative journey. he was with you as you wrote and planned out your extremely personal debut. he even helped out at the studio :c

but then you started adventuring some time after your 2nd-3rd album. you started experimenting with different genres/styles. you created storylines and visuals along with your music.

out of the two of you, chri$ is definitely more famous. anyhow, he got invited to the met gala and had u has his plus one obviously, where you both looked drop dead gorgeous!! i literally cannot see him wearing a basic ass suit and tie to the met. he has to be on your level and match your uniqueness which make you two stand out so much!

when you both got up the steps, he was being interviewed by emma chamberlin, who was also a fan of his. she asked about the creative process of his newly released album and he totallyy put you in the spotlight, saying "yn helped me a lott honestly. she's... literally a genius." he grins, turning to you while keeping his hand on your waist.

you guys like toying with the paparazzi when they're bothering you. you goofballs make silly faces right in the cameras so they back off

one time when you were being interviewed, your sweet boy wrapped his arms around your waist as he listened to you talk. you were a little nervous and stuttered a bit, but chris consoled you by rubbing small circles into your waist and whispering a gentle "it's okay baby" to your ear.

you fangirl on stage when you catch your boyfriend's eyes in the front row. sometimes you entirely stop what you're singing just to giggle and squeal "hiiii honey!!" while twirling your hair like a little girl. the audience cheers with screams when they realize chris is with them in the crowd-- but feels like its only you two in the stadium when he blows you a kiss (some corny shit he never thought he'd do) and mouth the words "i love you".

for the holidays, u two visit homeless shelters and childrens hospitals and perform for everybody <3

imagine just hanging out at the studio with him and your guys' friends. he's manspreading on a leather couch while massaging your feet resting in his lap as you write lyrics in your lap, your friends helping you out as you do.

you knew that somewhere down the line there was going to be some kind of beef. a popular rapper decided to call out chris for something he did years ago as a literal child. you both ignore it until he sends out a tweet about you. something around, "nd his bitch bad asf id hit fs but she a fuckin weirdass childish mf"

you ignore the fact he called u a "weirdass childish mf", you cant care less, many people dont vibe with ur ideas and thats okay!

u do however care about how his girlfriend would react to seeing him wanting to fuck you. and you'd met her before too, she was a little snobbish, but respectful nonetheless. you joked to your boyfriend about dropping your own diss track on him, but he actually seem intrigued. you shut it down almost immediately though, you didn't wanna make something small such a big deal

but at the next big event you guys went to, you found the rapper's girlfriend and showed her his tweet. she thanked you with a furious scowl on her face before she ran off and slapped the shit out of him in front of everybody

chris gets a custom made $5k chain that has ur name and little details that remind him of u around it :((

NSFW

speaking of that chain, he wears it whenever he pounds into you so you'll be reminded of how he's yours.

chris loves ur vocals so much on stage! he finds them beautiful, but he loves them even more in bed.

"cmon mama lemme hear that pretty voice"

in fact, you two created a song just to have playing in the background while you two get intimate

chris audio recorded him eating u out once and you saying, "oh, fuck chris, it's so good!" and he decided to use that as an adlib in his favorite songs OR disses he wrote about someone being a jerk to u

watching chris perform did things to you. seeing him sweat, brushing his gorgeous hair out of his face, putting in so much energy into his performance... it's intoxicating! sometimes you wish he'd just drop the mic, pull you onstage, and make love to you infront of the world.

he talks about marrying you while he's balls deep inside of your wet cunt :( saying how he wants to drop a humongous bag on your ring, give you the wedding of your dreams, and how he desperately wants to hear "missus sturniolo" from others' mouths

chris will totally pop up behind stage after a show and guide you to your dressing room not so subtly. you apologize to your manager before rushing to your private room like a giddy teenager. "wanna see her sweetheart, she wet for me righ' now? oh, there she is.." he coos as he bends down to his knees right in front of your pussy when you pull down your pretty pink stage costume.

@leah-loves-lilies @1everythingmustgo @star-sturn @junnniiieee07 @mattsneezing @freshloveee@freshsturns@emma4eva @r6diosturns @matthasmywholeheart @donthugmeimhot @blahbel668 @chrissturnsss @joanofarcily @mattscoquette @slutsturn @sturnioloremarker @ashley9282828 @jnkvivi @sturncakez @lanasturn @riasturns @st7rnioioss @strnlxlqve @starlace111 @mattsfavbigtitties @stvrlighht

[byoldervine]

Writing Tips - Character Tone VS Narrative Tone

Sometimes characters will do things that they believe are good or bad, but the narrative tone tells you otherwise. It can be hard for some people to separate the character’s feelings and actions with what the writer is personally agrees with, so let’s look into how we can make that happen - which also works as a media literacy guide of what to look for when theorising - and only theorising - if a writer does or doesn’t agree with a character;

1. Tonal dissonance. If a character’s mood doesn’t pass the scene’s vibe check, chances are that the character is about to do something the narrative isn’t framing as a good thing. Say Character A is telling Character B a secret they learned from Character C. B’s response might be to be confused or concerned about the situation and ask why A would tell them. Mixing in other bad vibes, such as the weather or setting or lighting of the scene, can additionally make the audience question whether the action was right - and bonus points if they also have the offending character acting poorly in other ways or getting called out for previous wrongdoings in the same scene

2. Karma’s a writer. Actions have consequences both in and out of your story, and using them to reward or punish choices your characters make can indicate whether or not they were the right thing to do. Expand on that through character interactions if you want more nuance

3. Hide away. A character hiding their actions for whatever reason can indicate that, even subconsciously, they’re aware that it wasn’t something others would approve of. Make them sweat, have them struggle to keep it secret. Let it lead to more wrong moves in future to cover up for the original issue, such as one lie covering for another lie. Let it become more trouble than it’s worth until they have to accept that they messed up, even if a bit of stress was the only karma they get for it in the end

4. Pick a theme. Between overarching themes and individual character themes, you can potentially come up with some pretty good long term lessons; if the character acts against the themes and the lesson they’re going to amount to, punish them for straying in a way that’s appropriate and proportional to the act, then work it into some sort of lesson for the character to learn. For example, if the theme is nature vs nurture and you want the lesson to be being true to yourself rather than what others make you into, a character acting on nurtured traits rather than natural traits might be punished through pressures to conform and the act getting amped up as further conflicts between the two sides of themselves present

5. Recruit a mouthpiece. Which character would be the most likely to call out the offending party’s BS? See if you can come to a scenario where they’d do so - albeit making sure it all stays natural and in-character. Maybe they go about it in a way that doesn’t even hit the mark, but at least it’s been said so your audience has had it addressed. Remember; don’t just insert X random character and have them be uncharacteristically analytical, have it be someone who would already do that and word it in a way that fits their character voice. Above all the interaction needs to feel natural rather than forced

[harunayuuka2060]

Kid Lucas: I want to talk to the king of Arendelle right now! *in tattered clothes and barefooted*

The servants: *exchanged glances* *one of them approaches him*

Servant A: Did you come here by yourself? Where are your parents?

Kid Lucas: I demand an audience with the king!

The servants: ...

Servant B: The king is currently away, so, unfortunately, we won't be able to fulfill your request right now.

Kid Lucas: *becomes furious* How could he leave his subjects when we're barely managing to survive?!

The servants: ...

Servant C: Excuse me. Where are you from?

Kid Lucas: *mentions the name of his country*

Servant C: Oh, your country is not within Arendelle's jurisdiction.

Kid Lucas: H-Huh?

Servant A: It's a good thing the heir of the throne is here.

Kid Lucas: ...

Kid Lucas: *the servants gave him a warm bath, some food to eat, and clothes to change on*

Kid Lucas: ...

Kid Lucas: *glances at MC, who's sitting across the table*

Kid MC: *has marked Lucas's country with a blue marker*

Kid MC: So you traveled here, despite the harsh weather, just to confront my father? *smiles*

Kid Lucas: I-I only did that because I believed he was responsible for what’s happening to us...

Kid MC: Hmm... *giggles* This is nothing new.

Kid Lucas: Huh?

Kid MC: Don't mind me. By the way, are you familiar with the secret passages and routes in your country?

Kid Lucas: Of course I know. I live there.

Kid MC: Great! Arendelle will be invading your country first thing tomorrow.

Kid Lucas: Huh? ARE YOU CRAZY?!

Kid Lucas: I'm not here to start a war!

Kid MC: Well I am. *smiles*

Kid Lucas: !!!

Ace, Deuce, Epel, and Jack: *talking about the story they heard from Professor Trein*

Ace: That was crazy, bruh! A seven-year-old kid invaded a country?

Deuce: I was busy playing with my friends at that age...

Epel: Though it was quite interesting how everything was handled.

Jack: Instead of palace guards, they sent farmers.

Jack: They made it clear that their intention was not to hurt anybody.

Ace: I mean, their parents were away. So I think they tried to play safe?

Leona: You might be right with that.

Ace: Leona-senpai!

Leona: Has anyone seen MC?

Jack: MC-senpai? Oh, I think I've seen them with Jamil-senpai earlier.

Leona: Tch.

Ace and Deuce: ...

Ace: Leona-senpai, why are you looking for them? *amused smirk*

Leona: None of your business. *then walks away*

Ace: Hmph. I was just asking.

Epel: Why does Leona-senpai still act as their boyfriend?

Jack: MC-senpai is charming.

Jack: Don't tell him I said that.

Ace, Deuce, and Epel: ...

Ace, Deuce, and Epel: *thumbs up*

[zoe-oneesama]

Now that it’s been brought back to the forefront of my mind in regards to yesterday’s SL asks, it really is genuinely kinda nuts how the potions were revealed in Season 2 and have only physically appeared (i.e. not just been mentioned or shown in a one-off picture or alternate timeline) in 13 out of what’s now 92 episodes (not counting specials) since their closest-to-chronological debut. Even more wild is the fact that, like you pointed out, only 3 out of 7 potion powers are canonically known to date. Apparently That Guy tweeted a few years back that one of the remaining ones is supposed to be a Fire potion (which, if true, may be the one Marinette was trying to figure out the “spicy little rock” ingredient for in Mr. Pigeon 72?) that gives the user the ability to walk on lava and/or a resistance to scorching heat, but they haven’t been able to use it since “Fire is something very difficult to use in shows watched by kids, because we have to pay extra-care that they won't see fire as a cool thing and play with it afterwards. Broadcasters tend to prefer not showing it at all.” To which I’m like?? A) You guys STAY hopping between whether you want your target demographic to be little kids or early teens in actual practice. B) There have to be a million ways that you can blatantly write the idea that fire is dangerous which is why the Fire potion would be NEEDED (or, y’know, have more faith in your audience’s ability to intuitively understand that from the get-go). C) If you already understood that a fire power up was genuinely likely to be a hard no-go with your broadcasters, maybe change your plans to only conceptualizing 6 instead of 7 potions before putting them in the actual show???

Right? And like, he said Lava as well. So do something WITH LAVA if you can't use fire! (I bet it would be easier to animate too!) Or, or! Invent a kind of goo or acid that burns LIKE Lava so they have to use the suit! That could be the debut episode, where it's impossible to get close because of the heat and burn of it until BAM! Fire Suit.

It's not like you have to use the suits OFTEN, they've only used the Ice one like two times I think, just do a debut episode and then use it for Ordinary Heroing, like actually running into a burning building and saving people. Pretty sure even kids don't think house fires are cool, so you don't HAVE to associate fire with a "cool" akuma.

A long time ago when I was ranting about this I was informed by a Anon that the others were "revealed" at some convention or expo and they were things like Air and Space (space hadn't been shown at the time), Sun and Moon, and like...Soul? So, what's the difference between Air and Space? Are Sun and Moon supposed to be Light and Dark, how is that following the Environmental Costume Change of the three we know? Wtf is Soul? Maybe it's a lack of cohesion that's making this difficult for them.

The more I hear about them, the more I think this idea was never fully fleshed out and will never BE fleshed out.

[teambyler]

My video "A LAWYER'S EVIDENCE that Mike and Will become a romantic pair in Stranger Things" is out!

Many of you have followed me ( @teambyler ) or read my essays analyzing Byler (I've linked some of the most-shared ones below). I am actually also a LAWYER who has a YouTube channel called RONALD OFF THE RECORD, and I just released my big video on Byler! (I also have another YouTube channel with 45K subscribers that I mention in the video)

I'm prepared to put my professional reputation as a lawyer on the line to comment on a piece of science fiction, because goddammit this is important to me! It is not "delusional" to think Will and Mike will become a couple, and there is nothing wrong with you if want it to happen! This is a video essay I've been planning for at least SIX MONTHS, and I put a lot of work into it. Please share, and please leave comments. Enjoy! =D

0:00 Why this video 1:38 Hate for Byler on the internet 10:16 Case for Mileven 15:21 Case for Byler: Starting premises 17:56 If Will were a girl… 25:30 The evidence! 29:05 EXHIBIT A: The Snow Ball 31:34 B: Mike's reactions to El and Will being upset 34:21 C: Season 3 ending montage 39:16 D: Airport reunion 47:57 E: Rink-O-Mania argument 51:35 F: Heteronormativity, audience expectations 58:32 G: Throwing away the letter 1:00:01 H: 2nd heart-to-heart scene 1:05:07 I: Mike can't say he loves El 1:12:50 J: Platonic reunion 1:14:35 K: Will's role convincing Mike to say "I love you" 1:19:31 L: Effect of the "love confession" on El 1:39:01 M: The Painting Lie 1:42:28 Honorable mentions 1:44:33 Non-diegetic evidence 2:00:29 Actor statements 2:10:12 NOT how you write an unrequited love story 2:15:46 Why Byler SHOULD happen (queerbaiting, etc.) 2:28:01 A more powerful story 2:35:22 A personal note

I'm now making this my pinned post, so I'll list a few my essays here for people to check out.

Some other @teambyler posts:

Mike was saying "I love you" to Will

Questions to ask if ever you have Byler doubt

How the Duffers have set Will up to have a happy ending in Season 5

The most heartbreaking way Byler can culminate (and how I predict it will) (I know this is less likely than an "escape from Camazotz" possession scenario, but I still want this to happen =D )

-teambyler

[wigglermansblog]

TF One w/ Fallen! Reader

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A/n : This chapter is a review, I will continue it if it does well. This concept of Fallen! Reader's characteristics are based on my favourite character in CRK, Shadow Milk Cookie .

Reader is Gender Neutral

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The moment Sentinel brings down his sword into Alpha Trion chasis, he unknowingly releases an entity from its imprisonment that is far much greater than the Quintesson.

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Orion Pax, or now known as Optimus Prime is fighting against his former friend D-16 who is now known as Megatron. The High Guards, Starscream, Shockwave and Soundwave enter the fight in order to bring the new prime down to his knees.

It was 4 against 1, it was unfair but this doesn't falter Optimus and he is able to fight back against them without breaking a sweat.

Then, all of a sudden. There is a tremor and a rumbling sound echoes throughout Cybertron causing everyone to panic. Optimus tosses Soundwave to the side, in the corner of his optics he sees a crack forming— in the air...

This sudden change in the air causes everyone to stop.

B-127 look at the sight, "Oh, the sky breaking" the yellow bot pauses before coming into realization and hold his helm. "The sky is breaking?!" he screech.

"What is this? Are my eyes toying with me~?" a voice echoes through the gaps of the crack. The voice gasps, "I don't believe it! The chains that have bound me for millions of years—" it said with a mischievous tone.

The crack becomes larger and a large figure pops their head out.

"—are now....... GONE!" they grin widely. "Hahahahahaha! How wonderful!" they cackled.

Optimus eyes widen at the sight of the newcomer, the matrix of leadership within his chassis begins to pulse as if to warn him about the danger. Megatron rises up from his pedes and looks up at the strange figure.

"Awh, how I miss the smell of fresh air! It feels so DIVINE!" they grin. "Oh? What do we have here?" their (e/c) optics looks down on the small cybertronians before them. "Oh no! It seems I got myself a really large audience!" they said, "Oh I am so so very sorry to keep all of you waiting~!"

"BUT—worry not my little cybers! The wait is OVER! Your favourite one of the fourteen is here!"

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"(Y/N) PRIME!" they introduced themselves.

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"Who?" B-127 question, tilting his head to the side. A dramatic gasp escape from them. "You don't know who I am? Ouch! right in the spark—!" they said, putting a servo over their spark.

"A Prime...?" Optimus is confused. He never heard about another prime other than the Thirteen, he had gone through every archive but none of it ever speaks about them.

"Hey, um. Not to be rude, but we never heard of you before. I thought there supposed to be Thirteen?"

"Thirteen? THIRTEEN?!" (Y/n) said, with anger and disappointment lace in their voice. "Oh, I see. It seems my fellow primes didn't tell you about MY existence!" they said. "How rude of them! To wipe someone so dazzling 💅✨ and so amazing like ME from face of history 😡!" they pouts.

Then, their eyes fall on Optimus. They pause, "Look what we have here? It seems that the Matrix of Leadership has chosen its next victim!" they said, eyes glaring down at the matrix within Optimus chassis. Optimus felt slightly uncomfortable from their gaze, a gaze that fills with hatred and—

What do they mean by victim?

"Who are you?" Megatron hiss, the bot didn't like what he was witnessing. First it was Sentinel, then Orion and now THEM? Just how many primes does he have to deal with in a single day?

"Who? Me?" (Y/n) perks up at Megatron's question. "Allow me to re-introduce myself! I am one of the Fourteen, (Y/n) Prime—well, was a Prime to be precise—" they said.

"—but~ if you want to know more about me why don't you ask Alpha Trion?" they said, "Oh, Alphy! Where are you~? Why don't you come out here and greet your ol' friend? It is quite rude ya know~!" they said. "I am sure that you are D(ie)YING to meet me!" they grin, before snorting and close their mouth. "Oh, wait! You can't! Cuz you're DEAD!" they exclaimed.

" Well, that's a bummer!" they said, giggling at the death of their 'friend'. "I am SO disappointed! I was about to have so much FUN with you!".

"I always knew that this day would happen! Watching all of them went offline ONE by ONE in such a MISERABLE way as possible— not to mention! In the hands of a prime wannabe— that's already dead right over there! HE HEHE HAHAHAHA!" they cackled.

Elita-1 grit her dentas together, narrowing her optics at the maniac right in front of her. How dare they make fun of the primes!

"Why you—" before Elita-1 could engage, Optimus stops her. "Elita... don't, we don't know what they are capable of" Optimus warns her. "But, they—" she protests but stops when she sees the pleading eyes of Optimus. She takes a step back and looks away.

"Alright, enough with the chit chat! Let the REAL fun begins!" (Y/n) exclaims.

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[ End of Preview]

[prettygirl-gabi]

Skin

---

‐‐‐

Rating:General Audiences

Warning: Fluff, angst, bitter ex, major friend group dynamic shift

Category:F/M

Fandom: Outerbanks (OBX), (Netflix TV series)

Relationships: JJ Maybank x f reader

Summary: Kie's slowly getting under your skin especially when you're JJ's new girlfriend

Based on recent experiences, and the song skin by Sabrina Carpenter has been stuck in my head for like 6 months on top of the recent experiences...

---

**"Maybe we could’ve been friends, if I met you in another life…"**

The thought crosses my mind as I stand in the middle of the living room, fiddling with my phone, and waiting for JJ to come back from the kitchen. The memory of Kiara's expression when she found out about us is still fresh, lingering like a bitter taste I can’t wash away. It wasn’t supposed to happen like this, but I guess things never go as planned.

“You okay?” JJ's voice pulls me from my thoughts as he enters the room, a playful smile tugging at his lips. He’s balancing two mugs of coffee in his hands, making his way toward me like everything in the world is perfectly fine.

I nod, forcing a smile back. “Yeah. Just thinking.”

He hands me one of the mugs, his fingers brushing against mine. The contact is warm, grounding me in the moment. "About Kie?"

I glance away. He knows me too well.

“It’s hard not to think about her,” I admit, sitting down on the worn-out couch. “She was—no, she *is* my friend. I hate that it feels like I’m betraying her.”

JJ sighs and sits next to me, his arm resting casually behind my shoulders. “You didn’t do anything wrong. She’ll come around. It’s just gonna take time.”

**"I’m happy and you hate it, hate it, oh…"**

I wish I could believe him. It’s not that I don’t want to be with JJ—it’s that being with him comes with a whole mess of complications I didn’t see coming. Kie and JJ had always had this unspoken connection. At least, that’s what everyone thought, including me. And then I fell for him. Hard.

Now, it’s like every glance from Kiara is a reminder that I’ve taken something she didn’t realize she wanted until it was too late.

“I don’t think she’s ever going to be okay with it,” I confess quietly. “With us.”

JJ chuckles softly, shaking his head. “Well, that’s too bad. Because I’m not going anywhere, and neither are you.”

His words make my heart flutter, even though the doubt still lingers in the back of my mind. I know he means it—he’s serious about us, about this. But how do I move forward when the person I care about most next to JJ feels like I’m rubbing this relationship in her face?

**"You can try to get under my, under my, under my skin, while he’s on mine."**

I take a deep breath and lean into him, letting his warmth seep into me. I want to focus on him, on this moment, but the guilt weighs heavy on my chest.

“You think she’ll really get over it?” I ask softly, not really expecting an answer but needing to hear him say it anyway.

JJ turns his head slightly, his lips brushing against my temple. “Eventually. Or maybe not. But either way, I’m not giving this up.” His voice is firm, and I can feel the truth in it.

I close my eyes for a moment, trying to silence the doubt. There’s something undeniably special between us—something that wasn’t there with anyone else. And maybe that’s why it feels so complicated. Maybe that’s why Kiara reacted the way she did when she found out.

**"I wish you knew that even you can’t get under my skin, if I don’t let you in…"**

“It’s not just Kie,” I whisper, more to myself than to him. “It’s everything. The looks. The comments.”

JJ pulls back slightly, his blue eyes searching mine. “You mean from the others? John B? Pope?”

I nod. “They keep acting like this is something we should’ve told them about sooner. Like we should’ve asked for permission or something.”

JJ sighs, running a hand through his hair. “Look, I know it’s complicated with the Pogues, but at the end of the day, they’re gonna support us. Maybe they’re just weirded out because they didn’t see it coming. But who cares? This is about *us*, not them.”

His words are reassuring, but the sting of Kiara’s reaction still sits heavy in my chest. When she found out, the hurt in her eyes was unmistakable. She hadn’t said much, but the silence spoke volumes. I don’t think I’ve ever felt so torn between two people in my life.

“You don’t think I’m a terrible friend, do you?” I ask, my voice barely above a whisper.

JJ tilts his head, his expression softening as he looks at me. “No. You’re not a terrible friend. You just…fell in love. And sometimes, that happens in ways people don’t expect.”

**"And I’m not asking you to let it go, but you’ve been telling your side, so I’ll be telling mine."*

It’s true. Kiara hasn’t exactly been shy about expressing her feelings on the matter, even if it’s been in subtle ways—pointed comments, sideways glances, and the awkward tension that fills the room whenever the three of us are together. But I’ve kept my side of the story mostly to myself, too afraid to make things worse.

“You know she called me the other night?” I say, breaking the silence.

JJ raises an eyebrow. “What did she say?”

“She just…wanted to know why. Why *you*? Why now?”

He doesn’t say anything for a moment, his jaw tensing slightly as he processes my words. “And what did you tell her?”

I shrug, feeling the weight of that conversation settle over me again. “I told her the truth. That it just…happened. That I didn’t plan on falling for you, but I did.”

JJ’s lips quirk into a small smile, though there’s a hint of sadness in it. “And how did she take that?”

I let out a soft laugh, though it’s more out of exasperation than amusement. “She didn’t really respond. Just said she needed time to figure things out.”

He leans back on the couch, pulling me closer into his side. “Then let her have her time. We’ve got all the time in the world.”

**"You can try to get under my, under my, under my skin… but he’s all mine."**

The thing is, I know he’s right. I know that no matter what happens with Kiara or anyone else, this—what we have—it’s real. And I can’t let their opinions, their judgment, get in the way of that. JJ is mine, and I am his. That’s all that should matter.

“I just don’t want to lose her,” I admit softly, resting my head against his shoulder. “Or anyone.”

“You won’t,” JJ murmurs, pressing a kiss to the top of my head. “And even if things are rocky for a while, we’ll figure it out. Together.”

I close my eyes, letting the comfort of his words wash over me. Maybe it won’t always be easy. Maybe there will always be a part of Kiara that resents me for this. But I can’t let that hold me back from being happy.

**"You can’t get under my skin, if I don’t let you in."**

And I won’t let her. Not anymore.

I pull back slightly to look at JJ, his face soft in the dim light of the room. “I love you, you know.”

His eyes light up with that mischievous glint I’ve come to adore, and he leans in, his lips brushing mine. “I know. And I love you too.”

For the first time in a while, I feel like maybe, just maybe, everything will be okay.

■■■■■■■■■■■■■■■■■■■■■■■

‐Thank You For Reading!🩵🩶

-prettygirl-Gabi✨️🎀

[imbecominggayer]

How To Write Character Motivation

This little (not-so-little) post is all about how to give your character a motivation for that goal all the while taking into account important things like the backstory, worldbuilding, themes, and such.

Keep in mind the fact that there are billions of different goals and connecting motivations so this advice is probably not applicable for everything :)

Again, these are just some tips. I am going to be assuming that you have some basic information about your character like what they want and where they come from :D

A) Questions, Questions, And More Questions

Take your character and ask them what their goal is. Then ask them "why?". Force them to answer. Then ask them different "why" questions based on what they answer!

For example: "Character A wants to kill the dragon"

Why? The dragon killed my family.

Why did the dragon kill your family? My father was a monster hunter who was upsetting the dragon's food resource.

Why did the dragon kill your other family members? My mom and my sister were collateral damage in the dragon's attack.

You can do this little exercise with any type of goal from crime, adventure, romance, to any other genre I haven't listed yet!

B) Deep Psychology

Now you have ask yourself, actually your character but you know, "what is this really about"?

What does this goal symbolize for this character?

Character A wants to kill the dragon because she believes it will end her own nightmares about the death of her parents. This is a thoughtless attempt to grieve without grieving.

Character B wants to steal a treasure of their home village because he believes that by gaining the financial rewards associated, he will be adored by his new community of outsiders. This is a desire for belonging.

You get the point. These goals aren't just about stealing your home's sacred treasure for wealth or killing a dragon for revenge. It's about universal desires we all share. To be loved, to be strong, to be great.

This is necessary because most people don't live in isolated villages housing secret treasures nor do they kill dragons. If you want your audience to connect with your character, the audience needs something universal to latch onto.

C) Themes And Misbelief

Most great stories feature a "misbelief" or mistaken assumption. This is the potentially fatal flaw of this character who believes something that is either not reflective of reality or will endanger something they care about.

Even if Character A kills the dragon ten times over, their family is gone. They can't kill their grief. They have to authentically work through it. Besides, I can't imagine how completely f#cked the food web would be if an apex predator like the dragon died.

If Character B used the sacred treasure to gain untold wealth they most likely would gain the acceptance and support of the "outsiders". But isn't it more important to protect the tradition. Their culture? Their people? It's a good thing to protect things that need to be protected!

These stories can either end as a cautionary tale, a lifeless happily ever after, and an impactful happy ever after depending on the character arc and ending of these characters.

If Character A and B "succeed" in their goals but this ruins their overall life, it's a cautionary tale.

If Character A and B succeed in their goals and they suffer no consequences for their mistaken belief, it's a lifeless victory.

If Character A and B choose different goals as a result of a character arc then they will succeed and reach a true happily ever after.

[thoughtsfromlayla]

26 Ways of Taking You: C for Cockwarming

Summary: You and Dream come to a compromise after you asked for some "space." It never ends well for you, does it?

Notes: ~770 words, I kinda gave up after a while. Well maybe didn't give up but like "Well that's about it" and then called it good. Not my longest work but, still hot.

Warnings: MDNI - 18+, public intercourse (no one bats an eye though), slight humiliation, GN! reader, penetrative intercourse

⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄⠄･ ⋆ ･ ⠄⠂⋆ ･ ⠄⠂⋆ ･ ⠄

Masterlist | Series Masterlist

B for Breeding ⇆ D for Doggy

You conceal your face further as another voice follows, your hands clutched desperately onto Dream’s jacket lapel. Your face was thoroughly red, from embarrassment or greedy pleasure, you’re not entirely sure. Beneath you, Dream is going about his business as he addresses the audience for the day. All while completely ignoring your shaking form sitting on him, cock deep and pulsing within your walls. 

Ever since he escaped from the Burgess Manor a few months ago, he has not been able to keep his hands off of you. At first, it was a welcomed touch. You had missed him for those 106 years just as he missed you. But, after a while, it got a bit ridiculous. 

He followed you around like a lost puppy, hands never leaving your waist, lips wandering from lips to neck to chest. And like teenagers in love, sneaking you between crevices and aisles to have a few fast minutes of “fun time” just to satiate his touch. You had your own responsibilities to tend to, especially after the heart of the Dreaming came back. You feel as if you would have gotten a lot more done if he hadn’t always pulled you back into bed after the first few rounds of passionate lovemaking during the waking hours. 

In a desperate conversation, you asked for space so you could get a few things done. Morpheus wasn’t at all pleased with it, as he isn’t with most things that aren’t in his control. But, for his lover? He will permit it, after one more act. 

Which is how you got here, scandally clad, arms tucked between your two chests as he talks to the Dreaming residents and your arousal soaking his pants. You felt like a top teetering on top of a highly sprung string, suspended from undeniably perfect pleasure and something not quite. What made it even more unbearable is how you could feel Dream’s smugness radiating off him. 

He had a possessive hand on your lower back, something like insurance so you couldn’t easily get off him when you thought it would be too much. The other was resting on the arm of his throne as he keeps his kingly appearance. 

“Yes, that sounds like a plausible idea,” He agrees to something you weren’t paying attention to. “What do you think, darling?” 

When he asks, he shifts in his seat and his cock moves within you, just slightly. It had the promise of pleasure but was stopped short by how little he moved in you. A mixture of a whine and whimper escapes despite your bitten lip. You only respond by nodding once, barely a tick of the head. A chuckle from Dream bounces you, barely, and just like before, barely gives you the pleasure you seek. 

“If my equal agrees then you have my permission.” His free hand shoos away the resident.

When they turn, he runs a finger down your spine and asks you another question. 

“Had enough yet, my love? Or can you go for more?” It was completely condescending, to speak to you in an “I told you so” kind of tone. And even though you were practically begging at the seams of your body for some sort of friction or release of any kind, you are just as stubborn as your King. 

“No, you can keep… going!” Your last word came out as a small squeal as he suddenly thrusts up into your weeping cunt. Your eyes roll to the back as you throw your head back with a moan that flows through the air. The open air ceiling seems to taunt you and you’re sure every dream and nightmare of the realm can hear the lewd noise you just made. The statues that were carved along the column of the room seem to turn their eyes towards the two of you, making you feel all the more exposed to Morpheus’ actions.

“Very well, let us keep going.” He lays back in his chair and his legs spread further, in turn spreading you further for him as well.

You unceremoniously sink further down on him and you’re left panting into his neck. You’re close to tears at the teasing and under stimulation you were receiving. Oh, what wouldn’t you do to have your king’s full attention on you instead of living off the scraps of his shifting movements and lazy fingers stroking circles on your hip. 

“Bring the next audience in,” Dream commands, and the doors open again. 

“You are cruel, my king,” You barely sob into his body. 

“Not as cruel as you might think,” He quips with a pinch to the supple of your hip. 

B for Breeding ⇆ D for Doggy

Main Masterlist || Series Masterlist

At the peak hours of 1:47 AM, Layla bought the entire 3,000 page series of The Sandman but said that it was free cause her tax refunds came back.

Good thing her major is not in finances.

♡ Yours, Layla