#b tag in hindi

[raviqw1290]

बाहर की चुनौतीयो से नही, हम अपनी अंदर की कमज़ोरीयो से हारते है|

[phuljari]

social media au! part 2

summary : khushi is a model and influencer; arnav just seems to stumble upon her profile one day— not so much by accident. (or what if khushi fell in love at first sight?)

warnings : just some hindi/hinglish, cussing in both languages. deliberate typos. online stalker!shyam. flirting with the boss

a/n : i am...trying something new (by using the word prompts) #IPK 13th Anniversary Fiesta @arshifiesta

hellohibyebye

liked by aakash_r, amanmathur, gulabo_devyani, anjaliiiii.r, mahendrarudrapratapsinghraizada, hari_prakash and 137 others

hellohibyebye haaye! ekdum vaijanthimaala laagat hai hum😍🥰

⚫kaala tika najar na lage e ke khatir⚫

view comments

aakash_r Maa group pe daalne ko bola tha, Instagram pe nahi 🤦

gulabo_devyani Manorama! Ye Hear. hum aapko diye naahi the... Toh kaisan aap pehen liye?

anjaliiiii.r Mamiji 👌😍

mahendrarudrapratapsinghraizada Thoda vakht nikal ke humare saath bhi ek-do photu khichwaye leti!

⤷hellohibyebye aap photo me bilkul handsome.... nahi laagat hai 😒

hari_prakash B//J...K>';edxnnnnddd

iMessage "Raizada Group"

Aakash Maa aapne instagram pe post kar diya 🤦

Manorama toh ka hui gawa? hainn

Mahendra Bohot sundar laagat hai tumhari amma 😊

Akash liked a message

Manorama liked a message

Devyani Humra. Haar. Dena mat bhulna. Onmanorama.

Anjali Arre Aakash, karne do yaar, umar hai inki 😌

HP Ji Naniji, hum abhi wapas rakhwa dete hain

HP hhhhhhhh?/?????

Aakash HP yaar tune firse phone bandh kiye bina pocket me rakh diya... buttdial nahi, yaha toh butt-typo hote hain😶

Anjali 😂😂🤣🤣🤣

Arnav seen

Anjali Chotte yahan bolna mana nahi hai!

Arnav: Di, I'm in a meeting right now. Ttyl

Anjali: Arre, chotte 🤦‍♀️

Manorama added NK to Raizada Group

NK: Hello bhaiyyon aur bhabhiyon

Anjali: Bhabhiyon nahi NK bhai, beheno!

NK: Haan wahi Di! You understand me so well!!

Aakash: 😂😂

Arnav left Raizada Group

NK: Oh no Nannav! Tum kyu chale gaye

Aakash: You know that he can't see the messages now right?

NK: Oh, Whoops! Wait

NK added Arnav to Raizada Group

NK: Nannav mere bhai!! How are you??

Arnav: Isn't it like 3 AM in Sydney?

NK: Nannav, naughty naughty, tumne time check kiya mere liye! So cutee! I'm at your home doofus 😂

Arnav: gtg

Arnav left Raizada Group

iMessage

Anjali: Ye har baat pe chotte group kyu leave kar dete ho?

Arnav: Di! WTF ye NK kya kar raha hai Shantivan me?

Anjali:😶‍🌫️

iMessage

Aman: Sir, we have officially signed Ms. Khushi Kumari Gupta!

Arnav: Good

Arnav: Kumari?

Aman: That's her middle name boss

Arnav: Oh, okay

iMessage

Aakash: Bhai, you signed THE KHUSHI GUPTA??

Arnav: Yes

Arnav: And she's not that popular c'mon

Aakash: Bhai do you even use instagram? 😭

Arnav: Of Course!

Arnav: Btw I have more followers than her 😒 So much for "influencer"

Aakash: That's her personal profile Bhai! You have to see @/thekhushigupta

seen

thekhushigupta

liked by divalavanya, payaliyaa, guptagarima, aakash_r, shyamjha, versace, arnavsinghraizada, saritaraman and 396,981 others

thekhushigupta @/versace thank you for sponsoring my cannes debut

view comments

saritaraman You dancing on hawa hawaii at cannes was the only thing left for me to see😭

⤷thekhushigupta all thanks to you babe <3

payaliyaa My babie sisterrrr 😍

⤷thekhushigupta jijiiiiii 😊

guptagarima Ae Khushi isko chalu kaise karte hai

versace It was our honour! 😍

aakash_r Amazing performance👌

shyamjha khushiji aapka koi boyfriend hai kya? 😭

divalavanya Bestie 💖

⤷thekhushigupta right back at ya! 💖

user1 i love the dressss

user2 just one chance khushi pls pls

user3 it was so cheap idk why ppl idolize u

⤷user1 get tf outta here

shyamjha hosh rubaa😍

nandiii khushi jiiiiii 💘

⤷thekhushigupta nanhe jiiiiii

nandiii

tagged: @/emirates @/anjaliiiii.r @/aakash_r

liked by aakash_r, anjaliiiii.r, gulabo_devyani, mahendrarudrapratapsinghraizada, hari_prakash, hellohibyebye, thekhushigupta and 806 others

nandiii So excited to meet you guys!😭

view comments

anjaliiiii.r Pooja ki thaal tayyar hai NK Bhai

⤷gulabo_devyani Aapan. Ka. hi intezaar hai Bitwa.

mahendrarudrapratapsinghraizada Return flight book karke nikle ho ki naahi?

⤷nandiii Now why would I do that Mausa Ji? 😊

thekhushigupta nanhe ji! iss baar aap mile bina nahi jaa sakte 😌

⤷nandiii Aapse hi toh milne aa rahe hai Khushi ji! It was fun to hangout with you while shooting in Portugal last year! 😊

hellohibyebye humre khaatir oo gucci peck kiye ki naahi?

⤷nandiii Maasi ji aapke liye toh chanel, gucci, versace sab haazir!

hari_prakash Ccooffee lenge?

Notifications (arnavsinghraizada)

thekhushigupta followed you

titaliya_k followed you

payaliyaa followed you

Notifications (thekhushigupta)

arnavsinghraizada followed you back

shyamjha unread 1475 messages

shyamjha commented on your post: hosh rubaa 😍

shyamjha commented on your post: khushiji aapka koi boyfriend hai kya? 😭

usershyam hume aap bohot pasand hai khushiji

iMessage

Khushi: he followed me back omgomgomg

Lavanya: ???

Khushi: ajgar

Khushi: arnav*

Lavanya: 😂😂

Lavanya: You didn't stop talking about him last night oh god

Khushi: i know ur friends were so pissed😭

Lavanya: Nooo, why would you thibk that

Lavanya: And look at you crushing so hard on ASR!

Khushi: you've met?

Lavanya: Briefly

Khushi: 🥺🥺🥺🥺🥺

Khushi: I'm gonna slide into his dms wish me luck

Lavanya: Khushi wtf

Lavanya: Khushi come back you son of a bitch

Lavanya: Istg Khushi pls don't make a fool of yourself in front of your new boss😭

Lavanya: Khushiii??????

seen

(1) message from thekhushigupta

thekhushigupta: hey

arnavsinghraizada: Hi?

thekhushigupta: we met the other day

arnavsinghraizada: Yeah, you bumped into me, how can I forget?

thekhushigupta: omg i'm really sorry for that😩

thekhushigupta: can i take you out for an apologetic dinner?

thekhushigupta: tonight?

arnavsinghraizada: Are you...

thekhushigupta: asking you out? yes

arnavsinghraizada liked a message

TBC

<previous> | <next>

[gryficowa]

Boycott!

Ah yes, Harris in tags and trends…

Now that I have your attention:

[jujutsustraycats]

If you run across this blog, you have officially been sucked into a whirlpool of reblogs, ramblings and the occasional (really, Ish? Occasional?) brainrot over fiction. Do stay for tea.

Some things if you do stay over for tea:

- I'm fine with interacting with people of age 14 and above, but I understand if you're not okay with me. Just be warned: this is a 16+ blog, I may or may not post suggestive stuff. Read at your own caution, I am not responsible if you do.

- That being said, this is a safe space. Bigots of any sorts are welcome to leave.

- I'm not online all that much, so I apologize if I'm a bit late in responding to you. Feel free to send me asks.

Now that's out of the way–

Hi, the name's Ish, and I'm just a very awkward teen guy who sounds like a golden retriever but is not. Nice to meet ya. He/him but gender neutral's cool too.

I'm... supposedly an INTP (or INTJ? Still working it out), but best not to ask. I have an identity crisis almost every other day. Probably INTP. Still not sure. Help.

Please do not ask me to speak in Hindi, I will probably make you cry from how horrible my vocabulary is. Course B go wiiiiii

I also have a horrible tagging style. Sorry about that. Did I mention I apologize and use the crying emoji a lot? If I didn't, now you know.

Proud member of Girlfriend FC and La Familia Nami. Don't ask. It's too long a story. Maybe some other day.

Likes: Academia, books in general, poetry, animanga (I'm sounding super nerdish now aaa), talking to the peeps I like, fictional characters, COFFEEEEEEEEEEEEE, being alone (please talk to me though, I like you guys talking to me). Also, lazing around is a given I relate to Nagi so much. Please talk to me about your interests, I would love that.

Expect a lot of edits to this :)

[ratedfleur]

losin’ it.

↳ an excerpt from ganda and pogi’s world.

zhanghao x reader 886 word count genre ୭ explicit & comfort

tags: thigh riding, lots of crying, overstimulation, slapping, use of safe word, aftercare.

written in eng / filo.

breaths unsteady, tears staining your flushed cheeks, thighs quivering whilst you sat on top of hao’s thigh.

hao’s tongue clicks, “and what to do you have to say, ganda?” he says before slapping your thigh, trying to make your still hips move.

you whimpered, hips slowly starting to move against hao after an hour of rutting your pussy against his pant cladded thigh.

you were stimulated up to the point were you rubbed your pussy raw, feeling exhausted kahit hindi ka pa nilalabasan kahit isang beses man lang.

hao watched you, eyes burning with lust as your body moved above him. he was in his sadistic little world, loving it when you cried.

you swallowed a lump in your throat as your hands held onto his shoulders, your swollen clit bumping against the rough fabric.

with an unsteady breath, you muttered “i’m s-sorry.. i’m sorry for b-being a whore—“

“and? what else.” hao said as he stared at your teary eyes, nose red from all of the crying you had done.

he watched you ride his thigh, hao reaches up and slaps your tit before briefly licking and then pinching and twisting your nipple.

you whined out loud, back writhing and arching, showcasing your boobs to hao who sat unimpressed.

“ano? hindi ka na maka-usap?” hao says, hands now holding onto your waist to help you move your hips harder and faster against his thigh.

napa-iyak ka lalo, feeling your pussy ache.

you whimpered, hips moving at hao’s pace. tanging puro iyak nalang at ungol ang lumalabas sa bibig mo, no longer having the ability to speak even a few words from all the stimuli.

“you could’ve been good even just for tonight, ganda.” he says, pulling you closer to him. you cried out loud, pabilis na nang pabilis ang pagkiskis ng puke mo sa hita ni hao.

tears streamed down your face as hao kept moving you on his thigh, all while degrading you at the same time.

“h-haaa.. p-pogi— hao, i can’t na. ‘di ko na kaya..” you whimpered out his name, arms wrapping around his neck, encasing him into your embrace as you cried.

“hmm? no ganda, i think you could do more for a little while.” hao’s tongue clicks, hands reaching up to cup your underboob, having a handful of your swollen tits.

“come on, ganda. just a little more and i can make you cum on me mamaya.” hao said as his thumbs rubbed swirls around your nipples.

you shook your head, chest heaving with heavy breaths. your sobs continued, no longer sane enough to tell hao to stop.

“don’t cry, ganda. just a little more.” he mutters, lips ghosting over your exposed neck. he continues to mouth kisses against your neck, nipping a few spots here and there.

“h-hao..” you muttered, tapping his shoulder but hao doesn’t even notice.

your forehead dropped to hao’s shoulder as you cried, “racoon, hao.. ayoko na..” you cried out your safe word, sobbing against his shoulder while hao made your hips still against his thigh.

“i’m sorry, ganda. i’m sorry.” hao muttered, hand reaching up to cup your jaw, making you look at him.

the eyes that were filled with lust are now mirroring pain as yours had, hao busied himself with putting on a robe on you, getting you off his thigh and onto the bed where it’s much more comfortable.

his hands that were rough against you now became soft against your skin, holding you close to ease your crying.

“ganda, i’m sorry. i should’ve listened po.” hao gently says, reaching for the water bottle for you to sip on whilst your breathing slowly calmed down.

you hugged him loosely, feeling entirely out of it. hao knew he had went a step too far, watching you delve in deeper into a subspace.

your eyes were empty as hao stood up, carrying you into the bathroom where he sat you gently on the toilet cover.

he quickly maneuvered around the toilet, setting you up a warm bath with your favorite bath salts. he even played your bath time playlist in the background whilst he stood you up again, making you pee before bringing you into the tub.

hao made you sit comfortably before getting in behind you, lying you down on his chest. he hummed, hugging you tight as you sat there unmoving.

he quickly washed you with your bath soaps, washing you off before getting out of the tub. you sat in your robe on the toilet cover whilst hao drained the tub before brushing your hair.

carrying you back to the room, hao quickly dressed you in your panties and his shirt before getting you into bed with the warm covers.

he got dressed before dimming the lights, lying down beside your figure to cuddle you. you got into his arms, feeling his warm front against yours. hao’s hand busily patted your head lightly as he embraced you, muttering sweet nothings into your ear.

“thank you, pogi..” you muttered, finally looking up at hao who looked down at you and smiled.

hao hummed, “no ganda, don’t thank me po. i didn’t listen to you earlier.” he says while kissing your forehead, hugging you tight.

“pero inalagaan mo naman ako, that’s the good part here, pogi.” you say to him, smiling lightly.

© RATEDFLEUR — ALL RIGHTS RESERVED.

[seaofolives]

Opening Line Patterns

Rules: List the first line of your last 10 (or however many you have) posted fics and see if there's a pattern!

me immediately upon seeing the rules: what ARE the last 10 fics I posted???

ANYWAY thank you for tagging me @clockwayswrites!!!! I thought I'd exclude some Filipino fics here and focus on the English ones but uhhhh same writer, different language and the same writer is also lazy as always so uhhhh from the latest to the not-so-latest????

also all my starters are paragraph blocks and nobody needs to read all that so we're going with starting sentences

also I'm gonna tag people now so y'all don't have to click the read more! @safarikalamari @isleofair @ginwilliamsart (i know you've written some!!!!) @tagulansahulyo

i like you a normal amount

gladnis, ffxv, g ("liv is that a gladnis fic????" YES IT'S A GLADNIS FIC AFTER SO LONG I'M SO HAPPY 😭😭😭)

Thereʼs a joke amongst the employees of the Citadel that even the screw that holds the windows together is more expensive than their collective salary—which is why, when some object that sounds like a rock hits his office window, Ignis jumps from his seat in a panic.

if ever you're in my arms again

guesule, g witch, g

Staring at the elevator’s display, a wicked thought asks Suletta: what would she do if the numbers suddenly went right back to 1?

wonderful tonight

guesule, g witch, g

Men don’t take too long getting ready.

pers lab/first love

guesule, g witch, g

🇵🇭

Siguro ay wala pang nakakalipas na limang minuto iyong dinampot muli ni Guel ang kuwadernong pang-estudyante niya para itext ang kapatid.

🇺🇸

There probably hasn’t been five minutes from his last text when Guel picks up his student notebook to send another message to his brother.

kahit konting pagtingin

translation: even just a little look (or smth)

sulemio, guesule, g witch, g

this fic doesn't have a full English translation yet but I'll translate the line in English here, anyway. also can I just say??? that the thing about sticking with pre-90s songs for titles is that it's kind of not funny to hear them playing in your head as you go through your works 🤣🤣🤣 my head is like a playlist now where I keep pressing next

🇵🇭

Nakakapanibago si Miorine ngayon.

🇺🇸

Thereʼs something different about Miorine today.

roman holiday

guesulemio, g witch, t+

The golden light captures him in its cool embrace, and Guel gasps to himself.

nandito ako/i'm here

guesule, g witch, g

right so! a bit of an explanation with this one: nandito ako (which is the original fic) was definitely posted way before the last ten fics but a part of the last ten fics I posted was its English translation i'm here. so I'm linking both

🇵🇭

Hay, sabi nga ni Lauda. Out of stock ang caramel latte, pati na sa malaking 7-11 sa campus!

🇺🇸

Well. It’s just as Lauda said—even in that giant 7-11 within the campus, there’s not a can of the caramel latte flavor within sight.

wind beneath my wings

shaddigue, g witch, e

With so little things even going Guel’s way anymore, it makes it easier for him to appreciate the smaller things that life has to offer.

a perfect christmas

guesule, g witch, g

no full English translation for this one either

🇵🇭

Mainit nga ang tubig na pinanligo ni Guel, pero pagkatapak naman niya sa kuwarto niya eh tila kinuryente siya sa ginaw.

🇺🇸

Guel may have taken a hot shower, all right, but the minute he steps out into his bedroom, heʼs jolted by the cold.

i think i'm in love

sulemio, g witch, g

no full English translation for this one either. the sentence construction is different, too, but that's language differences for you

🇵🇭

Biglang napaisip si Miorine—kung tutuusin, hindi naman talaga siya nahilig sa basketbol.

🇺🇸

Now that Miorine thinks about it, she realizes sheʼs never really been into basketball.

in conclusion

i had noooo idea I've been posting mostly filipino fics of late, that's amazing 😂 but in conclusion conclusion the thing about me is that I think my most natural opening is a dialogue but because I'm aware of that, I think that's the reason why I've shied away from it bc there's an imaginary audience at the back of my head pointing a finger at me and laughing. like "haha look it's a one-trick pony" and here I am whirling to my shadow and saying "no I'm not!!!!"

BUT so I was expecting at least one dialogue starter in all of these fics but it turns out that has never been the case lmao. but also like, so when my sister was still in college, she taught me about "in medias res" which really stuck to me because I thought it was the most natural way of things. time is flowing, every beginning could be a middle or an end of something and it also resolves the problem of having to build up something before you get to the meat. like biting into a sandwich with the main filling bunched up in the middle or smth

and I guess that's affected my style, too? like something's always already happening, enough for the perspective to make an observation, or the action is already happening.

which makes me sound smarter than I really am but I never said I was qualified to analyze my own works in the first place 🤣

[dweemeister]

2023 Movie Odyssey Award for Best Original Song (preliminary round)

Tumblr’s new post editor has disabled completely the ability to make indented bullet points. I apologize in advance for how ugly most of this post looks.

* * * * *

OPEN invites to (or at least people who are committed to the final, but would like access to the prelim): @birdsongvelvet, @derricklogan2, @dog-of-ulthar, @inmyworldblr, @machpowervisions, @memetoilet, @metamatar, @myluckyerror, @noelevangilinecarson, @phendranaedge, @plus-low-overthrow, @qteeclown, @shadesofhappy, and @the-lilac-grove. Some of you have participated in past MOABOS editions, some of you are longtime followers I've not really spoken to, but have interacted with quite a few of my posts... if you are interested, please let me know. I'll assign you a group or I'll put you into the final.

* * * * *

Hello everybody,

If you were tagged here, that is because you graciously accepted my invitation to help out with this year's edition of the Movie Odyssey Award for Best Original Song (MOABOS). I welcome you to the eleventh edition of MOABOS (MOABOS XI) and the tenth edition with outside help from family, friends, and followers on tumblr. When I first opened this up to other folks in 2014 (MOABOS II), I believed that this would last but only a few years, at most. And every time the year is new, I have no clue whether or not there will be another edition of MOABOS.

But here we are yet again. The Movie Odyssey Award for Best Original Song is not possible without all of your help.

For newcomers near and far: This is a classic film blog (concentration: pre-1980s Hollywood, but I have various specialties outside of that and watch plenty of newer films). That blog's primary purpose is to host my nearly 800 film write-ups tagged "My Movie Odyssey" (an index can be found here). MOABOS is one of my blog's year-end traditions, and just a smaller part of a larger one. On my blog, the Movie Odyssey Awards honor some of the best achievements from movies that I saw for the first time this calendar year (the "Movie Odyssey") with an Oscar-like ceremony. I choose all the nominees and winners from each category, save one: Best Original Song. It is the only category that does not require you to watch several movies in their entirety. MOABOS is my way to say thank you for your friendship and moral support no matter how long I've known you. It is, sneakily so, a way to introduce all of you to music and movies I enjoyed this past year. And you might learn a snippet of film history through this!

INTRODUCTION

An unspecified number of songs have already advanced to the final round. 24 songs will contest this preliminary round in two groups - Group A and Group B. After three years of pandemic disruptions, the 2020s are finally making a significant mark on MOABOS, perhaps with a vengeance. Some of the highest-grossing films of both 2023 and 2022 are here to contend, as is a movie newly-minted as one of the highest-grossing anime films ever. But the defending decade, the 1980s (through Dolly Parton's title song for 1980's 9 to 5), has plenty of entries this year. It is the decade of pop culture I like least, but the 1980s have a decent shot at being the first decade to defend a MOABOS title.

Last year was regrettably a monolingual field of songs. Folks, multilingual MOABOS is back. This year, across both groups, English, French, Hindi (returning for the first time since 2020, or MOABOS VIII), Japanese (also returning after a three-year absence), Brazilian Portuguese, and Vietnamese will be represented. For their respective movies, they capture just a part of a nation's soul and filmmaking culture at a certain time. MOABOS, too, is its own sort of time capsule.

After a few years of slight decline, the preliminary round of MOABOS drew a record 36 people casting rankings. Might that record fall this year? That same preliminary saw a resounding rejection of American folk music (or spoofs of American folk, at least) and a decidedly mixed opinion of the style of Golden Age 20th Century Fox musicals (their plots might be silly and nonsensical, but at least they have no pretensions of being anything more than that!). No American folk this year, but 20th Century Fox has a few contenders this year.

1980s and contemporary pop have historically performed well in the preliminaries. With some formidable entries this year that receive regular radio play, does that hold up or are there upsets in the cards?

2019's MOABOS (MOABOS VII) preliminary remains the gold standard for sheer chaos. The miraculous comeback of "I Dug a Ditch" from Thousands Cheer (1943) in the prelim's final hour brought a song that seemed dead as a doorknob back to life. A song about digging a hole got out of its hole, if you will. No group since has ever matched that drama. Might this be a nailbiter of a result?

INSTRUCTIONS

Please rank (#1-11) at least seven of your group's songs. Please consider to the best of your ability (these are only suggestions, not strict guidelines): 

How musically interesting the song is (incl. and not limited to musical phrasing and orchestration);

Its lyrics (incl. and not limited to lyrical invention and lyrical flow); 

Context within the film (contextual blurbs provided for every entry for those who haven't seen the films);

Choreography/dance direction (if applicable; I know that almost none of us have a dancing background, but let's not discount this aspect entirely);

The song's cultural/sociopolitical impact and legacy/listenability outside the film's context (if applicable, and, in my opinion, least important factor)

A notice on audio/video quality and colorization of black-and-white film: Because it is sometimes difficult to find clean recordings of much of this music, imperfections in audio and video quality may not be used against any song while you are drawing up your rankings - you're on the honor system on this one. In addition, in respect to personal and blog policy, I will not provide colorized videos of films that were originally in black-and-white. You can call this snobby all you want. But to yours truly, film colorization of B&W is disrespectful to the artisans who plied their craft and made decisions based on the fact the film was shot in black-and-white. It is essentially redirecting a movie without consent.

You are encouraged to send in comments and reactions with your rankings - it makes the process more enjoyable for you and myself!

The top six songs in each group automatically advance to the final round. Unlike previous years, no at-large wild card picks outside the top six will advance to the final.

The deadline for submission is Wednesday, December 13 at 11 PM Pacific Time. That is 9 PM Hawaii/Aleutian Time. That deadline is also Thursday, December 14 at 1 AM Central Time / 2 AM Eastern Time / 7 AM GMT / 8 AM CET / 9 AM EET. This deadline - and some of you have joked with me that this is inevitable - will be pushed back if there are a large number of people who have not submitted in time. However, I very much do not wish to extend the deadline because the final round is more intensive and usually involves more participants. A small group of longtime MOABOS veterans will be asked to do both groups, if possible (but they are required to complete their assigned group first before moving on) - they are generally selected for their longevity of MOABOS participation and promptness. Tabulation details are under the "read more".

Please pay attention to the groups you have been sorted into, and please only submit rankings for the group you have been assigned. For your convenience, the YouTube playlists for both groups follow:

PLAYLISTS: (GROUP A) / (GROUP B)

Group A: be warned, I am somewhat trolling you on one of these songs. At least it comes early!

Feel free to listen as many times as you need, and I hope you discover music and movies that strike your interest. With the deepest appreciation from this grateful classic film fan, here are your group's songs. The following is formatted... ("Song title", composer and lyricist, film title):

GROUP A

“Apartment for Sale”, music and lyrics by Cate Blanchett and Todd Field, Tár (2022)

Performed by Cate Blanchett

After her cross-hall apartment neighbor dies, composer/conductor Lydia Tár (Blanchett; whose character is the first female music director of the Berlin Philharmonic) learns from the deceased's family that they think the classical music emanating from Tár's apartment is an unlistenable racket. They bluntly request Tár to stop playing music entirely when they meet with potential buyers. Moments after that encounter, this is her response. By this point in the film, Tár's rationality is very much in question. This is a drama about the hubris and manipulative ways for a person in power.

This is the shortest song ever to qualify for a MOABOS preliminary round.

“Barsaat mein hamse mile tum sajan (In the Rainy Season, We Met One Another)”, music by Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, lyrics by Shailendra, Barsaat (1949)

(initial version) / (end-of-film reprise)

Performed by Nimmi (singing voice dubbed by Lata Mangeshkar)

Lyrics in Hindi (translations in the CC's in provided videos)

Raj Kapoor was a major director/actor in the early decades of Bollywood. In one of his first directed movies, shortly after the Partition of India, we find Barsaat. This romance tells of two love stories of city men meeting women who live in Kashmir (a disputed region between India, Pakistan, and China). Later in the films, we will find Pran (Raj Kapoor) and Reshma (Nargis) quickly falling in love. But this song surrounds the womanizing Gopal (Prem Nath) and Neela (Nimmi), whose faithful love for Gopal goes largely unrequited. After much convincing from Neela, Gopal attends a local festival – and doesn't pay much attention to this Neela-led song-and-dance number.

In the reprise, Neela has died near the end of the film. Reformed, realizing too late how horrible he has been to Neela, Gopal carries her body to her funeral pyre as the monsoon rains – as hinted in this film's very title – finally arrive.

“Ciao Papa”, music by Alexandre Desplat, lyrics by Roeban Katz and Guillermo del Toro, Guillermo del Toro’s Pinocchio (2022)

Performed by Gregory Mann

In this stop-motion animated adaptation of Carlo Collodi's Pinocchio, director Guillermo del Toro injects the tale with his signature gothic touch – moving the narrative up in time to Fascist Italy and not shying away from the original book's grotesqueness and the title character's sociopathy. This song appears as part of a montage where Geppetto (David Bradley) goes in search of Pinocchio (Mann) after Count Volpe (Christoph Waltz) abducts the wooden son.

“Esse Mundo é Meu (This World is Mine)”, music by Sérgio Ricardo, lyrics by Sérgio Ricardo and Ruy Guerra, Esse Mundo é Meu (1964, Brazil)

Originally performed a cappella by Antônio Pitanga; provided version performed by Marina Lutfi and Adriana Lutfi (lead vocals), Sérgio Ricardo (vocals), João Gurgel (vocal/guitar), Alexandre Caldi (winds), Marcelo Caldi (piano/accordion), Lui Coimbra (cello), Giordano Gasperin (bass), and Diego Zangado (percussion)

Lyrics in Portuguese (extremely rough translated lyrics... "Saravá ogum" is an Afro-Brazilian exclamation; I'm not sure what "Mandinga" means in the song's context, but it's an Afro-Brazilian word that either refers to an ethnic group or "magic")

In this film almost never screened outside Brazil, two separate romantic storylines – a white couple and a black couple – play out in a Rio de Janeiro favela. In the latter storyline, Antônio Pitanga plays a shoeshiner. One day, while setting up his shoeshining equipment along the beach, he sings this song – an optimistic number in hopes for a better tomorrow. Black Brazilian romance was and is rare in Brazilian cinema, and the inclusion of such a romance so prominently featured in this film makes it a landmark of the nation's film history.

From the song's humble origins and use in the film, Sérgio Ricardo turned it into bossa nova. That's the late composer/film director himself in the provided video (the older man furthest to the left). The lead singers are his daughters.

“Hold My Hand” , music and lyrics by Lady Gaga and BloodPop, Top Gun: Maverick (2022)

Performed by Lady Gaga

Nominated for the Academy Award for Best Original Song

This song, with touches of '80s arena rock and torch songs, appears at the top of the end credits. It is not quoted in the film's score at any point in this equally jingoistic sequel to the original Top Gun.

“I Know Why (And So Do You)”, music by Mack Gordon, lyrics by Harry Warren, Sun Valley Serenade (1941)

(initial version) / (reprise)

Performed by Glenn Miller and His Orchestra, Lynn Bari (dubbed by Pat Friday), The Modernaires, and John Payne; reprise by Payne and Sonja Henie

This song's melody forms the backbone of the film's score throughout. In the opening minutes of this musical, we find the Phil Corey Orchestra (Glenn Miller and His Orchestra) rehearsing in preparation for a Christmas concert they will be headlining in the mountainous resort town of Sun Valley, Idaho. The first 48 seconds of the first video are an instrumental version of Glenn Miller's "Moonlight Serenade".

The reprise occurs near the end of the film as Norwegian refugee/figure skating extraordinaire Karen Benson (Sonja Henie, a 3x Olympic gold medalist in figure skating) and pianist Ted Scott (John Payne) find themselves stuck in a mountainside cabin. Karen, who has fled Norway due to the Nazi takeover there, has been pursuing Ted for almost all of the film, and Ted finally succumbs to her charms here - to the outrage of his girlfriend (Lynn Bari). Suffice it to say nobody should watch 20th Century Fox musicals for the plot (but refreshingly, they're not pretending to be any more than what they are).

“Jean”, music and lyrics by Rod McKuen, The Prime of Miss Jean Brodie (1969)

Performed by Rod McKuen

Nominated for the Academy Award for Best Original Song

Adapted from Muriel Spark's novel of the same name and set in 1930s Edinburgh, The Prime of Miss Jean Brodie stars Maggie Smith as Jean Brodie, a teacher at an all-girls school. Brodie, a woman with unorthodox teaching methods, has a cadre of favorite students nicknamed the "Brodie Set": Sandy (Pamela Franklin), Monica (Shirley Steedman), Jenny (Diane Grayson), and Mary (Jane Carr). Each of them are around twelve years old when the film begins. This film, an atypical "teacher movie", is about a breakdown of professionalism, betrayal of trust, loss of innocence, and hubris.

The melodic structure is inspired by the style of Scottish folk songs, and it forms the central spine of the film's score and plays throughout. The song itself is not performed with lyrics until the end credits. Due to the events in the film's closing act, the tone, placement, and lyrics of "Jean" become ironic. The lyrics are decidedly romantic but, in context, it's anything but.

“Miss Celie’s Blues (Sister)”, music by Quincy Jones and Rod Temperton, lyrics by Quincy Jones, Rod Temperton, and Lionel Richie, The Color Purple (1985)

Performed by Margaret Avery (singing voice dubbed by Táta Vega)

Nominated for the Academy Award for Best Original Song

Based on the book of the same name by Alice Walker, The Color Purple stars Whoopi Goldberg as Celie Harris in her breakthrough role. Celie, forcibly married off to Albert "Mister" Johnson (Danny Glover) as a teenager, has grown resigned after a lifetime of parental and spousal abuse. Mister has a mistress named Shug Avery (Margaret Avery), who works as a showgirl in Memphis. After one stormy evening, a sickly Shug appears at Mister's homestead for the first time and, over a few weeks, Celie nurses her back to health. The two grow attached and, as tribute, Shug performs this song at the local riverside juke joint.

In the book, the romantic relationship between Celie and Shug after this moment is more explicit. Director Steven Spielberg's greatest regret over this film was not making more of this romantic relationship. Given that the movie was released at the height of the HIV/AIDS crisis and in an environment where LGBTQ+ themes were verboten to the major movie studios, I don't believe much more could've been done in 1985.

“Pink”, music and lyrics by Lizzo, Mark Ronson, Andrew Wyatt, and Ricky Reed, Barbie (2023)

(initial version) / (reprise)

Performed by Lizzo

After narrator Helen Mirren describes to the audience Barbieland, we are introduced to Barbie (Margot Robbie), just awakening from a good night's sleep, with the initial version of "Pink". At the end of that day at the nightly dance party, Barbie asks her fellow Barbies if they ever think about death – a Barbie faux pas. Barbie corrects herself, but remains haunted by her question when she goes to bed that evening. We hear the reprise as Barbie awakens the next morning after barely sleeping, and everything that can go wrong does go wrong.

“That Darn Cat!”, composed by Richard M. Sherman and Robert B. Sherman, That Darn Cat! (1965)

Performed by Bobby Darin

Appears in the opening credits and final minutes of this comedy. That Darn Cat! marked the end of an era and the start of another. This was Hayley Mills' final of six films for Disney (a run that included the title character in 1960's Pollyanna and in her dual role in the original Parent Trap) and Dean Jones' first for Disney. The provided version includes audio from the opening credits, extracted directly from the film itself (a stipulation in Darin's contract means that the original soundtrack version is nowhere to be found online).

“Trời Sáng Rồi, Ta Ngủ Đi Thôi (Good Morning and Good Night)”, music by Phạm Hải Âu, lyrics by Phạm Hải Âu and Chung Chí Công, Good Morning and Good Night (2019, Vietnam)

Performed by Hà Quốc Hoàng and Trần Lê Thúy Vy

Lyrics in Vietnamese (translation in provided video)

In this romantic musical influenced heavily by Richard Linklater's Before trilogy, indie musician Tâm (Hà Quốc Hoàng) unexpectedly forms a deep connection with Thanh (Trần Lê Thúy Vy), a rideshare driver who challenges his view of life, love, and art. This song appears at the top of the end credits. Most of the numbers in this film are composed in a style suited to Vietnamese indie music.

“When I Grow Up”, music by Ray Henderson, lyrics by Ted Koehler and Irving Caesar, Curly Top (1935)

Performed by Shirley Temple; first reprise (not provided) by Billy Gilbert and Arthur Treacher; second reprise (not provided) by Esther Dale

Orphan Elizabeth Blair (Temple) performs this at a charity show meant to raise funds for the orphanage she is staying at. At certain points in this song, she dresses up in a wedding gown and dons "old" makeup in respect to the lyrics.

Where Alice Faye and Betty Grable may have been the two primary musical adult actresses at 20th Century Fox, Shirley Temple eclipsed both. Her modestly-budgeted movies showcased her childhood innocence and spunk, endearing her to a moviegoing public faced with the dire straits of the Great Depression. She was the highest-grossing actor in Hollywood from 1934-1938, and moviegoers of the Lost, Greatest, and early Silent Generations credit Temple's movies as needed morale boosters.

The folks assigned to GROUP A include: @cinemaocd, @cokwong, @emilylime5, @exlibrisneh, @idontknowmuchaboutmovies, @maximiliani, @shootingstarvenator, and @stephdgray. You are also being joined by 15 others including myself and my sister.

GROUP B

“Animal Crackers in My Soup”, music by Ray Henderson, lyrics by Ted Koehler and Irving Caesar, Curly Top (1935)

Performed by Shirley Temple

Young Elizabeth Blair (Temple) and her elder sister, Mary (Rochelle Hudson) are living in an orphanage and are the primary entertainers for their fellow orphan girls. This number occurs early in the film and is quoted multiple times in the film's score. For those of you who despised this song's placement in those Shirley Temple DVD infomercials, I have no apologies to offer you.

Where Alice Faye (MOABOS X's "A Journey to a Star" from 1943's The Gang's All Here) and Betty Grable may have been the two primary musical adult actresses at 20th Century Fox, Shirley Temple eclipsed both. Her modestly-budgeted movies showcased her childhood innocence and spunk, endearing her to a moviegoing public faced with the dire straits of the Great Depression. She was the highest-grossing actor in Hollywood from 1934-1938, and moviegoers of the Lost, Greatest, and early Silent Generations credit Temple's movies as needed morale boosters.

“Barbarella”, music and lyrics by Bob Crewe and Charles Fox, Barbarella (1968)

Performed by The Glitterhouse

Played over the opening credits (not provided, because they are extremely NSFW) in which the title character (Jane Fonda) slowly undresses herself in zero gravity. Based on a controversially racy and heavily sexualized comic book series in France (even for the French!), Barbarella is a campy sci-fi movie that obliterated Fonda's homespun image in cinema. The movie was and is far more popular in Europe than it was in the U.S. (where it never became anything more than a cult classic).

In the years since, Fonda, a noted liberal activist, has essentially pleaded no contest to accusations that the film was anything but feminist.

“Captain Crow”, music by Nell Benjamin and Laurence O’Keefe, The Sea Beast (2022)

Performed by chorus

Appears in part during a celebratory night at a pub in the film's opening act. Full appearance at the top of the end credits. This is a sea shanty celebrating the legendary monster hunter Captain Crow (Jared Harris). The melody is seldom quoted in the film's score. In The Sea Beast, an unnamed country has waged a centuries-long campaign to kill sea beasts, in defense of humanity. Similar to American Westerns, the film and this song plays with ideas of how popular narratives or mythoi are spun.

(Instrumental-only version for those interested... many versions in different languages are available on YouTube, including French, Hindi, Italian, Spanish, Vietnamese, and more – some lyrically clunkier than others)

“I’m Just Ken”, music and lyrics by Mark Ronson and Andrew Wyatt, Barbie (2023)

Performed by Ryan Gosling and company

The Kens of Barbieland have just taken over power from the Barbies. In response, the Barbies, Allan, and Mattel employee Gloria and her daughter Sasha have manipulated the Kens into fighting each other while they attempt to reestablish control. According to director Greta Gerwig, the dance segment seen here was influenced by "Lullaby of Broadway" from Gold Diggers of 1935 (1935; see the warm-up playlist I sent to many of you) and "The Broadway Melody" from Singin' in the Rain (1952).

“Mujhe Kisi se Pyaar Ho Gaya (I’ve Fallen in Love with Someone)”, music by Shankarsingh Raghuwanshi and Jaikishan Dayabhai Panchal, lyrics by Shailendra, Barsaat (1949, India)

Performed by Nargis (singing voice dubbed by Lata Mangeshkar)

Lyrics in Hindi (translations in the CC's in provided videos)

Raj Kapoor was a major director/actor in the early decades of Bollywood. In one of his first directed movies, shortly after the Partition of India, we find Barsaat. This romance tells of two love stories of vacationing city men meeting women who live in Kashmir (a disputed region between India, Pakistan, and China). This film juxtaposes the story of the womanizing Gopal (Prem Nath) and Neela (Nimmi), with that of Pran (Raj Kapoor) and Reshma (Nargis). It is the beginning of Pran and Reshma's romance that we see here, after she has been rowing Gopal and Pran around for the last few days.

“Qu'est-ce qu'on fait de l'amour? (What Do We Do with Love?)”, music and lyrics by Vincent Courtois, Ernest and Celestine: A Trip to Gibberitia (2022, France)

Performed by Pomme

Lyrics in French (rough translation)

This song appears at the top of the end credits of this sequel to 2012's Ernest & Celestine, which was nominated (against the odds) for the Academy Award for Best Animated Feature. The original was, as I wrote back in 2014, "cinematic friendship at its most rewarding and profoundly beautiful." In this sequel for our dynamic mouse and bear duo, Celestine (the mouse) accidentally breaks Ernest's (the bear) precious Stradibearius violin. It leads the unlikely friends to search for an old violin maker acquaintance of Ernest's back in his homeland of Gibberitia ("Charabïe" in the original title, a name derived from "charabia", the French word for "gibberish").

A further shameless plug for all of you reading this to seek out animation that is not from the major American and Japanese studios.

“Return to Sender”, music and lyrics by Winfield Scott and Otis Blackwell, Girls! Girls! Girls! (1962)

Performed by Elvis Presley

The eleventh of Elvis' 31 movies (if MOABOS returns for future editions, let's just say there's a lot more Elvis to come) and the second shot in Hawai'i after 1961's Blue Hawaii, Girls! Girls! Girls! is a misnomer as there are only two girls vying for Elvis' affections (it would be an appropriate title for many other Elvis movies). My sister thinks this film should've been titled Girls? Girls. Girls!

Here, Ross Carpenter (Elvis) is a fisherman who spends his evenings as a nightclub singer. Fellow nightclub singer Robin Gantner (Stella Stevens) and the secretly wealthy Laurel Dodge (Laurel Goodwin) are very much attracted to him. This number occurs after Ross starts seeing Laurel, inflaming Robin's suspicions, and resulting in a spat at the bar that immediately preceded the song.

“Something He Can Feel”, music and lyrics by Curtis Mayfield, Sparkle (1976)

Performed by Lonette McKee, Irene Cara, and Dwan Smith

(use in film) / (soundtrack version with Aretha Franklin)

Loosely based on the history of the Supremes, the musical Sparkle is the story of the three Williams sisters (the late Cara as lead singer Sparkle, McKee as Sister, and Smith as Dolores). They decide, along with two of their boyfriends, to take their church singing experience and turn into a semi-professional group called the Hearts.

This song appears midway through the film, as the boys have dropped out to become the group's managers. The Williams sisters have renamed the group Sister and the Sisters (I would've kept the original name). The performance of this number is intercut with glimpses of Sister's troubled personal life – the film's Rubicon crossing, setting up the conclusion of her storyline.

The film's original soundtrack does not contain any of the original performances. Instead, Aretha Franklin sings all the songs from the film in the soundtrack.

“Suzume”, music and lyrics by RADWIMPS, Suzume (2022, Japan)

Performed by RADWIMPS and Toaka

Lyrics in Japanese (extremely rough translation)

This song's melody (especially the eighteen-note vocalized motif) appears throughout the film. But this version, with lyrics, only appears as the second song in the end credits. In this film, 17-year-old Suzume and a young man named Souta must journey across Japan to close a series of mystical doors. Mysterious phenomena are passing through these once-locked into our world, and are causing natural disasters.

Makoto Shinkai's latest, unadjusted for inflation, is the fourth-highest grossing Japanese film of all time. MOABOS regulars will recall previous entries from Your Name (2016) and Weathering with You (2019) – all RADWIMPS compositions. Suzume directly addresses a trauma that Your Name and Weathering with You danced around: the 3/11/11 earthquake, tsunami, and Fukushima Daiichi nuclear disaster.

“Take My Breath Away”, music and lyrics by Giorgio Moroder and Tom Whitlock, Top Gun (1986)

Performed by Berlin

Winner of the Academy Award for Best Original Song

This song plays during romantic dialogue between Maverick (Tom Cruise) and Charlotte "Charlie" Blackwood (Kelly McGillis). Top Gun never plays the entire song. In its inexplicable four appearances in the film in a 20-minute span, the song itself is played muted underneath the dialogue, its lyrics barely discernible in those respective scenes.

“Tiền”, music and lyrics by Trần Khắc Trí, Good Morning and Good Night (2019, Vietnam)

Performed by Trần Lê Thúy Vy, Hà Quốc Hoàng, and company

In this romantic musical influenced heavily by Richard Linklater's Before trilogy, indie musician Tâm (Hà Quốc Hoàng) unexpectedly forms a deep connection with Thanh (Trần Lê Thúy Vy), a rideshare driver who challenges his view of life, love, and art over a full day. This song appears about a third of the way through, after a conversation about money ("tiền" means "money" in Vietnamese). Most of the numbers in this film are composed in a style suited to Vietnamese indie music.

“We Don’t Need Another Hero (Thunderdome)”, music and lyrics by Terry Britten and Graham Lyle, Mad Max Beyond Thunderdome (1985)

Performed by Tina Turner

This song plays at the top of the end credits of the Mad Max series' third entry. In this movie, the late Tina Turner herself plays the antagonist (but neither true villain or antihero) Aunty Entity - who leads a post-apocalyptic trading post called Bartertown. "Thunderdome" refers to a gladiatorial arena in Bartertown in which conflicts are settled in a battle to the death (an aside: awkward as "Thunderdome" sounds as a lyric, it makes more sense than "Thunderball" from the 007 movie of the same name).

The folks assigned to GROUP B include: @addaellis, @halfwaythruthedark, @rawberry101, @rosymeraki-blog, @theybecomestories, @umgeschrieben, @underblackwings, and @yellanimal. You are also being joined by 14 others including myself and my sister.

Would you like to know something more about a song or a movie featured above? Do you have a question or comment about MOABOS's processes? Feel free to ask me! If you are having difficulty accessing any of the songs (especially if region-locked) or if there are any errors in the links above or the playlist, please let me know as soon as possible.

You will be contacted for the final round regardless of your participation or non-participation in the preliminary. If turnout in one group is lagging behind compared to another, I will ask some of the more senior participants to participate in the other group, too. Do not worry too much about this if you cannot participate, although I will be checking in as the deadlines near.

Once more to all of you here, my thanks for your support for the Movie Odyssey, the blog, and for me personally over however long I've known you. It's a privilege and a pleasure to share all these movies (well, excerpts of them) and musical numbers with you. It's my hope that you not only learn something new about film and/or music, but that you also find this very fun to do!

Happy listening, all. And thank you again!

TABULATION FOR THE PRELIMINARY ROUND

This preliminary round uses a points-based, ranked choice method which has been in use since MOABOS II (2014). A respondent’s first choice receives 10 points, the second choice receives 9, the third choice receives 8, etc. The winner is the song that ends up with the most total points. The tabulation method described here for the preliminary round is used only as a tiebreaker in the final round (more on how the final is tabulated when we get there). 

The tiebreakers for the preliminary are:

total points earned;

total #1 votes;

song(s) which is/are ranked higher on more ballots than the other(s);

average placement on my and my sister's ballots;

tie declared

[edkidszone]

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[nyxvrse]

I posted 4,518 times in 2022

That's 2,784 more posts than 2021!

237 posts created (5%)

4,281 posts reblogged (95%)

Blogs I reblogged the most:

@calypsohan

@ambivartence

@jinniebit

@brianbangs

@chanstopher

I tagged 3,663 of my posts in 2022

Only 19% of my posts had no tags

#rissa look - 130 posts

#reblog - 125 posts

#mecore - 104 posts

#calypsohan - 96 posts

#my wife - 83 posts

#personal - 80 posts

#tomorrow x together - 62 posts

#random - 60 posts

#enhypen - 54 posts

#stray kids - 42 posts

Longest Tag: 140 characters

#misunderstandings you know it’s okay to put yourself first right? stop sacrificing your own well-being for the sake of other people you dese

My Top Posts in 2022:

#5

thinking about the fact that Jeonging will willingly hug or show skinship towards Felix and Felix only 

37 notes - Posted February 20, 2022

#4

Happy 2/2/22 y’all!! 

219 notes - Posted February 2, 2022

#3

everyone: excited abt pjo show being greenlit

me, un dumbass: what the fuck does that even mean

276 notes - Posted January 27, 2022

#2

Desi!Annabeth

HUGE thanks to @stanning-reyna for motivating me to write this

shout out to @ethannku and @sapphicbeautyy for the inspiration 

Notes: 1. This is probably gonna be hella canon divergent bcoz a) Rick can’t keep it canon himself b) It’s been a while since I read the books 2. A lot of the words I’ve used may have spelling errors due to me being dumb and also they may not be the words you usually see on desi posts coz I’m South Indian-

now. let’s get it. 

- First and foremost, Annabeth changing her name. Her birth-name used to be ‘Ananya’ but she got sick of people always mispronouncing it or misspelling it so she decides to take on a white name

- Since Fredrick’s race is never mentioned as far as I can recall let’s say his mother is brown/Indian. Let’s take it a step further and say she was South Indian. Annabeth and Fredrick trying to bond over movies which is canon but make it Indian movies. Annabeth pointing out all the misogynistic details while Fredrick just sighs and rolls with it

- Dancer!Annabeth who tried learning bharathanatyam (haha spelling who ;-;) but cannot for the life of her sit in aramandi for too long. Then she discovers kathak. 

- Indians are expected to be able to eat spicy food but somehow, this skips Annabeth (self-projecting LMAO) (i can still eat more than white ppl so stfu mom) and Percy teasing her for it

- ANNABETH AND PERCY FIGHTING OVER THE BEST INDIAN FOOD (spoiler alert: its pani puri)

- Little Annabeth drowning herself in Indian mythology and culture. Who spends time trying to learn languages. Annabeth who was learning Tamil and Hindi but had to stop bcoz she had to run away

- Annabeth with thick beautiful lashes and eyebrows, and hairy as fuck arms bcoz INDIAN features.

- Annabeth in desi clothing. Her wearing chudidhars and dupatas and lehengas and half sarees and pattu pavadais. 

- Annabeth wearing bhindis/bottus. ANNABETH IN KHAJAL SOMEONE DRAW IT. Annabeth with a mukkuthi. ANNABETH WITH A MUKKUTHI AGENDA. 

- Annabeth who does her own mehendi and teaches the Aphrodite kids to do it to

- Annabeth who is Hindu. Who’s favourite story is the Ramayan. Annabeth who loves loves LOVES Seetha/Sita

- Annabeth who drowns herself in Indian history to learn more about her culture. 

- Annabeth who celebrates deepavali and navarathri and krishnajayanthi kuseryghfuyreghtuyrhtg

- Annabeth being obsessed with mangoes- 

That’s all I have rn but I swear, I will come back for more.

304 notes - Posted January 25, 2022

My #1 post of 2022

feeling very sapphic right now

would not mind if a girl held my hand and kissed my cheeks

565 notes - Posted January 24, 2022

Get your Tumblr 2022 Year in Review →

[annexca]

I posted 79 times in 2022

That's 41 more posts than 2021!

77 posts created (97%)

2 posts reblogged (3%)

Blogs I reblogged the most:

@annexca

I tagged 72 of my posts in 2022

Only 9% of my posts had no tags

#filipino - 71 posts

#tula - 70 posts

#tagalog - 70 posts

#poem - 70 posts

#maikling tula - 44 posts

#haiku - 6 posts

#tanka - 4 posts

#spotify - 2 posts

#anne with an e - 1 post

#pilipinas - 1 post

Longest Tag: 16 characters

#tumblr milestone

My Top Posts in 2022:

#5

#64

Sininding liyab

Sa puso'y nag aalab,

Naglalagablab.

- LIYAB | HAIKU

13 notes - Posted March 21, 2022

#4

#55

Naniniwala ka ba kay kupido?

Noong ang mga mata kasi nati'y nagtagpo

Nawindang nang todo hindi lang ang puso

Ngunit pati buong sistema't pagkatao ko

Sa puso ko,

Tayo ang itinadhana

Pakiramdam ko,

Ang pana ni kupido'y sa atin tumama

At kung panaginip lamang ang lahat ng ito

Kahit anong meron ako'y itataya ko pa rin sa'yo.

- KUPIDO

14 notes - Posted February 12, 2022

#3

#52

Pilit dinidiktahan ng lipunan

Isinisiksik sa pamantayan ng "kagandahan"

Nililimitahan ang mga kakayanan

Ngunit

'Di naman talaga kailangan ng buhok na mahaba't unat

'Di naman talaga kailangang itago ang mga sugat

Ano mang taas o lapad

Mababa man o malayo ang nalipad

Manipis, makapal, o wala mang kolorete

Sabay-sabay, abante babae!

- ABANTE BABAE

Paradise B. | Pinterest

15 notes - Posted February 2, 2022

#2

#80

Sining, sinta

Isa kang sining, sinta

Dalubhasang ipininta

Oh kay ganda sa mata.

SINING

19 notes - Posted May 18, 2022

My #1 post of 2022

#44

Mula sa pagsikat ng araw

Hanggang sa pagsilay ng gabi

Ikaw pa rin, o giliw

Ang aking tinatangi

- Marahuyo

25 notes - Posted January 13, 2022

Get your Tumblr 2022 Year in Review →

[benefits1986]

holy sheet

Ask and it will be "given" to you. AHOO.

Small win: Slowed down this weekend with matching MNL OPM to the tune of Dad's "kabataan" era along with Mellow Touch and WRock. Jusq. Kulang na lang, Tags trip na may ihaw na liempo saka maliliit na pinya sa kubo-kubohan sa tabing daan back in the 90s. Also, may official stroller na si Vici... my wonky MatchaME na tinest ng tatay kong iwan kunwari na nakatali si Vici sa suking mall ni Vici sa South. NKKLK. Sabi ni dad, bakit daw 'di siya napapansin talaga at all and si Vici with the B lang ang matic tinitignan. Sabi ko, mukha siya kasing utusan lang na alagaan si Vici. No hard feelings. LOL. Saka 'di siya mukhang owner ni Vici which is totoo naman kasi akin si Vici. Akin lang. CHZ. Uma-ROI na talaga si MatchaME, 'di po ba? Apaka mahal kasi talaga ng mga legit strollers ng mga aso. NKKLK so dun tayo sa 'di na ako bibili tapos puwede pang shopping cart.

Anyway, let's talk about my life in faith kahit hindi halata at all. LOL. It started in 2011, a year before mom expired. I think I talked about this previously, but not super deep dive. Try natin because 2024 has been a crazy good and crazy shit ride in faith, hope, and... hahahaha. Ayun.

Siguro, nadala rin ako ng comeback ng weekend somewhere in the South kung saan nagkita-kita kami ulit IRL ng mga purple people ko sa faith journey ko a few months back. We're not a perfect group kasi ganun talaga and ito pinaka gusto ko sa hood na 'to. Walang pretensions, come as you are with all that you are and all that you are not.

Looking back, antagal na rin pala naming magkakasama and never ko expected na babalik ako dito. Pero andito tayo ngayon hanggan sa dulo, I guess. Let's see. EME.

When I pray, sobrang opposite kami ng mom ko. Siya may saints, may Mama Mary, may traditional and formulaic approach. Syempre, bored ako sa atake niya. Don't get me wrong a. Oks siya magdasal, ang haba lang talaga. Ako naman, rekta agad kasi for me lang, 'pag dumerecho ka sa source, dun na talaga. E hello, Holy Trinity pa 'yun so marami-rami ka na ring itatawid 'di ba kahit three "lang" sila.

Speaking of traditions, eto lang view ko sa plenary indulgence as a concrete example. Medyo alta siya. Hahahaha. Na need mo pang mag-Visita Iglesia which requires legwork pero gets ko naman siya. And that means, for me lang... kinda "cheating" your way because there's tradition to pay for your sins. Ako lang 'yan a. Ako lang.

Mom made sure na alam ko naman ang doctrines and the works pero again, takot talaga ako sa mga rebulto kahit hanggang ngayon. NKKLK. Basta, feeling ko gagalaw sila anytime and that's gonna be a shitshow lalo na 'pag life size saka nakalagay lang sa sahig with a stand. At least 'yung mga nasa glass case saka nasa altar, mahihirapan pang bumaba or umalis sa cases nila.

So ano na ba? Siguro, ang best way to encapsulate my prayers and faith na rin is simple lang. Walang halong eme. More of like eto na. So ano na? 'Pag naman talagang may dapat itawid at ipagpasalamat, ganun din. Sabi kasi, at the end of the day, see God as a loving God, not a vengeful God. OPAK.

May panahong shemay, mga dasal ko talaga HARD NO, NO, NO ang sagot, but looking back, 'yung mga NO na 'yan, nagets ko rin sooner or later na YES sila to something na akala ko for me. Marami-rami rin 'yan at syempre, noon, ikinashitshow din natin 'yang mga 'yan.

When God answers your most fervent prayers with a solid NO, so what?

Okay lang magtampo, mag-inom, magpakawala ng shit, atbp. pero I realized that getting a NO means, eto ang para sa'yo in the same manner na 'yun ang 'di para sa'yo. I don't believe in karma or nirvana e, pati na rin purgatory. Hell siguro eto na 'yung mundo natin ngayon. HAHAHAHA. Good things and bad things happen to both good and bad people. Plus, people are both good and bad. Depends na lang talaga 'yan sa pinaniniwalaan mo at 'di mo panipaniwalaan. Periodtzzz.

And super thankful talaga ako sa mga church people ko sa hood na 'to. Again, 'di perfect kasi wala namang ganun, noh! Saka natatawa ako na 'pag ka-church, usually dapat leading a life inspired by the saints, and Christ. Hello! Christ, to me kasi is but an archetype. Eto na naman tayo. 30-ish siya nagkaroon ng public ministry so 'yung mga kabataan aka immature days niya, 'di documented kasi most likely, wala namang significant na naganap. Another thing, matigas din ulo ni Christ. Hahaha. Napapaiyak niya ng nanay niya madalas. Tapos 'yung dad niya, halos nasa background lang din as a carpenter. Then, may isang teaching pa ako na-attend-an na sinabi na kaya raw carpenter si Christ is because para ma-ready siya sa kanyang walk to the Calvary. Medical doctor humimay neto kaya may pagbibilang pa ng bones na affected atbp nung na-crucify siya and all.

Pero, aside from these teachings, I guess, I'm meant to be in this hood kasi sobrang dito ko nakita na it's okay to be even when I'm not okay, and not super okay. Alam nila 'yung life story ko pero not the part pa na fave natin ang SI as a past time. LOL. Soon siguro though nasabi ko naman na 'to sa mga taong super close ko. Bakit ngayon lang? Kasi napapanahon lalo na after what happened to V. Sabi ko talaga, not gonna let that happen again sa abot ng kaya ko. Tapos ako pala 'yung hindi kinaya in the end because it doesn't even matter naman din talaga, noh? LUH. HUY.

Nasa chapters na kami na iba-iba man ang mga struggles, I find it weird and wonderful na meron pa rin common ground which usually happens sa food table. 'Yung iba, married na. 'Yung iba, married with kids. 'Yung iba, married and trying to have kids. 'Yung iba, single and mingling. 'Yung iba, single and kinda mingling. 'Yung iba, single blessedness na ang takada. 'Yung iba, in between ng single blessedness and subok pa rin na baka puwede pa.

Ano bang mga common themes? Aging. Aging parents. Bills. Taxes, Death. Work. More work. More and more work. Surviving and thriving. Travels. Gala. Fitness. And most importantly, sharing wins and battles na alam mong 'di ka iju-judge kahit na sobrang wild ng mga maririnig mong 'advice' kasi walang sugar-coating dito. Kung gusto mong i-baby ka, 'di ito ang hood for you.

'Di super laki ng circle ko dito, honestly, and I like to keep it that way kasi mahirap din mag-interact lalo na 'pag wala akong pake which is madalas. And 'di kasi talaga social group ang nakikita ko kahit alam ko naman ganun nga lahat ng communities. Mas nage-gets ko 'pag anti-social group ang lens ko. HAHAHAHA. What I mean is, 'di naman kasi about showing your ammo labanan e. Instead, sabi nga nung mga older sa akin na mas matagal na, ito 'yung space kung saan, 'di mo kailangang maging at your best, at all. Come as you are nga 'di ba? Kaya, it makes more sense din dahil 'di naman laging may opportunity and space na ganito.

And, eto na lang din... super thanks talaga sa tao na nag-ayak sa akin dito ages ago. I can't and won't CTRL + ALT + DEL you. Sana alam mo 'yan kahit 'di halatang grateful ako sa existence mo at era mo sa buhay ko. LOL. Ikaw pa talaga of all people, ano po? Pero, ganun talaga. Sometimes people come into your life to teach you a lesson and in the same manner, be your life's unlikely blessing. OPAK. Bagay na bagay ang linyahang ito to encapsulate our dynamics.

And syempre, sa lahat ng 'di bumitaw simula nung nawala mom ko and it wasn't easy kahit hanggang ngayon naman, krung-krung pa rin ako, I will always pay it forward. Kahit syempre, 'di na naman halata at all. And kung ano mang paganap, andyan lang ako sa tabi-tabi kahit late ako madalas mag-reply at mag-flake ng gala na 'di naman urgent ang topics. Always. Hay. Andami lang talagang life updates na putok na putok sa mga pasavogue kaya andun ako sa point na kamustahan turned daldalan hanggang late na naman with a very few ones.

So, what?

Never pa akong nang-invite ng iba sa community na 'to because, ibang usapan na 'yun. So, kapag, may ni-invite ako, alam na this. Abangan. Malayo pa naman 'yung next paganaps din. Let's see! PS: Time to get the hood to do outreach with fellowship and worship team na ulit! Maiba naman. Nakakamiss din talaga 'pag may ganitong paganap kasi it really keeps you grounded and makikita mong andami mong hanash e, when the things that matter most are the things you and I usually dismiss like being able to wake up and pay the bills. EMEEEEE. EEEEEEE. Abangan!

[m1ckeyb3rry]

No literally hand over the character copyright….karasu is ours now

Multiple favs so real…I see some people really having a an ultimate fav and I’m like WOW I could never good for you for being loyal idk how you do it

I forgot Rin was 16…..um…yeah that aura uh…anyways…well we saw how captain Rin turned out!! Not very captainy if you ask me

LMAOP omg no I can’t believe I missed it….the old Mira fics…

PLEASE wait that’s so interesting you really said “I talk in money” LMAOO HINDI HOLLYHOCK Y/N

No wait because I can imagine tabieita older sisters liking yuki…they’re probably thinking wow he’s so kind and refined unlike my stupid little brother omg it would be so funny if they met LMAOOO also NAH BC I READ “my beloved Kenyu” and my face kinda just….jaw to the floor ummm what??? Also you guys are like both younger than 10 I thought people had cooties at this age but ok girl

NUMBER ONE YUKI BLOG you’re just taking over all of bllk tumblr at this point Mira world domination queen of tabieitaken so true

LMAOOOO I’m honored to have a tag on your blog HAHAHA I also already considered your tags organized like if it were me nothing would get tagged besides main fics so I’d say you’re doing a pretty good job

LMFAOOAAOAO I SAW IT HAHAHAHAHAHAHAHA how’s the wc now LMAO

Also THE NEW TRAILER THING FOR THE OP??? COLORED TABIEITAKEN ICONS WE RISEEEE also your edit is superb LMAOAOA THATS HOW IT SHOULDVE BEEN!!!!!! WHERES KARASU GET IGAGURI OUTTTT

Anyways I’m excited to get the translations out because it’s honestly kinda fun to do just time consuming HAHA I’m also trying to save time by translating as I read through it..honestly if I just read it I’d probably be able to get through it like x10 faster it’s just the actual English writing and going back and forth between reading, pausing, typing it out, rewording it, and continuing that takes forever LMAO happy to be of service though o7 <3 lmk your thoughts on 3 and 4 I think yuki’s just been confirmed greenest flag in bllk shdgshshsh

-Karasu anon

FACTS we are the ceos of karasu no one can compare 🤫 /j…no because on the one hand i def do pick one character per piece of media that i’m like “this one is my FAV” but half of the time they’re not even the one i write/talk abt the most?? and i always love other characters sm plus like sometimes i’ll just know that a certain character will fit well w a plot i want to write so i end up writing a lot for them even if they’re not my number one yk (cough otoya cough)?? so because of that i could never be loyal to just one character 100% i fear 😓

rin is somehow the most and least 16 year old ever?? the way he and charles are only a year apart is so insane to me 😭 but yeah he wasn’t exactly doing the best job at being captain we need one of the older/friendlier guys w actual leadership skills to do it fr…alternate scenario barou becomes captain KDNDSJSK i genuinely think they would either become the best team in the world or absolutely lose it if that happened

i think some of them were still up when we started talking!! they are all for aot though since that’s the only fandom i wrote for back then which is probably why you didn’t see any of them

nah because honestly if my younger brother was tabito or eita i would also be very impressed by yuki 😭 omg maybe i should have karasu’s sister in his version of bfb end up w yuki LMAOOO always got to involve my man at the scene of the crime 😩 one thing abt yukimiya he will be guest starring in the most random roles in my bllk fics 😓 NO PLS FR like if yuki was 6/7ish in that then she was 9/10?? to be sure i def understood what love was and had crushes back then but a) that is such a huge maturity gap i’m pretty sure 99% of 9/10 year olds view 6/7 year olds as babies (this is actually a plot point in karasu’s version of bfb) and b) who is confessing like THAT at such a young age 😳 yuki is in his reo era fr (although reo’s was worse…still think it’s crazy that his elementary school teacher confessed to him?? and it was never mentioned outside of the egoist bible?? SAVE MY BOY 😭😭😭💔💔💔)

i take being a tabieitaken enthusiast very seriously as you can see 🤫 no one’s doing it like me fr 😏 haha yay i’m glad it’s not too much of a mess!! i’ve had to unfollow people who didn’t tag anything and posted stuff from random fandoms i’m not in because my dashboard was just filled w stuff i had 0 interest in so i don’t want to be that person but also at the end of the day i think my blog is filterable enough that it shouldn’t be a problem

haha…so we’re at over 5k words rn and karasu has reached the grand age of six years old…haha…omg he’s such a bitch ass little kid FJJDSJSJ it’s so funny writing him as a child knowing how he’s going to grow up 😦 even though some people might find it weird i think it’s important for immersion that we see him as a little kid LMAOO because a huge point of the story is that reader has always treated him like a baby/her younger brother which he’s obviously not happy about as he gets older 😰 and i figured if we really see how/why she’s like that it would make her reasoning more relatable?? idk if that makes sense but basically you’re supposed to see him as “aww cute baby four year old tabito” and then one day it’s like “wait he’s a 6ft tall 20 year old soccer player he’s not actually a baby anymore”

THE COLORED ICONS LOOK SO GOOD why is nagi so pale compared to the rest of them though 😭 also they made otoya’s hair silver instead of white which lowkey idm that much but i’m pretty sure i’ve called it white in the past…oopsies…whatever i’m also still a black hair + purple eyes karasu truther even though he has bluish violet hair and blue eyes in the show so whatever we can take artistic liberties w it 🤫 OMG THE EDIT DKFJSJSJ i thought it was soooo funny truly the scene we deserved…i need more than just my man’s blurry chin to get me through until october 😩 genuinely i don’t get why igaguri was in the trailer he literally does nothing in third selection/u20?? unless they show him and shidou vs kunigami and reo ig…idk though but either way they had the rest of the top six in there (tbf yuki was kinda in the background but still) WHY NOT KARASU?? why was OTOYA given the spotlight out of all of them 🤨 he straight up gets subbed out for barou in u20 (still love him though he looks super handsome)…maybe it’s because they didn’t want to risk animating karasu’s hair wrong and getting hate 😫

translating is so cool i used to do it in high school for my spanish literature class and it’s def so much work but fun as well!! there’s so many things to consider that most people wouldn’t pick up on like connotations and whatnot it’s way harder than you might think at first 👆🏻 but your services are appreciated 💖 CHAPTER THREE AND FOUR WERE SO CUTE OMG ANIMAL LOVER YUKI CONFIRMED?? from tabieitaken he was the only one that struck me as a dog owner instead of a cat owner and it was finally (kind of) confirmed!!! plus him getting beat up…100% he’s the greenest flag in bllk (second place goes to barou but yuki has a nicer temperament than him and is apparently canonical smart now sooo he wins sorry) I LOVE HIM I NEED MORE YUKI CONTENT (i say as if i wasn’t supposed to write my own but got carried away w tabieita stuff like usual)

[peterbmasonrealestate]

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[jujutsustraycats]

To all the poor souls who run across my blog, welcome to the chaos where it's mostly reblogs, ramblings and the occasional (really, Ish? Occasional?) crushing over fictional characters, I hope you'll stay for tea.

Just some things you should know, maybe:

- I'm fine with interacting with people of age 15 and above, but I understand if you're not okay with me. Just be warned: this is a 15+ blog, I may or may not post suggestive stuff. Read at your own caution.

- That being said, this is a safe space. Bigots of any sort can fuck off from here.

- I'm just here, existing and doing my own thing. That's all. Have a nice day.

With that being said– hello, my name's Ish, and I'm an awkward daydreamer boy who sounds like a golden retriever but is not. Nice to meet ya.

I'm supposedly an INTP (or INTJ??) but don't ask, I have an identity crisis every other day. Also, I overuse the 😭 emoji, I apologize in advance.

(Never mind, I think I've figured out my MBTI from just talking with Lune. Definitely an INTP. Probably.)

(Actually no I'm doubting again)

Do not ask me to speak in Hindi, I will make you cry from how horrible my vocabulary is. Course B go wiii

Have fun trying to navigate my blog. I have a horrible tagging system (which I really need to change 😭).

Proud member of Girlfriend FC and La Familia Nami.

Would be best to expect a lot of edits to this :3

[starshower1215]

Thank you for the tag. :) And what a coincidence. My sister graduated very recently as well.

A. No, but I plan my future around the possibility of a dog.

B. White rice with a sour soup eaten hot that includes chicken and papaya among other things.

C. I speak English, Spanish, and another language pretty well, but I'm studying Arabic and Hindi.

D. The focus app on my phone is related to dogs.

E. I have been trying some new things recently.

@apollothedrunkgod @creapysummer

Tag game because I want to know you better !

-Do you have a pet ?

-Comfort food ?

-How many languages do you speak ?

- Random fact about yourself

-Something you’re proud of

To begin this little tag game, I’ll tag @ebony-reine-vibes @freddie-77-ao3 @newobsessioneveryweek @thehaikuman and @miraclesnail

I hope the questions aren’t boring and love you all 😘

[spapmas]

💨 THURIFER & BOAT ⛵

i made this kasi may nagrequest ng guide kaya hindi rin gaano kaayos yung guide dahil pm ko lang to sa kaniya. will try to update this pag nagkatime.

Note:

Pagpapasok nang hindi pa nalalagyan ng insenso, left hand.

Pag nalagyan na, right hand ipangdadala.

Laging nauuna at right side ang thurifer.

Introductory Rights

Entrance: Left hand bago lagyan ng pari ng insenso.

Entrance Procession: Pagkalagay ng insenso, mag eentrace (maglalakad) gamit right hand. One step ahead yung insenso sa boat.

Veneration of the Altar: Pag nasa harap na, ppwesto sa gilid ng altar, left side yung boat. Maglalagay ulit ng insenso yung pari. Tapos iaabot sa pari para mainsensuhan yung crucifix at altar. After that, pupunta sa harap. Mauuna ang inseno, sunod si father, tapos boat.

Kung may ibang image, pupuntahan din 'yon. (Pwede niyo/mong i-ask before mass kung ano uunahin, yung pagpunta sa harap ng altar o sa ibang poon). Huwag kalimutang magbow before and after mag insenso ni Father. After mag insenso sa altar, iikot pabalik sa pwesto niyo —gilid ng altar. Yung boat, kahit 'di na umikot. Balik sa kabilang way. Kunin yung thurible, right hand. Bow, saka exit.

Liturgy of the Word

Gospel Reading: Entrace: Pagkastart na pagkastart ng Alleluia

Left hand, una insenso. Nasa likod yung boat. Pagdating sa harap ng pari, bow. Kung nakaupo yung pari, luluhod kayo. (Pero para sa bishop lang talaga 'to. May mga pari lang talagang sanay na nakaupo. Eg. FM haha). Bale, bow, luhod (pagnakaupo), saka niyo palagyan ng inseno. After that, tatayo kayo, nasa right hand na yung thurible. Bow. Aatras si boat, tas mauuna si Insenso papunta sa gilid ng Lectern/Ambo.

P: Ang mabuting balita ng Panginoon ayon kay... B: Pinupuri ka namin, Panginoong Hesukristo

Iaabot sa pari yung thurible para insensohan yung Gospel Book. Tapos pagkakuha, stay doon hanggang matapos yung gospel.

P: Ang salita ng Diyos.

B: Pinupuri ka namin Panginoong Hesukristo

*Bow, atras si boat, mauuna si insenso. Exit.

Liturgy of the Eucharist

Prayer over gifts: (Alay) Entrance: After cruets.

Side by side yung insenso-boat. Right ang insenso. Left hand ang panghawak sa thurible.

Pagpunta sa may altar, bow. Maglalagay si Father ng insenso. Ulit katulad ng ginawa sa entrance. May mga pari tulad ni FD na iikot na lang sa harap ng altar, di na iinsensohan yung ibang poon/image. May mga pari din tulad ni FM na kung anong ginawa nung Intro, ganoon din ang ikot. Take note: Magkaibang way ang ikot ni FM at FD kasi kaliwa si FM, kanan si FD (which is ang standard). Ang pinagkaiba nito sa Intro e yung iinsensohan yung pari after niyong bumalik sa pwesto. Pagkaabot ng pari ng thurifer, one step paatras yung insenso (kung malapit sa pari, para hindi sila matamaan), bow, saka insensohan yung pari. Pag isang pari lang, gitna lang. Tatlong beses na tag dalawang sway. Pag conceb or maraming pari, 2 sway sa gitna, 2 sway sa left, 2 sway sa right. After that, bow. Iinsensohan yung mag tao. Punta sa harap ng altar o sa gitna yung insenso. Yung boat, exit na. Patatayuin yung mga tao. Bow. 2 sway sa gitna, 2 sway sa left, 2 sway sa right. Bow, exit.

Eucharistic prayer: (Santo) Entrance: Una insenso (left hand), sunod boat & then candle bearers

Pagkapunta sa pwesto, sesenyas ang insenso para sabay-sabay magbow ang lahat. Luluhod. During epiclesis, kalma muna. Haha tas pag consecration na, yung "ito ang aking katawan," during that, maglalagay ng insenso sa thurifer. Tas pag inelevate na, tatlong beses na tag dalawang sway sa Body of Christ. Tapos after non, lagay ulit insenso, tatlong beses na tag dalawang sway sa Blood of Christ. Tatayo.

Anamnesis: Si Kristo ay Gunitain After kantahin or irecite, senyas si insenso, bow, then exit. Mauuna si inseno tulad sa entrance ng Santo.

Wala pa kong makitang ibang video ng thurifer & boat na kitang kita talaga lahat, kaya pagtiisan mo/niyo muna to. Naglagay me ng timestamp para mabilis panoorin.

Yung sa alay na tatlong tig-isa na ginawa ko, mas tama na tatlong tag-dalawang sway. Okay??? Yung ibang live kasi ngayon may nakalagay sa gilid or puro sa pari lang talaga nakafocus, 'di na masyado nakikita yung servers (wc is tama naman kaso,,, wala na tayong magiging updated reference vids).