#aššurism
Explore tagged Tumblr posts
Text
from Lady of the Largest Heart, a poem by High Priestess Enheduanna & translated by Betty De Shong Meador.
#m.#inanna#ishtar#enheduanna#aššurism#mesopotamian polytheism#trans theology#trans paganism#transmasc#transfem
778 notes
·
View notes
Text
Aššur, god of the city of Aššur ⛰️
Aššur iconography can be a little elusive. Some depictions alongside Neo-Assyrian kings show what looks like to me like a winged mountain god with a bow and arrow.
I chose osprey details out of pure vibes. Ospreys are native to the area and it makes sense that, if he’s a bird, he’s probably a bird that enjoys high places (large cliff I mean mountain!) and enjoys a good fish out of the river beside his cliff. Osprey markings look nice, too.
Commissioned from Kiwibon
#bronze gods#pantheon#bronzegods#mythological fiction#assur#aššur#assyrian#assyrian mythology#mesopotamia#mesopotamian mythology#mesopotamian gods#assyrian gods#ashur#when you and your city are named the same thing#which assur are we talking about? the city or the god? maybe it’s both
6 notes
·
View notes
Text
Great find!
11 notes
·
View notes
Text
Queen Naqiʾa/Zakūtu
(Relief depicting Naqiʾa and her son Esarhaddon)
"Naqiʾa (c. 730– 668 BCE), wife of Sennacherib (705– 681), mother of the Neo- Assyrian king Esarhaddon (681– 669) and grandmother of Ashurbanipal (668– 627), is the best documented and in all probability most influential royal woman of the Neo- Assyrian period.
It was often suggested that Naqiʾa was the driving force behind Sennarcherib’s installment of Esarhaddon as crown prince. This was a truly exceptional case, as Esarhaddon was one of Sennacherib’s younger sons and most probably, even as a young man, suffered from an illness that would later kill him. Sickness was often interpreted as a sign of divine wrath in Mesopotamia; therefore, it was a severe obstacle for a claimant to the throne and any sickness of the king could be used to question his status as the darling of the gods. Maybe we will never know what the reasons for Esarhaddon’s promotion were, but we are sure about the results of Sennacherib’s decision.
Sennacherib was assassinated by his other sons and Esarhaddon had to fight his brothers in order to be enthroned. While the rebellion was going on, Naqiʾa explored the future of her son by asking for prophetic messages, something that was usually a privilege of the kings. The answer highlights the role of Ishtar, here called the Lady of Arbela, and the privileged position, of Naqiʾa:
I am the Lady of Arbela! To the king’s mother, since you implored me, saying: “The one on the right and the other on the left you have placed in your lap. My own offspring you expelled to roam the steppe!” No, king, fear not! Yours is the kingdom, yours is the power! By the mouth of Aḫat- abiša, a woman from Arbela.
Seemingly, the prophecy was right: it took Esarhaddon only two months to defeat his brothers and he was enthroned as Assyrian king. In this text Naqiʾa is already designated as queen mother; according to Melville this was “the highest rank a woman could achieve.”
In earlier research Naqiʾa was often seen as the strong woman behind a weak, sick, and superstitious king. Newer research has demonstrated that despite all of his problems, Esarhaddon was a capable ruler, who brought the Neo-Assyrian Empire to its maximal extension and pacified Babylonia, at least for a while.
During his reign Naqiʾa became really powerful and commissioned her own building inscription. To undertake large building projects and praise them in inscriptions is typical for kings, but extraordinary for a royal woman. The inscription introduces Naqiʾa in a bombastic tone, which is quite typical for inscriptions commissioned by kings:
I, Naqiʾa … wife of Sennacherib, king of the world, king of Assyria, daughter- in- law of Sargon [II], king of the world, king of Assyria, mother of Esarhaddon, king of the world [and] king of Assyria; the gods Aššur, S.n, Šamaš, Nab., and Marduk, Ištar of Niniveh, [and] Ištar of Arbela … He [Essarhaddon] gave to me as my lordly share the inhabitants of conquered foes plundered by his bow. I made them carry hoe [and] basket and they made bricks. I … a cleared tract of land in the citadel of [the city of] Nineveh, behind the temple of the gods Sîn and Šamaš, for a royal residence of Esarhaddon, my beloved son …
We can clearly see that Naqiʾa held an extraordinarily powerful position during the reign of her son and this continued even after Esarhaddon’s death. She was eager to assure the enthronement of her grandson Assurbanipal. The loyalty treaty that was intended to secure his reign is called the treaty of Zakutu, another name of Naqiʾa. Its first lines read:
The treaty of Zakutu, the queen of Sannacherib, king of Assyria, mother of Esarhaddon, king of Assyria, with Šamaš- šumu- ukin, his equal brother, with Šamaš- metu- uballiṭ and the rest of his brothers, with the royal seed, with the magnates and the governors, the bearded and the eunuchs, the royal entourage, with the exempts and all who enter the Palace, with Assyrians high and low: Anyone who (is included) in this treaty which Queen Zakutu has concluded with the whole nation concerning her favorite grandson Assurbanipal […]
That Naqiʾa was able to conclude a treaty with the most powerful persons throughout the empire and to establish her favorite grandson on the throne is clear evidence for her powerful position, even if she simply continued the plans she had made earlier with Esarhaddon. It seems that Naqiʾa died shortly after Assurbanipal was enthroned as king."
Fink Sebastian, “Invisible Mesopotamian royal women?”, in: The Routledge companion to women and monarchy in the ancient mediterranean world
#naqi'a#queens#ancient history#ancient world#history#women in history#mesopotamia#neo-assyrian empire#women's history#historical figures#8th century BC#7th century BC#assyria#middle-eastern history
33 notes
·
View notes
Text
The destruction of Elam was not the Holocaust, just as the Rwandan Genocide wasn’t the Holocaust or the Cambodian Genocide. The destruction of Elam wasn’t the Rwandan Genocide. The destruction of Elam wasn’t even the Assyrian destruction of Israel a century or so beforehand. The St. Bartholomew’s Day Massacre, the anti-Huguenot pogrom that killed between 5,000 and 20,000 people in France in 1572, differed meaningfully from the many anti-Jewish pogroms in the later Russian Empire. The Holocaust wasn’t the same as the Herero and Namaqua Genocide, the mass murder of indigenous people in what is now Namibia by the German Empire between 1904 and 1907, despite the fact that both were carried out by German authorities just a generation apart. Each of those incidents and campaigns of mass violence stands on its own. Their logic was different. They proceeded in different ways, with death tolls ranging from the dozens to the millions. Some were straightforward land grabs in which killing was incidental. Others were ideologically motivated campaigns of murder for which the groundwork had been laid for decades or centuries. Still others were the result of sudden explosions of ethnic or religious hatred against a background of oppression or conflict. But what ties them together, aside from the mass violence, is the fact that utterly ordinary people participated in all of them. It doesn’t take all that much for a baker from Aššur or a truck-driver from Hamburg to turn into a willing enslaver and killer, even a mass murderer who pulled a lethal trigger hundreds of times, under the right circumstances. If those in positions of authority tell them that it’s acceptable or even admirable, if they’re given the tools and the opportunity to do so, then even the most average people can commit horrifying acts.
-Patrick Wyman, Ordinary People Do Terrible Things
69 notes
·
View notes
Note
Did ancient near east have any equivalent supernatural beings to nymphs
Overall not really, with small exceptions restricted pretty much just to Hittite Anatolia.
Jenniffer Larson in Greek Nymphs: Myth, Cult, Lore (p. 33) suggests the notion of nymphs - or rather of minor female deities associated specifically with bodies of water and with trees - was probably an idea which originated among early speakers of Indo-European languages. While I often find claims about reconstructed “PIE deities” and whatnot dubious, I think this checks out and explains neatly why despite being a vital feature of Greek local cults nymphs have little in the way of equivalents once we start moving further east.
Mesopotamian religion wasn’t exactly strongly nature-oriented. Overall even objects were more likely to be deified than natural features; for an overview see Gebhard J. Selz’s ‘The Holy Drum, the Spear, and the Harp’. Towards an understanding of the problems of deification in Third Millennium Mesopotamia. It should be pointed out that in upper Mesopotamia mountains were personified quite frequently, but mountain deities (Ebih is by far the most famous) are almost invariably male (Wilfred G. Lambert’s The God Aššur remains a pretty good point of reference for this phenomenon) Rivers are a mixed bag but in Mesopotamia the most relevant river deity was the deified river ordeal (idlurugu referred to both the procedure and the god personifying it), who was also male, and ultimately an example of a judiciary deity rather than deified natural feature. Alhena Gadotti points out that there is basically no parallel to dryads, and supernatural beings were almost never portrayed as residing in trees in Mesopotamia (‘Gilgamesh, Enkidu, and the Netherworld’ and the Sumerian Gilgamesh Cycle, p. 256). You can find tree deities like Lugal-asal (“lord of the poplar”) but there’s a decent chance this reflects originating in an area named after poplars and we aren’t dealing with something akin to a male dryad (also, Lugal-asal specifically fairly consistently appears in available sources first and foremost as a local Nergal-like figure).
All around, it’s safe to say there’s basically no such a thing as a “Mesopotamian nymph”. Including Hurrian evidence won’t help much either - more firmly male deified mountains, at least one distinctly male river, but no minor nature goddesses in sight.
Probably the category of deities most similar to nymphs would be various minor Hittite goddesses representing springs - Volkert Haas in fact referred to them as Quellnymphen (“spring nymphs”). Ian Rutherford (Hittite Texts and Greek Religion: Contact, Interaction, and Comparison, pp. 199-200) points out that the descriptions of statues of deities belonging to this class indicate a degree of iconographic overlap with nymphs in Greek art. Notably, in both cases depictions with attributes such as shells, dishes or jugs are widespread. There’s even a case of possibly cognate names: Hittite Kuwannaniya (from kuwanna, “of lapis lazuli”) and Kuane (“blue”) worshiped in Syracuse. They aren’t necessarily directly related though, since arguably calling a water deity “the blue one” isn’t an idea so specific it couldn’t happen twice.
There is also one more case which is considerably more peculiar - s Bronze Age Anatolian goddess seemingly being reinterpreted as a nymph by Greek authors: it is generally accepted that Malis, a naiad mentioned by Theocrtius, is a derivative of Bronze Age Maliya, who started as a Hittite craftsmanship goddess (she appears in association with carpentry and leatherworking, to be specific). There is pretty extensive literature on her and especially her reception after the Bronze Age, I’ve included pretty much everything I could in the bibliography of her wiki article some time ago. Note that there is no evidence the Greek interpretation of Maliya/Malis as a nymph was accepted by any inhabitants of Anatolia themselves. While most Bronze Age Anatolian deities either disappeared or remained restricted to small areas in the far east of Anatolia in the first millennium BCE, in both Lycia and Lydia there is quite a lot of evidence for the worship of Maliya. In both cases there is direct evidence for local rulers considering her a counterpart of Athena (presumably due to shared civic role and connection to craftsmanship; or maybe they simply aimed to emulate Athens). There’s even at least one instance of Maliya appearing in place of Athena in a depiction of the judgment of Paris (or rather, appearing in the guise of Athena, since the iconography isn’t altered).
23 notes
·
View notes
Text
Gold Tablet from the Temple of Ištar in Aššur, Assyria (modern-day Iraq) c.1243-1207 BCE: this tablet was discovered within the foundations of the ancient temple; it measures just over 3cm (1in) in length
The cuneiform inscription honors King Tukulti-Ninurta I, who had ordered the construction of the temple, and describes how the building was constructed. This is just one of the many items that had been buried around the temple with similar inscriptions.
As this article explains:
Most of [the inscriptions installed in the temple] would not have been visible while the temple was still in use, as they were laid into the sanctuary’s foundations or walls. Tukulti-Ninurta commissioned a great number of objects carrying variations of the inscription commemorating his achievement of erecting the new temple.
The practice of depositing inscriptions directed at the gods as well as future generations had become a central element of the temple building process since the Early Dynastic Period, and was employed to immortalize the ruler by eternally associating his name with a monumental building such as the Ištar temple - a process that also transformed a sanctuary into a votive object dedicated to a deity.
It took several hours of searching (i.e. scouring through old artifact catalogs) for me to find a direct translation of the inscription on this particular tablet, and I could basically only find it in a PDF of an old bibliographic manuscript that isn't even in print anymore, but here it is:
Tukulti-Ninurta, king of the universe, king of Assyria, son of Shalmaneser, king of Assyria: at that time the temple of the goddess Ištar, my mistress, which Ilu-šumma, my forefather, the prince, had previously built — that temple had become dilapidated. I cleared away its debris down to the bottom of the foundation pit. I rebuilt from top to bottom and deposited my monumental inscription. May a later prince restore it and return my inscribed name to its place. Then Aššur will listen to his prayers.
This tablet was stolen from the Vorderasiatisches Museum in Berlin back in 1945, during the chaotic final days of WWII. It was then lost for almost 60 years before it finally re-emerged in 2006, when a Holocaust survivor named Riven Flamenbaum passed away and the tablet was found among his belongings. According to his family, Flamenbaum had gotten the tablet from a Soviet soldier (in exchange for two packs of cigarettes) at the end of the war.
In 2013, following a lengthy legal battle between Riven Flamenbaum's family and the Vorderasiatisches Museum in Germany, a court in New York ordered the family to return the tablet back to the museum.
Sources & More Info:
Albert Kirk Grayson: Assyrian Rulers of the Third and Second Millennia BC (to 1115 BC) (the translation appears on p.261)
Daniel Luckenbill: Ancient Records of Assyria and Babylonia, Volume 1 (PDF download; p.65 contains relevant info)
CTV News: 3,000-year-old Assyrian Gold Tablet Returned to German Museum
#archaeology#history#anthropology#ancient history#assyria#mesopotamia#golden tablet#cuneiform#artifact#ancient iraq#iraq#ancient near east#middle east#ishtar#pagan deities#polytheism#return the slab
351 notes
·
View notes
Text
this is sooooo funny. oh, you have something mean to say about poor ol' Israel? well what about Aššur-dān II, King of the Universe, who reigned in glory in the first millennium before christ?
3 notes
·
View notes
Text
The coronation of the king of Assyria by the gods
The Assyrian king receives the insignia of power from the gods Aššur (Ashur) and Ištar (Ishtar).
Ashur is in front of the Assyrian king and Ishtar is behind him and puts the king's hat on the king's head.
Read More:
What does ashurbanipal name mean (Text Post)
How does Ashurbanipal introduce himself (Text Post)
#archaeology#ancient mesopotamia#mesopotamia#ancient history#akkadian#ancient iraq#ancient assyria#assyrian#ancient empire#ancient assyrian king#history of mesopotamian kings#history of ancient assyrfia#god of ashur#god of ishtar#gods of mesopotamia
10 notes
·
View notes
Text
Goddess Tiāmat
Akkadian Goddess in the Enūma Eliš
Goddess of the primordial salt sea. She does not seem to have ever been worshipped in Mesopotamia.
*That is Akkadian cuneiform, her name does not seem to be recorded in any Sumerian resource.
—How to use Internet Archive link
🔵 Information
Tiāmat information on the Open Richly Annotated Cuneiform Corpus (Oracc)
From A Handbook of Gods and Goddesses of the Ancient Near East by Frayne & Stuckey [Google Book Link]:
Ti'amat, Tâmtum (page 345)
Primeval goddess, personification of the sea, in the Enuma eliš. Attested as early as the Ur III period in a theophoric name of one of the wives of Šu-Sîn. The goddess's name means "Sea" ti'amtu(m). At first, according to the Enuma eliš, Ti'amat's salt waters were co-mingled with those of her husband Apsû, the fresh waters, and together they engendered various deities, including the sky god Anu. Eventually, Ea, Anu's son, slew Apsû. Then, in a heroic battle, Ea's son, Marduk, slew Ti'amat, splitting her body in half. Marduk made one part into the vault of the heavens and the other into the surface of the earth. He made the clouds from her spittle, the mountains from her head, and the Tigris and Euphrates Rivers from her tears. She had bestowed the Tablet of Destiny on Qingu, but when Marduk defeated Qingu, he gave the tablet to Anu. There was a "seat" of Ti'amat in the temple of Marduk in Babylon, and Marduk's "seat" there was named Ti'a mat An Ugaritic lexical text equates Ti'amatu to the Mesopotamian goddess Antu(m). She occurs in an Ugaritic god list as Tihāmātu / Tamatu.
From Gods Demons & Symbols of Ancient Mesopotamian by Black & Green [Internet Archive Link]:
Tiāmat (page 177)
In the unique version of the creation of the gods preserved in the Babylonian Epic of Creation, after the separation of heaven and earth the only entities in existence were Apsû [...] and Tiamat. Apsû personified the fresh subterranean waters and Tiāmat the salt waters: the name is a form of the word tiamtum, 'sea'. Apsû and Tiāmat were envisaged as a male-female pair, although it is said that 'their waters mingled together'. They engendered a line of gods including Anu (An), Anu's son Ea (Enki) and (apparently) other deities, whose activities so disturbed Apsû that he planned to exterminate them (despite Tiāmat's protests). When Ea slew Apsû, Tiāmat determined to be avenged and created eleven monsters [...] with, as her champion, the god Qingu, described as her 'lover'. Eventually, after a heroic contest, Marduk, champion of the younger gods (in the Assyrian version his name is substituted with that of Aššur), defeated the monsters and Qingu and destroyed Tiāmat by splitting her skull with his mace, while standing on her 'lower parts'. He broke her in two 'like a dried fish', using one half to roof the heavens and the other to surface the earth: her breasts formed mountains, Tigris and Euphrates flowed from her eyes, her spittle formed clouds. While in some respects Tiāmat, like other deities, is described in anthropomorphic terms, it is difficult to form a precise picture of how the author of the Epic envisaged her. In other passages it seems to be implied that the salt sea waters were inside her.
Tiāmat's Creatures (pages 177-178)
In the Babylonian Epic of Creation, in order to avenge herself on the younger gods, Tiāmat gives birth to eleven monsters, or groups of monsters (bearing some resemblance to the Slain Heroes defeated by Ningirsu or Ninurta in a story of earlier origin). The eleven are:
the mušmahhu, ušumgallu and bašmu (three types of horned snake)
the mushuššu (a snake-dragon)
the lahamu (possibly identical to Lahmu, the long-haired ‘hero' figure)
the ugallu ('great storm-beast', the lion-demon)
the uridimmu ('raging lion', the lion humanoid)
the girtablullû ('scorpion-man': see scorpion-people)
ūmu dabrūtu ('fierce storms')
kulullû ('fish-man': see merman and mermaid)
kusarikku (a mythical beast probably derived from the bison: see bull man).
All of these are defeated by Marduk (in the Assyrian edition, Aššur) in a great battle. Images of them were placed by Marduk in the apsû (abzu) as a monument to the victory. The creatures of Tiāmat were sometimes invoked in magical incantations [...], and figurines of some of them were among those used in Neo-Assyrian protective magic, as a consequence of which their distinctive iconography can in most cases be determined.
🔵 Myth: Enūma Eliš
The myth she appears in. It was a very political myth used to justify Marduk as chief deity and therefore the government (at a later date it was for Aššur)
Read it:
L W King Translation from 1902
Translation on Electronic Tools and Ancient Near East Archives (ETANA)
Compiled translation primarily based on E.A Speiser
E.A Speiser's translation is available in The Ancient Near East an Anthology of Texts and Pictures by James Pritchard page 28. Available on Internet Archive Library (How to use the internet archive Link)
Interesting analysis of how it represented the creation of government
Analysis from Treasures of Darkness by Thorkild Jacobsen also available on Internet Archive Library
🔵 Iconography
These are academically debated as to whether or not they are Tiāmat but they are possibilities so I've included them. I have increased the contrast in both photos for visibility.
Faience, now cream probably originally glazed, cylinder seal; a standing archer (Marduk?) aims an arrow at a serpent (Tiamat?) with a crested head which rises before him. The figure wears a horizontally-striated robe and lines above his shoulder indicate arrows in a quiver. There are groups of wedges between the figures and above the serpent's coiled tail. Line border at top and bottom. — British Museum Asset Number 159745001
Black or dark brown and pale brown serpentinite cylinder seal in the linear style; a snout-nosed, horned reptile (Tiamat as a dragon?) faces left; the upper third of it's long, cross-hatched body rises vertically from two front paws or hands, one of which is raised; the remainder of the body runs around the bottom of the seal and supports three figures; there are no hind legs. A bearded god (Ninurta?) runs along the reptile's body towards the left; he wears a feather-topped head-dress and a vertically-striated, tiered and fringed open robe over a fringed kilt and has crossed, wedge-tipped quivers on his back. His arms are stretched out on either side, and in his right hand he holds a six-pronged thunderbolt below which is a rhomb, while in his left he holds two arrows. Behind the god, and advancing towards the left, is a smaller bearded god in a horned (?) head-dress with a long, tasselled streamer or necklace counterweight hanging down behind; he wears an open robe similar to that of the running god and holds a spear before him in both hands. On the tail of the reptile, with her back to the smaller god, stands an even smaller goddess, who wears a feather-topped, horned head-dress with a short tassel or necklace counterweight hanging behind, and a belted, vertically striated, tiered robe; she holds her arms open to seize the snout of the reptile. To the left of her head is a small globe-with-rays and to the right, a crescent. Line borders at top and bottom broken by the running god's head-dress. The seal may illustrate a scene from the epic of creation in which the forces of chaos, led by Tiamat, are defeated by a god representing cosmic order, probably Ninurta. Shiny, some chipping and weathering; note that there is a chip by the smaller god's shoulder and the tassel of his streamer may mask damage. — British Museum Asset Number 159863001
🔵 Please Avoid
Because she was not worshiped in history (as far as we know) there is little info available. So people often turn to other sources, as you try to research yourself I ask you to keep these in mind as warning signs.
⚠️The book "Grimoire of Tiāmat" is bullshit, and from a Mesopotamian religious point of view completely dangerous
Anything that uses her with dragon magick & neo-pagan/witch sources in general
Feminist & Jungian sources, they twist Goddesses' stories for their, usually westernized, agenda, and preconceived archetypes
-not audio proof read sorry-
-overhauled post-
53 notes
·
View notes
Photo
AN ASSYRIAN INSCRIBED GYPSUM FRAGMENT REIGN OF ASHURNASIRPAL II, CIRCA 883-859 B.C.
7 3/4 in. (19.6 cm.) high.
Known as the "Slab Back Text" this cuneiform fragment preserves a section from the back of a larger relief once reading (the preserved portions highlighted): "Ashurnasirpal, great king, strong king, king of the world, king of Assyria, son of Tukulti-Ninurta (II), great king, strong king, king of the world, king of Assyria, son of Adad-narari (II) (who was) also great king, strong king, king of the world, king of Assyria; valiant man who acts with the support of Aššur, his lord, and has no rival among the princes of the four quarters, marvelous shepherd, fearless in battle, mighty flood-tide which has no opponent, the king who subdued (the territory stretching) from the opposite bank of the Tigris to Mount Lebanon and the Great Sea, the entire land Laqû, (and) the land Su?u including the city Rapiqu. He conquered from the source of the River Subnat to the interior of the land Nirbu..."
As J.M. Russell informs (pp. 19-23 in The Writing on the Wall: Studies in the Architectural Context of Late Assyrian Palace Inscriptions), the “Slab Back Text��� was carved on the backs of every wall relief panel of Ashurnasirpal II’s Northwest Palace. These were among the first inscriptions discovered by Sir Austen Henry Layard in the mid-19th century during his excavations of the palace. Given the thickness and weight of these relief panels, most of the examples now in European and North American collections had their backs removed by local stonecutters in order to facilitate their transport abroad. In the process, many of the Slab Back Texts were discarded.
#AN ASSYRIAN INSCRIBED GYPSUM FRAGMENT#REIGN OF ASHURNASIRPAL II CIRCA 883-859 B.C.#ancient artifacts#archeology#archeolgst#history#history news#ancient history#ancient culture#ancient civilizations#assyrian history
30 notes
·
View notes
Text
One of the oldest goddesses in the historical record is Inanna of Mesopotamia, who was referred to, among other honorifics, as “She who makes a woman into a man, she who makes a man into a woman.” The power to alter such fundamental categories was evidence of her divine power. Inanna was served by at least half a dozen different types of transgendered priests, and one of her festivals apparently included a public celebration in which men and women exchanged garments. The memory of a liminal third-gender status has been lost, not only in countries dominated by Christian ideology, but also in many circles dedicated to the modern revival of goddess worship. Images of the divine feminine tend to appear alone, in Dianic rites, surrounded only by other women, or the goddess is represented with a male consort, often one with horns and an erect phallus. But it is equally valid to see her as a fag hag and a tranny chaser, attended by men who have sex with other men and people who are, in modern terms, transgendered or intersexed.
— Speaking Sex to Power: The Politics of Queer Sex by Patrick Califia
#m.#ishtar#aššurism#inanna#trans spirituality#galli#trans history#paganism#trans devotees#purposefully trans#trans is divine
810 notes
·
View notes
Text
And just for fun, the Bronze Age equivalent of “do it for her.”
#my workspace#props if you can recognize all the archeological sites and various reconstructions#still love trading colony era Kaneš#wrote a few stories set in that time period#awkward Aššur trying to trade with the Hattic gods#he is just terrible at socialization
1 note
·
View note
Text
The group of ten men who profited from the sale of Nanaya-ila’i and her daughter in the city of Aššur were entirely ordinary. That group included a baker, a weaver, a cook, a shepherd, an ironsmith, and a goldsmith, some of whom worked for a local temple. The most likely explanation for how they came into the possession of Nanaya-ila’i and her daughter is that these ten men formed a kisru, or “knot,” the standard unit in which Assyrians performed their required services to the king. These ten ordinary men were thus part-time soldiers, called up for the campaign to Elam, and Nanaya-ila’i and her daughter were their payment for their service on that campaign. When they got back to Aššur, the ten-man kisru couldn’t easily divide up two captives, so they sold her and split the profits: about 50 grams of silver per man, which they then took back to their homes, families, and occupations as iron- and goldsmiths, bakers, and cooks. The two Elamite women were enslaved, and the ten Assyrian men benefited directly from their participation in that campaign.
Did the weaver and cook talk about it, we might wonder? Did they tell their wives and children about what they had seen during the vicious sack of the Elamite capital of Susa, the fire and the ransacked royal tombs and desecrated temples that the Assyrian king Ashurbanipal bragged about in his account of these events, the wanton killing and sexual assault, the enslaved who died on the march back to Aššur? Were they proud of what they’d done, did they feel shame, or did they even think about those events? Did they seem like the actions of other people in other lives, unconnected to the workaday existence of an ironmonger and a baker going about their lives in the spiritual home of the Assyrian Empire?
We simply don’t know the answers to those questions, and we never will. The source material that would allow us to formulate an answer doesn’t exist.
Patrick Wyman, Perspectives: Past, Present, and Future Substack, 2024
#the podcast ep talking about these two people was a particularly memorable one#tides of history#patrick wyman#history
2 notes
·
View notes
Photo
÷
·
𒀭𒀀𒉣𒈾 ANUNNAKI ·
·
šakkanakki Bābili · King of Babylon ·
·
· ·
Sumu-abum
Sumu-la-El Sabium
Apil-Sin
Sin-Muballit Hammurabi
Samsu-iluna
Abi-Eshuh Ammi-Ditana
Ammi-Saduqa Samsu-Ditana
Dynasty I · Amorite · 1894–1595 BC
. .
.
Ilum-ma-ili Itti-ili-nibi
Damqi-ilishu
Ishkibal Shushushi
Gulkishar
DIŠ-U-EN Peshgaldaramesh
Ayadaragalama
Akurduana Melamkurkurra
Ea-gamil
Dynasty II · 1st Sealand · 1725–1475 BC
·
· ·
· ·
Gandash
Agum I Kashtiliash I
Abi-Rattash Kashtiliash II
Urzigurumash
Agum II Harba-Shipak
Shipta'ulzi
Burnaburiash I Ulamburiash
Kashtiliash III
Agum III
Kadashman-Sah
Karaindash Kadashman-Harbe I
Kurigalzu I
Kadashman-Enlil I Burnaburiash II
Kara-hardash
Nazi-Bugash Kurigalzu II
Nazi-Maruttash
Kadashman-Turgu Kadashman-Enlil II
Kudur-Enlil
Shagarakti-Shuriash Kashtiliash IV
Enlil-nadin-shumi
Kadashman-Harbe II Adad-shuma-iddina
Adad-shuma-usur
Meli-Shipak
Marduk-apla-iddina I
Zababa-shuma-iddin
Enlil-nadin-ahi
Dynasty III · Kassite · 1729–1155 BC
. .
.
·
· ·
Marduk-kabit-ahheshu
Itti-Marduk-balatu Ninurta-nadin-shumi
Nebuchadnezzar I
Enlil-nadin-apli Marduk-nadin-ahhe
Marduk-shapik-zeri Adad-apla-iddina
Marduk-ahhe-eriba Marduk-zer-X
Nabu-shum-libur
Dynasty IV · 2nd Isin · 1153–1022 BC
· ·
· ·
·
Simbar-shipak
Ea-mukin-zeri Kashshu-nadin-ahi
.
Dynasty V · 2nd Sealand · 1021–1001 BC
· ·
· ·
Eulmash-shakin-shumi Ninurta-kudurri-usur I
Shirikti-shuqamuna
Dynasty VI · Bazi · 1000–981 BC
·
· ·
·
Mar-biti-apla-usur
Dynasty VII · Elamite · 980–975 BC
·
· ·
·
· ·
Nabu-mukin-apli Ninurta-kudurri-usur II
Mar-biti-ahhe-iddina Shamash-mudammiq
Nabu-shuma-ukin I Nabu-apla-iddina
Marduk-zakir-shumi I Marduk-balassu-iqbi
Baba-aha-iddina
.
.
.
at least 4 years
Babylonian interregnum
Ninurta-apla-X Marduk-bel-zeri
Marduk-apla-usur Eriba-Marduk
Nabu-shuma-ishkun Nabonassar
Nabu-nadin-zeri Nabu-shuma-ukin II
Dynasty VIII · E · 974–732 BC
· ·
·
·
·
Nabu-mukin-zeri Tiglath-Pileser III
Shalmaneser V Marduk-apla-iddina II
Sargon II Sennacherib
Marduk-zakir-shumi II Marduk-apla-iddina II
Bel-ibni Aššur-nādin-šumi
Nergal-ushezib Mushezib-Marduk
Sennacherib aka Sîn-ahhe-erība
Esarhaddon aka Aššur-aḫa-iddina
Ashurbanipal
Šamaš-��uma-ukin
Aššur-bāni-apli Sîn-šumu-līšir
Sîn-šar-iškun
Dynasty IX · Assyrian · 732–626 BC
. .
.
.
Nabopolassar
Nabû-apla-uṣur
Nebuchadnezzar II Nabû-kudurri-uṣur
Amēl-Marduk
Neriglissar
Nergal-šar-uṣur
Lâbâši-Marduk
Nabonidus
Nabû-naʾid
Dynasty X · Chaldean · 626–539 BC
. ·
. ·
. ·
. ·
. ·
. ·
Cyrus II the Great · Kuraš · 𐎤𐎢𐎽𐎢𐏁 Kūruš ·
Cambyses II · Kambuzīa ·
Bardiya · Barzia ·
Nebuchadnezzar III · Nabû-kudurri-uṣur ·
·
Darius I the Great · Dariamuš · 1st reign
·
Nebuchadnezzar IV · Nabû-kudurri-uṣur
Darius I the Great · Dariamuš · 2nd reign
·
Xerxes I the Great · Aḫšiaršu · 1st reign
·
Shamash-eriba · Šamaš-eriba
Bel-shimanni · Bêl-šimânni
·
Xerxes I the Great · Aḫšiaršu · 2nd reign
·
Artaxerxes I · Artakšatsu
Xerxes II
Sogdianus
Darius II
Artaxerxes II
Artaxerxes III
Artaxerxes IV
Nidin-Bel
Darius III
Babylon under foreign rule · 539 BC – AD 224
Dynasty XI · Achaemenid · 539–331 BC
·. ·
·. ·
·. ·
·. ·
·. ·
·.
Alexander III the Great · Aliksandar
Philip III Arrhidaeus · Pilipsu
Antigonus I Monophthalmus · Antigunusu
Alexander IV · Aliksandar
Dynasty XII · Argead · 331–305 BC
·.
·.
·.
·.
·.
Seleucus I Nicator · Siluku
Antiochus I Soter · Antiʾukusu
Seleucus · Siluku
Antiochus II Theos · Antiʾukusu
Seleucus II Callinicus · Siluku
Seleucus III Ceraunus ·
Antiochus III the Great · Antiʾukusu
Antiochus ·
Seleucus IV Philopator · Siluku
Antiochus IV Epiphanes ·
Antiochus
Antiochus V Eupator
Demetrius I Soter
Timarchus
Demetrius I Soter
Alexander Balas
Demetrius II Nicator
Dynasty XIII · Seleucid · 305–141 BC
· ·.
. · ·
. · ·
. · ·
· ·.
· ·.
Mithridates I
Phraates II
Rinnu
Antiochus VII Sidetes
Phraates II
Ubulna
Hyspaosines
Artabanus I
Mithridates II
Gotarzes I
Asi'abatar
Orodes I
Ispubarza
Sinatruces
Phraates III
Piriustana
Teleuniqe
Orodes II
Phraates IV
Phraates V
Orodes III
Vonones I
Artabanus II
Vardanes I
Gotarzes II
Vonones II
Vologases I
Pacorus II
Artabanus III
Osroes I
Vologases III
Parthamaspates
Vologases IV
Vologases V
Vologases VI
Artabanus IV
Dynasty XIV · Arsacid · 141 BC – AD 224
· 9 centuries of Persian Empires · until AD 650
Trajan in AD 116
mid-7th-century Muslim Empire
·.
·.
·.
1921 Iraqi State
·.
·.
1978 · 14th of February · Saddam Hussein
·.
·.
2009 · May · the provincial government of Babil
·.
·.
·.
·.
. ·
·.
·.
·.
·.
so many kings
and just one queen
semiramis
·· ·
· SEMIRAMIS ·
··
.
.
.
.
···· Βαβυλών ··· ΒΑΒΥΛΩΝ ····
Babylonia
Gate of the Gods
بابل Babil 𒆍𒀭𒊏𒆠 · 𒆍𒀭𒊏𒆠 · 𐡁𐡁𐡋 · ܒܒܠ · בָּבֶל
Iraq · 55 miles south of Baghdad
near the lower Euphrates river
.
.
.
.
.
#king#of#babylon#semiramis#assur#uruk#mar-biti-apla-usur#marduk-apla-usur#mesopotamia#annunaki#anunnaki
6 notes
·
View notes
Text
¡Una adorable tablilla asiria de oro con una inscripción de hace unos 3.300 años! Encontrada debajo del Templo de lštar en Aššur, Irak, esta inscripción cuneiforme de 1 pulgada de largo describe su construcción y honra al rey asirio Tukulti-Ninurta. 🏛️ Museo Vorderasiatisches Crédito: @TheClassicalCo
2 notes
·
View notes