#aw i like this film

[farminglesbian]

I've heard the mermaids singing (1987) Patricia Rozema

[gael-garcia]

Gael García Bernal and Raul Castillo in Cassandro (2023, Roger Ross Williams)

[stil-lindigo]

the witch of the west

[vikary401]

movie night

[fantastic-mr-corvid]

u know wot im gonna talk about attack the block. its a movie made cause the director was fed up of seeing 'hoodie horror' and charecters like Moses[played by John Boyega in his first acting credit], black kids who got involved in bad stuff/expelled from school beeing shorthand for 'pure evil'

he went around interviewing kids to get the language right and meet people like moses. heres the full quote: "We did find some who were quite similar to Moses, who’d been excluded from school or got involved with bad stuff. And they’re not monsters. They’re very empathic, and when you spend a bit of time with them they’re normal and sweet, enthusiastic and bright. But they’ve just been cornered a bit by life, and I think that often the way they’re portrayed doesn’t help with that. Culturally, it makes the problem worse, not better." from an artical in the list

its fun its heartbreking its political its alien designs are awsome and it shows people and community with love that are so often treated like shit when portrayed.

[myokk]

I filmed a timelapse of my process for this quick one💓

Honestly not really happy with how this turned out & I’ll probably redo it😆 but I always love making process videos!!

I REALLY HAVE TO TRUST MY PROCESS🙏🙏🙏 these paintings always look AWFUL😳 until the very end but luckily I’ve painted enough of them to keep pushing through and not give up in tears bahahahahahah

1) I start out just painting the base colors. I have a dirty paint palette I NEVER clean😤 but tbh I like it bc every color I want is basically already mixed from a previous painting, and I like having all of the colors kind of blend together. If I need a different color though I’ve never had problems mixing to get exactly what I’m looking for💓

2) WAIT FOR IT TO DRY (I didn’t…you can see at one point I check the back of the page to make sure I didn’t destroy it completely). This paint dries SUPER fast…I am just impatient bc the next step is when it all starts to come together🥰:

3) COLORED PENCIL ON TOP!! I always make sure the paint covers almost all of the page except the parts I want to keep really white, because the colored pencil looks awful if it isn’t drawn on top of paint. I just sharpen them and go in with the small details, but I also love going crazy with the colors and using them to shade, add highlights, add extra pops of color etc. For example, on Bea’s shirt I used gold, dark blue, dark brown, normal brown, mauve, tan, olive green…I just like to experiment and have fun choosing the colors (esp ones that I think SHOULDN’T work but they DO🥰)

Sometimes I switch between the paint and the colored pencil bc the paint can be used to kind of “erase” any mistakes, but I can’t go too crazy or add a lot of water to it because I use the cheapest paper known to man and it gets destroyed SO EASILY 😫 all of the fanart I’ve drawn is in €1 notebooks

[mummer]

new newsletter review. francis thanks for all the laughs and i’ll see you in hell ❤️

[shattered-pieces]

Anyone who has seen how russia treats its prisoners isn't shocked at the treatment of the terror attack suspects. It's is a common pattern: torture someone then film their "confession". Similar things are done to Russian political prisoners, foreign nationals, Ukrainian prisoners of war, Ukrainian civilians..... with other variations, sometimes not filmed, sometimes even worse torture, sometimes sexual violence...

[evansbby]

my opinion on the Blake lively situation

[daincrediblegg]

I would give just about anything to go to an alternate universe where the beatles got away with making their adaptation of lord of the rings

[cassmouse]

To this day I don't understand how Ghostbusters Frozen Empire had the budget to hire all of these absolutely incredible actors, a surprisingly excellent cinematographer, a SFX team that's second to none, AND a phenomenal composer (HE WROTE THE 2005 PRIDE AND PREJUDICE SOUNDTRACK FOR FUCK'S SAKE)- and yet STILL couldn't manage to hire even semi-decent writers (this also applies to Ghostbusters Afterlife actually)

(whoever came up with the Phoebe/Melody plot goated tho)

[thebramblewood]

Read an exclusive excerpt of "Chapter 5: The Mysterious Cal and Lily" from Tangled Vines: A Complete Investigation of the Vatore Disappearances, the bestselling phenomenon sweeping Sim Nation!

The advent of the Roaring '20s put a new city on the map. Prohibition was in full swing across the nation (though often loosely and selectively enforced), but citizens were more eager than ever to revel in excess. Producers of alcoholic beverages (including the Vatore family itself, having swiftly resumed business operations despite the loss of its future inheritors) transitioned to an outward emphasis on medical spirits while moving recreational production underground. Equally clandestine speakeasys began cropping up by the dozens, but one city's winding sidewalks, grimy storefronts, and labyrinthine system of underground tunnels made it particularly well-suited to hosting these secret locales. Soon enough, San Myshuno was the pinnacle of glitz, glamor, and elegant debauchery. All who attended a party wanted to be seen. Curiously, though, two of the names most often uncovered in tabloid archives, Cal and Lily, seemed to fully avoid the increasingly ubiquitous flash of the camera. While other frequenters of the speakeasy circuit often found their grainy black and white faces in print, providing endless fodder for the burgeoning gossip rag industry, this pair remained elusive, which of course sold even more papers. Fellow partygoers pitched first-hand accounts to the highest bidders, and readers clung onto every salacious word. Lily and Cal were always observed to arrive together, but she would soon make a beeline for the gramophone while he settled in at the bar. Nearly every report calls Lily an exquisite beauty with an almost supernatural ability for drawing men into her orbit. In some instances, partygoers describe a herd of suitors nearly erupting into fisticuffs as they competed for her attention. It is impossible to say how many of these accounts are exaggerated or even fabricated. Nevertheless, it is clear she was quite the force. At the end of the night, she would leave with her chosen companion, stupefied by his stroke of good luck, on her arm. Meanwhile, Cal would watch listlessly from a distance, nursing a glass of whiskey he was never observed to actually drink. The relationship between the two was unclear, as was his reason for accompanying her, as he seemed to have little interest in the raucousness surrounding him. He rarely engaged with other guests or even Lily herself, though there is at least one report of an argument in which he seemed with little success to be dissuading her from leaving with yet another man. One cannot help but draw parallels to a certain set of siblings with suspiciously similar names. Despite being younger, Caleb Vatore was always said to be protective over his sister Lilith's interests, even if she rarely heeded his advice. Digging into the newspaper archives at Myshuno Meadows Library unearths several more disturbing accounts. Increasingly, there were whispers that the men Lily seduced completely vanished from San Myshuno society after coming into contact with her. While there was a small spike in unsolved murder cases at the time, a concrete connection between the victims and the mysterious Lily cannot be made. In one story, which admittedly reads like a hallucinatory drug trip, Lily is described as a succubus with glowing red eyes and sharp blood-stained teeth. This account was clearly dismissed, for its revelations were never entertained further. All at once, the champagne and glitter dissolved into a more sober era, and these socialites vanished from public life just as swiftly. In isolation, similarities between Cal and Lily and the disappeared Vatore siblings may seem like mere coincidences. In truth, it cannot even be proven that they existed. No official records matching either individual have been discovered. One could argue that they were works of fiction concocted to boost sales or composites drawn from several individuals. However, considered alongside the evidence to be presented in later chapters, the theory that this duo and the Vatores are one and the same becomes too tantalizingly probable to dismiss.

[iwozlegit]

[lulu2992]

So I watched the Director’s Cut versions of Rebel Moon Part One & Two, respectively renamed Chalice of Blood and Curse of Forgiveness, exactly one week ago, the day they were released.

As a person who generally doesn’t enjoy the idea of watching films that are over 2.5 hours, really isn’t a fan of gore, and thinks sex scenes are uncomfortable and unnecessary 95% of the time, I was rather apprehensive, to say the least, since those three things are precisely what the two movies promised. Still, I managed to watch them on the same day even though the fact it was hot outside and consequently almost 30°C in my room probably didn’t help me not to feel unwell for a good portion of my viewing experience :’)

However, there’s a fourth thing the new version of the films promised, and this, on the contrary, is exactly what I love and probably what kept me going: more lore. I won’t go into too much detail so as not to spoil major plot points here, but I think Chalice of Blood and Curse of Forgiveness kept all their promises.

Some characters get a proper introduction (notably Aris and Nemesis), or more screen time so we understand them and what they do (mostly the Priests, Hawkshaws, and Jimmy), or a better, more satisfying, sometimes more emotional ending. We also get completely new scenes and characters, and that too greatly helps the narrative, whether it’s by adding more backstory, taking the time to explain someone’s motivations more clearly, revealing how some people reacted to certain events, or detailing how something works.

Also, some of the “mistakes” viewers complained about, for example the spaceship being powered with coal or somebody not missing any teeth after we clearly see them get knocked out, are fixed in the Director’s Cut. It turns out those things were not illogical, they were just censored for the PG-13 version…

As for the sex scenes, while they weren’t indispensable, I have to admit they do serve a purpose. The two “main” ones have a character in common, so we can see how different that person feels and acts with each of their two partners. The scenes need to exist together because they’re only really interesting when you compare them, but that’s how they tell a story. Never in my life had I been so happy to see someone successfully remove a bra, haha! There’s also, of course, the one that involves tentacles, which was–thankfully–milder than I thought it would be, and another unexpected one that happens off-screen but was a rather nice and cute surprise, in my opinion.

And, yes, aside from giving us more blood and more sex, we also get… more wheat! I really don’t mind, though. In fact, this is probably an unpopular opinion, but I’d watch one hour of the cast (actually) harvesting crops in slow motion over just one minute of heads exploding any day :’)

While they’re still not perfect, I think Chalice of Blood and Curse of Forgiveness are improved versions of A Child of Fire and The Scargiver. I still like Part Two better than Part One, but overall, as promised, we get more information about the world, the characters, and their stories in the Director’s Cut. Sometimes, it’s just a new line of dialog or a short interaction that’s added here and there, but it really does a service to the films and makes them, although they’re much longer (especially the first one), feel more coherent, more compelling, and less rushed.

At the end of the day, I think what I most appreciate about Rebel Moon is still that it was brought to life with a lot of care and passion. The two art books, Wolf: Ex Nihilo: Cosmology & Technology and Wurm: Ex Materia: Heroes & Monsters, confirm how painstakingly made and well-thought-out everything was, and I will always love and respect this about this project.

[twilight-good-yall-dumb]

This is my formal plea to literally everyone that you STOP going out and buying tickets to Disney remakes and sequels. As someone who holds that studio very close to my heart for the magic they used to create, it genuinely blows my mind how they're still finding immense financial success with shitty reincarnations of their preexisting IP. Do people not understand? Hate alone will do nothing! The top people at Disney are suffocating their artists with corporate greed! The executives and the shareholders do not give a SHIT if people on letterboxd hate their movie. If it's making money in the box office, they will continue making garbage because it WORKS! Please get a fucking grip and support other animation studios or literally any new IP that Disney actually decides to take a chance on, because money speaks, and it's the only language these current money hungry cowards at Disney seem to understand! I know for a damn FACT Walt has been turning in his grave for the past ten to fifteen years and it makes the prior Disney obsessed child in me SICK!!!