#avatar 4?

[patheticblorbloscholar]

Biting. Clawing. Gnawing at the bars of my cage. I know who hugs Spider first. It's Jake. Oh my fucking Eywa it's Jake. The one with the three fingers that touches his shoulders is Neytiri. They are there. They see the torture device. Eywa is a genius and the behind the scenes revealed so much.

[muffinlance]

The feral cat gator of a 13 year old freshly scarred Zuko being forcibly adopted by the foggy swamp tribe! Bonus points if they willfully ignore the fact he's a firebender and treat him as a very strange waterbender bending-wise

It was Earth Kingdom ships that drove the metal one onto the reefs, so when the little thing came crawling up through the marsh spitting and hissing and dressed in red, they knew it weren’t no earthbender. No matter how much mud it had tripped in, trying to find where the ground stopped sucking at its feet.

“Wow-ee,” said Old Earl, “that sure is one way of keepin’ off the ‘squito-chiggers.”

And they all watched from Big Earl’s porch, sitting or rocking, as them bugs came for the all-you-can-eat and ended up on the bar-b-que.

“Sure is some weird bending,” said Little Earl, who was taller than Big Earl, but when they'd been twelve and they’d wrestled for the title it hadn't been Little Earl who’d won.

The little thing looked maybe twelve, too. And he was little little. But he had that same look like he was going to shove someone’s face in the mud until they said otherwise, as he stood there all panting and dripping and just realizing they’d been watching him this whole time.

“It’s firebending,” the one-kid mud-wrestler said, as bugs kept pop-snapping into flames around him.

Old Earl cupped a hand over his ear, like he couldn’t hear. And he kept doing it, while the kid got louder and louder about that bending of his, but quieter and quieter about looking at them like they were his next bugs.

“Oh, firebending,” Old Earl said, nodding like he’d only just got it, when the kid had stomped straight up to his chair. “Right, right, Old Jane’s got fire-water-bending, too. Why don’t you take him to her, boys.”

“It’s not-- ugh,” shouted the kid, but maybe he only had the one volume. Certainly only had the one volume for stomping, even though stomping was what got a fellow’s shoes shoved down so deep in the mud they’d be seeing them again as mole-shrimp hats. Not that the kid had shoes. Neither did Earl, Earl, or Earl. ‘Cept for Fancy Earl, but he’d gone off to Ba-Singing-Se, to be fancy.

Anyway, Old Jane was the best at turning anything and everything into fire water, which was the kind of thing a fellow called his or her liquor when they wanted fancy folk to keep right on walking. Was really good for making shouty little firebrands take their naps, too, which let Old Jane get her glowing mitts all over that fresh burn of his. And the love-bites from the shark-wrasses that had probably been half the reason the kid had come a-shore all a-shouting in the first place.

“Nope,” diagnosed Old Jane, when the kid woke back up. “That’s just how he talks. Mother was a screamer-bird, I’d say.”

“You take that back about my mother,” screamed their screamer-bird, who had pretty good hearing for someone who’s ear had lost the same fight as his eye. Anyway, Old Jane had done the best she could about both, and nothing was on fire that shouldn’t be, and she had that extra quilt she’d been working on that needed a body under it

And the waves and the shark-wrasses had all the rest of the kid’s crew

So sure enough they set their little screamer-bird up with a nest and let him cry loud as he wanted.

Anyway, if there was one thing Earl Earl Earl and Jane knew, it was how to make a joke so good the other person didn’t even know it were a joke.

“Firebending,” their little fledgling shouted, and waved his arms around, like all that fire pointed at no one was going to get them startled off.

“A-yep,” nodded Old Earl. “That there is some fire-water-bending. Just like Old Jane.”

Old Jane wasn’t the kind of gal who showed off, but she wasn’t the kind who missed no cue, either. She swirled a lick o’ liquor out of her latest barrel and twirled it ‘round and straight into her mouth, and when she spit it out, it looked so much like the little bird’s breath-o’-fire that he didn’t even notice the spark rocks she kept on her fingers as jewelry. No one did, ‘til they’d seen the trick a few times.

The kid’s mouth hung open so low and so long, a moth-tick flew in. That was some kind of life lesson, that was. The swamp was good at sending those.

The Earth Kingdom sent troops a-stompin’ through, losing boots and scaring catigators out of their sunning spots left and right, askin’ all rumbly about those fires they’d spotted, and if anyone from that shipwreck had made it on shore, and talkin’ about how there’d be money in it for them if they made that last answer a “yes,” sounding like Fancy Earl and all his talk about commerce and living standards.

“Got a few parts of them ship people in the lagoon,” Big Earl said. “Probably still floatin’ if you want ‘em. But we better bring the shrimp-minnow nets, ‘cuase they’ll just slosh on through the turtle-sturgeon ones.”

“...No thank you,” the head stomper said, like sayin’ polite words made a fellow a polite man. He’d tracked those boots of his right up onto their porch without so much as a scuff on their mud rug. Even the kid had used the mud rug. “And the fire?”

“Oh,” said Little Earl, with a grin, “that was Old Jane.”

And she did her trick again, only less tricky, so they could see the spark rocks real good. “You boys want some fire water?” she offered. “It ain’t blinded no one who wasn’t already headed that way.”

They didn’t want any, which was grand, ‘cause she hadn’t really been offering.

When the last of them had gone stomping off back to the kind of land that let people stomp it, it took them two whole hours to lure out the catigators from under the porch. And their little screamer bird, too.

“...Why didn’t you turn me in?”

“What?” asked Old Earl, cupping his ear.

“Why—”

“What?”

“—didn’t—”

“WHAT?”

“—you—”

“Speak up, boy,” Old Earl said. “I never heard such a quiet child.”

And boy, did that set their bird back to singing.

[just-halfwaythere]

Korrasami Week 2024 - Day 4 - Domestic

@korrasamiweek2024

[benjiedrawings]

So long I've been out in the rain and snow - but winter's come and gone, oh a little bird told me so

good evening zukka nation - image description in alt, as usual!

[aangarchy]

Incredibly specific moments in atla i think about ALL the time (i am Not normal)

Zuko's eyes slightly widening when witnessing Katara's bloodbending for the first time

Aang and Katara just missing each other looking back at the other after their argument in The Warriors of Kyoshi

Toph holding onto Sokka's arm once on Appa when he didn't have a saddle and once on the boat bringing them to the lake town

The moon being in full view as Suki tries to kiss Sokka in the Serpent's Pass, and the shadow returning as Sokka leaves

The "four seasons four loves" motif coming back throughout the episodes of the Northern Watertribe and specifically as Sokka gives himself up to serve in the battle against Zhao's seige and Yue turns away and quietly cries as she watches him walk off

Longshot talking for the first time ever as Jet lay dying

In that same breath, the way Toph says "he's lying" as they walk away from Jet knowing that he's going to die

Aang looking back at the Southern Airtemple ruins along with Momo as they fly away from it, seeing it disappear behind the clouds (this one specifically makes me cry so much)

The chants as Aang gets summoned by the Lion Turtle in book 3 being the SAME as the chants when Aang fuses with the ocean spirit in book 1 (there's other moments with these chants i think but i can't remember them off the top of my head)

Aang taking down Ozai's airship in the finale as his first attack and Sokka cheering him on like a proud older brother

Katara immediately without a shadow of a doubt responding "Aang won't lose" when Zuko questions if he'll be able to take on Ozai

Aang knowing Zuko was gonna fire at him in the crystal catacombs as soon as Zuko laid eyes on him (he gasped before Zuko even made a move) when even Azula wasn't sure what Zuko was gonna do in that scenario

[animentality]

[melinavostokoffkisser]

Lin keeps pictures of all 4 of them in her wallet and claims it's only because they go missing and/or are kidnapped on the regular so she needs them to make a quick missing poster.

[zukoshotleafjuice]

should not have rewatched atla during finals because now all i'm thinking of is sokka and the concept of return. sokka, who is emotionally defined by the fact that his dad chose to go away and leave him in charge. sokka, whose weapon of choice is a boomerang because he knows he can trust it to return to him. sokka, who barely trusted that the return of the avatar meant that the world could ever be set right. sokka who left his home without the kind of hope that katara did, without real faith that he'd get back. sokka who lost yue and sees his first love every time he looks at the night sky, even though he knows he will never see her again.

and then sokka, who in the finale looked death in the eye and said I don' t think boomerang is coming back this time. he threw his boomerang and he dropped his sword and he knew that he was right the whole time, because at the end of the day things leave him and so do people.

except suki, though. suki came back.

[sherurose]

Do you ever think about Zuko acting as a human shield for Sokka? Because I do. A lot. (x)

[camcat1320]

The Fortune-Teller does not deserve the hate it has received. It's actually a great episode that people misunderstand. Let me explain.

Kataangers love the episode for it says Katara is destined to be with Aang. Zutarians hate the episode for this reason along with forcing Katara into a pigeon hole. I stand between these warring tribes and say that they are both wrong.

To be clear, I am a Zutarian. If we would've had a Book 4 like the head writer had intended, this episode would've been integral for that book.

"But the 3-act story structure!" some may argue. A 3-act story structure is just a 4-act story structure in disguise.

Anyways, let's continue.

The destiny that Aunt Wu foretells does not give names and is vague in nature. She tells Katara that she is to be married to a powerful bender. She didn't say the most powerful nor did she say bender of all four elements. One doesn't have to be the Avatar to be a powerful bender.

Come Aang's fortune, she foretold of a great battle between good and evil that will determine the fate of the world. We immediately think of Aang battling Firelord Ozai to end the 100 year war. However, this fortune is vague and could foretell another battle after Ozai has fallen.

When Aunt Wu learns that Aang wants to learn about his future about love, she cheers him up by giving him a vague, seemingly harmless white lie to satisfy him. "Follow your heart and you will be with the one you love." Since Aang is 12, he can easily misconstrue infatuation for love.

I believe The Fortune-Teller is a giant red herring that many people in both Zutara and Kataang sectors have fallen for. But wait, what is a red herring?

In literature, a red herring is a device to throw the characters and the audience off the scent of future events. It's meant to distract and deceive.

At the end of The Fortune-Teller, Katara believes she is destined to be with Aang and Aang believes it as well. Throughout the remainder of the series, Katara's emotional bond with Aang is challenged. Then by The Ember Island Players, Katara is confused, unsure about her feelings, unsure about her destiny.

What other character struggled with his perception of his destiny?

For the majority of the series, Zuko falsely believed that his destiny was to hunt down the Avatar and regain his honor. We know that this destiny was forced upon him by his father, Ozai.

But as Iroh has said, "Destiny is a funny thing." Iroh had believed he would have been in Ba Sing Se as a conqueror but instead, he had liberated Ba Sing Se from Fire Nation occupation.

Zuko had turned against his father and his supposed destiny and set out to aid the Avatar instead. After this, Zuko's new belief is that it is his destiny to help Aang in defeating Ozai instead. Truly, destiny is funny that way.

But why is this only applied to Zuko? Why isn't this the same message given to Katara's arc? Is she truly destined to be with Aang and she cannot fight against this fate? Is this strong female character destined to be reduced to servitude?

The same girl that inspired imprisoned earthbenders to fight back? The same girl that fought against gender roles in her own culture? The same girl that didn't give into despair and led her crew out of the desert? The same girl that aided in healing a Fire Nation village? The same girl that rose above her mentor and used bloodbending to save her loved ones? The same girl that went toe to toe with Azula and won?

I SAY NAY!

Imagine, if you will, what Katara's continued arc could've been like in Book 4. Katara would've defied the destiny that was forced upon her and determined her destiny for herself. But in the end, destiny is a funny thing for this action only plays into fate. Zuko is a powerful bender after all. 👀

Now, I must depart before I give too many spoilers for my writing. Fare thee well, until we meet again!

[multi-fandom-imagine]

【𝗆𝖾𝗇 𝗐𝗁𝗈 𝗆𝗈𝖺𝗇 | 𝗆𝖾𝗇 𝗐𝗁𝗈 whimper】

↳ Rocky Rickababy ✦ Husk ✦ Lucifer Morningstar ✦ Sedgewick Sable ✦ Vox ✦ Dorian Zibowski ✦ Gale Waterdeep Sokka ✦ Leon s. Kennedy ✦ Cloud Strife

[pepper-ot]

Kyoshi era week day 4 - Spirit World

Kuruk forcing/teaching Kyoshi how to play Pai Sho

[starsburnout]

"Water. Earth. Fire. Air. My grandmother used to tell me stories about the old days, a time of peace when the Avatar kept balance between the Water Tribes, Earth Kingdom, Fire Nation, and Air Nomads. But that all changed when the Fire Nation attacked."

AVATAR: THE LAST AIRBENDER (2005-2008)

[prying-pandora666]

Avatar Name Meanings!

Just for fun! Let’s take a look at the most cited meanings for ATLA names.

Aang - When his name is shown in written form, it is composed of the Chinese characters 安 (ān) meaning "peace, quiet" and 昂 (áng)meaning "raise, lift". A fitting name for an airbender who will save the world!

Katara - Taken from the Arabic word قطرة (qatra) meaning "raindrop, droplet". A gentle and poetic name for waterbender who is starting out.

Sokka - Derived from the Japanese phrase “sou ka”, meaning "I understand" or "Is that so?". A reference to both his skeptical and analytical nature, as well as his comic relief.

Toph - Toph was written as 北方拓芙, giving her name the meaning "expanding lotus". The name itself is not a genuine Chinese name, and may have been intended as a pun on the English word "tough". When combined with her last name Beifong, you get “lotus flower expanding northward”, a reference to Toph opening up and making friends, but also because she is from the Southern city of Gaoling and literally travels north with the Gaang.

Zuko - Fictional name written with different meanings in the show. His wanted poster uses 祖 (zǔ) from Chinese meaning "ancestor, forefather" combined with 寇 (kòu) meaning "bandit, robber". Likely meant to portray Zuko as a traitor to his family and people. However, it’s also written as 蘇 (sū) meaning "to regain consciousness" combined with 科 (kē) meaning "sort, class", which is probably the true meaning to his name referring to how Zuko will redeem the Fire Nation and royal family by redeeming himself.

Azula - Fictional name derived from Portuguese, Galician, and Spanish azul meaning "blue" (of Persian origin). A reference to her blue flames.

Want me to cover other ATLA names? Just ask!

(Psst want more ATLA? Check this out!)

[astranauticus]

Director of the False Last Act

[mags-cp]

Wip✨️

This is a work in progress and nothing is definitive yet, but I would love to hear some ideas or feedback for the design or the possible backstory😊