#author: daniel hurst

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Every house has secrets. But not all of them stay buried forever... When the Burgess family move into their 'forever' home, it seems like they are set for many happy years together at their new address. Steph and Grant, along with their children, Charlie and Amelia, settle into their new surroundings quickly. But then they receive an unexpected visit from a couple who claim to have lived in the house before. They wish to come in and have a look around for old time's sake. Seeming pleasant and plausible, Steph invites them in. And that's when things begin to change.It's not long after the peculiar visit when the homeowners begin to find evidence of the past all around their new home as they redecorate. But it's the discovery of a hidden wall containing several troubling messages that really sends Steph into a spin. After digging into the history of the house a little more, she learns it is connected to a shocking crime from the past. A crime that still remains unsolved...

[fibula-rasa]

Lost, but Not Forgotten: The World’s Applause (1923)

Direction: William C. de Mille

Scenario & Titles: Clara Beranger (more about Beranger at the Women Film Pioneers Project)

Camera: L. Guy Wilky

Sets & Costumes: Paul Iribe

Studio: Famous Players-Lasky (production) & Paramount (distribution)

Performers: Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa, James Neill

Status: presumed entirely lost

Synopsis (synthesized from magazine summaries of the plot):

Corinne D’Alys (Bebe Daniels), f.k.a. Cora Daly, is a theater star who has “taken the Rialto by storm.” Unfortunately, Corinne also has a desperate hunger for publicity. Her manager, John Elliott (Lewis Stone), who also happens to be in love with her, advises her to be more sensible about her career. A famous artist, Robert Townsend (Adolphe Menjou), has become enamored with Corinne, and wants to paint her portrait. Despite John’s warning that Robert wishes only to “see more of her,” Corinne sits for the portrait. 

Robert plans on throwing a party to celebrate finishing the painting but declines to invite his wife, Elsa Townsend (Kathlyn Williams). Elsa comes to her husband’s studio anyway and finds the portrait and a pearl headdress that Robert is going to gift to Corinne. In a jealous rage, Elsa takes a knife to the painting and then to her husband—fatally stabbing him. Elsa also happens to be John’s sister and she calls him in a panic to help her. John arrives at the studio in secret and helps Elsa escape the scene. Meanwhile, Corinne and the guests begin to wonder where their host is, and Corinne then finds the body of the painter.

John convinces the police that Corinne is innocent. Corinne leaves town to avoid the storm. Unfortunately, John then becomes the primary suspect, as he had a notable fight with his brother-in-law months prior. When John is arrested, Corinne returns and confesses to Elsa that she feels morally responsible for Robert’s murder. Elsa then confesses to committing the murder herself. It’s implied that Elsa commits suicide via “the watery route.” 

Now that both John and Corinne have been cleared of suspicion, they are free to marry and Corinne has lost her appetite for publicity.

Transcribed sources & annotations below:

Moving Picture World, November 11, 1922

News from the Producers

Conducted by T.S. da Ponte

Changes Titles of Two

Three new titles have been chosen for as many forthcoming Paramount pictures.

William de Mille’s recently completed production from an original story by Clara Beranger, in which Bebe Daniels, Lewis Stone, Kathlyn Williams and Harrison Ford have the important roles, has been permanently titled, “The World’s Applause.” “Notoriety” was the title originally chosen, but when it was found that another company had a prior claim, it was changed temporarily to “Paths of Glory,” which in turn has now given way to “The World’s Applause.”

Mary Miles Minter's latest picture, just completed under the direction of Charles Maigne and adapted from Stephen French Whitman's novel, "Sacrifice," is to be called "Drums of Destiny."

"Racing Hearts" is the title chosen for the new picture Agnes Ayres is just starting under the direction of Paul Powell. This is a story by Byron Morgan, author of the Wallace Reid automobile racing pictures, and Miss Ayres has the role of a race driver who goes in and wins a thrilling speed contest when the regular driver fails to show up.

Both "Drums of Destiny" (titled "Drums of Fate" on release in 1923) and "Racing Hearts" are also lost films.

Exhibitor’s Herald, January 20, 1923

REVIEWS

BEBE DANIELS IN

WORLD’S APPLAUSE

(PARAMOUNT)

A fascinating story of the life of an actress who unwittingly becomes involved in a murder mystery which almost brings about her downfall professionally. Lavishly presented, very well acted and directed in William deMille’s best style. Length, 6,528 feet.

An original story by Clara Beranger provides Bebe Daniels, Lewis Stone, Kathlyn Williams, Adolph Menjou and others with a suitable vehicle in which to display their talents. There is good story interest for the most part, with good surprise value and considerable dramatic suspense in the contest of wits between the detectives and John Elliott and his sister.

Lewis Stone plays the role of Elliot and gives an unusually convincing and consistent characterization. The director, author and producer are to be congratulated upon securing Mr. Stone’s services for this part. Miss Daniels appears in the role of an actress who is a hound for publicity, and the moral of the story shows how ready the public is to condemn these children of the stage. Kathlyn Williams has the role of Elsa Townsend, wife of an artist in love with the little actress, who in a fit of jealousy kills her husband. A difficult role, but played with restraint and conviction. Adolphe Menjou is the artist. Bernice Frank was the maid; Mayme Kelso, secretary to the actress, and George Kuwa, valet to Townsend. James Neill was Elliot’s valet, while Brandon Hurst played James Crane, owner of a string of newspapers.

Corinne d’Alys, popular Broadway star, poses for Townsend while he paints her portrait. On the day he is to display the painting he gives a party at his studio. As the guests assemble, Mrs. Townsend comes to the studio, discovers a valuable pearl headdress which her husband is to give to Corinne, and the portrait of the actress. In a fit of jealousy she strikes him down and leaves the studio with her brother, John Elliot. The discovery of the dead artist throws suspicion upon the members of the party. Corinne telephones to her affianced husband Elliott and he succeeds in convincing the police that she is innocent. Crane takes a hand in the investigation, however, and dogs Elliott’s footsteps. A confession from Mrs. Townsend finally clears Elliott and the little actress, and she no longer seeks the world’s applause, but is content to settle down with John.

The Film Daily, February 2, 1923

A Typical DeMille Entertainment With the Usual Atmosphere

William DeMille Prod.

“THE WORLD’S APPLAUSE”

Paramount

DIRECTOR…William DeMille

AUTHOR…Clara Beranger

SCENARIO BY…Clara Beranger

CAMERAMAN…L. Guy Wilky

AS A WHOLE…Consists of situations and atmosphere intended to provide visual appeal but that is as far as it gets

STORY…Artificial and quite theatrical; flavored with sensational bits that will make it popular with a certain crowd

DIRECTION… Very good as far as production goes and usually handles story with good judgment but ending is too long arriving

PHOTOGRAPHY…Excellent

LIGHTINGS… Good

PLAYERS… Lewis Stone and Bebe Daniels featured with Stone doing his usual good work and Miss Daniels a suitable but not beautiful Corinne d’Alys; others Kathlyn Williams and Adolphe Menjou

EXTERIORS…Few

INTERIORS… Many elaborate settings

CHARACTER OF STORY…Star seeking publicity is cause of man’s death at the hands of his jealous wife

LENGTH OF PRODUCTION… 6,526 feet

Probably because there is a moral to it the unpleasant bits in “The World’s Applause” will have to be excused but it does seem unfortunate that they have to wade so deeply into scandal and sensation providing incidents in general, to get to it. Before you finally learn the lesson of this film—that success is not measured by the amount of prominence you attain—you are treated to some mighty intimate scenes in which a popular stage favorite is the sensuous, central figure. She is very deliberately sought by a famous portrait artist, a married man, who plans his seduction in elaborate style. Of course he has a studio establishment which figures prominently in his scheme and the very innocent young moth runs headlong into the flame heedless of the warning of her manager, who really loves her. The aggravating thing about these petty publicity seekers is that you are expected to accept their sugar-wouldn’t-melt-in-their-mouth attitude for the real thing.

But this Corinne d’Alys spoils it all, or the title writer does it for her, when she admits that her would-be lover will give her everything but “a narrow gold band.” The titles, incidentally, are very bad. There is one in which the true lover warns the girl that the artist wants her to pose for him so that “he can see more of her.” The titles are quite off color in many similar instances. This one particularly seemed to strike the Rivoli audience as a thoroughly fine humorous touch.

William DeMille is following closely in the footsteps of his brother, Cecil, when it comes to making pictures with plenty of pictorial appeal and colorful atmosphere. In this respect the picture is interesting and should satisfy. From a story angle, it is all a matter of taste. Where they like theatrical, sensational stuff, it is all very nice but where they want clean, wholesome stories, it may be different.

Bebe Daniels handles the role of Corinne adequately but she never gives the impression of being sufficiently beautiful to have “The World’s Applause.” Lewis Stone is always capable but deserves a more sensible role. The cast, on the whole, is suitable.

Story: John Elliot’s new star, Corinne d’Alys, is swept off her feet by sudden success. She accepts the attentions of Townsend, an artist, the husband of Elliot’s sister, who paints her portrait. Townsend is accidentally killed by his jealous wife and Elliot is arrested. His sister, realizing Elliot loves Corinne, commits suicide, leaving a confession which clears Elliot and cures Corinne of her craving for publicity.

One of those negative reviews that makes you want to watch a movie more, eh? Moralizing and misogyny on full display! Phew.

The Moving Picture World, February 1923

“World’s Applause” Released January 21

William de Mille, Paramount producer, departed temporarily from his custom of filming stage dramas when he made "The World's Applause," which was on the Paramount release schedule of January 21.

This is an original story by Clara Beranger, who has written the scenario of all of Mr. de

Mille's recent photoplays. Bebe Daniels and Lewis Stone are the featured players in a cast which Mr. de Mille considers one of the best he has had in his long career as a producer.

An ultra-modern note is struck by Miss Daniels in her costumes, it is reported. In each succeeding scene she wears something different from the preceding one, and although Mr. de Mille never allows his photodramas to descend to the level of mere fashion shows, this feature of "The World's Applause" is certain to intensify every woman's interest in the picture, Paramount says.

Variety, February 1923

WORLD'S APPLAUSE

Paramount picture presented by Adolph Zukor. William DeMille production, featuring Bebe Daniels, Lewis Stone and Kathlyn Williams in story by Clara Beranger.

At the Rivoli, New York, week of Jan. 28.

Corinne d'Alys..........Bebe Daniels

John Elliot........Lewis Stone

Elsa Townsend...Kathlyn Willams

Robert Townsend, her husband…Adolphe Menjou

James Crane...Brandon Hurst

Maid to Corinne...Bernice Frank

Secretary to Corinne.........Maym Kelso

Valet to Townsend..George Kuwa

Valet to Elliot......James Neill

“The World's Applause" is a screen treatise on theatrical publicity and exploitation with a twist that a certain theatrical personage's craving for newspaper "notices" and the desire to be the talk of the town boomerangs viciously when she is indirectly implicated in a murder mystery.

The theatrical personage is Corinne d'Alys (born Cora Daly), who has "taken the Rialto by storm," but who is counselled by her manager-lover (Lewis Stone) to cease her craving for the world's applause and deal seriously with her work. This is momentarily disparaged by her

with ensuing developments taking the audience rather interestingly through the usual five-reel span.

It starts with Robert Townsend, an artist who has "arrived" (Adolphe Menjou), becoming enamored with the favored and favorite footlights beauty and honoring her with painting her portrait for the annual Parisian exhibition. Townsend is married to the sister of John Elliot, the impresario, and a parallel situation develops of Townsend slighting his wife for Corinne, and

Townsend interposing himself between the actress and her suitor, Elliot.

At a studio party in Corinne's honor to which Townsend did not invite his wife, the latter enters

through the private studio door and, enraged at her husband's nonchalance, slashes the portrait and stabs the artist fatally. She telephones for her brother, who also enters unbeknown to the guests in the outer rooms. Both slip away, but not without being seen by a newspaper

publisher, whose testimony implicates Elliot, who shields his sister. Elliot is arrested on first degree murder charges, but is absolved when his sister confesses to Corinne. The sister runs away, and there is a suggestion she commits suicide via the watery route.

Not much to the story, but rather deftly handled by DeMille in his customary pretentious manner—never lavish but always in good taste. The captioning is pithy and bright, and such leaders as "the public always believes the worst about an actress" is good lay propaganda for the profession.

Miss Daniels sports a nobby collection of clothes to excellent advantage. Mr. Stone is a sincere opposite, who also has the ability of really acting when called upon. Miss Williams, too, accounted for herself handily.

The picture pleased at the Rivoli

Abel

Cine-Mundial, April 1923 p. 218 & 239

EL APLAUSO DEL MUNDO

(The World’s Applause)

“Paramount” — 150 metros

Intérpretes principales: Bebé Daniels y Lewis Stone. Colaboradores: Kathryn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa y James Neill.

Argumento de Clara Beranger. Dirección de William DeMille.

Argumento

Corina, actriz, tiene sed insaciable de publicidad y se muere por ver su nombre en letras de molde, bien grandes, aunque sea a costa de escándalo, sin escuchar los consejos de su empresario, Elliot, que la ama. Los periódicos mezclan a la joven en un lío en el que ver un famoso pintor que le está haciendo su retrato. La noche en que el artista va a celebrar con un banquete la terminación del cuadro, se presenta en escena su mujer, disputan, y en un acceso de rabia, la consorte se apodera de un cuchillo para destrozar la pintura y, accidentalmente, mata al artista. La homicida es hermana de Elliot y éste trata de salvarla a to-

(Continúa en la página 239)

NUESTRA OPINION

(Viene de la página 218)

da costa del presidio. Llega hasta a asumir la responsabilidad del delito, cuando las sospechas recaen en su contra, por causa de un disgusto tenido, meses antes, con su cuñado. Pero, justamente cuando la policía va a detenerlo, la hermana confiesa su crimen y Elliot y Corina, sus nombres limpios de mancha, se casan.

Tengo debilidad por Lewis Stone como actor. Quizá por eso me haya gustado tanto esta película, de impecable dirección. Por causa de la reducción de los escenarios, se concentra el interés en el tema y eso añade fuerza dramática a toda la obra, aunque el argumento no tenga, ni con mucho, excesiva novedad. Si se sujeta la película al análisis, se corre el riesgo de dejarla maltrecha. Prefiero, pues, dar sólo idea de lo que a mi me pareció. — Guaitsel.

Translation:

Lead actors: Bebe Daniels and Lewis Stone. Supporting actors: Kathlyn Williams, Adolphe Menjou, Brandon Hurst, Bernice Frank, Maym Kelso, George Kuwa and James Neill.

Scenario by Clara Beranger. Direction by WIlliam DeMille.

Scenario

Corina, an actress, has an insatiable thirst for publicity and would die to see her name in lights, even at the cost of scandal, without listening to the advice of her manager, Elliot, who loves her. The newspapers mix the young woman up in an imbroglio with a famous painter, who is painting her portrait. On the night that the artist is going to celebrate the completion of the painting with a banquet, his wife appears on the scene, they argue, and in a fit of rage, the wife seizes a knife to destroy the painting and, accidentally, kills the artist. The murderer is Elliot’s sister and he tries to save her from prison at all costs. He goes as far as assuming responsibility for the crime, when suspicion falls on him, due to a disagreement he had with his brother-in-law, months before. But, just as the police are going to arrest him, the sister confesses her crime and Elliot and Corina, their names clean, get married.

I have a soft spot for Lewis Stone as an actor. Maybe that’s why I liked this impeccably-directed film so much. Because of the limitation of settings, interest is concentrated on the theme and this adds dramatic force to the whole work, even though the scenario isn’t very excessively novel at all. If you subject the film to analysis, you run the risk of dealing damage to it. I prefer then to give only the outline of how it seemed to me. — Guaitsel.

Photoplay, April 1923

THE WORLD’S APPLAUSE—Paramount

CLARA BERANGER seems to have dramatized the recent newspaper headlines. An idol whose fame has been built upon publicity gets involved innocently in a murder and the aforementioned publicity turns out to be a boomerang, demolishing said idol. Tritely told by William de Mille, who isn’t living up to early expectations. Bebe Daniels is pleasant enough as the idol.

Presumably, this writer is alluding to the Mary Miles Minter / William Desmond Taylor scandal from February of 1922. Kind of an interesting assumption given that, at the time, Minter was still under contract with Famous Player-Lasky, the same company that produced The World’s Applause.

The Story World and Photodramatist, April 1923

The World's Applause

With the excellent theme of regeneration after a terrifying experience, William De Mille slices his emphasis a bit in the story of The World's Applause; though he presents a warning to all actresses or public servants who, in their greed for applause, get themselves talked about in the wrong way, he misses the hole by a few inches because Corinne D'Alys is not the one to pay the piper most heavily. Even though she claims she is morally guilty of the murder, I found it

difficult to believe her regeneration more than skin-deep, possibly because the suggestion of the suicide of the physically guilty but wholly justified wife fades so quickly into the scene of Corinne's future happiness.

In lieu of convincing plot to express his theme, Mr. De Mille has resorted for public appeal to the tinsel more often found in a C. B. de Mille production—to lavish sets and to gowns for Bebe Daniels as daring and gorgeous as any of Miss Swanson's. For admirers of this young actress, the picture will doubtless be more or less satisfying, but contrary to dramatic principles, to the opposition have been given the histrionic opportunities 

It is many pictures since I have seen such an amusing lothario as the unfaithful husband; but pushed too far by his desperate wife, he rises to the breaking point very naturally. The development of the battle of their wills into one of physical violence and murder deserves high

praise as an example of loss of mental control at the moment of physical contact. The stellar role from the dramatic angle is that of the neglected wife—excellently portrayed by Kathlyn Williams. The story revolves around her problem of protecting her home and retaining her

husband's love. It is she who struggles and suffers through her hasty deed, and in the end sacrifices herself that her brother and the foolish enticer of her husband may be happy.

The weakness of the plot is early evident for the first big dramatic scene does not include the supposed lead. While Corinne is in another room with the guests, the artist's wife declares to her husband her intention of being present at the dinner to celebrate the completion of his portrait of the actress. When her husband urgently remonstrates, she seizes a knife and in the old sensational manner slashes the portrait. He seizes her hand, the exasperated animal rises in her, and she plunges the knife into his side. Horribly frightened, she phones to her brother; he assists her to escape and later denies all knowledge of the crime.

Meanwhile the supposed lead, growing tired of waiting, opens the door on the body of the artist. The guests, sensing a scandal, leave Corinne to enjoy the notoriety her desire for applause has brought upon her. The brother is suspected and his and Corinne's financial backers withdraw their support. Instead of remaining to fight it out, Corinne leaves town. The brother is arrested, and his sister is torn between her love for him and her fear of prison bars for herself. When Corinne returns, she goes to the wife and claims the moral guilt.

In a rather confused manner the story rushes through the confession of the wife and the suggestion of her suicide to the inferred regeneration and future happiness of the actress with the recently bereaved brother. Odd thing, poetic justice! Frankly this picture is not up to the De Mille standard; its appeal is to the more superficial emotions and through the eye rather than through the intellect or heart of the discriminating spectator. It is not the clean, wholesome picture I had anticipated.

Picture Play Magazine, May 1923

The Screen in Review

“The World’s Applause.”

If you are a young actress who will do most anything for publicity, this film will be a lesson to you. Otherwise it will be sheer entertainment, cooked up by William De Mille and charmingly acted with Bebe Daniels as the publicity-mad star and Lewis Stone as her manager. The story has really original twists in it and is directed with humor and restraint. Its only flaw is the incredibly silly subtitles. I don’t understand how Mr. De Mille let them get by in one of his productions which always bear a certain imprint of good taste and sophistication.

[dreaminginthedeepsouth]

LETTERS FROM AN AMERICAN

May 17, 2023

HEATHER COX RICHARDSON

MAY 18, 2023

The debt ceiling crisis is already affecting our national security. Because President Biden has pulled out of his trip to Australia so he can come home to address the crisis, a planned meeting of the Quad will not go forward. The Quad, whose official name is the Quadrilateral Security Dialogue, is a security group consisting of  Australia, India, Japan and the United States that organized in 2007 as a response to China’s rising power.

Biden’s visit to Australia and to Papua New Guinea was designed to cement the interest of the U.S. in the Indo-Pacific region. Daniel Hurst of The Guardian was quite clear what it meant to have Biden forced to cancel because of the Republicans’ debt ceiling demands. His article on the issue was titled: “The cancelled Quad summit is a win for China and a self-inflicted blow to the US’s Pacific standing.” “Chinese state media outlets won’t need to muster much creative energy to weave together some of Beijing’s preferred narratives,” Hurst wrote, “that the US is racked by increasingly severe domestic upheaval and is an unreliable partner, quick to leave allies high and dry.”

In the Sydney Morning Herald, Matthew Knott called Biden’s forced withdrawal “a disappointment, a mess and a gift to Beijing.” “The US wants to remain the leader of the free world but domestic divisions mean it now regularly struggles to keep its government from shutting down and defaulting on its debts,” he wrote. “The Quad summit in Sydney should have provided a powerful symbol of four proud democracies working together to get things done. Instead, it will serve to highlight the systemic problems plaguing the world’s longest-standing democracy and its aspirations for ongoing global leadership.”

And, astonishingly, stepping on this global rake is an unforced error. The debt ceiling is not about future spending, it is about paying bills Congress has already incurred. If it comes to that, failing to raise the debt ceiling—the amount of money the Treasury can borrow to meet its obligations—so that Republicans, led by House Speaker Kevin McCarthy (R-CA), can get concessions they cannot win through normal legislative procedures, will be an unforced error of truly epic proportions, a larger version of undercutting years of work building U.S. standing in the Indo-Pacific region.

Senate Democrats have begun to push for honoring the nation’s debts without trying to bring Republicans along. They are circulating a letter urging President Biden to invoke the fourth section of the Fourteenth Amendment to override the debt ceiling. That section reads: “The validity of the public debt of the United States, authorized by law, including debts incurred for payment of pensions and bounties for services in suppressing insurrection or rebellion, shall not be questioned.”

Republican congressmen wrote that section to prevent Democratic opponents, who hated the newly powerful government that had won the Civil War, from changing the terms of repayment of the debt. Democrats called for turning gold interest payments into payments in paper money. That change would have significantly degraded the value of the debt. It would also have destroyed confidence in the government, a result those who had just lost the Civil War quite liked.

Congress intended the Fourteenth Amendment to assert the power of the federal government over the states once and for all, making sure that no one could discriminate against individuals within the states or make war on the United States from within. It was an attempt to make it impossible for those trying to destroy the nation to carry out their plans.

Senator Peter Welch (D-VT) told Burgess Everett and Sarah Ferris of Politico, “It’s not about being comfortable with Biden or anyone else. It’s about the House. Kevin’s in shackles. He’s in leg, arms and hand cuffs. And frankly I don’t think he’s got much capacity to negotiate. And very little capacity to advance a deal.” Welch, who served eight terms in the House before moving to the Senate in 2023, added, “I’m quite pessimistic about McCarthy. He’s very constrained…. I think we’re heading toward a decision on the 14th Amendment.”

Interestingly, Senator Josh Hawley (R-MO) has indicated he’s on board with the idea of Biden invoking the Fourteenth Amendment. “I think if I were president, I would be tempted” to use the Fourteenth Amendment, Hawley said. “Because I would just be like, ‘Listen, I’m not gonna let us default. So end of story. Y’all will do whatever you want to do.’ But I’m not necessarily giving him that advice. It’s against my interest.” Hawley’s defense of the idea suggests that Republicans are eager to find a solution to the crisis that does not involve them, so that they can then condemn the Democrats for whatever they do.

—

LETTERS FROM AN AMERICAN

HEATHER COX RICHARDSON

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Release Day: June 12, 2024

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𝗔𝗗𝗗 𝗧𝗢 𝗚𝗢𝗢𝗗𝗥𝗘𝗔𝗗𝗦 ↳ https://www.goodreads.com/book/show/205428561-craving-chaos

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 · 𝐀𝐁𝐎𝐔𝐓 𝐓𝐇𝐄 𝐁𝐎𝐎𝐊 ·

𝙍𝙚𝙣𝙯𝙤

Stranded in the frozen Canadian wilderness with Shae-fucking-Byrne.

I’m not sure which part is worse.

It’s her fault we’re here, after all.

I should want to strangle her.

Instead, my fantasies have warped from murderous to something infinitely more dangerous.

More seductive.

I don’t want to kill Shae Byrne.

I want to possess her—to own every piece of her.

As the new boss of the Moretti family, I shouldn’t even look her direction.

Anything between us would be an impossibility back home.

But out here in the arctic north, there are no rules.

𝙎𝙝𝙖𝙚

Arrogant men like Renzo Donati are the reason I usually date women.

And yet, of all the people in the world I could be trapped with,

Fate has bound me to Renzo.

We need one another to survive.

That should be the extent of it.

But when his hard body wraps around mine at night to stave off the cold,

Survival is the last thing on my mind.

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[knowledgesagabooks]

The Doctor’s Wife by Daniel Hurst| Book Review| Book Summary

The Doctor’s Wife by Daniel Hurst is an absolutely gripping, unpredictable, and unputdownable psychological thriller with a shocking twist. Read the full review and summary in the article below. Author: Daniel Hurst Cover Plot Narration Characters Release Date 31 January 2023 8 Pages 280 Book Review: The Doctor’s Wife by Daniel Hurst The Doctor’s Wife by Daniel Hurst mainly revolves around…

[readitreviewit]

Are you in the mood for a thrilling ride that will keep you on the edge of your seat? Look no further than Don't Let Her Stay, the latest page-turner from bestselling author Daniel Hurst. The story revolves around Joanne and Richard, a happily married couple with a new baby, living in a beautiful house. But their peaceful existence is about to be rocked by the arrival of Richard's estranged daughter, Chloe. Despite their past animosity, Chloe offers to move in and help Joanne with the new baby. At first, everything seems perfect. Chloe is helpful and kind, and Joanne is grateful for the assistance. But soon, strange things begin to happen, and Joanne can't shake the feeling that she's losing her mind. She starts to suspect that Chloe may not be who she appears to be and fears for her family's safety. With a twist that will shock you and tension building from start to finish, Don't Let Her Stay is the perfect read for fans of psychological thrillers. The ending is OMG-worthy, and you won't be able to put the book down until you've reached the last page. According to Goodreads reviewer, this book is a real five-star read, and we couldn't agree more! The suspense will keep you guessing until the very end, and the final twist is sure to stay with you long after you've finished the book. If you're looking for a creepy, nail-biting thriller that will keep you up all night, Don't Let Her Stay is the book for you. Daniel Hurst has done an exceptional job of creating a gripping, well-written story that keeps you guessing until the very end. In addition to the fantastic plot, the characters are well-developed and believable. You'll find yourself rooting for Joanne and her family as they navigate the dangers of their situation. And you'll certainly find yourself despising Chloe as her true nature is revealed. The writing style is engaging, and the pacing is perfect. You'll find yourself turning pages faster and faster as the story reaches its climax. And the ending is sure to satisfy fans of the genre, with a conclusion that ties up all loose ends and leaves you feeling satisfied. Overall, Don't Let Her Stay is a brilliant, compelling thriller that will keep you on the edge of your seat from start to finish. If you're a fan of the genre, you won't be disappointed. So don't hesitate – pick up a copy today and start reading! Don't miss out on this captivating read! Click now to buy the book or start your FREE 30-day trial of Audible and immerse yourself in this unforgettable story! Price: [price_with_discount] (as of [price_update_date] - Details)

[connors-chocolate-history-blog]

WORKS CITED:

Chocolate in the Underworld Space of Death: Cacao Seeds from an Early Classic Mortuary Cave (Keith M. Prufer and William Jeffrey Hurst) Chocolate: Cultivation and Culture in pre-Hispanic Mexico Author(s): Margarita de Orellana, Richard Moszka, Timothy Adès, Valentine Tibère, J.M. Hoppan, Philippe Nondedeo, Nezahualcóyotl, Nikita Harwich, Nisao Ogata, Quentin Pope, Fray Toribio de Benavente, Motolinía, Guadalupe M. Santamaría and Daniel Schechter Source: Artes de México, No. 103, CHOCOLATE: CULTIVO Y CULTURA DEL MÉXICO ANTIGUO (SEPTIEMBRE 2011), pp. 65-80 The Power of Chocolate Author(s): Blake Edgar Source: Archaeology, Vol. 63, No. 6 (November/December 2010), pp. 20-25 Published by: Archaeological Institute of America Tasting Empire: Chocolate and the European Internalization of Mesoamerican Aesthetics by MARCY NORTON CHOCOLATE II: Mysticism and Cultural Blends Author(s): Margarita de Orellana, Quentin Pope, Sonia Corcuera Mancera, José Luis Trueba Lara, Jana Schroeder, Laura Esquivel, Jill Derais, Mario Humberto Ruz, Clara Marín, Miguel León-Portilla, Michelle Suderman, Marta Turok, Mario M. Aliphat Fernández, Laura Caso Barrera, Sophie D. Coe, Michael D. Coe and Pedro Pitarch Source: Artes de México, No. 105, CHOCOLATE II: Mística y Mestizaje (marzo 2012), pp. 73- 96 The Introduction of Chocolate into England: Retailers, Researchers, and Consumers, 1640- 1730 Author(s): Kate Loveman Source: Journal of Social History, Vol. 47, No. 1 (Fall 2013), pp. 27-46 Published by: Oxford University Press Stable URL: https://www.jstor.org/stable/43306044 Encomienda, African Slavery, and Agriculture in Seventeenth-Century Caracas Author(s): Robert J. Ferry Source: The Hispanic American Historical Review, Vol. 61, No. 4 (Nov., 1981), pp. 609-635 Published by: Duke University Press Stable URL: https://www.jstor.org/stable/2514606 Accessed: 12-07-2019 16:34 UTC The Cacao Economy of the Eighteenth-Century Province of Caracas and the Spanish Cacao Market Author(s): Eugenio Pinero Source: The Hispanic American Historical Review, Vol. 68, No. 1 (Feb., 1988), pp. 75-100 Published by: Duke University Press Stable URL: https://www.jstor.org/stable/2516221 Accessed: 12-07-2019 17:03 UTC Establishing Cacao Plantation Culture in the Western World - Timothy Walker The Ghirardelli Story Author(s): Sidney Lawrence Source: California History, Vol. 81, No. 2 (2002), pp. 90-115 Published by: University of California Press in association with the California Historical Society Stable URL: https://www.jstor.org/stable/25177676 The Evolution of Chocolate Manufacturing Rodney Snyder, Bradley Foliart Olsen, and Laura Pallas Brindle The Emperors of Chocolate - Inside the Secret World of Hershey and Mars by Joel Glenn Brenner (Random House, 1998) Bitter Chocolate by Carol Off (The New Press, 2006) "Cocoa's child labrorers", Whoriskey, Peter; Siegel, Rachel, The Washington Post, June 10 2019 The Harkin-Engel Protocol (Chocolate Manufacturers' Association, 2001) "Role of Trade Cards in Marketing Chocolate during the Late 19th Century", Virginia Westbrook "Chocolate at the World's Fairs, 1851-1964", Nicholas Westbrook Edible Ideologies by Kathleen LeBesco (SUNY 2008) Cosmopolitan cocoa farmers: refashioning Africa in Divine Chocolate advertisements Author(s): Kristy Leissle Source: Journal of African Cultural Studies, Vol. 24, No. 2 (December 2012), pp. 121-139 Published by: Taylor & Francis, Ltd. Stable URL: https://www.jstor.org/stable/42005280 Chocolate Nations: Living and Dying for Cocoa in West Africa by Orla Ryan (Zed Books, 2011) Cocoa by Kristy Leissle (Polity, 2018) How Mars Inc., maker of M&Ms, vowed to make its chocolate green. And failed. Mufson, Steven . The Washington Post (Online) , Washington, D.C.: WP Company LLC d/b/a The Washington Post. Oct 29, 2019.

[cocktailsfairytales]

📚 New Release Alert! 📚

Dive into the depths of fear and mystery with 'The Patient'! 💀 Ten years after a murder he can't remember, James Owens is finally free, but his mind remains a battleground of hallucinations and haunting memories.

🏠 Placed under house arrest in his family home, the eerie sounds and disappearing objects amplify his paranoia. Is he slipping into insanity, or is someone playing a sinister game with his fragile psyche?

🕵️♂️ Join James on a chilling journey to confront his past and the dark recesses of his tortured soul. 'The Patient' - a spine-tingling psychological thriller for fans of Freida McFadden, Daniel Hurst, and K L Slater.

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Face your fears... if you dare. 🔍🔪 #ThePatient #NewRelease #PsychologicalThriller #MustRead #colebaxter #author

[booklovingpixies]

Week 4 Release - Cinnamon Roll Savior Collection

Title: Cinnamon Roll Saviors Collection Genre: Steamy/Spicy Contemporary Romance Week #3 Authors: Sara Hurst, Christina Lollabrigida, Danielle Jacks, and Eve London Cover Design: CPR Designs Release Dates: August 22-26, 2023 Week #4 Releases: Protecting What’s His by Aletta Faye (TROPES: abuse survivor, second chance, single mom) Falling for My Sweet Saviour by Clarice Jayne (TROPES:…

[joyffree]

Cinnamon Roll Hero (sin-a-mon roll he-ro): (n) a hero who is too sweet for this world…but will fight to the death for the people they care about.

Title: Cinnamon Roll Saviors Collection Week #2 Authors: Sara Hurst, Christina Lollabrigida, Danielle Jacks, and Eve London Releases: August 22-26, 2023 Genres: Steamy/Spicy Contemporary Romance Cover Design: CPR Designs

Join twenty of your favorite romance authors on our journey to prove that cinnamon rolls can still be steaming hot! These sweet, sexy heroes (and heroines!) are here to save the day, whether it’s by rescuing their partner from the ghosts of their past or just showing them that they deserve to be loved, cherished, respected…and, of course, pleasured.

[asfaltics]

A brown moth fluttered.

  The curtain was down, and the carpenters were rearranging the “No, no, no! I can’t breathe       1       volatile I can’t breathe.” And such a fit of suffocating       2   “I can’t breathe,” she would sometimes say       3 and the minisnever! I can’t breathe it in fast enough, nor hard enough, nor long enough.”       4   and started up up. to return to the tent, only to check him No, I can’t breathe the same air self in the act as often as he started, with ye to-night, but ye’ll go into the he lost consciousness in uneasy dreams       5 meet me at the station. I can’t breathe in this wretched       6   “sickening down there — I can’t breathe!  I can’t stand it, Drewe! It’s killing me!” — Tears       7 struggling to altitudes that I can’t breathe in.  I could help him when he was in despair, but he is the sort who       8   sometimes I find I can’t breathe in it.  Perhaps some folks will say “so much the worse for you”       9 it seems if I can’t breathe in the house. not dared hope       10   “Well, I won’t wear ’em. I can’t breathe” “Sure! Blame ’em!” “I can’t breathe a square breath.” Oh       11 things I regret I can’t breathe.       12   bramble bush. I can’t breathe. I can’t eat. I can’t do anything much. It’s clear to my knees.       13 I can't breathe, I can't talk,       14   lying on its “I can’t stay here I can’t breathe” side, the cork half-loosened. A brown moth fluttered.       15 “I can’t breathe beside you.”       16   the needs of any reasonable young lady. “I can't breathe there,       17 I can’t breathe — I really need the rush of this wintry air to restore me!”       18   I can’t breathe no more in that coop upstairs . tablet ; two he said is what you need.” of flame shoots through a stream of oil       19 no friction. It’s friction—rub- / asthmatically.] “I can’t breathe deep — I can light and of reason. But I’ve a notion       20   out of it. I can’t breathe in the dark. I can’t. I / She withdrew       21 “I can’t breathe or feel in”       22   Up a flight of stairs, and there was the girl, sitting on the edge of an untidy bed. The yellow sweater was on the floor. She had on an underskirt and a pink satin camisole. “I can't breathe !” she gasped.       23 I can’t breathe in the dark! I can’t! I can’t! I can’t live in the dark with my eyes open!       24   One never gets it back! How could one! And I can’t breathe just now, on account of       25 that old stuff, I could shriek. I can’t breathe in the same room with you. The very sound of       26   don’t! I can’t — breathe.... I’m all — and bitter howling.       27  

sources (pre-1923; approximately 90 in all, from which these 27 passages, all by women)

1 ex “Her Last Appearance,” in Peters’ Musical Monthly, And United States Musical Review 3:2 (New-York, February 1869), “from Belgravia” : 49-52 (51) “Her Last Appearance” appeared later, “by the author of Lady Audley’s Secret” (M.E. Braddon, 1835-1915 *), in Belgravia Annual (vol. 31; Christmas 1876) : 61-73 2 snippet view ex The Lady’s Friend (1873) : 15 evidently Frances Hodgson Burnett (1849-1924 *) her Vagabondia : A Love Story (New York, 1891) : 286 (Boston, 1884) : 286 (hathitrust) 3 ex “The Story of Valentine; and his Brother.” Part VI. Blackwood’s Edinburgh Magazine vol. 115 (June 1874) : 713-735 (715) authored by Mrs. [Margaret] Oliphant (1828-97 *), see her The Story of Valentine (1875; Stereotype edition, Edinburgh and London, 1876) : 144 4 OCR confusions at Olive A. Wadsworth, “Little Pilkins,” in Sunday Afternoon : A Monthly Magazine for the Household vol. 2 (July-December 1878) : 73-81 (74) OAW “Only A Woman” was a pseudonym of Katharine Floyd Dana (1835-1886), see spoonercentral. Katharine Floyd Dana also authored Our Phil and Other Stories (Boston and New York, 1889) : here, about which, a passage from a bookseller's description — Posthumously published fictional sketches of “negro character,” first published in the Atlantic Monthly under the pseudonym Olive A. Wadsworth. The title story paints a picture of plantation life Dana experienced growing up on her family’s estate in Mastic, Long Island. Although a work of fiction set in Maryland, the character of Phil may of been named for a slave once jointly owned by the Floyds and a neighboring family. source see also the William Buck and Katherine Floyd Dana collection, 1666-1912, 1843-1910, New York State Historical Documents (researchworks). 5 OCR cross-column misread, at M(ary). H(artwell). Catherwood (1847-1902 *), “The Primitive Couple,” in Lippincott’s Magazine of Popular Literature and Science 36 (August 1885) : 138-146 (145) author of historical romances, short stories and poetry, and dubbed the “Parkman of the West,” her papers are at the Newberry Library (Chicago) 6 ex Marie Corelli (Mary Mackay; 1855-1924 *), Thelma, A Norwegian Princess: A Novel, Book II. The Land of Mockery. Chapter 12 (New Edition, London, 1888) : 432 7 preview snippet (only), at Ada Cambridge (1844-1926 *), Fidelis, a Novel ( “Cheap Edition for the Colonies and India,” 1895) : 289 full scan, (New York, 1895) : 261 born and raised in England, spent much of her life in Australia (died in Melbourne); see biography (and 119 of her poems) at the Australia Poetry Library in particular, the striking poems from Unspoken Thoughts (1887) here (Thomas Hardy comes to mind) 8 snippet view (only) at F(rances). F(rederica), Montrésor (1862-1934), At the Cross-Roads (London, 1897) : 297 but same page (and scan of entirety) at hathitrust see her entry At the Circulating Library (Database of Victorian Fiction 1837-1901) an interesting family. Montrésor’s The Alien: A Story of Middle Age (1901) is dedicated to her sister, C(harlotte). A(nnetta). Phelips (1858-1925), who was devoted to work for the blind. See entry in The Beacon, A Monthly magazine devoted to the interests of the blind (May 1925) a great-granddaughter of John Montresor (1737-99), a British military engineer and cartographer, whose colorful (and unconventional) life is sketched at wikipedia. 9 Alice H. Putnam, “An Open Letter,” in Kindergarten Review 9:5 (Springfield, Massachusetts; January 1899) : 325-326 Alice Putnam (1841-1919) opened the first private kindergarten in Chicago; Froebel principles... (wikipedia); see also “In Memory of Alice H. Putnam” in The Kindergarten-primary Magazine 31:7 (March 1919) : 187 (hathitrust) 10 OCR cross-column misread, at Mabel Nelson Thurston (1869?-1965?), “The Palmer Name,” in The Congregationalist and Christian World 86:30 (27 July 1901) : 134-135 author of religiously inflected books (seven titles at LC); first female admitted for entry at George Washington University (in 1888). GWU archives 11 OCR cross-column misread, at Margaret Grant, “The Romance of Kit Dunlop,” Beauty and Health : Woman’s Physical Development 7:6 (March 1904): 494-501 (499 and 500) the episodic story starts at 6:8 (November 1903) : 342 12 ex Marie van Vorst (1867-1936), “Amanda of the Mill,” The Bookman : An illustrated magazine of literature and life 21 (April 1905) : 190-209 (191) “writer, researcher, painter, and volunteer nurse during World War I.” wikipedia 13 ex Maude Morrison Huey, “A Change of Heart,” in The Interior (The sword of the spirit which is the Word of God) 36 (Chicago, April 20, 1905) : 482-484 (483) little information on Huey, who is however mentioned in Paula Bernat Bennett, her Poets in the Public Sphere : The Emancipatory Project of American Women's Poetry, 1800-1900 (2003) : 190 14 ex Leila Burton Wells, “The Lesser Stain,” The Smart Set, A Magazine of Cleverness 19:3 (July 1906) : 145-154 (150) aside — set in the Philippines, where “The natives were silent, stolid, and uncompromising.” little information on Wells, some of whose stories found their way to the movie screen (see IMDB) The Smart Set ran from March 1900-June 1930; interesting story (and decline): wikipedia 15 OCR cross-column misread, at Josephine Daskam Bacon (1876-1961 *), “The Hut in the Wood: A Tale of the Bee Woman and the Artist,” in Collier’s, The National Weekly 41:12 (Saturday, June 13, 1908) : 12-14 16 ex E. H. Young, A Corn of Wheat (1910) : 90 Emily Hilda Daniell (1880-1949), novelist, children’s writer, mountaineer, suffragist... wrote under the pseudonym E. H. Young. (wikipedia) 17 ex Mary Heaton Vorse (1874-1966), “The Engagements of Jane,” in Woman’s Home Companion (May 1912) : 17-18, 92-93 Illustrated by Florence Scovel Shinn (1871-1940, artist and book illustrator who became a New Thought spiritual teacher and metaphysical writer in her middle years. (wikipedia)) Mary Heaton Vorse — journalist, labor activist, social critic, and novelist. “She was outspoken and active in peace and social justice causes, such as women's suffrage, civil rights, pacifism (such as opposition to World War I), socialism, child labor, infant mortality, labor disputes, and affordable housing.” (wikipedia). 18 ex snippet view, at “Voices,” by Runa, translated for the Companion by W. W. K., in Lutheran Companion 20:3 (Rock Island, Illinois; Saturday, January 20, 1912) : 8 full view at hathitrust same passage in separate publication as Voices, By Runa (pseud. of E. M. Beskow), from the Swedish by A. W. Kjellstrand (Rock Island, Illinois, 1912) : 292 E(lsa). M(aartman). Beskow (1874-1953), Swedish author and illustrator of children’s books (Voices seems rather for older children); see wikipedia 19 ex Fannie Hurst (1885-1968 *), “The Good Provider,” in The Saturday Evening Post 187:1 (August 15, 1914) : 12-16, 34-35 20 OCR cross-column misread, at Anne O’Hagan, “Gospels of Hope for Women: A few new creeds, all of them modish—but expensive” in Vanity Fair (February 1915) : 32 Anne O’Hagan Shinn (1869-1933) — feminist, suffragist, journalist, and writer of short stories... “known for her writings detailing the exploitation of young women working as shop clerks in early 20th Century America... O’Hagan participated in several collaborative fiction projects...” (wikipedia) a mention of St. Anselm, whose “sittings” are free, vis-à-vis “Swami Bunkohkahnanda”... “Universal Harmonic Vibrations”... 21 OCR cross-column misread (three columns), at Fannie Hurst (1885-1968 *), “White Goods” (Illustrations by May Wilson Preston) in Metropolitan Magazine 42:3 (July 1915) : 19-22, 53 repeated, different source and without OCR misread, at 24 below 22 ex Mary Patricia Willcocks, The Sleeping Partner (London, 1919) : 47 (snippet only) full at hathitrust see onlinebooks for this and other of her titles. something on Mary Patricia Willcocks (1869-1952) at ivybridge-heritage. in its tone and syntax, her prose brings Iris Murdoch to mind. 23 Katharine Wendell Pedersen, “Clingstones, A week in a California cannery.” in New Outlook vol. 124 (February 4, 1920) : 193-194 no information about the author. the journal began life as The Christian Union (1870-1893) and continued under the new title into 1928; it ceased publication in 1935; it was devoted to social and political issues, and was against Bolshevism (wikipedia) 24 ex Fannie Hurst (1885-1968 *), “White Goods,” in her Humoresque : A Laugh on Life with a Tear Behind it (1919, 1920) : 126-169 (155) 25 ex snippet view, at Letters and poems of Queen Elisabeth (Carmen Sylva), with an introduction and notes by Henry Howard Harper. Volume 2 (of 2; Boston, Printed for members only, The Bibliophile society, 1920) : 51 (hathitrust) Carmen Sylva was “the pen name of Elisabeth, queen consort of Charles I, king of Rumania” (1843-1916 *) 26 OCR cross-column misread, at Ruth Comfort Mitchell, “Corduroy” (Part Three; Illustrated by Frederick Anderson), in Woman’s Home Companion 49:8 (August 1922) : 21-23, 96-97 (hathitrust) Ruth Comfort Mitchell Young (1882-1954), poet, dramatist, etc., and owner of a remarkable house (in a “Chinese” style) in Los Gatos, California (wikipedia) 27 Helen Otis, “The Christmas Waits,” in Woman’s Home Companion 49:12 (Christmas 1922) : 36 probably Helen Otis Lamont (1897-1993), about whom little is found, save this “Alumna Interview: Helen Otis Lamont, Class of 1916” (Packer Collegiate Institute, Brooklyn, 1988) at archive.org (Brooklyn Historical Society)

—

prompted by : recent thoughts about respiration (marshes, etc.); Pfizer round-one recovery focus on the shape of one breath, then another; inhalation, exhalation and the pleasure of breathing; and for whom last breaths are no pleasure (far from it); last breaths (Robert Seelthaler The Field (2021) in the background).

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all tagged breath all tagged cento  

[kkecreads]

The Couple’s Revenge by Daniel Hurst

Published: January 4, 2024BookoutureGenre: Domestic ThrillersPages: 258KKECReads Rating: ⭐️⭐️⭐️⭐️⭐️I received a copy of this book for free, and I leave my review voluntarily. Daniel Hurst is an Amazon #1 bestselling author of fast-paced psychological thrillers. His most popular titles include Til Death Do Us Part, The Passenger, and The Doctor’s Wife, the latter title reaching #1 on the Amazon…

[mysimsjournal]

The murder mystery of a teenage girl, Amelia Rosemary, is still under investigation. Authorities suspect it's the local criminal since he was romantically involved with her, but then a break in the case. Another series of murders occurred shortly after her death. A young girl, Violet Evergreen, overheard her adopted mother, Darcie (The Evil Warlock) say to her other adopted mother, Danielle, that she was involved. Danielle was in shock and couldn't fathom what her wife just confessed. She was going to run and take Violet with her, but that didn't happen. Violet woke up to find her mother dead in the living room. She knew right away her mother, Darcie, had to be responsible. Violet called Sherriff Gabriel Hurst right away to the scene. Sheriff Hurst didn't hesitate to confront Darcie, but she despised him for accusing her of her wife's death. Since there isn't any hard evidence yet, she couldn't be arrested. Authorites are suspecting there might be a serial killer out there and Amelia Rosemary's death isn't an isolated incident. Poor Violet. She couldn't bare to accept the new reality. Are authorities closer to solving these heinous crimes? Who killed Amelia? Is her death related to the other murders? Could the Warlock really be involved and why? Or is there someone else out there authorities don't know yet?