#attempt at being cultured

[infinitelystrangemachinex]

massages forehead So Ambessa hid Mel away because she was a weapon in the literal sense, a mage. But Ambessa came to Piltover for Hextech? And Ambessa had nothing to say to Mel about her powers having visibly awakened? Even when Mel offered to go with Ambessa, giving her the ultimate opportunity to make Mel a weapon for real? And Ambessa made no attempt to find or retrieve Mel - not just her daughter and the remnants of the family Ambessa professes to love, but also her ultimate weapon - when she disappeared? And Ambessa trusted Singed and Viktor on their home turf - neither of them hiding how insane and self-serving they are with every reason to take over Ambessa's soldiers or just blatantly turn on her as soon as it benefits them - more than she trusted Mel? While Caitlyn (and by extension Piltover) was visibly and clearly falling away from Ambessa's teachings before Ambessa's eyes? (as if getting rid of certain people allows piltover to get rid of fascism but we won't get into All That)

Not only do I struggle to be hyped for Mel's powers beyond how amazing and beautiful she looks, but I can't help but feel like Mel is somehow less powerful in season 2 than she was in season 1, and not in an interesting way. As if Mel's ability to bend all of Piltover politics and economics to her will in season 1 now means nothing in season 2? You can argue that Jinx's attack led directly to Mel losing ground in Piltover - because I expected Mel to have to claw back that power without being able to rely on people who are too easily seduced by Ambessa and authoritarianism, and she would have to get creative to go toe to toe with her mother. I expected pushback to her mage identity that she would have to navigate. But instead this went either unwritten, or was ignored or discarded. Instead Mel is removed from the main plot, cutting her off from what made her the most interesting - only for all of Mel's very real talents, her very real powers and abilities, to be not only translated but REPLACED with magical powers she doesn't know how to control, and by the finale, those magic powers are the only powers that are considered real. Mel takes a backseat to Piltover's governing and decisions, a backseat to Jayce of all people who was not only new to politics mere months ago but made poor governing, strategic, and diplomatic decisions when he had that power. In season 1 Mel stayed off the "throne" but she did pull its strings one way or the other, and she makes no attempt at this in season 2

In my least generous suspicions, Mel was gentled and quieted to capitulate to an agenda for other characters who had to be correct and heroic - or wrong and villainous - no matter what the leadup narrative said, given her powers to help sell the game and set up future shows, and was effectively ejected from the Arcane story with faceless soldiers and a role she doesn't want because she was inconvenient there

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[anglerflsh]

I haven't painted properly in a while, anyway, quick (one hour each) redraws of frames from the '78 film

[fullmetal-scar-simping]

"We tend to read fma with a Western lens, so critiquing its use of the military and genocide ignores the Japanese perspective," sorry but you can't cultural relativism your way out of imperialism, genocide, and pro-military nationalism.

Newsflash: Japan was an imperialist power! Japanese nationalism is a thing! Numerous genocides have been committed and excused/denied by Japan! Japan having suffered imperialism from the USA does not mean that people are now magically immune to pro-imperialism propaganda and historical revisionism, and it isn't absent from Japanese pop media. In fact, much like American mass media it is often highly prevalent in both overt and insidious/seemingly innocuous ways.

Be honest about the imperialist themes of the stories you like or stfu!

[atopvisenyashill]

my hot take of the day is that clearly the people who swallow the in universe targ & valyrian exceptionalism are being completely taken in by the exact system that george is trying to critique but also i think the people who over correct into this idea that not a single targaryen is worthy of like, our empathy or sorrow or are rightfully chafing against the structures put in place by valyrians, first men, and andals alike are also being incredibly 2d in their analysis. i feel like this happens most often when people try to make the case that andals are somehow oppressed in westerosi society on a cultural level simply bc valyrian supremacy trumps andal culture. i think this is incredibly silly to say or posit as the truth in universe because there is in fact some oppression of culture in westeros but it’s not the andals lol!!! it’s the first men, the dornish, the rhoynar/greenblood orphans, and the ironborn. there Is some level of,,,, idk bigotry/xenophobia towards valyrians but only valyrians who don’t worship the faith - people like larra rogare, who still follow valyrian gods, do face this bigotry because they’re Too Foreign, the same way someone like thoros, melisandre, taena, etc who are essosi but not from a still heavy valyrian-based society like volantis and lys, and that’s definitely important to the conversation, because it shows the Dominant Culture is in fact the Andal culture when it comes to westeros and that’s like,,, fine, and even more interesting to me to see how andals, who have been the dominant force on westeros for thousands of years, interact with valyrians, who clearly want to keep ideas of valyrian supremacy alive somehow and essentially try to get the other dominant force in westeros to buy in (which they do!). like, are these two at odds sometimes? yes! but i don’t think it’s correct to say that the andals face ~prejudice for being andals or followers of the faith either!

[rollercoasterwords]

once u start reading like. even the bare bones intro beginner disability studies critiques it really does become like impossible 2 ignore how so many movies that involve character going from monstrous/nonhuman -> less monstrous/more human r essentially just ‘disabled character becomes less disabled’ lol

[baejax-the-great]

Archive-locking the fics that YOU WROTE and are thus 100% yours to decide what to do with 'hurting people' is so silly tbh. Skill issue on their part. Wish those people could be normal about the amazing fics that writers like you put out & be understanding or at the very least respectful of the choices that writers make about how and where they make their fics available. Especially in light of recent ai training theft and nonsense & all that.

I hope this doesn't sour the fic writing & sharing experience for you too much. I love your writing & think you're very talented & skilled!

There seem to be dual attitudes I'm coming up against recently (and obviously these are not held by everyone, I don't even know that they are held by a majority, but they are certainly held by a plurality).

The first is that authors should be grateful that readers deign to read what they put out there. I think this stems from the "content creation" mentality and the idea that everyone who posts things wants as massive as an audience as possible (for monetization purposes which... isn't a thing in fanfic). I think this mindset also leads to readers demanding that people write specific tropes/pairings/whatever, or threatening basically to take their business elsewhere. "Nobody will read unless you do [X]." 1. Not true and 2. Okay, you weren't my audience.

(I also think authors circulating those posts about how badly they want comments/kudos feeds this mentality of readers doing authors a favor by even clicking on the fic. "Wow, if people are so desperate for attention, then mine must be worth an awful lot!")

Fanfic ain't a business, and I write for myself. Readers choosing to read my work isn't a privilege or an honor they are bestowing upon me (nor are comments for that matter), just as me posting my writing where they can see it isn't a privilege or an honor for them. We are both engaging in hobbies and a love of some media, and sometimes we will overlap and connect and sometimes we won't. Readers aren't reading out of altruism for attention-starved authors, and authors aren't writing out of altruism for content-hungry readers.

And there are those who will read these paragraphs above and think to themselves "wow, what an ungrateful author," and that's exactly the attitude I'm talking about. Don't get me wrong, it's delightful and rewarding to receive comments on fics and chat with people about Blorbo and the Situations. But it should be delightful from both sides of the exchange, or why the hell are we doing this? If I'm meant to be grateful for every commenter who jumps into my inbox, then every commenter in my inbox better be grateful for me, and I can tell you right now there is a population who is not. There is a population who sees me as a service provider for their entertainment, and whatever form I take in their brain, it is not shaped like a full person.

This attitude also leads to people thinking that things like lorefm are no big deal. Don't I want to get my work in front of more eyeballs (or ears)? Don't I want to broaden my audience? And once I put my work out there for readers to see, should I be shocked (or express any negative emotions at all) when someone plagiarizes/scrapes it for AI/demands updates rudely/reads it on a monetized youtube channel/binds it and sells it for profit?

The other idea I've been coming up against is almost the opposite of this--that because some readers form attachments to fic, deleting that fic (or even archive-locking it!) is actively harming those readers. Sure, they can't be bothered to hit the download button or get an AO3 account, but that's no reason not to think of these strangers first before doing what I want with my creative output.

Yall, life is ephemeral. There are things we will see and enjoy and never find again for one reason or another, and it's not harm being done to us, it's just the nature of existence. Having an emotional reaction to something does not give you any sort of ownership over that thing. Artists are allowed to change their minds about whether they want that art in the wild, particularly given that it's free. Maybe it's because I utilize the library a lot, but reading a book and then losing access to that book is not a crime against you, it's just a normal thing that happens. If you read something and it means that much to you, there are ways to avoid losing it (download it).

Seeing this particular attitude extend out to "not making your fic available for as many people to read as possible is harming them" is beyond bizarre. If I woke up tomorrow and deleted everything I have ever written, there would still be thousands upon thousands upon thousands of beautiful, emotional, meaningful fics out there for people to read. They would lack for nothing. Would some people be upset? Probably. Would I be hurting them? No, not really.

Sometimes people have negative emotions because of our actions, but that doesn't mean we did anything to them. This is one of those times.

Lastly, this AI and everything else bullshit really has taken a toll on my enthusiasm for posting my work. It's one thing for companies to try to pillage every thought, every word, every stroke of a pen or paintbrush to enrich themselves while actively making the planet an unbearable and inhospitable place to live, it's another when fellow fans are telling you that "Whelp that's just life, what did you expect, give us your content anyway or you're a bad person and if you complain, then I'll be taking my business elsewhere, you sensitive, entitled creative, lol."

[megumi-fm]

.

[the-witchy-sideblog]

Underrated portrayal of Choke is gossip and drama. Ngl

Lots of thoughts in the tags

[omgcatboi]

I just learned you can report anons, so guess what just happened to the anon being intentionally transphobic to me? ( they got reported )

I don't ever post about any negativity sent my way because I always just block and go about my day, but this time, I noticed that you can infact report anons now.

So I'm just spreading awareness so all my followers know that you can, infact, possibly get someones account shadowbanned for them sending enough anon hate that gets reported.

I understand being degraded, insulted, and humiliatiled are all kinks I have and thoroughly enjoy but you need to ask someone in dms or anon if it's ok to call them certain things before you do so. I reported the anon because I don't want these behaviors being normalized against other fat trans folk despite me personally not being bothered by these insults.

[navree]

I saw your post and got super worried because I assumed it was the artist I've loved since they started here on tumblr. So, I went on the dreaded 🐦 app and low & behold, stan culture ruins things once again! Kinda glad I wasn't around during the heyday of GOT because it must've been absolutely insufferable! 😖😖😖

Fandom during GOT's prime must have been insane already, but I do think it's gotten worse in recent years. There used to be the unspoken rule of "if you've got nothing nice to say don't say anything at all" that appears to have completely vanished from fandom spaces. Cuz if I see a post with an opinion I don't like/agree with, or fanart of a character I don't care for, or fic of a ship that I dislike, I'm not gonna leap down OP's throat about it. I'm just gonna scroll, maybe vague post about it on another app (I've vague posted about some dumb Twitter opinions on here on occasion), and then move on. But this idea that, if someone doesn't like the same things you like, they're not only morally reprehensible but personally committing some kind of wrong against you specifically is insane. It's more than that trend I've mentioned about trying to equate fandom with morality, it is, as I said in the tags of that post, something that reeks of insecurity. There's a bunch of people in varying fandom spaces that feel that their own opinions simply must be validated, because their opinions are correct, but it's not enough for them to think it, other people need to think it too.

And it's an issue that has dominated Team Black in HOTD specifically. Cuz I'm not seeing it from Rhaenicents, from Greens, even from show casuals. It's diehard Team Black and primarily TB book purists at that who find Rhaenicent fanart (especially ones that take Emma D'Arcy's actual appearance into account), or Team Green posts, or even regular posts expressing any sort of appreciation for Team Green actors or sympathy for some of the characters (especially Alicent or Helaena) and just lose their minds. Insult the poster or the artist, deride actor's appearances, weaponize actual political language to support their point despite no real tangible thread of connection ('killing Lucerys is basically femicide' omegas aren't a real thing and killing that boring ass boy is not, in fact, femicide, there are actual femicides happening in the real world right now, focus on those), and get hopping mad at the fact that these varied posts exist. It's greed to an almost biblical proportion tbf, it's not enough that most show casuals agree with their opinions, that most people with both book and show knowledge are on their side, that the narrative of the show supports their views (in the Jaehaera art thing specifically, that canon dictates she's gonna die and that Daenaera and Aegon are gonna be married and have a reasonably happy married life). Everyone needs to be on their side, nobody had better dare have opposing views to their's. And if those opposing views exist, well then those people have earned all the nastiness that's gonna get thrown their way for having those opposing views.

Like, you're that insecure? You need everyone to agree with you in order to hold fandom opinions? You can't just like something for your own reasons and ignore people who don't agree? Other people, people who don't even know you exist, hold that much power over you? Team Black, are you guys really so pathetically weak?

Anyway, fuck people who tag butch Rhaenicent art with snippy "Daemicent!!!" quote tweets, fuck people running TG fanartists off of social media because you can't handle drawings, fuck people going up to actors and saying vile shit to them based on their characters, fuck everyone who tries to be an asshole about Olivia's looks or TGC's looks or Phia's looks, and fuck stan culture. Everyone's who's so deranged about their fictional opinions that they act nasty to real human beings should simply find the nearest noose and hang themselves by the neck until dead, the world will be an infinitely better place and no one will miss them.

[orangerosebush]

Socmed discussions about Saltburn, to me —

1) reveal that people are even more squeamish about explicit gay sexuality than they think they are

(And if this is what passes for shocking erotic excess, then we, in the anglosphere, are in a more — not making a comment about individuals here — restrained moment with mainstream American/British adult cinema than we were with mainstream adult heterosexual cinema in the 90s, eg the erotic thriller)

And

2) suggest people are increasingly making art that is in conversation with, if not explicitly nostalgic for, the 2010-16 Tumblr-era.

(I really truly suspect Saltburn is, in part, an adaptation of the tropes and aesthetics that were in certain “The Social Network” fan spaces.)

[bonefall]

So what do your leaders do all day? In the cannon clans it seems like they just sit around at camp all day and let the deputies do all of the work. Until the plot needs them anyway.

Leaders are given 9 lives for a very important purpose; they are supposed to live as their Clanmates do, understand them, and guide them as shining examples of what a warrior should be.

A leader who's inaccessible is considered a failure. Clans can't do anything about this until ASC and it's rare to begin with, but their clan WILL get upset about it.

Patrolling, sparring, hunting, and even cooking are all things a leader should be doing. Is it still very high-pressure? Yes. Ultimate authority rests on them.

So what's a deputy for?

Busywork. Day-to-day decisions that would prevent a leader from actually engaging with clan life. Setting up patrols, gathering news, settling small disputes, etc.

You could consider them a very authoritative secretary. If a Clan is being TOTALLY run by its deputy, that's a problem. If a Clan is BARELY being run by its deputy, that is also a problem.

So, expect to see cats like Firestar just around more often. It's not shocking to see him return from patrol or a little walk, carrying a mouse or two.

[knowlesian]

ngl i lowkey blame the rise of snark as the baseline mode of interaction in geek culture for cinemasins type commentary becoming a big deal and thus for the smug nitpicking that tends to dominate so much of fandom now

[gingerfan24]

Headcanon

Ana can sometimes be seen carrying a medallion of the popular Mirandan saint Nuestra Señora de Buena Ayuda (who may or may not be a mythologized Sister Hospitaler). She has once had a similar one as a child that her mother pressed into her hand as she was being taken to the Black Ship but lost possession of it as soon as she boarded. She later gained another one as a gift from another officer in her regiment as a token of gratitude for saving their life once. She can sometimes be seen in the void ship’s shrine praying with it clutched in her hand.

[zosonils]

am i strong enough for a sonic x rewatch