#at something good

[zhivchik]

[valtsv]

i really do love those military jackets with embroidery that resembles a gilded ribcage they serve sooooooo much thanatological cunt it's unreal. the memento mori of it all. the bastardised martyrdom. the self-fulfilling prophecy of dressing yourself in silver and gold evoking the final, fragile shield between the most vital, vulnerable parts of you and annihilation, just to go to a place where the objective is to hack it to pieces as cruelly and efficiently as possible until you resemble nothing more than ground meat trodden into the dust you came from. fuck the military for real and forever but they went harder with horrifically ironic self-deceiving propaganda than anyone ever has or will. give it up for the old lie everyone!

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[stimmingandstruggling]

more good news from tiktok: they’ve started blocking celebrities.

they’re calling it block party 2024. just blocking and ignoring countless celebrities who havent said shit about palestine. influencers, actors, anyone who went to the met gala, whatever, they’re getting blocked. and people keep talking about how cathartic it is, how good it feels, how they never realized they could DO that. there was some kind of subconscious law against blocking famous people, but it’s broken, and people are LOVING it. and it’s WORKING. a social media/digital advertising coordinator was talking about how ad companies are PANICKING, because they can’t accurately target anymore. so many big influencers, including fucking LIZZO started talking about palestine the MOMENT their follower counts started going down. and the best part? no one is forgiving them. lizzo posted a tiktok asking people to donate to palestinian families, and all the comments just said you’re a multimillionaire. put your money where your mouth is. blocked.

i feel like i’m witnessing the downfall of celebrity culture, right here right now. people are waking up.

[hansoeii]

It was affection.

[golyadkin]

you'll get the urge as an artist or a writer to say out loud the things you're worried about "the proportions are off" "kind of out of character" "i'm not good at summaries" "didn't get as much detail as i wanted" "i made a mistake and here's how" and that's the self-conscious part of your brain telling you "it's bad and if you don't tell them you know it's bad then they'll think you're stupid" but you've got to ignore that little voice and pretend you think it's good or else that little voice is going to ruin your life

[magentasnail]

it was all too much, and now I have nothing left

[lapdogchase]

[softaestluv]

more! | mlist ✎ᝰ.ᐟ

Just thinking about Ghost having a shy, quiet wife. The glaring opposite of Ghost, painted in black and blood while you’re adorned in lace and frills. Smooth skin and delicate flesh, warm eyes and a bashful smile. Soft-spoken and so fucking sweet.

No one else knows about you, or that he’s married, not from lack of wanting people to know he has such a pretty dove waiting for him at home, but because he knows all the men on base would eat you alive.

But one day, he forgets the lunch you made him. It takes everything in you to refrain yourself from driving to base to make sure he has something to eat— you know he doesn’t have the healthiest eating habits.

You choose to message him, something he usually responds fairly quickly to. Always at your beck and call just in case his sweet girl needs him, but he doesn’t answer. Your lips are pinched raw with worry by the time you decide to get in your car.

So, imagine everyone’s surprise when a sergeant interrupts the meeting Ghost’s in— ‘Lieutenant, um, Mrs. Riley is waiting outside for you.’

Ghost is on his feet in an instant, it must be some emergency if you’re there. He rushes to the hallway, everyone else in the room stumbling behind to snoop through the thin crack of the door, see who their big bad Lieutenant is married to.

And there you are, Tupperware container in your manicured hands, white dress covering your frame with matching ribbons and bows in your hair. The look on your face is anxious, right up until you see Ghost, your eyes softening as he approaches you with wide strides despite the fact that he’s twice your size, hulking and threatening.

“Sweet’art, everything okay? You’re not hurt, are you?” He asks, brows furrowing as he does a once over your figure, checking for injury.

You exhale a quiet laugh, “No, baby. You just forgot your lunch, and you didn’t answer your phone so I got worried you would go the whole day without eating.”

He cups your jaw, a smile breaking out on his face. His sergeants are baffled for several reasons— they did not expect their Lieutenant to be married to such a sweet thing, nor had they ever heard their Lieutenant speak in such a soft, hushed tone, never seen him touch something with such care, like you were so fragile in the palms of his hands.

They would’ve thought it was all a joke if it wasn’t for the massive diamond ring on your finger, or the way you pushed deeper into his touch.

“Sorry, dove, just been in a meetin’ all day.”

He stamps a kiss against your lips, lets himself linger just a little longer than he should because he knows the whole room is watching from behind the door.

“Sweetest little wife, aren’t you?”

[limeshade]

In 2017, American film researchers recovered “Something Good – Negro Kiss,” a short film depicting a playful kiss between a Black couple which had not seen the light of day for more than a century. A long-forgotten artifact from the earliest years of American film, the sweet, humanizing vignette, produced by the Selig Polyscope Company, makes a startling contrast to the overwhelmingly racist and blackface-ridden contempory portrayals of African Americans. Four years later in 2021, archivists in Norway, halfway across the world, identified a sister short in their collections—an extended alternate cut which reveals more of Chicago stage performers Gertie Brown and Saint Suttle’s vaudeville-like routine, a theatrical, hot-and-cold romantic dynamic between two lovers which parodies the popular and controversial short “The Kiss” (1896). Both films, which had previously been lost, were known from entries in old motion picture catalogs but had been assumed to be era-typical, anti-Black “race films” until their rediscovery in the 21st century. Together with its more famous sibling, which has since been inducted into the Library of Congress’ National Film Registry, this alternate version of “Something Good” represents the first-known instance of Black intimacy ever captured on-screen.

SOMETHING GOOD [Alternate Version] (1898) Directed by William Selig

[poorly-drawn-mdzs]

License to Kitty.

[pyrus-salicifolia]

“Normal” test results are not the relief people think they are. When you wake up in pain and continue to be in pain for hours every day and your tests come back normal you don’t stop being in pain.

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[happyheidi]

𝗑, 𝗑, 𝗑, 𝗑

[gahhhb]

[ Devour ]

[itseghost]

"Unbidden, an image of Jayce smiling in bed earlier this morning comes to mind. Viktor's hand on his cheek. His slightly chapped lips. His bedhead. Stubble. His smile lines. The shape of his jaw."

___

one of my favorite little scenes from coming home (but not to you) by @lesbianherald :) haven't done comics in so so long but really wanted to give it a shot lol