#at least the first couple of episodes
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Can I just take a moment to appreciate the fucking props that Nikkie uses for EOM? From the custom Ouija board (which is absolutely STUNNING btw and I want it as a display piece in my room, oh my GOD), the candles used in episode 18(? It might’ve been 17, I’m not sure, I’ve been binging these and haven’t been playing close attention to the episode numbers), and everything used for the ritual in episode 22 (including a fucking pestle, crystals, a bell, incense, candles, and another thing I’m probably forgetting)
Like, she is going ALL OUT on EOM, and I fucking love it. I always love it when props come into play, but I especially love it when it lets the players feel included in what their characters are doing, rather than just “oh, here’s a letter that my character has received” y’know?
#legends of avantris#edge of midnight#I fucking adore this campaign to bits#I know it’s not for everyone because of the gore and everything#but if you think you can stomach it i highly recommend you at least give eom a listen#at least the first couple of episodes#but no pressure if the gore turns you away from it#i mean im pretty good with fictional gore and this campaign still had its moments of grossing me out#tho tbf that was less about the blood and body parts#and moreso whenever bodily fluids come into play#for some reason im good with blood and flesh and such#but bring in sweat? spit? pus? nope. nope not having that.
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absolutely enamored by rose quartz's body type and character design. especially after the pink diamond reveal. like, girl CHOSE to become a fat woman. and everyone around her (rightfully) thought she was incredibly hot for it. queen shit.
#eliot posts#su#steven universe#rose quartz#i could complain that she's the more conventional plus size model body type w curves in the ''''right'''' places#but im not going to#cuz this show came out in the mid 2010s on the tail end of the ''thin is in'' era#anything other than a size 0 being portrayed as attractive was fucking groundbreaking#hell a lot of that fatphobia is still up and kicking#it's still hard to find enough fat characters (at least. that aren't villains or laughingstock) let alone ones portrayed as HOT#anyway iirc seeing rose as a teen straightup made me have a minor sexuality crisis#her first couple episodes didn't do it. like something about her in lion 3 looked Off and i didn't like how her hair was animated#but by the time we got to 'we need to talk' ohhhh boy#she was so fucking pretty the way she looked the way she moved and talked#rewatching that ep as an adult i was still like HELLO
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“Louis de Pointe du Lac. That's an interesting name.” “Louis of Pointe du Lac Plantation. My great-great-grandfather owned one. All that remains is the name.”
“And a sizable trust to oversee as a consequence. Capital accrued from plantations of sugar and the blood of men who looked like my great-grandfather but did not have his standing.”
When introducing himself to Daniel both in 1973 and in 2022, Louis alludes to the ways that the legacy of chattel slavery in the United States remains present through his life. The ramifications of this history will be explored further in his interviews; it is intrinsic to the racism that Louis describes experiencing, and it is built into the economic and cultural foundations of the societies that Louis has and continues to navigate through. The way that this subject is broached however, in both the past and present, specifically centres the relationship between slave plantations and Louis’ own affluence.
Daniel’s remark being prefaced by Louis offering to “Get the boy whatever he wants”, before carelessly pushing a platinum credit card between them, implicitly correlates Louis’ response with that ostentatious display of wealth. It is not an intentional association made by the characters, and Louis immediately downplays the link when he recognises it (“All that remains is the name.”). Given his reaction, it seems likely that Louis did not talk about this topic during his subsequent interview with Daniel, though, again, that does not mean it would have had no bearing on other matters discussed. By contrast in the present day, Louis broaches the subject himself and fairly openly acknowledges the correlation. It was a slave plantation and the exploitation of enslaved people that created the sizeable trust that paid for the house and lifestyle that Louis and his family enjoyed. While Louis does not state it directly, the unavoidable implication of Louis clarifying that his great-grandfather was black and had a different social status to that of slaves (“[…] the blood of men who looked like my great-grandfather but did not have his standing.”) is that several generations of Louis’ black relatives have, at least indirectly, financially profited from chattel slavery. It is unlikely that this wealth was all inherited after the fact, considering that the abolition of slavery in the United States occurred only a couple of decades before Louis was born. These pieces of information seem to contradict then the implicit suggestion of Louis’ earlier explanation in 1973, that the only direct bearing the de Pointe du Lac plantation has had on his life is a shared name.
Both the dismissal and the acknowledgement are characteristic of how Louis describes the past; factual as a basic statement but carrying additional implications whose accuracy is more questionable and or left carefully unexamined. This is a rhetorical device that aids Louis in maintaining control of the narrative and its meanings while avoiding, as much as he can, outright lies. While Louis does view Daniel as a necessity for him to revisit his story, it needs to be stated that this does not prevent Louis from consciously and unconsciously tailoring it for his audience. It is possible that Louis only acknowledges the subject at all in the second interview because he is aware that Daniel has likely done some background research on his family. Considering how insensitive to racial issues Daniel can be, as well as his deliberately combative and contrarian approach to interviewing, it may be that this is a subject that Louis does not want to explore with Daniel specifically; it is perhaps notable that the penthouse Louis shares with Armand contains at least two pieces of art (Slave Auction by Jean-Michel Basquiat, and Transformation by Ron Bechet) which are about chattel slavery. Regardless of the reason for Louis’ selectivity, this context continues to hover on the periphery of Louis’ story, adding additional layers of meaning to the events that follow.
It contextualises the contradictory feelings Louis has about his work as a landlord and pimp, roles that may step outside of the shadow of sugarcane and slavery but are only made possible through investing the profits of them. When Louis confesses to the ways he treats his workers, tellingly he invokes plantation imagery with “[…] I lie to myself, saying I'm giving them a roof and food and dollar bills in they pocket, but I look in the mirror, I know what I am; the big man in the big house, stuffing cotton in my ears so I can't hear their cries.”. This conflict then deepens the resentment Louis has towards his family for criticising how he provides for them, with Paul being the only member who even entertains the idea that they should not spend the money at all (“We should tithe that o'er to St. Augustine's 'fore this house falls in on us.”). Whereas the family judges Louis for connecting them to an industry they view as sinful and lacking respectability, contrasting it to the seemingly fondly remembered family plantation (“Daddy was here, we'd still be in sugar cane.”), Louis is troubled by the exploitative nature of that work and capitalism as a whole. Yet there are also times when Louis exhibits pride towards his business dealings (“And I was now the owner of the brightest club in the district. My club, my rules. […] It was everything I had ever wanted or wished for. […] I made a mountain of money, enough to retire and be buried like a pharaoh.”). This could be suggested to be partly because Louis has moved away from the legacy of his family’s past to create something that he can try to believe is helping his, primarily black, workers (“I paid the staff better, paid the band better, all the while helping those who had been with me down the block to better themselves.”).
Most significantly of all, this context adds an additional lens through which Louis and the audience can examine some of the overarching existential ideas that Louis has been grappling with throughout his life, and that the second interview brings to the forefront. How does the past continue to define our present? Can we be considered in any way culpable for the actions of others? What reparations can we make for the harm, deliberate and unintentional, that we do? The open-ended way that Louis approaches the link between his inherited wealth and chattel slavery, as well as the subsequent ways that these have shaped his life, is reflective of those unanswered questions. Louis is desperately trying to find, if not a definitive answer to these philosophical quandaries, an insight that can give his existence purpose and direction. It is vital to Louis that his experiences offer some greater lesson (“That's the purpose. Our book must be a warning as much as anything.”), and ideally one that he can prove that he has already learnt. The different ways that Louis approaches the subject in 1973 and 2022 then reflect how he is revaluating the past and himself (“The passage of time and the frailties that accompany it have provided me perspective.”), but despite this, critically and symbolically, Louis still does not seem to have come to any conclusions.
#one of the worst things that I think can happen to art is for its nuances and complexities to be dulled and sanded away#because of others inability or refusal to engage with them#I wanted to write about these lines and specifically the one in the first episode#because they are great examples of how much depth is contained in the writing#how complex a person Louis is#as well as Louis' wonderful ability to casually throw a line in that we then think about for days#I have in fact been writing this analysis over the course of two weeks#because I have accepted that I will never get my analysis done before season two#(actually it makes me feel slightly ill when I think about it)#but at least this thousand plus word analysis is about a couple lines of dialogue instead of just one#that may be progress#anyway racists DNI#Louis de Pointe du Lac#Interview with the Vampire#Vampterview#Jagged Jottings
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John not being there in part 1 of The Three Gables makes me sad. :(
I know he needs time to grieve for Mary, but still. I miss him a lot.
That being said, I don't mind Mariana being the narrator this time. I love her voice too.
And I like the fact that Mariana and Sherlock are getting some alone time together (after loads of episodes of Mariana - John's alone time and John - Sherlock's alone time). Quite intriguing.
#sherlock and co#sherlock & co#The Three Gables - 1#podcast#my ramblings#personal#not really in the mood to blog about this adventure this time for some reason#haven't listened to The Sign of Four adventure just yet (I think I'll do that later)#the first part of this adventure sounds so lonely and melancholic without John in it :/#I miss my cringey podcaster 🥺#but it's okay... he just needs some time I think.#sherlock holmes#john watson#mariana ametxazurra#the story The Three Gables from ACD canon was already not so good to begin with (given all the blatant racism and everything)#the description and intro of Steve Dixey as a character was still really weird in this episode#at least it wasn't overtly racist (because he hasn't been described as Black in the podcast) this time#spoilers#sherlock & co spoilers#I've just listened to the first couple of episodes of The Sign of Four and I quite like Mary too in this version of Sherlock Holmes#I'm pretty sure she's been characterised well this time (like how she was so well written in Guy Ritchie's first movie of Sherlock Holmes)#because I trust the writing team by now. They've been really good at plots and characterisations in most of the episodes so far#and that's really all that matters in the end#I still don't like war/stan as a ship though (even when I do love John and quite like Mary as individual people in this particular version)#yeah...
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Finalized!GX 122-123 Update:
Our food's important, so no stealin' allowed! 🍞♥
#yugioh#yugioh gx#gx#ygo gx#subbing rambling#going to do a bigger post compiling all these edits when i release the episodes but wanted to show some of it off lol#[and probably a video too]#madman as i am--and love for this show that i have like an ojama--i wanted to give these posters a translation edit#for... all 26 scenes they're in 😳#ofc i'd already done four of them while prepping 121 since they show up in the preview/Just After This clip#it's been fun getting some more AfterEffects use and applying it to this along with Vegas#also extra fun since there isn't a shot where either poster gets a full frontal shot so i've been doing this with partial edits#where i redid custom posters using what i had available and then power-pin them into place in AE#but oh boy was that Premature Burial scene edit fuuuun 🙃#or at least at first--made a proxy thinking i'd have to throw one in but turns out just masking the upper left corner and moving that;#keyframing brightness; masking in shapes for the little squiggles that show on it for a bit; masking in lines to redo the glow lines#and throwing a green screen'd layer made it simpler lol#i just did the Megamorph scene--did what I could with AE's scale motion tracking for the zoom-out that happens so I took two frames#(one for the initial rapid zoom-out and one once the zoom stops)#and just redid the zoom in Vegas with them which was easier#that leaves nine more clips before i work on a couple smaller animation errors i noticed--along with one to strap in for#[burstlady's shoulder strap happened again]#anywho stay tuned lol#[also have been amused with how 4Kids blanked these in some shots which i'll probably point out for funsies in that eventual post]
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i do genuinely think s7 is decent but even if it wasn’t it’d be like crack to me considering it’s an entire season essentially centred around sam’s trauma. it’s the closest we ever get to the show properly genuinely acknowledging the things it puts him through. which is ironic considering it’s also before many many other things he goes through!
#s7 could literally just have like the first couple episodes and repo man maybe born again identity#and i’d be like Omg this is my favourite :)#oh i also really like amy pond ep. dean killing her is awful and the arc goes nowhere but i don’t care about that part it’s the childhood#sam content for me#like sure yes. for at least half the season they don’t deal with it at all and it’s in the back burner#sam is just quietly hallucinating offscreen while dean does whatever the fuck#and there’s also that becky episode. which the less said about the better#but that beats an entire show of traumatising and violating him again and again and then refusing to ever directly acknowledge it or give#it any narrative attention#i genuinely think s7 is the only full season of spn after s5 which treats sam like a main character#s6 maybe? probably? soulless sam is pretty crucial. but sam doesn’t even have his memories of cage trauma then which bores me (sorry)#but like. s8 only at the end. s9 only really in the first half. s10 not at all. s11 it suddenly seems like they’ve remembered he’s a real#character and ur soooo hopeful until suddenly they just forget again and decide he isn’t relevant#haven’t seen any other seasons yet <3#oliver talks#spn#supernatural#spn s7
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But why haven't we gotten a West Wing spin off about Charlie Young's presidential campaign/ first term yet?
#the west wing#charlie young#tww#my posts#dule hill has been killing it lately he'd be amazing as a lead in this#bonus points if it includes either josh/brad or sam/rob as chief of staff#and elizabeth moss/zoey as first lady!#everything else is getting crappy spin offs or reboots and this seems obvious to me#yes there is a chance the current tv landscape ruins it as it has ruined every other show it's tried to squeeze money out of#but idk i still love the idea of this at least#this and a brand new verse firefly spin off with captain emma washbourne are the only reboots i'm interested in#rewatched a couple tww episodes and immediately couldn't stop thinking about this#someone send this to dule hill or josh malina or hrishikesh hirway or evenaarin sorkin if you can#we gotta get on this
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So given that I hadn't put much thought into my true form design when I first made it (distracted by "I want to draw a comic, not design a true form"), then seeing all the other gorgeous designs out there, the updated information we got in fic, and some good true form cuddles in that Valentine's chapter earlier, I decided to redesign my take of @naffeclipse's cryptid boys!
Toddler and Hunter for scale <3
#post let luce#fnaf sb#fnaf sb au#cryptid sightings#cryptid!sun#cryptid!moon#cryptid!eclipse#still betting on it#naffeclipse#i tried not straying too far from my first design#so the rays mostly stayed the same except the for the purple tips#gave them a bit more of a face and teeth that have a lil more pizzazz#forked tongue for funsies! and [remembers the lost episode] yknow <3#and then the intimidation lizard frills#the glow strategically placed so that their face *eclipses* the “light source”#couple more horns for nose elbows and knees bc why not#and i dont think I ever drew their feet before because I know exactly I would avoid that as long as I can#but yeyeye I love all the cryptid boys designs out there I wanted to at least try and put some thought into mine#dont think ill change the in vessel look bc yeah rays stayed mostly the same so im safe <3#my art#almost forgot again
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@(・●・)@
#osomatsu san#mr osomatsu#osomatsu san fanart#ososan#ichimatsu#ichimatsu matsuno#osomatsu#osomatsu matsuno#karamatsu#karamatsu matsuno#the third one is a drawing i did while being on call with friends#it’s kinda funny how on top of it there is another karamatsu getting backshots😭😭😭😭[special request from a friend]#not posting that shit thoguh……..at least not here…#wink wink wink [I have pixiv] [dont tell anyone]#OH. almost forgot. the first drawing it’s supposed to be ichimatsu in the junjo romantica art style lols#just watched the first minutes of the first episode of junjo and i was like ‘welp. i aint watching all of that anymore’#lols again. the opening song is pretty banger though wished that the main couple was t that abhorrent
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So, I have reached the final episode of season 6 of my Supergirl rewatch and I just have to reiterate: they did Nyxly so dirty.
I still don't understand what they were thinking. Nyxly is the first person to pass the Courage Totem's test, she's inundated with empathy from the Humanity Totem, she's completely open with the Truth Totem and is granted access to the Love Totem by choosing the life of a child over her own quest for power.
So, why did they just bung her back in the Phantom Zone!?
It wasn't a satisfying ending, it wasn't even a character arc - it was a circle! She ended up exactly where she started. Sure, Lex's hubris being his own downfall made sense for him, but him being in the second leg of season 6 at all felt so unnecessary that that wasn't satisfying, either.
Here's how I like to imagine this story arc going, because I'm never going to have the time or energy to do anything with this idea besides writing it down like this:
So, we've got Humanity, Hope, Courage, Dreams, Love, Truth and Destiny. 7 Totems. 7 Super Friends. Say, each Totem was tied specifically to a member of the Super Friends and so we're given an episode per Totem exploring a member of the team and their unique relationship to what that core element represented for them. (They sort of did this in the show but only for a couple of the Totems and they never really committed to it as a theme).
Narratively speaking, the Super Friends are working together to beat the trials, which is exactly what a superhero team should be all about. Together, they represent the best the planet has to offer.
Except, that's not the point of the trials. To gather the AllStone, you have to do it alone. And who's doing it alone? Nyxly. Nyxly bares her soul to these Totems, she gains most of them independently without cheating and the further along she gets into the trials, the more she's able to overcome the very reason for her pain and anger that led her down this path to begin with.
The Super Friends aren't looking for power, that was never their goal, and so of course they aren't playing by the rules to gain it, they're doing it in a way that everyone equally shares a part of the burden and so the effect isn't as intense. For Nyxly, though, by gaining all 7 Totems and going through those associated trials, I like to think that by the end of her arc, she willingly gives up that power.
And maybe that's the whole point of the AllStone. Only someone worthy of power should gain it, and the only people worthy of power are the ones that don't want it. The AllStone isn't meant to be a weapon or even a tool used by an individual, it's supposed to be for the whole world to share. And so the very mechanics of the trial will either fail those corrupted by their thirst for power long before they get a taste, or teach someone the true values of their own humanity by fairly passing every test.
I know the show wanted to go out with a bang and a big-stakes CGI battle with all the trimmings, but Nyxly was never designed as a villain. She was hurt and angry, but that never made her evil. She was a fifth dimensional imp, all she ever did was cause mischief, and so having her face her own reality through the trials would have been a major grounding factor for her.
To have the final villain of the show willingly give up their power not because it was beaten out of them, but simply because they decided to feels right to me. They built up the stakes so high in this season to make Nyxly out as the most powerful villain they'd ever faced -- and so maybe the only way to beat her was for her to decide that the fight was no longer worth fighting.
I dunno, it just would've been nice if the AllStone had actually meant something at the heart of it, and that Nyxly actually had a satisfying end to her story that made sense for her character.
Oh well. ¯\_(ツ)_/¯
#supergirl#nyxly#not writing#supergirl season 6#i remember when the totems were all first named me and my friend compiled a list linking each totem to a member of the super friends#we backed and forthed about a couple for days but we genuinely thought that was how the show was going to deal with it#and then.. it kinda did but then also absolutely did not.#i also thought that giving lena magic would end with her being the one to face off against nyxly#and as that didn't happen then lena not having magic really wouldn't change much.. especially for my imagined version of the season#i'll be honest rewatching that episode had me screaming into my hand in frustration#oh god and the dialogue it didn't even feel like the characters talking a lot of the time#and this isn't even me touching on how i wish kara's arc had gone but like that's a whole other kettle of fish#feel free to ignore this i just wanted to get this out of my head so i can move past it 😂#at least we got brainia endgame. that helps me sleep at night.
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It's rainy and grey and chilly and who wants to come over to my house to watch anime from the 1990s and early 2000s
#you wanna see a show about an alien world that looks like italy?#you wanna see the young girls learn to be gondola...drivers...rowers....whatever the term is#their boss is a cat#its called Ariathe natural and if you can survive the cheesy dialogue its a lovely show#we're alsp going to watch lupin the 3rd stuff#i actually have azumanga daioh on dvd. at least the first couple of episodes
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Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)
"And they didn't make much mess?"
"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."
"Ah. Big mistake."
"What is?"
"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."
"I'll remember."
#shadows of fear#single play#roger marshall#1970#classic tv#thames#kim mills#michael craig#gwen watford#ray smith#mark mcmanus#malcolm kaye#charles leno#having come to something of a premature pause in my New Scotland Yard watch (the first ep of series 3 isn't on the YT playlist I've been#using and is proving quite tricky to get ahold of) i thought I'd revisit this brief lived anthology series for the creepy season. i first#watched this about 10 years ago and my memories of it are scant to say the least‚ so it seemed like good viewing for the season#the production history of SoF is lost in the mists of time (unless someone out there wishes to enlighten me?); this first episode was shown#in June of 1970‚ but the rest didn't follow until January of the following year; probably this acted as a sort of pilot to gauge viewer#reactions to another vaguely horrorish anthology series (the previous decade had been ripe with them‚ tho we rarely see their like today)#and then there's the odd case of the final ep‚ shown almost 2 years after the series ended and running to half the length (and generally#feeling like an entirely different format) but I'll come to that when (and if) i get to the episode itself. this debut ep is... well it's#fine. i was excited to see Marshall's name in the opening credits‚ one of the most dependable of old tv writers and I'd quite forgotten he#contributed to this show. but the issue here is simply one of length. the plot is solid‚ a suitably grotty little tale of a family man's#mounting obsession with the burglars who broke into his home. it would make a good ep of Tales of Unease (shortly to begin on Thames'#sister broadcaster LWT) or a few years later as an episode of Tales of the Unexpected; both being 25 minute shows. but this clocks in at#close to 50 mins and there isn't really enough to it to sustain that longer running time‚ leaving it feeling a little stretched thin and#flimsy. a shame‚ because Craig and Watford are putting in excellent performances as the middle class couple whose reactions to the burglary#slowly shift as time passes (he goes from prosaic acceptance to fixated malice‚ she from shocked indignation to making peace with it all)#no big surprises in where the play is headed or how it plays out‚ but that's often the case with these things; it's often just as much#about the horrible foreknowledge of what must come than some shocking twist‚ and this plays it about right. it's just too long is all.
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they werent lying that knuckles series barely has knuckles in it
#i pirated that shit Btw just so we're clear. also gonna talk about it a little bit in the tags#nothing too spoilery but also might not wanna read if you want to go in knowing absolutely nothing? idk#anyway he WAS a main character still he was present for a decent amount of the first couple episodes#but the amount of screentime he gets just starts dropping after that . hes barely there at all in the second half ???#and it feels like theres a lot of scenes mostly focusing on wade and his problems and not near as many for knuckles and his whole deal#overall it feels more like a wade show with knuckles in it than a knuckles show with wade in it. which sucks#and human characters having plot relevance isnt the problem here i dont mind human characters at all i think they can be really fun#its the fact that the human characters are taking over the story and spotlight when the show is called knuckles#and all the marketing makes it look like knuckles is the main focus#and i also would have preferred if they just went with a differnet character to be knuckles' human friend#because i dont particulraly care about wade. and the knuckles (and sonic and tails) i know would not be friends with cops </3#well at least the story wasnt knuckles training wade to be a better cop like a lot of people were expecting but thats like.the bare minimum#also aside from the issues relating to knuckles' screentime (or lack of screentime) i thought the ending was unsatisfying#regardless of all that though there WERE some parts i enjoyed or found kind of funny or whatever. because knuckles so cutesy as always#knuckles being a cute little guy is the most important part of the show actually#and i liked the parts with sonic tails and maddie even if they were only there for like 5 minutes#(i really wish those three had gotten more screentime. i feel like they could have easily worked in at least one more scene with them)#and its a minor thing but the opening sequence is cute. was honestly expecting just a title card or something#overall the show is just . kind of okay i guess. not the worst thing ive ever seen but still disappointing ? idk how to explain..#my expectations also werent very high in the first place#so maybe im being a bit more generous than i would have been otherwise. idk#and i definitely would not recommend this to anyone who already dislikes the sonic movies . youll probably hate this more#like people who thought the human characters got too much screentime in the second movie would lose their minds if they saw this
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I know it’s OOc, but I feel like like the Twinichis (TM) would do their case solving deductions in the style of Team Rocket.
by style you mean the theatrics or success rate lol
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where do i even start
#tomgreg#stay tuned for a special thing at the end#FIRST OFF CAN I JUST SAY. thinking about my own various skills and abilities tom says as he MOVES CROTCH FIRST TOWARDS GREG.#and he's just told greg his skills. he's got a big dick and fucks fast and hard. so like. there's that.#i'm either to assume he's already showed said skills off to greg and referring to it or he's literally being suggestive#either unconsciously or consciously.#also he wiggles his crotch a little. like. we get it you wanna fuck greg so bad it makes you look stupid.#ok so we've got the tom not tiptoeing around this like he did with shiv and straight up saying i'm not fucking happy#with you going off with somebody else. i don't like it. why are you happy and i'm not that's not fair.#you're mine. i'm not jealous tho haha#we've got them going through what looks like a wedding arch.#we've got them full on acting like a married couple with greg making excuses for tom and holding him back a little. acting like his wife.#we've got tom switching chiding greg for saying something and the ''don't say that!!'' and then greg agreeing#and saying that actually no tom is a lovely man. oh don't mind my husband he's just grouchy!#and then the WAY tom says you've ruined it like he's about to throw up or cry. or both.#and then greg being like ?? how i have ruined it?? and tom ''idk you just HAVE'' all petulant like#and you know what i'm gonna say. a schoolboy.#he's like thanks i hate it#it really is so much this episode. so much.#i have an idea from it of what fic i could write so there's something at least. a
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OH also finally finished taz balance relisten and 😢
#i had to listen to the last episode twice cos i kept missing parts jejfcjbvehvv 😭😭😭😭#i was playing mhw while listening and kept getting too engrossed in the hunt#hmmm which one is next is it graduation??#i remember listening to a couple of episodes but i dont think i ever finished it#i did listen to all of amnesty while it was ongoing i think. and nothing else after that (ethersea iirc)#oh wait amnesty was first? LMAO#wait i might be misremembering. its possible i didnt listen to graduation at all#and im remembering listening to at least part of commitment#cos im remembering superpowers
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