#assigned goddess at creation

[neoagab]

[image id: six flags, all with six stripes, and a divider.

the first two flags' stripes, both for adeiab, are, from top to bottom, dark gold, medium gold, light gold, and white. in the center of the second flag is a black symbol made up of a circle with one vertical oval and two diagonal ovals crossing over each other within.

the next two flags' stripes, both for agodab, are, from top to bottom, medium ocean blue, medium sky blue, light gold, and white. in the center of the second flag is a black symbol made up of a circle with one vertical oval and two diagonal ovals crossing over each other within.

the last two flags' stripes, both for agdsab, are, from top to bottom, dark gold, medium gold, light sky blue, and very light sky blue. in the center of the second flag is a black symbol made up of a circle with one vertical oval and two diagonal ovals crossing over each other within.

the divider, below all the flags, is solid gold and made up of fancy rope and lace strung across the post. hanging from the rope and lace are moons, solid diamonds, hollow diamond-shaped stars, and solid diamond shapes with two spikes on both sides. /end id]

Assigned Deity at Birth • ADeiAB • Assigned Deity at Creation ✧ ⋆.ೃ࿔*:･

A xeno agab for those who were assigned deity at birth/ creation.

Assigned God at Birth • AGodAB • Assigned God at Creation ✧ ⋆.ೃ࿔*:･

A xeno agab for those who were assigned god at birth/ creation.

Assigned Goddess at Birth • AGdsAB • Assigned Goddess at Creation ✧ ⋆.ೃ࿔*:･

A xeno agab for those who were assigned goddess at birth/ creation.

[withoutyouimsaskia]

Sometimes It's Fated (Sandman Short Story Part 1)

Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8

​GIF: Originally posted by @tavners

Pairing: Morpheus/Dream of the Endless x AFAB reader

Summary: Reader Self-Insert. After restoring the Dreaming and locating the missing dreams and nightmares, Morpheus turns his attention to finding you, the human he believes fate has chosen for him. (Title inspired by Placebo's "This Picture".)

Warnings: Minors DNI. Dark!Morpheus. Soulmates. Angst. Obsessive and possessive behaviour. Tension. Home invasion. Voyeurism. Implied masturbation. Dream manipulation.

Word Count: 2.6k

A/N: Wow, this took way longer to finish than I had originally planned. My head's been all over the place with trying (and thus far failing) to find a new job. The themes are very different to what I've written before; I hope it reads okay. Please let me know what you think. All my love, Saskia xx

Sandman Masterlist

---------------------------------------------

Fate.

A phenomenon that governed every particle of matter within the known universe and even those beyond.

Some considered it a comforting concept that excused them from the burden of decision making, citing: "I'll leave it up to fate." For others the phrase was a cursory, throw-away comment or a romantic line they heard in the lyrics of a song.

The real truth of the matter was that Fate was a trio of immortal beings, goddesses, with sight so potent that they knew the past, present and future of every individual to have lived. The mythology of the Greeks, Romans and Norse hadn't been too far off with their stories of the Moirai, Parcae and Norns but of course, no humans really believed there to be any realism in myths. They were just stories. It didn't matter either way; they existed and had influence regardless of what the majority believed.

For beings such as The Endless siblings, the presence of Fate in the cosmos was not only real, but also something that affected even themselves.

For the King of Dreams, an eventuality had been prophesised long ago by The Kindly Ones that spoke of a bond that was to be forged between himself and a mortal.

Lord Morpheus, in his pride, had tried to be above such a foretelling, even questioning its validity because the notion of a mortal accepting his version of the universe seemed wholly implausible.

But he could not truly stop himself from wondering about you, reaching out to see if he could feel your presence in the minds of the dreamers he hosted.

It wasn't something he indulged in with frequency. More of a once-in a-decade interval. Enough to appease his curiosity.

Of course, this was put on hold during his imprisonment at Fawney Rig.

Morpheus had had much to contemplate during this period. The damage his absence caused to the collective subconscious, the decay of his realm, the loss of freedom and dignity. There was also a chance that you had been born and died in the 106 years he spent in captivity.

What if he was too late and had lost the chance of discovering who you were?

It was a nauseating prospect that scraped and scratched a space deep within his being; bleeding him of his remaining stores of hope that were so significantly depleted after the death of beloved Jessamy.

Despite the nasty emotional wound, finding you was a charge that he assigned at the end of his priorities after his escape.

Recovering his scattered tools, restoring the Dreaming, locating his absent creations, unravelling the mystery of Rose Walker and confronting Desire all had needed to come first.

The latter interaction had left Morpheus with a seething rage that was currently propelling him down the boards of the dock that sit above the Ocean of Dreams.

The dense mist in the air is buffeted by his movements and the only sounds are the tread of boots, the creak of wooden slats and the lap of water.

With each step, the liquid becomes choppier as it reacts to its master's mood and by the time he has reached the end of the dock, the surface of the water roils fervorously, completely in line with Morpheus' dangerous temperament.

The words of Desire's final silken-toned taunt echo in his mind with grating persistence.

"Oh, poor Dream. I really got under your skin this time, didn't I?"

He is loathe to admit there is truth in the question.

There are moments where Morpheus ponders the turn that the relationship between them has taken. How Desire went from being his favourite sibling to someone one shade shy of an adversary. Their faultless adeptness at provoking his temper and manipulating the events that encircle him would be impressive if not for the danger posed to humanity.

The agitated water eventually draws focus to how out of control he and his emotions have become. Morpheus knows he must get them in check, and quickly, for he knows the consequences all too well should he ignore it.

He clenches his fist and swallows it all down, pushing it deep inside his belly until the crackling entropy of the anger is fully dispelled.

Morpheus then sweeps his coat out behind him as he sinks lithely into a crouch. Trepidation nips at his heart and tugs his attention to a sobering thought.

This foray into the water may be fruitless.

You may be long gone and there would be no way of ever knowing you.

His nostrils flare as he takes a deep breath; he has run out of excuses to not look, even if he is afraid of the outcome.

Long, delicate fingers dapple the surface of the inky ocean. The waves still at the touch, obedient to him with instancy.

He repositions to full height and reaches into his coat to find the pouch of sand stashed in the pocket. A handful of twinkling grains slip off his palm into the ocean, lighting the water it touches to a luminous green.

"Find my soulmate," Morpheus commands silently.

The intention is set. He steps off the dock into the water.

At first, like every other prior attempt, there is no sign of you. Morpheus floats submerged in the tepid liquid, filtering through the hubbub of countless other dreams and nightmares.

Then there is a pull.

It is faint yet indisputable. Warmth explodes in his chest and he groans inwardly from the delicious sensation of relief.

You are alive, and you are dreaming.

A path of radiance appears in the water, a line that shows your connection, and provides a location for him to hone in on.

Morpheus dives deeper without hesitation.

As he reaches the edge of your subconscious, he rejoices that he got a handle on his emotions. He wouldn't want your first perception of him to be one tinged with rage, however unaware you were of him, with your soulmate being the source.

He hesitates for a moment before entering the dream you are in and is somewhat taken aback by what he finds.

A room comprising of four blank walls, a floor, a ceiling and a door. There is but one other feature; a window, and its view is as non-descript and inoffensive as the internal space.

You stand by said window, head turned from him.

Despite being unable to see your face, he sees your anxiety with immediacy. It is an aura hovering about your body, being sucked into your lungs with every fast-paced breath.

You begin to throw glances towards the door. Morpheus filters through the layers of the dream. No one is scheduled to come across the threshold.

The more he observes, the more questions arise in Morpheus' mind.

What was making you so affected? What were you expecting to happen?

There's nothing in the scene that is intended to be unpleasant yet you are reacting in a way that most observers would characterise as unsettled.

Morpheus, despite not yet knowing you, doesn't like to see you this way. His dominant instinct is to end the dream but he quashes the desire to review the bigger picture.

The empty room dream was symbolic of a beginning.

It clicks into place.

What you were feeling, even if on a purely instinctual level, was the anticipation of meeting your soulmate and starting your new life.

Morpheus steps into the frame, just a couple of paces behind you.

You feel his presence instantly, eyes full to the brim with tears as you whirl around with a soft gasp.

You see him.

The tears spill and patter onto the white floor.

Morpheus reaches out, overcome by his need to provide comfort.

You disappear.

-------------------------------------

Morpheus is sat on his throne. He pores over the book he had located in the Dreaming's library a little over a week ago that contains the details of your life. It is something he has taken to doing when the impatience of waiting for you to fall asleep becomes too keen.

Your subconscious has him enraptured, watching it every night as if it is a stage show. Each dream he delves into is like the tug of fingers on a loose thread, your psyche has begun to unravel before him.

Everything from whims to cravings, hopes to fears. Your temperament, the things that delight and irk you. What drives you and demotivates you. He consumes it all with an insatiable hunger.

Based on the projection of yourself that he sees, there is no doubt that he is attracted to you.

All that prior haughty disregard for the Fates' prophecy has been cast aside like a negative thought in a meditation session. Morpheus is a romantic. A believer. He is ashamed to have even doubted your coming.

He wonders if it would vex Desire to learn of him finding his soulmate and by extension, the prospect of companionship, perhaps even physical intimacy or love.

It is all too easy to imagine the sickly sweet grin they would smile at him, shown to be fake by the almost imperceptible contempt glinting in their golden eyes.

Would his triumph drive them to distraction?

It is this smug sentiment that spurs his next decision. He wants more. The next logical step is to find you in the waking world.

He rises from his throne, a sure hand ready to bring forth his pouch of sand when he falters.

Tears pool in his eyes.

His mind is suddenly marred with the memories of what happened in 1916. The agony, mortification and rage that followed. He couldn't go through that kind of treatment ever again and the waking world expanded the risk of it transpiring.

"No," he says resolutely. His sadness turns to resolve, the hard line of his grimace matching those set in his brows.

He will not let the actions of a group of mortals dissuade him from going to you. And besides, he has researched everything he can about you from within the safety of the Dreaming.

He takes a measure of sand and uses it to materialise within your bedroom.

It is obvious from a quick scan of it that deliberate attempts have been made to ensure the space is cosy and calming.

Two marshmallowy pillows support your head. The cotton sheets have been meticulously tucked to avoid drafts. A lavender reed diffuser fragrances the air with a subtle scent. There are no devices or screens visible.

Everything has its place. A coaster supported glass of water within reaching distance. Touch activated lamp in case of emergency. The diary lined up with the back left corner of the bedside table, pen placed parallel in the spine dent. All clothes are in the wardrobe or stashed in the laundry basket.

Morpheus moves to the curtain-shrouded window and delicately moves the dark, heavy fabric to catch a glimpse of the outside world.

The scene is sepia stained from an old streetlight positioned right outside your home. It explained the choice of curtains.

You stir slightly from the change in environment and Morpheus allows the curtain to fall back in place. He remains stationary until your breathing returns to its previous pace. It is imperative that his presence remains undisclosed. He knows that mortals do not take well to home invasion.

Then, your right hand slips out from the duvet cocoon revealing a cushion cut ruby ring on your middle finger.

He smiles exultantly. The similarity between the jewel and his own now-destroyed dreamstone was undeniable.

The Fates were making it transparent.

You were the one.

Morpheus approaches the side of your bed now. In your momentary discomfort, you had moved your head, making your whole face visible to your uninvited guest.

He bends gracefully so his face is closer to yours and observes you with an intent fascination.

Even in the gloom, Morpheus asserts that your features are even more captivating now that he is able to look upon them in person and is certain that if he could guarantee an absence of fear then he would fall to knees and worship you right there.

Fingers stroke a lock of hair splayed across the pillow and his thoughts turn darker still, imagining what he would do with you if he could get you alone in the Dreaming. How he would seduce you with words, and then pleasure your body with his own until you were senseless.

Getting you there would be so easy, all he needed to do was move his hand up and touch your skin and -

Morpheus stops himself, deciding that now is not the time for an introduction. He will wait until tomorrow. You need to rest. It will be quite the revelation for your sweet mortal heart.

Morpheus whispers a promise, "We will be together soon, my precious soulmate."

He leaves after taking one last look at your peaceful form.

When he returns to the Dreaming, Morpheus discovers that the visit has riled him way beyond what he thought possible.

It was supposed to sate his curiosity and answer some questions.

It has done the opposite.

His craving for you is sublimely intense, opiate-like in its ensnarement.

He needs to possess you. To have you all to himself. Everything would fall into place. Loneliness, disillusionment, jealousy; they would never darken his outlook again. You would heal him, he is certain of it.

He paces restlessly in the low light of his private chambers as heat ripples beneath the surface of his being, charging him with pure sexual lust.

He hungers for the moment when you feel the same about him.

For now, all he can do is stand and touch himself while thinking of your face, an act that has been carried out repeatedly in the days since he found you in the Ocean of Dreams.

An erotic idea enters his mind.

Your subconscious is still in the Dreaming; he knows the feeling of it intimately.

Perhaps he could bring you a dream mirroring his own current fantasy.

To give you a taste of what was to come.

A gift that only he could bestow.

The mere thought of it turns him on even more. His back arches and his eyes roll back as he choses the words through which he would deliver the offering.

"Dream of me," Morpheus murmurs breathlessly. "Dream of me."

He repeats the phrase until he is unable to continue, moans taking over the darkened space around him.

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It is dusk the next day when Morpheus returns to the waking world.

The instant he touches down on the Earth's surface, he knows exactly where to go. The metaphysical connection between you is as strong as the energy pulsing through a ley line.

The city he is directed to is thrumming with life but the side street he stands in has been spared from the furore.

It is fortuitous that he is permitted to be unobserved for Morpheus is struggling now with the urge to get closer.

Providence is pulling him in and also locking him out.

He walks up to the door and then an invisible force makes him back away.

He doesn't even try to fight it.

The Fates hold all the cards. Morpheus is beholden to their each and every whim.

It is surprisingly liberating.

He is dancing in the cross hairs. Blinkered by the tie the universe has fashioned for you.

All he has to do is wait.

The door to the building is pushed open.

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Taglist: @herfantasyworldd

"Fate. Up against your will. Through the thick and thin. He will wait until you give yourself to him."

[itgirl-111]

MY RULES🏩💕

I am GOD

i am the creator

i always get what I want

im always in total control

i have unshakeable faith in myself

i want it I got it

i am pure consciousness

i am infinite and limitless

nothing and no one is out of my reach

my life, my rules

my dominant thoughts dictate my reality

the 3d is not the validation, I am.

no one has free will

i need not lift a finger to manifest

theres no delay, I manifest instantly

if it's not what I want its not true

nothing is true unless I say it is

no one can decide for me but me

im the source of it all

my mind is the validation and confirmation

anything and everything is possible to me

if I can think of it I can have it

I have unshakeable and immovable belief that I'm the only creator of my reality

im the only one who's on the pedestal

I am the only one who's in control

I have complete dominance and authority over my reality

what I say goes

I am 100% worthy of living the life of my wildest dreams

I am 100% worthy of having and being each one of my desires

It doesn't matter if it's 1 desire or 1000 everything is same to manifest

Only I assign power to things

Nobody and nothing can stop me from living my best life, not even my own mind

No one deserves to have my desires more than I do

reality only exists to serve me

everything always works out in my favour

life is rigged in my favour at all times

Creation is finished

theres nothing to seek, there's nothing to wait for, it's already done.

its already here it's already done.

I am the author, creator, director, scriptwriter, boss, of my reality

nobody has power over me

everything and everyone is me pushed out

everything is easy for Me to manifest

I make the rules

the world is truly my oyster

manifestation is too effortless for me

I am the main character of my life

I am limitlessly worthy

i am limitlessly abundant

i am limitlessly secure in myself

i am limitlessly valued

i am limitlessly loved and adored

i am limitlessly priceless

i limitlessly love myself

i am literally rare

i am precious

i am Unmatched

im unforgettable

i am the first best

i am THE best

i am the blueprint

i am number one

i am one of one

i am the only one

nobody can be me

nobody can do me like I do me

i am everyones favourite everything

i am once in a lifetime

i am one of a kind

i am everyone's top pick

I am confident and conceited

i am hot and I know it

i am the hottest girl to ever grace this earth

I am literally perfection

i am treated like royalty

i recieve princess treatment

everyone misses me when I'm not around

I am a goddess

i am the prize

I am a rare diamond

My beauty cannot be described in words

i am a winner

i never fail

i win simply by existing

i am chosen

im loved

im respected

im the coolest mf Alive

I am literally meant to have all my desires

i deserve undivided attention and princess treatment

i deserve to be treated like royalty

ofcourse I'm the center of the universe

[youremyheaven]

Decoding Venus: A Journey Through the Nakshatras

Cancer rashi is considered the most feminine yet all the naks in Cancer rashi are ruled by masculine planets except Ashlesha ruled by Mercury which is a "eunuch" planet.

Similarly, Venus is the most feminine planet but Venusian nakshatras embody true masculinity.

Sexual polarity is imp because men are drawn to women who may outwardly seem feminine and charming but who embody strength and are emotionally masculine. The same way, women are drawn to men who seem outwardly masculine but who are in tune with femininity inwardly; this is what manifests as gentleness, kindness, appreciation for the fine things etc

The opposite of Cancer/4h is Capricorn/10h, 3 nakshatras fall into Capricorn rashi, Uttarshada, Shravana & Dhanishta. But I'll explain their masculinity later.

Now here are some things to consider,

*all Venusian naks are Ugra nakshatras (known for being fierce and cruel)

*all Venusian naks are Manushya gana

*all Venusian naks belong to a fire sign rashi

*all Venusian naks are assigned the cosmic purpose of 'preservation' (in Hinduism, the 3 cosmic functions, creation/preservation/destruction are personified as the Trimurti and different naks are assigned different functions)

The first Venus nak is Bharani and it is the second nak overall. It is important to understand that the Venusian journey begins in Bharani.

Bharani's deity is Lord Yama, the God of Death. He delivers justice and embodies Kala or time. Bharani is symbolised by the Yoni (which means "vulva" in sanskrit) and the word Bharani itself means "to bear".

Birth and death may seem like polar opposites but there is an element of each in the other. To be born is to experience the death of passivity. To die is to experience the birth of the spirit in another form. Lord Yama is associated with divine punishment and dharma but it would be more accurate to say that Lord Yama metes out the treatment that is the result of our own actions. He rules over time, hence what we do in the present is what we will taste in the future as its consequences.

"Time takes the ugliness and horror out of death and turns it into beauty"- Dodie Smith (Bharani Sun)

In French, orgasm is referred to as "La petite mort" which translates to "little death" and it connotes the "brief loss or weakening of the consciousness". Sex and death have had close associations in many cultures.

Hanya Yanagihara's novel 'A Little Life' has the following book cover:

its a photograph by Peter Hujar and is called 'Orgasmic Man'. The author insisted on using this image for the novel's cover because of how its difficult to tell whether the man is in pain or pleasure. This ambiguity is a major theme in the book as well, that deals heavily with sex, trauma, abuse, addiction etc

Hanya Yanagihara has Bharani Moon with Purvaphalguni Mercury & Saturn

The book, you could say explores the dark side of Venus in some capacity. one reviewer described it as "There may never have been a cover that better captures the emotional heart of a story — that is to say the agony and the ecstasy of desire."

"It poses this question: How does one navigate desire when all pleasure to be discovered in the sexual act has been forever stripped away and turned into the stuff of nightmares, and yet the deep longing for love remains?" the conflict between lust and love is a theme that's explored in the works of many Venusian natives.

Ishtar is a Mesopotamian Goddess of love, fertility and war. Like many ancient deities, she was a dualistic deity, associated with life and death, making love and war as well as thunderstorms and food preservation. Ishtar was closely associated with Venus.

Ishtar, though responsible for all life is never considered a Mother goddess. She bore arms as the Goddess of War. She is a paradoxical Goddess figure with many contradictions; sex and violence, fecundity and death, beauty and terror, centrality and marginality, order and chaos. She occupies a liminal space and her influence spans every area of society, she governs all of civilization (think: the preservation aspect of all Venus nakshatras). She was even worshipped as the Goddess of transition between life and death due to her ability to come back from the underworld after she died.

She was widely worshipped in Mesopotamian society as an administrator of justice (see the parallels between Lord Yama and Goddess Ishtar?)

All of this gives us an idea about the highly complex nature of Venus. it amuses me when people think that Venus is some soft uwu nakshatra with bright colored aesthetics and cute lighting when the actual Venusian themes are of violence and war💀💀💀Venusian naks are hardcore af, let me just say that.

“Love is a smoke made with the fume of sighs; Being purg'd, a fire sparkling in lovers' eyes; Being vex'd, a sea nourish'd with lovers' tears; What is it else? A madness most discreet, A choking gall, and a preserving sweet.” ― William Shakespeare (Bharani Sun)

Bharani is closely associated with birth and procreation, however its cosmic function is "preservation" and not creation. This is because with other naks assigned the cosmic function of creation (ex: Ashwini & Punarvasu) creation must manifest from nothing. It manifests itself on its own; you are the creator and the creation. It is a spiritual and metaphysical concept, so to speak.

But Bharani is not associated with that sort of cosmic creation where the universe manifests itself from nothing, instead its connected to the most primitive and primal of human acts; copulation and procreation. Its directly associated with sex and reproduction. And this is not something that can happen on its own. by nature, procreation necessitates the union of man and woman. its not a symbolic act or a metaphor, it requires two people to get down and dirty. Creation of this sort is necessary to "maintain" or "preserve" our species; it does not arise out of nothing; certain prerequisite conditions have to be met in order for it to take place. this is why Bharani's purpose is "preservation".

from the minute that one is born, we are all on a journey towards death. Lord Yama embodies time because the actions we perform in the present can only be revealed in their true nature with time, i.e, whatever we sow, we reap but this is something that takes time. everything in life can be said to come down to timing. be it lessons learnt or success achieved.

its important to keep in mind that Bharani's aim is Artha

There are 4 aims, namely and each nakshatra has a specific aim assigned to it.

Dharma: doing what you are supposed to do. Fulfilling your soul in daily activities Artha: generating income and wealth so you can provide shelter and food for your body. Kama: going after your desires. Moksha: liberating your soul.

Venus itself is a planet associated with wealth, luxury, abundance, beauty etc

The first Venusian nakshatra is associated with the material aspect of Venus which is creating income and thereby attaining security. If we look at Maslow's hierarchy of needs and correspond it to the 4 aims, we can say that Artha is at the foundational base and Moksha is at the very top with Kama & Dharma located in between the two.

It is very telling that while Venusian nakshatras are split among Artha, Kama & Moksha aims, there is no nakshatra assigned the aim of Dharma, which is doing one's duty. With Venus there is no duty, no obligation, no decree; whatever one does we do out of love, this is the essence of Venus energy.

Therefore Bharani concerns itself with the most basic of needs, which is creating security for itself. It occupies the sign of Aries, ruled by Mars and we can say Mars represents the 'soldier'; it is raw, primitive and only concerned with survival.

As we progress through the other Venus nakshatras, we see how the aims ascend on the hierarchy, finally reaching its peak with "Moksha" or liberation in the final Venusian nakshatra.

Bharani is concerned with the most raw, primal and primitive of acts and located in the very first fire sign of Aries, it is an outcaste nakshatra and is the ONLY venusian nakshatra that is outcaste which is in itself unusual because Venus is concerned with refinement, grace, elan and elegance but the fact that the Venusian journey begins in a nakshatra that is outcaste with the aim of Artha implies one deep cosmic truth; in order for an individual to truly embody Venus and understand the planet's energies, you must first begin at the very bottom and ascend to the top. in Bharani, represented by the womb, we see the aspect of a human being taking physical form and being born, they are not born to riches or pleasures but in the most dire of circumstances, and they must now create security for themselves before they can even think of pursuing pleasures of any kind.

All Venusian nakshatras perform the cosmic function of "preservation" or "maintenance".

this is because they are all Manushya gana nakshatras, and human nature is one that's primarily best suited for this cosmic function over the functions of Creation or Dissolution (for deva gana and rakshasa gana naks).

Creation itself is the feminine principle but "preservation" is inherently masculine. Destruction or dissolution is a different expression of the same feminine principle.

All Venusian nakshatras are also of Pitta (fire) nadi

In Ayurveda, people with pitta are said to usually have a muscular build, be very athletic, and serve as strong leaders. They're highly motivated, goal-oriented, and competitive. They are said to possess an aggressive and tenacious nature.

The second Venusian nakshatra is Purvaphalguni, presided by the deity Bhaga, God of Marital Bliss. Purvaphalguni is symbolised by the front legs of the bed or a swinging hammock, indicating relaxation and comfort.

while Bharani was concerned with birth and death, in Purvaphalguni the association is with the sexual act itself.

Purvaphalguni's aim is Kama (desire) and this nakshatra is associated with love, romance, wealth, luxury etc.

Bharani's yoni animal was the elephant, a large yoni animal signifies the immense sexual appetite of the native but also the capacity for a certain breadth of experiences👀 with Purvaphalguni, the yoni animal is a rat, which is widely considered to be the most sexual animal as it copulates and reproduces at an immense pace. It makes sense as to why Purvaphalguni is about sexual pleasures and bliss and not about the how or the why; its purely concerned with the process. These natives are freaky af and the most openly and unabashedly sexual of all.

“Beauty is desired in order that it may be befouled; not for its own sake, but for the joy brought by the certainty of profaning it.” ― Georges Bataille (Purvaphalguni Sun)

Purvaphalguni men love the idea of corrupting something that is innocent and pure and making it filthy.many of them perhaps have a virginity kink 👀💀

In addition to this, Purvaphalguni men and Venusian men in general tend to exhibit the "Madonna-Whore Complex"

Jesse James (Purvaphalguni Sun, Bharani Mars) was married to Sandra Bullock and was outed as a serial cheater.

Tiger Woods (Purvashada Sun, Ketu in Bharani) was exposed as a chronic cheater (he slept with over 120 women during the course of his marriage) and spent time in rehab for his sex addiction.

Elvis Presley (Purvashada Sun) met his wife Priscilla Presley when she was 14 and he was 24. He was hell-bent on "preserving her purity" and they had a very "chaste relationship" after she was married and had a baby however he did not want to have sex with her anymore because she was a mother.

In the 2002 movie Spider, Ralph Fiennes played a man who struggled with the Madonna-Whore complex. He has Mercury in Purvashada as his amatyakaraka.

the movie Vertigo (1958) has this complex forming a major plotline. it stars James Stewart (Ketu in Purvashada) and Kim Novak (Mars in Purvaphalguni atmakaraka and Ketu in Purvaphalguni) as the lead actors.

The novel Portrait of the Artist As a Young Man features a protagonist who suffers from this complex and its the primary plot of the novel as well. Its written by James Joyce who is Purvashada Rising.

Madonna (Purvaphalguni Moon) often toyed around with the Madonna-Whore complex early on in her career and even has a song called Like A Virgin, the lyrics go like this:

"Like a virgin Touched for the very first time Like a virgin When your heart beats next to mine

Gonna give you all my love, boy My fear is fading fast Been saving it all for you 'cause only love can last You're so fine and you're mine Make me strong, yeah you make me bold, oh, your love thawed out Yeah, your love thawed out what was scared and cold."

Since Purvaphalguni is symbolised by the marital bed, and the consummation of the marriage was always associated with "losing innocence and virginity" and how sexual experience is linked with "knowing" and maturing from child to adult.

Black Swan, starring Natalie Portman (Purvaphalguni Moon) and Mila Kunis (Purvaphalguni Mercury & Venus) is a sexually charged movie that explores this dichotomy very well. Nina is a good little girl whereas Lily is highly sexual and wild.

A major theme of this movie is merging these two opposing forces. For good girl Nina to embrace her dark, wild "Black Swan" side. (spoiler alert!!) obviously in this movie, Lily's character is said to be an extension of Nina and not a real person which drives home this point even further.

Losing innocence and corruption/being corrupted are major themes in Purvaphalguni nakshatra and this is not just sexual. An ordinary person losing all sense of morality and submitting to utter debauchery and depravation is a common trope found in the works of many Purvaphalguni natives.

Take the movie, Taxi Driver, for example, it was written by Paul Schrader who has Bharani Moon, Purvaphalguni Venus & Mars

This movie revolves around Travis (the titular Taxi Driver) who is experiencing an extreme existential crisis and is deeply troubled by the prostitution he witnesses around the city; he is unsettled by the moral bankruptness and urban decay around him. He sets out to rescue a child prostitute and the movie has major elements of sex and violence.

This movie is a good example of Bharani's restrained Venusian expression meeting with Purvaphalguni's excess.

Hardcore (1979) directed by Paul Schrader (honestly all of the movies he's written and directed are LOADED with Venusian tropes, themes and motifs) is about a father who goes looking for his daughter who went on a church trip to Cali and ended up working as a porn star.

Like I've mentioned before, the dichotomy between innocence and corruption, divine and human, Madonna and Whore are core themes in the works of these natives. Like Taxi Driver, the protagonist has to descend into hell in order to save the person who is lost. The contrast between "polite society" or the prim & proper "morally upright" side of society versus the depraved, sleazy, immoral underworld is depicted in a very stark and raw manner.

Antichrist (2009) directed by Lars Von Trier (Bharani Sun, Purvashada Moon) and starring Willem Dafoe (Purvaphalguni Moon, Purvashada Rising) is another movie that explores Venus at its most chaotic, unrefined and truthful. Its about a grieving couple who lost their son and go to a cabin in the woods to cope but of course, crazy shit starts happening and is rife with sadomasochistic elements.

Purvaphalguni is the height of Venus, located in the sign of Leo which is ruled by the Sun; here a native loses all sense of ego or pride and gives in completely to their pleasures and desires. Its a very hedonistic nakshatra. Given that its aim is Kama and is a Manushya gana nakshatra, it points to how a native is willing to do anything to attain what he desires; there is no sense of "right" or "wrong" here because Venus is a planet of indulgence.

In Bharani, presided by Lord Yama, the themes were strongly tied to karma, justice, time etc but this is the initiatory stage of Venus, where Venus acts with restraint. In Purvaphalguni, Venus is at its most expansive and wild. Bharani's yoni animal is an elephant; are elephants known for being very sexual? no. they are known for how they protect their herd and how nurturing they are of their young ones. Compare this to the rat (Purvphalguni's yoni animal). Rats have millions of kids and don't stick around to care for them particularly. Since they procreate at such a fast pace, it's every rat for himself. they are associated with filth and dirt.

Its very common for Purvaphalguni men to be involved in sadomasochistic sexual activities; in fact, two of the most famous writers to address these themes, Georges Bataille and Marquis de Sade both have Purvaphalguni Sun & Moon respectively.

“Life has always taken place in a tumult without apparent cohesion, but it only finds its grandeur and its reality in ecstasy and in ecstatic love.”― Georges Bataille (Purvaphalguni Sun)

"Lust is to the other passions what the nervous fluid is to life; it supports them all, lends strength to them all ambition, cruelty, avarice, revenge, are all founded on lust.”― Marquis de Sade(Purvaphalguni Moon with Ketu in Purvashada)

As such, many Purvaphalguni men have been involved in some type of sex scandal at least once in their career.

Nabokov who wrote Lolita had Purvaphalguni Moon and its a book about a old man who falls in love with a child. Like I said previously Purvaphalguni/Venusian men in general tend to have a virgin kink/a thing for innocence and corrupting someone and derive a sense of satisfaction from it.

in the 90s, Hugh Grant (Purvaphalguni Sun) was caught with a prostitute while he was in a long term relationship with Liz Hurley.

Freddie Mercury (Purvaphalguni Sun & Rising) was known for his wild and freaky love life, he openly spoke about his "enormous sex drive", he once celebrated his birthday with a 5 day orgy💀💀

Namjoon (Purvaphalguni Sun) received flak for recommending the book Almost Transparent Blue which featured graphic sexuality and violence including threesomes and rough sex. In his early career, he also received flak for his sexually suggestive songs like "Expensive Girl", "Trouble" and "Joke".

I don't want to go into this because I don't think there can be astrological evidence of someone being an abuser (i.e anyone could be any abuser regardless of their placements) but many Purvaphalguni men have had sexual harassment charges pressed against them.

“One must do violence to the object of one's desire; when it surrenders, the pleasure is greater.”― Marquis De Sade (Purvaphalguni Moon with Ketu in Purvashada)

This nak is the height of Venusian indulgence and as every peak is followed by a valley, Venus after ascending through the aims of Artha and Kama, now finds itself in the concluding Venus nakshatra of Purvashada. The aim of this nak is Moksha. When all else is satisfied, the only thing left to do is seek salvation.

Purvashada's yoni animal is a monkey and Purvashada belongs to the Brahmin caste. It is a Manushya gana nakshatra.

It is symbolised by “a fan/winnowing machine which separates grains from the husk”. It occupies the sign of Sagittarius and thus its sign lord is Jupiter.

The deity of Purvashada is 'Apah', Goddess of Water/Ocean.

In the final Venus nakshatra, the themes of refinement and purification are at their height. There is a relentless desire for expansion and the combined energies of Jupiter & Venus together can make a native simultaneously expansive but still constricted at the same time. Purification is a major theme in this nak. Bharani was concerned with birth and creation, Purvaphalguni with the sexual act in itself but in Purvashada, the Venusian focus shifts beyond either of the two.

Although Magha is most commonly associated with the "Goth" aesthetic, I would say even Purvashada natives have a tendency to lean towards a darker, macabre aesthetic.

Ozzy Osbourne (Purvashada Moon) was lead vocalist of the heavy metal band Black Sabbath and called himself "Prince of Darkness".

Johnny Depp (Purvashada Moon) stars as Edward Scissorhands in the movie of the same name. The movie revolves around an artificial humanoid creature who tries and fails to adjust to normal society despite the efforts of those around him. He falls in love with a woman he cannot be with. This is a common trope in the works of many Purvashada natives.

Lars & the Real Girl (2007) stars Ryan Gosling (Purvashada Moon) as a socially awkward man who begins to have a relationship with a lifelike doll believing her to be real. His family tries really hard to help him and ultimately (in a very Purvashada esque ending; because of Purvashada's connection to water) he believes that the doll is dying and mourns for her while submerged in water.

Charles Addams who created The Addams Family had Purvashada Sun (he was also Magha Moon), Morticia Addams was played by Carolyn Jones who was Bharani Sun & Moon, in the 90s adaptations she was played by Anjelica Huston who had Purvaphalguni Moon & Ketu

in the movie City of Angels starring Nicholas Cage (Purvashada Sun) the theme of a human and non-human being uniting is once again repeated, this time, Cage plays an angel who falls in love with a mortal woman. (spoiler alert!!) the movie ends with Cage choosing to be a mortal but his human lover passing away tragically. In true blue Purvashada fashion, the movie ends with Cage near the ocean, accepting his grief and new life as a mortal being.

in Francois Truffaut (Purvashada Rising) Jules et Jim, we see the tale of two men who both love the same woman, Catherine. The story repeats the same trope of how neither man gets to truly be with her (true union being impossible is a common Purvashada trope) and the movie ends with her driving Jim and herself into a river while Jules watches on. (death in the water or mourning someone in the water etc seems to be a common motif in the works of these natives)

“Love (understood as the desire of good for another) is in fact so unnatural a phenomenon that it can scarcely repeat itself; the soul being unable to become virgin again and not having energy enough to cast itself out again into the ocean of another soul.”― James Joyce (Purvashada Rising)

“The best people possess a feeling for beauty, the courage to take risks, the discipline to tell the truth, the capacity for sacrifice. Ironically, their virtues make them vulnerable; they are often wounded, sometimes destroyed.”― Ernest Hemingway (Purvashada Moon, Purvaphalguni Rising)

Hemingway's most famous work is titled The Old Man & the Sea and its set almost entirely on the water/the beach.

Christina Ricci who is best known for playing several dark edgy characters is a Purvashada Moon (she's also Magha rising)

I've also noticed that certain Purvashada natives have associations with Satanism 💀💀 or star in films that feature violent, gorey rituals etc

Rosemary's Baby stars Mia Farrow (Purvashada Moon) and Satanism is a major part of the movie's plot 💀

Zeena Schrek (Purvashada Moon) is the daughter of the founder of the Church of Satan and was the first baby to undergo a Satanic baptism. She's probably best known for conspiracy theories stating Taylor Swift is her clone lmao 💀😭

While Jennifer's Body's main story can be considered an Ashlesha themed one, there are significant allusions to the occult, virgin sacrifice and demonic possession which makes me believe it can be attributed to Megan Fox's Purvashada Rising

in the movie Satanic Panic (2019), Rebecca Romijin (Purvashada Rising) stars as the leader of a satanic cult.

Jane Levy (Purvashada Sun) starred as the protagonist in the 2013 film Evil Dead that features a lot of demons and demonic possession.

Nina Dobrev (Purvashada Sun) is best known for playing Elena on the show The Vampire Diaries. while i know demons and vampires are not the same, you've got to admit they share a lot of similarities xD

Dakota Johnson (Purvashada Rising) stars in Suspiria which is about a young woman who accidentally finds herself in a cult/witches' coven.

Some very well known people who could be called evil personified are also Purvashada natives, such as Hitler and Harvey Weinstein (Purvashada Moon)

Purvashada natives love to play the devil's advocate, the quality we most associate with a monkey (this nak's Yoni animal) is its playfulness. Purvashada natives do things simply for the heck of it/thrill of it. There is no sense of purpose or direction to which their Venusian qualities are directed. Thus it represents the dark side of Venus. When all other desires are fulfilled and the only thing left is to seek Moksha, the nakshatra tends to exhibit the Trickster archetype.

the 2002 movie May, stars Angela Bettis (Purvashada stellium; sun, mercury, jupiter and rahu) and depicts the cruel and sinister side of Venus very well (trigger warning; this movie is VERY gore-y), its about a woman who ritually murders several people who she did not feel loved by (to put it simply).

While Bharani being the initiatory Venus nak is Venus at its most ethical, all sense of "right and wrong" evaporates into thin air as the Venusian journey progresses. In Purvaphalguni, this manifests as a desire for sex itself but in Purvashada, the native is dissatisfied with mere bodily union, it seeks something bigger. This theme of union being impossible/not satisfying can be seen in the works of many Purvashada natives. The desire to delve into the occult arises out of a desire to transcend ordinariness, find something that addresses the darkness and uncover the truth within it.

The Venusian journey passes through the sign lords of Mars, Sun & Jupiter; beginning as a soldier, working out of a sense of duty, reaching its height in the individualistic Sun, seeking pleasure merely for one's own sake and finally concluding itself in the expansive Jupiter where things get unusual. Venus is a complicated planet full of contradictions and combining its energy with that of Jupiter which expands beyond control means the darkness of Venus makes itself seen in ways we don't quite see in the same way in the other naks.

The tattvas of these naks are earth, water and air respectively. It originates in a very grounded fashion, full of practical concerns, then dissolves itself entirely in the formless water before becoming the element that's hardest to narrow down; air.

Bharani with Aries, Purvaphalguni with Leo and Purvashada with Sagittarius and all these signs are traditionally perceived as masculine and the Fire element in general is understood as masculine. The opposite of fire is water, which is feminine (water being related to the Moon, which is a yin planet) whereas fire is related to the Sun which is a yang planet.

it is the combination of masculine with feminine that heightens the effect of the other. a highly masculine man or a highly feminine woman have integrated the opposite energy within them fully; they are internally almost androgynous . they dont lack the influence of the other

in Bharani, we have the womb and creation, in Purvaphalguni we have the bed, in Purvashada, we have the winnowing basket, separating the husk from the grain, depicting the different functions of Venus; as source, hedon, and order.

[moriaarts]

Captain Kiss of the 343rd

Blorbo of my own creation. Whom i love and adore. Who didn’t survive the war to let her assigned gender get in the way

Text under cut 💜

 AKA, Kisses (Duo), Capin' (The twins), Smooch (DT). The name Kiss comes from the kiss curls that frame her face. She styles these baby hairs, and paints curls on her bucket to match, along with teeth on her armour to resemble her beloved pet and service Massiff, Mooch. Captain of the 343 company on Naboo in the Lake Country.  Not to be confused with the sprawling fields and grand estates. This troop guard an outpost a few clicks from Auroa, a ranching village, as a look out for oncoming ground/swamp infiltration attempts. If the senators living it up in the Lake Country or the capital of Theed are under any threat, they'll know about it first, so its mostly surveillance and scouting work.

Kiss was originally designed to be a CC unit, but as a cadet crying too much saw her reconditioned and transplanted into a CT batch that had just lost a cadet in training. Crying is still difficult if not impossible for Kiss, who comes off as tough and aloof but feels things deeply. Kiss was deployed as heavy infantry to Geonosis in the first clone trooper assault, and took over as Captain of the company she was in when their Captain died. The role would remain hers for a time until she was struck down by a mortar shell that almost took her jaw. The wound would be cosmetic but the implant to replace the structure of her cheek and the horror of being unable to breathe or speak for so long would have lasting effects. But she's a good soldier, and despite the few and far between episodes, she is exemplary, but the danger of her doing so during battle is too much of an unknown that she is inevitably shipped to Naboo to aid the Naboo Royal Guard in protecting the mid-rim edge planet. A somewhat menial task for a would be perfect soldier. But it wouldn't be all bad. Mooch would be assigned to her as a pup.

Mooch was too docile to be an attack massiff but showed talent in being a service dog. When they met, the pup was able to detect an oncoming attack in Kiss and pawed at her until she complied with her demands.

Kiss would join two other clones in being the first clones to request transition. And seeing as her involvement in the war was considered to have little impact, two years in, she was approved. With her identity known to higher ranking clones. She would aid in the transfer and protection of other "Obsolete" or "faulty" clones. Some would stay with her and name themselves the 343 company in her honour.

Bonus: Nabooen locals worship a goddess called Hemeela. A goddess of bounty and beauty, known to take many forms but to be a brave fighter and mother. 

Upon discovering this deity, Kiss made her identity known to her vode and now lives as a woman adopting markings that match scars Hemeela received in her battle against the all-consuming Jutorus. 

She is in a constant debate with Duo about the nature of her weight. Hormones are new to her and have changed the distribution of fat much to her delight but to Duo's despair as they state "A fat ass isn't regulation." Much to Kiss’s despair. 

[genericpuff]

I wanted ask about the family trees in Rekindled, if you'd ever put out a post on how everything is lined up. Who is who's parent, like is Eris a child of Zeus and Hera or Nyx and Erebus.

So in Rekindled, the gods aren't created through 'traditional' means like mortals are. While they definitely have relations with one another and some have been born from sexual interactions, it's the fusion of their powers and the elements assigned to them that creates new gods rather than, y'know, the mortal way of making babies. Thus they don't share any DNA that would make them blood-related, however they do share some similarities in how their powers manifest depending on who created their predecessors!

That said, here's the 'family tree' in Rekindled, with some info on how they were created!

(*note that not every god / goddess / etc. who will make an appearance in Rekindled is on this family tree, I'm just trying to avoid spoilers as best I can while also providing info; on the flipside, not everyone included on here will necessarily play a role or even appear in the story - including Hyperion and Theia - they're just listed for the sake of clarity and worldbuilding)

As for Eris, I'm not actually planning on including her much in Rekindled as her role in LO is already reduced to that of a McGuffin to explain Persephone's wrath. She absolutely deserves to have her story told but I feel like it would be better saved for something adjacent to or involving the Trojan War / The Illiad rather than forcing her into Rekindled where she already doesn't have anything to do with the rewriting of the Act of Wrath.

That said, in the spirit of answering your question, with how we've done it in Rekindled, she can technically be 'both' a creation a Nyx / Erebus and Zeus / Hera - given a physical form by the union of Zeus and Hera, but with traits passed down to her through their lineage that connects all the way back to the primordial beings. But a more sensible answer is that I'm honestly sticking with the Zeus / Hera version, as Rekindled is still retelling Homer's The Hymn to Demeter and so I try to use as much of Homer's source material as possible while taking elements from other poets as needed. There's loads of sources to choose from so I work with the ones that connect best to tell a coherent story, with a predominant amount of sources coming from Homer, Hesiod, and the Orphic hymns.

Hope that helps! Enjoy the totally-not-confusing family tree chart LMAO

[honestlyboringperson]

Persona 5 AU anyone? No? Just me? That’s fine.

Anyways, welcome to an AU that’s been bouncing around my head for nearly a year now! It was inspired by @/chrisrin’s take on the MCYT x Persona series as well as @/scruffyturtle’s ACAU! Go check ‘em out!

Team B.E.S.T.

The Scottage + Gem

Fairy Fort

Magical Mountain + Cub

More Information is under the cut!

Grian - “Ace” - The Sun Arcana - Lafayette/Eris

Grian is a college student working for a degree in architecture. He lives with in roommate Mumbo and does journalling and photography as a hobby. For some odd reason however, he can’t seem to remember anything about his past beyond simply going to college, doing a part time job, and spending time with his cousin and friends. This is because Grian isn’t really human. In this AU, the Watchers take the role of Yaldaboath, and created Grian to begin the mental shutdown cases to scare people into looking for someone to look towards. In this case, The Watcher Cult (Called the Pupils) for the Watchers to take control. During his creation, false memories were implanted in certain people in the Pupils for Grian to more seamlessly appear. But unbeknownst to them, the Velvet Room interfered and erased Grian’s memories of his purpose.

Anyways, onto the personas, Grian’s persona is Lafayette, a key figure in the American Revolutionary War and the French Revolution. In both wars, he was known to lead his armies in decisive battles of the war to secure their victory. Even today, he’s celebrated as a hero in both France and in the US. This fits in with canon Grian’s habit of rebelling against any governmental entity that’s in the Hermitcraft server (although he is currently the government) l

His Ultimate persona is Eris, the Greek goddess of chaos and strife. She was the instigator of the Trojan war, where she threw at apple at Aphrodite, Hera, and Athena. She stated that it was for the “fairest goddess” and one thing led to another, and several kingdoms are now at war with each other. Wow, starting a war for shits and giggles? That sounds like Grian!

Jimmy - “Sheriff” - The Fool Arcana - Black Bart/Baldr

Grian’s cousin and charmingly unlucky, Jimmy is often the target of teasing. He’s the one to egg Grian on to actually go to class instead of just doing the online assignments. He’s personally seeking a degree in education, and is a stickler for the rules he agrees with. Unbeknownst to him, he was a victim of the Pupils and one of the people that had false memories implanted in him. He’s extremely excited about being a phantom thief, but his joyous excitement will be tested through the story.

His Persona is Black Bart, an American Outlaw who is known for the poetic messages he left behind after two of his stagecoach robberies. He is considered a gentleman bandit with a flair for style and sophistication. He brandished a shotgun, but was noted to never fire it during his robberies. He was famed to the point there is an annual parade in Redwood Valley, California where there is a Black Bart Parade where he is played and portrayed as a stereotypical Old West Villain.

Anyways, Baldr is Jimmy’s Ultimate Persona. Baldr is a Norse god, and was well loved by everyone in the Aesir. He had a prophetic dream where everything is destroyed and gets terrified. His mother then makes everything in existence to personally promise her they won’t hurt him, rendering him near indestructible. But there was one thing that didn’t promise his mother; mistletoe. Loki kills Baldr when the other gods made a game where they throw countless weapons at the newly indestructible Baldr where he throws a spear made of mistletoe at him. He was the metaphorical “canary in the mine” due to his death being the first domino that trigger Ragnarok. Baldr only returns from the dead after Ragnarok throughly destroys everything.

Impulse - “Rook” - The Hierophant Arcana - Wayland/Hephaestus

Impulse owns a small prop weapons company where he forges and creates prop weapons in his own garage. He is coined the “dad” of the group, but would let a stupid scheme play out if he thinks it’s going to be funny. Unknown to anyone but his close friends (Skizz, Gem, and Pearl), but Impulse has a criminal record. He once worked under the one of the biggest mafia families in the country, and he was caught by the police after his teammates from the mafia abandoned him and used him to distract the cops. Ever since then, Impulse has been secretly trying to locate his former teammates to enact revenge on them.

Wayland is Impulse’s persona. Wayland was a blacksmith who was enslaved under a king. He had revenge on the king by killing both his sons and built wings to escape the king. Afterwards, he supplied weapons to several other people in myths and stories such as Charlemagne and his paladin as well as Beowulf as their weapons maker. Impulse is an advocate for burying the hatchet after using the hatchet to brutally destroy those who wronged him.

Impulse’s Ultimate Persona is Hephaestus, the Greek god of the forge and blacksmiths. After being thrown off Mount Olympus, he swore revenge on Hera. He enacted said revenge by trapping her on top of a golden throne that made her unable to get up. Not only in this story, but also in tales such as Aphrodite’s affair, he is noted to be very vengeful and will not yield unless his demands are reached.

Martyn - “Knave” - The Judgement Arcana - Atlantis/Judas

Martyn is a stagehand in the local theatre known for his friendly and amiable demeanour. However, under that cheery demeanour is a burning desire for revenge. Martyn’s parents were devout worshippers of the Watchers and worked under the Pupils. He was subjected to several grievances due to his parents volunteering him for the Pupil’s experiments and abuses. Ever since he’s escaped, he has focused on destroying the cult. He’s been working as a grey hat hacker to clients with varying levels of morality to get money and further his research on the cult.

Martyn is the navigator of the team with his persona Atlantis. Atlantis was a city that was sunk beneath the sea for being too greedy. It was noted to possess technology that surpassed the technology of times and even to this day, it’s still being searched for. The people were of divine descent, and lost their humility as they became more human after each generation.

Martyn’s ultimate persona is Judas. Judas was one of the original disciples for the Big J, and sold out him out for 30 pieces of silver. Martyn’s story in this AU revolves around his grudge against the Pupils and the Watchers, so his persona is someone who betrayed a religious figurehead.

Mumbo - “Vamp” - The Hermit Arcana - Galileo/Thoth

Mumbo is Grian’s roommate and a self proclaimed “spoon”. He is working towards a degree in Computer Science and is often found tinkering with old technology in his room, often to the point him and Grian step on loose screws and pieces of plastic on a weekly basis. Much like Jimmy, he had false memories of Grian implanted in him, which would come into conflict when the origins of Grian is revealed. This was because the main reason he joined the Phantom Thieves was out of concern for Grian. According to him, the day he turned 18 is when his signature moustache just grew spontaneously.

Mumbo’s persona is Galileo, the father of modern science and the scientific method. His studies were considered blasphemous against the church and he was sentenced to house arrest. Even though he was imprisoned, he still had faith in his discoveries and continued his studies within the confines of his house,

His Ultimate Persona is Thoth, the Egyptian God of the moon, wisdom, knowledge, writing, hieroglyphs, and judgement. He’s associated with Hermes and due to the connection, created the epithet Trismegestus. He is someone who solves his issues with diplomacy and reason instead of pure power and strength.

[thescarlettbitch]

Mesopotamian Pantheon Explained

Hello! My name is Red, I am a devotee of the Mesopotamian Goddess Inanna, and it makes me sad to see that not a lot of people know about her, let alone the rest of her pantheon, so I thought I'd make a post about everyone, or at least, everyone I can. I've made a masterpost about her, and I really enjoyed it, as it gave me an "excuse" to learn about her, and this is the same. In this post I will be naming the gods and their domains and their relations with each other. If prompted, I would love to do a deep dive on every deity in this pantheon I can. Unfortunately, there are over a thousand deities across all Mesopotamian cultures, so this is by no means a complete list or anything similar.

So, first, what is Mesopotamia? Mesopotamia means "land between the rivers", the Tigris and Euphrates Rivers, and it is the term to define the whole region and the various cultures that lived there. This includes Sumer, Akkadia, and Babylon. Despite culture being different, they shared similarities in written language, religion, and attitude towards women. The gods may have had different names at different points, but they were the same deity to all, often referred to interchangeably. This region gave birth to about 50 firsts of man.

But, on to the Gods!

The first thing to know about the Pantheon and how people worked with them, is that mortals believed them to be coworkers with the deities, and that they worked together to maintain order. Due to differences in cultures, each civilization viewed the deities differently, so Marduk might have been king of the Gods in Babylon, Enlil was king of the Gods in Sumer. The heavenly Gods were referred to as Igigi, and occasionally Anunnaki, though in some sources Anunnaki was the older or "major" Gods, and the Igigi were the lower ranking Gods.

We are going to start with the Seven Divine Powers, the oldest Sumerian deities.

Anu - sky god

Enki - god of wisdom

Enlil - lord of the air, sumerian king of the Gods.

Inanna - goddess of love, fertility, and war, queen of the heavens

Nanna - goddess of the moon

Ninhursag - mother goddess

Utu/Shamash - god of the sun

Other popular deities include

Assur/Ashur - supreme god of the Assyrians

Ereshkigal - goddess of the underworld

Gula - goddess of health and healing

Marduk - babylonian king of the gods

Nabu - god of writing

Nanshe - goddess of social justice

Nergal - god of war

Ninkasi - goddess of beer and brewing

Nisaba - goddess of agriculture, turned to writing and accounts

Dumuzid/Tammuz - god of shepherds

Enkimdu - god of farmers, seen as the personification of the irrigation system

Geshtinanna - goddess of scribal arts and dream interpretation (theorized)

Bau - mother goddess, healing

Ishkur - god of storms and rain

Ištaran - god of divine justice

Nanaya - goddess of love

Nanshe - goddess of divination

Ninazu - associated with the underworld, though his role is disputed

Ninlil - wife of Enlil, thought to be "artificially created" as Enlil's equal

Ninshubur - god(dess) attendant of Inanna (in some sources she is masculine, and others feminine)

Zababa - war god

Alammush - god attendant of Nanna

Sherida - goddess of dawn

Apsu - primeval freshwater

Tiamat - primeval sea

Creation-

The Mesopotamians had many different tellings of the creation of the world, most likely due to the cultural differences. Atra-Hasis, Eridu Genesis, and Enuma Elish are the most common, as we have physical copies of them today. They, among other sources, depict a different family tree, but with key similarities.

Atra-Hasis: Anu, Enlil, and Enki cast lots to determine who rules what. Anu the sky, Enlil the earth, and Enki the sea. Enlil assigned minor gods to farm, but after many years the minor divines refused. Enki suggested to make humans to do the labor. Mother goddess Mami fashions humans out of clay, flesh, and blood of a slain god, and all the gods spit on the clay. After ten months, humans emerged from a specifically made womb. After many years, humans have overpopulated, so Enlil sends famine and drought every 1200 years. Enlil decides to destroy humanity by flood. Enki goes to hero Atra-Hasis and tells him of the plan, instructing him to demolish his house and build a boat. He does, and he brings his family and his animals and seals the door. When the flood comes it stays for seven days and even the gods are afraid. It ends and Enlil is furious with Enki for breaking the vow of silence but eventually the two agree to find other means of controlling the human population.

Eridu Genesis: the beginning of this has been lost to time. The surviving portion starts with Nintur, the goddess who birthed humanity, where she calls for them to he sedentary and civilized. Then more is missing. It resumes with humanity still being nomadic and barbaric. Nintur is stilling planning to provide kingship to the mortals. Then cities emerge, are named, and become distributional economies. Humans begin to annoy the gods, Enlil was unable to sleep, and made the brash decision to destroy humanity with a flood. Enki tells Ziusudra, a human, and tells him to build a boat to save himself and one couple of every animal. Ziusudra does as he is told and the flood comes. Humanity survives, but the rest is lost to time.

Enuma Elish: at the beginning, Apsu and Tiamet existed, co-mingled. From them came Lahmu and Lahamu. Then Anshar and Kishar, and from Anshar came the god Anu and from Anu came Nudimmumd/Ea. These new gods made noise that annoyed Apsu, who called to Mummu to speak with Tiamat, who proposed to destroy them, but Tiamat was reluctant. Mummu advised Apsu to destroy them. The new gods were worried, but Ea crafted a spell to lull Apsu to sleep. Mummu couldn't wake him. Ea took the halo from Apsu and wore it, slew Apsu and chained Mummu, living in Apsu with his wife, Damkina. Together, in Apsu, they created Marduk. Other gods made fun of Tiamat for not doing anything as Apsu was killed. Tiamat made monsters to fight the gods, eleven chimeric monsters with weapons, lead by her new consort Kingu, and gave him the tablets of destinies. Ea heard of the plan and went to his grandfather Anshar, who proposed Marduk as their champion. Marduk said he would win against Tiamat but that he would need to be king of the Gods if he did so. The others were wary but eventually relented. Marduk was given a throne and many supplies to fight Tiamat. He won and split her body in two, fashioning the sky from one half, places for Anu, Enlil, and Ea in it. He made likenesses of the gods in the stars, and from that he made the days of the year. He made night and day and the moon, he made storms and wind and rain, and gave the tablet of destinies to Anu. Marduk told Ea that he was going to use his blood to create man to serve the Gods, but Ea said that another should be chosen as sacrifice. Kingu was chosen, so man was made using his blood.

So... where do these other gods fit into the family tree?

Great question.

An and Ki had Enlil and Enki.

Enlil and Ninlil had Nanna, Nergal, Ninazu, and Enbilulu.

Enlil and Ninhursag had Ninurta.

Nanna and Ningal (in some sources) had Ereshkigal, Inanna, and Utu. In other sources, Enlil, An, or Enki were their parents.

Ereshkigal and Anu had Nungal.

Ereshkigal and Gugalanna had Ninazu. In other sources, Enlil and Ninlil, or Nanna were his parents.

Utu and Aya had Mamu, Kittum, Ishum, and Sisig.

Enki and Duttur had Dumuzid and Geshtinanna.

Either Sin, Urash, or Anu, and Inanna, had Nanaya.

Dumuzid and Inanna were married, but bore no children together.

Thank you for reading this major info-dump and lmk if you guys want any specifics or deep dives on someone! <3

[talonabraxas]

The Goddess Sophia Talon Abraxas

“Allegory of Divine Wisdom”

In Gnosticism, the “Fall” didn’t occur through Adam and Eve – it happened before the world’s creation, through a mistake made by a heavenly being called Sophia (whose name is Greek for “Wisdom.”

The story of Sophia’s fall (which was part of the Gnostic creation myth) is told slightly differently in the many Gnostic texts that discuss it, but the various versions of the tale all share the basics in common.

Sophia was one of the “aeons” – divine entities who were descended from God the Father and who were roughly equivalent to angels. Of the many aeons, Sophia was the last to arise from God.

Like the other aeons, Sophia was the child of a male-female pair of aeons that had come before her, who had given birth with the Father’s blessing. Sophia and the rest of the aeons formed the “Pleroma” (Greek for “Fullness”), the Gnostic name for Heaven.

Sophia wanted to have a child, too. But she went about it in the wrong way: she conceived without the involvement of her male partner or the approval of the Father. Her child was the “demiurge,” a misshapen, belligerent creature that was utterly unlike the other heavenly beings.

Sophia immediately realized her horrible mistake and cast her child out of the Pleroma. The demiurge, now alone, believed that he was the only being who had ever existed, and created the material world out of his ignorance, foolishness, and malevolence, trapping sparks of divinity within Adam and Eve along the way.

Because of her fall and its dire consequences, Sophia became a flawed being. Her deficiency rendered her unable to remain in the perfect “Fullness” of the Pleroma, so she was placed just outside of the Pleroma, in a realm above that of her malevolent son. In anguish, Sophia repented, and the Father agreed to bring her back to the Pleroma once what had become lacking in her was restored to its natural fullness.

Precedents for Sophia in Jewish Literature

In the genre of Jewish (“Old Testament”) writing known as “wisdom literature,” Wisdom (Hokma in Hebrew was personified, and she gave monologues describing her great deeds and articulating her perspective on the world. Since Hokma, like the Greek Sophia, is a feminine noun, Wisdom was cast as a female figure. In the words of Nicola Denzey Lewis, Wisdom is “God’s active feminine principle, at once a part of God but also separate from God,” as in Proverbs 8, Job 28, and Sirach 24. In this regard, she’s much like the Gnostic aeons, who are also semi-independent extensions of God. They act, whereas God himself simply is.

Here’s an example of one of Wisdom’s monologues, Proverbs 8:22-31:

The Lord created me at the beginning of his work, the first of his acts of long ago. Ages ago I was set up, at the first, before the beginning of the earth. When there were no depths I was brought forth, when there were no springs abounding with water. Before the mountains had been shaped, before the hills, I was brought forth— when he had not yet made earth and fields, or the world’s first bits of soil. When he established the heavens, I was there, when he drew a circle on the face of the deep, when he made firm the skies above, when he established the fountains of the deep, when he assigned to the sea its limit, so that the waters might not transgress his command, when he marked out the foundations of the earth, then I was beside him, like a master worker; and I was daily his delight, rejoicing before him always, rejoicing in his inhabited world and delighting in the human race.

The Gnostic depiction of Sophia was surely heavily influenced by this earlier Jewish depiction of Wisdom, both directly and indirectly through the works of thinkers such as Philo of Alexandria, a first-century Jewish intellectual who worked personified Wisdom into a rationalized cosmological system that sought to synthesize and harmonize the Jewish scriptures with the works of Plato, another importance influence on the Gnostics and early Christians more generally.

Sophia and Non-Gnostic Christians

Some texts from the Valentinian school of Gnosticism connect the story of Sophia’s fall to the fate of non-Gnostic Christians – that is, Christians who have the baseline Christian virtue of faith but not the higher mystical insight of gnosis, the root of the word Gnostic.

For these Valentinians, those with gnosis will ascend to the Pleroma after their deaths to partake of its perfect “Fullness.” Christians without gnosis will still be saved, but will have to spend some time in the place where Sophia was put after her fall, so that they, like her, can continue to advance in perfection until they’re worthy of being admitted to the Pleroma. You could say that Sophia’s realm is much like Purgatory in this view.

The existence of Sophia’s celestial waiting room of sorts enabled these Valentinians to have their cake and eat it, too: to preserve the special privilege that they believed gnosis imparted to them, while nevertheless being able to reassure other Christians that they, too, would ultimately be saved. This was surely a socially advantageous view, since it placed the Valentinians within the wider Christian fold rather than apart from it.

[invisible-dragons]

Lord Hermes, god of communication and written word

Allow my message to flow smoothly

Allow me ease in finishing this essay

Quick god, allow me speed

That I may finish this essay on time

God of persuasion

May my words serve to persuade and sway

Effectively communicating

Lady Athena, goddess of knowledge and education

Aid me in this assignment

So that all that I know may come through effectively and I may get a good grade

Lord Ares, god of strength and of battle

Allow me to fight through my struggles

Allow me the strength to push past my tiredness

Aid me in gaining successes here

Lord Dionysus, god of creation

Allow my words to flow like wine, lovely and beautiful

Lend me what aid you find suitable

Lord Hephaestus, god of crafts and technology

May my essay be well crafted and structured

May my computer function well

I thank you for the technology to do this

Allow me to use it effectively

I thank the deathless gods I have called upon

For the aid I may receive

May my essay be well done

May it be turned in today

May I be done on time

I ask the deathless gods to allow me success and aid in my writings

[cattobones]

Illustration assignment "Coqui frog creation" based on the puerto rican legend of the coqui frog. The goddess fell in love with a human named Coqui and after he died she created the frogs to sing his name every night (Coqui frogs are named after the sound they make) so this is an illustration of her creating the frogs from her tears.

Coquis don't have a tadpole stage as they're a tree-dwelling species, so they emerge as froglets (miniatures of the adult). The less developed white frog represents their fetal stage inside the egg

[jun-hug]

dream team art school! au

Doodles that inspired me to write a little drabble fic :)

ꕤ • ꕤ • ꕤ

This was Georges biggest project,

okay maybe biggest project this semester... or last 2 months, either way the assignment occupied boys attention for couple last weeks, especially this week. That's why his two best friends were so eager to meet up, it felt like they haven't seen him in so long yet they go to same university. When brunette texted on their group chat asking for a hand with a photoshoot he haven't even blinked an eye before they eagerly agreed.

What's even more exciting, boys haven't seen George's project yet! The oldest kept it a secret to "prevent the leaks" because apart from it being his assignment it was also an entry to one of his most ambitious fashion competitions. The fashion awards of all US fine arts universities. He had high hopes for it.

"Alright I'm almost ready, remember to put the ISO to 200, I borrowed those lights for a reason!” Georges words were a little muffled but still understandable as he worked on setting his design as perfectly as it could get.

"Got it Gogs, come on we don't have a whole day!” they did, their classes finished at 11am today and it was Friday so they were free for the next days. Sapnap was just eager to see the boys creation, after all he put all his heart into it, like he does to all his projects. "Actually we do" Dream interjected, youngest only glared at him knowing damn well he's as impatient considering constant taps on his thigh.

"Yeah Sap idiot, we have all day.. but you're right, it's better if the light from outside is still at it's best." he finally emerged from behind the wardrobe curtain. Okay. The boys were stunned it's not that George usually doesn't look like goddess himself - that's far from truth actually. It's just that this time they're seeing his art mixed with all his grace and beauty. Sapnap manages to whisper little "Oh god" only for Dream to hear, as the tallest boy starts "You-”

The baby blue glowy shirt, ornamented with flowered embroidery makes his face look soft, bringing out his strawberry cheeks and eyes hinted with a bit of peachy shadow. It all contrasts, yet fits without fault with a long, red, mermaid cut skirt. It's flowy, the material decorated with blue beads in the shape of hearts- And oh-

Dream gasps, Sapnap inhales loudly. Fishnets, George is wearing fishnets and the cut in the thigh is so high it shows his left leg fully. good christ, they are so down bad. Sapnap eyes Dream and They can really just see how both of them are fully raspberry blown faces.

They are both hot. red.

And The brunet who's the one and only cause is clearly oblivious to their reaction as he innocently asks "so how does it look?", makes a gesture with hands showing of the sleeves and frills on the skirt.

"I- you, it's well, George, it's so beautiful you look amazing." Dream exhaled eyes still on him, almost not blinking.

"George it truly is gleaming - I mean the colour palette for this one??? Ms Chevreu will loose her shit when she sees this! You actually are so skilled holy smokes” Sapnap added still admiring his friend's piece.

"awe thank you! I hope she looses her shit to be honest that would be funny, she's into reds recently so I think she will" boy snickered, his cheeks visibly tinted, not only from blush he applied couple minutes ago.

"alright!" he clapped his hands "time for shoot!"

Youngest set the light, while dark blond took photos to fill the entire SIM card folder. Taking that George was /very/ photogenic it was easy to catch the best shots, it's almost like he looks perfect in all of them. George is perfect tho, Dream thinks.

"Okay I think we're done, I took pictures from every side I think" Dream announced as George stretched "gods yes please my back is starting to hurt so bad" as to emphasize that he popped his bones ”ew George don't do that” Sapnap made a face.

"what do you mean you are the worst back popper I've met. Hearing only a scoff in response from other boy George's half lidded eyes closed for a little while.

"He's meditating guys!” Dream squeeked in one of his mocking voices, George giggled "he's died!"

"Okay, that's it I'm checking the photos!" Sapnap yanked the camera from the tallest's hands and plopped on one of the puff poufs. "Hey be careful you goose! this camera only cost me 5 and a half months of cafeshop money!” Dream hurried with scolding

George got up slowly and joined the youngest, soon enough all three of them were slumped on floor, brit in the middle looking and commenting on photos. "Hey guys.." brunet started, causing Dream and Sapnap turning to him.

"yeah?" dark brunette asked.

"thank you... for supporting me, like not only this time but at all" he turned his eyes from both pairs of theirs. Then he cupped each cheek and gave it a short kiss.

Boys blushed, all three of them.

"Yeah no problem Gogs, we'll always be your biggest fans" Sapnap breathed out.

"Always" Dream repeated.

And if for the rest of the day boys only watched movies all cuddled up on couch, snacking on anything they found in brunets kitchen, that was on them.

thank you for reading ♡

hugs,

Jun

[wonryllis]

、ㅤ🪷 ⋆ ࣪ 午 MY LOVES (MOOTiEs) ᵎᵎ ✶ 𝐍𝐒𝐅𝐖 so srry for the tag. NOT KEEPING TRACK ANYMORE

THERE'S NO SPECIFIC ORDER,, IF I MISSED SOMEONE IM SO SORRY IT WASN'T INTENTIONAL JUST PLS LMK ASAP ILL ADD YOU!!

@jungqkook ( rora ) the writing goddess fr, all the talent in the world in one person you see. and she talks so sweet too? an actual creation of god.

@heesbaby ( cinna ) she's lovely, and so hardworking literally amazes and inspires me so much, one of my all time idols on here!

@heelvsted ( rin ) my girlfriend who is married to my other girlfriend. my solace, where i can rant freely, chem haters! if i could attend a halloween party with someone it'd be her!

@cornenhapovs ( cherrie ) the sunoo to my jungwon! we have so much in common you gonna be shocked,, we're twin flames

@taeghi ( ocean ) can you believe it? no? i can't believe it either. the literally the icon of enhypen blr the diamond gem and the apple of my eye, yes.

@jaylaxies ( aria ) the very very talented and cute honeybun who makes me nervous but i love her vibe and her blog and absolutely can't wait to get to know her more :)

@moon7jay ( xynia ) love love love her content and she's so talented and cool and hot, im burning away.. my shy and awkward partner if that makes sense, (secretly trying to seduce, don't tell her)

@alvojake ( kayla ) so nice and supportive, my new buddy who's got an amazing writing it makes me drool, would love to roast her but i have nothing on her right now,, one day..

@sserasin ( sage ) my wonyoung, crazed for all her content! her vibe is so hot i can't explain really. associate her with calm green and emerald eyes like a siren O_o

@pockettwinzz ( haze ) my girlfriend who is married to my other girlfriend. she's cute and she's mine, she's talented and she's mine, she's crazy and she's mine. back off.

@hooniehon ( claire ) her page is my secret den which has me intoxicated. my soul is trapped there forever and if i ever escape it's because i brought her with me.

@pprodsuga ( josephine ) apple pie, sweet and nice, classic and reliable. admire her a lot, she inspires me and i see my big sissy i never had in her.

hmu if you wanna be mutuals/frnds im always up for it!

MUTUALS I HAVEN'T TALKED TO BUT WOULD LOVE TO! (the way i got the shock of my life when i checked the mutual list and saw people i did not expect to be following me back)

@lilmashae

@sparklovespink

@gardenwons

@riftanswhore

@swanpetals

୨ৎ . . 𝓂o𝐨𝐭 𝓰a𝗺𝗲s ᵎᵎ

moots in prompt generator with bias and i rate them.

moots as tropes assigned with any idol.

moots as kpop idols they'd be.

moots as songs, webtoons and who'd be travel buddy + sibling vibes

moots as favorite drinks.

moots as kpop songs.

moots on the level of delulu-ness.

moots in winx club.

moots as tropes they suit. (2)

moots as kpop idols i see them as. (2)

[teratron]

The Sovereign

I talked about this guy already in my review of the first arc of Tom King's run but since I plan on going into depth on other WW villains, I figured I get him out of the way first since he's the new hotness at the minute.

Wonder Woman's rogues gallery is often regarded as one of the weaker, or worst, ones by a lot folks. I disagree obviously, but I can see why would one get that idea. They typically aren't represented well outside of WW's book and pretty much every new author when they come on to WW bring in their own new villain to hype up only to be quickly forgotten once they leave.

This brings us to the Sovereign, the latest in this long line of hyped up new villains but he's had a bit more attention as he's the creation of Tom King. The best kinds of villains for superheroes reflect some aspect about the hero or stand-in for a certain problem unique to the hero they face. This goes true for Wonder Woman villains, so what does Sovereign stand in for?

There's a lot one could say just going off the image provided and his whole status as the latest in a long line of "secret Kings of America". To me however, I find the more interesting interpretation of the Sovereign as a stand-in for well...certain types of superhero fans.

If you're a WW fan you're probably familiar with the type. The fan who doesn't actually read WW and yet has very strong opinions on her and her place in the DC universe. The type of fan to say Wonder Woman has no good stories and then admit in the same breath they've read maybe less than 5 issues of WW's adventures in their life. The fan who likes her being on the Justice League but doesn't want her to do anything that could outshine her male counterparts. Can't be strong as Superman, can't be too fast because that would impede the Flash, can't be smart because that's Batman territory. She can fight well they'll say but then they'll bring up every rando in the DC Universe they claim is a better fighter if Diana didn't have powers, so even that has an asterisks. The type of fan who cheers when Superman lifts planets with his pinkie or when Batman defeats capital-G God "with prep time" but if Wonder Woman lifts so much as a heavy rock than she's a Character I Don't Like. And definitely don't want Diana espousing any feminist talking points that might make them uncomfortable.

That's the Sovereign.

There's been criticism so far that lot of Sovereign's plots in each issue can be summed up as "Sovereign thinks this will be what breaks Diana but she triumphs in the end". And that's fair honestly but looking at it through this interpretation of Sovereign than of course that's what he'd do. Of course Sovereign would think sending in the U.S. Army would be enough to defeat her; she's not Superman, she's not Batman, she's not the Flash, she's just Wonder Woman. Of course he'd lose his temper when Wonder Woman not only triumphs but exceeds his expectations. Sovereign, like these fans, doesn't truly appreciate Diana as her own person/character outside of the role they've arbitrarily assigned her. Wonder Woman fans know this stuff isn't a threat to her, but Sovereign doesn't and he fails as a result.

It's only when Sovereign begins recruiting Wonder Woman villains from her long derided rogues gallery is when he starts seeing some results. 20,000 U.S. soldiers couldn't do it but a witch, a psycho, a giantess, a swan, a thief, and a goddess dominatrix could.

And it's also when he goes recruiting her villains it shows what he thinks of Wonder Woman. Unlike the others where he sends his lackey, Sargent Steel, to do the recruiting. He goes to meet Grail in person. Why? Well he says it's because as a goddess she's afforded certain respect but it's interesting he doesn't seem to consider that towards Wonder Woman, who for all intents and purposes is a goddess as well. What makes Grail different?

Grail's an empowered women but doesn't seem interested in going about changing the world to make a better place like Diana (at least not anymore). Notice how his dialogue notes he only respects her because of her Darkseid lineage, a patriarchal figure whereas Diana draws strength traditionally from the female Olympian goddesses, her mother, and her Amazon sisters' training. He shows reverence to Grail because of her father and ultimately, she doesn't fundamentally threaten the status quo like Diana's very existence does. In essense, she's the "acceptable" version of Wonder Woman to the Sovereign and what he represents. A strong sexy woman but one who isn't here to upstage any of their favorites or challenge any of their beliefs.

And as see from the dialogue throughout King's issues, it was all for naught as Sovereign finds himself imprisoned on a small island ultimately defeated regaling his tale to Lizzie Prince. If only he hadn't underestimated Wonder Woman...

As I said, this is only my interpretation but taken into account the 10 issues so far I've read of this run, it's the one I've best come to and how I think Sovereign can fit into Diana's rogues gallery going forward.

[l-boomburg]

REAL QUESTION WHAT TYPE OF GODDESS DID THE FANDOM ASSIGN MINE

Update: within two minutes I have been informed that she is the Goddess of Creation. Thank you all. Allow me to go scream into a pillow.

[superectojazzmage]

Of everything that happens in the new issue of Immortal Thor, this scene stands out the most to me as something I feel will be one of the most important scenes of both the issue and the run as a whole.

In the very beginning of gods, of Earth, of humanity, of stories, among the very first incarnations of the archetypes that Thor and Loki embody - the mighty warrior and the devious trickster - see each other and immediately get into a fight out of sheer revulsion of everything their twin stands for.

Good vs evil. Light vs dark. Order vs chaos. Brawn vs brain. Control vs freedom. Life vs death. Fate vs choice. Peace vs war. Mundanity vs magic. Law vs crime. Creation vs destruction. Love vs hate. And many more. Clashing opposites, battling for supremacy. A cycle of violence and debate passed down the generations, from father to son, mentor to student, predecessor to successor, and so on. Brother waging battle against brother just to prove a point, to fulfill their role in the story. An ideological blood feud applied to archetypes and titles and narratives. Trickling all the way down into it's present expression... Thor and Loki.

Already it's clear that cycles of this sort are going to be a very large theme of Immortal Thor. The concept of recurrences and stories being retold over the years have been talked about a lot by the narrator. The comic goes to great lengths to draw attention to how Thor and his cast and, by extension, their own world in the form of comics are falling into patterns that transcend through time. And I feel that's going to be the crux of a great deal of the plot.

Loki hates the cycle. In their roles as both the goddess of stories and the god of mischief, they abhor stagnation and repetition. They want to be free of the roles "assigned" by the narrative. They want to be free of the debate, the never-ending battle of good and evil that ha destroyed their family time and again. Thor would want to be free of it too, if he realized he were part of it. But he struggles to do so. He's a rock in the sea of time. A god among mortals, a child of two worlds watching in confusion and grief as his human friends age and change and die around him while his divine brothers and sisters continue to stay the same. In this, they are trying to do what Gaea wanted to do but couldn't; to break the cycle.

Toranos and Utgard-Loki don't want to break the cycle. They ARE the cycle. Embodiments of the sins of the forefathers carrying down to their children. Representations of the archetypes of Thors and Lokis at their absolute worst, shorn of all true depth and compassion and true belief in their aspects in favor of continuing the godforsaken argument. Shades of the old festering in the blood of the young, infesting them with their baggage, holding them back from growing better, and lashing out at them when the new generations fail to meet the standards of the elders. And they may not even realize they're doing so.

This isn't the first time this theme has come up in Al Ewing's work.

Immortal Hulk presents the conflict between the Hulk and his archenemy, the Leader, as a similar generational feud. Both in a literal familial sense (the Banner and Sterns families being divided and warring after Robert and Samuel Sterns turn on each other) and a larger ideological sense (people using the power of gamma for good or ill, going all the way to the first Hulk being born from a leader's selfish desire to misuse magic as a tool of conquest). Sometimes the thoughtful man is the hero, sometimes the brute is. But they always fight. Senselessly and pointlessly. And the Green Door and the horror it brings was only stopped... by breaking the cycle. By defying it. By Hulk choosing to never sink to Leader's level, or those of his predecessors, and instead choose to forgive.

And Ewing makes clear cycles and wars spanning centuries like this are common in the Marvel Universe. The Eternity Mask is passed down generations of men and women, always fighting for freedom against those who would deny it. Nick Fury passes his name and identity and role onto his son. There's always an Ant Man, inheriting their predecessor's problems, and there's always an Ultron, trying to claim dominion. Arakko and Krakoa alike are divided between those who hold to the old ways and those who seek new ways. Ebony and Ivory Kings do their work, from within and without. On and on, the wheels turn.

It even goes back to the very beginning. To prior multiverses. All tracing back to the first super battle, the first superhero and first supervillain - Lifebringer-One and Anti-All, the cosmic knight and the entropic dragon - fighting for the fate of the nascent world.

Effectively, Ewing views and represents the narratives of superhero comics as we know them, as a sort of repeating song. The metatextual commentary is that all this has happened before and will happen again, because humanity will always dream of heroes battling monsters. There will always be a knight and a dragon. A warrior and a trickster. A superhero and a supervillain.

But he also acknowledges how this can go too far. How comics can fall into stagnating loops of repeating stories and stall status quos. Spider-Men being denied their stories because editors want to live in nostalgia instead of the now. X-Men getting their progress towards coexistence undone because writers can't handle change.

And this is all what Immortal Thor is about and will be about. The struggle for balance between opposites and extremes. Cyclical narratives and worlds. Ideas and stories being inherited and passed on. And all of it a commentary on comic books themselves and their history and role in culture.

It's brilliant stuff.