#asking because i can't think of too many in the media i've read or seen

[a-most-beloved-fool]

for the wip title game, 1 and 2? 👀

but also aroace spock from the tags?? I know you haven't written much about it but i will eat every crumb 🥺

title ask game!

No One Can Read Spock: Newly-minted Captain Kirk has heard rumors about his soon-to-be first officer Commander Spock, and none of them kind. He braces himself to meet someone cold and uncaring - cruel, even - but when he beams aboard the Enterprise, what he finds... isn't that. Instead, he finds someone who is kind, compassionate, funny, and genuinely likeable - and he figures that if no one else is going to befriend this Vulcan, he damn sure will!

(Originally, this was conceived as something fairly lighthearted and silly, but... it's kinda turned into Kirk vs xenophobia, ft. Spock Making Friends.)

Everyone Can Read Spock: This one features a lot of POV Outsider, a very-obviously-in-love Spock, and a Captain Kirk who... doesn't seem to notice. Somehow.

At one point, I wrote an abridged version of a scene towards the end of this because i was going to make it a tumblr post and then i decided that there was a very real chance it would get a lot of notes and i would feel guilty taking forever to write it if that happened, but, because i do think it's a banger scene (even very abridged), I'll stick it below the cut.

Aroace Spock: This one was born because I came across a few too many pieces of media that featured asexual people """Becoming Normal""" and shippy things which acted as though it were The Worst Thing Imaginable to be aromantic (OR to be in any sort of relationship with someone who was aromantic) and i got mad. Very little of it is written so far, but essentially, the plot will be thus:

Spock accidentally walks in on Kirk and Bones discussing Kirk's feelings for Spock, and then immediately flees. Kirk panics, because ohfuckwhatifiruinedourfriendship.jpeg. Spock avoids Kirk for three days or so before finally appearing in his quarters to talk. Spock feels wildly guilty about not reciprocating Kirk's feelings (because Kirk is the most important person in his life, and shouldn't that translate to love? why isn't he in love with him??). Kirk assures him that it's perfectly fine that Spock isn't in love with him - their friendship is more than enough for him. The conversation ends, and their friendship is unchanged, and both are a bit relieved and a bit disappointed. Later, Spock learns about queerplatonic relationships and is like "hey wait a minute, this could be perfect!" He brings the idea to Kirk, who is like "are you SURE you want this, and you aren't just suggesting it because you think I want it?" Spock assures him that no, he wants it, too. Cue relationship negotiation while they try to balance their various wants and needs.

Eventually, after a great deal of watching Spock Blatantly Pining, McCoy says something offhand to Jim about how Spock is in love with him. And Jim just blinks at him, confused.

"Spock isn't in love with me," he says, as though it's simple fact.

Bones raises an eyebrow, incredulous. "Jim, there's no way you haven't seen it. The damn fool loves you. He's as near to head over heels as I've ever seen!"

Stubbornly, Jim shakes his head. "I'm telling you, Bones. He doesn't love me."

"He does!"

"No," Jim insists. "I'd know if he loved me!"

McCoy crosses his arms, scoffing. "Well, I'd have thought so, too, considering how obvious he is about it, but clearly not!" McCoy knows, though, that he won't convince Kirk of the truth by simply arguing well. So, instead, he asks, "Why do you think you'd know, exactly?"

"Because Spock's a touch telepath," Kirk declares, as though that solves the matter.

"Jim," Bones says, kindly, "touch telepathy only works one way. You can't feel a Vulcan's emotions by touching them - only they can feel yours."

Kirk doesn't look very impressed by that argument. "Yes, I know that, Bones," he says. He looks almost insulted that McCoy would feel the need to explain that to him.

"Well then why the hell do you think his touch telepathy would make a difference?!" McCoy snaps.

"Because Spock would tell me, if he loved me!"

McCoy can't quite follow the argument that Jim obviously thinks he's making. "What?" he asks, clearly baffled.

Frustrated, Kirk explains step-by-step, as though describing something basic to a particularly stubborn two-year-old. "Spock's a touch telepath. I touch Spock all the time. I always have. He picks up emotions from me frequently. Therefore, there's no way Spock hasn't realized that I'm in love with him. If he loved me back, he'd tell me. He already knows where I stand on the matter."

Kirk punctuates this declaration with a self-satisfied little nod, even as his composure cracks just enough to expose the old ache of unrequited love - one which had been remarkably well-hidden until now. But, his self-pity session is rudely interrupted by McCoy bursting from his seat, expression apoplectic. A blood vessel looks near to bursting in his forehead.

"WHAT?!"

And then McCoy chucks Jim bodily at Spock and the two fools finally figure things out.

McCoy is then gifted a very nice shore leave. He's put up with enough. He's earned it.

(and actually, because why not, here's a chunk of that scene in my real writing style (though bear in mind that it'll probably go through another three rounds of editing before it's Actually Done):

McCoy blinked at him, mouth agape. “You can’t have not noticed,” he blurted, incredulous. “Jim, the man is smitten. He’s as near to head over heels as I’ve ever seen!”  

Kirk just shook his head, a wry sort of smile sitting on his lips. “Yes, yes. That’s a very funny joke, Bones. Now, I’ve got work to do, you know,” he said, and made to pick up his padd once again.  

Without thinking, McCoy reached across the deck and slammed the padd back to the table. “Damnit, Jim!” he snapped, feeling angry all of a sudden, “I’m being serious! Spock’s got feelings for you. Real, honest-to-goodness, romantic feelings!”  

Kirk stilled, and looked at him more closely, expression shifting to something kind, and, oddly, almost sad. “You are serious, aren’t you?” he mused, voice gentle. “Well, I can see how you might come to that conclusion. But – you’re wrong, I’m afraid. He doesn’t love me. Not like that, anyways.” 

And Kirk, in spite of all the evidence he had been given over the years, clearly believed it. When Spock had been being obvious, having clearly made attempts to instigate a relationship in both the Terran and Vulcan fashions before settling into his current state of “plainly in love, but not acting on it.” Had Jim simply – not seen? Not noticed? Did he pay no attention to the man he claimed was a friend? 

“Of all the oblivious–” 

“Bones,” Kirk said, raising his voice just enough to cut him off. McCoy obliged, but glared at Kirk, mutinous. “I’m telling you: he doesn’t love me.”)

[13eyond13]

What's an actual example of a canon ship that's enemies to lovers btw?

[miraculouslbcnreactions]

About the "kwamis as mentors" angle: Interesting to read and analyse, yet I can't help but feel they were not necessarily meant to be seen as mentors. At least to me, they seemed to be kind of whacky mascot characters who are tied to the lore, who have a personality to crack a joke or point something out or cause a little situation or be cute, but nothing more.

They are rather naive magical entities chained to jewelry (a fact they don't seem to mind that much or think about at all except for Plagg) and all that talk about "being around for 5000 years" and having seen many holders before is just there to make them seem more wise than they actually act like. From what I've seen on the show I would even assume there's a threshold to how much they can even mature emotionally and understand humans. Sometimes Tikki and Plagg even come off as indifferent and egoistical towards their holders (like an example you gave with Tikki, or Plagg's fixation on cheese over Adrien at times).

So...sorry if I missed it, but why do you view them as mentor characters? You made an interesting post about rom-com vs magical girl and the magical girl part is exactly why I always viewed them just as critters to appeal to kids, but nothing more. I can see that the show's writing is so inconsistent that sometimes they are portrayed as wise but more often then not they are just background noise to get a little interaction on screen so that the characters are not talking to themselves about miraculous stuff or to point something out for the audience.

The show's writing is pretty weird, so there are elements that are hard to get a clear read on. The Kwamis are one such element. When they're one-on-one with their chosen, they often feel like mentors to me. When they're all together, they almost always read like "critters to appeal to kids" (mostly because there are too many of them to let them have individual personalities when they're all together). So while I think that they're supposed to be mentors, it's not like that's the only canon-accurate read.

To dig into what I mean by the one-on-one writing, let's look at this exchange from Feast:

Master Fu: See, Wayzz? If Marinette had kept her Miraculous, the sentimonster would have swallowed her right up. Wayzz: Or she would have transformed into Ladybug and fought it. Master Fu: Sometimes fighting is futile, Wayzz.

And then later on we get this:

Wayzz: Master, look! Ladybug and Cat Noir, despite their ridiculous costumes, they haven't let you down! Wang Fu: That's impossible! They don't have their Miraculous! Wayzz: Master, it's obvious it's them—who else would do something so crazy? Cat Noir (Adrien): Hey, have a taste of this! Some exploding banana split from Bananoir! Ladybug (Marinette): Much tastier than any Miraculous! Wayzz: Look, Master, there's no use in running! Your disciples never give up the fight, no matter what! With or without their Miraculous, they are Ladybug and Cat Noir!

That's some pretty active mentoring right there.

Wayzz is probably the character that feels the most like a mentor to me. When he's with Fu, he feels like Fu's partner or adviser, which is why I think that the Kwami's aren't supposed to just be cute critters. They're regular ol' Jimmy Crickets meant to act as a conscience that the characters can talk to since this is visual media and you want a way for the characters to talk through their thoughts instead of having them do it all internally.

I also present this exchange from Desperada as evidence:

Adrien: Plagg, Ladybug needs me. She needs "Adrien"! Plagg: If you asked me, this whole idea is worse than cheese in a can. Adrien: She thinks I'm the perfect guy for this mission. Plagg: You can't be Cat Noir and another superhero at the same time! Which means that you're not the perfect guy for this mission. Adrien: The Lucky Charm told her I am. Plagg: That's not how it works. Why am I bothering? You're not even listening.

We then get Plagg reiterating that this is a bad idea through multiple loops, ending with this:

Plagg: Ah! At last, you've come to your senses. Adrien: I'm not sure Ladybug will have very fond memories of her experience with "Adrien Agreste". Plagg: Then make up for it as Cat Noir.

See? I told you Plagg can be a good mentor when he wants to! Tikki, take notes!

I'd even call this bit from Sapitos some quality subtle mentoring from Trixx:

Alya: Oh please, Ladybug! We'd make a great team! I could help Cat Noir and you every day! Ladybug:(her earrings ring) I'm about to transform back! Hurry! Alya: Please? Ladybug: I have to go! I'm trusting you! (opens a nearby door and goes inside, so she can detransform) Trixx: You're absolutely right, Alya. I'm sure the three of you would make quite the team! You have all the makings of a true superhero. You're strong, brave; but most of all, you're trustworthy.

Way to both build Alya up and reminder her of her duty, Trixx. Gold star. Quality mentorship!

So are the Kwamis supposed to be mentors? Who knows! I just see them fill the role often enough to feel comfortable judging them through that lens.

Miraculous also isn't the only magical girl team show to make the cute critters into mentors. That's a pretty standard path even though it's also common to see the critters used to sell merch/appeal to kids and nothing more. In terms of classic magical girl team shows, I'd say that the Kwamis are written way more like Luna and Artemis from Sailor Moon than Mini Mew from Tokyo Mew Mew.

[synergysilhouette]

"Batman: Caped Crusader" review

Binge-watched this show, and I wanted to be one of many people to share my thoughts on this--plus I was spurred on by getting a wish of mine granted from the show. Make sure to check out the show if you can!

The animation is beautiful--I know this is a weird comparison, but soemthing about the animation reminds me of 2010s Scooby Doo animated films, and I kind of adore that.

The voice acting was...fine--I can't tell if it was poor performances or poor direction; Hamish's Bruce Wayne sounds too raspy/rugged some of the time, like he's still playing Batman, and many of the other actors felt like they were just reading lines rather than performing lines, not enough emotion. IDK if they're more used to live-action work, but voice-acting is a different ballgame, since your voice is all you have to convey the character. A lot of performances fell flat for me, but it wasn't 100% unbearable, just underwhelming. I have some people I'd recommend instead (both familiar to the role and otherwise), but I don't wanna start anything.

LOVED Harley (but not her costume)--Jamie Chung had one of the better performances in the group, and I really LOVED the angle they did for Harley; I feel like the media often flanderizes her as the goofy crazy chick, so seeing her actually utilize her psychology skills (like I've been asking for!) is so satisfying. That said, the outfit has GOT TO GO. Gold and black is gorgeous, but it ples in comparison to her black and red look. And a weird nit-pick; when I first saw the stills, I was under the impression she was wearing a carnival-esque mask rather than face paint, and I find that idea a lot creepier. I wish we'd gotten more of Harley's antics--and even seeing her get close to Bruce in the way she did with Barbara and Renee--before revealing her as a big bad to the public. And I appreciate that she isn't 100% evil; she is doing what she believes is a noble cause, just doing it in an illegal and unethical way. I needed a backstory!

Not enough Batman--Maybe it's just me, but it definitely felt like there were some episodes where Bruce and Batman were supporting characters and more focus was on the GCPD. While I don't mind it too much, I enjoy superhero shows for the superheroes, not the heroes; this is why I had a love/hate relationship with "Gotham."

Batman (and Bruce) isn't quite likeable enough--In earlier incarnations, Batman was more kind and caring before becoming more emotionally closed off with time, but here he's that way from the get-go. Not to mention that Bruce Wayne puts on a facade around everyone, even people he trusts (he probably did that anyway; I can't remember), and his session with Harleen really frustrated me because I don't expect his walls to come down immediately, I don't expect them to be this high this early. I wanted him to be a bit warmer and transparent, rather than curt and cold like he's usually seen in the show. I feel like this is an issue often seen in comics, too; people prioritize Batman's "coolness" and thus push his feelings to the wayside.

Using underrated and familiar villains--I'm sure the real experts are gonna chew me out for this one, but as someone who got into comics in the 2010s and didn't catch up on the acclaimed 90s series, it was fun to see villains I loved and villains I didn't know; one of the best things a popular property can do is use underrated characters, since it helps the show feel original and fresh (thus why "Teen Titans" is so enjoyable; the whole franchise is underrated).

Too modern for the 1940s--I can't put my fingers on it exactly, but the vibes feel too modern; I assume the 1940s was for aesthetics, but since everything else feels updated (from the way people talk to Harley and Renee seemingly being open about their feelings for each other), I don't think it was a wise choice to have it both ways. I see no reason not to have it in modern-day, but I suppose you'd have to get more creative with technology.

Barbara and the Robins--First off, I should've gambled with someone that Jason would be a redhead; I'd have made SO MUCH money. Secondly, I'm not crazy about how all four kids are orphans; If I recall correctly, both Carrie and Stephanie's parents were alive when they joined the Batfamily. In any case, I'm confused on why Barbara is significantly older than them when they're all supposed to be within the same age bracket (I think; someone has told me otherwise since posting this, so I could be wrong). Not to mention, a part of me worries that because of the quartet's young ages and Barbara getting so much screentime as a lawyer, we won't get any of them as Robins or Batgirls unless something drastic happens, and/or we get a time jump.

Overall, I think my biggest gripes are the voice acting and how Batman/Bruce Wayne is written. That said, I enjoyed the show overall. IDK why HBO Max dropped it. Hopefully season 2 will introduce Poison Ivy, Catman, Tim Drake, Ghostmaker, and Gardener, since the finale already showed us a certain someone who IS coming to Gotham.

[nerdieforpedro]

I love how you write and it makes me so glad you are here.

can I ask what inspired you to start?

signed - a maybe inspired future fic writer

This is such a wonderful ask! 🥰

I'm glad you enjoy my writing. I have ideas and I write them is my short answer and explains nothing I realize.

The long answer:

I've written fanfic before, off and on for maybe the last 10-15 years. Very different fandoms. Started out with anime, dabbled a bit in Yaoi then transitioned to Marvel and now I'm firmly planted in the Pedro Pascal, Oscar Issac, Benny Miller triangle of hotness.

Fanfic for me is an expression of a story, show, movie, video game or pice of media that I enjoyed so much, I just had to make something. I can't draw, no mixing of hot tracks or beats, I've just started dabbling in photo editing this year and am a beginner at that. It's all purely fun for me. I enjoy it and it's fun to share with other people who create and are like, "Hey! You like that? I like it too. Let me see yours and I'll show you mine. Where'd you get the idea for that?" And then hilarious conversations leap from there.

What inspired me to start specifically in the Pedro Pascal fanfic world was The Mandalorian. It was the first time I realized, "that's the man I've seen before!" And then realized I've seen Pedro Pascal in many of my favorite shows, (The Mentalist was watched for the sake of completion. After season 6 and the first episode of season 7, there wasn't a real reason to continue other than spending time with my mom. She's fine, when I tell people that they think she's passed on but the woman is still lifting 50 lbs mulch bags in her mid seventies. She more than fine.) I then became fixated on this man, reset the password on my AO3 account and found Pedro Pascal character fanfics. I was then led back to Tumblr which before I was on years ago for anime and read fics by @secretelephanttattoo ( I shall always sing about Headshots. It inspired the first fic I posted on Tumblr and is just so damn cute. El is also just a sweetheart.) and @morallyinept whose Tendrils fic only deepened my brain rot for that tall beskar bucket, she's also a dear friend who's made me laugh, cry in a good way, inspired me and very time I turn around she's crafting something new. Fics, banners, self-care, doodles, smut, databases, and all sorts of Pedro interviews and dialogue. Because I'm a fangirl of them both and many others actually, I keep 👀 on them.

What keeps me going is the fandom overall and that despite, recent tribulations let's say politely, we're all still here. Geeking out over a goofy, handsome, I know he gives the best hugs, actor who loves what he does and has been working at it for years and it's finally paying off.

I've met wonderful friends and moots who reach out, give me encouragement, tell me I do well (I'm starting to listen to them I swear. I'm not good at taking compliments in person so it's even worse online FYI.

So I hope this answers your ask and I do encourage you to write that weird, funny, smutty, cute, sweet, dark, twisty, angsty fic that you want to write. I do hope whoever you are, you tag me in it so I can read it. 🤭

Special love to the following and if I left anyone off, I'm sorry. It's after work, I rubbed my eyes, wipes my glasses because I got them wet while writing this and it was a lot:

@maggiemayhemnj @megamindsecretlair @soft-persephone @angelofsmalldeath-codeine @magpiepills

@mysterious-moonstruck-musings @for-a-longlongtime @i-own-loki @undercoverpena @connectioneverywhere

@soft-girl-musings @perotovar @julesonrecord @lotusbxtch @604to647

@yorksgirl @pedroshotwifey @fhatbhabiee @ramblers-lets-get-ramblin @bitchwitch1981

@jessthebaker @avastrasposts @inept-the-magnificent @lady-bess @grogusmum

@schnarfer @boliv-jenta @iamskyereads @iamasaddie @chaithetics

@tinytinymenace @yourcoolauntie @alltheglitterandtheroar @musings-of-a-rose @rhoorl

@trulybetty @laurfilijames @wannab-urs @legendary-pink-dot @din-cognito

@sin-djarin @beefrobeefcal @spacecowboyhotch

[shyve3]

Deacon Anaylsis

Once again, I'm joining the fandom in yet another post about character analysis! Idk how I feel about posting my fanart at the moment because it's all traditional art, but i'll get to posting that too...someday.

Please bear with me if you're a major Deacon simp like I am or just someone who likes reading character analyses, because it's so much longer than I expected. I have never written so much in my life, holy shit. (EDIT: I probably have. But this is 3000 words. so it's a lot!)

Also: everything I say in this post is just my interpretation of his character. I've littered a few headcanons here and there. And while some of this may sound harsh, I swear I'm not trying to demean him in any way. I love him because I relate to him, so half of this is me calling out my behavior as well, just indirectly :3

Let's start at the beginning.

We see Deacon as Chase's cousin, who's frankly an annoying, nerdy older brother figure in Chase's eyes. He's always *cough* studying *cough* and most definitely not reading hopeless-romantic-fairytale-books-where-there's-a-random-hero-saving-the-damsel-in-distress. I remember when I first saw him, I thought he was the most pathetic dude ever. In a good way of course. But, eventually my opinion of him built up to be a lot more complex.

We see a glimpse of his ACTUAL character in Chapter 10, when he first goes with Chase and Grandpa Ralph to meet Aunt Myra. His mom, Beth, is seen to be pretty strict towards Deacon. She immediately points out the fact that his shirt isn't tucked in and Deacon's dad immediately goes to ask Chase if he has a job before even saying HI! (Can we get a hi, hello, how are you doing???)

His parents are on the stricter side, and we can see how it affects him in many ways:

Deacon is always dressed in super "nerdy" clothes: button ups, slacks(?) if that's what you call them, plain sweaters. He doesn't really get to express himself to them, and his mom most probably still buys his clothes. (He's literally 20! A young adult!) Ouch.

He's scared to stand up to them for the right reasons. Even though his parents are kinda harsh on everyone Deacon doesn't really retaliate back. That type of strictness towards kids can make them a so-called loser who's extremely awkward and can't stand up for himself. It's evident with how Deacon reacts towards his parents, immediately getting shot down the second he tries to say anything.

Deacon working to be a doctor. Even though it's not what he wants, he goes along with their wishes. After all, people would kill to have as much money as his family. He is humble and grateful, which I think is so important in helper archetypes. He understands their reasoning, that they just want him to be successful, even if it goes against what he wants emotionally: freedom.

Even though Deacon HATES the fact that he's the helper, because it's what he's been doing his whole life, he is still on the journey to learn that being the helper isn't always the bad thing.

Helping others doesn't mean you can't be the hero: Deacon has this secret fantasy of being the hero and proving himself to people: it's why he always consumes media related to "saving" someone (like Ship of Sorrows or any other of his romance novels he reads.)

It kinda also ties into why he's such a hopeless romantic. While it seems funny how he's always dreaming of women and saving them and what-not, it reveals a big truth about his character:

He's pretty f'ing lonely. Most people who look for romantic partners in literally anyone (like Deacon idolizing every single GIRL he meets), are usually lonely. He just wants the comfort in knowing, "yay, I finally proved myself to someone!"

I truly believe that he's asexual or somewhere along the aro/ace spectrum for this reason. His "crushes" on women are truly because of his hero complex, idolizing saving them rather than real love. It's silly, but real. I think he's just experiencing a horrible case of limerence with any woman he meets. (That, and I NEVER see him crushing on real life women. We also don't get a chance to see him with women in real life, but ya know. Anyways, this is just a HC.)

When he first started going into books with Chase, he was extremely excited to be a part of something. His fantasy to prove himself the hero became true: for two seconds.

He feels like his role was a "lame sidekick." Bronze was kinda salty to Deacon's closed off attitude, leading to a little miscommunication between them. (As Punko confirmed, in Toffee Break he purposely sent Deacon into a story with an outfit that didn't include underwear. He must've been reallll salty!) Deacon constantly dodges his role, and he's not ready to be a helper, both in real life and in books.

Deacon's self-worth kinda gets worse when they first go into Toffee Break, getting into the way of his story-going adventures. I love how narratonin is such a journey that really relies on emotional intelligence. It's also the reason he struggles to make it through Toffee Break.

He hates when people point out how his help isn't enough and isn't working, even when it's the smallest indication or a tiny jab. Deacon and Chase start arguing about how Deacon's help wasn't "enough", and it digs at him worse than Chase expected. He's extremely sensitive.

"Toffee Break" stressed him out immensely because of the fact that he learned that he didn't actually know how to help out in the story. He struggled with the fact that this story was extremely counter-intuitive.

Usually, his help consisted of careful strategic planning, like what to say around his parents, making sure they are satisified with whatever he does or says, and also hiding the fact that he's not actually interested in the career path his parents chose for him...

Now, his help consists of adhering to the story and what the heroine does. He has to follow behind her (Chase, in this case), and whatever random path she goes down, something that he's never done.

Buddy makes a second dig at him after his squabble with Chase, saying "Guess no one needed your help", to which he says, "Yeah. Guess you're right." and leaves immediately after. While I love them as a duo, their indifference to each others' characters is what makes them so hard to get along with each other.

I talked about in my Buddy analysis how Buddy takes pride in his role as a villainess, something that probably took him months or even years of discipline. Even though he's closed-minded to "changing the story" like Deacon, what sets them apart is his passion for his archetype in stories. In the beginning, Deacon is inexperienced in embracing his role as a helper and it’s what holds him back. That combined with his lack of knowledge of deviating from the story (much like what Buddy suffered with) was double damage. It's one thing to not be able to deviate from the story, but you can make up for it with your passion to a role despite being "confined" to your role. That's something Deacon needs to learn to have.

After leaving the story, he confides in Bronze with how he's always had everything laid out for him by his parents (proving my point to what I said earlier: That type of parenting changes a kid forever. And he's stuck with a closed-off mindset.) After he comes back into the story, he's feeling a little better about his role, and he's able to realize that sometimes, the best thing to do in life is to wing it. After all, you don't get schooling on how to be the helper, sorry Deacon. While he felt like his life and attitude towards helping others was "laid out", he subconsciously learned how to help others in the way they wanted him to.

After this arc, Chase and Deacon bond a lot more over stories and how to go about hunting for narratonin. Deacon's helper role represents him a lot in real life, and he's the voice of reason to Chase's energetic and spontaneous personality. They balance each other out perfectly, spontaneity with reasoning. Basically, they're the perfect storybook duo with Deacon's book-smart and Chase's street-smarts blending together.

I'm pretty sure I saw this in another analysis, but I'm adding it as well because it's such a good point. (EDIT: I can't find who posted it. PLEASE comment so I can tag you...!)

Deacon plays an important role outside of stories as well. In Cinderella Boy, we get a lot of Chase's insights of his life and traits from, who else but DEACON! He's literally a storyteller.

In Dreams by Day, he tells Silver (and us) about Chase's projection habit, which is extremely hilarious. But it's also an indicator of his personality and his little quirks that "Deacon got used to."

He's also a BIG lore dropper for Chase's life. After all, how would we know about Chase's dad, his mom, his selflessness, his quirks and personality that make him a true heroine?

The two keys also play important roles to him outside of stories.

Bronze is essentially telling him all the time: "No Deacon. Being a helper doesn't mean you neglect your own needs to help others. It means putting yourself first and taking the time to reflect on what you really want and THEN throwing yourself at the oppurtunity to help others. And also, stop being a huge people pleaser. I'm salty enough to know that you're a helper because you feel the overwhelming urge to forget about your own needs because you've been taught to put others first." Also the way that Bronze jokes on Deacon's rigid and insecure perspective of things is also kinda funny. While Bronze is mainly joking, he's also saying: "Dude. Are you serious? You have a life and emotions too!"

Silver also helps him. While the heroine key wouldn't seem like the wise advisor, she's wise emotionally. She always looks on the bright side, and after Deacon tells her that "People fail all the time", she says that hoping and wishing sometimes is enough. Passion is enough for someone to succeed. She is optimistic and believes in everyone, much like Chase. these words make Deacon feel better about himself. Surrounded by Silver and Chase will do that to ya! Leave it to a key and your cousin who's also extremely right about believing in yourself to make your life a little brighter. I believe in ya, Deacon!

He goes through a little bit of a mishaps during the Sick Day arc, getting a little too carried away. Once again, he wants to be the hero, and what better way to do it in one of his storybooks? He's also kinda upset about the fact that he's "always working hard for someone else", basically stuck in a moment of self pity. And so, he thinks, extremely in-the-moment: "hey! I should be the hero right now!" and so he does what Chase does: deviates from the story.

Except, he doesn't make it work. With the helper, deviating from the story doesn't go the same way it does with the heroine. This isn't to say that Deacon shouldn't be deviating from the story: it's just more-so how he goes about it. With the helper key, deviating from the story is a lot more risky. You can deviate from the story, just make sure it works with the plot. (and no, don't try to change your role in the story when it’s not subconsciously happening…Sorry Deacon, it won't work.) With the heroine, she can deviate from the story because her role kinda depends on it. She GETS what she wants, because most fairytales and stories GIVE the heroine luck.

Deacon's hero complex got to him again. He followed his fantasies and it backfired, and it's why deviating from the story just in a frenzy of praying you can change your role doesn't work. (It's also extremely unexpected that Buddy has to be the hero of Sick Day, saving both Deacon and Chase. But that's a whole other spiel to go off of...Someone pick it up from here.)

Buddy starts to play a more important role in Deacon's life, something I'll continue to talk about later on in this anaylsis!

The most important lines are "Maybe for once, I wanted to be the hero!" and to which Buddy says, "A real hero takes on his role because he has to. Not because he wants to. There are times we must be the hero, and many times where we need to be a helper."

Basically, he's clowning on Deacon for glamorizing the role of a hero. The whole idea of the hero archetype of the media in general is fed into the magic-guy-saves-the-world, ignoring the fact that heroes do their role for a purpose, a REASON. Not to get a wish. Again, this is another thing he must come to understand. Deacon's a rational guy, but when it comes to proving himself to others, he's an idiot. Once again, his wretched hero complex!

Even after the entire Sick Day arc, he still wants to be put in the spotlight and looks for some way to prove that he's cooler or better in some way, which is kinda funny.

In All that Glitters, Deacon isn't too big of a focus but we can sorta see him piecing together the shift in Chase and Buddy's relationship.

Stargoth are getting closer, and he's kinda smart so he goes, "Wait a minute. Their relationship is mutual. But they're too dumb to realize it." and he senses that shift. With the advice he's been following all his life, which is to think "realistically", he tells Chase to be careful about telling and not telling Buddy things.

As much as they could just tell Buddy about Prunella, to make sure he doesn't get his feelings like he did when he found out about the helper key, Deacon realizes what's more important. He knows Ex-Libris would most probably punish Buddy for getting another key-holder for another key that went missing. Therefore, he encourages Chase not to tell him, but he feels extremely guilty for it.

Also another detail I didn't really talk and I just noticed as I went to read "All That Glitters" was how Deacon has an obsession with horses. Once again, he wants to "change" the horses with his heroic complex that he has despite having the helper key. (Funny, yet goes along with his character perfectly. He really is something.)

The Honor Among Thieves arc is another important aspect that also ties in with Stargoth and Deacon’s perspective of it. He SEES things. He sees stupidity and these dumb pining idiots fighting with each other. Being the voice of reason, he's absolutely fed up with their bickering and their antics at this point. It's also accidentally hypocritical of him:

He's always the guy to get carried away with fantasies of meeting fictional women who he proves himself to. Yet, when he sees Chase absolutely losing it at Buddy's *cough* *hotness* he is SO done. When it comes to Stargoth, Deacon's fitting into the role as a helper perfectly. C'mon! At least it's not a fictional character, DEACON! /j I don't blame him as a very sapphic Cinderella boy stan...

At the end of Honor Among Thieves, they manage to give the story its happy ending despite the crazy antics and curveballs thrown at them. Good job for Deacon being able to deviate from the story AND help Chase. It's a win-win!

He also essentially tells Chase at the end to not feel bad about the fact that they hid Prunella and Goldie from him, because they had reasons to. Even though they would hurt Buddy emotionally, they could physically keep him safe from what would happen if they DID tell Buddy. And of course, Chase goes to sniff the hoodie right after, saying "You ever feel really wrong even when you're doing the right thing?" *cough gay* *but also foreshadowing. Yikes, Deacon. You were right for directing Chase, but it backfired after he found out :(*

The Book of Deacon is the closest we get to seeing Deacon's perspective. And there's many things I have to say about that episode:

First, the dry texts he sends to his mom. He is so tired of being the helper, and while he's writing out the notecards for the stories? Ow, double damage. He's tired of being the helper once again, constantly shifting back and forth between feeling better about himself and his role as a helper, both in stories and in real life, to having it constantly shut down the next second. The texts with his mom confirm, once again, he feels pressured and forced to help other people. That definitely doesn't help him feel better about himself.

The fact that he TOOK the hero key to go into a book as a hero: he's trying so hard to change his path again, only to feel better about himself. His fantasies and desires to be a hero are what help him avoid the role of a helper...

It's also kinda insane as many people have noted that he immediately resorts to CRUSHING on silver in the book. Dude, that's a key! But it also plays into his stupidity and hopeless-romantic character. No, I'm not saying him NOT EVEN SNAPPING OUT OF IT AND ALMOST ASKING OUT A KEY was justified. Just that he is SO irrational when it comes to chasing after women (whether it be fictional or out of his league, like literally. Girl, that's a KEY!), completely forgetting about everything else. After all, it's why he's so unsuited to being a hero when he forces himself to be one.

He comes to the realization that he HATES being a hero. Now THIS is the first token of acceptance we see him getting towards the helper role. This is where he fully accepts his role. He doesn't really like having a set path for himself. While it's probably because of how he hates set paths, possibly hinting to him standing up for himself later on...

He decides to help Chase in Requiem of Blood and Moonlight (finally, and without any sorta self-doubt or worry.) First, he starts with taking him into the story, and a part of him is happy with seeing that Chase is happy with it as well. It's so adorable seeing Deacon actually accept his role, and it's so attractive I SWEAR! Like oh my gosh, he's finally loving himself more!

Buttt it kinda backfires when he disregards Deacon's info on the story and warnings altogether. His help and usual voice of reason is useless to Chase, who is a gay IDIOT (see, there's a pattern here: love fantasizing about relationships that you'll never have makes you stupid.) Now we're faced with the question: what is Deacon's role now?

And that's where Buddy steps in.

Deacon and Buddy bond with their mutual desire to end the story, and they do this by taking on other roles. Even though Buddy's the villainess, he won't hesitate to fit into other roles in the story, and ends up being kinda like the helper. "The keys can take advantage of certain...loopholes." Similarly, Deacon is kinda the hero of the story now, without it being forced. (See Deacon? You can't force yourself to be the hero! Now, you HAVE to be one :) )

Deacon unknowingly becomes the hero after fighting off the wolves when he's locked outside the castle in this arc.

He steps into the scene of Buddy and Chase trying to tackle down Lucifier in the book. It's a parallel to Honor Among Thieves where Deacon was the one helping.

This story is the first story where we see him bonding with Buddy and unknowingly being the Hero without boasting about it nor making a big deal out of it! I'm so impressed.

To sum it up, I think Deacon's a character with a big hero complex built on his insecurities and he's so keen on proving himself to others. His insecurities come from his parents and rigid mindset that you must be realistic even if it's not what you want. The fact that he's so insecure also makes him a hopeless romantic, searching for unattainable standards of romance. He has a hard time accepting the fact that he can help others while also making room for himself, but he's growing to stand up for himself, not just others. My guy is going places! He serves as a voice of reason to Chase, even though sometimes he has to be reasoned with...And his role in stories changes when he isn't busy wishing for it. And, he's extremely book smart, slowly building up street smarts with the help of Chase and Silver as well.

Anyway, that's all the anaylsis I have on him so far.

I can't wait to see what advice he'll have for Chase after Buddy found out about Prunella and the Hero Key.

I just know next arc is going to be ROUGH. Praying for everyone's mental stability! (Can't guarantee we'll get any though.)

[agatharkn3ss]

I'll see you at the end.

I can't believe we are here already. I'm excited and sad in equal measure.

This show has been such a delightful surprise. I went into it without expecting anything in particular - I loved Wandavision and I loved Kathryn Hahn and that was that. I didn't expect to be literally bewitched by the magic I saw on the screen.

Put simply, the power of AAA is that it is clearly a product of love - from Jac Schaeffer, the actors, the writers, the directors, the set and costume designers, the composers (and THE GODDAMN LOPEZES!), the producers... I could go on.

That level of dedication shines despite (or maybe BECAUSE) the low budget, and it has two massive effects: 1) it creates a truly compelling and stunning story; 2) it sends a very loud, clear message that representation not only matters, but is NEEDED.

Of course it's not the first show that does this, but I cannot tell you how refreshing it is to me to watch something in mainstream media that is centred around sapphic women where their sexuality is NOT the plot of a show. It is not something anyone ever needs to ask about or question. They don't pretend to be younger characters either, they are all 38+ and proud of it, as they should. Instead they focus on what actually matters - their rich, complex stories.

But the diversity is also within the creators - of the producers, half of them were women, headed by superb Mary Livanos (a queer woman herself), costume designer Daniel Selon (also queer), all of the directors were women and there is also of course a diversity of ethnicities. I am a big believer of the power of diversity as it allows you to go places you wouldn't normally consider, and really round the story. And I love this quote from Jac Schaeffer who states "My prerequisites for writers who work with me are first, they have to be kind, respectful humans."

And what stories the writers tell! In the limited time they had, they managed to create these seven multidimensional characters that were all different, yet similar in a lot of ways. My only criticism would be that we really could do with longer episodes to actually allow some more meaningful conversations and connections. All beautifully complemented by the visuals - the practical sets as well as the costumes. I love how the costume designer took his time to consult with the actors for their interpretations, before even starting to create every single design.

And on top of the great character stories and visual , we then have an engaging plot with mysteries to solve on the way. I cannot emphasise enough how fantastic it felt to follow the breadcrumbs. To spot all those little details that would foreshadow what's to come. The different ways they appeared - through dialogue, visual clues, music themes, lore symbolism and so so many art and literature references. The knowledge and confidence that they were left there on purpose too, because the creators took the show seriously - it literally felt like finding little personal messages!

This is why I've decided I need to pick them up and then try to piece them all together - just to see if I could make my sense of it, since the creators clearly put so much love and effort. No other show has ever made me do it to this extent. And it's been so much fun! I loved I wasn't alone with this and that I could discuss and read others' theories too. It's like we've formed this awesome coven.

So in my post-AAA blues, I don't think I will have it in me to just take my "murder board" down. I feel there is still so much to explore so I will probably keep looking for any more cool details to cheer me up.

I've not been actually particularly precious about whether or not my theories could be right or wrong. If some of them are - great, bonus! If not, also great, I am looking forward to being surprised!

Although we haven't seen the ending yet, I have ultimate trust in Jac. After all, she once said:

"I believe so strongly in sticking the landing and it's always up to the audience whether or not you truly stick the landing. But I believe that you have to put all your energy toward that. It's your job to try the best you absolutely can to stick the landing. You have to plot your mysteries, figure out what they are. It’s like a good murder mystery. The feeling that you want at the end of a murder mystery is you want to be surprised, but not. It still needs to feel within the realm of possibility, right? It needs to make sense and still surprise you." 

So I trust we will have a solid ending, wherever it lands. And afterwards - I will always remember the time when a show has made me feel this way. Thank you!

[artist-issues]

Hi, not to sound like a creep but I was trying to find this one reply to ask about the Chosen series because I remembered something and I wanted to see if you're the one who said it. But then I couldn't find it. Stumbled into this one post where you said your least favorite medium is anime and I'm quite curious about that now. I don't generally have an issue when people say they don't like anime, as a whole, but I try to understand why. Of course even if you just said "I just don't like it" then I could respect that too, since I can not push it.

I think it's like a language I don't speak. Even the English-dubbed versions. In anime, it's not made by people in my culture, for my culture. So, I don't understand it very well. I don't understand why everyone's screaming. I absolutely don't understand the character designs. I don't understand the use of blushing. I don't understand the humor or the drama. I don't understand why one interaction can take several "episodes," and the dialogue is unrealistic the entire time. People don't talk like that. And it would be one thing if people talked in an unrelatable cadence once, as part of the "style" of a film or show, but it's across the board for every anime I've seen.

There's nothing wrong with that, per se. Like I said, it's just made for a different culture, one I'm not in. And that's fine. Could I learn it? Could I engross myself in it until I feel what the media is trying to make me feel and get what they're trying to say?

Yeah. I could.

But most often, it doesn't feel worth it. It doesn't feel like the anime I've seen is really trying to point to a significant truth or remind people of goodness and beauty, so much as it is pointless entertainment.

Otherwise, why is there so much gratuitous cleavage? Whats with the emphasis on violence violence violence? Plus cursing? Why are all of the "attractive" characters a little-girl stereotype or a sexy femme fatale stereotype? And what's with the feminine looking dude characters? Why does one fight take six episodes? Why does one "romance" last an entire show but consist of nothing except gasps and blushes?

Not a fan.

I have seen one or two anime that clearly have a point. They're Studio Ghibli, though.

And again, I'm not saying anime's have no point in general. I'm saying I'd have to understand the culture to get the point, but the culture itself seems to be based around values that I don't find valuable. And a lot of those "values" if I'm reading them right are the ones our Western culture is starting to push down throats more and more, and I don't like those, either, so there you go.

I also find it odd that so many young Western men are drawn to anime. I don't think it's an awesome thing. All the anime I've ever seen: Demonslayer, Naruto, etc. doesn't have anything particularly good for them in it. There's a ton of violence, of egos getting slung around, yelling, and terribly long gratuitous brain-numbing pacing, along with sensual gasping and drama-for-drama's sake. And I know my young male friends are no more Japanese or understanding of Japanese culture than I am. So what are they getting out of it? They can't ever tell me.

Maybe you can?

[oh-my-bindery]

The fic manacled has me very curious in the I really want to open Pandora box in a morbid way. But at the same time I don't want to read it do to several reasons. Mainly is that I hate Harry being depicted as a irredeemable jerk in fics. Because Harry is one of my favorite characters. Hes my baby, hes what got me to love harry potter and to keep reading it. The second is I can't get into Dramione. I have respect for the shippers and wish I could get into the ship because God do their fandom and works looks so incredible. But I can't get into it because Draco is so very gay to me as a character and Hermione to me would never be interested in Draco romantically to me. Like ever. I'm not a fan of Rominone, but I can't see Dramione working out either. Drarry just hits more for me. It works. They are like soulmates to me. I can picture Harry with someone else but not Draco. At least not completely happy. Like to me Harry is Draco's soulmate.

All I know about this fic I learned against my will, but also have a Drarry friend that told me about it I shall put her message from me telling me all about how bad it is:

“Is it basically a re-telling of the handmaid's tale if you know? There is A LOT of r*pe in it (so let me indulge you against your will with the knowledge I have acquired against my will), so harry dies, muggleborns are kinda kept as slaves and hermione is one of them, draco is her r*pist and also the person who (at first at least) assault her, she is r//ped MANY times, like a lot. (which is why i find it gross that i've seen people saying those scenes are hot?) and there's also later on hermione saying draco is "not a monster" (even if he's her r*pist because "he didn't want to do it"), oh i also think it ends with ginny killing voldemort and not even draco or hermione which is odd? Hermione is also made to carry his child(ren) which i also assume she got pregnant against her will, and then draco take her to a remote island in japan where no one can find them and they "live happily ever after" (aka she's r*ped, forced to carry her r*pists children, develop some sort of stockholm syndrome and then forced to live with her r*pist and child on an isolated island???)”

And what she said about reactions of Dram*one shippers of that cursed Manac*ed fic:

“but if you ask a dram*one they will not say that, they will try and twist it about how it's about war and finding yourself and how to survive etc etc (also seen many people say "you'll like it when you get to book three" like?? if I need to read THREE books to like a story, it's not a good story?)”

And this:

“i lost the message but i saw you say somewhere "dram*ones just hate harry" and YES! senlinyu is known for being a harry hater (i also dislike her but that's another story), she basically thinks harry is this "oh noooo we must all be friends! we can't hurt anyway that's not good!" type of person (obvioulsy never read the books), hence why she either kills him off or dont have him in fics at all”

She also said this about what Dram*one writers do:

“i've heard people say that! Either as writers to deal with their own trauma via writing, or readers reading said fics! Dram*ones are just... retelling stories but make it dram*one lmao (like so many popular fics seem to have plots taken form existing media)”

And another wise thing she has said:

“speking of senlinyu, one thing I hate about not only dram*one fans but senlinyu and her cult following, is that insert they all use where it says senlinyuhas over "15 million downloads online" (and me being a dram*one hater did the math), like first of all we all know (apparently not) that you can't SEE downloads on ao3, there is literally no way too see how many people have downloaded you fic.

Second of all, girl show to use "hits" and not "kudos" which is way more accurate, but if she went with kudos there would only be a couple thousans and I guess she want those big numbers, like even adding AAALL her fics kudos isn't even near a million, hits on the other hand? that's so easily obtained but no one dare to question annything and when asked it's "i just found it on her website" “

So overall, I fully agree with my online friend there. I have blocked Dram*one from every platform I could lol. I stay in my Drarry bubble.

I will never indulge in the cursed fandom. Like, Draco is gay. Harry is amazing. Draco is also an amazing character by himself. They are so intertwined with each others lives and there is so much lore and things to build up on and create a beautiful and meaningful story for both. I especially love them healing together but not losing their core personalities and their bickering and how complicated their relationship is. I love it. The only two people who could understand one another in my opinion. Like in a deeper sense + THE INTENSITY OF THEIR FEELINGS. DAAMN.

[theloveoffootball10]

sᴛɪᴄᴋᴡɪᴛᴜ : s ɪ x

s e r i e s m a s t e r l i s t / c o m p l e t e m a s t e r l i s t

s ɪ x

I agree with Lando that he'll walk past our hospitality and I'll wait outside before following slightly behind him to somewhere we can be alone. As we walk through the paddock we reach what is probably the quietest spot we're going to find. Lando grabs my hand pulling me with him around the side of one of the many buildings.

"I know you're with your dad but I had to see you" my back is pressed up against the wall behind me and Lando's lips are on my neck. This was unexpected and rougher than I thought he'd be but I don't stop him.

"Are you okay?" Sensing something is wrong I rest my hands on Lando's hips holding him close to me.

"Not really, I gave that win away and did so bad. I made some terrible decisions when it came to boxing and tyres"

"Lando you came third in your home race, you should be so proud of yourself. I saw your mum and dad when I was watching the podium celebrations and they were beaming with pride" kissing Lando I run my fingers through his hair. I hate the thought of him being disappointed with himself "you will get your win and when you do you'll realise all of the effort you have put in to every season, especially this one will have been worth it".

"Thank you. I needed to hear that Lu" letting Lando kiss me again in this moment in time I don't care if anyone finds us. He needed someone and he came to me. If it hadn't already crossed my mind that I could have feelings for this man, seeing him open up to me would definitely ignite that "will you be at the closing party?"

"Yeah I'll be there I can't miss the biggest event of the weekend" agreeing to see Lando at the party I let him go to finish his media duties. Heading back to the Aston Martin lounge I'm trying to make sense in my own head of what just happened. Lando has friends and family here but he came to me. Surely if this weekend was just about sex he wouldn't have opened up to me. Deciding not to read too much into it, I turn my attention to getting ready for the Silverstone closing party. It's the most glamorous event of the weekend; as well as all the teams and drivers celebrities from across the world of sport and entertainment attend. It's not black tie formal to the point of sitting down for meals but it is dress to impress. This year I have gone all out, picking a dress full of sequins and glitter. I go with a styled up-do to keep the attention on my dress, I want that to do the talking.

"Lucía are you joking you look insane!" Chelsea practically screams at me as I meet her outside of my dad's motor home. He's gone ahead of me to the party purely because he's too impatient to wait for me to get ready. "That boy won't be able to keep his hands off you"

"The fact you call him that boy is hilarious but I love it however the way I'm feeling about him at the minute I don't think that him keeping his hands off me is a bad thing. I went to see him after the race" I admit to Chelsea needing to get it off my chest.

"That's when you know a driver is serious about you when they're asking to see you. What happened?"

"Chels he was so down. Looking at his face I would say he'd been crying, I've never seen a driver beat themselves up as much as he was" thinking about how upset Lando was makes me want to make everything right for him. I can't make him win a race but I can be there as much as possible if he'll let me.

"Try and spend time with him tonight, you might be in public but try not to sleep with him and just get to know him as a person" taking on Chelsea's advice I make my way into the event. My eyes fall to Lando and lock with his instantly. He's dressed in all black with the top buttons of his shirt left open just enough to see a bit of his chest and his sleeves rolled up. He's looks so good. Walking over to the bar to order myself a wine it doesn't take long to feel a presence next to me. Without even looking I can tell it's Lando just by the way he smells.

"Lu you look fricking incredible. I don't think I'll be able to resist you all night"

"Who says I want you to resist Lando" turning just my head towards Lando I bite my lip "we just have to be clever about it tonight with everyone around"

"I'll make a bet with you" this sounds interesting, I raise one eyebrow showing Lando I'm interested "if I find somewhere for us to be alone, I get a lap dance off you"

"And if you don't find anywhere?"

"That won't be an issue" Lando smirks before picking his drink up and walking away. What have I just agreed to?

I spend the next few hours drinking with Chelsea and some of the drivers after being introduced to George, Alex, Charles and Carlos. I'm in the middle of the dance floor when I feel Lando behind me. The man has a certain kind of hold on me where I don't even need to look, I just know he's there.

"Follow me in 30 seconds. The door furthest to the back of the room on the left hand side" is all Lando says before he is gone again. Thankfully everyone I'm with is suitably drunk they don't notice Lando or my curiosity getting the better of me when I follow Lando's instructions.

Glancing around as I reach the back of the room I slip through the door feeling a familiar hand in mine. I don't even question Lando when he tells me to follow him not letting go of my hand. As we reach a dark deserted corridor Lando sits down on one of the sofas that has been left, it resembles the ones dotted around the main room so my guess is that they over ordered.

Lando gestures for me to sit on his lap and winks at me. I have no idea how he found this place but I'm not even sure I want to know either. I walk towards him impatiently as he pulls me into him as soon as I'm within his reach. Straddling Lando's lap I feel how hard he is already.

"What's this? Our bet tells me you're supposed to be giving me a lap dance" Lando raises his eyebrow at me, the cockiest look I've seen on his face since I met him.

"I'm not a dancer" I shrug with a smirk but Lando has other ideas.

"I'll guide you" He grabs my hips and starts grinding them on his groin the dull tones of the party in the background.

"I don't think this is how a lap dance is supposed to go. I thought there was a no touching rule when it came to lap dances" I laugh, knowing he's doing this because of how turned on he is right now.

"I like to break the rules" He stops grinding my hips choosing to pull me in for a passionate kiss instead. Lando's hands are all over me pulling me even closer to him as he slips his tongue in my mouth. I don't think it's physically possible to get closer than we are right now in this secluded area of Silverstone.

I move away a little bit and start unbuckling his belt, never breaking the kiss. I want him, no I need him and I don't care who could find us. He does the same to me, lifting my dress around my waist and my underwear ripped in his hands as he tries to gain easier access.

I'm more than ready for him and let out a moan into his mouth as soon as he slips into me. It feels insane to bounce and grind on him all thoughts of not having sex with him long gone, exchanging kisses between heavy breaths I can't get enough.

"Fuck Lucía..." Lando moans my name between breaths breaking our kiss slightly. The sound of my name rolling off his tongue makes me bite my lip and speed up. I tighten around him finally sending him over the edge.

Knowing Lando and I just had a quickie in a random corridor of the Silverstone closing party makes me feel even more turned on. I feel triumphant when I look at Lando; his head has fallen back against the wall, his lips apart. He can barely pull himself together. A view I'm rather enjoying.

"We should get back but you're not getting your underwear back" Lando mumbles as he licks his lips giving me a quick kiss pushing my now snapped thong into his pocket "however, Miami?"

"What about it?" I ask looking over at Lando almost forgetting we need to show our faces at the party again soon.

"When do you fly out? I know you said you're there for the race"

"I fly out on the Tuesday so I'm there the full race weekend then with it being summer shut down I'm spending the week after race week in Miami having a couple of days with my dad before I come home. I'll be there for nearly two weeks" explaining my plans to Lando I wonder if I'll get the chance to see him.

"Can I steal you for a day in Miami? I want to take you out for the day obviously if you can get away from your dad that is"

"Is this Lando Norris asking me out on a date?"

"I suppose it is me asking you on a date"

"Then I'll go with you. My dad has friends coming over so I'll be able to get away for a day" knowing we have to make a move to get back, I kiss Lando once more. I have a few weeks to wait but I'm counting down the days to Miami even more now. Lando Norris is taking me on a date.

esmelucia

Liked by chelseaparks, landonorris and 18,135 others

esmelucia channelling my inner Paris Hilton 🎀

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livdavies can we take a moment for the dress please! Wow!

landonorris 🥵

↪️ esmelucia smooth as butter

user4 oh my god Lando's comment!

↪️ user5 no way they just know each other from the paddock!

[the-indigo-symphony]

Got a hate ask on my other blog (funnier-as-a-system) today. I'm not gonna respond to it directly, but I'm gonna go over it fully just as an example of why I don't take anti-endos or sysmeds seriously and find them to be just bullying assholes who don't know what they're talking about. Apologies for the rare discourse post, but I felt it would be useful to have a personal example I can point to if I ever get any more asks than I already have about why I block anti-endos and sysmeds and don't want them on my blogs.

[ID: A screenshot of an anonymous ask, which reads: ""Systems" aren't real. Please stop being ableist against people with DID and our struggles. Pretending to be one of us while simultaneously mocking us makes you look like a piece of shit. Also, DID isn't fucking funny, you're just cruel and ableist. Go see a psychiatrist, get your personality disorders and Munchausens taken care of, and stop pretending to have DID when you don't. We don't need you, our community is better off without teenagers faking DID as a meme. To be honest, I wish you and literally everyone like you were more likely to kill yourself as someone with a real mental illness, because you don't deserve to be alive if this is what you're doing with your life. You're just a delusional bully and neo-nazi" ./ end ID]

Starting from the top, apparently anyone with DID who's ever described themselves as a system is faking now. Nevermind that it's been a term in psychology and the community for decades now! All systems are fake!

I have DID. I've said as much many times. Not that I think this person would consider this a counterargument, but I feel it deserves restating considering a fair amount of my posts are specifically about my DID and managing the symptoms of it.

If I want to find humor in my own disorder, I'm going to. I'm not going to resign myself to misery and self-hate just to please some randos on the Internet. I crawled my way out of the pit of self-hate and am not just gonna jump in there again just to avoid a couple asks and assholes. And I'd make a point here about systems that don't come from trauma or aren't disordered, but what's the point of that when they think literally all systems are fake?

Ohoho! Disableism towards other mental disorders! Isn't the irony sweet?

Not to toot my own horn, but I just love the lack of awareness when it comes to "we don't need you." No, I guess you don't need me... but you'll be going without the work I've done both online and offline to teach people about dissociation and plurality. Not to mention the terms I've coined that make people feel seen, the experiences I've talked about that make people feel less alone, the building of spaces to let others talk about their own problems and experiences, and the general promotion I've done of plural representation in media. No, you don't need me, but I've been doing work to assist the DID and wider plural communities for years now. And what have you been doing? Sending hate asks to people with DID for being too happy?

I'm an adult. I've mentioned before that I go to university and have a job. Seems like even online, I can't escape the assumption that I'm a teenager, smh. Also, I'm much more worried about the teenagers you might be sending this to than any kind of unquantifiable harm a couple teenagers faking DID could do, considering how clearly you wish to do harm with your words. Especially considering the next few sentences...

Oh, so we're just moving onto blatant suicide baiting and admitting you want systems to die. Got it. Totally not a bigot, right.

Wait... "Real mental illnesses"? Didn't you just accuse me of having several earlier? Or do personality disorders and Munchausen Syndrome not count? (Also, do they think being suicidal is a requirement to be mentally ill? They know not all disorders or presentations of disorders involve suicidality, right?)

Well, you got the delusional part right (which, side note, do you think it's impossible for people to have both DID and psychosis? Big yikes even if no, but that's what these asks always seem to imply), but I think this post might be the closest anyone can call "bullying", considering I'm not giving you an opportunity to respond as I tear down your argument. But maybe the definition of peer abuse changed to *checks notes* running a blog talking about plurality in a positive manner since I last checked.

These people do know what a Neo-Nazi is, right? They know what a Nazi is? Because it feels like people just use it as a stand-in for "general asshole" when it means a specific sort of ideology and bigotry. Ironic that they'd be so pissed about "mockery" and treating serious topics "as a meme", but then they go and misuse a term for a very dangerous kind of ideology and person.

Alright, I think I got that out of my system. Please be careful out there, guys! It feels like the number of hate asks I've seen people get has been going up. I'm in a stable enough place to make a demonstration out of this, but don't push yourself to have a snappy comeback or write essays responding to these assholes if you don't think you're up for it. Hell, I rarely write things like this myself, I just chose this ask to respond to because it was such a clear example of how hypocritical and foolish this particular brand of assholes is that I couldn't pass up the opportunity to break it down.

[chaos-and-sparkles]

All the outrage about "chai" as Pav's ship abbreviation was fucking stupid

Ok so. I may be late to this discourse but by gods am I going to put this out there anyway bc this shit has been FRUSTRATING me for a while okay.

USING 'CHAI' AS AN ABBREVIATION FOR PAVITR IN SHIP NAMES IS NOT FUCKING PROBLEMATIC OR STEROTYPING OR WHATEVER DUMB SHIT I'VE SEEN (mostly non-Indian)PEOPLE SCREAMING ABOUT OUT HERE ON MY DASH. GO TOUCH SOME GRASS, Y'ALL, FIND BETTER PROBLEMS IF YOU'RE SO PRESSED TO BE MAD ABT SOMETHING!!

I'm Indian and I am so so sick and tired of, from what I can tell, mostly white people getting mad about Pav's ship abbreviation being chai??

No no. Go on. Find me my fellow Indians spearheading the conversation about 'chai' being a problematic name. Show me where the droves of offended desis are. And I don't mean just a few Indians agreeing with the "chai is stereotypical" thing while non-Indians lead the conversation, I mean the Indians being the majority of the conversation. Since, you know, that's how it would and should be if it's actually such an offensive deal to Indians, right? We all have social media. It's not like we're waiting to be spoken for. Surely there should be at least as many, if not more, offended Indians about the chai thing as I've seen white people on here. I'll wait.

Obviously I don't speak for all Indian people, I'm just one person, but from what I've seen and what I can tell, there don't seem to be any actual Indian people getting offended or claiming his name being 'chai' is Bad and Evil and Offensive and Stereotyping?? All I see are non-Indian people getting so damn offended on our behalf???

I loved his ship name being chai. I loved the representation. I loved the desi tadka, I remember when I exited the theater after ATSV and scoured through my social media and saw "chaipunk" and "chaiflower" and everything with chai going around. I was so fucking elated to see an ethnic word being used in the tagosphere!! It made my Indian heart so happy to see an Indian character who is so so close to my heart be represented with an Indian cultural word.

But nooooooo apparently we can't have nice things, because people just had to white knight about it. Apparently it is harmful and stereotypical to be using chai as his ship name.

Clearly, we gotta change it to golden. Or something similarly English and white-sounding and you know, inoffensive.

So, because I want to nitpick all the arguments I've heard as to why using "chai" is bad, let's go point-by-point:

It's reductive, you're describing a character by just one thing - yes well noted, that's literally what ship names are for. They are shorthand for characters to remember them by, they're supposed to be memorable one-liners to go by for them. It doesn't "reduce their whole personality to one bit" or "define them" or whatever - by that logic, is Miles' entire personality "flower", or Hobie's entire personality "punk"?? Gwen's just a "ghost" then, huh?? The whole POINT of a ship abbreviation is to be short and memorable. And chai is a whole fucking lot more memorable than "golden" or "shine" or whatever - those alternatives aren't even based in canon?? They are just purely fanon interpretations. Meanwhile chai is actually based in canon and a really memorable line from it too. I've had friends who were so confused as to who the golden abbreviation is for and then asking me how it's related to Pav when they browsed through the tags, but whenever they heard "chaipunk" and stuff they got it without me having to explain shit. Also, y'all are reading the Indian reaction to the chai-tea thing very wrong if you think we are offended by chai being a memorable bit about him - we are literally the ones most hyped about the chai-tea thing? You have no idea how loud the Indian theaters cheered at that line and how many Indian-made edits have been circulating. Again, with the caveat that I speak for my experienced social circle and not every Indian to ever exist, WE LOVE THE CHAI THING. It is a really lovable and memorable bit to us - one that has endeared his character to so many of us so quickly! So I have no idea where the idea that we're offended by the chai-tea line being memorable came from, but y'all really need to go out and talk to some desis before speaking and getting mad for us.

It's stereotypical - Oh I'm so sorry, I didn't realize an Indian character named with an Indian ethnic word about an Indian cultural drink is stereotyping, now. Just say you felt called out by the chai tea bit or got tired of how much people were talking about it or didn't like having to learn and use an ethnic word and be done with it. Now, to be completely fair, this is the point in the argument that holds the most water. I have seen a lot of fanart and fanfic in the very early days of ATSV fan content, quite far down the tag at this point, that reduced Pav's entire personality to chai, just made him the tea guy, made him so chai obsessed it was quite OOC and annoying and yes it did feel pretty stereotypical. That kind of thing is extra obvious in some NSFW arts I've seen around, that really give me the ick because that is not necessary, that is actually just weird and smells a little like fetishizing. But long story short, yes, Pav's character did tend to be reduced to chai in the early fan content. But guess what. That kind of thing happens to every side character in beloved media until more creators get their hands on them, adopt them as their blorbos, and make more developed characters and content out of them!!! Every side character that has a memorable bit gets overused in that bit until more creators get on board to flesh them out! Or have we forgotten "AND PEGGY!", "Honor", "ONIONS!!" and other miscreants? Surely those are ALSO stereotyping then, right? Also. Even if Pav's early fan content with chai was veering towards overuse and maybe stereotyping. Let's assume that's right. HOW EXACTLY WOULD THE SHIP NAME CHANGE THAT, THEN? The ship name changing wouldn't have done diddly squat about that - he was already getting more developed character in fics and in art before people pushed for his ship name to be changed to something less ethnic sounding. I should know, I was one of the people writing him even then. The tag changing wasn't going to magically change the content. The fan creators did that.

It's unrelated to him, it's stereotypical specifically in that flavour - bitch what. Did we watch the same movie. This point in particular frustrates me so much, because I remember someone on here - I don't remember who - talking about how it makes sense to use "flower" for Miles because his favourite song is Sunflower but in that same sentence saying it's ridiculous to use "chai" for Pav. What logical hoops are you jumping to get to this conclusion, my sibling of the sea? If we can use "flower" for Miles - which was literally a song he sang once, maybe twice, in the first movie, never even saying it was his favourite but just showing us he liked it - then it makes just as much sense to use "chai" for Pavitr? Pav literally says he drinks chai every day with Maya Aunty, it's linked to his life and family, and he clearly liked and thought of it as important enough to put it in his intro speech. Also, as an Indian, in my experience at least chai is a very important and yet casual cultural thing for us, that a lot of us have a connection to in our everyday lives and it makes sense for him to have it too. It's not like people are just seeing the Indian character and automatically labelling him with chai - he talks about it, he likes chai, it's not out of nowhere. Also, if we're talking about how related the abbreviation is, HOW is "golden" related??? That is even more out of nowhere??? Everyone I've asked seems to have a different justification of why golden is used. From bc he's a golden boy to golden bc of his bangles or vibes - they're all speculative and based almost entirely in fanon. Like. Chai is so much more related.

Also. Using chai? IT'S NOT A BIG FUCKING DEAL. It's just a word. It is normal to me, to us Indians, as normal as using any other word in English, or Hindi, or our regional languages. I don't see why it's such a big deal that it needs to be changed to something English. It's literally just like if you made his abbreviation "tea" - except now you've taken the desiness out of it. Congratulations.

This isn't a cause I'm going to die mad about or anything. It's just been slowly annoying and eating away at me to see so many, again from what I can tell mostly non-Indian people, being mad about chai being his ship abbreviation. It feels like a bit of a gut punch to the part of me that was so happy to see this tiny part of myself and my language and culture represented in a character I love. As my friend once said, "chaipunk sounds like a cool punk movement I'd join. goldenpunk just sounds white."

The straw that finally broke the camel's back and got me posting about it is this realization that I had:

All the hue and cry to change Pavitr's ship name from "chai" to the more 'acceptable' "golden"? It reeks an awful lot of whitewashing.

People literally got so offended about an Indian character having an Indian ship abbrev that they clamoured till it got changed to something English. It leaves a very off taste in my mouth when I think about it like this.

So yeah.

[miraculouslbcnreactions]

Sorry if u have already answered this or this isn’t really ur blog focus but how do u structure and come up with ideas for such good and lengthy analysis?

Do u read and see the shows contents multiple times? Or interact with other fans/ fandom?

And once u have an idea how do u go about it?

— from a small niche fandom blog

I'm honored that you think my stuff is good! As for how I come up with it, well, I'll answer as best I can, but I don't know how useful it will be? If you wanna ask something more specific, feel free!

Most of my posts are responses to asks, so my general process is to read the ask, think about it as I go about my life, and then write a response once I feel like I have my thoughts in order. Then I add the post to my queue so I can reread it at least once before it actually posts to catch any errors and make sure it reads coherently. I usually find the time to do that, though not always.

The posts that aren't asks are just me talking about random things that I can't stop thinking about, so I need to scream into the void to get my brain to move on. Those ideas come from random thoughts, a trend I notice in fanfic, comments/reblogs in my asks, and a whole host of other places. I've got one post in my queue right now that I'm pretty sure was spawned by my latest rewatch of The Good Place, but I can't be sure about that. I don't try to look for post topics, they just come to me.

I don't watch the show over and over. Not really my thing. I've seen all of Miraculous seasons 1 to 3 once and I've seen most of seasons 4 and 5 twice (once subbed, once dubbed). Origins and Oblivio are the only exceptions. They're my favorite episodes, so I think I watched them a few times back before season four aired and my feeling toward the show started to really sour. When I'm pulling quotes, I just rely on my memory and the fan wiki, which has transcripts for all of the English episodes, allowing me to fact check myself. I occasionally pull up a specific episode to check the visuals in a given scene, but that's really rare and I only do it because I have access to the streaming version. If my SO ever cancels Disney+, then I'll be script only.

I read other fan analysis if it crosses my dash, but I don't go looking for it or follow any super active blogs. While I think there are others with valuable input out there, I already spend enough time thinking about Miraculous for my own blog, so I try to focus my energy in other spaces when I'm not managing said blog. I don't like to endlessly scroll on Tumblr and only follow blogs that don't post much to keep from feeling overwhelmed or sucked in.

I started talking about Miraculous on here because I found it genuinely fascinating how badly it was written. I think you could teach an entire class on basic writing principles using Miraculous as a case study because there are so many things it does wrong and failure really is a fantastic teacher. But the analysis I do for Miraculous isn't a skill that's unique to Miraculous. What you see on this blog is my default state. This is just how my brain works. How I engage with the majority of media. When I finish watching or reading something that I didn't like, I want to understand why I didn't like it and how it could be shaped into something I would like.

It's a honed skill. I've been obsessed with story telling since I was a little kid and my parents sort of accidentally started training me on analysis at a young age. Add in years of voracious reading and several excellent English teachers and I'm able to run this blog without too much mental effort. Talking and thinking about writing are legitimately fun for me. This stuff is my "I'm too drained to write" hobby.

None of this makes me some arbiter of quality or means that I understand every point of view about what makes a story good. All it means is that I know enough about writing to be able to clearly articulate why I like or dislike the way a story was told.

I guess that's the one piece of advice I can give. When you find something that bugs you, really think about why. Was it just a matter of taste or is there something more? Does it seem like the flaw is an intentional writing choice or not? Why? What changes could you make to fix the flaw? Can you make those changes without completely rewriting the story? Those are the kinds of fixes I look for first. There are certainly cases where massive change is needed, but looking for small changes will really hone that analytical ability to improve your writing as it forces you to focus on the fine details of the way stories work.

[mania-sama]

If you don't mind me asking, who are your top 5 (or top 7) favorite (fictional) characters ever from any media? Why love them?

thanks so much for the ask!! i always love your questions <3

God, this is a hard one. Because I've consumed and fallen in love with so many pieces of media in my life, it's hard for me to tell who exactly my favorite characters are. The pool is just too big to choose from! But I'll try my best regardless!

Also an important note that as I grow older, this list could very well become out-dated very fast. Who knows what I will see or what medias I will consume that will alter my perception of reality?

In no particular order:

Bakugou Katsuki [My Hero Academia] -> THE OG. I REPEAT. THE OG ONLINE OBSESSION. My history with My Hero Academia goes way back on my online persona, when I was a wee lad and experiencing my first online hyperfixation (Warrior Cats not included). I had him as online nickname and profile picture on multiple accounts and instances. I look back and cringe on this era of my life, but I still will not stand for slander on this character. I obsessed over him because he is an incredibly well-written character, with faults, passions, interesting qualities, and an insane amount of character growth that, arguably, rivals Zuko. His character motivations still stand out to me to this day. I quit reading/watching BNHA around the war arc, like right when it finished and Midoriya fled the scene. No particular reason for quitting, I think; I just moved on from that part of my life. But, Bakugou will always stick with me just a little. AND YOU KNOW WHAT. I liked him when everyone else still hated him. I liked him before it was cool to like him. Shout out to 2020-2021 me for being an OG. I'm still a "Ground Zero" truther to this very day.

Percy Jackson [Percy Jackson and the Olympians] -> Anyone that has read the PJO and/or the following series will not be surprised to find him here. He's like Spiderman but better, which is saying a lot because I really, really like Spiderman. Percy Jackson is there for every kid who has ever felt out of place in this world; for every kid who has struggled in succeeding in any aspect of their life; for every kid who grew up in a household different from their peers; for every kid who behaves in ways that other people don't seem to understand. Spiderman was a character created to represent the reader of superhero comics: a teenage white boy. Of course, later iterations of Spiderman come to represent more individuals, but that is not who he was originally. Percy Jackson is a character that comes from a place of necessity. He is a character that represents the reader of PJO: a kid who doesn't quite fit in with the rest, for one reason or another. Percy is funny, ultra-overpowered, relatable, and still gets his happy ending. Nothing more to want in a character, really.

Robbie White | Axe Boy [Identity V] -> My hunter main for Identity V. I don't really know how to explain why I love him so much, and how he has become a character I get emotional over very fast. I seem to find one random character from a game and attach myself to them like a jellyfish. Not only is his backstory devastatingly heartbreaking, he is adorable in all of his animations, standby motions, emotes, etc.. He has carried me to many victories, and he will continue to carry me in every match I play. I literally forced myself to download IDV on my laptop and play a few matches just so I could get his Little Nightmares crossover skin. No matter how far he falls from meta, they can never make me hate you Robbie.

Kugisaki Nobara [Jujutsu Kaisen] -> I had a LOT of internal debate over this. I guess I can't confirm until I leave the fandom, but for right now, she's definitely one of my top favorite characters of all time. I'm considering writing an analysis on her because she is just so good. I have never seen a female character in a piece of media that isn't explicitly feminine embody femininity so well. It actually impresses me to a degree I cannot reasonably tell you. She's just perfect. Everything about her is everything that I want to be as a woman. She's comfortable in her own skin, confident not in a man-ish way, but in a distinctly feminine way. What gives that she wants to feel pretty and strong in a physical way? Who is saying that she can't have both? Not to mention that she's also extremely strategically smart. I love her. I really, really do. Sometimes, I imagine strangling Gege's avatar and it makes me very happy.

Oikawa Tooru [Haikyuu] -> I honest-to-God cannot believe he made it here. I tried so hard to find a character to replace him. I did not want him here out of SPITE. But here he is, somehow, and not replaced by Miles Morales (who, upon reflection, would only be here because I did not want Oikawa to be here. Miles didn't even make my honorable mentions. That is proof enough, I suppose, that Oikawa somehow deserves his spot). I've talked about it before, but I'll reiterate it here: Oikawa is a character that is very, very easy to toy around with. He is THE teenager, and THE adult. You can project pretty much any anxiety or worry onto him and it'll make sense because he's got so many self-worth issues it's laughable. I don't want to spend more time talking about him than he deserves. I am as disappointed as you are that he made this list.

Honorable Mentions:

Razor & Xiao [Genshin Impact] -> They would've made the list if I could've put one above the other for real. Silly whimsical attachment with immense appreciation for the character writing vs serious love for the writing and development of the character beyond words. Simply an impossible choice.

Akabane Karma [Assassination Classroom] -> He was my favorite character of all time at one point in history and is still the inspiration behind my Tiktok nickname (that I may change one day). Unfortunately, it's been a long time since I've watched the anime and I can't remember much of what drew me to Karma in the first place that isn't already achieved in other of my favorite characters. Still, I thought I'd honor him here.

[the-bloody-sadist]

What’s the thing that fascinates you the most about wump and how did you learn about it in the first place if I may ask?

THE PAIN. HAHAHHAH.

No but seriously, whump is just a yippee look at this guy getting beat up by the author situation, not anything very deep. I mean for me, personally, I know why I enjoy certain things, but as I've mentioned too much, whump as a category doesn't exactly...exist? To me? If that makes any sense. From an author's perspective, it's just someone making sure there's conflict in a story, and that some character is put in danger so that the story will remain interesting and the stakes will be raised. If you spend a little longer on the beating them up part, that's just fun and games for the tension. I DON'T KNOW, IT'S STILL HARD FOR ME TO BE LIKE OH YEAH WHUMP INSTEAD OF OH YEAH, A NICE STORY DECISION THAT MAKES MY FINGERS TINGLE!

So to be honest, there wasn't "learning" about whump, it's always existed as my favorite part of whatever media I was consuming. Literally since I was a kid, as I've seen lots of others mention on here. But I was born a sadist, so that's not a surprise. Where the sadist ends and the psychology nerd with a special interest in trauma begins, I have no idea, but there are so many reasons I like seeing and writing and drawing characters getting whumped. There's no particular fascination, I don't think? More of a coping need. I've always used it as an emotional/stress release, especially in childhood when there was nowhere else for that to go without endangering myself.

Honestly, if anything were fascinating about it, it would be the fact that it NEVER gets old. I see new whump and suddenly I'm a hormonal teen again with an obsession over the smallest details of a scene where a man gets choked against a wall, listening to the tiniest changes in his breath, evaluating his line delivery through clenched teeth, appreciating the ominous soundtrack in the background, the little lines on his face as he makes the perfect pained expression....BAHAHHA NEEEERRRRDDDDD I'M SUCH A NERD.

It's better than porn, and I always call whump my porn addiction, because as a kid I never wanted to look up dicks in secret or search for people fucking. I just opened YouTube in a private browser and searched for Gale getting whipped in The Hunger Games and went on a spree of hunting for other videos like it. Or I'd rewatch scenes from the animated movies we had on DVD when my family was out of the house. But I'm also asexual, so who knows how much I was affected by the fact that I didn't want to know about sex except the parts where it could possibly hurt me (yeah, religious upbringing where the only thing I was allowed to read with sex in it was the Bible, where it's all violent rape).

Sorry for turning every single ask I get into a life story, JESUS FUCKING CHRIST. Thank you for asking, though! You may always ask! I just feel a little bad that whump is a weird topic for me and I mostly use that word to promote and tag my work so I get the right audience, not particularly because I interact with it the way I see other people do. Whump is great as a description, in my opinion, so people know what you're talking about, but as a category of story/media, I find it less helpful. I can't be interested in whump as a standalone. I have to have substance behind it, a story and a character I care about and proper writing of the tension to enjoy it.

OH GAHOOK I TOTALLY FORGOT, I discovered the actual NAME for this stuff once I joined Tumblr, unsurprisingly. I was really startled at the community existing, when I thought it was WAY too niche of an interest/obsession to find other people who talked about it the way the community did. My favorite part about the community existing is the absence of shame (a big part of my childhood and experience with whump) and the sharing of clips from movies and shows that I hadn't seen before. Plus, I've found at least three long original stories that I never would've found if I hadn't been here, and those were amazing. I'm still talking oh my god. Sorry.

Last thing, the box boy universe being a thing unique to this community is really nice. It's the asexual counterpart to the master/slave/pet BDSM theme with trauma driving it. Couldn't ask for a better way to indulge in my favorite dynamic, especially when there ARE sexual elements, and it's MORE TRAUMA.

OKAY I'M DONE. PFFFF, I TOOK LIKE FIVE BUSINESS DAYS OF BEATING AROUND THE BUSH JUST TO ANSWER YOUR SIMPLE QUESTION.

[meraki-yao]

So RWRB is basically part of my identity now, I can't remember how many times I've seen the movie, and I'm on a constant quest of getting my friends to watch it too. And it's working!

But the thing is, my own younger sister, who's my literal best friend, the closest person to me, hasn't.

Her only exposure to the movie is coming in to my room on premiere night when I was watching it for the first time and tagging along for like ten minutes then leaving, coming into my room when I'm watching clips and watching along for a bit until I give her attention (she's like a cat) and hearing/seeing me very passionately rambling about it either on social media or out loud

She's not interested in romance like, at all, so this isn't her cup of tea, and I'm not gonna force her to watch something she's not interested in.

However out of curiosity, I asked how much she knows/remembers about rwrb from what little exposure she had. She started rattling off points that made me laugh deliriously, then asked if she could type it down.

So here's rwrb according to my sister, who has never finished the movie, nor read the book (she literally typed the list below herself which is why it's in first person)

enjoy! :D

henry's a prince and alex is fsotus

they met before once but it did not go well?

Henry and Alex see each other at a wedding and a big ass cake falls over

they pretend to be friends cuz PR

they text and/or email each other a lot

there's a children's hospital??? and they cram into a room???

there's a dog called David

turkeys in alex's room cuz thanksgiving

also sth sth insomnia

ok not a plot point but i rlly like how them texting was presented

henry's dad is an actor and he's dead

henry has a sister, she's nice

i rmb the name zara but i forgot what she specifically does (I'm so sorry)

new year's party. dramatic eye contact.

'oh I'm not going to sing karaoke' 'BURNING THROUGH THE SKYYYY YEA, 200 DEGREES THAT'S WHY THEY CALL ME MR FAHRENHEIT, I'M TRAVELLING AT THE SPEED OF LIGHTTTTTTT, I'LL MAKE A SUPERSONIC MAN OUT OF YOU'

the room with red wallpapers and alexander hamilton, 'the book is very bookish', f in chat for security lady

henry walks out of the closet literally

there's this grey(?) room with a white marble statue and it was very emotional???

henry's a sad boi

i think they fucked or sth

also there was a lake?

the emails get leaked on reddit by this reporter dude (who i think Alex knows before???) during the election

alex gives a speech

alex's mom wins the election

henry wore a yellow tie or sth because texas???

a pride parade outside the palace???

at least in the movie they go to a house or sth

deleted scene but they were next to a campfire and henry was talking and sad and alex was listening

ok Meraki back hope you enjoyed that lmao

if you have a favourite out of this list or have any message you want to tell my sister about the movie leave them in the notes lol she kinda wants to know what yall think of her recall