#as well as potato man

[applestruda]

Quick s9 mumbo

[jadequarze]

Woe, 'Dawn' Shep be upon ye!

Second part is post-ME3

[holographic-mars]

Favourite g1 episode with Cosmos? Mine is Blaster Blues

I love Blaster Blues so much!!!! It’s definitely one of my favorites. I think my top favorite Cosmos episode would have to be The God Gambit.

The fact that he spent the entire episode passed out and in need of rescuing was so fun. Somebody had to save him, poor thang.

[practicedvmm13fullofpotatoes]

Random pictures of.. ✨HIM✨

I believe in Adrian Clairmont supremacy🛐🛐

He is just so… Oh my God..

[bogwaterrr]

its like three in the morning and i have to get up for school in like four hours but this came to me

and im right so whatever

[revvethasmythh]

Veth and Fjord make a really entertaining duo because of the way that they butt heads and argue most of the time, but I’m also so interested in all the compelling ways that they are very similar people. Obviously, their personalities are fairly different on the surface level, but many of their underlying issues are the same, as they were formed by bizarrely similar backstories. They were both severely bullied in their childhoods, causing serious self-worth/self-esteem issues that have lasted their whole lives, and they specifically both grew up being told they were ugly and strange by the kids (and adults) around them. They then escaped those damaging environments in the best ways they could—Fjord by ending up on the Tide’s Breath, coming into his own under Vandran's guidance, and Veth by marrying Yeza and having Luc, presumably establishing her own household and getting her out of her childhood home, where her brothers were a main source of the bullying she suffered from. Both instances have them reaching for independence from those who had harmed them, struggling to step into a semblance of better futures, though neither quite manage it in its entirety.

Then tragedy to strikes them both (Sabian’s betrayal; the goblin incursion). And though the circumstances of these tragedies were quite different, they both end the same way: water in their lungs. Both of them utterly changed in the act of drowning, neither of them in control of the outcome. They both become something new and other, something more dangerous than they once were. For Fjord, this is something of a gift, an opportunity to remake himself as he searches for answers. Veth, in a roundabout way, wants the same thing he does. But she doesn't want to remake herself into something new--she wants to remake herself into what she used to be.

This renders Veth and Fjord as something of mirrors to each other. Two people who should not have so much in common, but can see those similarities in the other anyway. Their backgrounds leave them with such similar issues that it's practically inevitable that they butt heads and argue and don't get along half the time, even though they do care about each other. We're talking about two people raised on self-hatred--they probably have some mixed feelings about seeing so much of themselves in each other. And I just think the way their stories are so symmetrical really deepens both of their narratives once you zoom out enough to see the way that their lives reflect each others'

[archerofunspeakablelove]

NBC Hannibal certainly has an interesting relationship with neurodivergent representation

[dream-menagerie]

“Orson Welles” (Potato head man)

200 Drawing Prompts

[threewaysdivided]

Hobson Heckled into Historical Haute-Couture

Continuing the Dan Jones & Dragons gala parade with Hobson, the Flower Crowns' oft-harried Halfling Warlock (played by the ever-wholesome Dan Floyd). Is he trying to massage away the realisation that letting his literally-half-brained patron choose his gala attire might have been a mistake? Is Valse giving him a headache over something else entirely? Did he use Detect Magic in a room full of powerful items and accidentally flash-bang himself? Yes.

More Flower Crowns Gala Outfits: Morenthal | Gelnek

As always, design talk under the cut:

But before that, a short story: I've been following Dan's content on Youtube for... oh jeez, that sure is almost a decade now, both on his current New Frame Plus/Playframe channels and back when he was the primary founder and narrator for EC. His old games education videos helped me get one of my earliest jobs in project work and introduced me to a bunch of media production concepts (like scope management) that would go on to inform some of my own storytelling analysis posts. It was a startling little moment of artistic ouroboros to realise I was mentally running through key points from Dan's own Pose Design 101 video as I was drawing his DnD character. Never expected things to come full-circle like that, but if you're seeing this, Dan: here's to you 🫡 If you're not Dan and haven't already, do go check out his stuff - it's all super well-produced, informative, funny and he's just an overall stand-up guy.

Now: onto the tiny little nerd and his passé party attire

This was a really fun costuming challenge, with a bunch of interesting curveballs thrown in the mix. Unlike the rest of the Flower Crowns, Hobson didn't choose his own party outfit: it was picked out by his patron after Valse kibbitzed him into giving up and letting a heroism-obsessed Fey call the shots. Dan cited Valse as having the fashion sense of Stede Bonnet-as-depicted-in-OFMD, briefing a vaguely 19th century-style outfit that had frilled sleeves and 'would have looked gaudy even when it was in fashion a century earlier'.

Actually dating his outfit was the first challenge. D&D settings are kind of an anachronistic uchronia, with classic swords-and-sorcery fantasy campaigns potentially pulling inspiration points from anywhere across the Arthurian era up to pre-war modernity. Which leads to the question: how do you make something seem dated in a setting where most everything looks vaguely ye-olde-fantasy? The other challenge was that, IRL, the 19th century (i.e Victorian era) was when menswear started taking on a lot of the shapes that would eventually become modern suit and top-'n'-tails fashion. Since Trilby was already going to be wearing classic top-'n'-tails formalwear, I decided to set Hobson's style earlier in the 1800s-1820s and pull in some 18th century Stede Bonnet flourishes to visually set them apart. This article provided some great reference images, and once I hit on the figured silk waistcoat I knew I had a potential starting point.

Colour-wise, I stuck with the burgundy-and-gold palette the Dans gave Hobson in his official gala stream art, since those looked good together and matched up with Dan J's tendency to draw Hobson wearing greens/earth-tones and Valse in reds/jewel-tones. The combination is a lot more colourful and richly saturated than is typical for this style of Victorian-adjacent clothes, which felt appropriate for Valse's gaudy tastes.

Fabric-wise, I figured a fun way to gaudy things up even further would be to lean into the silks and satins that were fashionable at the time, but make all of his outfit shimmery rather than just a single feature piece. As a bonus, silk and satin clothes tend be hot, inelastic and have horribly itchy seams if worn unlined, which felt like exactly the kind of thing Valse's all-form-no-function sensibilities would inflict upon the small, long-suffering fellow. Both these fabrics also have a habit of behaving hideously and ripping themselves apart when worn wet, which makes this a great outfit to, say, accidentally fight an Aboleth in. Poor Hobson.

Some other details, just for fun: 1. Hobson's sketch layers include a drawing of his un-removable cursed left bracer. He's pulled the frilly, puffy sleeve over it but you might spot hints of the shape and the gem if you squint. 2. The reference waistcoat I used had floral embroidery on it. Had this actually been a Hobson outfit, I would have converted them to his garland flower (Forget-Me-Nots), but since it was a Valse pick I decided to make them Senaliesse chrysanthemums; a flower given out to friends of the Feywild's Summer Court as a sign of protection and favour. (It also adds extra layers to Pocket mistaking Hobson for a denizen of the Fey, which is fun).

Close crop on the details because I'm very happy with how they turned out:

[harurio]

izuka kenta as hirado azuma in call boy, 2018.

[dont-look-me-in-the-eye]

do you cook

i can only cook meat lmao. Chicken, goat, lamb, beef, steak, if it’s a dead animal, I can cook it.

…not really anything else tho. i have those father cooking skills

[in-tua-deep]

Do people really see genderbends as black and white or am I seeing some bad takes today rip

I genderbend characters all the time oop I’m constantly taking characters and saying “you have non-binary energy” and running with that new headcanon

[holocene-sims]

next // previous

july 20, 2021 7:00 a.m. cathal and eimear's house

[radioactivecatboy]

Claps and cheers and weeps with relief when I open the Tang Dynasty page on wikipedia and find a subsection for clothes. Sobs and wails and pounds my fists on the floor when it’s only six sentences long.

[brainfilehasstoppedworking]

Taichi: Honey...

Chihiro and Kiyotaka: Dad/Father...

Takaaki: *sighs*

Takaaki: My wallet is in my left pocket front pocket, it should be enough to buy you three some ice cream...

Chihiro, Kiyotaka and Taichi: :D

[rabbitindisguise]

unfortunate news I'm on #glutendetox and I don't feel like garbage so uhhhhhhhhhhhh I hope. That's just a coincidence.