#as though i havent been here this entire time

[ride-thedragon]

Because I'm seeing the discourse pop up. Fake Rhaena enjoyers do not have a valued opinion when it comes to the leak about her and Nettles.

"Rhaena gets a bigger plot." Rhaena is literally a beckon of hope for her house by the end, the only dragonrider with her dragon of house Targaryen by the end. She has the entire Vale plot, which , as Rhaenyra thinks Tyraxes isn't enough, could easily be her playing the game of thrones and forming a close alliance and meeting her future husband.

"She deserves a dragon." She has one. It's one of the prettiest dragons in ASOIAF history. One that matches with her sisters.

"Nettles' plot points can be transferred." They can't. It's the worst part of the rumour and people acting as though they care about either characters. It's literally impossible for the characters because of how different they are. Neither of their plots can be transferred one to one. Rhaena is a Sansa parallel in the Narrative, Nettles is Daenerys'.

"It stops this conflict." Any conflict in this instance with these two is point of the story. Their conflicts are there for a reason.

"Rhaena can still get Morning" Then WHAT WAS THE FUCKING POINT???? That's actually insane. What would be the point?

To those people who say Rhaena is black, she isn't. I'll link the multiple post as to why:

Here

And here

And Nettles specifically.

The bottom line is that Rhaena is Valyrian. She isn't black within the written narrative even though her actor is. The way these two gentlemen are black, she isn't.

If she takes Nettles' place, it's racism.

So you fake Rhaena enjoyers who probably have a Daemon daughter oc to revoke her in your canon, who can go on for hours about Daemon and the Velaryon boys without one post about his actual children and who hate Laena for no reason can disrespectfully sit this one out. This change doesn't affect you or your enjoyment.

Let's not act as though the Nettles replacement theory doesn't predate Rhaena’s introduction as a character on the show.

Either all the final girls are on screen, or the point of the adaptation is lost before it can establish itself.

[aurieeeeeenyx]

oh yeah also jayvik are extremely orpheus and eurydice coded i don't make the rules

[skunkes]

[poorly-drawn-mdzs]

The more I see your work and the more I see of poorly drawn scum villain, the more I'm tempted to do a poorly drawn tgcf 🥺 (I've only just started listening to it and I absolutely love it!!)

I just don't think I'm as funny as both of you and don't know if I could commit to uploading as regularly as you both do.

But oh! I am SO very tempted!! 😭

Working on an adaption of an existing media as a long form project is honestly my strongest recommendation for getting your creative brain going! Of course, there is still planning and hard work that goes into it, but the biggest creative pressures are much lower (And when anxiety brain is quiet, art brain thrives!)

That said, projects like this are a huge commitment, and I'm a bit of a freak case when it comes to the grind. PD-Scumvillian and I both put a lot of work behind the scenes to make it seem as effortless as it is. I'm wholeheartedly giving you my support should you go through with it; feel free to reach out and ask for tips and tricks!

[coriander-candlesticks]

I was pouring a promised libation out to Hermes, Apollo, Aphrodite, and Dionysus this afternoon (I'd asked them for help with a personal matter involving a sibling) and as I was looking up at the sky talking about the situation I saw three hawks start to circle something a little ways in the distance. Hawks aren't exactly uncommon here but it had been a while since I'd seen any, let alone three at once, so it caught my attention.

And while I was trying to figure out what type of bird they were (not an eagle, too short a neck to be a vulture, etc) one of them swooped down into a neighbor's backyard and back up along the tree in my backyard, close enough that, if a branch weren't in the way, I would have been able to see its feather markings. While hawks were somewhat usual, experiencing that certainly was not. So, of course, when I got inside I looked up if any Greek gods are associated with hawks.

And, of course, Apollo is.

I've been thinking a lot about the difference between "this is just a Thing That Happens" and a sign so it was nice to see a direct example of how something differs when it's coming from a god.

[turtlespancake]

me when i write a character who is prone to dooming themself and then they run off and doom themself. core traits are stubbornness and a willingness to disregard their own humanity gET BACK HERE IM NOT DONE WITH YOU

[sonknuxadow]

i dont know what would be worse if amy is never in the sonic movies at all or if they do introduce her in the next one but shes pushed to the side and doesnt get the amount of focus she should be getting considering shes a main character and this is her introductory movie because theres too much other stuff going on with shadow and/or they just completely butcher her character

[yessu]

*kicks feet* got any fun lore for galen & roz kickin around if you're still down for character questions? they were always my favourites.

HMMMMMM I haven't done much actively with them lately, they've vaguely kicked around a bit because I've been doing so much with the ghost knights of Parfum Palace so I can touch on that a little!

Galen was one of them--I'm waffling on putting All of their respective content into a group tag but I should REALLY get their refs, at least. The ones I've got (posted, anyway) include GK, Broderick, MB, and Calcite. Galen went missing a few years before that Kalos-Galar war really came to a head. He was always the Adventuring type, running off on grand little quests (mostly self appointed) (for bragging rights) (they were rarely as grand as he made them out to be) and then eventually he just never came back. Turns out he's sort of the only one of them who never actually died, he just disrespected a witch so fucking bad he got Turbo Cursed and now he's trapped in a sword forever.

He was part of a core group of notable high-status knights including Brody and Cal, and was close with Brody in particular! Galen would write to him and Brody thought he was dead when those letters stopped. He was mourned, even. When Roz visits the palace and lets Galen have a little reunion with the other ghosts--because what are the fucking odds the grounds would ALSO turn out to be cursed and now they're congregating there? what an opportunity!--and there's a nice moment when it's like... Brody's all lit up hearing his voice again, Roz takes note of this being the only person Galen doesn't have any criticism of, aaaand then he gets to explaining what happened and where he's been. Roz is holding him up to talk but Galen's either not attentive enough or avoiding eye contact (both) so she's just standing there watching Brody's dawning You What? Are you Stupid??? especially as he keeps asking Concerned Questions. He's 🤏this close to just fucking throttling him.

Anyway, Galen doesn't get folded into the 'cast' there so to speak because he's not beholden to the same kind of obligations as the others there, he's beholden to Roz as his wielder and she's not about to move in just for HIS sake. Besides, he's always had that wanderlust! So they continue their travels and just visit once in a while. The palace hosts little jousts and spars and shit between the residents as shows for tourists, she's allowed to participate against them and let him play with his friends again :)

[succubi-tch]

Had to run my paper through SafeAssign (AI plagiarism checker) to submit it to my university on Sunday and. It told me my totally original paper I'd spent over 12 hours on was over 50% plagiarized so I scroll down to see what it marked as plagiarism. The cited references 😑

[our-lady-of-mcr]

everytime i think im done ranting i remember something else LMFAO this one is extra long i hit tag limit god mf damn

[arolesbianism]

I have obtained a new oc and in the process I've already signed myself up for needing to make at least 3 new ocs for his story which he now has despite me initially Intending for him to be a side character for a different side character to hang out with. My townhouse has over 200 characters on it.

[beatcroc]

200

aka ''who do you play in ringracers'' well, 1, the whole fucking roster at once, 2, every most extreme/polarized/minmaxed edge of the stat layouts, and 3, mecha sonic specifically.

everybody give it up for 100 hours of ringracers

[orionsangel86]

I watched X-Men 2000 tonight. Yup the Deadpool and Wolverine brain worms got me - at least for a little while - so I figured I'd rewatch the old movies that I havent seen in over a decade and have basically forgotten entirely at this point.

You know what really stunned me? Even more than the slow pace, serious tone, actual dedication to telling a coherent and interesting story with layers of meaning and social commentary attached to it, as well as a sincerity that's been missing from most superhero films since the MCU was born (thanks Josh Whedon).

Nope, what shocked me most was this:

This is a perfect specimen of a man. Look at him. He's gorgeous. But look at his chest? His arms? He's muscular, he's pretty well toned, he's hairy. He's definitely got a six pack - but it's nicely covered by a healthy layer of fat. His skin is plump, he has a bit of squish to him. He'd probably be great to hug (Jean Grey certainly gives him a good squeeze lol).

When he sits down he looks like his stomach will roll just nicely. Like a stomach should.

I know my point here is obvious. It's just that scrolling the Deadpool and Wolvering tag is basically 50% "oh they definitely fucked in the Honda Odyssey" (yes lol) and the other 50% is just horny posting over Wolverine's topless scene like the entire site suddenly adopted Deadpools horny brain.

I gotta give props to Hugh Jackman for his dedication to turn himself into an actual comic book character - because that's what this new movie does. It gives us a comic accurate Wolverine in practically every way (except for his height lol) the suit is amazing, the cowl was a joy to see brought into live action. The body too though was straight out of a comic book artists male power fantasy.

What I wanted to emphasise was that this:

Is extremely tough on the human body. What I wanna know is how long he starved and dehydrated himself for before filming this scene? How long before they shot this did he last drink some water? Because damn that must have been tough. The oil and the lighting probably help further emphasise the muscle, vein, and sinew definition. It's probably similar to how body builders prepare before a show.

Nothing about body building is healthy though. So in the coming weeks as the whole entertainment industry rides on the coat tales of this movies success, and everyone goes crazy over Hugh Jackmans physique, please don't feel pressured into thinking that his 2024 physique in the movie is remotely realistic - or realistically attractive. Like I get the fantasy sure, but come on. I'd personally rather lie on a cushioned bed than a concrete floor.

Deadpool may disagree with me, but he's a masochist lol.

Oh and whilst I stand by the shade I threw at the MCU above, I think Wolverine's different physiques in the movies is a good standard of comparison for how much superhero movies have changed. Because when superhero comics first started getting adapted I think a lot of the choices made were about how to bring them to live action realistically and believably and the attitude was to try not to make them look ridiculous. The first X-Men movies definitely do this.

It was about bringing the comics to life in a way that fit in our world. But over the years, as audiences got more and more used to comic book movies the movies became more and more like comic books and less like a realistic adaptation of a comic book. Does that make sense? So as the movies attempted to bring the comics to life in a way that was less realistic and more comic accurate, the demands on the actors to sculpt their physiques to meet the standards of comic book art became normalised.

I think Deadpool and Wolverine is the MOST comic book accurate of all superhero movies made in the past 2 decades. Half the time the images from the movie look like they could be literally pulled from the pages of the comic books. The story is convoluted and stupid, the plot is barely there and is full of gaping plot holes and elements that don't fit any past stories. The action is ridiculous, extremely fast paced, gratuitous, and violent to a hilarious level. But it's so entertaining, joyful, exciting, and laugh out loud hilarious throughout.

It reminded me a LOT of my attempts at reading through the Deadpool comics (I've read a lot of them but no where near all of them).

To sum up this rambling message with multiple points, I'll say that Deadpool and Wolverine is a really fun movie that I thoroughly enjoyed, but make no mistake there is nothing real in it at all. It is almost literally a comic on screen. Don't expect anything more than that and you'll enjoy the experience.

[sp1rit-realm]

༻¨*:· 𝐑𝐎𝐔𝐓𝐈𝐍𝐄 ·:*¨༺

༻¨*:· summary ·:*¨༺ 𖦹 remus is used to the same day, and then you come into his life.

༻¨*:· notes ·:*¨༺ 𖦹 please give me some grace. i havent written a full on fic in... a hot second 𖦹 record shop owner!remus x fem!reader (she/her prns) 𖦹 sirius uses he/they prns 𖦹 also. reader moves to england so she doesnt have british accent. yeah. 𖦹 lily evans being the best 𖦹 FLUFF (everyone cheered!) 𖦹 [brief] ANGST (everyone cried!) 𖦹 not proofread

༻¨*:· words ·:*¨༺ 𖦹 2.7k

Routine—a very familiar word to Remus. His days were the same. Wake up, go to work, go home, shower, then sleep. He ate the same thing for breakfast and the same thing for lunch. Dinner was the only thing he frequently changed—maybe one day, he would have pasta, and the next, he would have chicken. He hung out with friends on Saturday, and they went to the same pub every time. The topics were usually the same. Sirius met someone new, someone they claimed to be "The One," only for that person to leave their life. James usually talked about training, Lily, and updates on her pregnancy. Since school ended, things had become... predictable.

You walked into the rickety old record shop, intent on finding your favorite album. It broke on the move to the UK, and you needed it desperately. 

Upon hearing the bell ring, Remus looked up. It was part of his routine—to see who had entered his shop—and there you stood, tote bag in hand with messy, windblown hair.

After searching through the Rock section for ages, you practically squeal when you see the album.

Remus looks up as you walk to the counter, "Hi." 

"Hi," You smile. Your accent throws Remus off, and he smiles. 

He looks at the record, then puts it down, "We have this in a white vinyl," He says, "I— I didn't mark it as colored, so you probably didn't see it. I can go grab it for you?"

You eagerly nod, "That would be fantastic!"

He stands, and you realize how tall he is—it's like he's towering over you.

A moment later, he returns with the other record, "They're hard to come by," He scrawls something on the record sheet, then rings up the album.

You thank him and pay, leaving him to wonder if you'll be back.

The next time you see him, he's with a pretty girl. She's got bleached blonde hair and a cute button nose. She's beautiful. Of course, you recognize the tall man—how could you not? He and the girl make their way to the counter; they both order.

"For Remus," A woman calls out. 

Remus—that's his name.

Remus steals glances at you the entire time he's at the coffee shop.

"Who's that?" Marlene asks with a coy smirk.

"I don't know. Came into the shop a couple of weeks ago."

"Oh, so you have a little crush." Marlene is full-on smirking now.

Remus goes red, "What? No." He shakes his head, "No," He repeats, trying to reassure himself that he doesn't have feelings for you.

"Sure," Marlene mutters, taking a sip of her drink.

Remus rolls his eyes.

About a month passes by until you see one another again. You walk into the shop. Remus looks up when the bell rings, and he smiles.

Sirius is there today, and they go up to you.

"What're you looking for?" 

You answer, and he leads you to the section as if you don't know the alphabet. He doesn't mean it that way, you know that. 

Still, you tease them about it, and their face goes stark red, "Sorry. I just— Sometimes record shops can be confusing in how they order things. Like, when it goes from 'C' to 'D,' does the 'D' section continue on the other side, or does it continue straight across? You know?" 

"I'm kidding around," You smile, "I've been here before. Granted, it was just once, but I know how it works. Thank you, though."

"But of course," Sirius curtsies, "Anything for you..."

"Y/n," You introduce yourself.

"I'm Sirius. Like the star," He clarifies, "Like, that's my name. S-i-r-i-u-s," They spell out.

You giggle, "Nice to meet you, Sirius."

"Nice to meet you. I love your silly accent, by the way."

"You're the one with the silly accent," You shoot back.

"Not when my accent is outnumbering yours."

You tilt your head and hum, "Strangely, I understand what you mean."

"It'd be concerning if you didn't."

"Do you frequent this shop a lot?" You ask, flipping through albums.

"My friend is the owner." Sirius shrugs.

You perk up, "Remus?"

Sirius quirks their brow, "You know him?"

You get hot, "No."

He narrows his eyes, "So, how do you know his name is Remus?"

"Well," You whisper, "I came in a while ago. He was really nice when I checked out. Then, a couple of weeks later, I saw him at a coffee shop, and they said his name when his drink was ready."

"You're a creep," Sirius raises his eyebrows.

"No!" You argue.

"Such a creep." Sirius begins walking away; you rush to follow him, "I'm telling him." He says.

You begin to panic, "Wait! No!" 

Sirius keeps walking to the front.

"Sirius," You whine, "Stop!"

"Remus!"

You silently will him to stop.

"Remus!" Sirius calls again.

"Lovely lady over here has something to tell you," He smirks.

If looks could kill, Sirius would be six feet under.

"I just– um–" You sputter out, "I just wanted to thank you for helping me with the record last time I was here."

You swear he blushes, but you don't want to look to find out.

"It was no problem," He smiles, "Maybe I could give you a call if any of their other records come in?"

Sirius smirks from the sidelines.

"Um..." It takes a moment to process, "Sure." You nod assertively, "Yeah. I would love that!"

Remus's world has turned upside down—you keep him on his toes. He stays up because, maybe, you'll call tonight. You eat lunch with him sometimes, and gone are the days when he eats the same thing every day. Gone are the days when he closes up shop at 7:00. Gone is routine.

"Do you want to have dinner tonight?" You ask, wrapping the cord around your finger.

"I'm actually going out," Remus responds. You frown, and your imagination runs wild. What if he's going on a date?

"Hello?" He asks, and you realize you've blocked him out.

"Huh? Sorry?"

"I asked if you wanted to come with me. You can meet my mates. If you want." He spits out. Saying it once is nerve-wracking enough; saying it twice is terrifying because what if you say no? What if you don't want to meet his friends? What if–

"I'd love to!" You cut his frantic thoughts off, and his heart swells.

"Really?" He asks.

"Of course!"

So, now, you're standing in front of a random pub, wondering if he's pranking you. It's been about five minutes, and you know that's not a long time to wait, but your anxiety is getting the better of you. 

Then, five turns to fifteen, and you're wondering how pathetic you look.

"Y/n?"

Your head whips to the door, "Sirius? When'd you get here?"

Sirius checks their wrist like they're checking a watch, "'Bout half an hour ago. Did the dimwit not tell you to meet us inside?"

You shake your head, "He said to meet him at the bar. So, I guess he didn't quite specify." You shrug.

"Well, come on in," He holds the door open for you.

You thank Sirius and look around for Remus. He's not hard to spot, and Sirius jogs over to their booth before whispering something into Remus's ear. He looks up and smiles brightly.

"You're here!" He exclaims.

"You're here." You say, tone almost scolding him. 

Sirius whispers something else to him.

His face drops, "Oh... sorry for not telling you to meet us inside." His mouth quirks to one side in a guilty expression.

You smile, "It's okay. I forgive you." You sit next to him.

"Oh, thank god," He rests his hand on his chest, "A pretty girl being mad at me would've been my death."

Heat blossoms in your chest.

"So..." James begins, "Now that flirt time is over, can I say hello?"

"Ha!" Sirius barks out, "Flirt time!"

Remus gets warm, "This is James, another one of my school friends. James, this is y/n."

All James says is: "You're his lock screen, y'know?"

Remus kicks him under the table.

"I mean–" James smiles, "Hello, it's nice to meet you. I have never seen your face before."

"Smooth," Sirius whispers to James.

You smile at Remus's red face.

"Ignore him, please?" He begs.

You nod.

Sirius and James tell you embarrassing stories about Remus for the rest of the night, and the boy starts to regret introducing you to them as a pair.

 At the end of the night, he drops you off. 

Rubbing his face, he sighs, "I hope they weren't too much."

You smile brightly, and Remus feels like he could fall to his knees, "I had an amazing time. They're really fun, Remus."

You leave him with a kiss on the cheek—he puts his hand up to the spot and smiles the whole way home.

"I've missed you," You say into the phone.

"I've missed you, too. You should just let me come over." Remus begs for the umpteenth time.

"I don't want to get you sick," You frown, "That would be horrible."

"It wouldn't be the end of the world. We could quarantine together," He smirks, "I could make you soup, and we could cuddle together on the couch and watch some ridiculous rom-com."

"Take a girl out on a date first!" You joke.

"I would if you weren't so busy being poorly." Remus groans.

"So you're asking me out on a date?" You smile and do a little happy dance.

"I guess I am."

He's smug, and you can tell.

A week later, you sit in a fancy restaurant—the kind where the prices aren't even on the menu. Remus is fidgety. He's wearing his nicest button-down, and you think it looks funny on him. He gets red at your comment and looks down at the table with pursed lips.

"I just meant that I'm so used to you wearing those comfy sweaters. You look good, though." You earnestly smile at him.

"You look nice tonight, yourself."

"Well, I'm going on a date with this charming boy. I wanted to impress him."

"I hear he's very impressed."

You insist on paying, but he won't let you. As soon as you pull out your wallet, he snatches it from you.

He kisses you before leaving you at your car, and you don't want it to stop. It's soft and tender, and it's everything you hoped it would be. 

One date turns to two, which turns to five, and now you're anxiously pacing in your flat. You're dating Remus; you have been for a few months, and you're not sure when it's an appropriate time to ask the question, but you'll ask tonight. Except Remus doesn't come. He doesn't call, either. 

After an hour of worrying, you call Sirius.

"Hello?" He answers—it's obvious he's high.

"Hi. Do you know where Remus is?"

Sirius laughs, "Right here."

"Can I talk to him?"

You hear rustling as Sirius passes the phone.

"Hello?"

"Remus," You whine.

"Hey there. What's going on?" He's calm—too calm. He's also high.

"You were supposed to come over tonight." You frown—it's a fruitless effort. He can't see you.

"Shit. 'M sorry, baby," He frowns, too. You can hear it.

"'S okay. I was just really looking forward to seeing you." You dramatically slide down your wall into a crouching position.

"I'd come over, but, y'know," He wanders off.

"You're so high you can barely walk?" You offer.

He takes it, "Yes."

"It's alright," You sigh, and Remus feels terrible, "Promise you'll come over tomorrow?"

"Promise," He answers.

But then tomorrow comes, and Remus has yet to show up. So you dial his number, but he doesn't pick up. An hour passes until your phone rings, and you're anxious and giddy and hopeful as you pick it up.

"Sorry." Remus's voice is gruff, and you can hear the guilt in his tone.

"It's okay. You can still come over. It's not too late."

"No," He sighs, "I'm sorry, but I can't... I have to break up with you."

Your face drops with your stomach, "What?"

"I can't be with you. I'm— I'm sorry."

"No!" Tears blur your vision, "You can't just tell me we're over. Explain yourself!"

"I just can't do it anymore. It's too hard."

You choke out a sob, "What's too hard? Loving me?"

"No," He sighs, and he sounds tired, oh so tired, "I'm incapable of giving you what you need."

"And who gets to say what I need?"

"Y/n, for your sake, I'm ending this. I can't provide for you in the way you'll need me to."

"Remus," You sigh, "I don't understand. What do you mean you 'can't provide' for me?"

"I can't emotionally be there for you. I'm sorry." 

And as you hear the dial tone, you let your sobs out.

You feel empty. Your only friends are Remus's; now you feel like you can't talk to them. 

"You're daft," Sirius scolds, "Y/n was lovely, and you break up with her over the phone?!"

Remus hangs his head in shame, "Yeah, I did."

Then Remus looked up and was met with one of his worst fears. He'd been on Lily Evans's bad side more than once, but never like this. He'd only seen this stare a handful of times, but not once was it directed at him, until now.

She marches over to the booth, never breaking her stare, leans close to Remus, and slaps him, "You twat!" 

He doesn't know what to say, so he holds his cheek and waits for her to continue.

"You hurt an exceptionally lovely girl for what?! Because you're insecure? Because it was too scary to feel loved so deeply? That girl gave you her all, Remus! And this is how you treat her?" Lily's face is red at the end of her rant, and Sirius tries to hold in their snickers.

Lily narrows her eyes at Remus, "I can read you like a book, Remus Lupin. I know what's going on in that magnificently stupid head of yours! Go apologize to her!"

"I can't," He murmurs, "I've already ruined it."

She rolls her eyes, "You won't know unless you try, and not knowing will eat at you, and you will die confused, sad, and alone."

"She has a point," Sirius agrees, "I mean... we all know you'll just mope around until we push you to talk to her, but by then, it'll be too late. She will have found somebody, and they'll get married, and you'll just be that bloke from when she moved here. Go talk to her."

"What do I say?"

It's almost midnight when a knocking at your door wakes you. Groaning, you get out of bed and make your way to the door.

You undo the bottom lock, keeping the chain in place.

"Yes?" You peek through the crack, surprised to see Remus holding flowers on the other side.

"I'm sorry."

He thinks he's surely blown it when you close the door, but he hears the chain clanking as you fully unlock it.

"What are you doing here?"

Remus wants to cry at the sight of you. Your eyes are bloodshot and puffy, with red tracing your waterline.

"I—" He has a whole script planned out but seems to have forgotten every word, "I have flowers," He settles on.

"For me?"

He nods.

"What are you doing here?" You ask again, taking the flowers.

"I'm here to apologize. I was a dick the other day."

You tilt your head, "You mean the other day when you broke up with me?"

Remus almost doesn't catch the sarcasm, "I'm sorry. I get so caught up in my head—"

You turn from him, "Come in," You mutter as you walk into your kitchen.

He closes the door behind him and toes his shoes off, "I get scared when I let somebody get too close."

"Tea?"

"Yes, please."

He watches as you move around your kitchen, grabbing cups and boiling the water. He's missed you.

"Why let me get close at all, then?"

"Because I like you."

You turn and look at him, "Do you, now?"

Remus sighs, "Look, I fucked up, I know that. Do you think we can try again?"

You walk over to him, "You said you can't give me what I need. What does that mean, Remus?"

"I'm unfit to be with somebody."

"I don't think so. You were wonderful the past three months. So wonderful that I think, if you work on yourself, we can give this another go."

"Can I kiss you?" He asks, leaning in.

"I look terrible," You laugh.

"No," He rests his forehead against yours, "You're always beautiful."

"Kiss me." 

hi guys sorry if this is bad😇😇

my lovely mutuals <33 @sepptember @violetteshoneybee @ay0nha @maroon-winestain @prongsio @imabee-oralizard @storyofaromance @queerpumpkinnn @doyouknowwhoyouare13 @zvdvdlvr @reysdriver @g1rld1ary @starsval @vampieteeth @maddipoof @bruisedboys @ell0ra-br3kk3r

[raggedytiger]

ragatha/agatha and pomni/penny human hcs!

(r)agatha:

is an english teacher!

yes she still loves horses. she used to ride them, & she loves old western movies.

owns cowboy hat and boots.

analytical and loves long & winding conversations.

has a very happy cat named sandwich.

patches her own clothes, doesn't have kids but if she did she would embroider their names into their belongings.

she still plays cello, she loves music in general, probably sings like an angel.

can't do any mathematics.

can drive, but like a lunatic. somehow has never had an accident though, so it's fine.

probably has a cute little baby blue/yellow car now, but definitely had a beat up offroader truck at some point that got put to good use. or maybe she still does, i'm not the boss.

total lesbian, a bit of a heartbreaker but not intentionally (women just keep falling for her)

goes to town/neighbourhood/community meetings. likely is/was in a knitting circle

absurd number of quilts in her home

pomni/penny:

is an accountant as we know, and cannot cook for shit as we know.

no pets she can barely take herself for walks. is more similar to a cat, but had a dog growing up. would love a collie or a dalmatian probably.

would name the dog something stupid like Thermometer Johnson.

she can drive, but nervously.

really quick thinker, like impressively, unless she's under HUGE amounts of stress. is literally always thinking at 100mph.

no sense of interior decor or personal style. all practical, kind of butch. really does kill a suit.

very much lesbian but not fully to terms with it. probably had short-lived relationships with men in which she was 'content' but didn't really care for it. seeing agatha as agatha for the first time was probably a crazy punch to her little gay heart. not to mention the cowboy gear.

autistic

watches 90s anime to wind down

listens to every single genre of music. passes a lot of time with headphones in, slowly making her way thru the entire world's discography

owns no band merch or anything though she just listens

can't sleep without a fan on, thunderstorm 12hr audio, blackout curtains, weighted blanket, water nearby

does not sleep a lot

both of them (going to call them pomni and ragatha for convenience):

didn't immediately recognise one another. i havent got an exact idea of how they reunited after getting out, but there were tears.

bonded in a very rare and unique way - they got to revel in the newfound joys of real life again. they got to eat delicious food, go on long, unobstructed walks in the real sun, be warmed by it, chew on ice cubes and shiver at the pain, listen to each other's heartbeats, listen to real music, read real books, smell soaps and flowers and sauces. they went to the supermarket together and read all the labels, and bought one of each type of fruit to try between them, and smelled all the candles, and touched all the blankets. spent a lot of time holding hands and kissing and i'm sorry to say, probably having sex, because holy shit, i'm real, you're real, we're real

now live together in ragatha's apartment, after pomni moved out of her small and confusingly-furnished flat.

both of them feel inadequate from time to time. this is resolved by a stern-but-loving talking-to.

sandwich likes pomni very much. pomni doesn't really get cats, but loves sandwich a great deal, and enjoys letting her sleep on her lap.

ragatha is very pleased to see her girls getting along.

ragatha cooks, pomni chops the veg. she often doesn't fuck it up

pomni cleans a lot as a 'thank you for letting me live here, i love you'. she's very much acts of service, ragatha is words & physical touch <3

they watch a lot of movies together. depending on how long they've been stuck, they might have culture to catch up on

ragatha wants to have a house with a garden one day. pomni starts germinating seeds from their fruit & veg like a weird science experiment. ragatha is delighted when she is presented with a baby tomato plant.

clothes are shared. ragatha's are bigger, but most of pomni's are ill-fitting anyway so it can go both ways. ragatha likes to dress pomni up in different outfits and have her do a little fashion show. pomni pretends not to savour the confidence boost.

pomni starts sleeping more

[deadlyflames]

Abigail + The Invitation with a Klonnie twist

Klaus successfully broke his curse in 1492 and, consequently, Hope was born much earlier.

She is the apple of her father’s eye and he does little to curb her temper nor to temper her bloodlust.

But all children, even the immortal ones, crave the love of a mother.

Xxx

Sorry Im late Klonnie fandom! This is part 1 of 3 parts that I have planned - spoilers for Abigail (kinda) if you havent seen it

xxx

Hope isn’t in her room. In fact, she isn’t anywhere in the compound.

Which means she is likely in the hunting house.

When Klaus arrives, he finds evidence of carnage throughout the decrepit house. He sighs in exasperation as he searches the grounds for his daughter.

He finds her in the library, drenched in blood from head to toe, matching the blood that coated the walls and floors.

It’s vampire blood. The blood of a newborn, and the stench of it permeates the room. He'd have to compel several humans to scrub down the entire library.

Whatever mischief his daughter was up to tonight, he was going to have a stern talk with her about playing with her food.

A young woman faces Hope with her back to Klaus. Much like his daughter, she is covered in blood. But he can hear her pounding heart.

A mortal woman.

Hope sees him before the woman notices his presence, and the soft expression on her face shifts.

“Father!”

The woman turns and stumbles back in shock when she sees him standing before her. Klaus examines her face and he can see she's a pretty thing beneath the gore that cakes her skin and clothes.

But there is something familiar about her features.

“Klaus.” Even though she whispers his name, he recognizes her voice.

He recognizes the fire that burns in those olive eyes, even as they are wide with fear.

This was the little Bennett witch that tried to kill him the last time he visited to Mystic Falls.

Seems Hope was playing her old games again. Bringing a few of his enemies to this house and hunting them down through the night for her entertainment.

In her attempt to back away from him, the Bennett witch slips in the pool of blood and falls to the ground.

A vicious grin curls at Klaus’ lips as he watches her try to scramble away.

”Not that same plucky teen witch anymore, are you?”

“Father, don’t!” Hope’s voice fades into the background as he advances on his prey. “You don't understand!”

”I can smell your fear.” The witch flinches as his fangs grow and his eyes darken.

“Please stop!” Hope yells, but he ignores her.

“I can taste it.” Klaus snaps his teeth and though the Bennett witch grimaces, her eyes begin to harden. If she needed to fight him for her life, no matter how tired she may be or how unlikely she was to succeed, she would.

Hope does not allow things to go any further and she quickly stands between him and the witch. “She saved my life!”

“Hope. Move.” His voice is low with warning. Despite his attention being on the Bennett witch, he was cross with his daughter. She never should have been putting herself at risk and playing these games with his enemies in the first place.

Hope does not falter and her face remains as hard and cold as stone. ”She was here when you weren’t.”

Klaus straightens. “I came when you needed me.”

Hope says nothing but she holds out her hand. When Klaus takes it, he sees the events that transpired. The scheme Hope concocted in order to get several former foes and annoyances into one place. And how things went awry when one of her intended victims, a siphoner, turned himself into a heretic. Half witch and half vampire. How Bonnie Bennett fought tooth and nail in order to kill the heretic and save Hope’s life.

Beneath it all, he feels his daughter’s pain. Her loneliness. Her desperate desire to be seen and heard and cared for by her father. The kindling of fondness she had developed for the clever and plucky Bennett witch.

And finally, she shares with him the secret wish she now has, hopeful for him to grant it.

As Klaus sifts through his daughter’s thoughts and emotions, the Bennett witch slowly stands from the floor with a wary look.

Hope releases her father’s hand with a pout, her eyes wide and shining.

“Can we, father?” she pleads.

Klaus sighs deeply. He never could refuse his daughter anything. Even after all these centuries.

“Very well.”

Klaus turns his attention to the witch (Bonnie. Her name was Bonnie) once more, and she stays resolute when their eyes lock.

She was only a teenager the last time he saw her. A pretty young girl, righteous and impulsive, who managed to harness the power of her ancestors and drive him out of her town. She has grown into a beautiful young woman now, hardened and weary, but that iron core of hers remains.

This witch nearly killed him half a decade ago, but she saved Hope’s life.

Bonnie does not flinch as he reaches for her, and he can't help but be impressed by her fortitude. Her bravery soon turns to confusion when the hybrid gently takes her hand and brings it to his lips. He savors the taste as he places his mouth against her bloodied knuckles. When he pulls away, his lips are stained crimson.

“You must be exhausted, love,” Klaus croons, and the softness of his voice seems to unnerve the witch much more than him flashing his fangs had. “There is a spare room you can use upstairs for the night. And a bath where you can clean yourself up. Hope will show you.”

Bonnie glances hesitantly between Hope and Klaus before she finally manages to find her voice. ”I-I actually think I should... probably go home.”

“I insist.” His tone leaves no room for argument and after everything that had happened to her in the last 24 hours, the young witch had no energy to fight him.

Klaus watches as Hope takes Bonnie's hand and leads her out of the library. She goes along numbly but turns to meet his eyes one last time before she is pulled out of the room.