#as if artists are the only people to have their jobs taken by machines.

[sera-wasnever]

People who latch onto ai as a buzzword thing to hate are both a) buying into the marketing of everything called 'ai' being the same magic artificial intelligence technology and b) entirely limiting their idea of what it is to how it personally affects/might affect them. You will not stick it to the exploitation of artists by loudly condemning like... Sci-fi that explores the concept of artificial nonhuman sentience just cause they refer to it as artificial intelligence.

[lackadaisycats]

Hey Tracy! Have you heard about the new Ai called Sora? Apparently it can now create 2D and 3D animations as well as hyper realistic videos. I’ve been getting into animation and trying to improve my art for years since I was 7, but now seeing that anyone can create animation/works in just a mare seconds by typing in a couple words, it’s such a huge slap in the face to people who actually put the time and effort into their works and it’s so discouraging! And it has me worried about what’s going to happen next for artists and many others, as-well. There’s already generated voices, generated works stolen from actual artists, generated music, and now this! It’s just so scary that it’s coming this far. 

Yeah, I've seen it. And yeah, it feels like the universe has taken on a 'fuck you in particular' attitude toward artists the past few years. A lot of damage has already been done, and there are plenty of reasons for concern, but bear in mind that we don't know how this will play out yet. Be astute, be justifiably angry, but don't let despair take over. --------

One would expect that the promo clips that have been dropping lately represent some of the best of the best-looking stuff they've been able to produce. And it's only good-looking on an extremely superficial level. It's still riddled with problems if you spend even a moment observing. And I rather suspect, prior to a whole lot of frustrated iteration, most prompts are still going to get you camera-sickness inducing, wibbly-wobbly nonsense with a side of body horror.

Will the tech ultimately get 'smarter' than that and address the array of typical AI giveaways? Maybe. Probably, even. Does that mean it'll be viable in quite the way it's being marketed, more or less as a human-replacer? Well…

A lot of this is hype, and hype is meant to drive up the perceived value of the tech. Executives will rush to be early adopters without a lot of due diligence or forethought because grabbing it first like a dazzled chimp and holding up like a prize ape-rock makes them look like bleeding-edge tech geniuses in their particular ecosystem. They do this because, in turn, that perceived value may make their company profile and valuations go up too, which makes shareholders short-term happy (the only kind of happy they know). The problem is how much actual functional value will it have? And how long does it last? Much of it is the same routine we were seeing with blockchain a few years ago: number go up. Number go up always! Unrealistic, unsustainable forever-growth must be guaranteed in this economic clime. If you can lay off all of your people and replace them with AI, number goes up big and never stops, right?

I have some doubts. ----------------------

The chips also haven't landed yet with regards to the legality of all of this. Will these adopters ultimately be able to copyright any of this output trained on datasets comprised of stolen work? Can computer-made art even be copyrighted at all? How much of a human touch will be required to make something copyright-able? I don't know yet. Neither do the hype team or the early adopters.

Does that mean the tech will be used but will have to be retrained on the adopter's proprietary data? Yeah, maybe. That'd be a somewhat better outcome, at least. It still means human artists make specific things for the machine to learn from. (Watch out for businesses that use 'ethical' as a buzzword to gloss over how many people they've let go from their jobs, though.)

Will it become industry standard practice to do things this way? Maybe. Will it still require an artist's sensbilities and oversignt to plan and curate and fix the results so that it doesn't come across like pure AI trash? Yeah, I think that's pretty likely.

If it becomes standard practice, will it become samey, and self-referential and ultimately an emblem of doing things the cookie-cutter way instead of enlisting real, human artists? Quite possibly.

If it becomes standard industry practice, will there still be an audience or a demand or a desire for art made by human artists? Yes, almost certainly. With every leap of technology, that has remained the case. ------------------ TL;DR Version:

I'm not saying with any certainty that this AI blitz is a passing fad. I think we're likely to experience a torrential amount of generative art, video, voice, music, programming, and text in the coming years, in fact, and it will probably irrevocably change the layout of the career terrain. But I wouldn't be surprised if it was being overhyped as a business strategy right now. And I don't think the immensity of its volume will ever overcome its inherent emptiness.

What I am certain of is that it will not eliminate the innate human impulse to create. Nor the desire to experience art made by a fellow soul. Keep doing your thing, Anon. It's precious. It's authentic. It will be all the more special because it will have come from you, a human.

[mirai-e-jump]

Hero Vision Vol.43 (2012/Winter) ft. Kamen Rider OOO Cast Members Watanabe Shu & Miura Ryosuke Memorial Trip (translations below)

Publication: March 7, 2012

-Silent Relationship-

Miura: In the year and a half since I first met Shu, the more I got to know him, the more I liked him.

Watanabe: In what ways?

Miura: Shu's been an actor for 3 years, right? Just as anything can be mastered after 3 years, I think you're at the stage where you've established your "base."

Watanabe: During that time, I was able to work on "Kamen Rider OOO," something I had always dreamed of doing, and, I was also able to meet Ryon-kun

Miura: Shu was grateful for everything and didn't take anything for granted, so he was able to establish a proper base. It's become his strength, and now he can go anywhere and do anything. If we want to learn from our mistakes, we make them, if we want to succeed, we make it happen. He's only 20 years old, so he's got alot of potential. I've been an actor for 10 years, and I'm at the point where I'm thinking, "What should I be doing from now on?" There are many people who say that if you can't do something, you're not allowed to do it. At the 10 year turning point, I was able to be apart of OOO, a work that I could really devote myself to. I realized that because I had the opportunity to meet Shu, who had so much potential, I had the chance to reflect on myself.

Watanabe: I've noticed alot of things from Ryon-kun too. Ryon-kun must've been thinking alot about how to make Ankh a "beloved monster," and how to express "Ryosuke Miura" himself in his photobooks. Never wasting any energy or time. The clothes, makeup, facial expressions, and movements all convey the desire to create a theme or concept, and then accomplishing it. That's why I used to get so angry during the filming of OOO. Especially when the makeup artist didn't arrive at the right time or there was a delay on set.

Miura: There were many times when I'd "freeze" the scene with a single word I said…..But, that was because I thought, "This isn't the way work should be done," or "This isn't the way the workplace should be."

Watanabe: Yeah, I want to learn from Ryon-kun's professionalism. That's how I was taught to be aware in the field, with a straight forward attitude to straighten things out. Ryon-kun has his own principles, and he wants to make sure that they're properly carried out, right?

Miura: I don't like being taken advantage of like I used to. I don't want people to think, "This is good enough for a young actor." Shu and I would never suck up to someone in a higher position. That's not what we're about, we want to make ourselves recognized by growing on the set. That's why I didn't have any unnecessary conversations with Shu or anyone else before a real take. Being an actor is job where you have to keep fighting with yourself, and there are many times where you'll feel lonely. There are some sites where the cast members act casual in order to make up for it, but I don't like that.

Watanabe: When Ryon-kun was on standby, there was a sense of tension that spread through the set. I could hear him quietly saying, "No more playing around." It was then that I realized, "This isn't the place to be screwing around," and I think the rest of the cast and staff felt the same way.

Miura: Everyone in OOO was able to perform with a high level of professionalism. If someone as talkative as Shu was on the scene without thinking, I feel like he would've caused too much trouble.

Watanabe: The reason that didn't happen was because of Ryon-kun. He led us through his actions. I did many things to Ryon-kun though. Things like the "Cola Incident."

Miura: You're going to bring this up again?! (laughs)

Watanabe: While on location for filming of the second half, Ryon-kun said he, "Wanted to drink some cola", so I told him, "I'll buy some for you," but I couldn't find a vending machine. While on the location bus eating my boxed lunch and thinking, "I'll take care of it later," Ryon-kun came to me and said, "Why are you eating food instead of buying me a cola?" You were just messing around, but you were still angry, right?

Miura: I just wanted to eat together with you.

Watanabe: It didn't feel like that (laughs). It wasn't just the cola, you were frustrated by alot of other things, right? I tried to lighten the mood by saying, "Why don't you have lunch?," I was able to buy a cola on location after filming, so I left it on Ryon-kun's seat.

Miura: When Eitoku-san (Suit Actor who played Ankh) told me, "It's from Shu-kun," I remember being really happy. Doing things like that, Shu always fills the space in my heart.

-On an adventure together-

Miura: Since OOO is over, I think we should go on more adventures.

Watanabe: Adventures?

Miura: To use a styling analogy, Shu often says, "Ryon-kun, what are you going to wear today? What should I do?" But, it doesn't matter what I answer. I know that you're always looking for the answer that's inside of you. I know this because I usually have an answer in my mind, even though you ask for opinions from others.

Watanabe: That's right. I'm impatient and want to know the answer right away, so I'll ask, "What do you mean?," and sometimes I'll say, "That's what it means, right?," responding before the other person can answer.

Miura: When it comes to clothing, Shu would say, "This isn't my style, so I won't wear it." I used to think, "I can't do this," but wearing different clothes changes you, and sometimes you like them even better. I've come to believe that these things are like anything else.

Watanabe: It's easy to understand if you compare it with clothes. Ryon-kun's visual sense of adventure is incredible. Are you still exploring things? Or have you decided that this is your style?

Miura: I don't decide. It's not that I think, "I'm the one who wears leopard print," I just think, "I'm the coolest" or "I'm definitely cuter than other people." Coolness and cuteness differs depending on the person, but I want to do everything I can and can only do now, fully utilizing both my own ideals and the appeal of the Ryosuke Miura that others desire.

Watanabe: Hmmm~ (is impressed). When I saw Ryon-kun's paisley patterned setup with a blue background, I thought, "So cute!~" (From Miura-kun's blog, February 20, 2011). When I saw it, I thought, "People can do so many things!" But since it's Ryon-kun, it'll probably take some time before I can pull it off myself~.

Miura: Wanna do it? (laughs). You've got an adventurous spirit.

Watanabe: Ryon-kun is slim, so he looks good in both cool and cute styles.

Miura: I used to avoid leather jackets because they didn't fit my body type, but after I was allowed to wear a biker's jacket as part of Ankh's costume, I began to think, "They're cool." Then I started to wear them in my private life, and now I wear them alot. You should try wearing them too.

Watanabe: Isn't it boring to settle on an idea?

Miura: No matter what Shu wears or what he does, he's still Shu. But it's definitely fun to be particular. Now, let's try wearing skinny jeans in our private lives.

Watanabe: Can I really wear them~?

Miura:: It doesn't matter if the zipper doesn't close. Just think that skinny is the only thing in this world!

Watanabe: That's an interesting concept! (laughs).

-We want to be "special" to each other-

Watanabe: In contrast to his fashion, Ryon-kun keeps his own problems to himself.

Miura: I just don't tell Shu about them.

Watanabe: What?! I should be the first one you tell!

Miura: Shu doesn't listen to other people. When he speaks, he looks the other person in the eye and leans forward, but when the other person begins to speak, he lowers his tone and says, "Hmm, hmm…."

Watanabe: My goal this year will be to listen!

Miura: Shu wants to be the center of attention. It's cute how visibly flustered he gets when someone other than himself is being focused on (laughs).

Watanabe: I don't like it when Ryon-kun hangs out with someone else, talks to someone else without me, or talks about something I don't understand even though we're together. I think, "What? Is Ryon-kun that type of person?," it's similar to the jealousy of accusing someone of cheating.

Miura: !!! (he burst out laughing). It's fine when he interrupts the conversation or tries to compete with me by saying, "I'm better than you," but it's a problem when he stays quiet. Shu doesn't talk when he's angry. When I say something, I have to say it all…..

Watanabe: That anger may be because he thought of me, or it may be about something that isn't negotiable at work. While I was happy, I was also worried about Ryon-kun himself.

Miura: At times like that, he'd ask, "Ryon-kun, what's wrong?" Whenever he's in a bad mood, I always try to calm him down, and I'm lucky if I also don't get stuck in a bad mood.

Watanabe: I overdid it sometimes (laughs). However, many things happened during our time together. I had alot of happy times and alot of frustrating times. I don't want to talk about it because it might distort my position and my feelings about the show……but, I thought it was great that Ankh was loved by so many people.

Miura: I think so too. Every time I saw Shu acting brave as the main character, and seeing him being loved by the staff, I thought it was something I couldn't do. Humans are always begging for something they don't have. We have different positions and characters, so it's not like we want to change for the other person (bitter smile).

Watanabe: Thanks to that, I was able to become more attached to my role and love it even more. What may seem like a negative thing can end up improving each other. Because I'm like that, no matter how close Ryon-kun is to other actors in his private life, he always comes back to me in the end. I'm number one among Ryon-kun.

Miura: Where does that confidence come from?

Watanabe: It's my desire for it to be that way.

Miura: (laughs). It's true that Shu is special to me. I've been surrounded by older people since I was little. There are people who pampered me and people who took good care of me, but somehow I couldn't trust them enough, and I always thought, "I have to get my act together." Especially on set, there's no place to relax….

Watanabe: That's true….

Miura: But, Shu's special. Only Shu can be spoiled. Shu's the first one where I think I can do anything with this person. Whether it's a photo shoot or an event, when Shu says, "Ryon-kun, it's okay," I can trust him with everything. Shu changed me from my very core.

Watanabe: Ehhh? Am I spoiled?

Miura: Shu was given special treatment during the photo shoot, right? When we all went to a donut shop to celebrate the makeup artist's birthday, I only bought grape juice for Shu (laughs).

Watanabe: That's right! I was the only one! (is happy).

Miura: I remember things like that every now and then. "We were together every day when we co starred together, so now it's fine if we don't see each other for a few months," I don't know why I ever said that……

Watanabe: Did you realize how much I meant to you after you left? Perhaps you got stuck in the "Watanabe Spiral?"

Miura: What does that mean?! (laughs).

Watanabe: It's the same for me. When I entered the set of OOO, I realized how blessed I was to be there. I felt like everyone loved me so much. At such times, I want to meet Ryon-kun and to confirm that, "I'm not alone."

Miura: Ahahaha!! (he bursts out laughing).

Watanabe: Well, after all, it's lonely, and we have to say "bye bye" now that we've finished filming.

Miura: I thought it was fine up until now, but I want to continue working with Shu and the others…..But, Shu doesn't think I'm special. To Shu, everyone is special.

Watanabe: What are you talking about?! Ryon-kun is the only one who keeps in touch with me this much.

Miura: I don't contact you as much as you say.

Watanabe: Is this because of the "email incident?"

Miura: When we first met, I said, "I don't feel comfortable messaging men."

Watanabe: I don't even message my friends to say, "See you tomorrow." The only emails I send are things like reminding my parents to send me contact lenses, or business matters like saying "I understand" to my manager (laughs). And yet, even though I send them to Ryon-kun myself, I can't?

Miura: You attach heart marks too.

Watanabe: That's right. Because you're really special to me.

Miura: I see (is satisfied). I'm a person who wants "Love" to exist in everything, including people, things, and work. I expect the same from others, can be jealous, and am abit troublesome.

Watanabe: Really? What if I want love too?

Miura: Then we're the same (is satisfied again).

Watanabe: I also rely on Ryon-kun. If I'm at a loss for materials at an event, if I'm talking too much, or if I feel like I'm going to make things worse, I'll say, "Hey, Ryon-kun?" and wave at him. When Ryon-kun replies, "Yeah?" or "What is it~," I respond with, "Miura-san, can I ask you something?," and then we end it with a joke.

Miura: Ah, that interaction, it really saved you (laughs). I'm glad~.

-The complete opposite path-

Miura: I feel at ease knowing that I'll be able to meet Shu again in the future, whether it's for interviews or at someone's birthday party. But, I'd like to keep in touch with Shu more easily. Even if it's, "I'm hungry, let's get something to eat even though we only have an hour."

Watanabe: Let's do it, let's do it!

Miura: And yet, for some reason, Shu can't do that……

Watanabe: Me being underage was probably a big part of it, huh? I also found myself wanting to meet Ryon-kun. Well, I already told you today, I'll change our relationship.

Miura: Please, by all means.

Watanabe: But, I'm short of money, and lately I've been eating alot of foods with a combination of bean sprouts (laughs). I don't like it when Ryon-kun takes care of me.

Miura: It'd be fun to have a "tasty bean sprout eating contest" at Shu's house.

Watanabe: Sounds good! I'm the best when it comes to bean sprouts, right?

Miura: Save some for me (laughs). Even if you say, "I can't do it because I don't have enough money," I'll say, "Okay, let's do it next time," or "It's okay, let's go together." Shu is serious about things like this. He seems to live freely, but he always tightens up where he needs to. It was the same with OOO.

Watanabe: That's because, as much as I was happy to be able to appear in a production that I admired, I also felt anxious and pressured. When it came to my acting, my responsibilities as the lead role, and communicating with Ryon-kun and the others…..I had alot of worries. When I saw Ryon-kun worrying, I had an optimistic attitude and said, "That's not something to worry about, right?," and it was because I didn't want to show everyone that I myself was worried and depressed.

Miura: Ah…I see…..

Watanabe: For me, I wanted to be everyone's "sunshine" on set. I felt that it was required of me, and I really wanted to make my dreams come true in a better way by being that way. That's why I wanted to challenge myself to do things that were beyond my capacity.

Miura: You overdid things.

Watanabe: I feel so too. There were times when I held in what I wanted to say because I didn't want to get into a fight with Ryon-kun. I instinctively avoided him because I was afraid that if my relationship with Ryon-kun deteriorated, it would become even more difficult to stand firm.

Miura: Why can we talk like this now?

Watanabe: I guess it's because I started seeing things from a different perspective. Just because I talked to someone about my troubles doesn't mean that the tension on set goes down. I don't think I needed to hold myself back so much, and I probably should have talked to Ryon-kun about it. I had too many assumptions about how things should be.

Miura: But, everyone was at ease saying, "Shu-kun doesn't change every day," and they respected Shu for that. This work was possible only because Shu was able to suppress his "insecurity" and "impossibility" and stand firm. By letting me out, the both of us survived together.

Watanabe: I see……We were complete opposites, but we faced the same direction as well.

Miura: That's why my feelings for Shu are actually very simple. At first I was surprised and thought, "Such a person exists!," then I thought, "He's amazing," "He's wonderful," and "I love him." I'm so grateful for him.

Watanabe: It feel the same. For me, this year and a half was because of Ryon-kun.

Miura: Now that our environments are changing, I think it's okay to feel down and talk to others when things get tough. You may run into conflicts when you ask for someone's opinion, and they may not tell you how to solve them, but it is much better than worrying about them alone. I don't want to run into the same problems again, so I think about them until the very last moment, and if it still doesn't work, I vent about it to someone else.

Watanabe: I see…..that sounds fine. Ryon-kun will listen to me now, right?

Miura: Of course, go ahead.

Watanabe: Thank you. Hah~……Today was the first time I've heard or talked about many things. I didn't have as much time as I thought I did while we were performing together (bitter smile). I think there are still alot of things I haven't talked about with Ryon-kun.

Miura: Let's talk whenever you want. It's sad to see the show end, but it was a year and a half of many encounters. I'm very happy that the people who came to know us through these encounters are supporting both of us together. I hope everyone will continue to watch over and support us as husband and wife for many years to come.

Watanabe: (laughs). It's been over a year and a half since me and Ryon-kun became a pair….I believe that together we were able to bring dreams and smiles to many people. We want you to support us forever, and let's grow even more so that we can live up to that.

Miura: Right!

_

Japanese Alphabet with Shu and Ryosuke (+ other page details)

Go to Hakone (page 65)

A: "The moment I'm in love" (Ai o kanjiru toki)

Shu: It's constant……Like the other day, when Ryon-kun gave me the bracelet that he'd been wearing for such a long time. Why'd you do that?

Ryosuke: I've been wearing it for many years now, and I wanted someone I cherish to have something that I cared about. I wonder if Shu writes about me on his blog or talks about me at events.

Shu: I wrote about Ryon-kun in my first blog of the year!

E: "The important part" (Erai tokoro)

Shu: It's strange for me to say this, but he's extremely professional. However, when he messes up, he really messes up.

Ryosuke: The organizers do a better job (laughs).

Shu: I was the organizer of my 20th birthday party and the New Year's party during OOO (laughs). Because it was a party with Ryon-kun and the others, I took the initiative.

Ryosuke: Everyone gets together because it's Shu, and even if they can't make it, they'll definitely let him know.

I: "Want to hold an event?" (Ibento o yarunara)

Ryosuke: A comedy act. At the request of one of my fans at a live event, they said I should be the funny man and Shu should be the straight man (laughs).

Shu: I like singing with Ryon-kun, so it'd be a concert.

O: "What happens when you're mad?" (Okoruto dounaru)

Shu: Ryon-kun stops talking to me and drags me through the day. He's never honest, even if he's sorry during the middle of the day, he won't talk to me until the next day.

Ryosuke: Shu is more flustered than mad. He always wants to be the center of attention, so when I'm talking to someone else, he wants to get between us (laughs).

U: "The jealous part" (Urayamashii tokoro)

Shu: Your visuals and the way you present yourself to the media. The way that you know what's expected of you and can express it.

Ryosuke: That you're full of potential. _

Arrives in Hakone Yumoto (page 66)

(top right) "Although the Romancecar (express train) had some trouble and had to stop at Odawara, it arrived safely at Hakone Yumoto without incident! "We have to take a picture that we've arrived!," and Watanabe-kun and Miura-kun went together to stand in front of the signboard."

KU: "A frustrated heart" (Kuyashii kokoro)

Ryosuke: There are alot of things. He bought an iPhone before I did, he built the cool and stylish house he lives in now, and he's a really strong drinker (laughs).

Shu: His fashion sense. Even if it's a single bag, it's an expensive high brand item!

KE: "Your ideal marriage partner" (Kekkon aite ni osusume ha)

Ryosuke: Definitely Shu. I think he'd be a good dad. He'd take us to various places to have fun, find amazing things for us to do during Summer vacation, and make delicious food to eat.

Shu: Definitely Ryon-kun. He can cook and do housework like a wife. Just being together with him is healing.

KO: "Love" (Koi)

Shu: When it comes to love, I want an answer immediately, so all I want to know is, "I like you or I don't like you." I don't think I could play around.

Ryosuke: I can't do it either. And I'm pretty jealous, so I'm sure I'll weigh them down.

Shu: There are some people who feel more loved the more they're bound!

Ryosuke: I guess so…..I wonder if it has to do with compatibility….

KA: "The cute parts" (Kawaii tokoro)

Ryosuke: His smile and dimples!

Shu: He's surprisingly innocent. I'm the same way, but when he's moved by something, he becomes all, "Uwa~ah!! (with sparkling eyes)"

KI: "Areas of concern" (Ki ni naru tokoro)

Shu: Sometimes, at our events, we'd speak using a fake Kansai dialect (laughs). Saying things like, "Why's that?" and "Is that so?"

Ryosuke: Even though neither of us are from the Kansai region (laughs).

Shu: It did make me feel closer to the guests though. _

Hatsuhana (page 67)

(top center) "When walking in front of Hakone Yumoto Station,"

Shu: Is that the soba shop? Right over there?

Ryosuke: It says "Inn" (laughs).

"Within a 5 minute walk, Watanabe-kun discovers multiple phantom soba shops."

SA: "The surprising thing" (Sapuraizu na koto)

Shu: I'll say it here. I got a Bluray recorder from Ryon-kun as a present for my 20th birthday!

Ryosuke: It's too late to say it! People think I didn't give it to you (laughs).

Shu: I missed the opportunity. So here it is now.

Ryosuke: In a good way, my impression of Shu hasn't changed since I met him. Also, I was really surprised at how well he eats (laughs).

SHI: "Horror story" (Shippaidan)

Shu: I don't mean to offend, but I often end up hurting people with my words…..

Ryosuke: If it were me who had done it, I wouldn't think, "That's terrible"….(laughs).

SU: "My favorite part" (Sukina tokoro)

Shu: There are alot of things, but if I had to pick one, I'd be that he's devoted to me.

Ryosuke: The part where he's always pulling me along, whether it's out of excitement or just to talk.

SE: "World view" (Sekaikan)

Shu: Recently, when we're together, we sometimes spend quiet time together.

Ryosuke: During the stage greeting for the film, "Kamen Rider x Kamen Rider Fourze & OOO: Movie War Mega Max," when I saw Shu sitting at the very back of the location bus, silently admiring the scenery outside the window, I thought to myself, "He's become more sexy since turning 20" (laughs).

Shu: I was probably just trying to appear cool (laughs).

SO: "When you need me by your side" (Soba ni ite hoshii toki)

Ryosuke: Now that Kamen Rider OOO is over, I hate that I'm not next to you.

Shu: I currently feel the same way. I've never been loved so much on a set, so I want to meet up with him once in awhile and spoil him, and I want to confirm that, "Ah, I have friends, and I can do my best going towards tomorrow."

TO: "Times where I make him feel special" (Tokubetsuda to omou toki)

Ryosuke: Always. In front of the other OOO members, I've always shown that, "Shu is the best."

Shu: I rarely send emails outside of business, but I only send emails with hearts attached to Ryon-kun.

TE: "The appropriate part" (Tekitona tokoro)

Shu: When I'm messing around. Sometimes I respond with, "I'm too busy to bother you" (laughs).

Ryosuke: Shu basically relaxes when he doesn't have to do something for himself or others (laughs).

TSU: "The cold (hearted) part" (Tsumetai tokoro)

Ryosuke: It wasn't towards me, but Shu's face was cold during a pre event meeting with the MC. I immediately asked, "What's this all about?," as it was a face you don't want to show to the visitors.

Shu: When I talked to Ryon-kun after the "Cola Incident", usually he'd laugh and say, "I see~," but he instead responded with, "No, I don't understand" in a cold way……It was scary.

CHI: "The part that's different" (Chigau tokoro)

Shu: Our personalities are the exact opposite. We're like the S and N on a magnet, so we fit together perfectly and can't be separated.

Ryosuke: Yeah, I'm interested because we're different, and I like seeing how things play out.

Shu: We look completely different too! A Japanese face and a Western face!

TA: "Fun memories" (Tanoshi katta omoide)

Ryosuke: During filming for OOO, we had our first date in Ueno! (May 22, 2011)

Shu: After filming, we went to Fuji Q Highland (interview done by Tokyo News Mook: Good Come, November 16 issue). But, you know, I always enjoyed those moments when we had off time, whether it was having a meal during a break or just sitting on the location bus. _

In the Corridor (page 68-69)

NA: "What would you name it?" (Namae wo tsukerunara?)

Shu: E&A, since it's Eiji & Ankh….."EA!" (pronounced ia = ear)

Ryosuke: Hey, are you sure that's okay? (giving a dirty look).

Shu: Eh~? (unhappy). Then, what about Miura-san?

Ryosuke: I want to be on "Team (blank)"

Shu: Since it's the year of the Dragon, how about "Ryuseikai?"

Ryosuke: Sounds good! Our goal is also to get more male fans, so it doesn't matter how grand it is!

NU: "The part I want to leave out" (Nukitai tokoro)

Shu: Dance! And also, professionalism!

Ryosuke: I have none. In the first place, I can't beat Shu, so I have no desire to lose to Shu, or to destroy Shu.

NI: "Similar parts" (Ni teru tokoro)

Ryosuke: That we value our family. Shu loves his family too, doesn't he?

Shu: Yeah, I love them. The similarity with Ryon-kun is……(thinking hard)……I can't think of any! I always see him as my complete opposite.

NE: "Sleeping face" (Negao)

Shu: Ryon-kun's sleeping face is beautiful.

Ryosuke: Shu's is cute. He's like a baby. He must feel comfortable, because he drools down to his collarbone (laughs).

Shu: That's how "Lake Watanabe" will be created.

Ryosuke: That's so gross! (he bursts out laughing).

NO: "Drinking" (Nomi)

Ryosuke: I want to drink at a kushikatsu (skewer) restaurant or some place with a counter.

Shu: I'd rather go to a dirty restaurant than a fancy one and share my true feelings with him. _

Hakone Glass Forest Art Museum (page 70)

HA: "Embarrassing things" (Hazukashii koto)

Ryosuke: I didn't want anyone to see the moments where I went into water, stood on high places, or anything I don't like, but I showed them all to Shu during the filming of OOO. I have nothing left to hide from Shu.

Shu: I'm lazy at home. I watch TV with just a towel wrapped around me after a bath, and my laundry is sometimes left in the washing machine, where it becomes stiff and crumpled…..

HI: "Secrets" (Himitsu)

Ryosuke: There's none. We're generally talkative, and when Shu acts stranger than usual, I get curious and ask what's up. Shu will often ask me, "Ryon-kun, did anything happen today?," so there are no secrets (laughs).

Shu: I have none either!

FU: "Dissatisfaction" (Fuman)

Ryosuke: When I'm having trouble with something I don't want to talk about, he asks me in front of everyone, "Ryon-kun, did something happen yesterday?" I'd like it to be just between the two of us.

Shu: Sometimes he says things that are impossible. Like, "Come to my concert in Osaka."

Ryosuke: Why's that? I'm requesting for Shu to show off his cute performance.

Shu: But, I also have plans…..

Ryosuke: I'll be in a bad mood if you don't come, okay?

Shu: Yeah, I'm not dissatisfied. This isn't dissatisfaction (laughs).

HE: "Disguise" (Hensou)

Ryosuke: I want to act cool like you always do.

Shu: Me too. I'm going to be cool like you always are.

Ryosuke: Can I pull it off?

Shu: Ryon-kun's coolness might be too difficult for me right now (laughs).

HO: "A serious moment" (Honki no shunkan)

Shu: The look in your eyes the moment you start your performance. It's completely different from usual.

Ryosuke: As expected, it's times during the performance.

(middle right) Fusing Experience "While wearing matching friendship bracelets, Miura-kun gave Watanabe-kun the handmade bracelet as a gift, and the two have a close relationship when it comes to accessories. They both made accessories by melting glass and presented them to each other."

Shu: Since it's the year of the Dragon, I think I'll choose something with a dragon motif for Ryon-kun~.

Ryosuke: Eh~? (unhappy).

Shu: No good? Well then, let's do something cute then.

Ryosuke: Hmmm, as I thought, Shu should get a "mask."

"And with that, they start with a complete showdown!"

(middle left) "They also created a gift for the readers."

Ryosuke: Don't move everything I just put down~ (laughs).

Shu: Ah, sorry.

"Watanabe-kun said, shifting the glass beads while curling, so we couldn't see the finished product."

Shu: The one I placed (a glass bead in the bottom center) doesn't make too much of an impression, huh? (laughs). Ryon-kun, please do something about it~

"In the end, Miura-kun arranged and completed it by hand."

(bottom left) Their collaborative "Heart Spoon" will be given away to 1 person!

(bottom middle) From Ryosuke to Shu: A mask necklace

From Shu to Ryosuke: A sparkling key holder _

Onsen (page 71)

MU: "Defenseless moments" (Mubobi na shunkan)

Ryosuke: The times when Shu is sleeping, right? (laughs). I personally think I'm flawless.

Shu: That's a lie~. He already said he's revealed alot of things to me.

Ryosuke: Hmmm, the truth is, the more I like someone, the more conscious I am about how I'm perceived. I just don't do it well with Shu (laughs).

Shu: Ah, I see!

MA: "Things I'm serious about" (Majimeda to omou tokoro)

Shu & Ryosuke: Things relatings to work.

MI: Miura Ryosuke

Shu: The kanji that make up bewitching, "Mysterious" and "Gorgeous," and even "Beautiful" suits him. His appearance, expressions, and everything about him is erotic and cool. Anyway, he's very sexy.

Ryosuke: Are you serious? That makes me happy! I think the eternal theme for me is to have "Love" in everything.

ME: "Meal" (Meshi)

Ryosuke: I'd like to pound real mochi using a mortar and pestle. I'll do the pounding and Shu will do the kneading. And, I want to try different flavors, like chocolate.

Shu: I want to have dinner at a fancy French restaurant in Ginza that costs 30,000 yen per person. I wonder what'll happen to us there.

Ryosuke: We'd probably panic? (laughs)

MO: "The popular parts" (Moteru tokoro)

Ryosuke: You have vitality, and the confidence to do so for whatever reason (laughs).

Shu: I think it's because I want to lead. I'm recommend by younger people (?). But, I'm not looked up to by people my age or those older than me……Ryon-kun is devoted. I can feel that he thinks of me as the center of his life.

Ryosuke: I still think that's heavy to say.

Shu: That's because there are some people in this world that want to be bound. _

Kiritani Hakoneso (page 72-73)

RU: "The parts of his looks that I like" (Rukkusu de sukina yo koro)

Shu: His small, well defined face and slim legs (he slaps Miura-kun's thighs). And, he has a flexible body.

Ryosuke: Actually I'm pretty stiff (his fingers can't reach the floor when he bends forward). I'm like Shu, I've got a firm face.

Shu: We both want things the other has.

RI: Request (Rikuesuto)

Shu: I want Ryon-kun to hurry up and invite me to his house!

Ryosuke: I don't want to because it's a mess right now. I'm planning to move, so wait until I'm in my new home.

Shu: Of course!

Ryosuke: My request would be to go out to eat a meal casually, not just for birthdays or New Year's parties, but also on days when there's nothing going on.

RA: "The lucky things" (Rakki na koto)

Ryosuke: After I met Shu, we started eating alot more food, and we started talking alot. I'm a much more positive person than before.

Shu: I learned alot about the rules of how things should be in the field and how things should be in this industry.

YO: "Weakness" (Yowami)

Ryosuke: It's no good to ignore Shu.

Shu: Loneliness and indifference are the worst. Ryon-kun is lonely too, isn't he?

Ryosuke: It's because I'm a Rabbit, as I was born in the year of the Rabbit.

Shu: I see, you're a Rabbit-chan~ (Does he even understand?)

YU: "How did you come up with your unit name?" (Yunitto mei o tsukerunara)

Shu: Ryosuke's R and Shu's S are taken to make "R&S." By the way, the "&" is taken away from "Earth." Earth also has it's meaning!

Ryosuke: I think it's nice to be big (laughs).

YA: "Being kind to me" (Yasashiku sa reta koto)

Ryosuke: Shu often asks, "Ryon-kun, are you eating your food properly? Are you hungry?" and "Ryon-kun, if there's any leftover, please give it to me."

Shu: In the end, it's my desires (laughs). When I call someone and they don't notice, Ryon-kun joins me and we call together.

Ryosuke: That?! (laughs)

Shu: It's too much that no one moves!

RE: "Means of contact" (Renraku shudan)

Shu: It's mainly emails. We send each other about the same amount. Ryon-kun often sends me messages when he's drunk, saying, "Shu-chan" or "To my beloved Shu."

Ryosuke: When I'm drunk and lonely, I want to meet Shu. It varies whether we respond to each other or not (laughs).

RO: "Lost (what they don't want to lose)" (Rosuto)

Shu: Our friendly relationship. The rest is my personality. As people often say, "I hope you don't change," and if there is a part of me that can support Ryon-kun now, I want to continue to do so.

Ryosuke: My job. I met Shu through work, and if it wasn't for this job, we might have never met.

WA: Watanabe Shu

Ryosuke: He's free…..the way I see it, he's not pretending about it.

Shu: I'm bright and positive. But, I may not be able to show my true self easily.

(bottom right) Since the Hero Vision release date was close to Miura-kun's 25th birthday (February 16th), Watanabe-kun gave him a surprise after dinner. Watanabe-kun was enthusiastically singing "Happy Birthday dear Ryon-kun~" (with a hint of euphoria), and Miura-kun was surprised and said, "Eh? Eh? You're kidding, right?" Miura-kun, with some tears in his eyes, said "Thank you," and Watanabe-kun gave him the biggest smile in return. _

Return to Tokyo (page 74)

(W)O: "The end" (Owari)

Shu: I heard that Hakone got the most snow this winter today. The snow must've been waiting for us to come. Maybe the snow said, "Ryon-kun, Shu-kun, why don't you come quickly? The scenery will be beautiful when it's all piled up."

Ryosuke: What's wrong with you? Saying such cute things (laughs).

Shu: It was alot of fun. The hot springs and the food were great, but I really enjoyed being with Ryon-kun! What about you Ryon-kun?

Ryosuke: It was fun. Since I was with Shu, I ate alot more food than usual (laughs). _

See You! (page 75)

N: "From now on" (Kore kara)

Shu: Next time, we'll climb Mt. Fuji, and at the top we'll shout, "Waaah~!"

Ryosuke: I want to climb it. But, it's said that you're risking your life.

Shu: Is that so? Well then, let's go fishing instead.

Ryosuke: Let's go to a river. I want to eat river fish.

Shu: Then let's go camping! Decide on sweets up to 300 yen.

Ryosuke: Then it's a field trip (laughs). I don't mind if we go to Korea and enjoy fancy gourmet food, or if I pick up some bamboo and go to Shu's house to have Nagashi Somen.

Shu: That's a wide range. Also, are you planning on leaving my house drenched? (laughs)

Ryosuke: Anywhere is fine if I'm with Shu.

Shu: Eh? (is happy)

Ryosuke: It'd be interesting to have an interview where we're just eating (laughs).

Shu: Then you can visit anytime! (laughs)

(*no Japanese word starts with the singular "N" character)

[voidsweirdthoughts]

TO ALL ARTISTS!!

If you don’t support AI generated stuff, plz read this!!

There’s this thing called Nightshade that makes you poison AI every time it tries to steal the drawing you put in the program, so their “art” gets damaged and makes the results rlly bad >:3

Many people still think that AI is good, and are confused of why many people hate it, so let me explain:

1: AI steals people’s jobs

Artists, writers, musicians, trip planners,.. these people who enjoy what they do so much they decide they want to do it for the rest of their life, get their dreams completely discarded by others, justifying it by saying “it is a cheap and accesible way to “create” art/ music/ ”, while the ones who get hurt both financially and emotionally are the creators of such pieces

2: Art is human

Art is basically one of the few things that only humans can do. It can reflect our emotions, and its beauty comes from the heart of someone who enjoys what they do. By supporting AI, you’re supporting robots with no feelings or emotions who are programmed to steal that form of showing how you feel, and all that effort you put into making it, only for “growing in technology” or whatever, which leads us to the next point:

3: Art takes effort

Producing music (writing, playing an instrument, singing,..), drawing (in digital, 3d, traditional,..), writing (studying ortography, structure, etc + writing characters, places, plot,..), and all other forms of art also share something: The effort. The time it takes to study, practice, find a style, perfection it, all that way, takes a whole life. A whole life of making what you like. For it to be taken away by a machine in a few seconds of “loading audio/image/text..”

There are many more reasons that I can’t cover right now, if anyone who can write more sees this, please reblog it saying so. The more, the better :)

If you’re going to use it, I’d reccomend you to post it in twitter (since yk what happens there -_-), but if you do it on tumblr, don’t reblog so they don’t suspect or however tumblr works with these things. For this to work, go to settings in tumblr and activate the permission for AI to use your work (I don’t reccomend you to do it in tumblr though, it takes ALL of your artwork and writing, not only the infected one, so be aware)

But if you’re not going to and look forward to it, plz spread the word!!

Thx for your time and have a nice day ^^

[physalian]

There’s this unskippable Google AI ad on YouTube where this girl consults the robot about how to cancel dinner plans with the people across the table in the most annoying voice (likely because I have seen this ad now and had to listen to her asinine questions 20 times at least) and this ad, right here, speaks to my frustration around AI:

It disincentivizes critical thinking.

I know the ad is a joke and meant to be lighthearted and I’m only this annoyed because it’s unskippable and irritating af, but every time I see it all I can think is “if you can’t manage enough creativity and critical thinking to come up with your own excuse to cancel on your friends, maybe you shouldn’t have those friends.”

I have a relative who is firmly in the ChatGPT camp and, for example, yesterday I was trying to figure out how to compress a video file and was venting to them about it. They sent me back something I didn’t read from ChatGPT. Meanwhile, I looked up a YouTube video and figured out how to do the rest on my own, and getting the file compressed was immensely satisfying. Far more than mindlessly and thoughtlessly consulting the robot.

“It’s just like a YouTube video!” They’d told me.

No, a real person put time and effort into that video. That robot stole their content without their consent, didn’t credit them, and spat it back out. I used to patronizingly refer to ChatGPT as "the magic conch" and now I can barely do that anymore because that metaphor is becoming all-too real.

While I can understand the barriers it lowers—like if you struggle with writing the robot does it for you, or if you need a piece of art and are too poor, you can generate it for free. Mindless, repetitive tasks that eat up creative juices that can just be automated by a robot, too (even though everyone can tell when a response is canned and artificial and no one appreciates talking to a machine).

If you keep consulting ChatGPT for how to articulate what you want to say, or just straight-up having it do the hard work for you, you’re never going to learn. Yes it’s taken me 8 years to reach the quality and skill of writing I have but as another Tumblr post out there said: The time will pass anyway.

I can’t draw to the skill level that I’d like to. Doesn’t mean I’m not going to keep practicing until I get there. I thrive off that sense of accomplishment. There’s no little hit of dopamine from typing in a prompt and clicking a button and I certainly don’t appreciate the final product scalped without consequence from real artists.

Or, like when I had to fire a beta reader for flagrant abuse of AI in her work: I can copy-paste my manuscript into ChatGPT, too. I’d paid her for a human response, not garbage feedback that couldn’t understand what I was writing beyond that there were words on the page. I wanted so badly to ask her why she does a job in a creative field if she's just going to have a robot do all the fun parts? I beta read at a great loss of profit because I enjoy beta reading and it's a fiercely competetive market. Surely if she wanted to scam people, she could have done so in so many other ways. You don't need to know how to pen complex prose in your every day life, but by god, you do need to know how to effectively communicate, contextualize, and argue your perspective and this ridiculous ad joking about cancelling dinner plans sure is funny, until it isn't.

And I know the people who made AI probably did so with the best of intentions but people can be lazy and cheap and we love taking shortcuts to save money and I stand by this: "Your scientists were so preoccupied with whether or not they could, they didn't stop to think if they should."

So. Yeah. This is a writing advice blog and this post has almost nothing to do with it, but that ad annoys me to no end and I had to say something somewhere about it. Bottom line: Robots were supposed to make the hard jobs, the monotonous jobs, the overcomplicated jobs, the belittling jobs easier, not make us all into pudding-boned Wall-E people. If you want to write, learning is absolutely free - write on the back of your grocery receipts for all I care. If you want to draw, pick up a notebook and pack of pencils from the local dollar store and start drawing.

What you made will always mean more to you than something that didn't cost you time, effort, brain power, or even money to obtain.

[berry-s0da]

AI “art”

Yesterday I argued with an idiot that thought giving directives to an AI makes you as much of an artist as someone that is actually capable of creating art. It’s extremely worrying that our youth is so incapable of understanding this topic, too self absorbed on their own rigid conception of reality and utterly detached from the real world and the importance of the people you share it with, of consequences, of tangibility. They don’t know how to define art, such a core concept for our species, they are unaware that it’s an exclusively human practice a machine cannot produce by itself or for them.

Some of Oxford Language Learner's Dictionary definitions if you want tangible sources for something that has existed for longer than any piece of technology;

Definition of an Artist: a person who creates works of art, especially paintings or drawings.

3 definitions of Art:

1) the use of the imagination to express ideas or feelings, particularly in painting, drawing or sculpture.

2) the skill of creating objects such as paintings and drawings, especially when you study it.

3) an ability or a skill that you can develop with training and practice.

(defining a piece through words could turn into literature, writing is an outlet for creativity and imagination too, the problem is that they want to claim a graphic piece they had no part on as their creation…which makes no sense for obvious reasons. This might blow your mind but you actually have to be involved in the making of a piece in order for it to be an artist. Writing a brief description of what you want the AI to make for you is not a form of creation, it’s a directive for a machine to do what you can’t)

If you don’t have mental resources, talent, skills, capacity of handling different tools, mediums and techniques then you are not an artist (and that’s okay), but you could be if you tried. Writing a prompt is not making art, everyone with enough mental capacity can come up with a concept for a piece, people that commission artists do that and that doesn’t automatically make them artists.

An AI won’t do shit the way you request it even if you say it does. An AI makes an interpretation of the request but asides from mild guidance, you have absolutely nothing to do with the process or the final “piece” (Frankenstein monster of already existing pieces, taken with or without consent).

An AI without regulation isn’t a new medium or something comparable to the fucking Industrial Revolutionjust, specially considering it isn’t a new, easier way to do the same task (like with an art software). It’s but a shameless way of reusing or straight up stealing pieces produced by the same artists you deem to be now useless and outdated. What you call the future is nothing but plagiarism, the usage of things that already existed in a much higher quality, a wonky replica that is only valued because it’s free for your cheap ass.

“Good artists have nothing to worry about, only shitty artists will disappear” im sorry you have to find out this way but every good artist had to be shit first. We reached a point where we are unaware of periods of time any artist needs in order to grow and develop. This logic is baffling because if only good artists are worth of being respected and having stable jobs then we’ll eventually run out of artists, which is not only silly but impossible. This is but an excuse to avoid the obvious issue that represents stepping over people and making it seem as a fair, natural process.

Finally, If you wanna draw, learn to draw first, nobody stops you but yourself. If you wanna paint learn to paint, if you wanna sculpt, learn to sculpt, if you wanna be an artist then get your ass to work. Not everything is laid out for you in life, you actually have to put work into something, as shocking as it sounds. There are people that draw masterpieces holding pencils on their mouths, you have no excuse other than self pity for being useless, being jealous of those that can actually make things and, ultimately, the unreserved, unapologetic disinterest in those affected by this monster y’all wanna have fun with.

[good-beansdraws]

Massive Milgramsona art/info dump as a treat to myself!! Alas, my fatal flaw is being unable to shut up about anything even while simultaneously embarrassed/nervous to share, so here's literally all the info I have on her 😅

Profile:

Name: For the sake of posting online I’ll call her Rose!

Number: 012

Color: #E7355B

Age: She’d be 20 when Milgram started

Status: Milgram Staff, Machine Technician

Song genre: Pop/theater (a mix of Mahiru and Kazui's vibes)

Backstory: She is studying abroad in Japan to work on technology related to the mv machine when she stumbles into top secret info about the trials. Horrified at the lack of prior testing, she demands to be included in the experiment to make sure the brand new tech runs smoothly and doesn't harm anyone in the process. To prevent her leaking info to the public and deciding an extra participant wouldn't hurt, Milgram agrees.

Role: Rose performs routine maintenance and updates on the extraction machine, and checks in with prisoners' health to make sure it's not having any adverse effects. She listens in on the interrogations, ringing the bell to signal Es when the machine is ready for use (re: my theory on how it works >:3). She then watches the mvs after Es to make sure there are no glitches.

(Though she is a personal milgramsona, her role in the story is supposed to reflect the audience's experience overall when it comes to how much info we know, emotions we experiencing regarding guilt/responsibility, and how much power over events we actually have given the voting system and trial breaks.)

Trial 1

Jackalope's comments during trial commencement: Oh, I almost forgot participant 012, Rose. We've never had more than one staff member before, so we figured that sort of numbering would be fine. Hey, don't look at me, it's not like it was our idea to include her. She's not a prisoner -- the only crime she's committed is sticking her nose where it didn't belong... You can ask her for the details, but she's just here for maintenance on our extraction machine. It's not easy keeping that thing running smoothly, you know? As part of her duties, she'll be privy to all the same information as you, but don't let her be any more of a busybody than she already is -- she has absolutely no authority when it comes to your verdict decisions, got it?

MV: Mic Check - “Can anyone hear me?”

VD: Positive Feedback

Cover: Pathological Facade - Ghost

Her album would release last in line. The VDs aren't interrogations since there's been no crime -- Es asks about her duties and observations of the prison. In them, she admits her predictions that she and Es will eventually be on trial for their involvement in the prisoner's fates.

Thus, her mvs are focused on her emotions towards the prisoners, her pride in helping bring justice, and her guilt at providing Milgram a means to pass judgement on people she cared about. I'm going to Goncharov the actual mvs/songs, but Mic Check is generally an introduction to her job behind the scenes prepping the equipment that will allow the prisoners' songs to be heard, as well kick off symbolism of her as a performer herself. She'll make a comment about how the experiment is leading to tragedy, "as if someone said Macbeth" (then covers her mouth, as she's standing in a theater herself).

I kept getting tripped up looking for Deco*27 songs that worked and weren't already taken, so I decided to go with some favorites and vibe-matching songs from other artists!

Comments during trial closing: It's good to hear you weren't a pushover when Rose gave her thoughts on the verdicts -- you guys disagreed on quite a few of them, eh? Ah... so she's not the type to pick fights, is that it? I guess that explains how she's managed to get along with everyone. (sigh) Even you knew better than to get attached like that. Well, at least she's kept our machine up and running the whole time.

Trial 2

Commencement: Now I need to wake Rose. We're going to need some extra upgrades to our machine if we want to get the most out of this round of extractions. I've got a sneaking suspicion that she and her bleeding heart are going to try and sway you during this trial. Her duty is specifically to look out for the prisoners' safety, but yours is only to judge them. Don't forget that.

MV: Changement - “Don’t say ‘break a leg,’ if it might just break.”

VD: Control Variable

Cover: TOXY - Kujiragi

I did my best to write out the title pronunciation out in katakana since I wanted it as the name of the dance move, not a direct translation of meaning. I went with シャジェモ "sha-je-mo" as the closest I could get to the "shanj-mou" sound, but feel free to correct me if there's a better way to write it. The door is based off of various set designs for Clara's home in The Nutcracker. (There's no deep meaning that this is the only one not opening -- I realized too late all the others are cracked open and my art app doesn't have the tools to easily fix that so I'm sticking with it 😭)

A changement is a small jump in ballet -- I thought it was fun to combine that (which means "to change") with Control Variable (refering to the variable in an experiment that never changes). The video shows conflicting emotions as her decisions/inaction caused so much to happen between trials, yet at the same time she feels like there's so much she'll be unable to change even if she really wants to intervene. Her mvs show the prisoners pretty regularly (since they are her crime, she's realized), and the teaser line is paired with references to Mahiru's broken leg.

The thumbnail combines different areas of study -- mechanical, medical, musical, mathematical (theater spotlight, muscles, Weakness notes, motion formulas). I think it's super cool how many areas of expertise are passed around the fanbase when discussing the characters. I've picked up new facts about plants, food, anatomy, geography, music, animals language, (sigh. color theory.), hobbies, professions, mythology, etc from fans with different fields of knowledge. While that's one of my favorite aspects of the project from the outside, I think it would be super intimidating to someone on the inside trying to tackle so much information at once.

Closing: As for Rose... (laughs) I thought she was dooming herself before--! Not only has she gotten hopelessly attached to everyone over the course of this trial, she's even started a relationship with one of the prisoners! And of all the people she could have chosen... Eh? Oh no, we have no policies against that for our staff. I mean, the whole point of Milgram is to explore human nature, the power of emotions, the complexities of connections, all that crap. I'm just grateful she shows a bit more common sense when she's operating the machine...

Trial 3

MV: Showstopper - “There won’t be applause, but I’ll take a bow, okay?”

VD: Please Exit Left

Cover: Ironina - Nilfruits

I don't know the album theme yet, but this is the tentative sprite and thumbnail design. The T2 sprite was kind of an "innocent" one, since at the beginning she still has faith in her role in the prison, excited to work with everyone there. (Plus, I joined the fandom a little after t2 started so that's peak excitement time lol). The T3 sprite has much more of a "guitly" feel to it because, at the end of T2 and after this hiatus, she'd harbor a lot more guilt about her position and fear about the experiment's conclusion. As a fun little detail, her pencil has been replaced with a more permanent utensil as final verdicts are locked in.

Now listen. My artist brain was constantly fighting my science brain when doing sprite designs -- I know gloves like that and nothing else isn't proper PPE. I know none of those are safety shoes (god forbid wearing just socks??? to the lab???). There should be no jewellery at all. The whole point of a lab coat is that you don't roll up the sleeves and expose your bare skin. However. It's anime character design. There can be compromise.

Referencing Rose's personal life as a performance and comparing Milgram's trials to one, I wanted the mv to play on "showstopper" as both a great show and a literal attempt to stop the project before it reaches its finale. There would be creepy comparisons in the mv between operating stage equipment and prison executions: curtain/set ropes and nooses, heavy duty lightswitches and electric chairs, etc.

Misc.

And lightening things up again -- birthday art and minigrams :3

Birth flower: Camellias. Pink camellias symbolize love but also longing. The fact that they bloom in winter, and have a quick death (the entire flower wilts at once, instead of individual petals falling off), have inspired different meanings in different cultures -- overcoming hard times, facing death in battle, inseparable lovers, and so on

Three minigrams featuring my own annoyance that her design is a bit close to Shidou's coat/gloves look, a mandatory short joke, and a pun that works so perfectly for my Put-In-Situations guy

[big-fan-of-botw]

Everything I know about Dashcon 2

Written August 1, 2024 and posted 9:00am CST

(Image says: dashcon 2. This website is still under construction! If you have any questions for our team please reach out to us)

DATE: July 12, 2025

LOCATION: Toronto, Canada (nothing more specific as of now)

WEBSITE: dashcontwo.com

EMAIL: queries@dashcontwo.com

Socials:

Tumblr: @dashcon-two

Instagram: dashcontwo

Twitter: DashconTwo

Facebook: link on website does not work

TikTok: dashcontwo

Their link tree (linktr.ee/dashcontwo) only links the Instagram, Tiktok, and website. Fancebook, Twitter, and Tumblr are linked on the website (their website does NOT have a link to TikTok or Instagram).

Info in the FAQ regarding convention logistics and organizers (CLICK THE "About Us" LINK ON TOP RIGHT OF WEBSITE FOR FAQ):

1.) The organizers are not the same as the ones for the original Dashcon.

2.) Dashcon 2 is not sponsored or organized by Tumblr.

3.) (Image quotes website, "Our team of organizers actually have experience in event coordination, or fields with transferable skills. We’ve taken our time to plan the road ahead carefully, and we have no intention of repeating DashCon’s mistakes.")

4.) Dashcon 2 is "a celebration of local artists, fandom, and internet history".

5.) There will be a ball pit, it will be supervised at all times to prevent anyone from peeing in it.

6.) There will be both safety guidelines for guest to follow and professional security.

7.) Large props must be approved by Weapons Check before they are allowed into the convention space.

8.) In-person attendance will be limited, and virtual tickets to panels will be offered. There is no attendance limit to virtual panels.

Extra info

There may be two ball pits (Tumblr blog)

@the-muppet-joker expressed interest in going (Tumblr blog, https://www.tumblr.com/dashcon-two/757557151949602816/im-going-to-convince-the-croaker-to-go-to-dashcon?source=share)

(Image says:

Anonymous asked: im going to convince the croaker to go to dashcon two

strange-aeons answered: YES WE DUEL IN THE PIT

the-muppet-joker Prepare for my Muppet Face and Joker Smile, Strange. You will taste my blade. And my hooves I mean feet for when I kick you into orbit. I accept your Ballpit Duel… *I chuckle darkly*)

There is a timer on the website counting down to Dashcon 2 (CLICK THE "DashCon 2" LINK IN THE TOP RIGHT CORNER OF THE WEBSITE).

Information on the convention organizers was previously available on the website earlier today, but not yesterday (when I checked). There were 4 people listed, 2 were co-something (I believe organizer or founder ), one was something about art, and I can't remember the last one but I believe it had something to do with the logistics of the convention.

I used the wayback machine and the jobs are (in order): co-founder, co-founder, artistic director, and panels & attendee relations. I DO NOT KNOW IF THIS INFORMATION IS ACCURATE OR UP TO DATE, IT MAY HAVE BEEN TAKE OFF OF THE WEBSITE DUE TO INCORRECT INFORMATION.

The current date for dashcon 2 is July 12, 2025. It will last for 1 day.

As I update this, I will post the time and date of the update and what was changed.

[goodluckclove]

Things You Might Want to Know

So I recently realized that I spend most of my time here talking and forming relationships with young creatives, and that might look weird in a vacuum. Especially since it's something I plan to continue doing along with all my other machinations.

So I thought I'd give some information about myself all in one place. It's more than I might need to give, but it might put someone at ease.

My name is Clover Gardener, and I'm in my late 20s. I am an Agender individual in an asexual marriage and I'm in the process of medically transitioning. Currently I work as an author, but I have experience in technical writing, ghostwriting, social media management, food service and administrative work. Oh and theater. I worked backstage for some community theater productions. These are all like Employment Jobs I've Had to Include On My Taxes, but I've also done more short term gig work/weird jobs that didn't work out. I dropped out of college.

At 16 my first one-act play was produced. I proceeded to form a small youth theater troupe just out of high school where I wrote, directed, and produced three full length plays at festivals and other venues. I also took a play I wrote at like 19 and got invited to a reading at the Last Frontier Theater Festival in Valdez, Alaska a year later.

In regards to writing, I completed my first novel when I was 13 after only making it through a fifth of NaNoWriMo the year before. I've completed 11-14 novels since then. I honestly can't really remember at this point. Only maybe four of them left the first draft stage. One novel, Blind Trust, is self-published online. I also have a few short stories available in online literary journals. At one point I had an arts column on a small culture website but they're harder to find now.

I have taken three writing classes at varying points in my life and didn't find them helpful other than as an opportunity to keep practicing writing and maybe get some good feedback.

In terms of interacting with young people, there was actually a six year period of my life that was primarily dedicated to youth mentorship and advocacy - specifically for queer, neurodivergent, and abused youth, a lot of whom were passionate about the arts. I was way less stable enough to do it then compared to now, but I tried my very best. Supporting young artists and queer youth has been an intense passion for mine since I was 14.

It's my ultimate dream in life to form some sort of youth empowerment program in the arts, or at least a writing program where everyone is respected regardless of age or experience. I'm kind of working towards making that happen. I just want to see how accessible I can make it as opposed to doing something just within my city.

Anywho, those are my general qualifications for talking to teens about writing and creativity. I also have a full history of trauma and disability, but this seems slightly less important to talk about here.

I will say though that if you are a person, of any age frankly, who is ever looking to compare notes or seek support or guidance on anything mentioned above, my DMs are always open. You can also email me at luckyclovegardener@gmail.com if you'd like. I like getting emails and I would love to gain new perspectives.

[novelcain]

Small post on my take on AI

Unfortunately, because of how AI has been taken advantage of by large corporations to cut costs, there's a very unhealthy discontent amongst creators and workers with AI.

The fact is that AI will continue to be a part of our lives for the rest of human history, most likely. And that's not a bad thing as it's already in more things than you can imagine, and it's changed how we do things for the better to be completely honest.

With the advancement of AI comes the ability to make people's lives easier. It should be used to help us with/do the boring and mundane tasks so that we can focus on enjoying our time on this earth. However, there definitely needs to be new laws put into place to regulate what AI can and can not be used for.

For example. The shitshow that was Marvel blatantly and openly admitting to using AI art in their trailer for Secret Invasion. I don't care that it's symbolic. It took jobs away from artists just so they could cut corners and not have to pay for it. Just because humans are being replaced in the movie doesn't mean we should do the same irl. Like seriously, learn to separate fiction from reality.

That being said, AI creative works like art and writings should never be used as final products unless they are for personal use only. Rather, they should be used as references and inspiration for creators to expand their horizon or work on new projects. Once again, reference, not final products.

Having said that, yes, AI would have to scoop the internet to continue evolving. The fact of the matter is that AI can't get better without references. However, consent is still important. If a creator doesn't want their stuff put into AI, that's their choice and right. In the same way you can choose not to participate in a study.

In the end, companies need to acknowledge the importance of artists, writers, and workers and their efforts (as well as accept human value in general). Nothing a machine produces will be able to compare to what the hands of a living being can make as they are, in the end, imitations of the original human works.

So again, AI isn't the devil, but it should be monitored and put to use for humans, not against humans.

Corporations need to learn that advancements in technology shouldn't be used to help their profits but to help humanity as whole (which in the end will benefit them if they can just get their heads out of the asses for one minute 🙄). And hopefully with the development of AI and robotics, humans will no longer have to do/work on anything that they don't wish to just so they can survive.

Life should be about enjoyment and experiences, not living paycheck to paycheck, and AI can help with that, but only if it's used properly and not taken advantage of.

[n4tural1]

AI: my thoughts

Imagine a world where your dream job is certain to be rendered obsolete by a machine, now open your eyes and see the same image. I am an artist in our current age. My line of work is likely to be replaced by two quick lines of writing into an AI. Will I have to pursue a line of work I harbour no passion for due to the certainty of my likeness being stolen? An unfortunate amount of people hear anyone talking about these issues and disregard them, thinking “Oh no! Another nihilistic luddite screaming about the end of the world”, but I’m here to show you why these seemingly nihilistic claims have actual basis. AI, while promising, poses a threat to all who desire to join the workforce. Whether it’s the plagiarism that takes place in training an AI, the doors it opens for tech giants and other multimillion dollar companies to replace all workers with machines or even the fact that it steals from artists just to replace them, AI is a bigger issue than anyone could’ve ever imagined.

The main ethical quandary with generative AI is the fashion in how it learns. Machine learning, for the uneducated, works by archiving provided media into its vast data banks, in which it then uses to generate a “new” piece of media by stitching together anything similar. This, in a vacuum, isn’t inherently bad, however, its possibilities are. Closed source AI’s currently on the market have been fed copious amounts of media from copyrighted and privately owned sources with neither permission nor financial compensation. I would bet that at least half of you in this room are thinking “oh that’s not good! These AI’s should be sued!”, but that’s the thing, they can’t be. It is currently impossible to prove any specific piece of work has been used to train a generative AI, and it is too impossible to state any piece of work produced by one is copyrighted, as it steals from so many different sources, the origins obscure each other. This isn’t just image generating AI’s either, chatGPT and Gemini are text based generative AI that have both been proven to not only regurgitate copyrighted work; such as Lord of the Rings and Harry Potter, but completely make up fake historical events due to such! Most terrifyingly, voice replicating AIs such as Voice.AI and elevenlabs and deepfake AIs such Synthesia and TopApps not only pose a threat to the entire entertainment industry, but to the reliability and reputation of all digital footage. This potential replacement of all white collar work with no chance of enacting any legal repercussions leaves AI manufacturers and consumers to perpetrate this plagiarism and leaves little room for human-made work that genuinely contains soul.

“The rich get richer”. It’s a saying parodying the quote “You need money to make money”, which is quite relevant when talking about the ethical concerns behind AI. The media giants and other mega-corporations everyone gets mad at are only going to be fueled by the introduction of AI, the only reason they haven’t taken the leap is because of the public perception of AI and the writer’s strike that happened in protest of it! Casual use of AI, for personal use or purely for a joke between friends is an endorsement of AI use in general, and therefore the use of copyrighted imagery and replacement of workers by these corporations. Until some actual policies regarding the use of artificial intelligence in corporate context come into play, any use of AI, wholesome or not, endorses the self-destructive abstraction of one’s own job. I had a similar conversation with a previous friend, and here is an argument they had to say: “all productivity improvements take some jobs but if there were no productivity improvements ever there would be the same amount of jobs but everyone would be poor”. This is a poor argument due to the fact that every time a new innovation such as this has threatened jobs, there have always been union labour laws put in place to prevent such issues. However, with the speed at which AI is being developed, legislation has been struggling to keep up with the necessary interventions due to its lack of priority in all political contexts.

As previously stated, I am an artist, a voice actor specifically. My job is being actively replaced by AI, by ripping the voices out of people's throats. Disregarding the security issues especially in politics for now, any person with enough footage of someone and a powerful enough AI model can steal someone’s voice just to use it for free. It is evident that this poses a COLOSSAL threat to the entertainment industry. And not just voices! Any artist can be completely replaced by their own artwork! This is disgusting. Semi-personal anecdote here, but I heard a story, from a fellow voice actor, where they did an over-the-phone audition. I heard a story where this “over-the-phone audition” was an elaborate scam used to train an AI off of their voice, rendering them completely obsolete because they were betrayed by their own voice. This isn’t just an exaggerated story thought up for some irrelevant emphasis, this is a genuine threat that exists right now. Artists might have to stop sharing their passions in fear that by sharing them, the AI conglomerates will devour their work and spit it back out, soulless and deformed, but cheap and fast. What makes art compelling? What is art if not created by an artist? If art reflects a person's life and experience, what is “art” created by a machine? It’s nothing, it’s absolutely nothing.

So what is there to do about it? I���ll tell you, protest! Go on strike! That’s right! How else are we going to grab our government's attention? The most famous protest in history was the 1963 March on Washington for Jobs and Freedom, and guess what, it was famous not only because it was successful, but because this was when Martin Luther King Jr. made his famous speech. Quoted directly from an article from resilience.org published in 2024 “Suppose a movement to ban AI were to succeed. In that case, it might break our collective fever dream of neoliberal capitalism so that people and their governments finally recognize the need to set limits.” Make some noise! Get mad! Are you really going to let these machines steal your job? Your voice? What makes you human? No. We, the people, will overcome this threat, and we will take down this mechanical menace. So go out there, express your opinions, use your voice, use the rights you are entitled to as a human being to speak out against the use of AI. And remember, “silence in the face of injustice is equal to complicity”.

[mychemicalraymance]

The process of AI generation itself is, in fact, evil because the very act of “training” the program involves stealing art. This isn’t something that will only affect people with “same-y” art, it’s a pervasive issue that is already leading to those book cover jobs and commissions you mentioned being taken from human beings. The LS dunes music video was commissioned from an AI generator- money that isn’t going to an artist. It will affect you personally, eventually, even if you act like it’s an issue for other artists.

But I don't see the act of training AI as "stealing". I think it can be used in a way that steals from artists, but ai generation as a process is technologically preceded by the notion that it IS artifical generation. Training a machine on images isn't itself an act of theft, even if the work is original art imo. I just have a different definition of theft i guess? It can BECOME theft, if the work is then used to destroy an artists market, which you are speaking to. This is why there's so much generation using unanimous artists, like van gogh, etc., but typically less objection to it.

I'm not really involved in LS dunes discussion at this point nor defending any and all use of AI. I just had a few thoughts on AI, and the gut reactions people have to it sometimes. My opinion may evolve over time ...

[sgiandubh]

Strike (and patient...) Anon

Forgive the out-of-character delay. I got entangled in a maelstrom of domestic complications and yet somehow managed to keep an eye on the SAG-AFTRA saga.

For context, clarity and empathy, I shall direct you straight to Chemistry & Timing's unique vantage point on this evolving situation (https://www.tumblr.com/fadeupin5432 ). You will probably not get a better, closer to ground zero understanding of what is really at stake, who the major players are and what lies ahead. And an important part of what is at stake, as she explained, is Man vs. Machine, as in TPTB trying to shamelessly exploit the profession's secondary players and rob them of their due rights by endlessly using them as mere support for AI-enhanced recreations of the original silhouette, voice and acting.

This impacts not only their earnings, as she mentioned, but the very long term survival of that unsung army of extras, brave one-line whisperers, stunts, body doubles, etc. But really, nobody is spared, because uncontrolled technology can quickly turn into a tidal wave of doom. Couple that with the studios' greed and we have an explosive cocktail with potential lethal impact.

This almost unprecedented move by SAG-AFTRA has most probably been informed by several successful European precedents, such as the regular strikes of their French and Greek counterparts (to mention just the ones I am most familiar with), eager to see their rights recognized by labor law as employees, not as civil law governed contractual collaborators (way less interesting and protective, since not opening the right to unemployment benefits).

Fun fact, the French artist's guilds almost always go on strike during the summer hiatus, trying to gain leverage and capitalize on a very busy period, featuring high-profile events, such as the Avignon Theatre Festival. Something to be a part of at least once in your life, if you ask me.

But the comparison stops here, because the right to one own's image/right of personal portrayal, including reproduction rights, is taken very seriously by civil law systems since at least the 60's. Because European artist's guilds/trade unions are far more aggressive and politically colored than in the US (on the left side of the spectrum, to be exact). And because whenever new technology rears its strange head on the scene, a group of experts takes it in its stride and thinks of a European directive to try and control its impact on individual rights and avoid exactly this type of situations. The downside of this protective regulation is that it becomes obsolete very, very quickly, because by the time you finished negotiating, technology did not wait for you and caught up already, for a good while.

Then you start it all over again: this is also why I branched off, with no regrets and some hefty experience gained. As I mentioned, I was one of that handful of folks, circa 2005-2010. We tend to quarrel a lot over a comma while thinking about Brussels winter rebates, but we did manage a fine job dealing with far less complicated things, such as digitalization of TV signals, broadcasting rights, pay-per-view regulations - the list is endless and very creative. Enough for the memory lane part.

The amount of Tumblr comments in Mordor from people who clearly have no damn clue of what they are talking about is insulting. The pretention to own the truth when you just pile up newspapers in a helter-skelter manner, also. Take for instance the trolls hoping for a Season 8 cancellation, who clearly never heard of the concept of force majeure, which protects better the parties' interests, in US legal doctrine, than torts' classical doctrines such as "impracticability" or "frustration of purpose". It is my deep hope that S&C's confidential contracts with * offer full coverage of force majeure situations, and I think, as per the COVID precedent, that they do.

Yes, both SAG members, most probably. No, she is not working. Yes, he will just sell the booze and you will be shrieking like banshees, again, in Mordor: tell me, did he take your dime out of your pockets by force, or what? No, no JAMMF pix for you, Onlies and Mommies. And I bet no blonde either, but that is beyond the scope of this note.

SMH. Morons.

Anyways. I had much fun writing this. Come back anytime with witty challenges, Strike Anon. And yes, I follow the situation very closely.

@fadeupin5432, I stand in solidarity.

[s-sunnydays]

things left unsaid in artist’s depiction

i dont know if anyone checks this blog since i havent posted, but i guess i could share the things i never got to share since i discontinued artist’s depiction!

also, warning: there are trigger warnings!

iris was the one who reloaded the SAVE file and had gone insane since the mc had died in the fire. she was the one who also caused the accident, but she didn’t mean to; it was supposed to keep the mc from leaving since the machine was really close to being fixed and such.

faye had died at around six to nine years old because she’d gotten too sick and the mc couldn’t afford to enough money to keep her alive or to buy her any sort of medicine.

victor and sierra did run away because they were chased by debtors and all of that since they always messed with the wrong people in their lives. though, they don’t care about that as much, they didn’t want the others to get involved. i didn’t think much about how they died, but i would say that they ended up dying far away and no one knew since the mc couldn’t contact them – lost all contact with them.

sans never liked iris and iris never liked sans, they both just liked the idea of being in a relationship. and, sans gradually learns that iris liked mc the most – the best. even if she treated them horribly

there weren’t any sort of coherent thoughts about how the ending would go, but i assumed that there would be a polyamorous relationship with the mc and the skelebros aus where they could visit the original timeline any time they wanted since the machine and the tear was fixed.

iris’ feelings were never reciprocated

iris was mc’s childhood friend, and learned everything from them – how their life worked, how they had three siblings (never knew about oliver).

the mother ended up dying without oliver knowing – she died from overdosing on medication.

oliver vaguely remembers faye, but doesn’t know about the rest of the siblings. mc never told him until later, where he finds a picture of the other three – he asks why he looks related to victor and sierra and why faye looks so similar to the mc

the mc’s past is eventually revealed by iris or someone else, but other than that, it was basically mutual agreement to tell

the reason why oliver was taken away in the first timeskip was because the mistreatment that the mc had received ended up putting them past their breaking point. and then they started acting like a terrible brother, so they had to let him go – they had to take him to some other place; somewhere where he would be safe.

i have the next chapter, though it is unfinished.

WORK IS TIRING.

You suppose that since Iris pays you to work for her, you’ve been going to your job a lot less — within schedule, at least. Not many days are assigned to you.

“Hey, [Name],” Iris coos from her spot in front of you, sitting at the counter. “Do you wanna go shopping with me and the boys? I’m sure you’ll need something there. It’d the mall, after all! Who wouldn’t want to, like, you know — go shopping with me? I’ll pay for whatever you want.” She sings like a witch—or a siren, depending on the person—and you make a face inwardly.

At first, you would’ve said no. Just a simple no and everything would’ve been fine.

You suppose that no is also not in your vocabulary most of the time.

”…Let me ask my brother,” you mutter in response, pulling out your phone begrudgingly. You send him a message, waiting for his response.

If he says yes, you can only hope that the others don’t start causing problems with him around. You don’t mind the hate, the stares, the faces — just as long he can’t see them; hear them; you’re okay with it. As long as he can’t witness it, it’s fine. That’s all that mattered to you.

——

“Okay~”

Iris looks excited for some reason, but you don’t question it entirely.

You stare at the group of skeletons with a squint of your eyes, wondering where more came from. You should’ve known that the trip to the mall was basically restocking for the rest of the alternates stuck here — though you’re not sure if any of them really need anything. They seem to be more well off than you.

“Malls’re so big!” Your brother whispers to you, stunned by the size of the shopping mall you’re in. You have to agree. “What kind’a stores do they have in here?”

You have to agree with him.

To say that malls are huge is an understatement, you think they’re bigger than most mansions you’ve seen. Then again, you probably just don’t know what malls are like because your mother always told you that they were too expensive and a scam. You always did like sticking to every word she said to you, but that’s in the past. You could care less nowadays.

”I dunno,” you answer honestly. Your eyes scan your surroundings, squinting them when you realize just how large the building is. “Never gone to ‘em either, bro.”

“You haven’t taken your brother to the mall before?” Iris asks loudly, eyes wide with surprise. She glances between you and your brother curiously, obviously shocked — but you don’t even know how she heard you two whispering. It’s not like the others care enough to try and overhear, so why was she trying to be nosy?

Some of the skeletons turn to you, some glance at you, and the rest ignores you (out of pity, you don’t know).

”No,” your brother answers, confused. “We only go to the small ones ‘cause [Name] doesn’t like big stores.”

Well now.

Iris turns to you, frowning at you — you have to say, you don’t know why she’s looking at you like that because it’s not her business — and tells you, “You haven’t taken sweet little Oliver to a mall, [Name]? Shame on you! Malls are great, they have everything you’d need!”

You don’t know how to tell her off without calling her a spoiled brat.

”He already said why I don’t take him to big stores,” you point out, somewhat embarrassed that she had to call you out in front of everyone. “And, uh, malls are expensive… and, y’know, big — he’d get lost.”

“Are you saying you don’t trust your—“

You give her a look of irritation, and for once, the skeletons with you don’t seem too upset about it. Probably because they understand your situation or probably just—the conversation isn’t necessary.

“Are we done?” You don’t care if you interrupt her or get on Sans’ nerves because of it. “If we’re done, I can take Oliver shopping then. See you later, just call me when y—“

And Iris just loves thinking it’s her turn for everything. “We can hang out like old times! You know, when we were in high school together and stuff. Plus,” she shoots you a wink, “we have a lot to catch up on — we haven’t been, like, talking to each other at all! Come on, Sans, let’s go.” You don’t say anything when you see the flickering of his pinpricks or the not-so-subtle glances to your brother from the girl.

You stare at her, narrowing your eyes.

”It can’t be that bad,” your brother tries to soothe your vexation. “‘S okay! Maybe Red ‘n Edge can come with!”

Iris’ face twitches.

Sans’ smile falters. “since when were you buddies with ‘em, kid?”

Red grins widely, almost as if taunting the poor guy. “what’s wrong with bein’ friends wit’ a guy like me? i can come with, i got nothin’ to do anyways… maybe the, uh, boss can come with if he oh so wishes.”

“CAN IT, S—RED,” Edge catches himself and corrects himself. He ignores the looks given and clears his throat. “I SHALL GIFT THE HUMANS WITH MY PRESENCE, SINCE THEY ARE SO DESPERATE TO HANG OUT WITH ME. AND, I AM CURIOUS TO SEE WHAT SORT OF… STORES ARE IN THIS SPECIFIC MALL!”

Your brother shoots you a smile.

You squint your eyes.

Rus puts a hand on your shoulder and nudges Mutt. “‘ey, maybe we can finally get that thing wallet owed me. dunno what it is, but it’s gotta be somethin’.”

“…whatever you say, rus,” Mutt mutters and shrugs his shoulders compliantly. He looks like he just wants to sleep, and you can’t say you blame him. It’s not like you want to be here either, it was obvious that most of the monsters here didn’t want to be here either. You’re sure there’s some other meaning behind it.

”I don’t owe you anything, Rus.”

”sure thing, wallet.”

”They’re not your wallet!”

[dollarbin]

Mitchell Mondays #2:

Eastern Rain

My famous brother spent much of the last week bragging about how he'd taken in all 27 hours of Bob Dylan's latest archival release. I'd love to follow in his audio footsteps and listen to all of Bobby's 74 live recordings but I'm afraid there'd be some serious repercussions:

To begin, my work computer would give up the ghost. The machine is over a dozen years old and already on its last legs, laboring under the weight of some 30,000 MP3 files and 20 years of work documents. Every time I download another Neil Young bootleg compliments of my brother's fantastic blog the thing shudders, buckles and wavers somewhere between life and death. If that box could talk it would have nothing but curse words to hurl in my direction.

My trusty old IPod would beg for mercy. Forever addled with 22,000+ songs, it no longer holds a charge for more than 10 seconds and crashes every time I transfer antique docking stations. I'm so practiced at resuscitating it that it's a shame I wasn't on hand when Steven Jobs croaked. Plus the thing often insists boy genius is playing when I'm listening to Miles Davis. There are currently just 23 MBTs or GPTs or whatever of space left on it. Attempting to sneak 27 more hours of Dylan into its guts would be like entering me and my bald spot mid-school year and in-between shaves in a beauty pageant: things would get real ugly real fast.

Plus I'd be broke! The thing is retailing for $130 and I don't have 130 cents. Frankly, I find it incomprehensible that, given my track record of getting drunk and blogging while listening to Dylan's 70's live albums, Dylan's people have yet to send me a complimentary copy. Get to work all you Dylan-people: supply the Dollar Bin with free stuff already!

Finally, if I started in on 27 hours of Dylan and the Band in our kitchen my family would all rise up, don war-shirts and take to the streets against me. I once attempted to listen to every pass Dylan took on Idiot Wind in a row on a family car trip. In my defense I thought they'd all fall asleep or not notice what I was doing. But after just two and half glacial versions I was forced to abandon my attempt. It was either that or abandon my marriage.

Happily, my famous brother shouldered these risks for me and you and emerged unscathed, though one wonders whether his big deal wife made like a desperate farmer in a Dylan song and fingered the familial hatchet with menace once Bob and the Boys struck up their 64th rip roaring version of Hollis Brown.

Good bananas, this version, in which my brother astutely hears the rhythmic foundations of Shakey's Revolution Blues, truly cooks. Seven new people were probably born right there in the theater while Bob, Richard and everybody else pounded the hell outta this thing. Robbie Robertson: wow.

But the new Dylan collection's crown jewel, again according to the only human being on earth who has actually listened to the whole thing, is a song Dylan apparently couldn't find any room for on any of his 70's records. Apparently he thought New Pony was better than this greatness.

Imagine shrugging off and then forgetting altogether a song this dense and fruitful. Dylan, of course, built up a good deal of his cult following on equally stupid decisions: Union Sundown instead of Blind Willie McTell? Sure. Joey over Abandoned Love? Why not! Disease of Conceit when he had Series of Dreams? Definitely. Stupid apparently leads to genius if you're Bob Dylan.

But dare we say the same thing about Joni Mitchell? Once RBG died, Brandi Carlile forcefully placed Joni on our throne of liberal untouchability: criticize her and you'll suffer the progressive culture's wrath.

I'm as thrilled as you are to see Mitchell alive and well, but I think treating her like a Ming vase sucks. This is the Dollar Bin, not the Louvre, and we like our artists brilliant and flawed.

Consider: Mitchell routinely showed up to parties in the late 70's in blackface, then she memorialized the whole act on an album cover. Plus she once hired Billy Idol to accompany her on a song called Dancing Clown. Joni's not precious nor perfect; she's flawed, and she's awesome.

And she too was capable of Dylan-level dumbness.

Which brings us to Eastern Rain. When her Archives project was announced a few years back I couldn't wait to finally hear a studio take of her complex and rich song which was made famous by Fairport Convention.

But apparently Mitchell never even attempted the song for an album. All we've got after three archive collections are two live versions. They're both great, even if they include a twice repeated bridge which Fairport were wise to jettison.

Just imagine if she'd cut this song for Hissing of Summer Lawns. Lyrically it would interfere - I get that - but can't you just imagine the record's swooping bass laid over lush vibes and rich vocals? Eastern Rain could have served as yet another cornerstone of that incomparable record.

Then again, maybe the song is just cursed in some way; after all even Fairport Convention were dumb with it. Just listen to how much better everything sounds on this outtake version when Ian Matthews gets outta Sandy's way:

[redeyedbastard]

I don't think a lot of pro generative AI (from here on just called AI) people get why a lot of creatives (writers, artists, photographers, etc) are so against it.

Because they always seem to think it's about jobs in these fields being taken up by AI that's our main worry. And honestly, that's not really why I care. In my ideal society, machines would do the labour intensive jobs for humans, and we'd spend our time pursuing things like art, music, or whatever as hobbies. Maybe we all learn to fix X% of the machines and that's our day job? idk. Anyways I'm not on point here.

My POINT is that the jobs to me aren't the main worry. The reason I dislike AI (and I know all my creative friends and mutuals and stuff agree) is that AI is built on work scraped from all over the internet, taking from the little guys like us to feed some billionaire corpo's machine. We didn't get paid, nor did we give our permission for our art to be study material for Image Bot #4583095. They just stole our works, and now are making massive money off it, all while gloating that they're "just as creative as the artists".

I wouldn't hate AI so much if it hadn't immediately exploited artists all over the internet. If like, ImGen(dot)AI (a site I made up just now) only trained their LLM on artists that a) gave their permission and b) were properly credited and paid, I'd be glad for them. Because that's how it should have been the whole time. But NoOOooOOoOOo, then the AI would be 'prohibitively costly' and 'they'd have to start from scratch'!! Poor millionaire techbros (;^;)

When it comes to AI making pictures/stories (it's not 'art' imo because that requires soul, something chapgpt doesn't have), or AI voice-work, or AI generated faces for people in movies/tv, the reason people are against it has nothing to do with 'hating progress' or 'unga bunga fire is scare Thomas Edison was a witch' shit. It's because the people who's hard work is used to make these generators want their fair share of the pie. You can get the code for a basic generative AI on github, but without the material to train it on, the material you steal from creatives to make your money, you'd have nothing to show for it. So forgive us plebeian creatives for not just bending over and taking it from the tech industry dry.

Until the industry gets its shit together and starts doing the bare minimum to respect the creatives that make their shit worth using (because lbr, without the art and works of creatives that were stolen to feed these fuckin things, AI wouldn't have anything to SHOW you), creatives are going to keep covering their asses by putting in anti-scraping tech and poison pill pieces into their work.

Frankly, I can't wait for all these lawsuits against generative AI companies to make it law that you can't just train your ai on other people's shit without permission. I mean you'd think people would know* that. You can't just steal shit from people (and yes, training your AI on someone's works without permission is stealing, unless it's something very clearly public domain. And no, google images is not public domain) and expect them to be all happy for you when your expressed purpose (as is the case with many generative AIs) to put the people you're stealing from out of a job.