#artist: yellow magic orchestra

[haveyoulistenedtothisalbum-poll]

Tracklist:

TECHNOPOLIS • ABSOLUTE EGO DANCE • RYDEEN • CASTALIA • BEHIND THE MASK • DAY TRIPPER • INSOMNIA • SOLID STATE SURVIVOR

Spotify ♪ YouTube

[uptonil]

very quick sketch of ryuichi sakamoto i did last night while watching tv!

[eidi19]

Like me?

[ancientbeast]

tosses this at your feet. here you go

[mugencoloris]

Maneki Magic Orchestra

[thetourist90]

Pretty good Album!

[vampylily]

Notes from the new Rolling Stones Japan article with Pete and Patrick Pt.1 :

[WARNING: The article is in Japanese, I'm not a Japanese speaker. I'm machine translating the article from Japanese to Korean & English, and then doing paraphrasing in English. Thus, the wording is not entirely accurate, and may contain errors. Please don't consider this as a proper translation. This is so I can have a reference more than anything. ]

When the interviewer noted Patrick's Los Crudos t-shirt, he responded enthusiastically that it was a Chicago band! Pete was in a Napalm Death t-shirt.

Interviewer asked about how Summer Sonic was, especially since it was their first since 2019. Patrick said the show went like they hoped, which rarely happens (lol). Said Japanese audiences are special. He gets asked about how concerts in Japan are, but it's hard to explain unless you experience it. Said can't explain it well, but there's a lot of give and take of energy.

Interviewer asked about Pete saying there was a song inspired by Japan on the SMFS album. Pete said "The Kintsugi Kid" was the song about how he felt when he was in Japan, it's obvious by the title. "The Kintsugi Kid'' bridges "I Am My Own Muse" and "So Much (For) Stardust." Said Patrick wrote the songs but in his interpretation, the sonic landscape of the song reminds him of Japan.

Patrick said he's always been quite influenced by Japan, especially on this album. Said people might not register it from the sound, but he's been influenced by the Yellow Magic Orchestra & their synthesizer sounds. He didn't use much synthesizer on the album but a lot of the songs started with synthesizers. He got the same synthesizer Yellow Magic Orchestra used and started writing songs from there. He's a big fan of Studio Ghibli movies and loves Joe Hisaishi's music. Said when doing string/orchestra horn arrangements, he wanted to create a sound that was as appealing to the heart/poignant as his. Even though their music/sound was completely different, he wanted to try it. Said he especially tried to evoke the feeling he got on "The Pink Seashell."

Interviewer asked about TTTYG's 20th anniversary and how they could have done an anniversary tour but they didn't and instead released SMFS with gusto.

Pete said the most important thing is that you stick to what you think is right. Said there was a punk band he liked when he was younger, and they didn't change at all. Talked about how artists like David Bowie or the Clash changed their styles to almost unrecognizable lengths and how some fans left because of it. But when he listens to the albums after getting older, he can reflect on his own changes and find new appreciation for songs he might not have liked at the time.

Pete said celebrating the past too much feels patronizing and not very fall out boy-like. They continue making new music, sometimes they succeed, sometimes they don't. Even if something doesn't work out as well, he's like [it is what it is/that happens], and that some people might say they liked it. He's got albums he likes and albums he dislikes from his own favourite artists. Said they always make new albums that challenge their past works. Of course they hope people like it, but getting good reviews/being appreciated isn't the only reason they continue making music.

Patrick said he doesn't like making an album to celebrate the 20th anniversary, or having an anniversary to showcase past songs. Reasons was that first, the past songs are always in rotation in their sets so they don't stop playing them. Second, like Pete said, they prefer to keep pursuing new music and that stance hasn't changed from 20 years ago. Said deviating from that feels dishonest like they're lying to themselves.

Pete was like [it's how Steven Spielberg didn't make E.T. Part 2.] Patrick was like [exactly!] and said that being honest with themselves was their pure form.

also there's a page 2 to the article but i'm tired :[. they talk about "emo" changing from a specific music genre to the word entering the mainstream vernacular, patrick talked about how when they started out they didin't consider themselves "emo," they were a hardcore band. said he liked playing hardcore though when he sang people used to tell him his voice was too cute. they focused on making the music they wanted to, and before they knew it, they were being called "emo." Pete talked about the word, how it encompasses too much, feeling restricted by that in the past, etc. Talked about wanting to become like Metallica in that the word Metallica has becomes its own thing, Metallica doesn't need a description, etc. Patrick talked about perfoming in Japan, from small venues way earlier to now, etc

-

-

I love long FOB articles and I quite liked this one.

Love that Patrick talked about musical inspirations and SMFS. It’s so cool to hear because I love how beautiful and grand the sounds are in SMFS, even with spoken tracks like The Pink Seashell or Baby Annihilation. 

Also him buying the same synthesizers is so real. He’s a music nerd <3 

They’ve been consistently talking about always wanting to make new music and looking to the future instead of the past. And getting questions about their sound changing since forever haha.

It's really cool that they're very self aware and how convinced they are about making new music. Love that Pete can look back at older albums and find new appreciation for them. I’d be down for another half dozen FOB albums if they are, so (๑•̀ㅂ•́)و✧

The new Pete and Patrick photos!!! They've got such pretty eyes <333

[moodboardmix]

Ryuichi Sakamoto (January 17, 1952 - March 28, 2023)

Professor Sakamoto was one of Japan’s most successful musicians, acclaimed for work in Yellow Magic Orchestra as well as solo albums and film scores.

As a member of Yellow Magic Orchestra alongside Haruomi Hosono and Yukihiro Takahashi, Sakamoto created joyous and progressive electronic pop in the late 1970s and early 1980s, alongside solo releases. He acted alongside David Bowie in the 1983 film Merry Christmas, Mr Lawrence and composed its Celebrated theme, the first in a series of film scores including Oscar-winning work in 1987 with David Byrne and Cong Su for Bernardo Bertolucci’s The Last Emperor.

Alongside YMO, Sakamoto continued releasing solo albums including 1980’s B-2 Unit, another influence on the robotically funky sound of electro that also foreshadowed other dance music styles. After focusing purely on solo work, he forged further connections in the west, collaborating with musicians including Iggy Pop, Robert Wyatt, Laurie Anderson, David Sylvian and more. Sylvian contributed Forbidden Colours, a vocal version of one of Sakamoto’s most famous works, the theme to second world war drama Merry Christmas, Mr Lawrence. Sakamoto also starred in the film as a prisoner of war camp commander.

Following The last Emperor (in which he also had an acting role), he collaborated with Bernardo Bertolucci again for The Last Buddha, and with Merry Christmas, Mr Lawrence director Nagisa Oshima for Gohatto. He also scored two films by Brian De Palma (Snake Eyes and Femme Fatale), plus Wild Palms for Oliver Stone, High Heels for Pedro Almodóvar, the 1990 film adaptation of The Handmaid’s Tale, and more. His 2015 score for Alejandro González Iñárritu’s film The Revenant was nominated for Golden Globe, Bafta and Grammy awards. In 2019, he composed the music for an episode of dystopian TV drama series Black Mirror. He took no further acting roles, aside from appearing as a film director in Rain, a music video for Madonna.

Mr Sakamoto released a steady schedule of solo releases throughout the 1990s and onwards, and wrote a piece for the opening ceremony of the 1992 Olympic Games in Barcelona. In 1999 he debuted the multimedia opera project Life, in collaboration with artist Shiro Takatani with contributions from Bertolucci, Pina Bausch and more. He and Takatani extended the concept into installation work from 2007 onwards.

Also in 2007, he began the ambitious Schola project, curating 17 compilations of global music ranging from composers such as Ravel and Beethoven to Japanese pop. It was released via his record label Commons, set up in 2006, which has also released work by artists including Boredoms and OOIOO.

In 2002, he began a fruitful partnership with German musician Carsten Nicolai, who used his Alva Noto alias for four collaborative albums of minimalist electronica.

Mr Sakamoto was also an environmental campaigner, opposing the use of nuclear power, and creating the forestry project More Trees to enable carbon offsetting.

Ryuichi Sakamoto - Merry Christmas, Mr. Lawrence

[your-artificial-god]

music anon here! get ready for a dump! i'll send just via name and artist to not clutter with unclickable links

Kiss Me, Son of God by They Might Be Giants

CULPABILITY AND THE PANOPTICON by Ghost and Pals

Action Winter Journey by Nero's Day At Disneyland

Couture by Epsyle

You're One Of Them, Aren't You? by The Paper Chase

HURT by 1 800 PAIN

Perfect Nothing by Ghost and Pals

Get It Out by Jack Conte

ABSOLUTE EGO DANCE by YELLOW MAGIC ORCHESTRA (purely because it kind of hurts my ears but in an endearing way if that makes sense)

Taxonomies by Larry Gus

these are all subjective though, but might as well ask the computer himself about it :3

"HURT is an awesome one, I listened to it myself before. It's just... violent. Love it."

"And what's for me, I've already mentioned some of my favorites in the previous answers, such as Itch by Nothing but Thieves and Please, Please by Deftones. But here you go:

Hatefuck – The Bravery

Bruises And Bitemarks – Good With Grenades

Dr. Sunshine Is Dead – Will Wood and the Tapeworms

Just Lay Still – John Congleton and the Nighty Nite

Animal I Have Become – Three Days Grace

Robot Soft Exorcism – Thrice

Big Man With A Gun – Nine Inch Nails (and the rest of their discography)

Change – Deftones (it's such a Ted coded one)

Die, Die My Darling – Metallica

Ich Tu Dir Weh – Rammstein

Bang Bang – Green Day

I may add something else later because music is surprisingly fun. My greatest entertainment in this abyss of nothing."

[haveyoulistenedtothisalbum-poll]

Tracklist:

ジャム [Pure Jam] • 新舞踊 [Neue Tanz] • 階段 [Stairs] • 京城音楽 [Seoul Music] • 灯 [Light In Darkness] • 体操 [Taiso] • 灰色の段階 [Gradated Grey] • 手掛かり [Key] • 前奏 [Prologue] • 後奏 [Epilogue]

Spotify ♪ YouTube

[nobbykun]

Artist - YMO (Yellow Magic Orchestra) Song - 希望の河 (Expecting Rivers) (Kibō No Kawa) [Eng. "Rivers Of Hope (Expecting Rivers)"] Release Date - September 1983

Listen 🎶

My blog: Showa Music Library https://nobbykun.tumblr.com/

[confield]

PSA

If you're into any of the following bands/artists: Autechre, Ryoji Ikeda, Pan Sonic, alva noto, Bernard Parmegiani, Alice Coltrane, Pharoah Sanders, TODAY IS THE DAY, Peter Rehberg, Merzbow, Oval, Yasunao Tone, Pierre Schaeffer, Pierre Henry, Hecker, Unwound, Albert Ayler, Sun Ra, John Cage, Muslimgauze, Jan Jelinek, Anthony Braxton, Farmers Manual, Daphne Oram, Mira Calix, Einstürzende Neubauten, Eric Dolphy, Karleinz Stockhausen, Maryanne Amacher, Edgar Varèse, Iannis Xenakis, Laurel Halo, Fennesz, General Magic, Gescom, Ramleh, Prurient, Vladimir Ussachevsky, Pauline Oliveros, William Basinski, Luc Ferrari, Matthew Shipp, City of Caterpillar, Kouhei Matsunaga, Sensational, Mike Ink, Coil, Nobukazu Takemura, Halim El-Dabh, Martin Tetrault, Tod Dockstader, Matana Roberts, Chicago Underground Quartet, Microstoria, Vladislav Delay, Sonny Sharrock, Beatrice Dillon, SND, Mark Fell, Mika Vainio, Robin Rimbaud, Darkthrone, Christoph de Babalon, Toshimaru Nakamura, Steve Roden, Lithops, Nisennenmondai, Tackhead, Aaron Dilloway, Henry Flynt, Foehn, Yamantaka Eye, Portraits of Past, Pg99, Maxwell Sterling, Slint, Big Black, Russell Haswell, Sébastien Roux, Loraine James, Surgeon, Terrence Dixon, Underground Resistance, Dopplereffekt, Plastikman, Wolfgang Voigt, Robert Hood, Cecil Taylor, Matmos, Kangding Ray, Hijokaidan, Babyfather, Team Doyobi, Paul Lansky, Art Ensemble of Chicago, Soul Oddity, Kid606, Hugh Le Caine, Actress, Klein, Sven-Åke Johansson, Porter Ricks, Luciano Berio, The Third Eye Foundation, Grischa Lichtenberger, Replikants, Genocide Organ, Joji Yuasa, The Jesus Lizard, African Head Charge, Drive Like Jehu, Peter Brotzmann, Sonic Youth, Jawbox, Chino Amobi, Luke Vibert, James Ferraro, Florian Hecker, Tim Hecker, Eyehategod, Gorgoroth, Basic Channel, Maurizio, Steve Reich, Mouse on Mars, Burial, The Future Sound of London, Dean Blunt, Susumu Yokota, Skream, Benga, Farben, Polvo, Keiji Haino, The Black Dog, LFO, The Bug, SOPHIE, Global Communication, B12, Jlin, Stereolab, Pole, Kraftwerk, Yellow Magic Orchestra, Juan Atkins, Wormrot, Oli XL, Napalm Death, Orchid, Bitch Magnet, Codeine, Microstoria, Moss Icon, Frank Bretschneider, Joey Beltram, Jeromes Dream, A Guy Called Gerald or DJ Manny

I am looking for a sugar baby to spoil with a $5000 weekly allowance. DM me if you are interested.

[burlveneer-music]

Various Artists - Hosono House Revisited - Stones Throw reissued Haruomi Hosono's 1973 album Hosono House in 2022; now they've put out a tribute album, all covers by today's musicians

Haruomi Hosono is the legendary artist best known for his tenure in the seminal band Yellow Magic Orchestra. Hosono House Revisited is compilation of reworks of Haruomi Hosono’s iconic solo debut, Hosono House, celebrating 50 years since its release. This compilation sees musicians from the Stones Throw roster and beyond offer up their own interpretations of Hosono’s songs. Artists revisiting Hosono's songs include John Carroll Kirby ft the Mizuhara Sisters, Jerry Paper, Pearl & The Oysters, Sam Gendel, Cornelius, and more.

[seoul-bros]

RIP Sakamoto Ryuichi

Today Suga and RM paid tribute to the Japanese composer Sakamoto Ryuichi. He was known as a pioneer in electro and hip hop music but his musical interest were wide and eclectic.

Riot in Lagos (1980) is considered an early example of electro-funk music. In 2011, The Guardian reported it as one of the 50 key events in the history of dance music.

Sakamoto collaborated with a number of western artists. In 1981 he worked with Talking Heads and King Crimson guitarist Adrian Belew and Robin Scott for the album Left-Handed Dream. He had a long time collaboration with David Sylvian from the band Japan.

He won a BAFTA for his film-score for Merry Christmas Mr Lawrence (1983) and he also appeared in the film alongside David Bowie and Tom Conti. He also wrote the score for The Last Emperor, Sheltering Sky and The Revenant amongst others.

Sakamoto Ryuichi has been an important influence on Suga. When he was in Japan last year he played tribute to Merry Christmas Mr Lawrence on Instagram. We know now that he also had a meeting with Sakamoto during that visit.

In January, Suga chose his 10 favourites from Ryuichi Sakamoto and he talked about the influence the composer had had on his own life.

Here are some of the tracks from Suga's top 10. They show the breadth of his interests and talents. You may want to check out the other tracks.

Merry Christmas Mr Lawrence

7) Energy Flow (first instrumental no.1 on Oricon chart)

10) Undercooled (recorded with Korean rapper MC Sniper)

Post Date: 02/04/2023

[justforbooks]

Ryuichi Sakamoto, the Japanese musician whose remarkably eclectic career straddled pop, experimentalism and Oscar-winning film composition, has died aged 71.

As a member of Yellow Magic Orchestra alongside Haruomi Hosono and Yukihiro Takahashi, Sakamoto created joyous and progressive electronic pop in the late 1970s and early 1980s, alongside solo releases. He acted alongside David Bowie in the 1983 film Merry Christmas, Mr Lawrence and composed its celebrated theme, the first in a series of film scores including Oscar-winning work in 1987 with David Byrne and Cong Su for Bernardo Bertolucci’s The Last Emperor.

Sakamoto had twice been diagnosed with cancer. In 2014, he took a year off from music as he recovered from throat cancer, describing the illness as “the most harsh, physically painful time in my life”.

In January 2021, he announced he had been diagnosed with bowel cancer, saying: “From now on, I will be living alongside cancer. But, I am hoping to make music for a little while longer.”

He was born in Tokyo in 1952, and began taking piano lessons aged six, later attending Tokyo University of the Arts to study music. He trained on early synthesizers, and enthused by everything from Debussy to Kraftwerk, began working on various musical projects, including with Hosono and Takahashi. After Sakamoto released his 1978 solo debut, Thousand Knives – playing melodies that harked back to traditional Japanese music on electronic equipment – the trio realised their vision for a Japanese disco-pop group, Yellow Magic Orchestra (YMO).

The group became a huge success in Japan – in 1980, two of their albums stayed at No 1 and No 2 in the charts for seven weeks, and they had seven Top 5 albums during their career. “Accidentally the three of us became very popular,” he remembered in 2018. “Walking the street in Tokyo, people pointed at me. I hated it.”

Their English-language lyrics helped them cross over into the US, where they appeared on the TV show Soul Train, and their electronic production influenced early hip-hop and electro scenes. Michael Jackson covered their song Behind the Mask and intended to include it on Thriller, but a royalties disagreement prevented it.

Their track Computer Game was also a Top 20 hit in the UK. YMO went on hiatus in 1984, though occasionally reunited for releases and reunion concerts.

Alongside YMO, Sakamoto continued releasing solo albums including 1980’s B-2 Unit, another influence on the robotically funky sound of electro that also foreshadowed other dance music styles. After focusing purely on solo work, he forged further connections in the west, collaborating with musicians including Iggy Pop, Robert Wyatt, Laurie Anderson, David Sylvian and more. Sylvian contributed Forbidden Colours, a vocal version of one of Sakamoto’s most famous works, the theme to second world war drama Merry Christmas, Mr Lawrence. Sakamoto also starred in the film as a prisoner of war camp commander.

Following The Last Emperor (in which he also had an acting role), he collaborated with Bernardo Bertolucci again for The Last Buddha, and with Merry Christmas, Mr Lawrence director Nagisa Oshima for Gohatto. He also scored two films by Brian De Palma (Snake Eyes and Femme Fatale), plus Wild Palms for Oliver Stone, High Heels for Pedro Almodóvar, the 1990 film adaptation of The Handmaid’s Tale, and more. His 2015 score for Alejandro González Iñárritu’s film The Revenant was nominated for Golden Globe, Bafta and Grammy awards. In 2019, he composed the music for an episode of dystopian TV drama series Black Mirror. He took no further acting roles, aside from appearing as a film director in Rain, a music video for Madonna.

Sakamoto released a steady schedule of solo releases throughout the 1990s and onwards, and wrote a piece for the opening ceremony of the 1992 Olympic Games in Barcelona. In 1999 he debuted the multimedia opera project Life, in collaboration with artist Shiro Takatani with contributions from Bertolucci, Pina Bausch and more. He and Takatani extended the concept into installation work from 2007 onwards.

Also in 2007, he began the ambitious Schola project, curating 17 compilations of global music ranging from composers such as Ravel and Beethoven to Japanese pop. It was released via his record label Commmons, set up in 2006, which has also released work by artists including Boredoms and OOIOO.

In 2002, he began a fruitful partnership with German musician Carsten Nicolai, who used his Alva Noto alias for four collaborative albums of minimalist electronica.

Sakamoto was also an environmental campaigner, opposing the use of nuclear power, and creating the forestry project More Trees to enable carbon offsetting.

In 1982, Sakamoto married Japanese pop musician Akiko Yano, a touring member of YMO and a successful solo artist in her own right. They split in 1992, and eventually filed for divorce in 2006. They had a daughter, pop singer Miu Sakamoto.

Since the early 1990s, Sakamoto has been in a relationship with Norika Sora. Their son Neo Sora contributed to a documentary, Ryuichi Sakamoto: Coda, directed by Stephen Nomura Schible in 2018.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[ruinedholograms]

Gaia: Selected Ambient & Downtempo Works (1996��-​2003)

Dream Dolphin was originally an Ambient and Electronic project by the Japanese artist referred to simply as Noriko, who moved from studying classic Italian songs as a child, to increasingly being inspired by artists such as PIL, Yellow Magic Orchestra, KLF and movies such as ‘2001: A Space Odyssey’ and ‘Le Grand Bleu’. The music she released under the name Dream Dolphin, from the age of sixteen, is unique and versatile in style, encompassing Ambient, IDM, Techno, Trance and even Drum & Bass, whilst fusing natural sounds with her own spoken word lyrics.