#artarchive

[madart143]

[koifishinmybathtub]

A painting I made based off of a sketch I did in San Diego CA

[luzmatutina]

Crisantemos by James Tissot, 1875

[graffiti-library]

- Blazing - 2011 - nr.24 - 82 pages - 

- 21-29.7cm - softcover -

[ghentlytomes]

Smol opossum icon pixelart.

[uhlexiart]

[araseducation]

I'm Zephan, I'm an intern at ARAS, and I'm very interested in symbols, dreams, consciousness, and art that portrays those things. I feel like dreams can act as a sort of portal into the unconscious, showing us our true unfiltered emotions and what we would call the soul. Henry Fuseli's The Nightmare is one particular work that caught my attention for the way it represents dreams. The expressions of the figures and the lighting depicted show a specific feeling and add to the atmosphere which isn't exactly "scary" as much as simply surreal. Image: Henry Fuseli, 1781, The Nightmare, oil on canvas.

[ryo-tommy]

🚨NEWS🚨 京都嵐山にて過去作小品展vol.2のお知らせです。 @galleryo_arashiyama 詳細はBIOから見ることができます。 この度、ギャラリオ嵐山では RYO TOMIE 過去作展『STORAGE vol.2』を開催いたします。 これまで「越境」をテーマに 様々な事象をモチーフに選定し作品としてきた RYO TOMIE の 過去作、とりわけ ” BORDER ” と題された山のシリーズをメインに展示いたします。 RYOTOMIE は自然や宗教、言語や人種、過去などの抗えないものに対して、新たな視点 を設けることでうまれる切り口をきっかけに制作を続けてきました。 それは、現在大きな流れとなっている自由平等の訴えや自然災害に対する直接的な取り組み とは一線を画するものです。個人的な体験から成る感覚を、作品の形態やリズムに置き換え ることで鑑賞者に二次体験を促すような作用をもっています。 作家は「だれひとりとして同じような感覚は持ち得ない、常にわたしたちは人が観たものを もういちどよく観ている。」と言います。 確かに私たちの生きる社会では、人の経験を覗き見ることが可能なツールで溢れていますが、 個人の直接的な体験はそのひとの中にしか宿っていません。 ドイツの思想家、フリードリヒ・ニーチェ (Friedrich Wilhelm Nietzsche 1844 - 1900) の 著作『善悪の彼岸 *1』において有名な一説で「深淵をのぞく時、深淵もまたこちらをのぞい ているのだ。」という文章があり、様々な解釈がいまでもなされていますが作家は自身の作品 がその一説と似通った効果を持っていると考えます。 他者の体験した事実を 私たちが二次的な媒体で閲覧したとき、その他者の体験は間接的に私 たちの所有物となりますが、その他者が所有された体験を通じて私たちを観ていると考える ことができるのではないでしょうか。 　自身のアイデンティティを見つめ直してきた作家 *2 には、「体験の優劣 / 比較」という概念が 無く、鑑賞体験による 事象との対面と感覚の越境が行われるのです。 この展覧会シリーズに展示される過去作は、制作の時期が様々ではありますが作家の思想 の一貫性を見出すことができる作品群と捉えることもできます。 未発表作を含めた過去作を鑑賞できる、この希有な機会にどうぞご高覧下さいませ。 - *1 1886 年に初版が発行されたニーチェの著作。原題は『Jenseits von Gut und Böse』。第 146 節の文章。 *2 RYO TOMIE は 2021 年の個展『The Story Only I Can Tell You』にて、自身の小学生時代を半自伝的に綴った同タイトルの小説を 展覧会作品として発表・配布している。 #ryotomie #exhibition #artarchive #ギャラリオ嵐山 #京都アート #京都展 (嵐山) https://www.instagram.com/p/CpOxgYpPNlj/?igshid=NGJjMDIxMWI=

[monriatitans]

ARTIST SHOUT-OUT #575

Saturday, May 4, 2024

"Golden Knowledge" by Shaheen Khan

SOCIAL MEDIA

ArtStation Post

Instagram

Linktr.ee

Threads

**Don’t forget to give Shaheen Khan a follow!**

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Artist Shout-Outs are given to human artists to combat AI art theft. #createdontscrape For more details, and to view previous ones, click here! Like what you see and want to know when there’s more? Click here to subscribe for updates and/or hit the Follow button! See the piece on ArtStation here! See where else the Artist Shout-Out has spread here! The shout-out choice was inspired by the Oxford English Dictionary‘s Word of the Day: rutilate, which is, “To glow, shine, gleam, glitter, with either a reddish or golden light.” For more about the word, click here!

[burade]

you literally repost content from peachyknights. your art is good because it's taken from better artists. like whoever runs kirbyofthestars-artarchive is probably fuming bc you draw exactly like they do and that's why they don't post anymore

sorry for this grievous misstep in penance ill be deleting my blog and committing a ritual suicide immediately

[abwwia]

Lillie P. Bliss. c. 1924. Rona Roob Papers, II.C.3. Courtesy of The Museum of Modern ArtArchives, New York.

Lizzie Plummer Bliss (April 11, 1864 in Boston – March 12, 1931 in New York City), known as Lillie P. Bliss, was an American art collector and patron. At the beginning of the 20th century, she was one of the leading collectors of modern art in New York. One of the lenders to the landmark Armory Show in 1913, she also contributed to other exhibitions concerned with raising public awareness of modern art. In 1929, she played an essential role in the founding of the Museum of Modern Art. After her death, 150 works of art from her collection served as a foundation to the museum and formed the basis of the in-house collection. Via Wikipedia

[romanbilinskiart]

Gurnard, anchovies and shrimp. Bordighera.

#romanbilinskiart #romanbilinskistilllife #novecento #artarchive #artcollector #artgallery #art #artwork #artwatchers #artoftheday #ittico #acciughe #gallinella #gurnard #fish

[luzmatutina]

starving there, sitting around the bars,

and at night walking the streets for

hours,

the moonlight always seemed fake

to me, maybe it was,

and in the French Quarter I watched

the horses and buggies going by,

everybody sitting high in the open

carriages, the black driver, and in

back the man and the woman,

usually young and always white.

and I was always white.

and hardly charmed by the

world.

New Orleans was a place to

hide.

I could piss away my life,

unmolested.

except for the rats.

the rats in my dark small room

very much resented sharing it

with me.

they were large and fearless

and stared at me with eyes

that spoke

an unblinking

death.

women were beyond me.

they saw something

depraved.

there was one waitress

a little older than

I, she rather smiled,

lingered when she

brought my

coffee.

that was plenty for

me, that was

enough.

there was something about

that city, though

it didn't let me feel guilty

that I had no feeling for the

things so many others

needed.

it let me alone.

sitting up in my bed

the llights out,

hearing the outside

sounds,

lifting my cheap

bottle of wine,

letting the warmth of

the grape

enter

me

as I heard the rats

moving about the

room,

I preferred them

to

humans.

being lost,

being crazy maybe

is not so bad

if you can be

that way

undisturbed.

New Orleans gave me

that.

nobody ever called

my name.

no telephone,

no car,

no job,

no

anything.

me and the

rats

and my youth,

one time,

that time

I knew

even through the

nothingness,

it was a

celebration

of something not to

do

but only

know

Young in New Orleans - Charles Bukowski

[swanscissors]

Stillness #25, Laura Aguilar, 1999

[ghentlytomes]

"Wolfsbane" done in Blender.

[yoshimihasegawa]

Rotterdam Architecture Journey 2 ; Depot Bojimans Van Beuningen, the world’s first accessible art depot built by MVRDV in 2020. The reflective round volume responds to it’s surroundings. What will you see there? @boijmans @mvrdv #mvrdv #architecture #travelphotography #depot #artarchive #rotterdam #netherlands (at Depot Boijmans van Beuningen) https://www.instagram.com/p/ChxsgFELxqT/?igshid=NGJjMDIxMWI=