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#art shmart
millennium-bright · 5 months
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上根 拓馬 Takuma Kamine
https://otakei.otakuma.net/archives/2021102901.html
(Art Shmart: Imageから)
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howieabel · 1 year
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“A voice: "All right, the lighter. Burn, Gioconda, burn..." A silhouette advances, a flash... They lit the lighter and set Gioconda on fire. The flames painted Gioconda red. She laughed with a smile that came from her heart. Gioconda burned laughing...
Art, Shmart, Masterpiece, Shmasterpiece, And so On, And So Forth, Immortality, Eternity-
H-E-E-E-E-E-E-E-E-E-E-E-E-Y...
"HERE ENDS MY TALE'S CONTENDING, THE REST IS LIES UNENDING..."
THE END” ― Nâzım Hikmet Ran
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arosvolturi · 2 years
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Lovebirds.
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pocketramblr · 3 years
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Ohhh I just got a really good fanart idea for Danger First and I wish I had the skill to draw the vestiges well enough
👀 maybe do it anyway?
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angie-draws-art · 7 years
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Astrid is really cool okay.
also for @amare-sili and @leffie-draws-fanart for being super cool and awesome :)
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captainbushel · 6 years
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working on Something.... i started it like a month or two ago but i’m finally doing it now
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the-pit-of-space · 6 years
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welcome one and y'all, to Inktober 2k18!!! where i hopefully make it past day 3!! day 1, poisonous!! enjoy this fanci marker art
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phykios · 3 years
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honesty and promise me, part 5 [co-written with @darkmagyk] [read on ao3]
 Annabeth is making her periodic pilgrimage to the gynecologist when she gets Leo's call. It's very fitting--two uncomfortable and invasive things for the price of one. She answers her phone, ignoring the doctor's chastising frown. Surely she can place her new IUD while Annabeth deals with whatever Leo wants.
 "What are you doing on the 18th?" he asks, about the only type of hello she ever gets from Leo.
 The two of them never really grew out of pretending not to like each other, after they had gotten over their initial dislike. When he and Piper first got to Miss Minerva's, more or less straight out of juvie after Piper's dad made a lot of calls and called in a lot of favors, she and Leo had really hated each other. They used to fight over everything, from Piper's attention to the position of captain of the Mathletes team. And also, over Leo hating a rich white girl on principle, which, in retrospect, is totally fair. But then, by a weird twist of fate, they wound up in Boston together.
 If Annabeth had to choose between hanging out with her creepy, Norse mythology-obsessed uncle and hanging out with Leo, she'd pick Leo every time. They had gone through a lot together, things both big and small.
 "Of August?" she asks.
 "Please be still, Ms. Chase," says her doctor. Annabeth rolls her eyes.
 "Duh."
 Wracking her thoughts she can't think of any prior commitments she might have had. Maybe there's a concert that day, but if she can't remember, it probably wasn't that important anyway. "Not much."
 "Good, because we have plans."
 She frowns. "Piper didn't mention any--"
 "No, you and I have plans. I'll see you in Philly, yeah?"
 Philadelphia? Ew. "Why Philly?"
 "Our Smarter House thing won an award."
 "No shit?"
 "Eta Industries Award. The gala is on the 18th. You're my plus one."
 She sucks in air through her teeth, readjusting her hips as unobtrusively as possible. Eta Industries was… a very big deal. "Isn't that, like, an engineering specific award? Maybe you should accept it by yourself." She'd be better off staying out of the limelight for this one, she thinks, even as some part of her longs once again for recognition.
 Something electric whirs in the background, tinny and buzzing. "I'll see you on the 18th, then," says Leo, not having heard a word she said. "Also, you've been summoned to the castle."
 "Leo--" she jumps as the gyno touches something she really shouldn't have.
 "No arguments, she's expecting you today at two. Adios!" He clicks off.
 "Okay, Ms. Chase," says the doctor, a little too chipper for Annabeth's taste. "You should be all set."
 Annabeth leaves the doctor's office with her brand new IUD, a handful of medical literature which immediately gets tossed in the trash, and a sinking feeling in her gut as she gets on a train to Brooklyn, headed to Piper's place for another annoying and unnecessary fashion show. It's not that she doesn't enjoy being Piper's model--it's a position she's held since their time at Miss Minerva's, and it's never really a hardship to be told how gorgeous she is--but Piper has a way of just... getting information out of her that she doesn’t always want to share.
 Stopping off early, Annabeth gives herself a moment to walk down the Brooklyn Heights Promenade, to settle her nerves and indulge herself a bit. That skyline gets her every time.
 Turning down Pierrepont Street, she is once again struck by just how quiet the city can be. Manhattan is loud, rude, in-your-face, almost an entirely different world from the stately, deafeningly silent Brooklyn. For Annabeth, who is incapable of falling asleep without city horns blaring, it wigs her out a little.
 She barely has time to ring the doorbell on Piper's dad's place before the girl herself wrenches it open, grabbing Annabeth's hand and yanking her inside. "You're late!" she trills, suffering what Annabeth can only assume is the onset of a caffeine overdose.
 "I thought I had until two."
 "That was before I had the best idea."
 The brownstone is a mess, as per usual, reams of fabric tossed over every available surface, enough dressforms strewn about to make it look like Piper is hosting a party exclusively populated by headless zombies, adorned with a warehouse's worth of half-finished dresses and jackets. Based on the loud fabrics and structured angles, it looks like Piper is in the middle of a Klimt-ian phase of inspiration. Annabeth eyes a bright gold gown with a huge, extended collar, embroidered with silver eyes, the raw edges trailing the floor. "Please tell me this isn't your idea."
 "First of all," Piper releases her arm as they enter her kitchen-turned-photo studio, gingerly stepping over a box of assorted beads, "even though it would look amazing on you, that dress is for an actual paying client. Second of all--" she snatches up a dressform from its position behind the camera, setting it down in front of her with a flourish. "This is my idea."
 Annabeth was right--Piper is definitely on a Klimt-ian kick.
 Pulled straight from her art history classes, the dress looks like a two dimensional painting come to life, a stunning skirt like a column of liquid silver descending onto the black mat, pleats like fluted columns precisely draped over the dressform's hips… and not much else. Annabeth points. “Is that it?”
 Piper makes a face. "I have a bodice, promise. Now go take that shit off."
 Annabeth looks down at her repurposed The Police shirt, fished out of a thrift store bin some months ago, shirt collar cut and sides resewn to bring the waistline in. "I like this shirt."
 "Oh, I like the shirt plenty," she agrees. "But you could stand to wear a nicer pair of jeans."
 She does have a point there--her jeans are clinging to life at this point, the knees and hems all but obliterated, strings of fabric valiantly attempting to hold their original shape. "Fine. Be right back."
 When she emerges from the bathroom a minute later in just her bra and panties, Piper has laid out another bolt of fabric in that same color, silver with a blue shift beneath the studio lights. Piper, bent over with a strip of measuring tape, looks up at her, then squints. "So who is he?"
 Annabeth starts. "Excuse me?"
 "The guy you've been seeing."
 How... the fuck does Piper always know these things? "I don't know what you're talking about."
 She flicks her eyes down to Annabeth's thigh, Annabeth following her gaze to the remnants of the bruise that Percy had left there with his mouth two days ago. Dammit.
 Piper tsks, a smile distorting the sound. "Naughty, naughty, Annabeth."
 "How do you know it wasn't from a girl?" she asks, petulant.
 "Because if it had been a girl, you wouldn't be nearly so defensive."
 Shit. "We've been friends way too long," Annabeth grumbles.
 "That we have," says Piper. "And out of respect for our friendship, I will refrain from grilling you about him until you are more comfortable sharing."
 "So, for a few hours?"
 She shrugs. "More or less."
 "I suppose you want me to thank you for holding back."
 "Don't thank me yet," she grins, wide and toothy. "I've been cooped up here working on my collection for three days, and I am dying to talk to someone."
 Annabeth sighs, but obediently raises her arms, making room as Piper crouches down to pin the skirt on her. "Okay, you got me. I'm seeing this guy."
 "Seeing or seeing-seeing?"
 "Just seeing," she clarifies. "It's pretty casual."
 "Can't be that casual if you're telling me about it," Piper points out.
 Fuck. This is why she never tells Piper about her hookups. "You're the one who asked."
 "Another business bro, I assume?"
 "He's--" Piper swats at her as she automatically sucks her stomach in, their long held code for "stay put." "He's a dancer."
 She hums, arranging pleats over Annabeth's knees. "Like on Broadway?"
 "Ballet."
 Piper glances up at her, eyes sparkling. “Un danseur! Ooh la la,” she trills. “What’s his name?”
 “I can just leave,” Annabeth says, distinctly not thinking about how Percy will occasionally slip into French whenever he stubs his toe.
 “Okay, okay, no more boy talk.” Piper moves in front of her, adjusting the fabric about her waist. “Tell me about the thing you just won with Leo.”
 “I had honestly forgotten about it,” she says, lying a little, pulling her arms forward. “You remember his master’s thesis?”
 “The shmart kishen thing, right?” Piper asks around the tape measure in her mouth.
 Leo, the prodigal boy that he is, had spent his last year of school dedicated to a singular problem faced by people around the world: the sudden, out of control kitchen fire. Using very complicated electronics and engineering that Annabeth does not understand, he devised a handful of mechanisms to sense, contain, and ultimately douse random fires as soon as they popped up. Annabeth came on as his design partner after he had graduated and had gotten some funding to conceptualize an entire safe house.
 “Well, it just won an Eta Industries award.”
 Her head snaps up, hands freezing in their tracks. “Holy shit.”
 “Yeah.”
 “Congrats.”
 “Thanks,” she shrugs as Piper gets up to grab some more fabric. “I mean, it was mostly Leo’s doing. I just made sure he didn’t leave any stray pipes around.”
 Holding out her arms again, Piper slides them through the sleeves of a heavy, corset-like piece, structured and straight and very forgiving on Annabeth’s lack of curves. “You shouldn’t sell yourself short,” she says. “I’m sure your skills as a guinea pig were very valuable.”
 “Are you ever going to let that go?” Annabeth asks, she who has literally burnt pasta while it was submerged in water.
 “You’re just lucky my dad was out of town that weekend. Have you decided what you’re going to wear to the awards ceremony?”
 She shoots her friend a strange look. “I thought I was wearing this?” she gestures to the unfinished silver gown currently making her feel like an absolute goddess.
 Piper makes a face. “What do I look like, the fucking Flash? This isn’t going to be ready for another thirty hours, at least. I’ve got decals to add, Swarovskis to bead, not to mention all the hand-stitching on the neckline because for whatever reason my machine has decided to hate me this week.”
 “Okay, well,” says Annabeth, appropriately cowed, “then I guess I’ll wear the black one you gave me.”
 “2019 fall/winter?”
 Annabeth nods.
 “Styling?”
 “Luke gave me this really nice scarf for my birthday.”
 Throwing her head back, she groans.
 “What? What’s wrong?”
 “You’re so boring,” she moans, pulling Annabeth’s hair out of the way. “Let me guess, you’re going to pair it with the black shrug and opaque nude tights.”
 “Well… yeah, I was.”
 “Exactly! Boring.” Coming back around, she pushes Annabeth lightly into the light, before taking her place behind the camera. “You could do so much with that dress and you choose to make it boring. Why not some fishnets? Or a big statement necklace?”
 Annabeth waits after a few shutter clicks to answer. “Because I doubt that the people at Eta Industries are going to be big fans of my tattoos.”
 “That is a bald-faced lie and you know it,” Piper says. “Your tattoos and piercings are gorgeous and you would look absolutely rocking with them. Knock all the old farts right off their feet. Turn.”
 Obediently, Annabeth rotates, letting Piper snap off as many pictures as she likes. “This isn’t a Vogue event, Pipes,” she says, rolling her eyes where her friend can’t see them. “Punk isn’t exactly accepted practice yet.”
 “Punk was the Met Gala theme almost a decade ago, babe. It has filtered down from Vogue. It's practically cerulean now. Side.”
 Annabeth turns again, keeping her eyes straight. Side-eye would ruin the shot, no matter how much she wants to give it.
 “I will never understand why you both refuse to wear halfway decent jeans and then refuse to go guns out in my dresses that demand it. I can almost guarantee you that Leo will show up in those stupid suspenders with grease on his face. And you’ll have to get him to leave his tool belt in the car.”
 “Then it’s probably for the best that I have a modicum of professionalism, huh?”
 Piper leans out from behind the camera, glaring. “At the very least,” she hedges, “will you let me set you up with some shoes?”
 “I don’t know…”
 “You are not allowed to wear those horrid Manolo pumps you wear everywhere. And your nude Louboutins won’t look right with the black.”
 “What did you have in mind?”
 Piper’s grin is evil, and the way she scampers out of the room means she’s got something she’d been trying to force on Annabeth for a long time.
 Five minutes later, Annabeth is presented with a set of black strappy sandals, its edges detailed in a gold zipper, with safety pin pull to match. She frowns. “Are you sure? They look kind of… hardcore for something like this.”
 “They’re Versace,” Piper says. “I was not lying about punk’s democratization.”
 Well. They are pretty cool.
 “It’s either this or the McQueen boots. They have studs.”
 Annabeth sighs, holding out her hand. Piper squeals, bouncing a little, wrapping her in a brief, but exuberant hug, kissing her cheek with a loud, wet, smack. “You’re the best!”
 “I haven’t even done anything.”
 “I am saving up favors to cash in. Now,” she releases Annabeth, retreating behind the camera. “If you’ve got some time, can I borrow your head? I’m working on a helmet and all my mannequins are busy.”
 ***
 “Hey,” Percy begins. It is so late at night, the dawn is on the edge of breaking, and they are both exhausted from some particularly good sex. Which is saying something, because all their sex is particularly good. “You doing anything on the 18th?”
 “Yeah,” She says, distractedly, snuggling down into his bed. The fact that she’s also snuggling into him is just a coincidence.
 “Oh.”
 “Why?”
 “Nothing. Was going to invite you to a thing if you weren’t.” She nods her head against his shoulder and falls asleep in his arms, thinking absolutely nothing about it.
 She continues to think nothing of it on the train to Philadelphia on the 18th, half-asleep and listening to Paramore to pass the time, blasting Misery Business on repeat as she changes in her hotel room.
 The Eta Industries event is pretty much exactly what she expected: a lot of old rich white people milling about, sipping champagne and verbally circle jerking each other, the insipid strains of classical music spilling out of the ballroom as Annabeth steps up to claim her name tag. “Name?” asks the young, college-aged girl, skimming her printed guest list over the rim of her glasses.
 “Annabeth Chase.”
 She runs a long fingernail over the assorted collection of name tags, before settling on the correct one, handing it to Annabeth, her star tattoo on the inside of her wrist free and open to anyone who would care to look. “Here you are, Ms. Chase,” she says, smiling. “Have a wonderful night!”
 Automatically, Annabeth goes to pin it on Luke’s scarf, before she remembers that something is already occupying that place--Percy’s Acropolis pin. She had taken to keeping it in her pocket these days, something of a good luck charm, and thought that it might… she doesn’t know, maybe send a subconscious signal to Percy that she’s thinking of him. Even though there is, quite literally, no way he could know, she hopes that maybe he can sense it, and that maybe he’s thinking about her, too.
 Ugh. She snatches up a flute of champagne from a wandering waiter, eager to get that thought out of her head, making a beeline straight for the refreshments table. It’s there that Leo finds her, not five minutes later, munching on some chocolate covered strawberries.
 “And here I thought you might ditch me entirely,” he says, even as he bumps her shoulder. True to form, he is absolutely, 100% dressed in those stupid suspenders, a smudge of grease behind his ear.
 “You’ve got a…” Annabeth trails off, motioning behind her own ear.
 “Huh? Oh!” He snatches up a napkin, rubbing discreetly. “Thanks.”
 She squints. Something about him is distinctly different. “Are you taller?”
 Kicking out a foot, he wiggles it, triumphant. “Platform shoes.”
 “Seriously?”
 “Hey, if they're good enough for Robert Downey Jr., then they’re good enough for me. After all, I am Ir--”
 She groans, good-natured, taking another gulp of champagne. “If you quote Marvel in your speech, I’m leaving.”
 “Fine by me, Your Highness, they’ll give me the award either way.”
 “Excuse me, Mr. Valdez?” The same college girl from before sidles up to them, clipboard clutched in her hand. “They’re about to start.”
 He claps his hands, rubbing them together. “Excellent. You coming?”
 “I…” She casts her gaze to the makeshift stage they’ve constructed, eyeing the bright “Eta Industries” placard, the sharp angles shiny and alluring, the siren-song of recognition.
 This is a big deal. There are photographers in the audience. In the write-ups and reviews, she would be listed as a co-winner of the award, a co-designer of the world’s safest house, a thought so happy she practically starts flying.
 “I think I should stay out of the limelight for this one, Leo,” she says, politely. “This is your moment. I don’t want to ruin it.”
 He frowns. “You sure?”
 Were it not for the fact that people were watching, Annabeth would have leapt up onto that stage without a second thought, snatching up the trophy like she had just won the Oscar, holding it up like the goddamn Olympic torch. “What, you want a white woman stealing your glory?” she says instead, arching a brow.
 “You get a pass this one time,” he quips, holding out his hand. “Don’t make me regret it.”
 Whatever social grace she has left crumbles. She’s denied it enough--she wants to be up there. “Oh, fine. Since you insist,” she says, following clipboard-girl to the stage.
 There’s a quick burst of feedback, then an elderly gentleman at the podium begins speaking into the mic. “Excuse me--sorry about that. Yes, yes, thank you all for coming tonight to the annual Eta Industries awards presentation ceremony. It is always such a pleasure to come together with our hard-working and generous board members and shareholders to honor the best and brightest upcoming talent in engineering.”
 Internally, she rolls her eyes. Rich people.
 “It is my pleasure, however, to introduce the young man who is the recipient of this year’s Millennium Prize for innovation and safety. One of MIT’s youngest and most decorated graduates, he was a recipient of the Mead Prize for Students, the Friedman Young Engineer Award, and the Collingwood Prize, among several others. His master’s thesis, ‘Towards the Design and Implementation of Autonomous Safety Measures in Commercial Kitchens,’ formed the basis of the project which we recognize tonight, the so-called ‘SmartSafe House,’ reflects the pioneering spirit and outstanding creative vision of not only Eta Industries, but also the field of engineering as a whole. Please join me in congratulating this year’s Millennium Prize recipient, Leo Valdez.”
 From the sidelines, she claps enthusiastically with the rest of the crowd as her friend takes the stage, shakes hands with the Vice President of Eta Industries, and accepts the award, a blue, blocky triangle which almost seems to glow in the light of the ballroom. “Thank you, Mr. Helms. This is--this is a really big honor.”
 She can see him shaking a bit, taking a quick drink from his water glass. Public speaking was never really his strong suit.
 “As--as a lot of you probably know, this project is very near and dear to my heart. Growing up in Houston with my mother, a car mechanic, I was eight years old when her beloved shop went up in flames, like that.” He snaps his fingers, his other hand pressed to the podium where no one can see, joints white with pressure. Annabeth is proud of him--he hasn’t been able to speak this candidly about it in years. She knows firsthand how much his mother’s near-death haunts him still. “Thankfully, we were able to rebuild, and my mother went on to bigger and better things--including a shop with cleaner vents. But I can definitely pinpoint that moment as the day I knew I wanted to make the world a safer place, for my mom, if not for everyone else.”
 She remembers, so clearly, that snowy night in the dorms at Miss Minerva’s. The power had gone out, and Leo had made them an illicit campfire out of their trash bin and Annabeth’s failed English exam. Cold and miserable and with dying phones, they passed the time instead telling scary stories and funny memories, until the conversation had gotten suddenly, intensely real.
 “But I would be remiss,” he goes on, cheerful, “if I didn’t acknowledge my friend and collaborator, without whose work I wouldn’t be here today: Annabeth Chase,” he waves to his side, indicating her. The whole crowd, as one, turns their gazes on her. She straightens up, imperceptibly, hoping she doesn’t look too haughty or anything. “I’ve never been very good with people. My mama says I’m just like my dad that way. Give me a car, or a computer, or pages of multiplication tables, and I’m golden. But people?” He blows out a breath, and the crowd chuckles, naturally. “Now, if it had been left up to me, the SmartSafe House would have been a top of the line, cutting-edge metal box, efficient to a fault, but completely unlivable. Thank God I had Annabeth on my team to remind me what the project was really about: a home that families could feel safe in, so that what happened to me and my mom might never happen to anyone else.” He hoists his award above his head, leaning into the mic. “Ma, este es para ti. Thank you all.”
 Stepping down from the stage, they reenter the crowd, ready to receive adoration. In another life, she might have been embarrassed by such praise. Here and now, however, she takes each handshake and word of congratulations like a starving man in a desert who just came across an oasis, hungry and greedy.
 Hey, it’s her night, too.
 After what feels like a whole-ass sixty minutes of shaking old people's hands and polite nodding, though, she is in desperate need of a break. Escaping the throng of mingling bodies, she darts into a dark corner of the ballroom, leaning against the back of a rounded stone column, just barely out of sight of the party.
 Rubbing her hands over her face, she sighs, just short of a scream. Blowing out all her air, she lets the faint music and fake laughs melt into each other, becoming white noise, a blank canvas, empty of concrete thoughts and feelings.
 Then, her ear picks up a strand of conversation.
 “...announcing tomorrow that the CEO of Pallas Inc. is choosing a successor,” a woman says, the sneer in her voice almost visible. “About time.”
 “I thought she already picked a successor,” says the woman’s conversation partner, a man with the kind of cookie-cutter cadence that she heard every time she took a business major to bed. “Pallas is a family business, isn’t it?”
 “You haven’t heard?” Annabeth can almost picture it, the furtive glance around the room, the woman placing her hand on her partner’s arm, leaning in to share a juicy secret. “Supposedly she was grooming her daughter for the role, before she went in for rehab.”
 “Rehab? Really?”
 “What else could it be?” says the woman. “She’s disappeared off the face of the earth, and her mother refuses to talk about her. Let’s be honest, if she were dead, she would have raised a bigger stink about it.”
 Annabeth closes her eyes, sucking air in through her teeth. That… wasn’t totally untrue.
 But the woman doesn’t stop. “It’s always the same story,” she scoffs. “You throw countless hours of schooling and millions of dollars into girls like her, and what do they do? Turn around and blow it all on drugs and partying. Honestly, she should be grateful her mother is even bothering with her rehab at all. Hasn’t she wasted enough of the family’s money already?”
 Blood roars in her ears, drowning out the fancy party. Sharp points dig into her palm, pinpricks of pain, before she realizes that they’re her own fingernails.
 The lady has got it all wrong. Her mom couldn’t even be bothered with that.
 Luke’s scarf, the shrug, it’s choking her, suffocating and constricting. Percy’s pin feels heavy on her chest.
 Blinders on, she would have sprinted for the exit were it not for the Piper’s stupid Versace heels, reduced instead to a teetering, tottering wreck, like a baby colt running from a predator. The night is hot and humid, heavy with the threat of rain, and Annabeth can barely breathe, dark spots in her eyes, until she ducks into a nearby Target, the frigid blast of air a welcome distraction.
 Almost in a daze, she watches herself pick up a few things--clippers, an electric razor, beef jerky, a blue Gatorade she considers for a moment before putting it back, choosing a lemonade instead--practically throwing them at the poor cashier who begins checking her out, mechanically. He doesn’t spare her a single glance for her odd assortment of items. He doesn’t even look at her at all.
 The walk to her hotel room disappears in the blink of an eye. Blink--she breezes past the check-in counter, slipping into the empty elevator. Blink--she kicks off her heels in her room, nearly hitting the wall mirror, leaving a scuff mark on the white plaster. Blink--she’s down to her underwear and tights in the bathroom, shaving the right side of her curls clean off. She’d gotten them professionally done for the night, perfect spirals held together by expensive products. And now she wants them gone.
 She pauses and breathes too hard, looking at herself in the mirror. Her mother didn’t like that she was blonde. Maybe because of dumb blonde stereotypes, maybe just because it reminded Athena too much of her failed romance with Annabeth’s dad. And that thought stays her hand from getting rid of the rest of them.
 That, and maybe the idea of Percy, of some broke dancer, tangling his fingers in it as they lie together.
 Fuck her mother, and the fucking stories she tells.
 She likes it. She likes her blonde hair and her fresh undercut.
 She can get Thalia to touch this up later, maybe. Now, though, she needs this.
 It doesn’t look perfect. The left side of hair is too long, her gold laurel earrings too fancy for a homegrown haircut like this, her makeup too pristine. Shoving her hand under the running water, she rubs at her eyes, mascara and eyeliner smearing until they’ve reached something much more respectable for the failure that she really is.
 She misses her industrial. And her eyebrow rings. And the tongue piercing. But this will have to do for now.
 Breathing heavily, eyes hot, she doesn’t register her phone blinking, signaling an unread text message.
 It’s from Thalia. surprised you weren’t at kelp heads bday party, it reads. was pretty boring. Kno he missed you  
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HELP
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earnedmagic · 3 years
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24 hours left until all my finals are done... i've drawn so much my brain is breaking... listened to the whole of a christmas carol on youtube in like 1 illustration session... my brain keeps trying to translate things into french... ppl in my facebook groups are mad at me but there are so many typos in their responses they are completely illegible... art history shmart bistory
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logo-dojo · 3 years
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Shitpost
You're not bad at art, you are a work in progress. You're allowed to be late, you're allowed to be sloppy, the world doesn't have to approve of your art and you shouldn't have to have other people tell you your art is good for you to believe it, it's not all that healthy in the long run. Your not bad, you're getting there and that's enough. You are enough.
Me: But-
The confident part of my brain on its last leg: Art shmart, art is expression and expression is beautiful, eat your own gosh twang words you talented, useless lesbian.
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drakescottcherry · 7 years
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Rembrandt. #self #rembrandtedself #rembrandt #lighting #is #key #film #cinema #photography #art #shmart #fart #theshakes #filmnoir #blackandwhite #monthlyselfie #selfie #selfishselfie #wind #why (at Remart)
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dariabolshikh · 6 years
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tumblr goofed v. 2
I actually wrote a post before, regarding this, and strangely enough it just didn't publish. Well hey, now that we have an official date, let's try again.
I've always liked tumblr as a platform - it gave me an opportunity to meet new people, reach an audience and just keep my work neatly stored in one place, without feeling overly anxious about not being good enough. Now, I'm terrible with posting consistently because a) I'm busy with school and graduating and working on my thesis, and b) social networks aren't healthy and I'm honestly a much happier person, now that I have distanced myself from them.
This is why tumblr being a dunce is so disappointing to me: I barely use twitter and I barely use Instagram.
If, however, this flops and you suddenly find yourself craving for some Daria's art-shmart, you can certainly find it here:
TWITTER & INSTAGRAM.
Thank you for your time and let us hope this ship magically won't sink.
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arosvolturi · 2 years
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the-goldendragon · 6 years
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ear references for the races of WoW
- goblins aren’t added because they will get a model update later - I will add more detailed pictures eventually
use it as a guide! it’s pretty useful for art shmart
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mcneyhoney · 6 years
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stef in my head: i am a student of performance i can appreciate and deliver art thru my body and voice cabaret is one of many ways performance art remains accessible and current 
also stef in my head:  performance art performance shmart i’m gonna glue a telephone to this hat  (wig)  and sing opera over distorted electronic beats to a club full of people high on poppers and pills 
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