#art history themed asks

[faceeeeee]

s....sgryingeon....

ON IT!!!!!🫡🫡 ✍️✍️

[sigtheta]

An eye for an eye makes justice blind

(25/11/2023)

[wutheringmights]

Spirit: When I graduated high school you were only 13 isn't that weird

Wars: Can yuo put that out on me

Based off that one chapter lmao

LMAO DAMN OKAY YOU ARE VERY CORRECT ABOUT THIS ONE THANK YOU SO MUCH FOR BRINGING THIS VISION INTO THE WORLD IT WILL PLAGUE MY EVERY WAKING THOUGHT FOR AT LEAST THE NEXT WEEK BUT PROBABLY MORE 💛💛💛💛

[gierosajie]

You ever just imagine Dyvalin getting a flower necklace by Mondstat? bc I just want him to be accepted by the people he wanted to accept him. He may not be human but he is a Mondstater in my heart

Dvalin's first experiences being yelled at and scorned when he first came down as a young child, and then over the years people became more amicable towards him, but there's still quite a distance between them as Dvalin, being a close friend of the Anemo Archon and one of the Four Winds, is still a sort of figure of worship

The wild thing is that, in the AU, Dvalin becoming a god ended up bringing him closer to mortals more than anything Venti had tried

It's something like what happened in this post about the ghosts and spirits post-Cataclysm. Mondstadters basically saw what Venti had; someone just as lost, just as scared like them but still trying their best

Anyway YES, Dvalin would indeed get a necklace of flowers! In one of my notes that I cannot for the life of me find, some of the kids post-Cataclysm tried to give Dvalin a bunch of flowers because they felt like he "needed them more than someone that won't even get to enjoy the spring anymore."

[chubbycherubx]

st sebastian.

come rp with saint sebastian existing within the nicolas régnier painting at the manderley museum. he’ll remove all those arrows himself when he’s ready x

asks open to any and all. 💌

[imaginedisish]

Heroes (Logan Howlett x Fem!Reader)

A/N: I think I used David Bowie's "Heroes" for another fic when I first started writing on this blog. Oh well. We're using it again bc it inspired this fic. This is a combo request fic: Co-teachers/Logan having a nightmare/smut. Hope you guys enjoy!

Summary: You and Logan are assigned by Charles to co-teach a class to learn how to work as a team. You expect Logan to be cold, distant, short. What you don't expect is the way you find yourself needing him, and him needing you.

Warnings: 18+ MINORS DNI!!! SMUT! Dry humping, Oral (f!receiving), Fingering, Unprotected PIV (wrap it up), multiple orgasms, overstimulation, soft!Logan, cocky!Logan (always), softdom!Logan vibes, implied age gap (Logan is obvi older), frenemies to lovers, feelings, some violence (Logan accidentally hurts the reader while having a nightmare), reader has regenerative powers, fluff, hurt to comfort (literally), reader has family trauma, afab!/f!reader, cursing, def some grammatical errors, I think that's it!

Word Count: 5,267 kinda wanna do a part 2 this was cute

“I work better alone Charles. You know that.” 

You and Logan Howlett never did see eye to eye. 

“Yes, Logan. Which is why I’m giving you this challenge.”

He was always cold. 

“I don’t think this is a good idea.”

Always distant. 

“Hence why it is an excellent idea, Logan.”

But you never thought he’d be this resistant to teaching a class with you. 

“I’m fine with it,” you say, your eyes flitting between Logan and Charles. “It doesn’t faze me at all.”

Logan’s leather jacket crinkles and he puts his hands on his hips. He furrows his brows. “You’re fine with this?” He asks, cocking his head to the side. 

You shrug your shoulders. “I don’t see why not.” Your eyes find Logan’s, but you can’t make out the expression on his face. Can’t tell if it’s dislike, pure hatred, or something else altogether. 

“This can’t happen,” Logan insists, tearing his eyes away from yours and turning towards the Professor. His words sting and you’re not quite sure why—not sure why you should care about this at all. 

“It is too late,” Charles’s voice booms. “I have already decided. You will co-teach a history class for...” Charles trails off, choosing his words carefully. “Younger students.”

You smile, but Logan rolls his eyes, his brows still furrowed. “How young?” You say in unison, although in starkly different tones. You whip your head to face Logan and find that his eyes are already on you.  

“Ages six to seven,” Charles explains. “This will be a smaller class, given how rare it is for children of that age to show their abilities, and the course will be incredibly simple.” He rolls away from behind the desk and approaches you and Logan in the center of the room. “I have faith that the two of you can handle this.”

Logan exhales deeply but doesn’t say a word. “We can,” you answer, your stare breaking away from Logan and turning to the Professor instead. “I look forward to teaching the class,” you pause, “with Logan.”

Something in Logan’s glare softens. His frown slowly disappears, melting away. His jaw relaxes, and his shoulders go slack. “Fine.” He’s curt, but something about the resolve in his voice gives you an ounce of hope that maybe, just maybe this will go well. 

------------------------------------------------------------------------------

This is, in fact, not going well at all. 

Agreeing on the curriculum was not a problem. Logan, having experienced most of U.S. History, believes in telling history as it happened. No rose-colored glasses. No murky half-truths or prettily wrapped white lies. No weird Christopher Columbus-themed arts and crafts. Having seen multiple wars and experiencing the power of government exploitation firsthand—not surprisingly—has made Logan progressive.

So, you had designed an age-appropriate, honest, curriculum. You were shocked at how well you and Logan worked together. You shared quiet hours in the library, passing scribblings and notes back and forth while pouring over books. You actually felt quite confident. 

That is, until the very first class. 

You and Logan had only just introduced yourselves—written your names on the board. 

“We are going to have a fun, educational year,” you finish, smiling widely. “Does anyone have any questions?”

A young girl in the center of the room raises her hand. You nod towards her, and she smiles sheepishly. “Are you two married?”

You’re taken back, your brows furrowing. “Oh, um—”

“No,” Logan cuts you off, his arms crossing tightly against his chest. His shortness hurts more than you’re willing to admit. “Absolutely not.” 

The little girl’s eyes widen. “But then why do you look at her like that?”

“Excuse me?” Logan asks, his voice a little too harsh. “Like what, kid?”

“Logan,” you whisper, turning to face him. “She’s six. Let it go,” you chide. “Professor Logan and I are friends and co-teachers. That’s all.” You turn back to the little girl, who nods, but she doesn’t look convinced. 

The rest of the class goes relatively well. It’s very introductory—teaching the children how mutant history and human history are intertwined. You and Logan are able to simplify things for the children so that they can understand. And, as the class goes on, Logan seems more comfortable with the children. 

The period is almost over when a little boy raises his hand, and Logan calls on him. “My older brother told me people like us are scary,” he says shyly. His eyes are sad—too tired for a six-year-old. “He told me that we shouldn’t exist.”

Your stomach drops, tears burning behind your sinuses. You think back to your own family, back to the trauma of being disowned for something you couldn’t control. You’re too heartbroken to tackle the question. Logan’s eyes flicker between you and the little boy. 

“Your brother is wrong,” Logan answers, crossing the room to stand next to you. He brings a hand to your lower back. It’s the ghost of a touch, but it’s a lifeline. “You’re special,” Logan says, and you know he’s talking to you, too. “You all are. Don’t listen to what they say. You’re more important than you’ll ever know. More extraordinary than they can understand.”

The bell rings, and the children stand, collecting their belongings. “See you all tomorrow,” Logan shouts over the shuffling and ruckus in the hallway. The children file out the door, jumping and cheering as if nothing happened. 

“They’re so resilient,” you say, shaking your head and watching them leave. You look over to Logan—his face close to yours, his palm still pressed against your back. 

“So are you,” he whispers, smiling softly, rubbing up and down your back. “You did great.”

“Yes, she did. And you did too, Logan,” Charles says, suddenly in the doorway to the classroom. “I forgot to drop off the roll call this morning,” Charles explains, holding out a sheet of paper. You cross the room to meet him, taking the sheet into your hands. “It has the list of names of the children in your class, as well as their abilities.” Charles backs into the hallway. “Excellent work, you two. You make a better team than you realize.”

“Thank you, Professor,” you say. Logan mumbles a soft Thanks, and heads towards the door once Charles is gone. 

He scratches his head, almost nervously. “Got another class to teach,” he husks. “Meet up later to go over tomorrow’s lesson plan?” 

You nod your head. “Sounds good.” Logan smiles and walks through the doorway and down the hall. 

You look at the roll call, and your eyes widen. Your heart beats out of your chest. You find the name of the little girl who had asked if you and Logan were married. 

Claire Teller—Precognition, Clairvoyance, shows signs of potential telekinesis.

The paper falls from your hands and drifts slowly to the floor. You look down, your lips parted in shock. Did she see you and Logan—

“You alright, sugar?” Rogue’s voice snaps you back to reality. You look up, and she’s standing in the door. 

“Y-yeah,” you stutter, shaking your head. “I’m fine.”

------------------------------------------------------------------------------

The rest of the week goes smoothly. You and Logan meet each night to discuss the lesson plan for the following day. The classes go well. Claire always seems a bit distracted, her eyes flickering between you and Logan, but she does just fine in class. 

In fact, you’d say this was going better than well. You and Logan, despite his hesitation in the beginning, were growing closer every day. 

It’s written in secret, stolen moments—hands accidentally brushing, glances across the room. But you can feel it, the way your lives are being sewn together. You find ways to spend time alone outside of class—ordering dinner and grading together, practicing in the Danger Room as partners and not opponents. You had become something of a team.   

Tonight, you’re alone with Logan, sitting on the floor of his room, grading the small quiz you had given the children on the branches of government. Logan had picked the background music—60s and 70s rock. 

You hum along to Evil Woman by Electric Light Orchestra as you write “100%” at the top of a student’s quiz. 

“Pretty voice,” Logan rasps, looking up from his last quiz. Before you can react, before you can even process what he says, he’s moving on. “You almost done?”

“Just finished.” You write another “100%” and look up at Logan. He’s on his side, resting his head in his hand, balancing on his elbow. He smirks and stands up, striding over to you. He reaches his hand out, and you tilt your head, confused. You take his hand all the same, and he pulls you up. 

Logan’s hands find your waist, and he sways you from side to side. You giggle, shakily bringing your arms up and around his neck. Your heart thunders in your chest as you dance with him. 

“Didn’t take you for a dancer,” you murmur. Evil Woman fades out and Heroes by David Bowie starts up.  

“There’s a lot you don’t know about me,” Logan husks. He pulls you in tighter, his chest pressed to yours. 

“Yeah?” You ask, letting your head rest in the crook of his neck. Your eyes flutter closed. “Like what?”

He’s suddenly silent, and you can feel the tension thicken in the room. “When Charles came to us about the class…” He trails off, searching for the right words to say. “I was nervous,” he admits. 

You lift your head from his neck. “Why?” You question, smiling softly. 

Logan presses his forehead to yours. “Because I—” But then there’s a knock at the door. “Logan?” It’s Charles on the other side. Logan huffs, his eyes closing defeatedly as he loosens his hold on your waist and walks over to the door. 

“There has been an emergency,” Charles says the second the door is open. “I need you to go on a mission immediately. This is a dire situation.”

Logan looks across the room to you. “Okay,” he says, his eyes still trained on yours. 

Charles nods and heads down the hallway. “Meet me downstairs. Hank is readying the jet now.” 

“I have a bad feeling about this,” you confess, fighting the tears brimming at the corners of your eyes. You can’t quite place where the feeling is coming from—why you’re suddenly so nervous about Logan leaving. A month ago, this sort of thing would’ve felt routine, normal. There’s always a crisis somewhere. 

Logan swallows, his Adam’s apple bobbing in his throat. “I’ll come back,” he promises. “And we can talk then.” He strides over to you, wrapping you in his arms, and pulling you into his chest. “Don’t worry. It’ll be fine.” 

“Logan?” Charles calls from downstairs. “We need to leave at once!” 

Logan squeezes you tightly before letting go. He works his jaw, his teeth gritting as he backs out of the room and down the hallway. Your heart drops as you listen to his footsteps echoing against the stairs. By the time you muster up the courage to follow him, it’s too late. The door to the mansion slams just as you make it to the bottom of the steps. 

You can still hear Heroes faintly playing from Logan’s room. 

And the guns, shot above our heads (over our heads) And we kissed, as though nothing could fall (nothing could fall) And the shame, was on the other side Oh we can beat them, forever and ever Then we could be Heroes, just for one day

You sit on the bottom step, your head falling into your hands.

“Oh, sugar,” Rogue whispers as she walks into the foyer. She settles next to you. “I didn’t know you and Logan…” She trails off, shaking her head. “He’ll come back. He always does.” She hangs her arm around your shoulder, tugging you into her chest. 

You hope she’s right. 

------------------------------------------------------------------------------

The next morning, Logan is still gone. You’re forced to teach the class alone. As you’re starting roll call, a young boy raises his hand. 

“Yes, Jimmy?” You call, arching your brows. 

“Where’s Professor Logan?” He asks curiously, tilting his head to the side. 

You swallow harshly, inhaling deeply. “He has something to take care of,” you explain. “It’ll just be me teaching today. Is that alright with you?” You try to sound light, jovial, plastering a fake smile across your face. The kids buy it, giggling and nodding. Jimmy smiles widely and nods, too.

But Claire—the little girl who can seemingly see into the future, stares at you sympathetically. It sends a chill down your spine. It’s like she knows how you’re feeling—can see it in her mind’s eye. You shake the feeling off, proceeding with the lesson. The material is distracting enough—the U.S. voting system, carefully explained so that the children can understand. 

The rest of the class goes off without a hitch, and the bell finally rings. The session felt longer than usual without Logan, and certainly harder to get through, but not impossible. The class picks up their belongings and files out. You grab your papers, readying to leave, assuming that everyone is gone. 

“He’s going to come back,” a small, familiar voice whispers. You look up from your materials, and there’s Claire, standing in front of the desk. Her deep, brown eyes twitch back and forth. She closes them tightly and smiles. “You don’t have to worry,” she assures. “He’s safe. He’ll always come back to you.” She pauses. “All I see is happiness.” The veins in her temples grow thicker, and you can tell she’s working too hard to look to the future.

“Claire,” you say, your hand grabbing her shoulder. “Don’t hurt yourself, my love. You don’t have to do that for me. I’m okay.”

Her eyes fly open, and she smiles widely, as if nothing happened. She steps away from the desk, your hand falling from her shoulder. “Didn’t hurt at all!” She calls as she skips out the door. “See you Monday!”

You shake your head. Resilient, you think to yourself. So goddamn resilient. 

The rest of the evening is slow. You try to keep yourself busy—grading papers, listening to music, going for a run, training in the Danger Room. But all you can think about is Logan. 

After dinner, you get ready for bed, changing into a pair of panties and an oversized t-shirt. You sit alone in your room, on your bed, reminding yourself of what Claire had told you this afternoon. 

He’s going to come back. You don’t have to worry. He’s safe. 

You lay back on your pillows, bringing the covers up to your chin and closing your eyes. You repeat her words over and over again in your head as you fall asleep. He’s safe. He’s safe. He’s safe. 

------------------------------------------------------------------------------

You wake up a few hours later, your bedside lamp still on. Your alarm clock reads 1:45 AM. You groan, rolling over and shutting your eyes tightly, trying to force yourself back to sleep. But it’s no use—you’re awake, thinking of Logan already. 

You push yourself to sit up, swinging your legs over the side of the bed, and pressing your feet into the cold wood floors below. You walk to your door, twist the knob, and head out into the hallway.  A lap around the mansion might make you tired—might relax you. 

You walk down the hallway slowly, noticing instantly that Logan’s door is closed. You can’t help but pick up your pace, striding towards Logan’s room. 

You stand in front of his door, your hand on the knob, ready to twist and push. You stop yourself, wondering if this is crossing a line, tearing down a carefully constructed boundary. But all you want is to see him breathing, lying on his bed. You need to know he’s in there—safe. 

You knock once, but there’s no answer. You swallow nervously, twisting the knob and pushing the door open. 

Your heart stops. There he is. He’s home. He’s safe. He’s breathing. You let out a sigh of relief, smiling softly as you start to close the door. 

But then his head snaps to the side, and he grunts. “Logan?” You call, opening the door slightly. He doesn’t answer. He grunts again. You quickly notice the way his fists white-knuckle his sheets. 

You step inside his room, closing the door behind you. “Lo,” you whisper into the darkness. He tosses and turns, his head whipping from side to side. He must be having a nightmare, You think to yourself, your heart breaking in two, watching pain wrack his body, his mind. 

You meet his side, placing a hand on his shoulder and shaking him softly. “Logan,” you say, your voice louder, stronger this time. “You need to wake up.” But he doesn’t. He groans, his brows furrowed, sweat beading his forehead. 

“Come on,” you plead, climbing into the bed, and straddling him. You hold him down by his shoulders, stopping him from writhing. Now that you’re closer, you can see the tears streaming down his cheeks, can see the agony etched into the lines of his face. “Logan!” You yell. “You gotta wake—”

His eyes fly open, and you feel cold metal pierce your leg. Your jaw drops as pain stings sharply in your thigh. “Oh fuck,” Logan curses, sitting up and retracting his claws. Tears brim in the corners of your eyes as the pain worsens. “Shit!” He cries out, grabbing at your thigh, blood spilling into his fingers. 

You close your eyes as your powers take hold. Your skin slowly stitches up, putting yourself together again. You groan, and Logan wraps his arms around you, holding you tight against his chest. “I’m so sorry,” he mumbles into the side of your head, pressing soft, gentle kisses there. “I love you, I’m so sorry sweetheart.”

What did he just say?

“W-what?” You ask, the pain fading away as those three words echo in your mind. 

Logan’s breathing only quickens as he realizes what he said. “A-are you okay?” He asks, ignoring your question. 

You nod. “It’s already gone,” you whisper, nodding to your thigh. “But what did you just—”

“I love you,” he interrupts, saying it again. You pull back a bit to look at him. You can see the seriousness in his eyes, the adoration, the honesty. “I love you.” 

You bite your lip, your eyes widening as you process what this means. Logan loves you. It’s everything you ever wanted. Everything you could have asked for. It just makes sense.

“I love you too,” you confess, choking on your words. “I was so worried. I didn’t know when you’d come back, or if you’d come back at all. I saw your door closed, and I just had to see you. I needed to know that you were okay, that you came home.”

He presses his forehead to yours, his eyes closing. “Before I left,” he pauses, his Adam’s apple bobbing in his throat. “I was going to tell you why I didn’t want to work together.” His eyes open again. “I was scared to get close to you,” he explains. “I knew I wanted you the second I saw you. Knew I had to have you. I’ve never felt that way before. You opened something inside me that I thought I didn’t have. Turns out it was just locked, waiting around for you.”

“Logan,” you breathe, his lips just inches from yours. “I wanted you too. Wanted you this whole time.” You need him to kiss you—to take you right here and now. “I thought you didn’t like me,” you admit, giggling softly. 

He shakes his head, smirking. “I liked you too much,” he rasps. “Didn’t know what to do about it. You were driving me crazy, sweetheart.” You can feel his erection straining in his boxers, and you can’t help but grind down on him, your core rocking against his cock. “Fuck,” he groans, gripping your hips. “Slow down, pretty girl. Are you sure you’re okay?”

You nod emphatically. “Already healed,” you assure him. “Just need you, Lo.”

“Need you too, sweetheart,” Logan groans, rolling your hips against his, tugging you down his length. “Can feel you soaking through those panties already,” he grunts. And he’s right. The heat pooling between your legs is uncontrollable. 

You groan as your clit drags across his erection. “F-fuck,” you stutter, his fingers digging into your hips. You bring your hands to the waistband of his boxers, tugging at them. But before you can get anywhere, Logan is flipping you onto your back and crawling down your body. 

“Next time, sweetheart,” he coos, hiking your shirt up and smirking when he sees you aren’t wearing a bra. He palms your breasts, tweaking your nipples before sliding down further. “Wanna take care of you this first time.”

Your heart flutters in your chest at his words. You can see the hunger in his eyes as he kisses down your stomach, going past the hem of your panties, stopping at your clit. He takes a deep breath. “Can smell that pretty pussy. Know she needs me, darlin’.” 

He hooks his fingers into your waistband, and tugs the thin lace down your legs, revealing your aching cunt to him. He settles between your thighs, his lips pressing a soft kiss to your clit. 

“L-Lo,” you choke. “Please.”

He smiles against you, breathing you in again. “Please what, princess?” He asks, looking up at you under hooded eyes. “Tell me what you need.”

“You,” you beg. “Need you. Always gonna need you.” 

His smile meets his eyes as he licks a long stripe through your folds, his tongue pushing through your entrance, tasting you, savoring you. He hums against you, the vibration of his voice rocking your core. “Tastes so good,” he mumbles, licking another long stripe. “Perfect pussy. Knew you’d be this sweet.”

You watch as he laps at you, drinking you in. Logan’s tongue finds your clit, drawing tight circles into the bud. “F-feels so good,” you stutter. 

“I know, beautiful” He soothes, his fingers trailing up your inner thigh, drawing closer to your heat. “You look so pretty when you let me eat you out,” he praises, his fingers prodding your entrance. “You want more?” He teases, slipping just past your slit and quickly pulling out. 

“Yes,” you whimper, pleasure coursing through your veins. “Need your fingers, Lo. Please.”

He wastes no time—suddenly thrusting inside you, his long, thick fingers splitting you in two. Your walls flutter around him, sucking him in, taking him deeper. “So tight,” he coos, pulling out and sliding back in. “So fucking wet.”

Logan wraps his lips around your clit, his cheeks hollowing as he sucks, hard. He releases, his teeth grazing the bud lightly. Your walls clench around his fingers at the sensation. “Fuck,” Logan curses, smirking against you. “You like that?” He teases. “Like when I’m rough with you?” His tongue flits out, lapping flat strokes across your clit. 

You moan a soft Yes in affirmation, your back arching off the mattress. You’re already close, ready to let go. But Logan isn’t letting up, his fingers slamming into you, taking your clit back into his mouth and sucking harder, rougher this time. He swirls soothing circles into the bud, pushing you to the edge. 

“Logan,” you whine, your hips squirming as he drags his tongue harder against your heat. “I’m so close.” 

Your muscles contract and release around his fingers as he hits that sweet spot inside you, pump after pump. “I know, pretty girl,” He soothes, his free hand wrapping around your hip and holding you down to the mattress. “Look at you,” he praises between harsh sucks. “So beautiful like this.” His tongue circles your overstimulated clit. “Already fucked out, aren’t you?” 

“Yes,” you mutter, your hips squirming helplessly against his grip. It’s all too much, his hushed whispers, his praises, the way his tongue flits against you, his deep thrusts dragging along your walls. “Logan, I’m gonna…” 

“That’s it, pretty girl,” Logan coaches, his tongue still lapping at you ravenously. He’s starving, unwilling to stop. He needs more. “Should keep you in my bed so I can taste you whenever I want.” He grunts against you. “Want you to come on my fingers, darlin’. Wanna taste it. Let go.”

It’s all blazing, white-hot heat, raging through your body, searing your skin. Your eyes stay trained on Logan as he works you through your orgasm—ravaging you, lapping up every last drop of your release. His fingers pump in and out, slowly, before he pulls out completely. But his face stays buried against your cunt, his tongue pushing through your folds. 

“Logan,” you whine, lacing your fingers through his hair. “Need you up here.” 

He looks up from your heat and licks one more long stripe before climbing up your body. He tugs his boxers down his legs, his eyes not leaving yours. His cock springs free, bumping against his stomach. 

Logan settles on top of you, balancing on his forearm as his free hand wraps around the base of his cock. You instinctually spread your legs, as if it’s second nature, as if you’ve been here before. “Such a good girl,” Logan praises, sliding his tip through your folds. “All spread open for me.” His cock nudges against your clit and slides back down. “You need me, sweetheart?”

“Yes,” you choke. “More than you can—”

And then he’s plunging inside you, bottoming out with just one thrust. “Fuck!” You cry out. He stays inside, unmoving, letting you adjust to the size of him. 

He presses his forehead to yours. “You okay?” He asks. His cock throbs, pushing against your walls, searching for more. His hand slips between your bodies and finds your clit. 

“Y-yes,” You stutter, sighing in relief as his fingertips draw gentle strokes into the bud. “S-so big.”

“I know,” Logan soothes, sliding out only to shove himself back in, down to the hit. Your back arches off the mattress, your chest coming flush with his. “Gonna work you open.” His voice is gentle, calm. “I’ve got you. Relax for me, sweetheart.” 

Logan pulls out and thrusts in again, his lips swallowing your moans with a kiss. His fingers swirl around your clit as pleasure pulses through your every nerve ending. “Feels so good,” you murmur as he picks up his pace, his hips rolling against yours. 

He grunts. “So perfect,” he praises. “Fucking made for me.” He pumps in and out of you harder, faster now, letting himself go. He pinches your clit, rolling the bud under his fingertips. “Never gonna want anyone but you, you know that?” He twitches inside you, and your walls flutter around him. 

You curse under your breath. “Yes,” you cry out. “Only gonna want you, Lo. Only you.”

“Doing so good for me,” he husks between hard thrusts. “Taking me so well.” His hips snap against yours, his fingers circling your clit rapidly, adding more pressure. His lips find yours again, biting, kissing you bruisingly, fitting against you like a puzzle piece. 

Your chests heave together, the sound of his skin slapping against yours echoing against the walls of the room. “You’re so perfect,” he whispers, his lips suddenly at the shell of your ear. He bites down on your pulse point, his tongue flitting out to lick the pain away. “So fucking beautiful.” 

Your walls contract around him, squeezing him as he sinks deeper inside you, hitting exactly where you need him most. You’re so close, ready to come undone. “Fuck, Logan,” you whine as he pounds into you. “I’m gonna—”

“Me too, pretty girl,” he rasps, twitching inside you. You wrap your legs around his waist, keeping him close as he plunges deeper. He lifts his head from the crook of your neck and presses a chaste kiss to your lips. “Don’t wanna stop. Don’t wanna…” He trails off, his cock throbbing inside you again. You know he can’t hold back.

You tighten your legs around his waist. “Don’t stop,” you beg. “Stay inside.” 

He groans, his forehead pressing to yours. “You want me to fill you up, sweetheart? That what you’re asking for?”

“Y-yes,” you stammer, his fingers pinching your clit and stroking relentlessly. “Please,” you choke, begging, tears brimming in the corners of your eyes. 

“Fuck,” he curses. “Wanna feel you come on my cock, sweetheart. Wanna make you mine.” 

“Already yours,” you whisper, your muscles contracting around his length again, your legs trembling as stars flood your vision. Logan moans your name, and you can feel him spilling inside you. You come together, your orgasm crashing into you, more intense, more powerful than the last. 

“Love you so much,” he whispers as he finishes, painting your walls. 

“Love you too, Lo,” you say back, your heart beating out of your chest as you come down from your high. 

His fingers drag against your clit, swiping gently before running up your body, slipping under your back, and pulling you into his chest. His hips are still, his cock unmoving inside you. He finally pulls out, and rolls off you, taking you with him. He tugs you into his chest, holding you tightly.

“Are you okay?” He asks softly. “Need anything?”

“J-just you,” you stammer. His fingertips trace patterns along your back, soothing and gentle. 

“Let me clean you up, sweetheart,” Logan whispers, pressing a chaste kiss to your forehead and moving to sit up. But you stop him, wrapping your arms around his torso and holding him down. He smirks, letting you pull him back. “I’m just gonna grab a towel, yeah? Wanna take care of you. I’ll come right back.”

You nod, letting him go. He slips out of the bed, strides over to his bathroom, and grabs a towel from inside without turning a light on. Within ten seconds he’s back in bed, just like he said he would be. 

Logan brings the towel between your legs and wipes you clean. His touch is gentle, soothing, careful not to be too rough. Once he’s done, he throws the towel to the floor and reaches over to his nightstand. When he turns back to you, he has a glass of water in his hand. He extends the glass out, bringing it to your lips. The water feels cool as it slides down your throat. You drain the glass, and Logan smiles as he pulls it from your lips. 

He places the cup back down on the nightstand and pulls you into his arms again. You bury your head into the center of his chest, listening carefully to his heartbeat. It’s even, steady, constant. Just like him. 

“Never felt like this before,” he whispers into the silent darkness of the room. 

“Like what?” You mumble, your voice muffled against his chest. 

You can hear the smile in his voice as the words leave his lips. “Happy. Safe.”

Tears—happy tears—free themselves from your eyes, sliding down your cheeks. 

“Can’t let go of you,” he hums, pressing a kiss to your temple. “Don’t wanna go back to before.”

“You don’t have to, Lo,” you pant. “I’m yours. Always.” And you know you mean it. You know it’s true. It’s already been decided, already played out. Already etched into the future. 

Are you two married? Claire had asked. 

He’ll always come back to you. All I see is happiness, She had promised.

And she was right. 

“I love you,” Logan husks. 

“I love you, too.” 

tags: @afw5 @wolviesgirl @the-ruler-of-death @Ifdybadgirlsdiw @xtwistedchaosx @wittyjasontodd @wolverinesslut @galacticglitterglue @silversprings-mp3 @zxaera @spiderset @figsnpassionfruits @alastorssimp @alsoprettyinpink @prettyseaveins @ilysmdovie12 @evasmlp @derbygracie @rammakela @honeyfewr @ricefordays-blog1 @manipulatour

[rxmye]

" 𝐌𝐘 𝐌𝐔𝐒𝐄 "

𝐘𝐀𝐍𝐃𝐄𝐑𝐄!𝐀𝐑𝐓𝐈𝐒𝐓 𝐗 𝐑𝐄𝐀𝐃𝐄𝐑 — For so long, he found art in his surroundings, nature was his muse . . who would've thought that he'd be able to find another muse, within you.

gender neutral reader / yandere oc x reader / obsessive / unhealthy themes / I guess the reader is his 'hater' / perfectionist yandere / kind of egotistic yandere / he has a praise kink frfr / maybe a bit self centered . . / kind of unedited / also might appeal to ppl with a savior complex

masterlist | requesting rules | character info . . . a/n: I feel like Lore takes up a good chunk of this fic, but enjoy . . also might be one of my longest fics . .

He was a calming presence, and a thoughtful friend to all he called his own. Elegance took a human form, in Xavier Wilson—A beautiful work of art indeed . . Born presenting a talent that could rival many others in the industry.

From a young age, Xavier presented himself as a man of the arts, often drawing out vivid tapestries of his dreams or memories. He would often lose himself in the pages of his notebook, scribbling away with intricate drawings and stories, his mind was his own magnum opus.

However—people was never his strong suit. It left a bitter taste in his mouth, surely if he was as magnificent as those around him expressed, he'd most certainly be able to recreate the portraits of those around him?—But no, none of his portraits could compare to his various other works.

As he got a bit older, his mother decided to enroll him in classes that could help expand his talents, which ranged from various music lessons, theater (didn't end well), art history—etc . . .

Xavier let out a breathy sigh, staring at the keys of the grand piano absentmindedly—his gloved fingers gently glide over the keys, tired would be the best way to describe him as of right now—his professor had left an hour ago, yet Xavier couldn't find it in himself to move.

Truth be told, Xavier wasn't a fan of music, he preferred quiet solitude—and though he had long since gotten used to the sound of the piano, violin, and any of the other ridiculous instruments his mother was so keen on getting him to play—he still preferred the silence over all.

Over the course of time, Xavier disinterest towards music dimmed—Alongside his distaste towards instruments . . He figured the reason he disliked it so much was due to his inability to play as perfectly as his professor . . Xavier was a perfectionist, and anything he couldn't perfect was simply 'wrong' in his eyes, and as he reached his teen years, he accepted that fact wholeheartedly.

Xavier stood still, as his mother fixed his tie for him—he could do it himself but he let her enjoy this moment, she always disliked watching her son 'grow up so fast'—"are you nervous?", she asked softly, gently holding his hands, smiling so brightly.

'Am I nervous?—' he thought, clearly not. He felt calm, neutral even. It was his first big show, yet internally he knew that things would end well for him, he could feel it. He's always been lucky, in fact his father's nickname for him as a child was quite literally 'Puer aureus' which translated to 'the golden boy' from Latin.

He clicked his tongue, a common habit of his—especially when he wasn't being exactly truthful—he paused for a moment as if to think, then he smiled at his mother, "Just a bit, but I'll be fine" he spoke calmly, gently squeezing her hand to reassure her. "Don't worry, I've prepared well for this . . Haven't I?"

Praise, he adored praise, and that day he received quite a lot of it—not just from his parents, or acquaintances . . .—but crowds of people. Honestly, it stroked his ego, quite a bit . .

By seventeen years of age, Xavier's talent was known worldwide, his rise to fame quite massive and fast . . He had to attend class, while also hosting live performances and art galleries. (such a struggle, really . . .)

University admissions were coming around, and most of his friends had chosen what schools they plan on applying to—what path they plan on going into—what school they hope to go to the most, the conversation was an eye opener and yet it all felt so bitter.

Xavier tapped his pen on the table, zoning out from the conversation his friends were having . . only to zone back in when Neva spoke, "—so Xavier, have you decided where you'll be applying too . . ? I'm sure you'll get in."

He clicked his tongue in response, closing his eyes absentmindedly as he spoke, "To be honest, not really . . probably something arts related?", Xavier was about to speak up again but stopped himself, starring down at the table, a sigh escaping his lips.

"That seems like a waste of money", he looked up, starring at Oliver with questioning eyes, and Oliver quickly explained himself, "Art school is great and all—But it won't really make much of a difference for you, in fact the rules could restrict your talent . . It could be better for you to just try something new? You're good in school a degree outside of your comfort zone may be something good for you!"

He hated that his friend was right, he hated being wrong. He prided himself for always knowing what was best for himself and his abilities, and in a spur of pettiness he found himself taking art anyway, trying to prove his friend wrong . . even though he was well aware his intentions were pure in all ways.

Xavier had done well in his courses so far, and with his fame, he was breezing through classes—and yet, when the topics of portraits came up . . he found all that floating out the window.

None of the models they had for class, felt right—none of the art he did, felt authentic . . felt like himself, when it came to art, Xavier took everyone to paradise, his art felt like peace . . his art was calm . . his music was soft, lulling almost . .

Yet now, as he stared at his canvas, covered in mixed harsh colours, a vibrant mess of paint, his brushes wrecked, paint dripping from the easel . . It felt like anything but calm.

And that's when he dropped out, a question to his perfection would wreck the fragile image of himself he had created in his mind, a man so perfect and lucky in his own right a humbling experience like that was to never see the light of day.

Xavier found himself turning to something different, just like Oliver suggested, his alternatives were selective, yet he kept many paths open, Photography, fashion, and business were his top picks and things he found himself surprisingly enjoying . . Surely if he could paint and create melodies of such wonders, then he can stitch some fabric together, solve a few equations, and take a few photo's here and there just fine . . right?

A few years had past, and Xavier was now running his very own Luxury fashion line, he still hosted art galleries here and there, and composed music on the side, but his business took up most of his time.

But on his free days he'd turn to photography, taking pictures of things he sought comfort in . . and people, he'd often take pictures of unsuspecting people, pretty ones . . people not so pretty as well, just to try and recreate the life they had on a canvas . . yet somehow always failing to do so.

The moment Xavier found himself close, he'd reach a dead end . . and that destroyed him, internally.

Over the years, he accepted the small flaws in his behavior, and tried his best to reform them, presenting himself as the perfect public figure. He did go to therapy in the past, but when things started rising up, he quit entirely.

Xavier laid back on his office chair, and scrolled through his recent posts comment section, and as expected almost all of it was praise . . some of envy, but that only fueled his ego more . . Until he found a comment that set him off, "His art is so melancholy, it feels a bit sad . . His previous works were brighter, like more happy but now it kind of feels sad . . Like the life in his work isn't there anymore."

Xavier stared at the comment dumbfounded, never had he received that kind of feedback . . portraits he drew were indeed lifeless, but his other art was always regarded as lively, and that was what he always strived for . . Curious, and in a fit of rage . . he clicked on the commenters profile, and saw you.

You, you . . You were what he was looking for, his muse. So, full of life . . He scrolled through your page, and couldn't help but feel the urge to draw you, and paint you . . and paint you he did. . Because soon his entire studio was filled with pieces inspired by you . . so full of 'life' . . .

Yet at some point, he had reached the end of your posts, and it just wasn't enough . . he needed you . . He wanted your feedback, he craved your praise . . like no other, he wanted input . . he wanted to know if his work was truly still lifeless . . he wanted you.

After all, a artist isn't complete without his muse.

want more, buy my limited time only advent calendar?

@ rxmye , do not repost, plagiarize, translate, or adapt my work/theme without prior permission and or confirmation.

[meanbossart]

Pin!

Hi, I'm RJ (Male, 27 years old) I'm a -usually- horror oriented artist and collaborator alongside my partner and better-half @barbatusart, though I'm currently on a Baldur's Gate 3/DnD streak with both my art and writing, specifically centered around the Dark Urge I created for my campaign and his antics, so that's most of what you will find here!

I want to leave a warning right here that I occasionally venture into delicate topics in regards to character lore and history - though none of it strays too far from what the game already delves into and I try to give a heads-up ahead of time whenever I feel like something might catch someone off-guard otherwise.

PATREON WHERE I POST WIPS, SKETCHES, UNRELEASED ART, ALL OF MY NSFW CONTENT, ETC : patreon.com/meanbossart/

BLUESKY WHERE I PUT UP FULL VERSIONS OF *SOME* OF THE NSFW THAT I CAN'T POST HERE: bsky.app/profile/meanbossart.bsky.social

TWITCH WHERE I STREAM SOMETIMES: twitch.tv/meanboss14

PSA: I get a lot of asks and I'm slow to go through them, please don't take it personally :U

Anyway, here's the guy of the hour:

🚨FAQ BELOW🚨

Q: Does your Durge have a name? A: Nope! I named him "drow" when I played the game because I didn't feel like thinking up anything special. His lack of a name has become part of the character's lore and you will find him to always be tagged with "DU drow", or referred to as The Drow or just Drow.

Q: Where can I read your BG3 fan-fiction? And what is it about? A: Right here! The main plot follows DU Drow, Astarion, and Shadowheart on a new adventure that fractures into a couple of different directions, but mainly focuses on the aftermath of the spawn that Astarion has released and the personal development of the main cast, alongside a number of original characters that get involved in the narrative. My goal was to create a kind of "DLC" experience, so you can expect a lot of themes that parallel the main game.

Q: Can I draw one of your characters, a scene from your story, or any of your characters interacting with mine/other characters? And can it be NSFW in nature? A: YOU ABSOLUTELY CAN, AND I'LL BE DELIGHTED TO SEE IT IF YOU CARE TO SHARE. I'm equally fine with NSFW as long as everyone involved (in the art and otherwise) is an adult.

Q: What drawing software/tablet/brushes do you use? A: I draw on a Wacom Cintiq 22, using Clip Studio Pro. I switch around brushes quite often but most of what I use comes from the DAUB super-bundle by Paolo Limoncelli.

Q: Where can I find more of your work? A: You can find mine and my partner's comics here, but please bear in mind that most of it is highly violent stuff and you should read the content warnings on the store page carefully before making any purchases - if in doubt of whether or not any of it could be detrimental to your mental health, DON'T BUY IT. Stay safe!

Q: Do you take commissions? A: I am not currently taking any new commission inquiries, sorry!

[olis-inkwell-symposium]

The Taste of the World: Writing Food as Storytelling

Food is never just food. It’s culture, history, survival, and, perhaps most importantly, a language that characters and worlds use to speak when words fail. The way food is grown, prepared, and consumed reveals the structure of a society—its priorities, its fears, and its memory. And in storytelling, the smallest detail about what’s eaten or how it’s shared can carry a world’s worth of meaning.

When used well, food becomes a subtle but powerful tool. It can reflect emotional tension without anyone saying a word, or quietly thread deeper themes through the narrative. It doesn’t have to overwhelm your story with excess description; it works best when it’s an organic part of the world, shaped by the same forces that drive everything else.

Let’s break down how to think about food as more than a detail, crafting it as an integral part of the characters, the setting, and the stakes.

Why Food is Fundamental to Worldbuilding

Culture and Identity

Food defines a culture as much as its language or traditions. The ingredients people rely on are determined by the land they inhabit, the technology they have access to, and the values they hold. It’s not just about what is eaten, but how—and why.

Think About:

What ingredients are unique to this region, and how did they come to rely on them?

How is food served—shared communally or divided by status?

Are there specific rituals tied to preparing or consuming meals?

These questions help frame food not as a decorative detail, but as a way to demonstrate how a culture lives and interacts with its environment.

Food as Survival

Food exists on a spectrum from abundance to scarcity, and its availability often tells the story of who holds power and who doesn’t. This doesn’t need to be stated outright—simple contrasts in what’s on the table (or missing from it) can highlight social divides or tensions.

Consider:

What foods are considered everyday staples, and what are reserved for moments of celebration or mourning?

How do people preserve food in harsh climates or through difficult seasons?

What compromises are made when survival is at stake?

Survival shapes cuisine, and cuisine, in turn, shapes the people. Food that may seem unremarkable to outsiders can carry in-depth meaning for those who rely on it to live.

Food as Memory

Meals are tied to memory in ways that few other experiences can match. They evoke places, people, and moments that might otherwise be forgotten. For characters, food can serve as a reminder of what was lost or what still needs to be protected.

Ask Yourself:

What does this food remind your characters of?

How does this memory shape their present choices?

What foods do they miss, and why can’t they have them anymore?

The emotional weight of food often lies in its connection to something larger—home, family, or an ideal that has slipped unreachable.

Integrating Food Into Your Narrative

The Subtle Art of Symbolism

Food works best as a storytelling element when it doesn’t announce itself. It’s not about drawing attention to the dish for its own sake but letting it naturally reinforce the scene or the character’s state of mind.

Example in Practice: A meal served quickly, with little conversation, could underscore a sense of unease or urgency. Meanwhile, the deliberate preparation of a dish might reflect care, control, or tradition.

It’s less about describing what’s on the plate and more about how the act of eating—or not eating—interacts with the story.

Building Tension Through Meals

Sharing food is inherently social, and like any social act, it can carry undercurrents of conflict or connection. Meals can be settings for negotiation, subtle power plays, or suppressed resentments. What’s not said during a meal can matter more than what’s served.

Think About:

Who prepares the food, and what does that say about their role or status?

What’s the mood at the table? Is the act of eating itself a kind of performance?

Are there unspoken rules about who eats first, how much they take, or what they avoid?

Food as tension is about the surrounding interaction, not the food itself.

Grounding the World in Small Details

Food is a powerful tool for grounding your world in a sense of place. By focusing on how ingredients are sourced, prepared, or consumed, you create an ecosystem that feels real without needing an info dump. A brief reference to a seasonal delicacy or the preparation of a daily staple can communicate volumes about the setting.

Use Sparingly: The best world building happens in glimpses. A short mention of pickling methods during a harsh winter or the fragrance of a common herb can paint a vivid picture without dragging the narrative down.

Applying Food to Character Development

What Food Says About Relationships

Meals are a social construct as much as they are a necessity. Who characters eat with, what they share, and how they interact during a meal reveal their connections—or lack thereof.

Consider:

Do your characters share food equally, or does one person dominate the meal?

Is a meal an act of kindness, a manipulation, or an obligation?

How does the way they eat reflect their personality?

Preferences, Habits, and Rituals

The foods a character gravitates toward can say as much about them as how they speak or dress. Perhaps a soldier instinctively chooses ration-style meals even in peacetime, or a merchant avoids exotic imports as a quiet protest against their origins.

Ask Yourself:

Does your character have a ritual or habit when it comes to food?

How do they react to unfamiliar dishes?

What’s their relationship with food—joy, necessity, or something else?

The Absence of Food

Every so often, what’s missing can be more telling than what’s present. A lack of food could signify poverty, oppression, or desperation. Even in abundance, what isn’t served can carry weight—certain foods might be taboo, seasonal, or too painful to prepare because of their associations.

The absence of food doesn’t need to be highlighted directly. Instead, its weight can be felt through the absence of conversation, the careful rationing of resources, or the visible strain it places on characters.

Final Thoughts: Food as a Storytelling Tool

Food is one of the most powerful yet understated tools in your storytelling arsenal. It connects your world to its people and its people to each other, revealing layers of culture, memory, and emotion without needing to over-explain.

When used thoughtfully, food doesn’t just flavor your story—it deepens it, grounding your world in something tangible and human. Instead of asking, What do my characters eat? ask, Why does it matter? Because when food becomes more than sustenance, it transforms into something far greater—a story in itself.

TAGLIST - dm or reply to be added 🫶🏾

@slenders1ckn3ss @lucistarsfire @fond-illusion @p00lverinecentral

[ninibeingdelulu]

Date at the museum with him ft. rin itoshi, sae itoshi, ryusei shidou, oliver aiku, michael kaiser

{ Forcing them to go to the museum with you. }

RIN ITOSHI

Would act super uninterested at first, grumbling about how boring and lame museums are.

But once you start geeking out over cool exhibits, his curiosity gets piqued.

Ends up getting weirdly into it, asking tons of questions and studying each display intensely.

Gets hilariously competitive trying to absorb all the info faster than you .

By the end, insists you quiz him to prove he learned more random museum facts.

SAE ITOSHI

Sae would love going and soak up all the history and culture like a cute nerd.

Excitedly reads every single exhibit description out loud in his deep voice.

Wants to stop and analyze literally every piece thoroughly from every angle. So patient and will happily re-explain anything you're confused about.

Holds your hand the whole time, dizzyingly happy just to share the experience with you.

RYUSEI SHIDOU

The charismatic showman lives for any chance to impress you with his vast knowledge.

Spouts off tons of extra random trivia about exhibits before you can even read the placards.

Strikes all sorts of dramatic poses while recreating famous artworks and sculptures.

In general, just an amusing goof making the whole thing fun and unpretentious.

But has an endearing childlike sincerity when something genuinely dazzles him too.

OLIVER AIKU

Stoic and quiet at first, you worry he's just going to be bored the whole time.

But slowly warms up, speaking in that entrancing low rumble to point out subtle artistic nuances.

Gets this intense, studious look as he analyzes the deeper themes and messages behind it all.

Almost starts giving zen-like lectures on the human condition and creative expression.

You tease him for being such an unexpected art snob, making him all grumpy again.

MICHAEL KAISER

Honestly, he prooobably only agreed to spend quality time together, not so into museums.

Still, makes an effort by listening attentively when you enthusiastically explain exhibits.

Every now and then, adds his own surprising insights with that matter-of-fact bluntness.

Mainly focused on you though, shamelessly drinking in all your passion and delight.

Hugs you from behind, nuzzling into your hair between exhibits like 'this is cute and all, but you're the real masterpiece'.

[avelera]

Viktor and Jayce both need to take some non-STEM classes

I'm joking but also a little not-joking that this is in fact, a theme in the show.

In Season 1.08, Ambessa meets Jayce for the first time after he's become a councilor. One of the first questions she asks him is, "Do they teach military history at your Academy, Mr. Talis?"

Jayce takes this as a set up for an insult against him. He's rattled by the bathhouse and braced for a fight. He's so riled, in fact, that he completely misses what Ambessa is probing him for there.

Ambessa wasn't setting him up to make him feel small, like Jayce feared, she wanted to know if he had a military history background or even the beginnings of the skills needed as an engineer to understand or counter some of the political manipulations she's about to pull on him.

Jayce answers: I'm not sure.

Not only has Jayce never taken a military class, he as a scientist doesn't even know if his school offers it.

That made him easy pickings for Ambessa. She wouldn't even need to be subtle, she could use the most basic tricks in the book against a proud young man with only a scientific background and know he wouldn't even begin to have the tools to pick up let alone counter what she's doing to him.

And then we get to Viktor in S2. Now, I think "How much of Cult Leader Viktor is even Viktor?" is a fair question. But the whole Machine Herald ethos he seems to be working towards in his inner monologue in 2.06 is yet another example of "Won't someone PLEASE make these boys take some sort of liberal arts class? An ethics course? SOMETHING?"

Viktor is working his way (Hexcore influence or no) to the conclusion that many frustrated young activists have hit upon when their activism doesn't work.

He tried to help people. But people didn't want to be helped or didn't cooperate with the way he wanted to help them.

His conclusion? Clearly it's the people who are wrong. It's the people who need to be changed.

To quote Pratchett, "“People on the side of The People always ended up disappointed, in any case. They found that The People tended not to be grateful or appreciative or forward-thinking or obedient. The People tended to be small-minded and conservative and not very clever and were even distrustful of cleverness. And so the children of the revolution were faced with the age-old problem: it wasn't that you had the wrong kind of government, which was obvious, but that you had the wrong kind of people.”

And of course, once you start to see people as the problem, that people need to be fundamentally changed, added, or subtracted from, when you treat people as things, that is when the real evil begins.

You have to accept people as they are and work within those bounds, because otherwise you have to change people and that pretty much always leads to the sort of atrocities that the Machine Herald seems gearing up to do. Namely, add and subtract away the people, or the characteristics of people, that don't fit his vision for the world.

And all I can think is: won't Piltover Academy please for the love of god make your tech bros take some goddamn history and philosophy classes please??

[robsheridan]

“Apocalypse in Pink” part 2 (see part 1 here), from the August 1983 issue of SPECTAGORIA Magazine. Sera Clairmont’s celebrated underground fashion magazine was always scratching at the bleeding edge of culture, deftly navigating the trends of the Reagan ‘80s by simultaneously coopting and corrupting its materialistic obsessions. Never was that theme on visceral display than in this controversial issue. Apocalypse in Pink found Clairmont’s “Barbie dolls” trying to keep their glamour and their plastic smiles in the flames of a Capitalist Cold War simultaneously obsessed with materialism and annihilation; an America that, Clairmont wrote, “relentlessly asks women if we’re beautiful enough, if our clothes are fancy enough, if our pursuits are ambitious enough, and at the end of every night, if we know where our children are.”

In true Spectagoria fashion, what begins as stylish playful “nuclear Barbie” iconography gradually descends into horrific flames and melting pink plastic bodies, with only the womens’ smiles in tact on their smoldering skeletons at the end of the issue.

Reportedly, this issue was sent to Spectagoria subscribers in a package that included a pink lighter and a note that read, “when you’re finished reading, finish the job.” When burned, the magazine was said to ignite in a dazzling show of hot pink flames that sparkled and crackled, a performance art to complete the issue’s vision. As a result, Apocalypse in Pink is one of the most rare and coveted issues of the magazine, with no complete copies known to exist.

Most who have studied Spectagoria lore conclude that the exterior of the magazine was likely coated in a chemical powder that created the fantastical pink flames. But such a magic show has been meaty fodder for those who believe the rumors of occult powers and dark witchcraft surrounding the publication…

---------

NOTE: Spectagoria is an ongoing work of fiction created by me. This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and interconnected alternate histories, conceived/written by me and visualized with synthography and Photoshop.

If you enjoy my work, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.

[alpaca-clouds]

The history of Solarpunk

Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.

Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.

And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.

The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.

At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".

Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.

These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).

In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.

Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.

And all of that was happening in 2012, where the term really started to take off.

And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.

Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.

The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.

And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.

Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.

So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.

Thanks for coming to my TED Talk, I guess.

[estcaligo]

Sebek and Romance

Some thoughts after this event update

I really liked this small detail in this part of the event - a "bittersweet" (or "sweet and sour" literally, from Japanese) moment between Sally and Jack. When she leaves her basket for Jack (which Trey refers to as a "bento"), we get to see the NRC guys reacting to that display of affection.

Surprisingly, Sebek's reaction was very calm and mature.

When Grim says "Bittersweet? I wanna try eating it!"

Sebek comments "Haha. Grim, that's something even you can't devour" in a calm manner.

In many fanworks, especially fics, Sebek is often depicted as inexperienced or nervous when it comes to matters of love. I enjoy this interpretation too because it can be funny sometimes. But understanding and reacting to romantic interactions is a learned skill (like any social skill), and we should remember a few points:

Sebek has loving parents who have three children. Considering the history of their relationship, I imagine they aren't shy about showing how much they love each other, including in front of their kids. I'm sure Mama Zigvolt has, at least once, explained to Sebek that this is because Mama and Papa love each other very much. So, Sebek is familiar with these kinds of feelings from his family.

Books, books, books.

Books are a big part of Sebek's life - for hobbies, studies, and bonding (for example, with his grandfather or the Prefect). He reads a lot on various topics, and naturally, throughout his life, he must have come across books with romantic themes. We can learn a lot from books, including social skills, even if it's only in a descriptive sense. So, Sebek has also learned about romance through literature.

Arts and culture.

Sebek is familiar with operas and musicals, as mentioned in the Endless Halloween event. We can assume he has some interest in them or, at least, participates in watching them with his family nowadays too (because he mentioned Zigvolts spend quite a lot of time together, like attending parks, so why not.)

We don't know what kind of plays he watches, but we can assume there are at least some romantic motifs, as is often the case in classic operas and theater. Watching actors - who often exaggerate emotions - could give him an understanding of how romantic situations unfold, and this exposure can likely have an impact on him. 

He also does thorough research into the arts when required, and some romantic themes might come up. For instance, if he knows Aurora, he must be familiar with her story, including her love interest and the kiss plot (though TWST may have twisted these stories, I presume core elements like the love story remain intact). So, Sebek can learn about romance thought art.

Lilia's supervision.

Sebek spends a lot of time with Lilia as his pupil, along with Silver, so naturally, he absorbs a lot of information about the world from his teacher - not just combat skills. And, well, Lilia's wisdom might be mischievous, if not dubious at times. In Ghost Bride event, it's noted that one of Sebek's visions of courting his future partner involves…well

which is kind of cute, if you ask me.

So, coming back to this event's reaction:

Seeing the display of affection between a loving couple is nothing new for Sebek, and he understands it surprisingly well.

At least when it comes to other people...

[paper-mario-wiki]

I have a genuine question, and I ask because as a follower, I admire your reasoning in most things! But I, like yourself, have criticized white rappers and the culture which values them. But I find it confusing that you do the same, while also writing and performing rap as a white girl. I'm curious about your reasoning! Is it because you don't really seek acclaim, or publish your stuff for any purpose other than just to make it? Would you say it's that you don't seek compensation or recognition? Or is it some totally different reason??

i think it comes down to how specifically you're looking at the issue.

the problem doesn't start and stop at "white people shouldn't rap because rap isn't for white people."

it's more along the lines of "the western entertainment industry at large has long enforced white colonialist ideals at its very foundation which puts white people at the top of the social ladder, making it significantly easier for them to become noticed and rewarded for being somewhat competent. for the past 30 years especially, people have been using imagery and themes originating from hip-hop culture to promote themselves with no regard for its history as a black art form. this leaves the actual black artists who create and uphold this artform underserved, underrewarded, underrecognized, underpaid, and sometimes straight up dead. and the crackers keep making money anyway."

so a couple things i decided before starting posting rap were:

i do not want to Be A Rapper, and im not going to try and become a rapper. there are plenty of white rappers already. im just a white writer who likes to rap. it's fun. if someone wants to buy a song i wrote off my bandcamp fine, if someone wants to collaborate with me that's awesome!-- but im not going to pursue this as any sort of financial opportunity.

im going to be fully honest with what i write, and how i write it. im going to avoid co-opting language that doesn't come to me naturally, and im going to avoid writing about a version of myself that does not exist. honesty is one of the most beautiful parts of my favorite raps anyway.

[ltrntv]

⿻ 𖤣𖥧 ⤏ CABIN IN THE WOODS ⋮ multi. blue lock.

⌕ ꒰ ⌗ you can never ask too many questions before moving into an off-campus house with six strangers, but maybe there was one you should have asked.

including : isagi, rin, chigiri, nagi, reo, and bachira.

𖤐 ──┈ · · · c.w : aged-up! characters, mature themes (alcohol, tobacco, marijuana), sexual themes, mental health (anxiety, depression, trauma, attachment issues).

minors, do not interact — this is a mature rated series that is not for audience members that are below eighteen (18) years of age.

previous ⋮ series master list ⋮ next

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𖤣𖥧 ⤏ y/n : this is you!

𖠋 fem. pronouns, fem. anatomy ⋮ freshman ( nineteen ).

𑁍 :: sports medicine ‹𝟹 — quiet 「&」 ‘ innocent ’.

other notable facts : has very limited knowledge of football.

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𖤣𖥧 ⤏ isagi yoichi : 1/6 of the male leads.

𖠋 masc. pronouns, masc. anatomy ⋮ junior ( twenty-one ).

𑁍 :: psychology ‹𝟹 — easy-going 「&」 boy-next-door.

other notable facts : co-captain of the, undefeated, CCU football team.

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𖤣𖥧 ⤏ bachira meguru : 2/6 of the male leads.

𖠋 masc. pronouns, masc. anatomy ⋮ junior ( twenty-one ).

𑁍 :: early childhood ‹𝟹 — positive 「&」 confident.

other notable facts : a varsity player on the CCU football team.

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𖤣𖥧 ⤏ chigiri hyoma : 3/6 of the male leads.

𖠋 masc. pronouns, masc. anatomy ⋮ junior ( twenty-one ).

𑁍 :: art history ‹𝟹 — busy-bodied 「&」 introverted.

other notable facts : a varsity player on the CCU football team, makes short films and is constantly trying to master multiple artistic mediums.

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𖤣𖥧 ⤏ itoshi rin : 4/6 of the male leads.

𖠋 masc. pronouns, masc. anatomy ⋮ sophomore ( twenty ).

𑁍 :: sports management ‹𝟹 — quiet 「&」 attentive.

other notable facts : varsity player on the CCU football team, younger brother to professional footballer Itoshi Sae.

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𖤣𖥧 ⤏ mikage reo : 5/6 of male leads.

𖠋 masc. pronouns, masc. anatomy ⋮ junior ( twenty-one ).

𑁍 :: business ‹𝟹 — respectful 「&」 perfectionistic.

other notable facts : is currently an occasional faceless twitch streamer and is co-captain of CCU’s football team.

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𖤣𖥧 ⤏ nagi seishiro : 6/6 of the male leads.

𖠋 masc. pronouns, masc. anatomy ⋮ junior ( twenty-one ).

𑁍 :: computer science ‹𝟹 — mellow 「&」 distanced.

other notable facts : is a well-known faceless twitch streamer who is known to have pretty low energy— is one of those ‘its okay you can fall asleep while watching’ streamers. a varsity player on the CCU football team.

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