#art helps me express my emotions

[deathricedrawn]

i'm ready to try

[crabsnpersimmons]

Do the trio know sign language or are able to speak other languages for others who speak differently?

Eclipse: and now in the restaurant, many of our late Boss's old customers only speak Cantonese, so we still make use of our programming. The only learning curve we had was familiarizing ourselves with all the regional dialects and slang.

(apologies if i got the signs wrong, i'm still an ASL newbie, but i hope to learn more in the future!)

Fun Fact: did you know that in Cantonese slang, white rice can be referred to as 靚仔, which literally translates to "handsome boy". and the slang for congee is 靚女, "pretty girl"

do with that knowledge as you will 🍚

[just-null]

I just discorvered your blog and whilst I am primarily a choso enjoyer I do think noritoshi is also a really cool character, and I really hope he and choso get a chance for a proper interaction at some point! I'd love to know what your opinion is of choso and how you think he would interact with noritoshi :) also your art is really pretty

[UPDATE] this post was made before Gege revealed that Choso was a shit teacher and before the Kamos ever interacted. This was just my assumptions at the time.

I also want to see them interact... strap in fam, bc I never shut the fuck up

I may describe Choso as a bit OOC since I don't know much of the manga, but I do know bits and pieces!! also what the wiki told me, heh.

[Choso thoughts]

Choso feels like that big brother who's stricter when training/teaching, but lenient when doing literally anything else involving his younger sibs. Although he's wearing a bored expression the entire time, he's actually super happy when around them.

I really like big brother characters so he might climb up my favorites when I see him in action. from that one popular screenshot of him giving Jogo a goofy smirk, I can tell he's got this tiny side of playfulness to him. He can be annoying if he wants to, and he sometimes does that with his brothers. 10/10 guy!

I've seen fanart and some headcanons of Choso, and I can firmly say that he's a green flag. He's the guy who would fix you without trying. HE'S NOT DOING ANYTHING, YOU JUST FEEL LIKE YOU HAVE TO CHANGE FOR THE BETTER FOR HIM.. OR SO I HEAR

[more details under the cut!]

[Choso + Noritoshi interaction thoughts/headcanons?]

Choso and Noritoshi are like super distant cousins/uncle/nephew right?? They came from the same jujutsu hitler, so Noritoshi is like Choso’s many greats cousin/nephew. Be fr though, if there's someone younger than Choso and is related to him in some way, that's an instant lil sibling of his. WHICH IS WHY, their relationship has two sides to it. (imo)

First up is the teacher/student aspect. 

It's no secret that Noritoshi is weaker compared to Choso, therefore, he'd want to train under him. Choso is a strict teacher, he wants his lil bros to be able to protect themselves if he's unable to be there for them, which is perfect since that's Noritoshi's comfort zone. He wants to hone his abilities to reach or even surpass Choso, so he needs someone who'd nitpick him. 

I can see them sparring, and Noritoshi having an awe struck face every time he gets taken down with a new move Choso has yet to teach him. "How did you do that? You must teach me that next, sensei!"

Choso would probably chortle and lightly nudge Noritoshi with his foot, but internally, he's screaming. Imagine your little brother saw you do something cool, and he's shouting at you to show him how to do it. That's the same feeling Choso would get. Of course, he'd show him eventually, but Noritoshi needs to get the hang of the moves he's tasked with right now before adding more to his plate.

They're both beaming with joy when Noritoshi shows progress. Well- as much as two guys who barely emote can beam. Noritoshi is proud of himself for constantly improving and Choso proud of his lil bro for getting stronger!!!!!!

I imagine they bicker often but when they're in teacher/student mode, they rarely cross each other. Noritoshi knows he's training under a teacher and Choso is teaching his lil bro how to beat ass.

The second half of their relationship is the.. older brother/older(?) brother aspect.

whereas Noritoshi is getting little brother treatment from Choso but doesn't want it and Choso annoys/coddles Noritoshi like the best big brother he is... also my favorite aspect, as shown

Noritoshi is independent. He likes his space and prefers to do things on his own. Because of this he involuntarily became the big brother of Kyoto Tech. People go to him for advice, criticism, help with assignments, and when needing to make a responsible decision, they think, "What would Noritoshi do?" You can say he got comfortable with the role of "big brother." 

So when this new guy comes along who's revealed to be family, Noritoshi deems him as a higher authority. Noritoshi's quick to go back to his old ways of respecting his superiors and it's not that difficult. Choso is older, stronger, experienced, and generally a lot more capable than Noritoshi. However, the downside is that Noritoshi would never grow a close bond with Choso if he kept this up. You can't tell your boss your worries, that's not proper! Choso, knowing this, told Noritoshi to knock off the formalities pretty early on.

I imagine this is the first time they'd ever bicker. Choso tries to get Noritoshi to loosen up a little because they're family, but Noritoshi protests that it's because they're family that he should show extra respect!

Choso probably told Noritoshi to call him brother/uncle or something so they can grow comfortable around each other. Let's be honest, Noritoshi calls his mom "mother," you won't catch him dead calling someone who he currently sees as a superior "brother." They compromise by just using each other’s name without honorifics.

Now that the introductions were out of the way, Noritoshi was now stuck with Choso coddling him. Sure it was nice at first, someone in his family who doesn't yell at him for every mistake he makes and genuinely cares for him, but.. Noritoshi feels… annoyed. Choso reminds Noritoshi of a more tolerable Todo, but he feels like Choso still treats him like Noritoshi needs him. He doesn't need Choso around, but he keeps seeing him everywhere! 

It'd be entertaining to see their dynamic. Noritoshi, the younger brother who doesn't wanna be the younger one and Choso, using that to his advantage to grow close to Noritoshi, by being the annoying older brother. He never takes it too far. just far enough that Noritoshi is saying stuff like “Preposterous!” or “This is slanderous!!” I imagine Noritoshi takes it as a personal defeat when Choso brings him food or treats him to an outing. He allowed himself to get little bro’ed..

Noritoshi would try to take the leadership role again and "big brother" Choso back in a respectful way. Maybe suggesting things he should do. Choso probably lets out breathy laughs and pats Noritoshi's head when he tries this. Then promptly goes back to doing whatever he was doing. Choso sees this as "my little brother scolding me for something." Another defeat for Noritoshi..

I can see these two bickering about the smallest things. And by bickering, I mean Choso annoying Noritoshi because he wants to take care of his little bro!!! and Noritoshi getting upset because he's not!!! little!!! he can do it himself!!!

I feel like Choso and Noritoshi would get comfortable with this though...

Choso would get a side of Noritoshi he doesn't often give to most people. They have a special bond that unites them both. Whether it be their cursed techniques or their similar childhoods or some other third option, they stick by each other. The same is true for Noritoshi, he finally has someone that cares about him and not his status. While yes, Choso can be annoying at times, Noritoshi is growing used to having him around. It would seem too quiet if Choso wasn't making him annoyed in some way.. 

of course, they'd have their calm moments. Having siblings is both a hurricane and shallow waters.

These two are stoic fucks, so I can see them communicating wordlessly. The full fucking package like nodding, shoulder shrugs, huffs, BLINKS, you fucking name it and they just had an entire conversation. They say they make it obvious on their faces, but literally, no one can tell. Some people (Arata) think they speak telepathically..........

I hinted at it in the little doodle above, but Choso would probably help Noritoshi with calligraphy. Choso is OLD so he's got to have seen some old old Japanese cursive... He'd use his knowledge to help Noritoshi improve!!!

The whole thing with Choso cooking for Noritoshi.. Its what older siblings do to coax their younger sibs out of their shell. Who doesn't like free food? Choso learns pretty quick from what i've seen and with coffee being Noritoshi’s favorite drink, he's using that.

Choso: there’s a coffee shop downtown.

Noritoshi: what

Choso: we’re going together

Noritoshi: I never agreed to this

Choso: don’t forget your jacket, it could get cold.

And then they go.

Noritoshi enjoys company if it doesn't bother him. So if Choso walked into his room and sat down to do something quietly, Noritoshi wouldn't bat an eye. and That's how they hang out sometimes, just in the same room and they both have a blast.

this one is just me fucking around but I can see Choso asking for advice on how to approach Noritoshi like a father asking how to approach his teen kid. Noritoshi is similar, but he's asking why this guy is doting on him and being annoying. They ask around because I doubt either of them know how to use a phone. Noritoshi is old-fashioned while Choso is just old.

hmm... I can't decide whether Choso would use Noritoshi's name more often to attach the name to a better person or give Noritoshi a nickname to avoid using it....... I want to lean into the former but hmm......

that's all I got! This could be so ooc but fuck it! I like it. Sorry if this was all over the place, i was throwing spaghetti at the wall!!!!

[my ranting, its not important skip this. theres also slight spoilers]

im sitting here analyzing your wording. youre implying they HAVENT met properly?????? ITS BEEN A FUCKING WHILE. LET THEM MEET AGAIN WHAT THE FUCK IM PUNCHING THE WALL. WASNT THERE AN ENTIRE REVEAL THAT YUJI WAS HIS SUPER DISTANT LIL BRO implying that he also has some relation so to noritoshi too which is super cute now that i think about it.. stoic bitch with a sunshine guy who wont shut the fuck up... wait i love that sm..... but regardless WHAT THE FUCK??? LITTLE BROTHER MY ASS.GEGE YOU HAD NORITOSHI RIGHT THERE. FYM NEW LITTLE BRO YUJI. NORITOSHI IS GOING THROUGH IT LIKE EVERYONE ELSE BUT THIS GUY IS ALONE... I JUST WANT HIM TO HAVE SOME FAMILY BRO. GEGE WHAT THE FUCK. AND CHOSO HAVING THOSE DREAMS AND FANTASIES OF HIS BROTHERS TOGETHER. PUT NORITOSHI IN THERE. BRING NORITOSHI BACK YOU ONE EYED CAT FUCK..... I WONT FORGET THIS GEGE, WHEN I CATCH YOU GEGE WHEN I CATCH YOU GEGE WHEN I CATCH YOU GEGE.....

[lucabyte]

ppl saying they look to my comics for inspiration and pointers on how to format things is WILDDDD to me (and delightful don't get me wrong!! i am overjoyed) because like. none of you are privvy to the absolute WAHHH I DONT WANNNAAA bitchfits i was *CONSISTANTLY* throwing every time i forced myself to make a comic before i got into isat. like no joke. i considered comics such a fucking difficult medium they always drained my drawing energy so hard because they always felt like they took sooo long and had so many moving parts and were so much harder than storyboards (WHICH I ALREADY STRUGGLED WITH) because you had to account for panel shape and speech bubbles and-- like you get it. but genuinely for real. the sheer amount that i complained whenever i clawed my way through drawing a comic (which thus! was not very fucking much!!) compounded by the fact that i *genuinely have trouble reading comics*. as in, i really struggle to parse the flow of contiguous movement or action between panels (possibly connected to the fact ive got mad aphantasia?) of even really well done best-of-the-best professional comics...

... BUT. basically. what im trying to get at is. if you wanna learn to draw comics, evidently you super can?! I genuinely *didnt* draw comics before drawing isat fanart! I have no idea what it was about ISAT fanart that made it finally click for me? (I think it was... not having to think about colour? Removing a step from the process really helped. Plus, it being fanwork meant I could just start en-medias-res and not have to think about setup... Trying to cram too much explanation and setup into my oc stuff was always a big hurdle too...)

I find them fast to do now! and damn if i dont value speed in art (<- impatient little fucker). its still going slowly on my oc comics.. mostly due to the colour again, i think. but it's not extremely, ecruciatingly difficult anymore. is what im saying. and im genuinely baffled by it every time i put pen to page. its fucked up. did you guys know that practice makes things easier? . fucking perverted if you ask me.

As for looking at other people's things for inspiration. if you want to know where I was looking when I was piecing together the first couple fancomics I did for ISAT i want to specifically point at . well besides everything rebecca sugar has ever done (for hands and facial expressions *especially*), the main person i really dug into the work of was Leo Fox (Website link). I feel like i wanna point people to the source of a lot of the inspiration for my more off-kilter panel choices so you all can get the full experience rather than through my regurgitated mimesis. I'm now at the point where i can wing panel layout so i wasn't in there for longgg but. everyone go add it to your knowledge banks as for SUBJECT MATTER aka why i am i so deranged. those are squarely the 2019 postcanon homestuck golden era bleeding through my CLENCHED BITTEN DOWN JAW. A BULL TERRIER ON YOUR BRACHIAL ARTERY. namely that @/floralmarsupial and @/tomatograter's works (no i am not tagging them . im shy) are things i go back to frequently and floralmarsupials pure black/white inktober comics were *especially* an inspiration. if you've been following me a few months you may remember me reblogging a bunch of their stuff from 2019~2021 for seemingly no reason. this was why. The narratively divorced reality of jade strider & Liminal Space are big in my mind here. I balk to call myself anywhere near as good as these but these are what i'm aiming for, tonally and quality-ways with it. also detective pony but ive mentioned that already and thats farrrr too inside baseball for this post.

BUT YEAH TL;DR: I DIDNT DRAW LIKE ANY COMICS UNTIL UHHHH LIKE, WHAT, LIKE 8 MONTHS AGO? JESUS. ANYWAY. THIS MEANS YOU 🫵🫵🫵 CAN DO IT TOO. BELIEVE IN YOURSELF. DATTEBAYO!!!!

[moeblob]

What Deacon thinks: what did that mean? did he want me to wear a collar too? why else would he mention my neck? i mean, if he /asked/ me i would wear one but he didn't so would wearing one be weird?

What Ymber meant: It's nice to be near someone who isn't tethered to this world to serve it with a physical reminder for all to see.

[whatthefuckisasweep]

tender as the night and twice as gay or whateva

[sunny-m00n]

Practicing expressions with this idiot because I can and I’m bored <3

[x-crowmancer-x]

"AI Art is the future"

But can it compare to drawing a shitty little guy with a mouse in MS Paint to portray a very specific, feral emotion???

[kate-bishops-girlfriend]

oh wOW

one of my fav artists in this fandom not only reblogged my tags as a feature in their post but actually enjoyed my tangent?? 🥺 i can't take it my life has now peaked omggg i love you sm 😭

also ngl i'm so tempted to get a big glossy print of this piece as a massive poster for my little chill lair at home, the colours would work so well too 😩

tarot card commission ⸸THE LOVERS ⸸

[momochiiee-reblogs]

Really trying to not be mean and throw up all my indignation at some random people calling themselves artists on a discrd chat dedicated to art and fanart and complimenting eachother's skill using FUCKING A I PROMPTS

Congratulations you dipshits, you have stolen from real people!

I really hope this scammy tools get severely punished and disappear for all the stolen intellectual property one day

[backfliips]

A lot of people on twitter wanted me to explain how I draw expressions, so here you go

Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.

Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.

Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!

I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!

Also, bonus: even without the lines, the planes alone still show a LOT of emotion.

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

[internet-rat]

Illumi x wife!reader

Just a bit of fluff because my scary boy needs some love

No warnings~

----------------------------------------------------------------------------

You had been sleeping when you felt silky hair graze your cheek. You opened your eyes and saw the pale figure stare down at you with his large dark eyes. To anyone else it would seem like a scene from a horror movie. A pale being with long dark hair hovering over someone who was sleeping. But you smiled, because you knew your husband was home from a contract. You reach your hand up and stroke his soft cheek.

Illumi's large, unblinking eyes continued to bore into yours, yet no hint of malice or aggression tainted his gaze. It was almost as if he could see into the very depths of your soul, understanding every nuance of your being. His stoic visage didn't change at your touch, yet the slightest softening around his eyes might indicate that he welcomed it, appreciated it even.

"Missed me?" Illumi's voice was a quiet murmur, the words a velvet whisper against the silent backdrop of the night. It was difficult to tell if the question was rhetorical or if he was genuinely curious about your feelings.

His hand, slender and almost ghostly pale, reached up to where your hand caressed his cheek. His fingertips brushed against yours, a surprisingly gentle touch from someone so skilled in the art of killing. He seemed to contemplate your hand for a moment before bringing it to his lips, pressing a chill kiss to the back of your palm, his eyes never leaving yours.

His soft kiss sends the good kind of chills through your body. He was strange, your husband. It was like he was more like a creature than a human. He was the kind of person who would dig a hole in the ground to sleep in if he needed rest on a mission. He could use his needles to turn people into puppets, and he could use needles to transform his appearance too. He was unnerving and uncanny, but you loved him for it.

"Of course I missed you... I always do when you are gone," you softly reply. It was the truth too. You did always miss him.

"I see," Illumi responded, his voice maintaining that same monotone yet carrying an almost unseen layer of warmth within its timbre. The idea that you missed him seemed to lodge itself in his mind, a concept both foreign and intriguing.

He slowly withdrew his hand from yours, his touch lingering like a ghost as he moved. Then, with movements that were methodical and deliberate, he allowed his long body to hover just above yours as if he was cautious not to disturb you more than he already had.

His inky black hair, a stark contrast to the softness of the pillow and the pale moonlight spilling into the room, fanned out as he lowered his head closer to yours. "When I am gone, do you think of me?" he questioned, the pupils of his eyes swallowing the irises, making them seem like endless pits of curiosity.

As he asked the question, his hand moved to rest against your cheek, almost as though he was memorizing the feel of your skin against his own. His closeness was both intimidating and intimate, a duality that only Illumi could embody so perfectly. "Because when I am away, completing contracts... I think of this. Of returning to you." The notion seemed to please him, a sliver of satisfaction hidden beneath layers of his enigmatic facade.

His gaze remained locked with yours, as if trying to see beyond the physical, to understand the essence of the emotion you had expressed. It was a silent exchange, one where words were cumbersome compared to the volumes spoken in the silence.

You could not help but to blush and smile at how sweet he was being. "I think of you all the time when you are away, and when you return to me it makes me so very happy," you reply earnestly.

The faintest trace of a smile seemed to threaten the corners of Illumi's stoic mouth at your words, though it never fully manifested. His expression remained an almost impassive mask, yet there was a subtle change in his eyes – the black pools that might have been cold in another context now appeared deep and contemplative, as if your happiness had become a puzzle he yearned to solve.

"Happy..." he echoed your word, as if tasting it on his lips, considering its meaning. His hand shifted, the long fingers threading through your blonde locks, a faint sense of wonder lacing his movements as he explored the silky texture of your hair. "Your happiness is... important. I understand that now."

He leaned in closer, his face hovering just inches from yours, the cool breath from his words brushing against your skin. "I will continue to return to you. Each mission, each assignment... they are but interludes. You are where my path concludes."

Illumi's gaze bore into yours, and for a fleeting moment, it seemed as though he was peeling back the layers of his calculated exterior to reveal a glimpse of something raw, something undeniably human. "I am not skilled in expressiveness, but know that your presence... it anchors me."

And with that rare admission, Illumi's lips found your forehead in a tender kiss, an action devoid of any nefarious intent, simple yet profound in its sincerity. It was clear that, in his own way, the assassin who could manipulate others so easily was, in turn, wholly affected by your mere existence.

[moonastro]

solar return chart notes iv

having SR 10th house on your natal asc can signify finding a job or having luck in career wise- a job focused year.

pluto in SR 2nd house can change the way you spend your money, more being independent with your spendings which in other terms can mean earning more money as well.

jupiter in the 12th house can signify being more mentally stable and secure, when i had this placement i became more confident and just enjoyed life to the fullest.

moon in 2nd house is another indicator of starting a job as the moon represents stability and emotional fulfilment in the 2nd house of earnings and possessions.

i dont know why, this may be quite specific but every time i had my SR mercury in a 3rd degree of gemini i seem to have gotten a new phone or technology related device, especially if mercury is the ruler of the 3rd or 11th house. this had happened more than 3 times for me and uranus/aquarius/gemini influence had a great impact on it as well. (just find it so fascinating)

saturn in 9th house- taking a break from education and self discovery especially if there is lots of 5th house placements can mean being more experimental and more out in the world but more unintentionally.

having SR mc in capricorn is another indication of being seen as hard working. i had my mc conjunct pluto and once again signified significant changes in my career field. can also signify as being perceived as more mature.

an 11th house stellium is good luck throughout the whole year. it brings sudden changes and surprises that can make you feel like you are the luckiest person on the planet. a really favourable placement for the year.

vertex in the 5th house of SR can mean something fated happening that has to do with art and expression. also the sign can help to understand what area of that will be occuring. for example libra= arts, appearance, scorpio-sexuality etc.

mars trine moon in SR can mean arguments with mother however its less severe so can be not too serious.

the house part of fortune in will signify what you'll have abundance in. so in 3rd house-have more successful communications, being able to communicate freely.

asc at 0 degrees can mean experiencing fresh and authentic experiences (of course the sign matters on leading the theme).

neptune in 10th house can mean prioritising your teeth health as neptune signifies glamour and aesthetics. also can mean glamorising your public life. can be an indication of progress in your career.

ketu in 4th house will bring patterns from the past in your home or to do with family members. can be quite hurtful or can also detach from the experiences as you went through them already if that makes sense.

thank you for reading//

[pubbamoon]

Venus in houses and how you might create your music

Hi again! Do you remember when I said that my previous post could be the last one? This was just a joke. Hahaha! Never mind, welcome to my second astrology observation about Venus! This time I'm going to write about how can you create your own music through Venus in houses from you natal charts. This observation might be great for someone who wants to be musician. This was supposed to be posted yesterday, but I was working on something else and I was too tired later on. This observation can apply for both western and vedic astrology. Again, if you resonate with this observation, take it. If it doesn't, leave it, this might be for someone else then. But nonetheless, enjoy it!

Venus in the 1st house: I think that you guys with this placement can be inspired about your own life while creating music. Of course, it all depends on your Rising sign/Ascendant. The 1st house represents our personality, body, self and our life path, so you might make music that is related to your overall life or that is tied to your persona. You may create all of the music on your own, 'cause 1st house is associated with being independent too, but it doesn't have to be the case for all of you. It seems to me that you can basically live your music or you already live music in general. Your discography could be your autobiography, period.

Venus in the 2nd house: You may value music a lot and you may prefer to make music that is valuable, since the 2nd house does represent values. The 2nd house is also related to the business and money, so you might have this business mindset when it comes to creating music or you can make the type of music that gives you money. I think this is a great placement to monetize your artistic abilities in general. Since the 2nd house also represents the throat, which is related to singing voice, I feel that people with this placement prioritize their vocals over anything. It reminds me of singers who just come to the studio and record already made song/demo, written and produced by someone else and I don't think that's a bad thing at all.

Venus in the 3rd house: This house rules over the communication and self-expression, which means that you can express yourself through the music easily. Your mind is very creative with this placement. You may focus on writing skills while making your own music. Lyrics are first, and then there's ten blank spaces. You might write really beautiful songs about your life circumstances, but it depends in which sign your 3rd house is placed. The 3rd house is also associated with siblings and neighbors, which tells that you can create music with your brother or sister or just with people who are close to you. This placement can also indicate having multiple inspirations or ways to create music or write lyrics, because the 3rd house is being ruled by Gemini which is an air, mutable and dual sign like I just said in my previous post.

Venus in the 4th house: You can create music in your own house, since 4th house is related to home or a place which is familiar to us. When it comes to making you own music, you might work with your family member, especially with your mother who can help you and teach you how to make/write music. You may also have an innate talent from one of your parent or from both parents. Maybe you create music when you feel like it, because the 4th house represents emotions, so you don't force yourself doing anything related to music when you lack motivation or ideas. You may wait for idea to come to you first and then you start making stuff. This placement can indicate practicing traditional/old school ways of making music too.

Venus in the 5th house: My God, this is just a fun and creative placement! Seriously, you should practice any kind of art you want everyday if you have this placement in your natal chart. You might use music as a hobby or have a lot of ideas out of nowhere, because the 5th house is one of the most creative houses in astrology and is related to the entertainment. You can turn your hobbies into a career, especially if your Venus is your 10th house/MC ruler. But when it comes to creating your own music, your way of doing that could be a joyful experience and you can really have a lot of fun while making the music, 'cause you might see the music as a hobby. You can also make music with children, since the 5th house in associated with children if you like children as well.

Venus in the 6th house: This placement might not indicate a great talent of music or anything art related, 'cause the 6th house does represent our daily routines, 9-5 jobs and doing something that we don't like to do. But it doesn't mean there's no good side of this placement. You can be a type of musician who practice writing or production almost every day, which makes sense because this house basically represents something we do everyday. The good part is because you practice creating music/art everyday, you can become a better artist than someone who has a natural ability to create music. You may also make music about working class, 'cause that's what 6th house is all about. If you have this placement in your natal chart, I encourage you to do something creative everyday, 'cause there's a potential for you to become skilled in this field.

Venus in the 7th house: Venus is all about love, while the 7th house is about team work and partnerships, so they work well together. I feel that the best way to create you own music is working with others/collaborating and just being a team worker in general. I'm not saying that you can't do anything on your own, but if you struggle with making your music independently, then you should engage other people. Thank me later. You can make art with you partner or be inspired by your partners, because the 7th house represents our partners and how you interact with other people. It could also mean that your partner is artistic and pushes you to create music with him, her or them. Overall, I think working with others can fulfill you somehow.

Venus in the 8th house: You may create your music when you feel intense emotions, such as grieve, sorrow, sadness etc. The process of making music might be challenging for you and you'll likely have to deal with ups and downs while creating your music, because the 8th house is one of the hardest houses in astrology to deal with and is basically associated with challenges in our life. This placement can also tell me that you're someone who lock the room and make/record the music in silence or in places where there's no many people. The 8th house is a very mysterious house, so it makes sense.

Venus in the 9th house: This house is about religion, luck, happiness etc. You may be inspired by the experience with your religion or with your overall life. Making music could be an adventurous process where you can expand your horizons. The 9th house also represents foreign land and higher education, which may indicate you collaborating with people from abroad or being inspired by international music from foreign culture. It can indicate you studying some form of artistic major too and that's where the association of the 9th house with the higher education comes.

Venus in the 10th house: If you have this placement, I want to tell you that you may be blessed when it comes to your career path (it depends on your Venus sign and its aspects, of course). You can basically make the whole career based on music with this placement. Your co-workers might be artistic and they might push you to navigate your talents and gifts as much as they can. The creating process of yours could be very professional and you may take that seriously. I feel that you might make the certain type of music that the general public expects to hear, because the 10th house is associated with reputation and how people perceive you.

Venus in the 11th house: This is another placement that can indicate you making music with the bunch of other people, especially with your friends, 'cause this house is about friendships, connections and networking. If you want to be a musician while having this placement in your natal chart, please find someone who can work with and share your artistic vision, because I don't think you can do everything on your own. I'll also encourage you to post your songs on any internet platforms if you can, because the 11th house represents internet and social media too. It seems to me that you may follow the music trends or even start the new one while creating your music. The 11th house is also associated with your finances and how can you make money, so you can make money with you music as well. Lucky you!

Venus in the 12th house: You're likely someone who is naturally talented in music or in any kind of art, but you mostly hide this side of you or you just make music in private and do everything by yourself. It's so sad if you hide your talents and gifts from anyone else, because I feel that you're so creative musically and you could make a good piece of art if you acknowledged your talents. I can also sense that you might create your music when you're emotionally in tune with yourself or when you have an adequate vision about how should the particular song sound. Hope that makes sense, lol.

Well, that's it! I really hope that you all can resonate with this observation. This is basically the second part of my astrology observation about Venus and to be honest, I got a little bit tired of Venus planet. So, if this astrology observation flop, I will not be surprised, haha lol. Overall, I hope you enjoyed it.

Best regards,

Paky McGee

[bug-slappy]

sharing my opinion here about serizawas design inconsistencies over time (spoilers for mp100 ending) i feel like in each new rendition of serizawa weve seen in official art ever since the start of S3 something feels off in a different way with every new merch release

lets start here ⬇ serizawa looks like,, himself. accurate to how hes drawn since his first anime appearance

⬇⬇⬇ and then slowly,,, things start to look off. his jawline is slowly getting slimmer, his eyes look wider (same with mobs too)

AND DONT EVEN GET ME STARTED ON THESE. especially the one on the right my god. who is that

every new promo art that comes out just feels very careless. I think you could say so for all the characters (mobs giant eyes, reigens waist getting skinnier/pointier features. the PROMO art of dimple that was literally FULLY TRACED OFF OF A TEMU PIRATE HALLOWEEN COSTUME. they all look bad here)

it just feels a little depressing how little they seem to care anymore, like theyre just trying to pump out merch without bothering to use a character reference.

i notice the changes the most with serizawa. every promo art looks like theyre playing a game of telephone. each version of him is based on the last, instead of his initial design (shown below)

at the end of S2, when reigen cuts serizawas hair, he still looks like himself. they did a great job of showing "how serizawa would look underneath his moustache and big hair". In S3 it feels like they've lost that mentality completely. like he's no longer based off of his original design, but an entirely new reference of his salary man look. some comparisons between S3 vs S2 and OVA down below

I find that the line weight in S3 is much heavier and unfocused. but what bothers me most of all is that... Serizawa looks different in nearly every scene... as if they're undecided on what he should look like. the shape of his nose and jaw, his hair all change depending on the episode entirely.

The art style change for S3 was meant to be "more accurate to the manga", but I find that it had the opposite effect. especially how serizawas and ritsus eye shapes changed. ritsus large pupils and serizawas more almond shaped eyes were more reflective of their manga designs there are plenty of inconsistences in S1 and 2, but they're clearly done with purpose to reflect on ONEs art style (my beloved). I feel like the thinner lines allow more room for detail and extreme facial expressions that truly hold a candle to ONEs insane talent for capturing emotions.

these ^^^ compared to..

erm.. this.. ⬇

just felt very underwhelming... and serizawa certainly does mellow out once he starts working at S&S, but that doesn't mean that there's less opportunity for detailed expressions !!

the yokai fight scene was beautifully made i have no qualms.. but the amount of serizawa lore and dialogue in the manga that got cut from the anime just made him look like a cardboard cut out standing behind everyone. lots of funny and interesting moments cut to make room for the moefication of serizawa katsuya..

I feel like there's a lot of important moments that were cut, (reigen "i hope i can become a partner like that" arataka, serizawa "ive had a similar experience myself" katsuya )

or sad, intense scenes that were made lighthearted (the body improvement club trying to help mob, mob and ??? dialogue being cut, reigen removing his shoes in the final arc made to be meant for better grip rather than... his passively suicidal tendencies )

i think the people at bones are very talented dont get me wrong, i just felt like S3 could have been adapted better. this keeps me up at night its like 1am :) anywhosies thank you for listening to my ted talk i love you