#aromantic jean valjean

[i-dreamed-i-had-a-son]

My gosh this is beautiful and I have to reply because this is EXACTLY why I project onto him so much (a Very Healthy reason I know. When I first read Les Mis, I cried, bc I have felt exactly that pang). Ten million percent agreed with everything you said above!

I love your point about Cosette and Marius bringing up his (long-buried) feelings of envy: the tragic irony is, Jean Valjean--so often defined by his one act of theft--feels, himself, robbed.

Because ultimately, underneath it all, Valjean has a desperate desire for love--total, enduring love. Every time Jean Valjean has allowed himself to be truly known, people have immediately turned on him; all the goodwill he's built up over years of charity and suffering fades immediately. He feels that he will always be abandoned. So he's desperate for someone to stay. What first allows him to love Cosette is her helplessness: he is her savior, so she cannot leave him. And because of how enmeshed his identity is with Cosette, becoming anything less than her everything is a brutal extraction for him. He believes, since it is all he has known, that love is total and all-consuming; therefore, he believes Cosette can only really love one person, just as he only loved her, and that person (by Right™) is Marius now. After all he has gone through, and all he has done, he feels abandoned once again--even though Cosette may still claim she loves him--because he is not her everything, so he is nothing. And that literally kills him.

Valjean's perceived abandonment by Cosette is so devastating to him because in a way, he uses Cosette as a stand-in for God. He has never believed God could love him--in fact, even in the convent, he's described as kneeling before the sister "as though afraid to kneel directly before God." He has never allowed himself to see himself as anything other than the "miserable man" he was at the start of the story. And how could God love that? Instead, he finds Cosette, who is initially desperate and has no other choice but to rely on him (and he believes as soon as she does have a choice, or if she learns who he really is, she will leave him), and uses her as the foundation of his identity. She's also the center of his virtue; with someone to care for, to sacrifice for, maybe he can earn God's love somehow. And if someone so pure could love him, maybe there was something in him that could be loved. So of course when she begins to love someone else, Valjean crumbles--her love felt secure because it was desperate, but now she can choose. And he could never imagine anyone, including God, loving him willingly.

But I love Les Mis because he's wrong!!!! He's wrong about that, and he's wrong about himself, and he's wrong about what love is!! And the story tells him so!!!

From the start of the story to the end, God has always been with him, guiding his path. The narration throughout the story makes it clear--he even recognizes "the hand of Providence" in guiding him to the bishop and the convent, in bringing him finally to the trial to save the innocent man; to stumble upon Cosette in the woods was no coincidence, nor was it chance that Cosette and Marius found him (because they were looking for him!! Because they love him!!!) right before he died. He has always been loved, wholly and forever, even in the midst of his sin and suffering.

It's a love that knows him fully, and endures.

And I love that his story ends with that.

Jean Valjean's Canon Toxic Unhealthiness around Romantic Love

( alternate titles: “Does Jean Valjean is Gay?”, or “Does Jean Valjean is Asexual?” Or: “Why is it so difficult to slap an identity/sexuality label onto Jean Valjean?” Or “LGBTPTSD+”)

I was looking at the responses to this poll about whether people interpret Jean Valjean as gay/asexual/straight or something else….and it got me thinking again about Jean Valjean’s canonical intense, complex, awful, toxic, and overwrought emotions around identity/ romantic love. I want to talk about that for a bit because I think it often gets overlooked in fandom!

I've noticed that Les Mis fandom/analysis often tends to interpret Jean Valjean as being far more content, more "at peace with himself," and more "comfortable in his own skin" than he ever is within the novel. This is also a common change in adaptations. The musical's version of Jean Valjean is great-- but he also seems a lot more self-actualized, more like he's gotten himself completely "figured out" by the end of the story. Other, bad, Les Mis adaptations — the adaptations that generally portray Jean Valjean a worse more violent person — also usually make Jean Valjean more confident in himself, more confident in his own feelings/desires, more certain that he’s entitled to certain things, and more willing to demand or take what he wants.

But one major aspect of book Jean Valjean's personality is that he does not have a healthy relationship with anything about himself. He has a tortured broken relationship with his own identity. He repeatedly thinks about “Jean Valjean” as a person outside of himself, a person who he finds frightening, repulsive, savage, and horrible— like a wild animal he needs to sedate, or beat into submission. He is obsessed with self-denial and self-repression. He is fixated on the idea that he is subhuman, that he is not allowed to want things or to pursue having any kinds of relationships with other people-- and that the most heroic thing he can do is "grab himself by the collar” and violently force himself to stay away from the things he wants. He is desperate to be loved and fixated on being unworthy of love and on denying himself love. He is absolutely not at peace with his identity: to paraphrase Jean Valjean in one of the later chapters, he believes he can only gain inner peace by “eviscerating his own entrails.”

He is never truly content with who he is, what he wants, or what kind of love he wants— and he never learns to be. The novel ends with him cutting himself off from his only family, breaking ties with the only person who loves him, and essentially slowly killing himself out of self-loathing.

There are other characters in Les Mis who seem very content with who they are and what they want. Enjolras is self-assured in his identity, and doesn’t appear to feel like there is any kind of love that is missing from his life. Whether you interpret him as gay or ace or trans or w/e, book!Enjolras is written as someone who is extremely self-assured and has a loving support system that is enough to keep him happy. But I don’t think that’s true for Jean Valjean at all XD.

And that’s why it's hard to apply labels like “aromantic” or “ace” or gay/straight/etc to Jean Valjean, when talking about his canon characterization. Those labels imply the person has a basic level of comfort with acknowledging their own desires/lack of desire/identity. And Jean Valjean never achieves that level of comfort. What “label” do you give to someone whose relationship with their identity is “I do not belong in a family, I have no right to want things, I have no right to be happy, I am outside of life, and I will never be at peace until I eviscerate my own entrails?” Is there a “self-disembowelment" pride flag? XD I've seen a lot of interpretations that go "Jean Valjean never expresses any interest in romance, he's perfectly content just to have his relationship with his daughter" but I honestly don't think that's true. Jean Valjean tries to content himself with having only Cosette. But part of why everything explodes so catastrophically in the end of the novel is because he needs more than just a paternal relationship. He doesn’t try to have a “normal” father-daughter relationship with Cosette, he tries to force his relationship with Cosette to be literally everything and everyone to him, for her to be his entire world: and it doesn’t work.

There’s a passage in the novel that talks about how all the love Valjean is capable of ends up being suppressed/sublimated into his relationship with Cosette. The love of a brother, of a friend, of a father, of a husband, the love of everything he is capable of, gets repressed so that he can throw every part of himself into being a father. There are Bad les mis adaptations that incorrectly misinterpret that passage to mean that Jean Valjean is incestuous/grooming Cosette. But in context, that’s not what the passage means at all.

The passage specifies very explicitly that Jean Valjean “did not love Cosette otherwise than as a father,” that “no marriage was possible between them,” that his feelings for her are absolutely paternal. But the passage does show how Jean Valjean is doing a very different unhealthy thing: he’s relying on Cosette to fill every single emotional void in his life.

He’s relying on parenthood to fill the grief/emptiness left behind by all the other kinds of love that he has wanted, but never been given.

To quote a bit of that passage:

Jean Valjean did not love Cosette otherwise than as a father (…) Let the reader recall the situation of heart which we have already indicated. No marriage was possible between them; not even that of souls; and yet, it is certain that their destinies were wedded. With the exception of Cosette, that is to say, with the exception of a childhood, Jean Valjean had never, in the whole of his long life, known anything of that which may be loved. The passions and loves which succeed each other had not produced in him those successive green growths, tender green or dark green, which can be seen in foliage which passes through the winter and in men who pass fifty. In short, and we have insisted on it more than once, all this interior fusion, all this whole, of which the sum total was a lofty virtue, ended in rendering Jean Valjean a father to Cosette. A strange father, forged from the grandfather, the son, the brother, and the husband, that existed in Jean Valjean; a father in whom there was included even a mother; a father who loved Cosette and adored her, and who held that child as his light, his home, his family, his country, his paradise.

Jean Valjean reminds me of a Failmode I’ve seen in a lot of different real-life parents? There are parents who cope with their own hard lives by telling themselves that parenthood is their sole reason for being alive, and who obsess over their child’s success as their only source of purpose, meaning, love, happiness, community, and validation. But it’s a bad idea to rely on one child to provide the emotional support that should be shared by friends, parents, siblings, every possible loved one, etc etc—- One child can’t actually heal you from your trauma, be a replacement for your broken relationships, pull you out of your grief, save you from your adult loneliness, etc etc etc etc.

When I see the common interpretation that Jean Valjean is perfectly content just to be the father of Cosette, I think of this line:

Thus when he saw that the end had absolutely come, that she was escaping from him, that she was slipping from his hands, that she was gliding from him, like a cloud, like water, when he had before his eyes this crushing proof: “another is the goal of her heart, another is the wish of her life; there is a dearest one, I am no longer anything but her father, I no longer exist”; when he could no longer doubt, when he said to himself: “She is going away from me!” the grief which he felt surpassed the bounds of possibility. To have done all that he had done for the purpose of ending like this! And the very idea of being nothing!

On one hand, the terrible Les mis adaptations that portray Valjean as Incest Creep are incorrect and wrong. On the other hand, though, Jean Valjean IS unhealthy about Cosette— just in a different and actually sympathetic way.

He has made fatherhood his only purpose, to replace every other purpose he could have in life. So he can’t be “just Cosette’s father.” He can’t imagine her becoming an adult and leaving the nest, like children do. What does he have if he’s not taking care of her? What is his purpose in life if she doesn’t need him to be her parent? He's not just being her father, he's relying on her to be his entire reason to exist. He hasn't been allowing himself to have things outside of her.

And speaking of things outside of Cosette: segue time. This post was supposed to be about Jean Valjean and romance, so let's switch gears and talk about his canon 'romantic experiences' more:

We’re told that in his youth he “never had a sweetheart” because he “never had time to be in love.” There is no indication that Jean Valjean never wanted to be in love. The opposite is implied. Hugo frames it as a tragedy that Jean Valjean’s does not experience young love; it’s the horror of poverty taking yet another thing from him.

Within prison, Valjean is “gloomy” and “chaste;” when he traumadumps to Montparnasse about it, he talks about women looking on galley slaves with horror and disgust. Romance, at least “normal” heterosexual romance, is no longer something that is permitted for him. Jean Valjean knows very little about romance/love/sex and it repeatedly messes up his life. He spends 19 years in the all-male environment of prison, then about a decade in the almost-all-female environment of the convent. He has very little experience with how men and women are supposed to interact. The oppression Fantine faces as a sex worker, and Cosette's relationship with Marius, are both two big 'blind spots' that he struggles with.

At one point romantic love is described as “The only misery Jean Valjean had not yet experienced, and the only one that is sweet.”

In his massive confession to Marius, he agonizes over how he is not allowed to be part of a family, and is incapable of being part of a home. He compares himself to someone sick and diseased, that poisons good and normal people with his presence, and cannot be allowed to make himself part of their families.

So Jean Valjean doesn’t frame Romance as “a thing he doesn’t want:” it’s a thing “he is not allowed to want,” it is one of the many things he is banned from wanting. It's impossible to tell what kind of things he would want, if he were allowed to want them.

One of the most interesting things to me, however, is his general attitude towards Marius/Cosette.

Obviously his first reaction to Marius snooping around is fear and resentment— he doesn’t know to interact with romance, having never experienced it, and immediately begins catastrophizing. He views Marius as a privileged booby ruining his life for something as frivolous as a love affair: it reads to me as partially envy, envy of the fact that Marius lives the kind of safe comfortable life that allows him to experience young love.

Jean Valjean added: “What does he want? A love affair! A love affair! And I? What! I have been first, the most wretched of men, and then the most unhappy, and I have traversed sixty years of life on my knees, I have suffered everything that man can suffer, I have grown old without having been young, I have lived without a family, without relatives, without friends, without life, without children, I have left my blood on every stone, on every bramble, on every mile-post, along every wall, I have been gentle, though others have been hard to me, and kind, although others have been malicious, I have become an honest man once more, in spite of everything, I have repented of the evil that I have done and have forgiven the evil that has been done to me, and at the moment when I receive my recompense, at the moment when it is all over, at the moment when I am just touching the goal, at the moment when I have what I desire, it is well, it is good, I have paid, I have earned it, all this is to take flight, all this will vanish, and I shall lose Cosette, and I shall lose my life, my joy, my soul, because it has pleased a great booby to come and lounge at the Luxembourg.”

But, even though Jean Valjean views romance as something he isn’t allowed or have or to want, views it as a threat and catastrophizes over how it will ruin his life……he seems to also put heterosexual romance on a pedestal.

The way Jean Valjean idealizes marriage is one of his weirdest character notes for me.

He views marriage as Cosette’s “happy ending.” It’s her “happily ever after” point where she won’t need him anymore, where she won’t need anyone outside of her husband. A Man And a Woman Are Meant to Get Married, It's Fate, and It Means They Will Live Happily Together Forever. Marius is “the goal of her heart, the wish of her life; her dearest one.” Nothing outside of that matters anymore.

He treats her marriage as if romantic love is inherently always more important than any kind of platonic relationships, and always takes priority over them. He later dismisses the unconventional family structure he has with Cosette, saying that despite his love for her he was only a "passerby" and was not actually her real father, because they were not biologically related.

There's a moment where Jean Valjean is described as someone whose ideal is to be angel on the inside and a bourgeois on the outside. Jean Valjean's worship of bourgeois social norms, norms he can never truly be a part of, is one of his character flaws. He has a similar "guard dog" energy as Eponine does when she defends Rue Plumet from her parents.....Eponine and Jean Valjean both become the guard dogs of a kind of romantic relationship they believe they are banned from having. Jean Valjean believes that getting Happily Straight Married in a Middle-Class Home with a Picket Fence(tm) is the ideal path for life....but believes himself broken/incapable of ever following that path. And so he instead throws his entire life into securing that future for Marius and Cosette.

In what manner was Jean Valjean to behave in relation to the happiness of Cosette and Marius? It was he who had willed that happiness, it was he who had brought it about; he had, himself, buried it in his entrails, and at that moment, when he reflected on it, he was able to enjoy the sort of satisfaction which an armorer would experience on recognizing his factory mark on a knife, on withdrawing it, all smoking, from his own breast. Cosette had Marius, Marius possessed Cosette. They had everything, even riches. And this was his doing.

TL: DR:

Jean Valjean's gender/sexuality label is “idk but he’s super fucked up about it.”

[thedarklinkfell]

*pre-2000s applies only to when the character was first invented, if you love the reboot/current vers of any of these characters (i.e. nuwho) then that counts!!

[differentprincedinosaur]

Chapter 11 out now

[nortism]

Nor's Les Mis Fic Recommendations

I've been scouring les mis ao3 for a few months now so here are my fav fics I've found. I've tried my best to tag tumblrs where I can but let me know if you are the author of any of these and I'll tag you!

Three Days (or The One Where Javert and Valjean Take a Road Trip Through France and Raise a Child) by zamwessel

Rating: E

Ships: Javert/Jean Valjean

Summary:

Javert calls what he thinks is Valjean's bluff about needing three days to find the child Cosette and intercede for her. The Inspector comes along for the ride -- and gets much more than he bargained for, in the process.

Notes: First Les Mis fic I ever read and its an absolute banger. It's pretty much exactly what it says on the tin and I'm a sucker for a kid fic so I absolutely adored it.

A Change of Bizarre Kind by M_Moonshade

Rating: E

Ships: Javert/Jean Valjean

Summary:

Six months ago, Doctor Henry Jekyll sought to escape the dramatics of London by coming to M-sur-M. Tonight his murderer pays a visit to the Mayor Madeline. (Being the Curious Case of Inspector Javert and Mister Hyde)

Notes: Criminally underrated. Jekyll and Hyde AU but I went in knowing very little about that book and I could understand what was going on. Each chapter contains bits from the past and present day until the timelines eventually add up which makes the main mystery all the more compelling. Also Fantine is alive and well which is always nice.

Our Souls Still in Fetters by Cinaed

Rating: E

Ships: Javert/Jean Valjean

Summary:

After Javert is assigned to discover a blackmailer within a public-house that caters to men who prefer other men, Valjean is unexpectedly drawn into the case. Together they must stop the blackmailer before any lives can be ruined...including their own.

Notes: This author has so many great Valvert fics but this one is probably my favourite. There's the classic "undercover as a couple" trope as well as old timey gay bars. Also a huge fan of how this author portrays Cosette and Valjean's relationship.

In Defiance of all Geometry by idiopathicsmile

Rating: T

Ships: Combeferre/Enjolras/Grantaire

Summary:

Amis House might not be the biggest student co-op, or the fanciest, but it's got something all its own. Specifically, smoke damage on the kitchen ceiling from that time Courfeyrac lit a political pamphlet on fire. In which there are secrets, pining, pancakes, and revelations, and sometimes the shortest distance between three points is not a triangle but a circle.

Notes: I love a good poly fic and this is one of the best. Also just a generally fun and wholesome friendship fic. Definitely a nice comforting read after all the old man angst I've got on here.

Gimme Gimme Gimme (A Man After Midnight) by Need_To_Comment_Rising (@aromantic-enjolras)

Rating: T

Ships: Courfeyrac/Enjolras, Combeferre/Courfeyrac (Its complicated)

Summary:

Enjolras takes a swig of his drink with everyone else, and then smirks at Courfeyrac over the rim of his glass. "You didn't seem to mind much me being bossy yesterday night when I had you in my bed..." At his side, Grantaire chokes on his drink and starts coughing. But how did we get here, you might ask? Well, let’s rewind. ------- Enjolras and Courfeyrac have had a friends with benefits arrangement for a while. But when Coureyrac starts dating Combeferre, Enjolras is left with the question of where he fits in the new status quo...

Notes: Another poly fic with aromantic!Enjolras. I love fics with unconventional relationship dynamics as well as people actually communciating with each other (though not before there's been some hijinks ofc). Criminally underrated.

How Marius (Painstakingly) Won the Hand of Mlle. Fauchelevent by writingsyrup (@syrupsyche)

Rating: G

Ships: Cosette/Marius

Summary:

When setting out to woo his beloved Cosette, Marius had never imagined that it would bring him to this: sitting at a dining table next to her grim-faced father, and staring at the marble that was Enjolras picking at his peas. Or; Enjolras and Cosette are siblings in 19th century France. Marius has to deal with the consequences of this.

Notes: Probably the best Marius characterisation I've ever read, he's just so awkward and weird bless him. I love a good awkward "meeting the parents" and this filled that hole in my heart. Is part of a wider series but can be read as a standalone.

Omnia mutantur, nihil interit by Apathy and saltedpin

Rating: M

Ships: Javert/Jean Valjean, Cosette/Marius Pontmercy

Summary:

Valjean's panting breath does not belong to him. He scrambles out of the bed and stumbles on too-light feet to the mirror in the corner, although he already knows what he will see. Peering back at him from behind a curtain of dark hair, wide-eyed, is Éponine Thénardier. Jean Valjean awakens one morning from uneasy dreams to find that something quite unexpected has happened during the night.

Notes: Cosette and Javert get bodyswapped and Marius is weirdly into it, if that's not enough to convince you to read this fic then idk how to help you. Not normally a huge body swap fan but this was absolutely hilarious as well as having some genuinely sweet moments. Also Theodule is there which means something to some people.

It's Not the Same Anymore by ShameDumpster (@shamedumpster)

Rating: T

Ships: Enjolras/Grantaire

Summary:

Grantaire is a bookstore clerk in his late twenties, and to everyone’s eternal disbelief, a father. It’s been years since he’s seen anyone from his former group of friends, after a falling out cleaved him from the ABC, but everything changes when Enjolras walks into his bookstore. Can they rekindle their friendship, or something more, while they both come to terms with how their lives have changed over the past decade?

Notes: SO SO GOODDD!! Top tier slowburn kid fic, I could wax poetic about it for days. Had me gripped from start to finish.

Acts of Mercy by cruisedirector and Dementordelta

Rating: M

Ships: Javert/Jean Valjean

Summary:

After witnessing and reporting a murder, Javert is dismissed from the police and takes a job protecting the women in a brothel, where many of his long-held ideas about justice are challenged.

Notes: Breaking, man from the 1800s finds out that life for women is hard. Such a solid redemption arc fic with some really memorable ocs.

Lynx's Claws and Wolf's Mane by Kaleran

Rating: T

Ships: None

Summary:

When he is older, when he is a prison guard, he thinks back to his childhood and realizes he had been considerably fortunate. "Prison is no place for a girl like you," his mother told him often, usually fussing with what rags they could use for clothing. "Forgive me for this, draga mea." And so, instead of a daughter, she pretended to have a son.

Notes: Completely canon compliant except Javert is trans and the impact that has on the story really adds an extra layer to his character that I find really compelling. Warning, it is very depressing bc canon.

[thelawsofdaylight]

Ten first lines game

I was tagged by both @pumpkinspice-prouvaire and @aromantic-enjolras to do this ask game a while ago but am just now getting around to it! It's made me realise how much I actually published this year which is a not insignificant amount, so thanks for the tag, this was fun!

Rules: Share the first line of ten of your most recent fanfics and then tag ten people. Don't have ten? Not to worry, just share what you have.

kisses of fire (bruning, burning), the exr smut fic that i published literally about an hour ago, it doesn't really have much of a plot it's just smut:

The first obstacle comes in the form of a heavy, iron-clad gate that's so rusted Grantaire always finds himself surprised it hasn't crumbled to dust.

obstacles, the modernised retelling of jean valjean's journey to arras, it's very silly but also required a ridiculous amount of research:

If a person were to walk down the Rue Saint-Gengoult in the early hours of the morning, they would find it quiet and empty, as often happens before a town has commenced its business for the day.

the art of translation, written for the drinkwithme platonic exchange, about feuilly and jehan's friendhsip:

“-and anyway,” Feuilly is explaining to Enjolras and Combeferre, “we scarcely have time to organise it before we meet with the medical students.”

a new day dawning, the ghost!triumvirate fic i wrote for the discorinthe exchange:

Anabelle Pontmercy dies on a Thursday afternoon, twenty three years and three months into the twenty first century.

until the stars burn out, another discorinthe exchange piece about space pirates enjolras and grantaire sharing a traumatic experience:

They’ll later learn it was an act of sabotage.

these roads were made for me and you, this is the first line of the car share au!!!!!! my in-progress fic that i just updated!!!

Fate has always been a cruel mistress to Grantaire, and today is no exception.

strikin' around the christmas tree, my holiday exchange piece, a silly political take on a classic hallmark fic:

The day is cold, the ground sparkling with newly formed ice.

the art of merriment, my bahorel and enjolras friendhsip piece for last year's drink with me platonic exchange:

The first time Bahorel sees Enjolras fight is during an ambush.

we know what it's like to be reckless, another discorinthe exchange piece about jehan and grantaire and some late night graffiti:

Jehan has always loved the sound of spray paint.

under the eyes of the revolution, a same prompt fic challenge fill that focuses on enjolras and feuilly after the execution of le cabuc:

Enjolras sat upon a loose paving stone, his back to the Corinthe's walls.

What we have learnt from this is that klee aka thelawsofdaylight aka quillsand tends to go with shorter sentences for opening lines. Interesting!

I was tagged quite a while ago so I'm not sure who has and hasn't done this yet but if you haven't but have been wanting to, consider this your tag!

[thepiecesofcait]

Day 4 of @themiserablesmonth | Pride

(ft Pappa’s first pride badge <3)

[wilwywaylan]

Inbetween two comic pages, have more stickers !

Featuring a brand new design for Gueulemer ! I had troubles finding something until I re-read Hugo’s descriptions about them being creole. 

Valjean was supposed to be from Maghreb, but I might have messed up a little....

Happy with those ones too !

Availaible as stickers on my Redbubble, but no links because Tumbblr hates them :(

First series - Second series - Third series

[thatonequeerdragon]

figuring out your romantic/sexual orientation/identity be like

who am i?

and

another day, another destiny

but combined

[i-dreamed-i-had-a-son]

YESSSS haha I love seeing other people think this too--that's exactly it!! And honestly the bit at the end where he just kind of retreats into solitude and assumes that now that Cosette is married, she won't need him anymore?? The fricking scene where he takes out her childhood clothes and just looks at them and weeps because he remembers when "she was no higher than that, she had her great doll in her arms...she laughed, they walked holding each other by the hand, she had nobody but him in the world." Valjean has only ever had Cosette all these years, and now that she has someone else, he feels like he has no one. He pushes her away because he thinks she'll do it if he doesn't and it would hurt him too much to be rejected by her. He assumes that Marius will take his place because he is her husband and Valjean wasn't even really her father; he assumes romantic love outweighs all the love Cosette has for him, and it basically kills him because he is so lonely...like. All of that absolutely SCREAMS aroace!!! I am aroace and I nearly cried reading that scene because I knew how he felt, I've felt that same way and it just really made me feel seen in a way that nothing else ever really has?? Like it's such a specific feeling that I don't think someone who has romantic interests can ever quite understand. Combining that with the fact that she actually DID love him, and she DID think of him as her father, and she came back for him and sought him out and was there for him and he was loved when he didn't think he would be...that also almost made me cry because I was so worried he would die alone and sad, and he didn't. Which means maybe I won't, either.

Also there's the canon proof that he "was never known to have a sweetheart" and some other quotes I've collected (I can find them if you want haha) that in my opinion make it canon that he is aroace--just using 1800s lingo! So this is an idea that I have a deathgrip on lol 😂😂

You asked for hc's so here's my favorite! Jean Valjean? Aroace 100%. His story and feelings and vibe just match perfectly! :))

WAIT ‼️ OMG I DIDNT KNOW ANYONE ELSE THOUGHT ABOUT THIS. i dont hate jvj and javert (can’t remember the ship name rn) but i like aroace valjean so much more. he and cosette are enough of a love-filled family and it’s so nice to think of an aroace person being such a GOOD parent as well despite not having a partner. i think it just fits his character sososo much more than having any romantic interest

[aroacevaljean]

[differentprincedinosaur]

Chapter 11 out now

[annaquenta]

[Image description: Pencil sketch of Jean Valjean and Cosette hugging. Cosette is a little Black girl with curly hair and a wide smile. Valjean is a bald man with a beard, his eyes closed as he smiles. Above Cosette’s head is the demiromantic flag; above Valjean’s is the aroace flag. End image description.]

February 16, 2020

@arospecfanworksweek day 1: parents & children!

I realized after I started that this would be before either of them had even the inkling of their arospec identities, but that doesn’t change who they are :)

References: position (traced), Cosette

[i-dreamed-i-had-a-son]

Spock (I will fight and DIE on this hill) and also Data

Jean Valjean (Les Mis! Although technically it's CANON and I can prove it)

Henry Jekyll (there's no romance in the original book!), also Victor Frankenstein

Natasha Romanoff, also Loki, also Stephen Strange

Sherlock (from Elementary in particular since that one is less known, but honestly from every iteration)

Snape (Lily was platonic)

Aziraphale and Crowley

Obi-Wan (Satine is not valid lol), also the Mandalorian

11th and 12th Doctors

Kakashi (I am apparently still a weeb)

Jo Marsh (fight me)

Ilsa Faust (Mission Impossible)

And I can probably think of more but honestly any character I like is aro unless explicitly proven otherwise loll

aro headcanon reblog chain? I did it before once and it was fun! 

I’ll go first:

Will Byers from stranger things

Spinel from steven universe

Kaladin!!!!!!! from the stormlight archive

[silver-stargazing]

aggressively arospec week 2019: arospec headcanons

French Literature edition!

Jean Valjean from Les Misérables (aroace)

Arsène Lupin from Arsène Lupin, Gentleman Thief and other stories (frayromantic)

Christine Daaé from The Phantom of the Opera (greyromantic)

[aka-noodleart]

Cosette convinced Valjean to come to pride with her.

Some Les Mis headcanons for pride month

[lawisnotmocked]

uuuuuhh aro ace Jean Valjean anyone?