#apart from them just being great characters

[sloppilyeatinggrapes]

This is my secret sideblog so I'm just gonna. Not do it as an ask game, I just want to talk about podcasts!

1.) what’s the first podcast you listened to?

Welcome to Nightvale <3

2.) what’s a podcast you’ve cried over?

So many, but recently, Unwell!

3.) Favorite podcast pet? (Idk if that’s worded weird but like if one of the characters has a cat or smth)

I'm honestly not the biggest fan of podcast pets but there is ONE EXCEPTION which is Dumptruck from Find us alive

4.) what podcast has the best soundtrack/music?

Aaah there are many I like... One some might have missed is Dreamboy, which have a couple of bangers, or In Strange Woods, which is a WHOLE MUSICAL and I listen to the songs frequently. But my go to soundtracks are Friends at the table (thank you Jack deQuit). Honorable mention to Wolf 359 and Hallowoods who I think uses their osts SO WELL, giving me VISCERAL reactions when I hear the music out of context.

5.) what’s a podcast that you really like but find it kinda hard to follow the plot?

I have tried to listen to What's the Frequence so many times, it seems so intriguing and interesting as a concept, but I still don't know what even the basic plot is. I think it starts with a murder?

6.) what characters from different podcasts do you think would be friends?

Maybe this is a weird combo but I do think Diggory would be great Friends with Kai and X from Girl in Space. It's something about identity and bodies and being made with a purpose, and somehow still ending up being a pretty chill person.

I also think the demons from Brimstone Valley Mall (especially the teens) would be best hatefriends with the Hrose camp polecule. They are opposite sides but same kind of mall kids. Maybe they wouldn't be friends maybe I just want to watch the world burn

7.) what characters from different podcasts do you think would hate each other?

hmmm. Elias TMA and Keppler Wolf359. They are boss middle managers who think very highly of their own competence, have VERY different ideological base and would kill each other with knives over a cornchip

8.) what’s a podcast where you mix up the characters voices?

I have had this problem with A LOT of podcasts in the beginning, it usually takes me a while unless they are very distinct. I remember it being a problem with Mabel (literally two characters and I couldnt tell them apart...) and Syntax with two of the women side-characters. It took me so long to understand what their personalities were supposed to be, since I couldnt tell who said what.

9.) what’s a podcast that you know the characters so well you can recognize their breathing?

oooh hmm. I mean, Nightvale. It's been like 11 years after all. And Deck the halls with Matrimony!

10.) what’s a podcast that you wish you could listen to again for the first time?

oooh maybe The Penumbra podcast, specifically Juno! I think I got a weird impression of it because I listened to the OG, much rougher version of arc 1, it was really confusing and I got a very different idea about the characters in my head. Now when it's finished, I think it would be a better listen to just go through all of it as a blank slate! I also liked the end, and I think it found what it is about during the journey.

11.) what’s a podcast you’ve listened to more than once?

Most... If I like it I'll listen AT LEAST twice. But I have listened to Deck the Halls SO MANY TIMES because it's short and wrapped.

12.) what’s a podcast you wish more people listened to?

Having many fans is a double edged sword, but right now, Hallowoods and Hymns for the road. I think both would be so visually inspiring for fanart and oc's.

13.) what do you like to do while listening to a podcast?

Draw! Always!

14.) who is a podcast character that you love?

Leon from Greater Boston!

Diggory Graves from Hallowoods!

Brnine from Friends at The Table!

15.) who is a podcast character you can’t stand?

Genuinely? I did not like Cassius from Syntax... sorry... I just think they are too stupid for me.

16.) what songs do you associate with a certain character/ podcast?

oh man, Hoziers Eat your young with Hallowoods, Moss by cosmo shelldrake (for obvious reasons) with Hymns for the road, Haunted House by sir babygirl with Friends at the Table

17.) what’s a podcast that you can’t stop thinking about?

Bluff city (friends at the table), Hallowoods, Greater Boston and The Silt Verses. It's something about imperfect communities

18.) are their any podcasts that you regret listening to?

Yes. We're alive. Zombie podcast. Was waiting for it to subverse all the boring and bad cliches it set up. It didn't. It was 100 eps a 40 min. I have never been more mad

19.) whose your favorite podcast couple?

In canon, of course Cecil and Carlos. The OG!

Shipping wise its Leon and Michael from Greater Boston, Harley and Lancaster and Love and Radager from Find us Alive, Brnine and Valence from Palisade, Heard and Hector from Bluff city.

I also ship Malik from World gone wrong with the alien replacement of his ex. I WANT TO BELIEVE.

20.) whose a podcast character that you think would dress really cool?

Actually cool? Probably Riot or Olivier from HFTH. Cool as in interesting/fascinating? Cecil WTNV again.

Podcast themed ask game cause I’m bored!

1.) what’s the first podcast you listened to?

2.) what’s a podcast you’ve cried over?

3.) Favorite podcast pet? (Idk if that’s worded weird but like if one of the characters has a cat or smth)

4.) what podcast has the best soundtrack/music?

5.) what’s a podcast that you really like but find it kinda hard to follow the plot?

6.) what characters from different podcasts do you think would be friends?

7.) what characters from different podcasts do you think would hate each other?

8.) what’s a podcast where you mix up the characters voices?

9.) what’s a podcast that you know the characters so well you can recognize their breathing?

10.) what’s a podcast that you wish you could listen to again for the first time?

11.) what’s a podcast you’ve listened to more than once?

12.) what’s a podcast you wish more people listened to?

13.) what do you like to do while listening to a podcast?

14.) who is a podcast character that you love?

15.) who is a podcast character you can’t stand?

16.) what songs do you associate with a certain character/ podcast?

17.) what’s a podcast that you can’t stop thinking about?

18.) are their any podcasts that you regret listening to?

19.) whose your favorite podcast couple?

20.) whose a podcast character that you think would dress really cool?

[blueikeproductions]

Y’know thinking it over, I think one of the reasons TFONE failed, after looking at other comments, is it ultimately did nothing new. The marketing didn’t help, but I’ve noticed a lot of people be irritated at the modern 13 Prime concept and the more modern political bent (no longer Cold War inspired, but instead some mild identity politics and heavier ideological differences that modern audiences have notably struggled with) persisting, and this movie does little to change that.

The Bayformers films, love ‘em or hate ‘em, ultimately tried new things: The Allspark, reinventing the Prime mythology for its canon, Sentinel Prime as the best villain the series had, a group of ancient Autobot Knights that Optimus was apparently part of alongside the Dinobots, and so forth.

What did TFONE actually offer that was new?

Well.

Not much.

It was a complete retreading of the Aligned backstory we’ve been given for the past decade or so: Optimus and Megatron were former friends that overthrew a corrupt system that Megatron kept rebelling against, starting the Great War.

The same story that Prime did, that Cyberverse did, that IDW did, that Netflix WFC did, sure a few things were reshuffled but it’s the same, slagging story. TFONE even recycled Sentinel Prime as the main antagonist again, his motives not that dissimilar from his Spock adjacent counterpart.

People complain about the Great War being over done, but that’s clearly not stopping people eagerly tuning into Skybound’s version of it as of typing. General audiences, like it or not, vastly prefer the war between the Autobots and Decepticons, they don’t care about Grunkle Vegeta Megatron, his younger years as D-16 and his tumultuous friendship with Orion Pax.

The only thing new TFONE technically did was better establish Optimus and Megatron as being good friends originally. Aligned and the other series did a terrible job with this, with it ping pinging between Megatron already being power hungry and insane, he just hid it better, to him and Optimus being written as a couple who had a bad break up but can’t get over each other. TFONE still leans towards the later, not helping current situations but at least you do legitimately feel bad this time the friendship fell apart. The friendship was actually believable, that was the strength, but alas most people don’t really like the idea of Prime and Megs being friends.

It’s why I still feel the upcoming Age of Primes toy line will struggle, because once again, the 13 Primes are not a well known aspect of the lore, and modern shows haven’t done a great job at fleshing out Solus or Quintus, and stuff often falls back on Alpha Trion, a character from the old cartoon that people simply are more familiar with.

We desperately need to flesh these characters out better, we need to go back to a Vector Prime befriends the modern kids and Autobots plot for each Prime to make sense of them going forward. That’s the only way new fans will get to know them better and actually care.

As for TFONE, with current problems at Hasbro and Paramount, it’s not looking likely this story continues, but whether it inspires cartoons and comics after EarthSpark anyway we don’t know. Clearly the plan was to use TFONE as a springboard for future content, but it simply didn’t make money to justify it. If Hasbro is satisfied with it doing well on Paramount+, then maybe it evens out, but I legitimately believe the core problem has been trying to make the Aligned canon stick to most modern media when it clearly isn’t. I think we need a new approach, keep the Primes if you want, but don’t slavishly have it be the EXACT same story with them in each movie, comic or cartoon. TFONE DID modify the Prime backstory so that’s a good step, but whether they take that for future cartoons we don’t know.

[fiddler-on-the-starship]

Spoilers for Transformers One.

On the one hand, I do think Orion was right when he said "rebuilding Iacon cannot begin with an execution" (they'd just thoroughly trounced Sentinel in every way, he wasn't a threat anymore, there wasn't an immediate need to kill him beyond the desire for revenge).

On the other hand, on a purely visceral level I do not have a problem with Sentinel getting ripped in half because fuck that guy lmao. Get your revenge, Dee, you deserve it.

But on the other other hand, I do believe that Orion's actions were motivated not by any desire to save Sentinel, but by concern for Dee. (I think these posts make a good point about that; it doesn't seem that Orion was even deliberately trying to sacrifice himself when he got shot, I think he just wanted to get between Dee and Sentinel so he could talk to Dee.)

But on the other other other hand, Orion really did not choose his words well in that scene. "Don't be like Sentinel" was the WORST thing he could've possibly said, all things considered. A while ago I saw a post that described it as "telling a victim they're just as bad as their abuser" and yeah, I agree with that assessment. That probably wasn't how Orion intended that to come off, but there's no way it wouldn't have sounded like that to Dee. Maybe it wouldn't have been possible to talk Dee down from killing Sentinel in that moment, but if it had been at all possible, that was definitely not the way to do it.

However, while this leads to a horrible outcome for the characters, I'm not sure it's such a bad thing for the narrative. It's painfully realistic, actually. Sometimes, people who have nothing but good intentions will say stupid, hurtful things. Sometimes, when someone is in a state where all they can feel is pain and rage, they will lash out without thinking of the consequences, and in doing so they might hurt someone they love. Obviously in the real world this does not usually involve a giant robot shooting another giant robot with a laser cannon, but that's one of the great things about sci-fi and fantasy; a laser cannon can be a metaphor for the horrors we face in real life.

Also, based on Orion's behaviour up until that point in the movie, it's pretty in-character for him to say the worst possible thing at the worst possible time to someone who is clearly suffering. You can tell he has a lot of compassion and generally means well, but that doesn't stop him from being an insensitive dick at times. And I like that. I like it when characters have Layers. (Orion and Dee both have a lot of Layers, and I am fascinated by the way some of the same personality traits manifest very differently in each of them, but that's not what this post is about, perhaps I'll ramble about that another time.)

Basically what I'm saying is:

I think Orion was both right and wrong (right about it not being necessary to kill Sentinel, and right that a public execution was a bad fucking idea; very, very wrong in the way he expressed that to Dee),

I'm not going to say Dee did nothing wrong, but I completely understand where he is coming from (and I'd be lying if I said that when he killed Sentinel there wasn't a part of my brain screaming YEAAAAH, YOU GO GIRL, RIP THAT FUCKER APART),

I think that Optimus Prime should have flaws and fuck up sometimes, because that makes him more interesting as a character, and in the case of TF1, because having him inadvertently contribute to Dee's downward spiral adds to the tragedy of it all (and I do think this movie can rightly be called a tragedy of Shakespearean proportions),

and, above all,

FUCK Sentinel Prime. Seriously, fuck that guy SO much.

[dykedvonte]

I find the line "I have to believe our worst moments don't make us monsters." Fascinating because it comes from Anya, and I feel she really proves it the best.

For obvious reasons most people are in the "Anya did nothing wrong" camp and for good reason but there is a single action that I don't think she did well and it was her suicide. Specifically her method.

Realizing that Anya took Curly's painkillers was horrifying to me. As a Nurse I have no doubt that she'd know how terrible dying from overdose is. She had access to a gun which is well known for having a far more instant and far less painful death. And despite everything falling apart around her, knowing how bad Jimmy was, she still left Curly alive.

I don't think I thought about it much like that at first but the longer this game has sat with me the more horrified I am by the action. Curly is man who has been horribly disabled and is completely unable to help himself and he is very much a human being who does not deserve to be anywhere close to that amount of pain. Those painkillers were one that the few things that could give him any amount of relief and Anya took them.

She could have shot herself and left the painkillers for whoever was left to help Curly. She could've shot Curly and then taken the painkillers. She could've shot them both and quickly put an end to their misery, yet she didn't. Anya had a great amount of her agency stripped away from her, to the point that she didn't deem life to be worth it anymore and ended it, right next to a man who couldn't make that choice for himself even if he wanted to.

It is easily her most horrific choice and yet, she's still an angel.

(Please don't take this as Anya slander, I genuinely love her so much. I just find this to be an incredibly interesting thing)

I do subscribe to the idea that Anya realized that Jimmy was hitting Curly when giving him his medicine but didn’t intervene. I also don’t think her taking the pills from Curly as monstrous mainly because (while she knew he suffered worse with out them) she likely also knew they were basically bandaids on a bullet wound.

I have this sort of belief that that statement can only really apply to Jimmy in the inverse. Like some statements in the games aren’t meant to apply to all characters and not in every context of every action they do. It’s the idea that no one should be responsible for Jimmy’s actions but himself but they are forced to by him or the environment. Everyone is experiencing their worst moments but no one is a monster outside of Jimmy due to his inability to take responsibility and how he escalates the severity of the situation through his bad choices. Even then it’s not one moment that makes Jimmy a monster it’s the culmination of every moment that prove his inability to be anything but in this scenario.

With Anya you must remember she did have the code to the gun. Yeah, she could’ve broken it open but who’s to say how easy or how long it would’ve taken. Not to mention, there’s this misconception that she wanted the gun to kill Jimmy which isn’t true. She wanted the gun to defend herself in the case he got aggressive which is an important note of Anya being the only proactive person on the ship vs reactive. Locking the door, knowing there was no way in was likely a duel mercy for them both. A person in his state would die relatively soon without constant care and she has ample time to pass. It’s a hard decision to make for herself and someone else but it was the easiest even if it caused more damage than it was ever meant to cause.

It’s a sort of parallel to how Curly made choices he thought would help Anya and everyone but ultimately doomed them all further. Jimmy got what he wanted in both scenarios of crashing the ship and wanting Anya gone. What happened on the Tulpar will go down as a tragedy if they are ever found, a mystery if not but certainly not in a way that Jimmy wanted. Anya and the pregnancy are effectively gone but he’s still facing the repercussions for it.

There’s this idea that it’s controversial to say that Anya was anything but perfect and while I don’t think she did anything wrong, she certainly didn’t make the best choice in telling Jimmy but that again was because of the situation and environment she was in. We don’t know why she didn’t wait on Curly after their conversation in the cockpit, we know that was the plan and we know Jimmy finding out through her alone was the catalyst to the crash within like the next hour, yet you can’t really blame her. We don’t know why Jimmy came to medical nor what anyone else was doing. It can be considered her one mistake but then again we can’t blame a reasonable action on someone’s unreasonable response.

I think that’s a big aspect a lot of people look over in the characters actions. Most of them are normal, reasonable, human. But the systematic responses to them and Jimmy’s are unreasonably harsh and punishing.

This has gone off in a tangent from what you originally posed but I genuinely think of what might do happened if that confrontation happened with Curly there and away from the cock pit. I assume it’d happen in medical or even utility, hell, an area away from anything sensitive but what if? If the ability to do something awful wasn’t at Jimmy’s finger tips, if there was more than one voice in Curly’s head during that moment, what would’ve changed?

When I look at Anya I see her as having the best responses to anything happening during the events of the game but the environment, systems against her and even the other crew mates to an extent made it so it would inevitably backfire on them and mostly her hard.

[jules-ln]

Ok, so I can't stop thinking about Viktor in Arcane lmao

Not so much because I like him (which I do lmao) but more because his arc seems like convoluted mess of knots at first glance, and I don't understand it completely and I need to put this puzzle together

Also, honestly Arcane it's the perfect case for why "show, don't tell" isn't always good as it left a lot of things incredibly vague, things I think they should've stopped and clarify more

So let me take his character apart from the beginning to understand him

Spoilers btw

First I want to talk about Viktor's disability because apparently it was a big deal

I say apparently because at first I thought it wasn't a big deal for Viktor, it was just part of who he was

Like the first time we see him, he's confident, he seems secure in himself and the show itself doesn't seem to make a big deal out of him using his cane

But turns out that getting rid of his disability it was actually a big deal for Viktor and I want to search for an explanation that isn't that the writers probably had a subconscious bias about disability

Tbh I always thought that it was kind of implied that Viktor's disability was a result of his parents being exposed to dangerous chemicals in Zaun, like it wasn't just his sickness that was a result of being born in Zaun, but also his leg, don't know if it's just me but anyway the author is dead moving on

I'm saying this because it would make sense at least for Viktor to think that way. Because in his mind it's his disability = his sickness = the problems in Zaun. These three things aren't different for him, is one and the same problem that needs to be solved

This is also shown when Viktor is experimenting in himself with the Hexcore and instead of doing something that might help him idk stop coughing blood, the first thing he does is trying to undo his disability. And I've seen some people ask why the hell is Viktor more worried about his disability than the thing that's actually killing him. It's because in Viktor's mind is the same thing

Now, we can actually see hints that Viktor might resent his disability (and Zaun by extension) in the boat scene when he's a child, where even though his genius is great, his disability stops him from reaching the boat, from reaching his full potential (at least in Viktor's mind)

He resents not being able to be who he wants, who he could be if he had been born in Piltover and puts the blame on his disability and Zaun

This actually makes sense with later scenes when Viktor and Jayce show off what they've been working on to Heimmerdinger, the gauntlets and the claw (arm?). If Viktor and Jayce were working on these two things separately, very telling that Viktor's project (the claw) focuses on artisans, who are still "a step above" than the miners Jayce is focusing on. But if they're working together on the projects, we see that Viktor actually doesn't really wants to help Zaun

Because, what are these? Gauntlets and a claw to make people work faster? These are the solutions Viktor (and Jayce) come up when confronted with Zaun's problems, not actually helping them attack the root of the the problem. Like Miners have to spent hours working in dangerous conditions that affect their health? Well, let's give them something so they can work faster. This is merely palliative care, not caring to actually solve the real problem

Which leads me to the next point, Viktor doesn't actually wants to help Zaun to become a better place, he wants to get rid of the Zaun of now and transform it in Piltover 2.0. In his mind this isn't about helping Zaun, but getting rid of the thing that caused his disability and sickness, metaphorically eliminating them both

We can see this in Viktor's commune

Because, Zaun, even when it looks dirty and dark, all in all doesn't look ugly, like any place where poor people live, it's also full of individuality and self expression, art that's fighting to exist. Compare it to Piltover's Art deco and art nouveau inspired architecture that while, yes, everything looks very beautiful, it also looks very same-y

Viktor's commune also looks very same-y and in a way a bit Piltover inspired. Contrast Viktor's commune to the alternative universe we see where things are better in Zaun, it looks brighter and cleaner, but it also didn't lose any of the self expression and individuality that Zaun has. Individuality that is lost in Viktor's perfect world

Because again, it wasn't about Zaun, or about helping people, it was about Viktor taking something, destroying it, and substituting it with something he believes to be perfect. Perfect without any kind of disabilities that might hold Viktor back (which isn't true but that's what Viktor believes)

This sentiment later comes back when he tries his glorious evolution

Now about Jayce

Part of why I didn't understand Viktor's characterization at first was because I wasn't seeing the whole, I was missing a crucial part of the puzzle, and that was Jayce

At first I thought that Viktor was only interested in Jayce because of his idea of Hextech. But no.

The first time Viktor and Jayce meet, Viktor seems only mildly interested in Jayce's idea, but not enough to actually do something to help him, he was there because he had a job to do, he had to make sure that Jayce was arrested, only that

It wasn't until the judgement that Viktor actually takes an interest in Jayce, but not because of his idea

Viktor was attracted by Jayce's willingness to defend what he thought was right even when everyone else went against him. His personality and fierceness was the thing that later made Viktor take another look at Jayce's investigation

Compare it to how Mel first approached Jayce

Mel and Viktor are very similar in that both want to make something perfect (Mel wants a perfect Piltover, Viktor wants a perfect Zaun and later a perfect world), but they have different motivations. Mel wants to make a perfect city so that she later can gift it to her mother and prove that she's worthy of her love and affection, and that she's worthy of being part of her family

So in the judgment, Mel first sees and is interested by Jayce's idea, because it's something that can get her closer to her goal of being back with her family. Later she's interested in the inventor

But with Viktor is the opposite, he first is interested in Jayce as a man, that's what later attracts him to his dream

(Side note It's also worth noting that I think Arcane takes away Jayce's role in LoL of being Viktor's rival and gives it to Mel. More than that, with both Mel and Viktor being mages and Mel's magic being the thing that stops Viktor during the first fight between him and Jayce. I think that if Mel was more powerful, or Viktor was less overpowered [what the fuck arcane's writers, he's literally a freaking God] she could've stopped him)

Now this is important because I truly don't think Viktor's characterization makes sense unless he genuinely likes/loves Jayce without ulterior motives

In the rest of the first season, we see how Viktor slowly self isolates, in part because Jayce is leaving him behind to be with Mel, so that leads to Viktor taking more and more risks in a bit of a self destructive way, and I think this is in part because Jayce isn't with him. He probably also thinks it's his sickness the thing that's making Jayce go away, that's why he's trying to hide it in the beginning but I'm not to sure about that lmao

This later causes Sky's death, and I think her death is very important for Viktor. Not because he actually feels something for her, but because it's something that makes him feel very guilty

Because, if in the first season Viktor's actions were motivated in part because Jayce went away, then why Viktor's first instinct is to go away in the second season?

It's because of the guilt

In Viktor's mind he not only killed Sky, he's now the thing that killed sky. That plus the fact of how Jayce's acted during the bridge, hating on the zaunites. He probably thinks that Jayce doesn't care about him anymore

When he says "it was affection that held us together" he probably didn't mean it in a "I don't care about you anymore" but more in a "you don't care about me anymore, and you probably shouldn't anyway because there's no reason for you to do so"

When he goes away and creates a cult in Zaun, it's because Viktor is trying to redeem himself and make their dream come true. Viktor's commune is his version of their dream, a little bubble of perfection in an imperfect world

Of course that's not what Jayce wanted or meant when he thought about their dream, but that's just how Viktor misinterpreted it

That's why he's so insistent that Jayce go to see him after he's back from the future, because their dream wouldn't be complete unless it was both of them in it

So when Jayce shoot him, Viktor didn't think that maybe what he was doing was wrong, or that maybe he was crossing a line he shouldn't. When Jayce shoot him, he took it as Jayce rejecting not only their dream, but also Viktor himself

So he was hurt, he was angry. And in his hurt, the first thing he did was trying to justify his emotions by logic. The problem wasn't that what Viktor wanted was wrong. The problem was those pesky emotions messed everything up and if he just could get rid of them then their dream would become true and truly perfect (and Jayce wouldn't reject him). So he needed to get rid of emotions it didn't matter if he hurt the entire world (and Jayce) in his path to do so, more than that it was justified in his mind

I see what Viktor did after Jayce shoot him as he basically saying "I was trying to do this in the nice way, but now I'm angry and I'll show you what I'm truly capable of"

Ironically, his speech about what motivates humanity's greatest good is also what makes them do their greatest evil applies to Viktor 100%, his affection for Jayce is the thing that motivates him to help and to hurt everyone else

I also think that Viktor knew he was in part taking away some of the free will of the people in the commune, he probably just thought it wasn't doing them any harm, just taking away their "disability"

Now, in the future, Viktor realized that perfection, getting rid of humanity's mistakes, and getting rid of his disability; wasn't what he truly wanted, the thing that he truly wanted was to not be alone, and to be worthy of love, and Jayce was the only one who didn't make Viktor feel alone. So when Jayce hugged Viktor and showed him what he saw, I actually think it was like Viktor of the future telling his past self "this is not what you want, this is a mistake"

I also don't think Viktor learned to accept his disabilities in the end; because a heartfelt speech about loving yourself isn't going to make you forget a life of prejudice just like that lmao

But I do think that in that moment when Jayce showed him the future, he recognized that what he was doing was a mistake and stopped

In the end he got what he truly wanted, which was not being alone, being loved, and to be with Jayce, even if their dream of making the world a better place didn't become true

I read somewhere that Viktor in the game was inspired by Doctor Doom, and Idk if that's true. But if I had to compare Arcane Viktor to somebody in Marvel, it would be the Scarlet Witch (here I am thinking about fanart of Viktor dressed as the Scarlet Witch lmao), an extremely powerful being that gets carried away by their emotions, and ends up doing horrible things with good intentions

Yeah, I understand him a bit better now lmao

[lifenconcepts]

LIFE AND DEATH! For @canines-crown depicting the concepts as tangible forms, representing both wolf and I :)

Made with the silly “my favourite character x character trope” but ended up turning into just art of our concet selves. Hehhehdhdhjd. The text reads:

MY FAVOURITR CONCEPT TO SYMBOL(ism) TROPE: A natural process without enemies nor villains.

DEATH: Gentle & Compassionate. “It must be done”. Rest, child. All will go.

LIFE: Sporadic & Intense. “survive and thrive!”. Run, child. All has purpose.

more information under the cut

This took me just a little over an hour and a half to draw (the most I’ve spent on any piece of art. Period.) and I’m gosh darn proud! Very happy to be able to make this for you and now with the symbolism because I’m not satisfied with just giving you the finished art..

The foxglove and wolfsbane depicted on the right are a representation of just how merciless life can be and that something beautiful and seemingly innocent may bring along a harsh fate, a field vole depicted by the wolfsbane (technically not the right name but I like how it sounds) is a symbol of fragility of life and how curiosity is a given and yet can result in death. The dove, also a symbol of goodness, has been wounded and can be a stand in to the destructive nature of existence itself. The shroud and light above both figures faces both obstructs the identity but also acts as a key element in recognising them and I think speaks for itself (a looming darkness vs blinding light). On the left, alongside death, is the corpse of a long fallen deer, along with its fragility - it is now the source of life for carrion beetles, making it clear how in the end of one thing, there is beginining in another. Wolf also holds a hare, which clouded eyes and seeping blood make it clear it’s no longer breathing, and yet it is still being lovingly held and treated with kindness and respect. The fact that it has passed on is not of death’s fault and yet is now the responsibility that death must carry. Also, both are in a very specific position physically, Life - in a grassy marshlands that seems to be overgrown, and Death - in a more darkened and dulled over moss. Neither have any details in the body apart from human-like limbs and the beginning of a head, but for the most part is just the image of what personification could do to a concept. Ah, beautiful, ain’t it?

my personal thoughts on this piece is overall that I’m so proud of myself for doing this and hope you enjoy it! I did my best at incorporating different styles and techniques alongside a million brushes. I also utilised layers, ain’t that great!? Right. I do apologise though for the limited amount of space I had to draw both figures in so it seems a bit smushed together, but in truth, I also made the conscious decision of drawing you on the left, due to the psychology of things being read and seen by the masses from left to right, so even when someone scrolls by, the first conscious sight that their mind sees is you, or well, your representation.

And hey, I just wanted you to pay some attention to a few specifics:

[herefortheships]

What does BJ ring mean? Does it seem to be symbolic?

It's definitely a wish of mine that it will turn out his ring was always a symbol of his curse (we all know I'm a big fan of tragic fairy tale style curses. Exhibit A: my little Betelgeuse and Marriage theory), but we can't really know for sure if it means anything, at least not until the final third movie, if we're so lucky to get it. I answered a similar question here. But the gist of it is this: if his ring isn't just an accessory as part of his character design (in other words, if the choice for him to always have that ring is more an intentional narrative choice than what it may initially appear [and hey, it's not unlikely with this being Tim Burton! The man is interested in creating art with his films]) it could be that the ring represents what binds Betelgeuse and keeps him stuck, unable to pass on (well, apart from his thick criminal record likely adding more years to his time of service in the Netherworld).

The ring really could just be a little treasure Beej stole from some corpse at some point, who knows, but I like the idea of it being something more intentional to his character design, something more meaningful.

If it's never revealed that the ring had anything to do with his soul's burden, then I will keep that head canon, because I really like the idea of it being a visual representation of his curse, or of what binds his soul as a ghost. Our beloved Betelgeuse was murdered on his wedding night. Intentional choice or not, it's so symbolic, you know? That his ghost always carries a ring, and that he needs to get married to be "free", whether that means he can go wherever he wants in the world of the living, or "free" as in he'll be alive again, or as in (my favorite) able to pass on (<-whenever he's ready. Rambling now a little, but I just love the idea about him being free to pass on to the Great Beyond, but sticking around waiting for Lydia to go with him. Bittersweet, but I just love the thought of them going together. I don't want Beej to someday be left completely alone, or going to Hell while Lydia goes to the Great Beyond or the Pearly Gates or whatever iteration of Heaven she's sent to after death).

[here-comes-the-bard]

reading through old journal entries from yaevinn. first of all WOW bro is gay. secondly i hope y'all know i am imagining angst with a happy ending for him. finally gets closure and then lives with his partner and their dog in a cottage and writes letters to his friends. i like a happy ending for him.

[pangzi]

can we just talk about how incredible wandee goodday is with their narrative devices though? the foreshadowing is incredible. there's symbolism everywhere. the oyeicher/yakdee juxtapositions are so good. even though their words and actions might contradict each other, everything gets spelled out for us so clearly, it's beautiful.

[dead-salmon]

thinking ob lb2 again and i'm still so sad that it was messed up so badly when the initial themes were really great

like skadis & odin's (which skadis 2nd interlude elaborates on) selfish love, wanting the world and beings they love to continue living even if it's a cruel existence for them. the way you can compare it to surtrs selfish feelings he has for ophelia, or the love sigurd and brynhild have for one another

skadi & ortlinde being unable to understand their loved ones decisions until it's practically too late. the inability of ophelia, skadi and ortlinde to actually take action until it's much too late. napoleon serving as a symbol of hope in that regard, the rainbow finally spurring ophelia into action.

the from lostbalt manga scene of ophelia admitting that she truly had different wishes in life than where she ended up, apologising for not doing better. skadi grieving over this, over ophelia, as a mother who is in the exact same spot of being unable to leave the duty that was placed on her.

lb2 had potential man, skadi's character has so much potential. it just pisses me off that both the game and fandom reduce her to moe scathach when there's so much that could've been done with her character

[perenlop]

terribly sorry for progressively getting more and more annoyed and tired with jn. this show kinda gets a lot more exhausting on a rewatch when you know its not going to get better

[erythristicbones]

i don't feel like copying what i wrote, so take some screenshots of me having brainworms for the JDK villains again. primarily spurred by me going "hey wouldn't Nisha and Artemis and Apollo make cool rockstars instead"

[djosephqueery]

Steve and Robin feel like sitcom characters that somehow got stuck in an action horror series. They deserve a spinoff where they can just get up to funny little shenanigans

[jesterwaves]

my experience with percy jackson is kinda funny in hindsight because reading the first book for the first time i was like 'no way...thalia mentioned!!!!'

[urbanbirdbud]

wait wdym gwitch before ep 12 D: im still on 11 did they fuck it up? (dont worry abt spoilers)

oh not at all! I thought episode 12 was masterfully done by the writers, and a fitting end for the first half of the show, it just left me shocked and emotionally affected, but I’m glad the writing is good enough to elicit such a response. it definitely left me wanting more

to not spoil too much, I would just say that episode 12 is incredibly similar in tone to the prologue episode, and doesn’t pull any punches for various characters

the actions of two particular characters will very much have consequences for the latter half, especially the person involved in the post credits scene (yes there is one for this ep so make sure you watch it). It is a very shocking scene to end the first half on, but it’s setup for the next.

we are back to square one with one relationship in particular (or perhaps even worse off) but I don’t think this is out of nowhere on the writers’ part, rather it’s one of the lowest points in a characters as-yet-unfinished arc. they’re reaching rock bottom, but now they’ll have to wake up and untangle themselves from the manipulative forces around them. I am v interested to see how they will navigate repairing their relationships and earning back trust, and then breaking free of their bonds to start on their path to self actualization

[infizero]

i may get shot for this but personally i dont think theres really anything wrong with death note's female characters