#anyways i'm rambling now sorry

[excali8ur]

Weird dream.

[demaparbat-hp]

Almost

[mattodore]

birthday boy 🎂

[acekindaneat]

do you guys think serizawa has seen reigen somewhere before in passing

reference + another version under cut!

i knowww it's an old redraw thing but i wanted to redraw serizawa in it for so long... here's a version without the vignette

[silverware-is-interesting]

i've never really made a comic before, well, i have, but nothing i had intention to show anyone else

[crystallizsch]

this was kalim's idea

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[franky-y]

finally managed to finish this

[aromanticannibal]

I don't think I'm ever getting over izuku pulling kacchan's tie. what was he (horikoshi) thinking

[dragonsarecats]

well considering we've meet four immortal non-God characters at this point (both travelers, Dain, and now Chlothar) I think we can safely assume that in genshin immortal means unaging? Since all four of them canonically have not physically aged during the story.

I do like your point of Caribert maybe being the King of the Abyss order and your point that Clothar not being the only Alberich is solid but I just don't think they'd have Kaeya appear in this quest for him to not be directly related to Clothar? And I think it's unlikely, from the way he talked about his past, for him to have had any other children before Caribert or after so to me the most likely explanation is that Kaeya either is Caribert or is a descendant, with me personally leaning towards the latter based off the Kaeya/Dain interaction.

I think the curse of Khaenri'ah is more complex that what you're describing personally? Because we know standard hilichuurls aren't the only type of transformed Khaen'riahns (at the very least mita- and samachuurls count as variations, with certain abyss enemies being debatable). Something we also know is that Kaeya is described by his father as the last hope for his nation, and while that can have a lot of interpretable meanings at the very least it means that however the curse affects him it's more than meets the eye.

Also it's not that the curse can't be broken but rather that it's assumed to be unbreakable? And that's why the Traveler's sibling was working on a way to reverse it in the Chasm archon quest? At the very least something happened to Caribert as a result of the abyssal powers to change/reshape/or even remove his curse entirely.

going INSANE over the implications about kaeya with this new quest. he called dain a "pureblooded khaen'riahn" which we later learn means he suffers from the curse of immortality, of which kaeya definitely does not have because he grew up in Mondstadt. kaeya's pupils are different from the other "pureblooded khaenriahns" we've seen because there's is more of a hollow outline??? idk also the fact that we have NO idea what happened to caribert means that he could be kaeya's ancestor also?? because otherwise how is he an alberich??? anyways kaeya mains stay winning ig because they definitely are not stopping here like i lowkey feared lol

[ruvviks]

hanan at age 24 vs hanan at age 35 :] becoming a test subject at arasaka special programs really changes people huh

taglist (opt in/out): @shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart, @vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman, @celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister, @killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[glacier-shrimp]

Done with our favorite Spider-Boy! Spiderling? Spider... What was his name again?

Avengers paper cutout 6/?

[kyouka-supremacy]

I think we should just bring back Wungo Wednesday and start a fandom collective anime rewatch

[hotwaterandmilk]

So I decided to pick up physical copies of The Vampire and His Pleasant Companions from Yen Press on a whim the other day. I've been in such a nostalgia hole about Ragawa's works thanks to the Hanayume 50th celebrations and I remembered her manga adaptation of Konohara Narise's novels had restarted not that long ago. It made sense to get the books and begin a catchup re-read before the fifth volume comes out in English.

I'll be honest, I don't remember much about the Kyuketsuki to Yukai na Nakamatachi novels or manga from when I first encountered them. I had the first two manga volumes in Japanese at one point, but gave them away when the manga went on hiatus years ago. However, upon beginning my catchup re-read in English I was struck by how much the story resonated with me now.

If you've never read the series before now, long story short from Yen Press, "When a vampire from Nebraska named Al gets frozen in bat form, he winds up in Japan under the care of a dark and mysterious man covered in a bloody scent!"

I'd like to get into why I think this series is worth picking up now and for that it's probably easier to throw my ramblings under a cut.

I feel like the humorous elements of the series are what get talked about in the (admittedly scant) English language reviews for the series and, while the whole setup can be quite amusing, the more serious elements are what actually makes it stand out from other vampire tales with romantic elements. While everything is exaggerated, there are some very "real" aspects that help The Vampire and His Pleasant Companions stand out in an endless sea of vampire tales.

For example, Al being bitten by a vampire wasn't a ticket to easy street. There was nothing glamorous about what happened to him. That bite ruined his life and through no fault of is own, he rapidly became destitute. Vampirism in fiction is often shown leading characters to social isolation, but not necessarily to poverty. Given that Al has lost everything that connected him to his previous life, it makes sense that in our current capitalistic society he'd also lose access to even the most basic things our societal identities afford us -- including housing.

So yes, it's amusing that this bat-boy ended up flash frozen and shipped with some meat to Japan. However, the circumstances that led up to that outcome are given the weight they deserve. You truly do feel for Al in these moments because haven't we all been, at one time or another in our lives, perilously close to losing everything? These fleeting glimpses at the past sting in otherwise rollicking segments of the story as they should. Everything beautiful in Al's present is something that he didn't have during his lowest points and you truly feel for him as he works to prolong these moments.

Another serious moment that lifts the series even higher in my eyes is when it becomes aparent that Akira has access to human remains. Rather than handwaving away the access to blood as a convenient way to get Al the nutrition he needs, a significant amount of time is dedicated to the ethics surrounding the situation. The gravity with which all lives should be handled post-mortem and just a generally respectful examination of embalming as a process.

Unsurprisingly, I find the portrayal of Al's "incomplete" vampirism as a form of disability to be a compelling take on the mythos too. Al gets almost none of the "benefits" of being a vampire due to the whole process "not being done properly." What this leaves him with are a lot of things that make his everyday life different from not just humans, but "complete" vampires as well.

These differences mean he struggles to feed himself properly, feels significant levels of pain, and his body is often weak or doesn't behave the way he wants it to. The cause here is obviously fiction, but the way Al's acquired disability impacts his capacity to function to an acceptable level in a society of "normal" folks (both human and vampire) really struck me as ringing true, at least for myself and my own disabilities.

Yeah, I'm not going to turn into an adorable bat (and truly, bat Al is A D O R A B L E) but the struggle to make use of the few good hours in a day when my body works to a degree, that's so goddamn real. Al wants to contribute to the household, to pay back Akira and to be a functioning member of society... but it's not as straightforward for him as it is for others and that's something I appreciate being explored here.

Another thing that stands out to me is Akira's sexuality. While there are a lot of misunderstandings with Al and Akira that lead to people assuming they're lovers, when Akira is pushed into a corner about having a lover he shuts this down by describing himself as being frigid or having a low libido (in very blunt language).

I feel like the depth of this is conveyed well in the English translation by the subsequent line:

While at this point in the series Akira hasn't labeled his sexuality as being either demisexual or asexual, this is definitely something that it feels like the narrative is leaning towards. Particularly when Al clarifies the difference, in his limited language skills, between the physical and the romantic.

Akira is still figuring out what is comfortable for him in terms of dealing with people, so it makes sense that his progress regarding intimacy has only accelerated after meeting Al. The batty vampire is pushing him towards understanding more about himself and how he chooses to interact with those around him, but the ball is still very much in Akira's court regarding whether he'd like to explore either the physical or emotional aspects of their relationship further. I found that really refreshing?

That this story allows the dark-haired, brooding hero who is one part of our lead will-they-or-won't-they, to assert that he doesn't feel the same level of physical attraction that others do. That he isn't entirely confident in this either, that it's a part of himself he's never opened up about before, that it's something Al uncovers and isn't suddenly changed to fit what is acceptable. But that it doesn't lessen Al's interest in him, it's just part of who Akira is... gah! It really resonated with me idk. I love some smut, but I also appreciate it when a story focused on something as sexual as vampirism chooses to eschew this in favour of raw emotional edging instead.

I've pushed the more serious elements of the text in this ramble, but before I wrap up I should really note that there are some very funny moments too. For example, Al's bluntness here when he speaks Japanese.

The Vampire and His Pleasant Companions isn't the best work of vampire fiction I've ever read, but it uses its recurring themes of isolation vs. the need for connection to craft an enjoyable narrative. One that I feel lingers in my mind a bit more than others. While Al's unique form of vampirism leads to some absurd escapades, the story is elevated by having its emotional core remain grounded in the intrinsic beauty of everyday human interaction and how even fundamentally different people can connect in small but significant ways.

Blah blah blah, you should check it out, I can't wait for the next volume, etc.

[caluupin]

saw an AAI screenshot from a tweet and had to draw it

[malama-art]

liko and roy