#anyways feel free to disagree with me! this is just my take

[tintinology]

Ok but please give us the essay about Tintin's belief (and defensive mechanism I dare to say) that he and his friends are invincible!!!

Ok so, throughout the albums, Tintin operates on this naive belief that nothing bad will ever happen to him and his friends. And technically, he’s not wrong, because comic book logic, but it nonetheless influences how he behaves in his adventures. 

The belief primarily comes from the fact that he’s always escaping dangerous situations relatively unscathed: murder and execution attempts, kidnappings, getting drugged, etc. No matter what happens to him, he’s always fine in the end, and that’s what convinces him that nothing truly bad can happen to him. 

But he doesn’t just believe this applies to him; we see him apply this same logic to his friends. After all, they all get out of the same situations as unscathed as him. And as a result, Tintin is constantly throwing himself and others into danger with little thought about consequences, and often, he does so despite complaints from Haddock, who is a bit more realistic about the threats they face.

Tintin in Tibet is an example of this: no matter how dangerous the situation is, Tintin doesn’t stop to consider the consequences until it’s almost too late. It’s worth noting that he doesn’t exactly pressure Haddock into going, but simply assumes (correctly) that Haddock will come along and as a result, is never truly surprised when Haddock shows up. The one exception to this is the time he manipulates Haddock into continuing the search after Tharkey leaves (which I'll come back to).

Another example of this attitude is in Red Sea Sharks. Despite knowing how dangerous the situation in Khemed is, and the fact that the emir doesn’t outright ask for help, Tintin suggests they head there without really stopping to think about the dangers they might face, and once again Haddock follows reluctantly.

This belief in his and his friends’ invincibility also influences how Tintin behaves in dangerous situations. In The Crab with the Golden Claws, Tintin remains optimistic when he and Haddock are stuck in the desert, despite there being no indication that they might be saved. Unlike Haddock, he doesn’t truly believe they’ll die, and that’s what allows him to push forward. In Red Sea Sharks, Tintin remains calm (calmer than Haddock in any case) when they spot the periscope from the submarine that wants to sink them, and retains a positive attitude, convinced that “all isn't lost yet”. 

It also explains his rock-solid belief that Chang is alright in Tintin in Tibet: Chang, as Tintin’s friend, should also be invincible (and again, comic book logic proves him right), hence Tintin’s stubbornness throughout the album. We see Tintin repeatedly dismiss any signs that Chang couldn’t have made it because it doesn’t align with his belief. In fact, Tintin’s dream about Chang is a manifestation of his belief in Chang’s invincibility, and it acts as a justification of sorts to go look for him. 

This very belief in his and his friends’ invincibility also explains Tintin’s reaction to injuries: he’s very dismissive of his own injuries, refusing to stay in the hospital longer than strictly necessary in both The Black Island and Destination Moon. We also don’t see him very concerned about the Thompsons when they’re in the hospital in The Calculus Affair. 

Tintin’s reaction to death is also pretty casual; aside from the first few albums where he does genuinely think he’ll die (particularly in Cigars of the Pharaoh), he tends to stay calm in the face of death. This is in line with my earlier point that Tintin stays calm in the face of danger.

But more importantly, he tends to brush off near-death experiences when they involve his friend. When Haddock nearly gets shot in the head by some monkeys in Red Rackham’s Treasure, his reaction is to tell him to calm down and that “all’s well that end’s well”, while a rather shaken Haddock snaps at the Thompsons for nearly getting him killed. Tintin also dismisses Haddock’s fear of dying in Prisoners of the Sun. Of course, we know it’s because he has information that Haddock doesn’t but it remains a rather cruel attitude towards Haddock, and shows that Tintin sometimes forgets that not everyone is as sure of their invincibility as he is.

It’s during their trip to the moon, Tintin comes close to losing Haddock for the first time. He yells at him for it, but then immediately tells him to forget it once they’re safely back inside. Tintin, when confronted with a near-death experience like that, would rather ignore it rather than consider he might be wrong about his and his friends’ invincibility. He’s once again forced to face the possibility that Haddock might die when they’re back on earth, and we do see him worry for real that time. But since the album ends shortly after Haddock revives, we don’t see how Tintin reacts beyond the initial relief that he’s alright. 

However, we see him dragging Haddock on increasingly dangerous adventures in the following albums. In fact, prior to the moon adventure, the only adventure where Tintin and Haddock are faced with adversaries that are trying to kill them is in The Seven Crystal Balls and Prisoners of the Sun (Land of Black Gold doesn’t really count on account of Haddock having joined Tintin of his own volition and therefore wasn't dragged into it). This suggests that, if anything, Haddock’s near death and miraculous recovery has further convinced Tintin that he’s invincible. 

Tintin’s attitude to death only begins to change following Tintin in Tibet; outwardly, Tintin doesn’t dwell on the cliff scene more than strictly necessary, but nonetheless, this is the first time that Haddock’s life is endangered as a direct result of Tintin’s actions, specifically by his decision to ply Haddock with alcohol in an attempt to get him to change his mind about following Tharkey down the mountain. In the past, his life is primarily endangered by Haddock’s own actions or by the villains of the album, never by Tintin himself, and this obvious leaves Tintin a bit shaken. 

As a result, we see Tintin become less impulsive in the following albums. In The Castafiore Emerald, they stay home and Tintin is shown being more concerned about Haddock’s well-being while he’s injured. In Flight 714, Tintin actively tries to avoid trouble by initially refusing Carreidas offer to get on his plane, despite having no proof that anything bad would happen, and in Tintin and the Picaros, he refuses to go to San Theodoros, even though his friends are in danger, and only goes after Haddock goes without him. 

And while Tibet is not the last dangerous adventure Tintin and Haddock embark on, it is the last one that they go on of their own volition. This suggests that Tintin’s attitude towards his and his friends’ well-being has changed following the trip to the Himalayas. It’s especially noticeable when you contrast his attitude towards going to Khemed in Sharks and to San Theodoros in Picaros; one can argue that the situation was significantly more volatile in Khemed, but Tintin didn’t hesitate to go, while he outright refuses to get on a plane to San Theodoros despite the Thompsons and Bianca Castafiore being held prisoner there and, arguably, in more need of his help than the emir was. By that last album, Tintin is (rightfully, in my opinion) finally placing his and Haddock’s well-being and safety above others’, making him more cautious than he was in the earlier albums. 

[turtleblogatlast]

Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.

Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.

Long-winded interpretation under the cut!

Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.

You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)

The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.

Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.

And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.

For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.

“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)

So, where does this leave us?

It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!

Workarounds like the entire Don Suave situation.

To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.

And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.

Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.

[mokeonn]

I finally actually watched Hazbin Hotel because I was like "I really shouldn't be so judgey, how can I say I hate a show I haven't even watched?" And I can safely say after 5 episodes in:

I hate it.

So I will preface this rant about my feelings towards this controversial show with the following positive statements:

I understand why people enjoy the show, it's fun, the animation is really enjoyable to watch, the music numbers are pretty good, the voice acting is also good, and the whole thing feels like it was constructed around a fandom. Though that last part is a flaw in the overall series, I completely see why people enjoy it. If a series was practically built around making fanfiction, ocs, or fun redesigns, people are gonna have fun making those things. I literally can't blame anyone for enjoying this show. It should also go without saying that I don't think people are morally evil for enjoying the show. I do believe, however, that your taste in shows is bad if you love this show.

I came into this show expecting the WORST. Everything I was told about it was how it was such an awful show and all the horrible things it does. So I was expecting the worst thing I've ever watched to appear before me tonight.

So imagine my surprise when the first 3 episodes aren't that bad. They aren't good, but they're not awful. It's just mid! The animation is fun to watch, the songs are catchy, and the pacing is only a little off. There were a lot of little moments where we got payoff with no set-up. Things like a dramatic reveal of a character that appears to want to evoke a "oh woah, it's that guy!!" moment, but we don't even know who that guy is. A character belting out a dramatic emotional ballad that is also a duet with another major character, but we were introduced to that character earlier that episode and we don't know her well enough to really care about her heartfelt emotional song. Moments that felt more awkward than anything else. Other than that, the show wasn't too bad! I was enjoying myself! I was worried that I was going to enjoy this extremely hated series and how it was going to reflect on my public tumblr image!

And then episode 4 hit.

Episode 4 starts off very similar to the others, and all around, I think it's a pretty good episode if it wasn't for the ending, but we'll get to that.

Episode 4 is a heavier episode dealing with Angel Dust's abuse at the hands of his boss. It gets fairly graphic at points, but with the way people were describing it, I was actually expecting far worse. It has a catchy song from Angel Dust about this abuse, and towards the end, he falls into a self-destructive spiral and vents about how much he wants to basically crash and burn in the hopes that maybe the abuse would stop or he would become too fucked up to notice/care anymore. You know what? This is a pretty heavy hitting topic and really spoke to me as a person who is dealing with addiction and struggles with depression spirals. I felt a lot of what Angel Dust was feeling, even if our situations were completely different. What is the response our little pink spider friend gets? An admittedly catchy song about how he's right that he sucks and he's a loser, "but hey, I'm a loser too! So we can be losers together."

Now, I get what the song is TRYING to say. It's trying to say that you're not alone, that "if you're a loser, then I'm a loser too. But we can be losers together." Which is a nice sentiment and all... but the execution leaves a lot to be desired. It doesn't portray this idea that you're not alone in this world, and there's plenty of people going through similar experiences, so it's important to connect with each other. It instead focuses on feeling more self-depreciating, which is fine and all, but it feels like an inappropriate time to be self-depreciating.

If a person with very low self-esteem vents about their abuse and talks down about themselves, and admits to wanting to self-harm by committing self-destructive behaviors on purpose... I think "seld-depreciation" is the last thing I would want to do with that person.

I get it. The song is trying to be funny and silly with self-depreciating humor to lighten the dark mood and show how Angel Dusk and the weird deep voiced cat-boy (yes, I know his name is Husk) are now getting along and relating to eachother by making jokes about how stupid they were to get into their awful situations... but the song really leaves a sour taste in my mouth because it just feels... wrong. It feels like the wrong response.

The story makes it seem like the song breaks this cycle of self-destructive behaviors and allows the characters to make the first step towards redemption/breaking the cycle of abuse; The song does not fit this theme, it instead just continues that cycle while the story continues on as if it did something else.

I might not be conveying my reasons for WHY the song left a bad taste in my mouth very well, but all you really need to know is that the vibes were off and it seemed like there was something left on the cutting room floor or a mistake between the writers and song writers.

Episode 5 is where I stopped. Like, I can't even finish it. Those previously mentioned pacing issues were nothing compared to the constant wave of hits episode 5 gave me.

First off, we are getting payoff for something that was actually set up! Popping some bottles here! It happens a couple times in the other episodes, but here: a major character is revealed after being talked about and foreshadowed in previous episodes! This really was a first in the series as most of the time, characters were just introduced when the story needed them, causing those awkward moments where a villain or major character got introduced. Valentino was introduced in an episode with some build-up earlier in said episode, but having a character actually be hinted at in earlier episodes before a reveal felt completely new.

And then it was... disappointing. The payoff did not match the set-up. I will state it right now. Lucifer, as a character, caused me to entirely stop watching the show mid episode 5. When you have this big dramatic backstory about how he was an angel of creation who wanted to create, a rebel who went against all he'd ever known to meet another rebel and fall in love with her, a deeply sad man who hid away refusing to take part in ruling hell, leaving it all to his wife? The fact that this is based on Christian theology and Lucifer already has ages of connotation and lore attached to him? Idk I think, "self depreciating, awkward, sad man who doesn't know how to greet his daughter on the phone, and spends all his time making little toy ducks" is... a huge fucking let-down. I understand they're trying to go a more humorous route of "He isn't scary at all, he's just a huge dork!" But it doesn't work, and it just makes me cringe. This alone would be a lot to process in one episode... but Episode 5 still has a LOT of punches in it!

The episode first states that they only have a couple months before the deadline, implying that around 4 months have passed since the first and second episode. Nothing really implies that much time passing between episode 1 and 4, and in the episode, Charlie states all the things they have been working on. Which is things we have already seen in the show. Which tells me that they really haven't been working on anything offscreen during this sudden time skip, so what the fuck happened between episodes 1-4??

Anyways, I could have misread this entire thing and thought far too much into Charlie's stress and the "only a couple months away!". With the word "couple" and the stress the character is clearly going through, I assumed that they were 2 months from the deadline, but maybe I was wrong. I don't know. I didn't finish the episode, and I'm not watching any more.

The first major "hit by a truck" moment was when Lucifer makes his way to the hotel and suddenly, he gets into a feud with Allister. They both sing a song about who is the better Dad to Charlie, and I am sitting there confused because, huh?? Wha?? Where the fuck did this "Allister Dad" thing come from?? NOWHERE in the last 4 episodes (nor the pilot) imply this relationship. Allister is the tumblr sexyman Mary-sue who gets at least 1 new power every episode. Nothing about him out of his entire screen time was paternal. Just as my confusion reaches a boiling point... they introduce a new character suddenly with an unearned "it's ME!" Intro (although unlike past intros, it is ironic).

She's a sassy little flapper who is friends with Allister and whose only purpose this episode is to cause problems to come to the Hotel's way later in the episode, and to give Allister's backstory. A backstory that we really didn't need. Like REALLY didn't need. Seriously this entire show we have been told and shown that Allister is a powerful demon who is feared and not to be messed with. This backstory reveals that he is... a powerful demon who is feared and not to be messed with. The only purpose of this backstory is to reveal a spooky thing he does so he can use it as a threat later in the episode.

Husk confronts Allister about his friend because she always brings trouble, and he snaps at Allister, making a sassy comment. Allister threatens Husk with the previously mentioned spooky thing he is totally known for that was revealed in the backstory.

Lucifer does not approve of the hotel, which makes an awkward scene where Charlie is trying to explain her thinking and her personal experience to her absent father and Lucifer shoots her down by poorly hinting that it just "wouldn't work" because he knows from personal experience. I am not having a good time watching two characters communicate poorly primarily because I hate one of them so much.

The previously mentioned trouble comes their way, and Allister reveals new awesome Allister powers for the 3rd time this episode and goes off to fight off the trouble. Charlie uses this as a way to try to reason with her father. Allister finishes his fight and scolds his friend for using him to fight off the trouble she gets into like Husk said earlier. He then informs here that she either needs to leave or come and stay at the hotel to rehabilitate. She stomps off, and I feel so tired of a third huge payoff with not a lot of set-up.

Allister (who I probably have been misspelling his name this whole time and no I will NOT check) feels like he did a ton of development and growth... entirely off screen. This feels like a 180 to me. This entire show he has been this evil, off-putting guy, that vaguely helps at the hotel, does creepy things, threaten people, and use plot armor powers to save the day or do cool things. So suddenly having an episode where it's stated he has a paternal relationship with Charlie, which has NOT been shown or even HINTED at whatsoever, and where he suddenly turns away a troublemaking friend to protect the hotel he wanted to see fall apart? It's a total 180 from what I'm used to. One could claim that the sudden protection of the hotel was because he wanted to protect his investment, and he knew his friend was using him so he just sent her on her way or offered for her to be tortured in the friendship hotel. I can see an argument for why he didn't threaten or harm his friend when he has killed people or threatened to kill people for less (pretty strong friendship that goes way back when blah blah blah) I can argue about the inconsistencies in how he acts towards the end of this episode compared to the previous episodes of the show all I want.

But come on, you can't argue the sudden paternal thing. That came out of nowhere.

At this point I just, turned off the episode and called it quits. I have heard that the most glaring writing issues come later in the season, and if episode 5 was this bad, I don't wanna keep watching.

Part of me wants to continue watching, as the animation is really enjoyable to watch, and the music is actually pretty fun. But I just know that I'm not going to enjoy myself at all from here on out. It's all going to be downhill from here, and it'll frustrate me. I'm not gonna spend my time watching something I'll hate.

If I wanna watch something frustrating, I'd just watch Jerma play my favorite game for the first time.

[hindahoney]

Hello! I hope this ask finds you well. I have a question (as a non-Jewish person). I sometimes write and I've thought about writing a Jewish character but I feel like I don't know enough. Are there any common mistakes gentiles make while writing that I should avoid? Sorry if this ask sounds ignorant/weird, I'm still kind of learning. Have a nice day!!

I have posted about my position on this topic before, but I'll reiterate it here. If you don't think you know enough about Judaism and Jewish culture you shouldn't be writing Jewish characters. I understand that you want to, but you wanting to write a Jewish character does not outweigh or trump the potential harm or misinformation that would be spread by writing about a culture you're not educated on or part of.

The consequences of an incorrect portrayal would not be mitigated by me telling you about common mistakes gentiles make when writing about us, because there's just so much that could be incorrect that can't be anticipated. I can always tell when a non-Jew tries to write a Jewish character. It is always painfully obvious to me even if the author feels like they've put in time and effort into educating themselves.

This also might not be a popular opinion, and it's just my own (I am not speaking for every Jew), but it always feels uncomfortable to me when gentiles want to write Jewish characters. Unless the character's Judaism is central to the story (in which case you'd need to be really knowledgeable about us to pull off in a believable way), I can't think of a story that couldn't be told if the character was a gentile. It feels more like "Oh my character is Jewish that makes them interesting" or it's an afterthought, in which case we have enough characters already who were written by gentiles that have their Jewish identity only brought up when the author remembers it. Tokenization would be the term for it, I guess.

All that being said, if you still want to write a Jewish character, it's necessary to put in the work and effort into learning about us and I'd recommend having a Jewish friend check your writing to make sure it's accurate. If it's just for something like a fanfic and you want a Jewish character, then it's not as big of a deal but it's still important to be accurate.

In conclusion, Jews deserve better representation than an off-handed comment about their bar/bat mitzvah and the fact they celebrate Chanukkah or some yiddish words sprinkled into their vocabulary. So if that's the extent of what you want to write about your Jewish character I would rather you don't.

[todayisafridaynight]

I've been in my feelings about Jo and Aoki's last interactions for a bit...

Because that whole scene is textbook verbal abuse, right... Aoki is very clearly trying to tear Jo's self-esteem and bolster his own, establish control, all that, and Jo just has to stand there meekly and take it. All because Jo's disobeyed one too many times and Aoki needs someone he knows he can control to head the Tokyo Omi Alliance.

Like Jo says he's never disobeyed Aoki except in that one instance, but not handling things himself at Otohime Land was very much his way of giving Ichi an out indirectly, and I feel like Aoki was beginning to catch on based on his comments about Jo neglecting the situation and acting strangely. Directly refusing his orders just confirmed his suspicions.

It's kind of lost among all the bombshells dropped in Chapter 13, but Jo's hesitance to kill anyone who's important to Arakawa is a big deal to me. It's not like he had any personal ties to Hoshino or any investment in maintaining the balance of the Ijin Three whatsoever; he went to those lengths to set himself up to be stopped because Arakawa wouldn't want Hoshino to die and that was it.

To return to the scene, I think it's also a great demonstration of Aoki's "those who use and those who get used" mentality. This next thing is... pretty badly mistranslated, at least in the subs, so it was lost on me for a while. But before the Lost Puppy line, the specific way Aoki chooses to downplay Jo's merit is by telling him he only got to his position because everyone was so sensitive to his (Aoki's) feelings and could tell he favored Jo, following him around like a lost puppy being precisely why Aoki favored him.

I don't think that was all there was to it, of course. Dude was five and deliberately brings Jo wherever he goes to this day by choice. It's kind of like those guys who get rejected once and start going on tirades about how "she should've been grateful, she was ugly anyway." But that's what Aoki wants to portray--you only had it that good because of me, and I can take it away whenever I want. Whenever you're no longer of use. Anything to preserve his status as the user and Jo's as the used.

Jo's crossed the line at this point. He is no longer of use. He does kind of get into it so that takes the edge off my frustration with The English Language, but from this point onward, he believes Aoki sees him as a "bullet"--a hitman only sent on suicide missions. So despite everything he's done for him, despite being "the favorite," he knows full well Aoki's trying to kill him before Aoki even gives Ishioda the order. And... he accepts it.

So TO GO FROM THAT to having to reconcile in prison would've been so much powerful than what the ending was trying to do. Having to come to terms with the fact you killed one of the only people who saw you for who you were and truly cared about you, were going to kill the other two, and have abused all three from the moment you realized you had power over them. And for Jo, going through everything he went through because of Aoki and loving him without question anyway... Getting to express that in some small way... I need to lie down...

ALSO tattoo essay... later... maybe tomorrow... I mainly just feel like I sound extremely mean about rggtattoos' take😭😭😭but the show must go on

YEAH NO THAT'S IT ALL FAX NO PRINTER NO EXTRA NOTES NECESSARY

It'd be the fact that Aoki'd have no choice but to confront those decisions he made and those things he wanted to happen. he'd made a social circle for himself where people predominantly liked him for the power and influence he had and totally turned his back on the people who- awfully ironically as he wanted- loved him for him

He'd already smoothed things over with Ichi, so- by his own hand- all that was left was Jo, the person he'd taken for granted the most next to Arakawa and who he planned to have executed alongside him. Jo's got every right to not forgive Aoki and to push him away, let each other rot in prison ignoring each other. So it's the worst feeling when Jo doesn't do that- its impossible for me not to imagine Jo wondering about what happened for Aoki to get so banged up if he's brought into prison the same night, and making sure Aoki's okay despite it.

Whereas Ichi was more upfront about his love and even frustrated about it ('frustrated' in that 'how could Aoki be so blind not to see how much care there is for him from us'), the breaking part about Jo is that he's forced himself to be so careful about showing his affection. Ichi's love was borderline irritating for how apparent it was: Jo's could have easily been written off or ignored.

All of that said, prison is where Aoki would be forced to realize that Jo does love him like Ichi said he does; there's no reason to keep up appearance or kiss up anymore- Aoki doesn't have any use to Jo anymore (if Aoki chose to interpret Jo's loyalties as a stepping stone to promote himself), and there's certainly no where else to run. It's probably that dawning moment that's gotta be so. Oh God What The Fuck. Like it's a sobering moment for him to go 'What have I been doing this whole time/what have I done to everyone', as corny as it sounds

[emptywwwriting]

Brat

Paring: Joel Miller x reader

Summary: After you make a stupid call and get you and Joel into a bad situation he teaches you a lesson

or

Joel fucks some sense into you over a table.

Warnings: Smut, rough sex, Joel is mean, Joel calls you names, reader is high on pain pills lowkey but everything is consented to, it makes sense I promise just read, Joel pushes you around, age gap

WC: 2.5k

A03: Brat

Notes: This is nasty asf im so sorry, feel free to leave feed back. also send asks if u have ideas for future fics. Anyways I have had this written but unpolished for a while, and im lowkey unmotivated with my age gap Jackson fic rn so I wanted to give y'all something until then

Edit: I finally edited it! i hope it sounds a little better, and tysm for notes :)))

“What the fuck is your problem?” Joel yells slamming the door harshly behind him.

“My problem? What the fuck?” You throw your bag down in defeat. 

“We could have brought back all that fucking supplies and you just blew it all up.” You’re yelling at him now.

“Yeah,” He huffs. “real good it would have done us dead!” He's taking steps towards you.

Your throat tightens.

“That loss was on fucking you. We could have just slid by and not started nothin’, now we're down on supplies even more and you have a fuckin hole in your side.” He’s seething and growing closer.

“Yeah, I would've had a real good fix if you had listened to me!” You're shaking, and taking steps towards him, finger in his face.

It's a screaming match, but you're losing steam, the wound on your side is manageable but painful, the stitches pull at your skin and you're still a little dizzy from the blood loss, but the pain pills Joel had shoved in your mouth should kick in any moment.

You and Joel had just stumbled into the middle of a hunter's base while traveling. It was filled with supplies like ammo, guns, and food. The two of you disagreed on whether to get the supplies or not, Joel thought it was too risky but you disagreed. Your stubbornness led to a massive shootout, and shortly after the first shot was fired, the two of you were cornered. Joel had to throw a pipe bomb, which inevitably killed the hunters and blew the supplies to pieces. You barely escaped the fight after a bullet grazed your side. Now you were left with no ammo or supplies, and a pissed-off Joel.

“Listen to you?” He retorts, shocked. “You nearly got us killed!” He's gaining on you, backing you into the wall.

“I was thinking ahead! If you would have just followed me and not made a fuss, we would have been fine!” Your voice starts to falter as his tall frame devours you.

“Thinking ahead my ass, you were only thinkin’ bout yourself!” He furiously spat. 

You back up slowly, as he continues to yell. You can't think of anything else to say, and your throat feels raw. His eyes are filled with rage, brows pinched together tightly. His hand lands on your shoulder, and with a firm shove, your back instantly hits the wall. Before you can process what happened, his hand flies up, grasping your jaw harshly and pulling your head to look up at him.

“If you’re gonna act like a fuckin’ idiot again, don't drag me down with you.” He says carefully. 

His chest is rising and falling quickly fighting aginst the constaints of his flannel The breath has been ripped from your lungs as you stare up at him anticipaitingly. You can't break eye contact, and silence is starting to take over, only both of your heavy breathing fills the air. His eyes are black, staring so deep into your own you feel like you can't hide anything. His grip on your jaw loosens, only for a moment before you are yanked towards him. His lips crash into yours messily, capturing you in a violent kiss. His body is pushed into yours, knee slotting in between your legs, pressing you even further back into the wall. You feel his teeth graze your lips, biting and nipping at anything he can. You try to keep up with the frantic kiss, but can't. His hands move from your jaw to your neck, to your shoulder and back, like he doesn't know where to go. Your own are frozen at your side, balled into fists. The fast pace is bruising and your jaw begins to ache from his force. 

His lips leave yours, as he brings your head up further craning it. Just as you are finally able to take a breath, he reconnects to your neck. Sucking on every inch of skin he can, it's fast and almost narotic, anamiliostic even, but it doesn't stop you from trying to squeeze your legs together. His bites become more harsh and you can't help but let out weak groans. He pushes his knee up into you more and your legs go numb. Your mouth is wide open, eyes screwed shut.

Joel is littering kisses and merciless bites down the column of your neck, hands feeling feverishly up and down your sides.

He trails to your collarbone, biting it gently then making his way back up. He kisses his way to your jaw and over to your ear before standing up completely. His leg disappears from under you and you have to catch yourself from falling.

Looking down at you, his eyes are still dark.

“Go stand in front of the table.” His voice sounds scratchy and out of breath. 

You stare at him blinking dumbly trying to make sense of everything that just happened. Your mouth opens to say something, but the thought is lost as soon as it had come to you. His hair is disheveled, sleeves are rolled up exposing his aged yet muscular forearms. He is so tall and so brooding, it's so terrifyingly attractive. Something about his rage is just turning you on more and you know its wrong but it feels so good.

“You stupid or sumthin’?” He sounds mean, so condescending, and normally his talking down on you enrages you, but right now, everything in your head wants more of him. His kisses, his smell, the way his knee felt pushing up against your most sensitive part, you feel high.

He tilts his head at you warningly, and you slowly push yourself off the wall and walk shakily over to the table in the middle of the dusty room. You place your hands on the edge of the table standing up straight and facing away from Joel. It's quiet for a minute before you hear the thudding of his boots growing closer to you. They stop just behind you and you're shoved over the table by a rough hand. You whine at this quietly, hands braced against the surface. Once again he makes contact with your back, pushing you slowly yet firmly into the piece of furniture, forcing your arms out to the side of you.

“You’re a fuckin’ brat.” His hands trail their way to your hips squeezing long and hard, pulling them against his own. He's kneading the flesh, you feel his eyes burning holes into you.

“Just a stupid kid, thinkin’ you always know what's best.” He trails off and starts pulling your jeans down and over your ass slowly. The cold air of the room gives you chills and you attempt to push your legs together.

You turn your head to the side.

“N-not a kid.” You are barely able to get out, your lungs still feel empty.

His hand makes contact with your now bare ass. Not hard, but enough to make you close your mouth.

“Shut it.” He's serious.

He sighs and continues.

“You're cocky, and young...” He pauses for a moment, maybe second guessing himself about to fuck a twenty year old girl, the same thought crosses your mind but neither of you really care at this point.

Your head is spinning out of control, a slight nausous feelings seeps into your gut when you suddenly recall the three multi-colored pills Joel had given you earlier. Your stomach drops for only a moment before you recognize the euphoria flooding your brain. 

You barely notice the sound of Joel’s belt buckle coming undone.

“Should have listened to me ya know,” He says, grabbing your ass firmly and pulling it away from the table, and snapping you out of your thoughts. 

“I've kept you safe for how many months now?” He grunts, prodding your entrance.

You gasp.

He leans to the side and makes eye contact with you.

“Listen to me next time and maybe you won't have a fuckin’ hole in your stomach again.” He stands back up straight again.

“Mhm sorry-” Your apology is empty, you feel like you're melting into the table, and all you can think about is the feeling of his dick at your hole. You're not really sorry, your just sorry hes not already in you.

You know this, and he knows this.

“Yeah, sorry don't cut it no more. Think you can look all pretty at me and I'll forgive you? I'm done with that shit.” He thrusts into you so suddenly you yell, or at least you think you do, but you're too dizzy and the feeling of his cock deep inside is all you can feel. He's saying something but you can't hear anymore, your eyes are shut and all you know is the weight of him inside you. His touch is like a mantra in your head.

Joel Joel Joel Joel

He pulls back quickly, then slowly sinks into you again. You're moaning over each inch, unable to do anything but take it. He pushes your ass apart, and pulls out slightly, sinking back in once more. He repeats this slowly a few more times, mesmerized by the sight of you sucking him in. Your moans come out strangled, and you stumble over incoherent words.

“I always take care of you right?” His voice is low. His hands go to your hips again and continue at a slow pace. The wet sound is so disgustingly loud, that it makes you cringe, but just as with every other thought, it is quickly blurred. Your brain is foggy with lust, and probably the painkillers, but that doesn't matter right now, nothing but this amazing feeling inside of you matters.

You moan in response. He huffs out a laugh.

“You're never this compliant, this what I have t’do to make you listen?” His hands squeeze you harder.

You hum so brokenly in response he almost feels bad, but the way you're gripping around him lulls him in further, there's no going back now.

“Gon' be real good for me?” His southern drawl drips off of every word he says. 

“Let me take care of you like I always do. You be a good girl and keep layin’ here.” You go to speak but your words die in your throat when he slams into you again. 

His pace quickens so fast you can't move anymore. Your eyes are now wide open staring across the empty room, mouth open moaning non stop. He is hitting something so devastating inside of you that your knees go weak and hang loosely over the table. He's grunting, with each thrust, lost in the way you feel.

“Fuck, so good. Feels so good.” He's breathless, holding onto your bruised hips for dear life.

“Shoulda' done this months ago.” He slurs.

The thought of Joel fucking you, in the truck, in the woods, in dilapidated houses, really anywhere, is making the blood rush to your head. Your neglected clit is throbbing needily, and your stomach is beginning to tighten.

Your walls squeeze around him and his pace falters for a moment as he lets out a strangled moan, he sounds like he's in pain. You on the other hand are just yelling at this point, weak moans lace everything that comes out of your mouth. Your arms are gripping the flat surface as much as possible, bracing yourself against his violent movements. The coil tightens and you feel your orgasm approaching.

An “Oh god” leaves your mouth but it's so slurred and desperate it doesn't feel real.

“Come on baby girl.” He angles his hips down and you're blinded by the feeling. 

“Fuckin’, god... Brat. Come all over me.” He sounds breathless, yet still furious. 

You're so high on his everything, that the words only push you further and further over the cliff, and suddenly your whole body tenses so unbelievably tight you can't move. Your hips stutter back against Joel, locking him inside of you. He's sputtering your name, mixed with Fuck’s and You feel so good’s.

Your insides clamp down on him and he stops moving completely, now just grinding his hips into yours weakly. Each wave tightens your body even more than the last, it goes on for what feels like forever. Eventually, the final surge passes and you melt into the table, completely limp. Your senses are numb, and all you can feel is Joel's dick jerking in you rhythmically.

He must have come but you were so overwhelmed by your own orgasm you didn't even notice. He's breathing hard above you, your body is coated in sweat, soaking through your shirt. Slowly your feelings come back. Joel finally releases your hips and pulls out of you gradually. The feeling is deflating, and you feel even smaller than before. Your hole flutters around nothing, but you can't move off the table still. You feel Joel staring at you, and then you feel it start to trickle out of you, shame floods your mind and your face goes red. You feel him bend down to grab the jeans that were still hanging off your ankles, pulling them up and over your ass again. The dampness of his cum makes you shift slightly, and you try to push yourself up off the table. When you do your vision goes black, and you hesitate not wanting to pass out on him right after he fucked you.

Slowly now you stand, legs trembling under your weight. The euphoria of the painkillers is coursing through your body so intensely, that you had forgotten about the wound. Reaching down to feel it, it was dry still not bleeding. 

That's surprising.

You turn to see Joel gathering his things from around the room, and throwing his backpack over his shoulder. He's running his hands nervously through his hair.

How does he look so composed?

Your hair is tangled and messy, dried tears crust your face, and your jeans are still not buttoned and unzipped.

“Get your stuff.” He says quietly, timidly, and not making eye contact.

He wants to leave now?

“We’re not-, I can't even-” You stutter, shocked at how he expects you to be able to walk back to the truck in this state.

“Get  your   stuff.” He says again, giving you a warning glance. 

You blink at him, you're dizzy and weak, everything is sore in the best way possible but you genuinely don't feel like you can walk. You struggle over to your backpack and scoop it off the floor, putting it on. When you look up Joel has already opened the door and is scouting the area, making sure no one is in sight. Once clear he steps out, holding the door for you. You walk slowly, limping over to him not looking him in the eye, you're too embarrassed to. When you step outside he closes the door and begins walking in the direction of the truck. You feel frail and the idea of the half-mile walk back makes you feel even more fatigued. He seems weirdly unbothered by everything that just happened, while you on the other hand are a wreck. 

The whole way back, you stumble after Joel, underwear uncomfortably wet. 

[catatombi]

beware of fang

Hey, im gonna say it outright and state that this is a call out. people get called out for being dangerous. fangs nearly pushed 3 people to commit suicide(including myself) and i had to be hospitalized because of him, so this feels justified. Im sorry if you disagree, ill keep it short and to the point If you’ve been a long time follower of his im sure you’ve seen his vague posts about his ex friends, the cotl tumblr community and “fandom drama” with little to no context behind it, other than various people appearing on his DNI. his vague nature in the posts is intentional, he doesn't want to let on that he was abusing his friends. Ive tried time and time again to write something but it never seemed right, like what he’s done to me and my friends wasn’t severe enough to warrant something like this, but it is and i don't want to let this go any longer, esp not when he has my friends, their names, usernames and literal contact information in his DNI list Over the last year ive been friends with fang hes been horrible. Hes never changed and refuses to acknowledge what hes done to his friends and how horribly he has hurt them, to keep this short im keeping this bullet pointy Here is his carrd, he has everything neatly outlined for yall to block on every platform Dont harass, dont contact. all of this is public information so https://web.archive.org/web/20240713073710/https://fanged-info.carrd.co/#boundaries

https://fanged-info.carrd.co/ Twit: FFANGEDD / narilamb_ / mewhenimsilly Insta: ffangedd / narilamb Tumblr: ffangedd / fanged-cotl / fanged-xeno Cara: narilamb Blusky: fanged / narilamb Itaku: fanged Artfight: FANGED Toyhouse: FFANGEDD Sheezy: fanged Discord & telegram: narilamb All the people mentioned have given consent Cw !!! abuse, suicide, self harm https://drive.google.com/drive/u/2/folders/1MLMOT-qvgrX-9NnUEgpl4AkEPfixy2wG

The drive is a bit out of date, as I logged it all before april. Hes posted more awful shit and vented to me again since then Feel free to request the letter i wrote to him, i might share it anyway because it sums up my thoughts on the matter If you want any additional context feel free to ask

Fang uses suicide and self harm threats to control and manipulate his friends, hes begged me for assisted suicide and when i refused to help him commit he begged in groupchats. He begged on instagram stories as well as twitter, so much so that his twitter for suspended for 12 hours. He has admitted to wanting someone to commit suicide with him and has previously formed suicide pacts and nearly followed through on one with a friend. fang backed out first. he continues to redirect blame. refusing to take accountability for his actions. He still blames his previous medications, his ex psychiatrist, his self diagnosed BPD & OCD, psychosis, and states of beings from disorders he doesn't have (claiming to be manic or sociopathic whilst not having bipolar1 or ASPD) fang blames his (ex)friends, claiming they were projecting their mental illness onto him when they were just reacting to his abuse, that they the ones in the wrong and that how they treated him/cut him off was vile and unfair, and believes that he never got real closure when he did. it just wasn't what he wanted to hear and now feels entitled to an apology from these people when all he’s ever done is traumatize and terrorize them. He describes the amount in which he has cut over pavi, wart and kat because what they put him through and how they traumatized him. The traumatizing actions were: Kat asking for a content warning, pavi didn't want to walk on eggshells anymore and blocked him without an explanation & wart blocked him after being emotionally abused for months Hes described how he would carve their names into his thigh and told me that he will carve my name into his skin when i leave too. He demanded wart and surf choose their “real friends” and cut off their community for him because fang hated that they were being “two-faced” and hanging out with “people who hate him” He would spend hours venting relentlessly and graphically in his friends DMs, demanding their time and attention and expecting immediate replies. His friends are not professionals and shouldnt be expected to be an on-call DIY therapist for him, for hours, without consent. Fang has said he is completely unwilling to self censor for other peoples safety fang has vented to a 13 year old (they were not hiding their age) He referred to me (and our friends) as a phone person, a voice, icons. Concepts he can talk. Completely dehumanizing everyone that cared about him even to their faces. He blames his ex friends for his poor mental health and has said he wishes they watched him commit suicide, he wanted his friends to be traumatized from this (as if they werent already.) When a friend posted a screenshot of a gamenight to tumblr he had a breakdown so severe and so dangerous for so long that several of his friends has to mute the DM to keep themselves safe from his verbal abuse and suicide/SH threats He doesn't care about how triggering any of this can be for someone and will subject anyone (including people in danger) to his “venting” He didnt care about triggering me and contacted me at the worst of my suicidality in january and exasperated the danger i was in so severely I had to be hospitalized against my will before I could commit suicide. 

Im honestly not entirely sure what to even think. he knew the severity of my suicidality. he knew I had been hospitalized for an attempt in 2022, and still he chose me, probably the most vulnerable of his friends at the time to vent that heavily too back in janurary Hes a dangerous selfish person whos proven over and over that hes not getting better and isnt willing to change, i honestly had hope when he slowed down his graphic vent posts and victim blaming on twitter and insta but he decided to say fuck all and get right back into his shit train of shame and misery. Heres a link to all of the screenshot, damning ones are in important bitz if you’re not interested in going through them all https://drive.google.com/drive/u/2/folders/1MLMOT-qvgrX-9NnUEgpl4AkEPfixy2wG in these screens alone he: admits to sending his cuts to his friends, threatens to cut if i leave, admits that he was going to go through with a duel suicide and begged me for assisted suicide

warts screenshots v

full screenshots & complete context in the drive as for him claims that i was stalking him: i was scared, i was his friend. i tried so hard to be good enough and never was. the screens were a by product of confiding in my friends about what was happening and the drive was made to share w/ them i admit i prolly shouldve combed out some of it but, ykno also big phat apology for tagging cotl!!!!! only did bc fang has, please stay safe everyone, and thank you so much if you have read everything (the doc encase anyone was wanting it ! figured i;d just use tumblr regular posting method) https://docs.google.com/document/d/17QjXUEdQVd8c4GZS--vPo-xR3kgmoLl4ZmN3ROMutg0/edit?usp=sharing

edit as of 8:30pm 7/17/24 here is a link to pavi's response warts response and kats response

[dira333]

Lap Cat - Aone x Reader

Just a lil something I couldn't get out of my brain - 1,4k

Aone is a lap cat. 

You know the moment you meet him, even though you can’t point out what had given it away. 

It surely isn’t the way he keeps his voice to himself and uses his glares as a way of talking. Or the way he overestimated the weight of the door or underestimated his own strength and ripped your office door out of its handles on his first day.

He’d been the talk of the town for a whole month.

-

“Aone-san,” you called out at the end of the morning briefing. “Do you have a minute?”

He nods and follows you out and up the stairs into your office on the first level. 

You wonder what he thinks of you, in your nice business suit with the air-conditioned office. If he looks down on you like some of the other workers do because you’re one if not the youngest building designers in the company. You don’t think he does, but he’s hard to read.

“I’ve noticed you are very diligent in your work.” You explain to him. “And this part is very difficult to master. I’d love it if you could double-check the work, especially if you end up working on a different part. I don’t want to call anyone lazy, but I’ve been told that we’ve consistently had trouble keeping up with the plan for these structures and I want everything to be okay. I-”

“It’s okay.” As always, the deep timbre of his voice surprises you. You wish he’d talk more often. 

“Great. I’ll be here all day. And tomorrow too and the day after that as well. So you can come in whenever to let me know, okay?”

He nods, having used up all his words already. He leaves you shortly after, but not after an awkward pause where you try not to babble and he stares intently at the little pink bows adorning your stilettos.

-

You’re in the middle of unpacking your lunch Bento when there’s a knock on the door.

“Come in!”

Aone’s face is smeared with dirt. His clothes are stained too, but his hands are clean as they offer you a piece of paper.

You take it and inspect it. He’s made a checklist for the area you mentioned. Your heart lurches at this careful work. 

“Thank you!” You doubt your smile can express even half of your gratitude.

His ears are red. He’s probably gotten a sunburn from working outside all morning.

“Do you…” You hesitate. “Do you want to share lunch? It’s cooler in here and I wouldn’t mind.”

He looks at the pretty but uncomfortable chairs in front of your desk and back to his dirty, stained clothes.

“Don’t mind it.” You rush to say. “Please, sit. I will go and get something to drink from the machine outside.”

“Let me.” He says and you freeze, spellbound by his voice - again.

 -

Soon you find yourself spilling your thoughts over eggrolls, rice and two cans of sparkling water. 

You babble when you get nervous and he sure as hell makes you nervous.

“It’s so nice to have someone with me when I eat.” You tell him when he gets up, no doubt to leave for his work again. “I mean, I can eat alone, no problem, I do that at home too. I mean I have a kitten there, but he’s the quiet type. It just gets a little lonely around lunch when I have to work by myself all the time anyway. You probably don’t have that problem, because you’re so many workers all working together all day and then you have lunch break together too, but if you want to cool down for a bit, feel free to come up here for Lunch Break.”

“Thank you.” He interrupts your babbling, bowing so abruptly you’re left speechless - a rare occurence.

“Oh no, I have to thank you.” Now you’re bowing too and it’s only your colleague passing by that saves the two of you from bowing in turn until one gives up.

-

Kenji curls up on your lap that night as you tell him of your day. 

He’d been a stray, a tiny ball of fur and teeth, only slowly learning that you did not mean any harm. He’s not the best listener, occasionally digging his claws into your thighs as he either disagrees with you or does not care about your opinion. But he’s yours and you’d be even lonelier without him. 

-

You don’t see Aone for another week. Well, you spot him during morning briefings, a quiet presence at the back of the room, but you don’t come across him other than that until it’s Monday and you only find out that you’ve left your Lunch at home when it’s time to unpack it.

It’s pouring outside and you’re dressed for sunshine to the point that not even a borrowed umbrella will keep you warm or dry during the trek down to the Konbini and back again.

But going hungry is even worse.

You run into Aone right at the entrance, raindrops creating little patterns in the dirt on his face. 

He holds a can of sparkling water in one hand and a Bento Box in his other.

“Oh, Aone. Hello!” You smile up at him. “Are you taking your Lunch inside? Do you want to come up to my Office? I’ve turned my heater on, actually, because I run cold easily.”

He looks down at the Umbrella in your hand.

“Oh, I forgot my Lunch at home. I’ll just run down to the Konbini and get some, but feel free to go up and get warm.”

His eyes travel down to your feet, where your painted nails peek out of a new pair of high-heeled sandals. 

“What do you need?” He asks. “I am already wet.”

“Oh, I can’t.” He hands you the sparkling water. You take it, too surprised to refuse it. He takes your umbrella and hands you his Lunch.

“What do you need?” He repeats again. There’s something in his voice, at least that’s what it must be, that makes you open your mouth and answer.

He nods and turns to leave, leaving you behind with his Lunch and his drink.

-

There’s a blanket resting on one of the chairs. Aone is the only one who uses it, and drapes it over the chair to make sure he doesn’t get it dirty.

Aone is a lap cat. He wants to be asked, he wants to be offered. He does not ask himself. 

You get his phone number so you can text him every day, letting him know what you’ll be taking for Lunch. He never stands up an invitation. 

So you invite him to walk to the train station with you. He holds your umbrella, nodding along as you talk about your day. 

“Where do you live, Aone-san?” You ask, nibbling on the inside of your cheek as you debate if that question is too forward. You don’t even know his first name yet, even though you long to.

You almost miss his answer, too absorbed in the sound of his voice. He does not live far from you.

“Are you taking the train as well? We could sit together.” His face changes into something that looks like disappointment. 

“But we don’t have to!” You try to mend whatever mess you’ve just created.

“I have practice.”

“Practice?”

“Volleyball.”

“Ooooh! Can I come watch?”

The faintest blush covers his cheeks at your question. You’ve never seen it before, but you could get addicted to that sight.

“They would think you are my girlfriend.”

“I wouldn’t mind that.” Your face burns as you realize what you’ve just divulged.

“I don’t mean- I wouldn’t ever pressure- You don’t have to feel-”

Aone interrupts your blabbering, but not with words. He stretches out his incredibly long arm, offers his hand to you in a wordless answer.

You take it, your heart beating so loud you fear he can hear it. 

-

Aone is a lap cat. 

Just like Kenji he craves your touch, your presence, being near you whenever he can. 

But quite unlike Kenji, he does not mind when you roll over in your sleep and kick your leg into his shins. He does not dig his fingernails into your skin - and if he does, he does it lovingly.

He’s as much a quiet presence in your home as your cat, making lazy Sunday Mornings so much sweeter.

My Kofi if you want to tip me

[phoenixyfriend]

How to Call Your Reps About Gaza

I make a lot of posts telling you to call your reps! Anyway, here's the overall shape of how to argue to them.

Disclaimer: I am not in politics. I do not have experience as a staffer. I am just someone who cares a lot about where things are going, and wants to help. Also, this is specific to the US, because that's where I'm based. Hopefully, people with expertise can add more suggestions on.

Find your elected officials.

My Ko-fi: this took me two days to write up, so uh. If you've got a few dollars, send them my way so I can keep doing this sort of thing, and maybe move out of my parents' house sooner.

General tips:

Be polite, or at least civil. Do not swear or shout at whoever answers the phone. This will quite possibly get your number blocked. Fifty civil calls over the course of several months will do more than one where you shout. You can be frosty, you can say you are disappointed, you can say you find the actions of your reps to be reprehensible or morally bankrupt, sure. But keep calm and aim criticism at the rep, not the staffer.

Keep it short. The staffers who answer call centers are busy. They usually start trying to hurry me off after about two minutes. I've yet to manage a call longer than four or five minutes. Pick one or two topics for the day, and focus on those. Cycle through them every time you call. Stick to just one from day to day if it's a large, ongoing issue like Gaza.

Plan for voicemail. I get voicemail more often than not. My House rep usually has a staffer free, but the Senators are almost always voicemail. This will give you a minute and a half max. Be ready to get your point squeezed into that.

Only call your representatives. The important, powerful word here is "constituent." You will be ignored or even counted against if you are from a different district or state. The first thing you start with is your name and address. A staffer will ask for the information they need. On voicemail, leave your full name, your city and state, and zip code before you go into your message. Do not lie, either. They look these things up in the system when you call. I'm not sure how--I think maybe they have access to a database of registered voters--but every time I call, they ask for my last name and address and at some point say, 'oh, yep, I've got you right here,' which indicates a database of some sort.

Research at least a little bit about their opinions. If they already agree with you, then it's much easier to leave a quick "I support you and want you to know that" to combat anyone who's arguing from the other side. If they don't, then you're best off finding out what specific issue they have so you can know the best kind of comment to leave.

Look up specific bills or arguments. I get daily emails from GovTrack about bills that are on this week's docket or have been voted on in the past day. IDK about anyone else, but being able to say that I disagree specifically with HR 815 or something makes me feel powerful, and possibly like I will be taken more seriously. Sometimes you can start with articles like this one, which include links to specific bills on the official congress website.

Email after if you can. Reportedly less effective, and takes longer, but you are more likely to get a written (canned) response, and it reinforces whatever you called about.

Basic structure of a call, at least as I've been doing it:

"Hi, my name is ____ ____, and I am a constituent from [city, state], [zip]. I am calling to express my opinion on [topic]. I am concerned about [short argument with a clear impact on the topic]. I ask that you support [measure or fellow congress member]/vote [yay/nay on specific legislature]. Thank you for your time, and I hope you keep my opinion in mind."

For this post, the topic can be stated as the war in Gaza, military funding for Israel, or unrest in the Middle East, depending on which you think your elected official will respond to best. That said, the structure should work for whatever your call is about.

Arguments to use against your elected official... or your on-the-fence cousin:

I'll be honest, some of these are not going to do much against your representative. They know the arguments, and have been going over them with each other for months. You just need to have one locked and loaded that they consider relevant instead of a nonstarter, in order to back up your opinion as 'founded' instead of 'nonsense, can be swayed with a good marketing campaign.'

I'll include explanations if I don't think something is self-evident (or needs more evidence to tell your cousin), but in most of them I'll provide some suggested verbiage that you can tweak as needed, and for a few of them, that's really enough.

THESE ARE FOR THE TOPIC OF CONCERN, ONLY. You still need to end each one with "I ask that the [official] votes to [action]" at the end. Give them something actionable (example from Feb. 13th). My go-tos right now:

Both chambers: Reinstate funding for UNRWA

Both chambers: Place mandatory restrictions on any aid to Israel, with contractual threats to cut funding if Netanyahu and his government continue to disregard civilian life

Senate: Put support behind Bernie Sanders and his motion to restrict funding to Israel until a humanitarian review of the IDF’s actions in Gaza has been completed (S.R. 504) (Tabled by the Senate on 1/16, but it is being brought back in as conditions continue to escalate)

House: Put support behind Rep. Rashida Tlaib’s petition for the US government to recognize the IDF’s actions in Gaza as ethnic cleansing and forced displacement, and put a stop to it.

House: Put support behind H.R. 786, introduced by Rep. Cori Bush, calling for an immediate deescalation and cease-fire in Israel and occupied Palestine.

What Not to Say

"There is no threat to Israel." I've talked about this elsewhere, but the short version is that this will be basically laughed out as you not knowing what you're talking about.

Anything generically antisemitic. (I mean, it might work on some of the white supremacists, but do you really want to encourage that thinking? No, so don't do it.)

Facts that you "heard somewhere" but cannot find a reliable source for. If it's being reported by the New York Times, NPR, or the BBC, it's probably trustworthy by government standards. If it's not a super common statistic, cite the journal you got it from by name. Remember, you aren't arguing to tumblr mutuals. You are arguing to your elected official or your 'I don't really pay attention' cousin. When it comes to this, big name news sources are better.

Unrealistic demands for complete isolationism, permanently abandoning Israel to its own devices, supporting Hamas, etc. Again, you will not be taken seriously. Pick an argument they might actually listen to, and use it to press them towards a possible solution. You want them to believe that if they adjust their position, they will be doing the will of most of their constituents, and thus more likely to get reelected.

The Ethics Argument

Third-party reporting has stated that that nearly 29,000 Gazans are dead since Oct. 7th, as of 2/18/24. The vast majority of those are civilians, and over half are children. Palestinians in Gaza are facing an acute hunger crisis threatening to become a full-blown famine.

The International Court of Justice has found that there is credible reason to believe that the state of Israel is committing a genocide against the Palestinians of Gaza.

This does not mean that every single Israeli is complicit. It does mean that the government, particularly Netanyahu and his associates, has been reprimanded by a large, diverse coalition of countries, and has consistently refused to listen to that court since.

This argument will possibly work on your cousin. Less likely to work on your elected official. They already know the numbers. I just wanted to get it out of the way first.

The Re-Election Argument: Michigan vs New York

Meanwhile, this is possibly the most effective. Again, this is not an argument of ethics. This is an argument of "how can I make my elected official do what I want." We do not use only the purest moral argument. We use what works.

What to say to your elected official: Michigan, as a swing state, was won by democrats on the power of the Arab-American vote in the 2020 election. We (either party) are at risk of losing Michigan due to the current Congressional approach to the Gaza conflict, as that demographic is now polling as likely to abstain from voting entirely. The risk of losing several congressional districts due to the Jewish vote is a real one, but the risk of losing the the executive branch is greater, especially after what we saw with Suozzi. Supporting Palestine might lose us parts of New York, but supporting Israel will lose us Michigan.

Explanation: Something that has been taking up a lot of time and space in the election coverage is the situation in Michigan, and more recently, there has been attention paid to the special election of New York's third district, AKA the "who gets to replace disgraced George Santos" competition.

Michigan is traditionally a swing state. While 2.1% doesn't sound like a lot, that is some 211k-278k people (depending on your source), and while not all of them can vote... Michigan was won by about 154k. Arab-Americans are not the only relevant demographic, but they sure are an important one, and they are vocally opposed to the situation. Approval has dropped from 59% to 17%. From that same article:

As Axios notes, Biden won Michigan in 2020 by 154,000 votes, but there are at least 278,000 Arab Americans in Michigan. Biden took Arizona, a state with an Arab American population of 60,000, by only 10,500 votes. In Georgia, Biden prevailed with a margin of 11,800 voters, in a state that has an Arab American population of 57,000.

Democrats cannot afford to lose these states. Pressure your congresspeople about that, especially if you live in one of those states. I assume most Arab-Americans in said states are already calling every day; the rest of you can join in.

Meanwhile, most Jews (considered the most pro-Israel demographic by strategists) in America are concentrated in a very small number of electoral districts. Of the twenty most-Jewish, ten are in New York, which is why I put it up in the section header.

One of those districts was won by a Republican in 2022: George Santos, New York's third congressional district. Following his scandals and ousting, the seat was up for a special election, and the two candidates were Tom Suozzi, a democrat who held the seat previously (he decided to run for governor, and lost), and Mazi Pilip, a Nassau county legislator who was of Ethiopian Jewish background and had been in the IDF. She ran on a campaign that leaned strongly pro-Israel and anti-immigration, and when Suozzi won, she interrupted his victory speech to accuse him of supporting a genocide against Israel due to his rather centrist, rather milquetoast stance on the conflict during his election campaign.

Now, Suozzi's win probably had more to do with Pilip being anti-choice than her pro-Israel arguments, but he still won.

Democrats can better risk possibly losing a few seats in NY than definitely losing three swing states.

"But I don't want Dems to win their districts after what they've been--" Nope. Listen to me. Surveys indicate that Republicans are on average more pro-Israel, because Trump and Netanyahu are buddy-buddy, and we do not have a viable third option.

Also, again, this is about convincing Dems to be better. "If you do not vote to put restrictions on funding to Israel, I will not vote for you in November" is a lot more powerful than "I will not vote for you either way, because of what you've been doing, but you should do what I say anyway."

The Re-Election Argument: Risk of Escalation

So, that thing I said about Trump and Netanyahu?

Yeah, so, while Biden is giving Israel military aid while cautioning them to slow down and be careful, Trump is... complicated, but suffice to say he's much closer to Netanyahu on a personal level than Biden is. Biden's relation with Netanyahu is reportedly pretty frosty, while Trump's is based on relations through the Kushners.

Just from wikipedia:

Netanyahu made his closeness to Donald Trump, a personal friend since the 1980s, central to his political appeal in Israel from 2016.[21] During Trump's presidency, the United States recognized Jerusalem as the capital of Israel, recognized Israeli sovereignty over the Golan Heights, and brokered the Abraham Accords, a series of normalization agreements between Israel and various Arab states.

Trump's been more all-over-the-place recently, badmouthing Netanyahu for being what Trump perceives as a loser, which complicates understanding what his approach is. It's kind of incoherent right now.

Given Trump's general history of being pro-Israel, though, and the attempts by House Republicans to push through a bill of unconditional funding for Israel. It failed, but notable is that the more recent bill passed in part because it was paired with aid for Ukraine and Taiwan (something Dems are much more invested in having happen).

What to say to your elected official: If Trump is reelected due to his current appearance of being more critical of Netanyahu, there is evidence from his presidency to indicate that he will support Israel much less critically if elected. While he claims to want to settle the Middle East, it seems incredibly likely that he will worsen the situation for Palestinians, and ramp up retaliatory strikes to groups like the Houthis in a manner that will impact non-military parties, igniting tensions that are already tenuous.

The Disrespect/Wild Card Argument

This particular argument is best used against the Very Patriotic Politicians who are more concerned with the US's image and Being The Alpha Nation than with other things. Basically, this might work on Republicans.

This isn't really something I believe in, as a matter of foreign policy, buuuut it might work on your rep, so. Consider it!

What to say to your elected official: With Israel's recent actions in ignoring Biden, blocking US-sent aid like those flour trucks that got stopped at the Rafah border because they'd be distributed by UNWA, and generally Disrespecting The USA and Being Unpredictable is not only making the US look bad for being unable to wrangle a smaller country, but also making it so we are less able to wrangle other countries in the future, because Israel cannot be predicted and might set someone off.

The Europe and Reputation Argument

What to say to your elected official: The United States is losing credibility as a world power known for its military and ability to manage international disputes on behalf of the UN, because it is seemingly unable to influence Israel, and losing credibility as an upstanding moral state that is not doing foreign coups and banana republics anymore, as it appears to be tacitly supporting Israel's ICJ-labelled genocide, which is a really bad look with the other Western Powers.

I'm not entirely sure who this might work on, but there's gotta be at least a few politicians who are really concerned about America's image, more than about actually doing the right thing. Figure out if your politician is one of them.

If necessary, you can bring up how Trump is threatening to pull US support for NATO if Russia attacks someone.

The Middle East Stability Argument: Iran-backed Militias

What to say to your elected official: I'm concerned that the continued support of Israel, and thus the funding of their actions in Gaza, will increase the instability of Iran-backed militias, as we have already seen with the Houthis and Hezbollah. Entire Muslim-majority nations are showing increased displeasure not only with Israel, but with the US by extension. We cannot afford another war in the Middle East when we haven't yet pulled all our troops from the last one, not with the recent and recurring economic recessions. Any situation would also very likely be complicated or inflamed by the growing tensions among Eritrea, Djibouti, and Ethiopia regarding Red Sea access as well.

Use this on the ones that claim to be pro-military or pro-veteran. See what they said about HR 815 before the foreign military funding amendment was added.

The Middle East Stability Argument: Egypt

What to say to your elected official: Egypt's government has been unstable since the Arab Spring, and even now the military government is incredibly unpopular. With that existing instability, the addition of economic strain from the reduced usage of the Suez canal, the international disputes occurring because they're the main throughway for aid into Gaza, and the threat of a sudden influx of nearly one and a half million Palestinian refugees should Israel continue to push south... Egypt is looking at a possible near-collapse as we've seen in nearby nations suffering similar instabilities.

Explanation: It took several years for Egypt to really start recovering from the revolts in 2013, and it has applied for four IMF loans in recent years. The current government is unpopular to such a degree that they are looking to build an entire new capital from scratch in the middle of the desert so that they're less open to the risk of civilian uprisings; one of the primary causes for civilian dissatisfaction is economic issues.

Due to Houthi attacks at the Bab al-Mandab Strait, traffic through the Suez canal is down massively, and since the canal "represents almost 5% of the GNP and 10% of GDP and is one of Egypt’s most important sources of hard currency." (src) Various sources are reporting that trade through the canal is down 40-50%, which is putting more strain on the already unstable economic and political situation.

Finally, Egypt's population is about 110 million, but the governorate that shares a border with Israel and Gaza, North Sinai, has a population of barely 500,000. A push of one and a half million starving, injured people will, very suddenly, nearly quadruple the population of the governorate, and require extreme aid response from Egypt's government to keep alive and prevent a larger crisis in North Sinai and neighboring governorates.

The Middle East Stability Argument: Normalized Relations

What to say to your elected official: I am concerned that Israel's continued attack on Gaza is jeopardizing any chance of normalized relations with the Arab states in the future. American has put a lot of work into trying to get these various countries to normalize with Israel, and our funding of the current attacks on Gaza are sabotaging all that effort.

This one can be combined with the Iran-Backed Militias argument: Israel, in pursuit of revenge against Hamas, is setting itself up to be in more danger long-term, rather than less.

The International Trade Argument

What to say to your elected official: I am concerned about how the war in Gaza is impacting international trade and shipping costs. With the Suez Canal down to half its usual capacity and the Panama Canal raising costs and dropping capacity in response to the water restrictions, along with rising fuel costs in Europe and Asia, global trade is incredibly strained. We are being relegated to the Cape of Good Hope, Cape Horn, and the Malacca strait for much of intercontinental trade, and the macroeconomic projections are looking very bad for America.

The Domestic Economics Argument

What to say to your elected official: Many of the plans for Israeli military funding cause damage to other parts of the budget. For instance, a recent plan put forward by the Republicans of the House suggested IRS cuts in order to move that money, a plan which would impact the US budget negatively in the long term; we need those 14 billion being spent domestically, not supporting an overreaction/possible genocide in Gaza.

Explanation: In general, pick something receiving budget cuts that your congressperson will care about. I care about IRS funding, and saw it mentioned as a target in an article, so that's what I've got in my suggested verbiage up there.

The fewer people that are working for the IRS, the more they focus on auditing poor people (simple, easy taxes) and the less they can effectively audit rich people (complicated, time-consuming taxes), which means rich people are more likely to get away with evading millions or even billions in taxation. So yeah, you want more funding in the IRS if you are poor. They are already auditing you. You want them to audit the big guys.

The Russia and China Argument

What to say to your elected official: I am worried that the current focus on funding Israel without restriction is causing us to lose sight of the international threat posed by Russia and China. Russia is actively invading Ukraine, which continues to put massive strain on the European economy with regards to oil prices, especially with the Suez situation, and China has been testing missiles near Taiwan, and thus testing US responsiveness to those threats, for months now. We cannot afford to support an internationally unpopular war if we want to remain ready for Russia and China.

This is less likely to work on Republicans, since Trump is friendly with Russia, but hey, give it a shot if they're one of the ones who aren't fully in his camp.

EDIT 2/22/24: I'm a bit unsure of this tactic, but I'm putting it out there with hopes that someone with more political experience can offer feedback:

"Congress, and the US government in general, has promised to sanction Russia for the alleged assassination of one man within a week of the suspicious death, after five months of refusing to enact even slight consequences on Israel for the deaths of nearly thirty thousand, half of which are children. This is ethically questionable at best, but for the interests of elected officials, it is a very bad look. The mismatch shows a massive bias by the American government in regards to Israel's ongoing mass murder, with over two million facing famine as a result of Israel's aid blocking, and America's reputation on the world stage, as well as individual politicians' reputations domestically with constituents, is plummeting."

-------------------------------------

Finally, my ko-fi again. I spent a long time on this and I'd like to move out of my parents' house sooner rather than later. If you appreciate my time and effort, please feel free to donate a couple bucks.

[moonstruckme]

Hi!! I just recently discovered your blog and I’m in love with your Spencer fic’s. :)) Could you perchance write one where reader is sick and Spencer takes care of her??

Hi lovely, thanks for requesting <3

Spencer Reid x fem!reader ♡ 792 words

“I’m fine,” you croak. 

“You’re not fine,” says Spencer, stirring honey into your tea. “You let this go too long without resting, and now it’s bad.” 

You inhale, looking like you’re going to disagree, but a coughing fit supersedes you. The force of it bends you over, and Spencer rubs your back, wincing. You sound like you’re hacking up a lung.

“Okay,” you say once you can, still coughing weakly. “You’re right, I’m dying.” 

“You’re not dying either.” A smile tugs at his lips. “You just need to rest. Is anything bothering you, other than your throat?” 

You shake your head. 

Spencer eyes you skeptically, passing over your tea. You’re infamous for this sort of downplaying. You’d been so good at covering up that you were feeling sick that even your FBI profiler boyfriend hadn’t been able to spot it until a couple of days ago, and even then you’d managed to convince him it was mild enough to go to work until he’d heard you coughing in the shower this morning. Spencer still isn’t sure if, when he’d come home today to find you flushed and miserable in the bed, you’d gotten worse or only stopped hiding it. 

 “Really, nothing?” he asks. “You don’t have any other symptoms?” 

You shrug. “Just other normal sick stuff.” 

“Tell me about them. How do you feel?” 

You frown, blowing on your tea. “Hot and dry. I feel like my entire body needs chapstick. And I’m tired, I guess.” 

Spencer frowns. He brushes a piece of hair behind your ear, letting his fingers stoke down your overwarm cheek. “You look terrible,” he says. 

You snort. Your cough latches onto it as an opportunity, and you launch into another fit. “Ow,” you wheeze, putting a hand to your chest. “Thanks, you’re really—really wooing me, Spence.” 

“No, I’m sorry,” he laughs, somewhat nervously. “I just meant that you look so sad, honey. I don’t like seeing you so sick.” 

“Me neither,” you admit. You take a scratchy breath in, deep as you can without it catching. You look like you’re savoring it. 

He feels his eyebrows draw together compassionately. “You should try to sleep.” 

“It’s barely six. I don’t want to sleep.” 

“You don't have to wait until it’s late to go to sleep. It might make you feel better.” 

“I know, I just…I don’t want to.” 

Spencer looks at you for a while, thinking of what to do with you. Your tea is still too hot to drink. He’d bought you cough drops on his way home, but you’d already had so many throughout the day that now you say they’re making your mouth feel sore and raw, and you don’t want to take them if you can help it. Maybe he could have you gargle saltwater…

“You should stay at your place tonight,” you tell him gently. “I don’t want to get you sick.” 

He knew you would say that. He’s practically moved into your apartment, though he keeps his basically as a storage unit at this point. Whereas Spencer has filled his apartment with enough things for one person (one towel hook in the bathroom, one nightstand, only one really good pillow on the bed), your apartment looks like you’ve always assumed you’d eventually share it. The first time Spencer came over, you already had fuzzy socks for guests, enough towels for an army, and two really, really great pillows on the bed. It made him realize that his apartment was really just a place to sleep; yours was a home. He never wants to leave, but certainly not while you’re like this.

“I won’t get sick,” he lies. (He definitely will. He’s already been exposed to you for days already and his immune system has never had his back.) “And anyway, how will I teach you chess from my apartment?” 

You groan. 

“This is really the best time,” Spencer says, going into the living room to grab the chess board you’d let him keep here. “You’ll never have more free time than when you’re sick. And this way, you won’t get bored.” 

“Sure about that?” you ask wryly as he comes back in, but you’re smiling. 

“Unless you want to try to sleep?” 

You look like you’re actually considering it. “When I was little and I got sick, I used to play mad libs.” 

Spencer feels his face screw up. “I don’t really like that game. They never make any sense at the end.” 

“That’s the point,” you laugh. A weak cough follows it. “Anyway, I’m sick. I promise I’ll let you teach me to play chess soon.” 

“You’re sick,” he allows, setting the chess board on the floor. Not that you don’t get what you want the rest of the time anyway.

[ilys00ga]

life after his enlistment.

pairing: yoongi x reader

synopsis: how life/the relationship was like after he enlisted.

genre: fluff, established relationship, yoongi enlisted, they are trying their best, idk if I should call it angst or hurt/comfort, but there's some kind of ✨️melancholy✨️ in this (predictable much), I effing miss him sm more now :(.

warnings: t.w: if u are just like me, prepare to be missing yoongi sickeningly after this. gosh, it feels like a hole in a chest rn. idk what to do w myself. oh btw some ideas mentioned here are purely my own opinions, so it doesn't have to be "facts" or "all true." if u have different opinions or if u disagree with any it u can reach out to me about them, I would like that, but that's that, enjoy!!!!!!!!!

A/N: this was a request made by @kimvante2013 I hope it meets ur expectations! this was so fun to write, I liked this a lot. feel free to send more reqs or anything u want :)

PS. English is not my first language, so you know the drill.

ᵎᵎ 𖦹彡⋆｡˚・ ─ ・ ⋯ ・ ─ ⊹ ♡₊˚๑

the problem wasn't that you couldn't see him, no.

since his duty was different from that of an ordinary individual, you both were able to spend the nights in each other's arms.

when he comes back home after duty, sometimes he's met with an empty house where he'd wash up and start preparing something for you to enjoy munching on once you get back home at a later hour of the day. other times, he comes to a busy, warm house. you blasting your favorite drama on the TV while doing the laundry in the middle of the living room, or just chilling and waiting to welcome him with mellow hugs and kisses.

and when he's on duty, he can't always contact you, but he whispered kisses laced with promises into your lips before leaving on his first day, and he would never dare to break them. not that he wants to anyway.

sometimes you'd wake up to post-it notes sticked on random surfaces and items around the house, or good morning messages of love and kisses. sometimes he calls during lunch breaks to check up on you, reminding you to drink water and eat well because that's yoongi's most precious habit of showing that he always just cares.

"don't forget to layer your outfit today, I just saw that it's gonna be awfully cold."

"did you like the bouquet I sent? want more? cook me ___ tonight xx"

"hi, don't forget to drink a cup of water right this instance or you'll shrivel up and die."

"it snowed on my way here this morning, let's go out this weekend and have some fun :]"

when days are too hard to handle, weighing one of you—maybe even both of you at the same time, cause life is a bitch like that—down and burying you under the ground, you'd send long voice messages to the other. never expecting an immediate reply. just simply pressing record and spilling all the bottled negative energy that clogged your brains and chests.

so, the problem wasn't really that you couldn't see or talk to him..

the problem was that neither of you were used to any of that.

you weren't used to being away from each other for long hours throughout the day (even though he often went on tours and job events aboard), or not being able to talk and/or see him whenever you wanted to—atleast whenever your shift agreed to let you. you're stuck on this routine for months. you were so not used to that.

over the years, you and yoongi grew to become a pen and a paper: two different items that are meant to only function and be paired together. one can't be capable without the other.

yet you try to avail yourselves of the situation and take it all easy. slowly, like waking up and leaving a warm, comfy bed at 5 in the morning to gain some purpose somewhere out there.

so, while staying away from one another for several hours a day comes with heavy challenges and even melancholy at times, that doesn't mean it can't be fruitful for your relationship.

since for it to grow healthier, a couple, intentionally or not, sometimes needs to take some "time off" to preserve the connection and intimacy between them.

you always remind yoongi of how much you had missed him during the day, which is something that never failed to put a smile on his face and trigger a stream of butterflies in his stomach.

love and yearning are two inseparable powerful emotions that one can't defeat, and absence makes the heart grow fonder. that's the beauty of the challenge your relationship was subject to at this new stage.

"I am still me, you are still you. everything's gonna be alright." yoongi would say as he hugs your face into his chest.

he always reminds you that this new chapter the two of you have entered together, hand in hand and with shaking hearts, is one that he'd been dreading but looking forward to for a very long time.

a chapter that made him understand how much he needs your existence in his life. to be himself and to be the somebody you need and deserve.

and he makes sure to translate that into your skin as he traces it with his lips and fingertips when you finally fall into each other's embrace.

[weneeya]

comforting nanami after a long day ??

Angst to fluff ofc, he starts being dry over text and accidentally ignores u at home but then realizes and apologizes and we comfort him <3

some peaceful time w/ nanami m.list | rules

note. YES omg I love this idea as much as I love nanami himself, thank you for this!! feel free to request :)

Nanami Kento wasn’t the type to do anything that could hurt you. In fact, he was always really careful about it because he loved you so much ; doing anything bad to you was probably the worst thing for him. But today was complicated. 

He had a difficult day, a way too long one which seemed to never come to an end. You tried to text him, because you started to worry as he was usually never this late. Except that you didn’t think he would be this harsh to you. His messages were dry, more than they have ever been to you. It was almost like you were annoying him. 

You decided to wait until he came home, so you could understand what was happening. But when he finally came back, he didn’t even glance in your direction. You stood up to welcome him, but your husband simply made his way to the kitchen without caring about your presence. It hurt, you had to admit it. He never treated you this way and you thought that you did something wrong. 

You decided to leave him alone, not wanting to be more of a burden than you already seemed to be to him. You joined the living room again, sitting on the couch and taking back the book you were previously reading. Maybe it would help you think about something else. 

As Kento was drinking the coffee he just made, as it would be a good idea, a long sigh left his lips. He turned around to say something, before he noticed that you were gone. This is when he realized what he had done since he came home. He closed his eyes, another sigh leaving his lips. He massaged his temple for a moment, before he came back to the living room. 

He simply walked towards you, before kneeling in front of you. You put your book on the side, a slight frown over your face. What was he doing exactly? Nanami took the book from your hands, putting it on the table behind him. Then, he took your hand between his and left a kiss on top of it. You finally met his gaze, and you could see how tired he seemed to be. 

“I’m sorry my love, I shouldn’t have acted this way with you. Forgive me, please,” he said, and you didn’t give him the time to say anything more. You made him stand up, and guided him to sit next to you on the couch. Kento let you do it, as he didn’t have the strength to disagree anyway. 

In no time, he was now laying down on the couch, with his head on your thighs. Your fingers were slowly running through his hair, and he had his eyes closed. He could almost be falling asleep right now. Nobody was able to ease his heart and his mind as much as you could do it. 

“How about you take a few days off? You need it, Kento,” you started, and he simply hummed as an answer. You were probably right, he really needed those days to take some time. Not only for himself, but also for you. You deserved to be treated better, and he was ready to spend his days off only by taking care of you. You were the best thing that ever happened in his life.

as I always say, here's the best husband anyone could dream of <3 thank you for reading!!

[olenvasynyt]

Feyre is a shitty friend to Lucien if she’s ever been a friend to him at all

This is going to be a long post and yeah I have made two tiktoks about this already and yes people got very mad at me but I’m going to post in on here anyways!!

In Chapter 3 of ACOWAR, Lucien says, “You are a better friend to me, Feyre, than I ever was to you.”

And I couldn't disagree more. This is just so so wrong.  I think Feyre has been such a shitty friend to Lucien if she’s even been a friend to him at all.

If you can’t handle criticism towards Feyre then just scroll past!  And I have so many things to say but Feyre being a shitty friend definitely starts in ACOWAR.  She’s constantly lying to him, making wrong assumptions about him, she uses him.

And I understand that is all for her plan to take down Spring; she can’t really tell anyone the truth because it’ll ruin her cover but a lot of the things she does concerning Lucien and how she’s his friend, are kind of fucked up.

Constantly lying to him and using him in Spring

Now I thought the nightmare scene with Feyre and Lucien was excellent and very entertaining to read but when you think about how Feyre is using Lucien, her “friend”, in a sexual way to get back at Tamlin and turning them against each other…it makes her a shitty friend.

Chapter 5 of ACOWAR: I waited the five minutes it took Tamlin to decide not to kill Lucien, and then smiled. I wondered if Lucien had pieced it together…  A nightmare, I had told Tamlin. I was the nightmare. Preying on what Tamlin had feared from my very first days here… I had no doubt Tamlin was now running through every look and conversation since then.  Every time Lucien had intervened on my behalf…weighing how much that new mating bond with Alain held sway over his friend…

And she continuously gets Lucien to touch her to goad Tamlin’s jealousy and also Ianthe’s jealousy.  She does it very often while they’re in Spring: an example is when they sleep in the tent together.  They basically end up cuddling each other and Jurian sees.  And though it wasn’t on purpose, Feyre thinks about how it would be perfect if that got to Tamlin.  

Chapter 6: I’d rolled onto Lucien’s bedroll at some point, any schemes indeed second to my most pressing demand—warmth.  But I had no doubt Jurian would tuck away the information to throw in Tamlin’s face when we returned: we’d shared a tent, and had been very cozy upon awakening.

She is using him.  She admits it when we get to the scene with Ianthe SAing Lucien.

Why she saved Lucien from Ianthe

And getting to this point soon:  

So in an earlier conversation they have, Lucien talks about how he did the rite in Tamlin’s place and he completed it with Ianthe.  Feyre can see that lines were blurred.  Ianthe had continuously sought Lucien and she got what she wanted.  And Feyre says she should have been there to stop it.

Chapter 3 of ACOWAR: He might have completed the Great Rite with Ianthe of his own free will, but he certainly hadn’t enjoyed it.  Some line had been blurred—badly… The weight of that jeweled knife and belt seemed to grow.  “I wish I had been there to stop it.  I should have been there to stop it.”  I meant every word. Lucien squeezed our linked arms as we rounded a head, the house rising up before us.  “You are a better friend to me, Feyre,” he said quietly, “than I ever was to you.”

And this brings in the quote I brought up in the beginning. ANd I will make a whole separate post on Lucien’s inaction in ACOMAF but what he says just tells me that he feels guilty for not doing enough to help Feyre with Tamlin locking her up.

Feyre said she should have been there to stop it.  Alright well, when the time came and she was given an opportunity to stop Ianthe, Feyre was thinking about how she could keep going and just leave Ianthe to SA Lucien and let it happen.  She is going against her word.  and that makes her a hypocrite and terrible friend.  

Chapter 9: Keep going.  They were distracted, horrible as it was. Keep going, keep going, keep going. “I thought you’d seek me out after the Rite,” Ianthe purred.  They couldn’t be more than thirty feet through the trees.  Far enough away not to hear my presence, if I was quiet enough.

And Feyre realizes that her using Lucien was a bad move, so Feyre’s guilt encourages her to save Lucien not out of any genuine friendship. 

“You don’t act that way with Feyre.” A silk-wrapped threat. “You’re mistaken.” “Am I?” Twigs and leaves crunched, as if she was circling him.  “You put your hands all over her.” I had done my job too well, provoked her jealousy too much with every instance I’d found ways to get Lucien to touch me in her presence, in Tamlin’s presence.

But another thing that causes her to save him is because this moment reminds her of when Ianthe assaulted Rhys.

I made it about a hundred yards into the cover of the trees before I halted. I heard Lucien first. “Back off” A low female laugh. Everything in me went still and cold at that sound.  I’d heard it once before—in Rhysand’s memory.

and Lucien saying “do not touch me” is exactly what Rhys says and this is what pulls Feyre out of her plans to keep going and save him instead.  

Chapter 21 of ACOMAF: Rhys learned close to breathe in her ear, “don’t you ever touch me.  Don’t ever touch another male in my court.”

Chapter 9 of ACOWAR: “Do not touch me,” he growled. And then I was moving.

This moment is echoing Ianthe going after Rhys, from the way Ianthe acts to the hand-breaking situation because Feyre was replicating what Rhys did to Ianthe’s hand.  And in my opinion, Feyre breaking her hand was not only revenge for Lucien but also revenge for Rhys.  And that’s not inherently bad but Feyre is not saving Lucien because she’s a good friend and she cares for his well-being.  If that were true, she would have never thought of leaving him to get SAed by her in the first place.

Not trusting him, questioning his priorities 

When they’re traveling through Autumn she continues to not trust him, she continues to make assumptions about him and assume the worst.  She questions his priorities when it comes to Elain and assumes that he’s only coming along to get what he’s owed.  But then she wants him to have sympathy for her and Rhys as mates.  It’s just very one-sided.

Chapter 12: “You kissed Under the Mountain.” “I had little choice in that as I did with the dancing.” “And yet this is the male you now love.” “He didn’t know—he had no inkling of the personal history, the secrets, that had opened my heart to the High Lord of the Night Court.  They were not my stories to tell. “One would think, Lucien, that you’d be glad I fell in love with my mate, given that you’re in the same situation Rhys was in six months ago.”

Compare this to Chapter 11:

“And that’s why you’re here.  Not because it’s right and he’s always been wrong, but just so you can get what you think you’re owed.” “She is my mate and in my enemy’s hands—“

So Rhys and Lucien were in the same situation: both had their mates in their enemy’s hands and want to keep them safe.  Was Rhys only getting what he thought he was owed as well?  No.  So why can’t Feyre offer the same courtesy?

Again, ready to abandon him in Spring

And there’s literally a part when they're running in Autumn where Lucien basically asks “are you actually my friend?” and Feyre doesn’t answer.  

Chapter 11: “You have the gall to question my priorities regarding Elain—yet what was your motive where I was concerned?  Did you plan to spare me from your path of destruction because of any genuine friendship, or simply of fear of what it might do to [Elain]?” I didn’t answer.  “Well?  What was your grand plan for me before Ianthe interfered?” I pulled at a stray thread in the bedroll.  “You would have been fine,” was all I said.

To actually answer your question, Lucien: she wasn’t planning on sparing you.  She used you and was ready to leave you.

Lucien is a bigger man than me because I would have probably yelled in her face.

Again, uses him to get revenge against Tamlin

Also when he asks her where he’ll fit in in the NC,she thinks about how she would only offer him the position to keep Elain from Spring and to get back at Tamlin.

Chapter 12: “And where, exactly, do you believe I will fit in?  The Night Court? I didn’t answer.  I didn’t have one, honestly.  As High Lady I could likely offer him a position, if we survived long enough to make it home.  I’d do it mostly to keep Elain from ever going to the Spring Court, but I had little doubt Lucien would be able to hold his own against my friends.  And some small, horrible part of me enjoyed the thought of taking one more thing away from Tamlin, something vital, something essential. “We should leave at down,” was my only reply.

Lucien is vital, but not because of his talents as an emissary and how he would benefit the Night Court.  It’s because Tamlin wouldn’t have an emissary.

Feyre just lies to him and assumes stuff and uses him…overall, she’s just such a selfish friend and I’m fairly sure that she doesn’t even consider Lucien her friend at this part, despite several things that would go against that.  Lucien seems to consider or had considered her a friend.  

And then I got a part two because there’s just more things.

Being unwelcome when they get to Night

And now we are getting to one of my biggest gripes with Feyre.  When they get back to the Night Court she has the reunion with Rhys.  They almost immediately go off and have sex and sure, I get it: they’re mates, they haven’t seen each other in a while, they didn’t know if they would ever see each other again.  It’s very emotional.  But when they are done having sex, Feyre goes down and sees Lucien in the sitting room, still in his dirty clothes.  Feyre thinks about how she should offer him something…but then the thought vanishes as soon as Rhys steps to her side.

Chapter 15: “Lucien was waiting in the sitting room when Rhus and I came downstairs at last… I fought my cringe as I halted at the threshold.  Lucien was still in his travel-worn, filthy clothes.  His face and hands, at least, were clean, but…I should have gotten him something else.  Remembered to offer him— The thought rippled away into nothing as Rhys appeared at my side.

FEYRE.  You literally just finished fucking him and putting on your wedding rings, stop thinking of Rhys and offer your “friend” some clean clothes, a bath, SOMETHING!!!!  He has his face and hands washed probably because he washed them in the fucking kitchen sink because he doesn’t know where the bathroom is because no one has given him a tour and they still don’t give him a tour after this…

This is infuriating to me.  So infuriating.  It’s not only being a shitty friend but also a shitty hostess.

And then they have their talk where they explain everything to him, Lucien finally understands what has been going on, he knows that Rhys has been wearing a mask the whole time and that the NC is good…and then he is finally offered clothes and a bath.  By fucking Rhys too not by Feyre.

Chapter 16: “I assume you’ll need clothes,” Rhys went on, nodding toward Lucien’s filthy jacket and pants—which he’d worn for the past week while we scrambled through territories.  Indeed, that was…blood splattered in several spots.

Not communicating, having no important talks as friends or allies

And then the entire time Lucien is in Night, she does not try to have any meaningful talks besides the one where she and Rhys explain everything to him.  She often says it’s for another time.  But they never have any sort of conversation, even if it would just be beneficial as allies, if not friends.

There is a weird sort of mistrust for him. They not only don’t trust Lucien with Elain but also just information in general and this mistrust takes way too long to fade.  From a political standpoint, I get it: he is / was a close friend and courtier to Tamlin, they did ally with Hybern.    But Feyre acknowledges he was remorseful.  And when they’re in Spring he speaks up and tells Tamlin his mistrust and dislike towards allying with Hybern.  But Feyre just speaks over that.  

And I just don’t understand this mistrust with Elain and assuming he’ll steal her away, which is what Rhys implies.  

Chapter 19: “If he got Elain away, back to Spring or wherever…do you believe, deep down, that he wouldn’t sell what he knows?  Either for gain, or to ensure she stays safe?” I considered his question: Did I trust Lucien?  “I don’t know, either,” I admitted, and sighed.  “I don’t like that Elain is a pawn in this.” “Did he discuss what he feels regarding Tamlin?” “Non.  I didn’t want to push on that.  He was…remorseful about what happened with me, and Hybern, and Elain.  Would he have felt that way without Elain in the mix?  I don’t know—maybe.  I don’t think he would have left, though.”

But Lucien explained to Feyre that he hated how Elain was in an enemy’s hands and wanted to make sure she was okay and he knows now that the IC is good and she’s safe, but you still mistrust him?  You are just completely ignoring everything and thinking the worst of him, and as I said before, not offering him the same courtesy you want him to have for Rhys.

Also Elain is a pawn because you are making her a pawn.

Lucien has good intentions.  He wants to do good.    With Hybern, he has not only explains his dislike for allying with them before to her but he sneaks off and sent stuff to Nuan for research to find a preventative against faebane.   He goes to find Vassa to basically redeem himself, he says it was “about time he did something”.  

And about Elain: Lucien is not demanding to see her.  He literally just sits around on his ass and waits and is courteous.  There’s no malicious intent.  He is so kind and respectful.  And if you are so mistrustful towards him that you set up rules for him to follow, maybe just ask him.  Ask permission to look in his mind maybe?  

Feyre and Rhys and the IC have a set of morals that they follow sometimes but then choose not to follow when it conveniences them.  That is a whole other discussion in itself but literally so many things that went wrong with their friendship could have been solved if they actually talked and Feyre wanted to listen to him.  

When Lucien and Elain finally talk one-on-one and Feyre goes into his mind (again, out of mistrust), Feyre discovers that Lucien has no ill intentions.  Lucien didn’t even mean to find Elain there in the library.  He just wanted a walk and to get a book, he didn’t realize she was there, he did not intentionally seek her out and break Feyre’s rule, despite what Rhys says.

Chapter 24 of ACOWAR: He hadn’t expected her to be here.  The other sister—the viper—was a possibility, but one he was willing to risk…he’s been cooped up in this wind-blasted House for two days. He just wanted a walk—and a few books.  It had been an age since he’d ever had free time to read, let alone do so for pleasure. But there she was. His mate.

Getting jealous he has friends / the entire fight they have in ACOFAS

Feyre seemed to have redeveloped her affection for Lucien by the end of ACOWAR but it took way too long and she is still an ass even after everything he’s done for her and for the good of Prythian.  

In Frost and Starlight with their fight that causes him to leave before the Solstice…by fucking god.  I truly hate everything about this conversation.  Feyre is just so wildly frustrating.  I discussed it before so I feel like I don’t need to go a whole lot into it because I already ripped this scene apart word for word.

Chapter 18 of ACOFAS: I rose as well.  ‘But Jurian and Vassa’s is fine?’ ‘You’d be surprised to see how well the three of us get along.’ Friends, I realized.  They had somehow become his friends.  ‘So you would rather stay with them?’ ‘I’m not staying with them.  The manor is ours.’” ‘Interesting.’ His golden eye whirred.  ‘What is.’ Not feeling very festive at all, I said sharply, ‘That you now feel more comfortable with humans than with the High Fae.  If you ask me—‘ ‘I’m not.’ ‘It seems like you’ve decided to fall in with two people without their homes of their own as well.’”

Lucien talks about how he and Vassa and Jurian have been getting closer and Feyre gets almost jealous that he has found friends and a life outside of the Night Court and the Inner Circle.

Of course he wanted to find other friends besides you, Feyre.  It’s not like you have welcomed him with open arms.

And then this quote: “It seems like you’ve decided to fall in with two people without homes of their own as well.”

So you’re admitting that the Night Court isn’t his home?  That he’s not welcome here, he has no friends here?

And then she realizes she fucked up she tries to correct herself:

Chapter 18 of ACOFAS: “Lucien stared at me, long and hard.  ‘Happy Solstice to you, Feyre.’” He turned toward the foyer, but I grabbed his arm to halt him.  The corded muscle of his forearm shifted beneath the fine silk of the sapphire jacket, but he made no move to shake me off.  ‘I didn’t mean that.  You have a home here.  If you want it.’”

He doesn’t want it.  He talks about how he can’t go to Spring anymore not just to Tamlin but to the court outside of the manor because of how Feyre ripped down Spring.  Feyre shows no remorse for that.  And he also talks about how he can’t stand to be in Night around Elain.  He doesn’t feel welcome here for all of those reasons and from the fact that you are just the worst friend ever.  

And then she proceeds to make fun of the Band of Exiles and mock him despite the work they are doing for the land she used to live in as a human.  The Band of Exiles is a stupid name but Feyre doesn’t have a right to call it bullshit.

They have not had any meaningful conversations about their friendship.  They could sit down and actually talk about what happened like civil people, I think they both have to still fully admit where they were wrong and apologize for the mistakes they’ve made.  But Lucien seems to have already apologized more than Feyre ever will.  He apologizes, he says Feyre was a better friend than he was, he feels guilty, he says he needs to actually do something and he looks for redemption.  In ACOWAR when he is still in the Night Court, he has better manners than Feyre does, he apologizes and says thank you so many times.

And their fight in ACOFAS is basically the last thing we got of their friendship because he does come to the solstice party in Silver Flames which I am amazed by actually.  I feel like he is still holding on to Elain and his allyship (I’m going to call it allyship) with Feyre and the Inner Circle.  After everything she’s done to him, he’s still pushing through it.  And I think that makes him a better person than Feyre.  Strong opinion but.  Jesus.

I could go for even longer but I’ll stop and I’ll end by saying Lucien deserves better.

[dr-spectre]

Hello everyone, I got some announcements to share and some plans for the future of this blog now that the Grand Fest is over and the news drought begins.

(LONG POST AHEAD!!!!)

I think going forward I'm gonna change how I approach myself acting online and be less "OH MY GOD HOLY SHITENWIOEDISIWIEOE GUYYS!!!"

Because to be honest with you all... I've been feeling very self conscious about the way that I've been acting online and I feel like I gotta channel my passion for Splatoon in a much more healthy and less EXTREMEEEEE way.

I am aware that um.... people have blocked me... and you know, that's to be expected of course when you are online and you're slowly building a following. Still really stings, though, and I think it's due to the fact that sometimes I can be sorta- "This is what happened, and if you disagree with me, you're an idiot and you're wrong!!!!!" When I make posts. And I don't wanna do that, and I don't want to come off as a gatekeeping fan that thinks lower of other people who might not know my stances very well. I wanna educate people and present my stuff as more of "Hey guys, this is what I think actually happened in this event. Feel free to take a look! I think this is really cool and I wonder what you guys think of this perspective that i have?"

And sometimes I can be pretty loud mouthed and stuff and I have talked shit towards certain characters. I remember one time I made a post where I said "what the fuck is wrong with Marie?" And said some stuff... I probably rubbed a lot of people the wrong way with that post... and other posts. I'm so sorry if I have made some of you upset in the past or have said some awful things about your favourite characters in the series...

As you guys probably know, I am passionate about Hypno Callie and I have very strong stances and opinions on her. And that leads to me get a bit... out of control. Callie is my biggest comfort character and to see certain people try and push this vile and disgusting event that happened to her... that she was kidnapped by Octavio and the Octarians when she was alone, and that he brainwashed her and forcibly put the shades on her, or he tricked her and he removed her memories too...

and I try to see the same event in a completely different lens... I see it as more of Octavio manipulating her in a more subtle way and due to Callie's poor mental state and desperation, she heard him out. Octavio used the shades as a way to control her more easily but he doesnt have full direct control over her because her influence helped motivate the Octarians. Octavio still wanted Callie to be... well... Callie. Plus, Callie was more than willing to help the Octarians as well, as she thinks they are cute. I do have evidence to back it up as well as articles and definitions explaining how hypnosis actually works and its limitations.

But this perspective gets compromised and put into question in my head when people keep pushing and pushing and PUSHING the other thing. Then it feels like I have to yell and get mad.... I've seen it as recently as when Blushing Tide came out and I looked at the YouTube comment section on one of the uploads and I just kept seeing people say "oh it's like Tidal Rush but without the brainwashing" or some shit like that idk. I dont remember it well but i know I saw the word floating around. (Don't look at YouTube comment sections. You won't get anything of value from them.)

Anyways, I also wanna cut back on swearing too because sometimes I border on being a hazbin hotel character and I DO NOT want myself to get to that level LMAO!

So what shall I be doing now that Splatoon 3 is officially wrapped up? Well... I wanna do more creative projects and fun stuff like that. I got good reception from my haikus for the Grand Fest and I think doing more stuff like that sounds really really fun!!! And it might actually give me a reason to finish stuff as well lol...

Like I have a God damn Splatoon 2 hero mode finale rewrite that's nearly done and it's been sitting on my Google docs since JULY!!!! I have also made plans to do a fan sequel to the Squid Sisters Stories that takes place in between Splatoon 2 and 3 because that time frame for the Squid Sisters has been barely touched upon. I'm also doing a personal project where it's basically what I want to see out of a Splatoon 4 and I've been really enjoying making that. I dont know if I would ever share it but... it's something to do for me at least.

I also wanna involve myself in the community more, I received an ask where someone said (I forgot who asked I'm so sorry) if I could do a thing where I receive Splatoon OCs and critique them. That sounds really fun!!!

Maybe i can do photo mode competitions or showcases!!! Where I choose a theme (Callie, water, Splatsville, etc) and people submit their photos and I critique them and showcase them to everyone!!! Does that sound like something people would be interested in?! I would love to know as virtual photography is a hobby I love to partake in and I wanna encourage more people to try it!

There is also other stuff i can do like going over the Idols outfits and rating them, but I don't have the motivation to do that at the moment and I know it's not gonna be as in-depth as the one I did for Callie.

Anyhow, that's basically what I have so far. I think im gonna slow down on posting and I'm gonna chill out. Or at least I'll try to chill out.

I've just been feeling incredibly guilty and kinda... sad that I've been acting in a certain way for a while. And I really wanna change that. I dont like making people upset and I don't wanna be the kind of Splatoon fan that puts down others who don't even know any better and don't know who I am....

But enough being sad, I wanna focus on the present and make sure that my future on here is bright!!!

[sheydgarden]

How do you feel about jewish supernatural creatures being portrayed in media? Is it okay if done correctly, since it is a closed religion? I'm really curious, especially since you obviously know so much about them.

I also want to say that I love your art! And I love being able to learn more about these creatures.

thank you for the kind words, i appreciate it!

i have to say i'm confused by the question, or possibly its framing - i'm not sure what Judaism being a "closed religion" has to do with portraying creatures from folklore in media. "closed religion" is a term people generally seem to use when they're talking about not appropriating the actual religious/cultural practices of a (usually contextually marginalized) religion that you don't belong to. recently i've seen some pushback against the term "closed practice/religion" for Judaism, as it's not literally true. yes, Judaism is for Jews, but anyone can convert to Judaism - it's just that it's a whole process that involves a lot of learning & then being accepted by a Jewish community. to my knowledge, "closed practice" as a term grew out of the pagan/neo-pagan community anyway & was used to describe any religion whose symbols, deities & practices weren't socially considered fair game for use in your own personal spiritual practice - i have a lot of thoughts on this odd sort of "restaurant view" of religion & culture, where some things are at a free-for-all buffet so you can just take what you want (who put them there?) while other things are only served at certain tables by reservation (is anyone else ever invited?), but that's a whole other post.

i'm assuming you're asking how i feel about non-Jewish people portraying creatures from Jewish folklore in various kinds of media, & the answer is that it totally depends on the thing & how it's done? i definitely don't subscribe to the idea that creators should never step outside their own experience/culture. i do think portraying (elements of) other cultures is something that should be done carefully & sensitively, ideally with input from members of that culture! unfortunately, it is very, very easy for creators to unintentionally fall into antisemitic tropes & stereotypes, because those ideas are so old & so pervasive, especially when it comes to monsters & other supernatural creatures (Jews having been literally demonized by Christian culture for centuries). i think if you're not Jewish, then making sensitive, educated work about Jewish monsters is probably hard mode, but that isn't to say it can't be done. i can think of plenty of bad examples off the top of my head, but i'm sure i could come up with some good ones too if given the time.

of course, this is all just my opinion, & should not be taken as a ruling on what's "okay"! other Jews will agree & disagree with me, which is fine & good. :)

[dee-morris]

Finally We're Going to Talk About Crowley

I really do love them equally but you wouldn't know it from my posting history because I constantly feel the need to ride to Aziraphale's defense every other week.

Anyway we talk incessantly about Aziraphale's behavior in the last scenes of season two for obvious reasons, but I think Crowley also needs some deconstructing. His behavior is less shocking; he appears to be reacting to Aziraphale more than taking the reins of the narrative himself. But there are a few key moments I want to look at more closely.

The first thing I thought of was how nonchalant he appeared to be about his only friend going off to have a private conversation with a powerful angel who clearly loathes the sight of him. "Go ahead, the day can't get any weirder" YES IT CAN YES IT CAN but anyway, I was deeply mistaken.

The second they're out of sight he jumps to his feet and stares out the window after them, then he starts to pace around the bookshop. He stops dead when he sees Muriel and goes back to nonchalant mode. "They'll be back soon."

(In the tone, imo, of a parent waiting for their kid to come back from a date and it's past curfew and they're not answering their cell.)

And then--he immediately tries to get rid of Muriel. Who doesn't want to leave, bc "The Metatron might need me!" And you can see the "oh my sweet summer child" expression cross Crowley's face. He's still his usual casual demonic No Fucks Given self on the outside, but he doubles down on getting Muriel out of the shop.

I don't want to spit in anyone's crepes with this next bit, but I don't think the "us time" portion of this conversation was intended to be romantic. I hypothesize that Crowley had just about made up his mind to have an honest conversation with Aziraphale about his Fall and whatever tf he's got going on with the Metabitch. And the "extremely alcoholic breakfast" was what he needed to get through the conversation.

I'm wandering into the realm of speculation at this point, but I think my hypotheses are based on canon events. Crowley does not talk about his Fall with Aziraphale and discourages any mention of his angel identity. That could just be a trauma response, but you don't see the same reticence when it comes up in conversation with Beelz or Muriel or even Jim. I think he's been protecting Aziraphale from something all this time, maybe for his own safety or maybe because he doesn't want Azi to lose faith in heaven/God. The way he tries to send Muriel away makes me think it's a physical safety thing.

But then Metacunt shows up in the flesh and Crowley goes, Yeah it's time to have The Talk.

So then what changed?

This next extrapolation is a bit tenuous so feel free to disagree, but I don't think Crowley was as lost in the woods as he seemed to be. Crowley is impulsive and emotional, but he's not stupid. My friend leaves with the most dangerous angel I know and comes back acting weird. We are not getting that breakfast at the Ritz, are we?

I think the confession and the kiss were sincere, but I also think they had a purpose. I think he was trying to snap Aziraphale out of whatever was making him act like a marionette on crack. But, "It's too late. It's always too late."