#anyways - if you notice it's one moment from each episode so far except 3 - no friend bonding there :(

[hiddenonigiri]

I just like it. I feel at ease being with you guys. I can do whatever I want, I can be silly if I want to, I can act like a kid if I want to.

[vcg73]

Free Kurt - Wedding Edition

OK, so I never made it all the way through the episode, so this is off the cuff. But in the spirit of ‘canon is bullshit and Kurt deserved better’, here is my shot at Carole saving Kurt from that absurd S6 wedding per this request:  https://www.tumblr.com/elledelajoie/697137179001028608/free-kurt-challenge-3?source=share

TITLE: Mother May I

~*~*~*~*~

“Excuse me. Can we talk for a minute?” Carole asked, knocking softly on a support post next to the hale bale on which sat Pam Anderson, Blaine’s mother.

The dark-haired woman smiled, looking relieved to have company, and it was then that Carole realized that this woman was a stranger to everyone here, excepting her son and Kurt, and had probably been feeling a little bit lost amongst the twittering throng of wedding guests, and friends and family of the two young brides.

“Of course!” she said, scooting over a few inches to make room on the blanket covered bale. “It’s Carolyn, right? Kurt’s mother?”

“Carole, actually,” she corrected with a smile, trying not to let her puzzlement show. Surely Kurt had, at some point in his relationship with Blaine, met the other young man’s parents. And hadn’t Blaine ever talked to his mom about his boyfriend’s family? She could remember Finn excitedly babbling away about every little detail of his girlfriends’ lives when he had dated, alternately, Quinn and Rachel. And Kurt had told Burt and her all about Blaine. Even before they started dating officially, every visit home from Dalton Academy had been full of information on Blaine, the information frequently seeming to burst out with his enthusiasm to talk about the other boy.

Pam shook her head. “Right, I’m so sorry. I’m terrible with names. I’ve met so many new people today that all of the introductions have flown right out of my head.”

“Are you friends with the brides’ mothers?” Carole asked, momentarily distracted from original intention in seeking this woman out.

Pam blushed. “Actually, no. My son recently broke up with the young man he’d been living with and I was coming as his, and I quote, ‘emergency plus-one’. But then he and Kurt unexpectedly got back together yesterday, so I was going to bow out, but the boys said I should come anyway. Since I’d already bought the dress and all.” She laughed a little awkwardly, seeming to only just notice that her dress and Carole’s were very alike. “I see we have similar good taste. We almost look like we should be mothers of the grooms, instead of guests of the brides!”

The other woman laughed again, but Carole felt like her thoughts had just screeched to a halt. “They just started seeing each other again? I thought my step-son was still dating that older gentleman that he met online.”

“Oh, no. I think they were just friends. That’s what my son told me,” Pam said. “Blaine broke up with Dave last week because he said he felt like he and Kurt had worked things out, but as far as I know it didn’t become official until yesterday.”

Carole’s brow creased. She suddenly felt rather suspicious of this odd chain of coincidental timing and events. “Something is very wrong here,” she said slowly. “And I think it may be partially my fault. Earlier, Kurt was saying something to his dad and me about how he had almost gotten married last year and what a young and foolish decision that was at the boys’ age. We should have just agreed, but instead we started waxing on about how you had to grab every moment of life and make the most of it. I’m afraid I may have inadvertently projected my regrets for the opportunities my son Finn never got to have onto him.”

Pam reached out, giving Carole’s hand a wordless squeeze of sympathy that told her the other woman had heard the tragic news of Finn’s passing.

“And Kurt takes everything to heart, doesn’t he?” Pam said with a small sigh. “He’s such a sweet young man. I never did get the full story on what broke them up the first time, but I regretted losing him almost as much as Blaine did.  I love my son, but I know he isn’t good at taking responsibility for his actions, and I suspect he was at least equally at fault in whatever happened. Blaine has a bad habit of assuming that circumstances will always fall in line to suit his preference, and he becomes oblivious to anything that doesn’t fit that narrative. Those two have broken up and gotten back together so many times that I’m starting to believe Blaine’s in claims about destiny and soulmates.”

Carole sighed. “I’m not sure that I agree. Sometimes couples break up because they just aren’t suited for each other, no matter how strong the love is.  And now Brittany is trying to convince our sons that they should get married in a double ceremony today. I overheard Sue Sylvester talking to Brittany just now, and I believe the idea originated with her. That woman has an unhealthy obsession with Kurt, and lately she’s been fixed on the idea of ‘Klaine as endgame’.”

“She what?” Pam nearly screeched the words, standing abruptly. “They can’t do that. The first time they got engaged, they’d been back together for a day, and look how that turned out!  Maybe they’ll work out in the end, and maybe not. I hope they do, but not like this!”

“Agreed,” Carole said, glad to have an ally in this. She would not hesitate to take on that track-suited maniac for Kurt’s sake, but she could not honestly claim that she wasn’t a little bit scared to do it alone. “Brittany apparently thinks that having two gay weddings at one time will counteract the bad luck of her and Santana having seen each other in their bridal wear before the ceremony.”

Pam’s face froze in a quietly baffled expression, looking so much like her son for a moment that Carole had to smile. Jumping up, she grabbed the other woman’s hand and gave her a tug. “Come on. We have a wedding to save, and another one to stop.”

A few minutes later, after a hurried conference with Mirabel Lopez and Whitney Pierce, the posse of Glee moms descended on the small room where the would-be brides and grooms, along with the still looming presence of Sue Sylvester, were waiting. Each mother drew her child aside for a serious heart to heart talk.

“Kurt, I know I’m not actually your mother, but I’m going to speak to you now as if I were,” Carole said, taking Kurt’s hands in both of her own. “This is a mistake. You and Blaine started dating under less than ideal circumstances and your entire high school relationship was a series of misunderstandings and missed opportunities, usually with you paying the price to end things peacefully. I stayed out of it then, feeling that it wasn’t my place to interfere, but Finn told me a lot, and I need to apologize if I ever made you feel that I was unapproachable. Maybe if I had tried harder to let you know that you could trust me, and that you had someone you could talk to when things got rough, you never would have felt like you had to do everything on your own. Or felt like you had to give and give until there was nothing left.”

Kurt gaped at her. “But, I…” He trailed off, unable to deny that he had done just that. “Things are better now.”

“Are they?” she said, looking into his eyes and nodding to herself when he flinched away from her intent gaze. “Or do you just want them to be better because you’re in love?”

“It hurt when he was gone,” Kurt said softly.

She impulsively gave him a hug. “I know it did. Letting go of someone we love, someone we put all our hopes and dreams into, does hurt. It hurts a lot. Believe me, I know. But your first true love doesn’t have to be your one and only. You and your father taught me that.” Letting go, she led him to a handy bench to sit down. “Honey, you can’t just ignore your problems, or magically make everything okay by wishing everything was good again. If the past year of grief counseling has reinforced any lesson for me, it’s that one. You broke up for valid reasons. Maybe you worked those problems out, and maybe you didn’t. Only you can answer that for sure, but when you and Blaine got engaged, it was essentially by ambush after you’d only just become a couple again, and I don’t think you were ready for that. And now, after another breakup, you’ve gotten back together yet again, and now someone else is trying to ambush you into a wedding. Someone else’s wedding, that you’re being forced to gate-crash no less!  Does that seem like an ideal situation, or something that will work out well for you?”

Kurt’s blue eyes were welling up with tears. “No,” he whispered. “I feel like Alice from ‘Alice in Wonderland’, like random things just keep happening to me with no rhyme or reason, and the more I try to go along and make everyone else happy, the more lost and confused I feel. But Carole, what if I call it off and I lose him all over again?”

“If you can’t be honest with him, and with yourself, you’re going to lose a lot more than that,” she said gently. “For now, Brittany and Santana just need to know that they’re stronger than a little bad luck, and that today should be their big moment; a special day just for them. Their moms will figure out what to say to make that right. As for you and Blaine, just tell him that you want to date for a while. You two have always been in such a hurry for a big grand gesture to somehow prove your love, and you don’t need that. Just spend time together. Maybe go back to New York and try leading individual lives, different apartments, different jobs, different schools, and make sure everything between you is open and honest this time. But be a couple in all the important ways. By the time you graduate college, if you’re still on the same page, then set a date and plan out the wedding you want. Not this.”

The tears were trickling down Kurt’s face now, but he looked so relieved that any doubts Carole had harbored about interference vanished. He had not been born to her, but Kurt Hummel was her son just as much as her darling Finn had been, and her love for him was true motherly affection. She hugged him again, tightly.  

“I love you, Carole.”

She smiled. “I love you too, honey. Now, let’s go see how the others are coming along, and get this wedding back on track before all the guests get bored and stage a giant musical revolt that makes ‘Les Mis’ look like a summer picnic.”

Kurt laughed and pulled a handkerchief from his pocket, blotting away his tears and blowing his nose. “They would do it, too. You can’t put that many divas in one room and not expect fireworks.”

In the end, only one couple tied the knot that day.

Brittany’s fears of bad luck were lifted by all of the gathered glee club members and guests forming a giant circle around the couple and singing Elvis Presley’s “Good Luck Charm”. (Which somehow everyone knew, including Brad the pianist, who magically appeared at the Indiana barn just in time to accompany the group.)

Sue Sylvester’s bad temper was soothed by a personal invitation from Kurt to be the officiant on his next wedding day – regardless of when and where that happened to take place, or whomever he ended up marrying. At this promise, Sue abruptly decided that she did not particularly care about the identity of his groom, and that really, Blaine was too short for him anyway. He needed someone tall and statuesque. Someone who would look good on a cake topper. Someone not unlike a young male version of Sue Sylvester. Porcelain would be receiving texts and emails of prospective hotties every week for the rest of his single life.

Blaine Anderson picked a fight with Kurt over the drinks table for embarrassing him and ruining his big moment yet again. He whined so loud and snarked so annoyingly, that Burt Hummel abruptly had a change of heart and decided that Kurt had been right all along to dump him. In celebration of this moment, the two Hummel men shook hands and proceeded to dump a bowl of bright red, hair-gel melting, icy punch right over the top of his head.

Pam Anderson bonded with Carole, Mirabel, and Whitney, drinking and dancing the night away, and putting down the roots of a great friendship and a killer ladies bowling league. The next day Blaine - newly single and still showing blotches of a peculiar shade of pink here and there due to Brittany having made the punch out of double-strength Kool-Aid - drove his still happily inebriated mother, who had partied until dawn, home to Ohio.

Kurt returned to New York, much more happily single. Two months later, he went on a blind date set up by his best friend Elliott, and they hit it off immediately. According to Kurt’s very pleased father, the guy wooed his son like romance was a National sport and Kurt’s heart was the pennant. 

Brittana lived and loved happily ever after.

THE END

[fakeikemen]

Katara's Grief

(This is my first attempt at a meta post and I know that this has probably been already done but I just needed to get it off my chest and go on a little rant and it kinda got long so bear with me.)

A lot of the hate on Katara stems from the fact that she keeps on mentioning her mother's death at every chance she gets and invalidates other people's pain to assert that her suffering is the worst of the lot.

And even though everybody is entitled to their own opinions, I'm gonna point out why I think the aforesaid claims are not exactly correct.

First we'll take a look at; Katara's Backstory:

We know that Kya is killed in a fire nation raid and that Katara had been the last person to see her alive before she leaves the tent on her mother's insistence. Only to come back a few moments later and find her dead body. This, in itself is a traumatising event.

So yes, her mother died. Other people in the story go through far worse. You're not wrong when you say that.

But what is more important in Katara's story is the aftermath of her mother's death.

As Sokka says while talking to Toph in "The Runaway" in B3 Ep7:

Sokka: When our mom died, that was the hardest time in my life. Our family was a mess, but Katara? She had so much strength. She stepped up and took on so much responsibility. She helped fill the void that was left by our mom.

As an eight year old, she had to force herself to grow up to step into her mother's shoes and raise herself and her elder brother and simultaneously look after the entire village after her father left to fight in the war. She had to do all of it by herself.

In face of all her responsibilities, she never really had the chance to simply be a grieving child lamenting the loss of her mother. She habituated herself to caring more about others than herself (We see this trait in the entire series as she acts as the stand-in mom friend for the entire Gaang with an exception of Suki and Zuko). She ended up bottling her feelings of grief, resentment, guilt and rage deep within herself.

She had to give up an extensive part of her childhood where most children focus on figuring themselves out, to become a mature and responsible person who was working as the immovable pillar holding up the family and even the whole village not much later.

She put up a strong front to help others and pretended to be fine even though she was hurting inside the whole time.

She could never find any closure from the situation. She never got over it.

Moving on to the criticisms:

1. Katara keeps on mentioning her mother like a broken record:

Here are the number of times Katara mentions her mother's death (not sure if that's all of it, lmk if there are any others):

1. In her first scene with Sokka

Katara: Ever since mom died, I've been doing all the work around camp while you've been off playing soldier!

2. A short while after she meets Aang

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

3. A short while after she meets Haru

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

4. A short while after she meets Jet

Katara: Sokka and I lost our mother to the Fire Nation.

5. In the swamp after she sees a vision of her mother

Katara: I thought I saw Mom.

6. In the Crystal Catacombs with Zuko

Katara: I don't? How dare you! You have no idea what this war has put me through! Me personally! The Fire Nation took my mother away from me.

7. A short while after she meets Hama

Katara: We completely understand. We lost our mother in a raid.

8. Repeated mentions in The Southern Raiders episode

(Most of the episode basically)

The first mention with Sokka is in the middle of a siblings' spat where she tells off Sokka for trying to act as if he were superior when it was obvious that in the face of the gaping hole that was left by Kya's sudden death, Katara had shouldered much more responsibility.

When she tells it to Aang, she uses it as a proof that the Fire Nation is capable of immense cruelty and destruction.

The Gaang travel all around the world and meet different people affected by the war in different ways. So when Haru, Jet and Hama narrate their own stories, Katara sympathises with them and talks about Kya's death in lieu of "I understand, the Fire Nation hurt me too."

After they got separated, Aang, Sokka and Katara each had their visions and after they get back together, they all mention their visions and so does Katara.

When left alone in catacombs with Zuko, whom she considered as the face of the Fire Nation— the same Fire Nation that had her mother killed and forced her father to leave to fight in the war, she has a meltdown where she rightfully accuses him of all the bad things he's done and then breaks down while talking about how the war has cost her i.e., by causing her mother's death.

The Southern Raiders is the episode where Katara hunts down the man responsible for her mother's death. If you think mentioning Kya repeatedly in this episode is uncalled for, then I don't know what to tell you.

In all the incidents mentioned above, Katara mentioning her mother's death is a very natural occurrence is the respective conversations. She mostly talks about Kya's death to either extend her sympathy or to use it as an example of the ruthlessness of the Fire Nation.

Another fact to be noted is that 70% of the Gaang's storyline is followed via Katara from a narrative point of view. Plus, being the mom-friend, she acts as the spokesperson. Considering that Kya's death is a major event that played a huge role in shaping Katara's life and is also the source of her severe, unresolved trauma, which acts as the driving force of her story, it is only natural that she brings up this topic whenever she is engaging in a deeper conversation.

It is us as the viewers who have seen her from the start and already know about her mother's death and we see her talking to multiple people about it. Which is why it might come across as repetitive to some people.

While, Kya's death is not necessary information that everyone needs to know, Katara talking about it never comes across as a forced or unnatural.

2. Katara invalidates others' pain because she thinks she has suffered the most:

First of all, if anything, Katara is the most empathetic person of them all. As the mom-friend of the group, not only is she their constant moral support, she also helps them untangle and sort out their own feelings. She is also able to tap into issues that aren't said out loud.

Instances of Katara helping and supporting Aang, emotionally are uncountable.

She is the first one to notice Sokka's sour mood in B3 Ep4 "Sokka's Master". And even though his insecurities seem baseless, she validates him (by saying "I'm sorry you're feeling so down" instead of something like "That's a dumb thing to say") and knows exactly what to do to cheer him up.

In B3 Ep7 "The Runaway" she has the insight to understand that Toph's unruly behaviour is caused by the mixed feelings she has about her parents even though Toph's herself never talked about it.

She even reaches out to Zuko in B2 Ep19 "Crossroads of Destiny" even though she used to think of him as the face of the enemy.

But then there's The Southern Raiders.

Ah yes, that episode where Katara is extremely OOC and a total b*tch.

Agreed that she said some things that she definitely shouldn't have said. But like, she's just 14?? And has been hurting on the inside since she was 8?? And pretended to be fine just for the sake of other people?? Like, there's a limit to how much she can have her shit under control?? And she did a real good job of Sokka's upbringing and taking care of the village and taking care of Gaang on her own?? Some people out there are really willing to forget everything she has ever done just because she was mean for 5 minutes?? A traumatised 14 yo shouldn't be villianised and called toxic because she got mad and lashed out at people that one time??

But here's my take on the scene anyway:

When Aang gets to know that she's going to go face her mother's killer:

Aang: Um ... and what exactly do you think this will accomplish?

Katara: I knew you wouldn't understand. 

Aang is a non-confrontational person who prefers running away from difficult situations as opposed to Katara who firmly stands her ground and is never afraid of confrontations. Katara had approached Aang only hoping that he would understand. But going by his dismissal, he obviously doesn't understand the burning need that she has to confront the man who had single-handedly destroyed her childhood. (Most people infer that what Katara means is that she thinks that Aang doesn't understand the pain of losing people. And so does Aang, I guess)

But things start getting even more tricky when:

Aang: Katara, you sound like Jet.

In all honesty, this is probably the most insensitive thing that she could've heard from anyone right then, let alone one of her closest friends. Hearing herself being compared to a homicidal maniac just because she wants to avenge her mother's killer. (No, I'm not justifying murder but there's a clear difference between homicide and avenging someone's death. And Aang may not be my favourite character but I do love him but this wasn't really a good thing to say either. And he wasn't even mentally distressed in the very least to be completely lacking tact or a filter.)

And then the situation escalates:

Sokka: Katara, she was my mother, too, but I think Aang might be right.

Katara: Then you didn't love her the way I did!

After 6 long years of Katara bottling in her dark feelings and letting them fester inside herself, she is finally letting them out and the first things she faces in a span of few minutes are outright rejection, invalidation of her feelings, comparison to a homicidal maniac and nothing akin to the unconditional support that she has provided to everybody. Her own brother tells her that he is siding with the boy who just compared her to a homicidal maniac.

Yes, accusing your own brother of not loving your mother enough is a very cruel thing to do. But both Sokka and Katara know that she doesn't entirely mean it.

But also, there is one very important factor in here:

In B3 Ep7 "The Runaway", Sokka says to Toph:

Sokka: I'm gonna tell you something crazy. I never told anyone this before, but honestly? I'm not sure I can remember what my mother looked like. It really seems like my whole life, Katara's been the one looking out for me. She's always been the one that's there. And now, when I try to remember my mom, Katara's is the only face I can picture. 

Katara overhears this conversation just as Sokka had meant her to.

This dialogue lets us know that Sokka's coping mechanism has made him suppress all memories of Kya and replace them with memories of Katara in order to attain a semblance of normalcy.

Both Katara and Sokka had very different ways of coping with Kya's death. Katara pressed down her feelings and tried her best to pretend to ignore them while Sokka partially succeeded in forgetting her.

When Katara first hears these words she is shown to be crying. But if she were to remember these very words while she was justifying herself infront of her own brother and a close friend for wanting to avenge her mother, it would've had a negative impact on her.

In her rage, she would've thought: "Of course he doesn't want to avenge mom. Because he doesn't think it's worth it and that's because he doesn't even remember enough of her to be mad about her death."

And for someone who has spent each day of the last 6 years trying to fill in the shoes of her mother and experiencing her absence everyday, the idea of forgetting her mother is a ridiculous concept to her.

Her thoughts would have quickly derailed to: "He didn't love her enough to remember her."

In light of these thoughts, saying "Then you didn't love her the way I did" doesn't feel out of the blue.

No, I am definitely not justifying what she said, I'm just laying out a possible explanation to why she said what she said.

Yes, she should've apologized to Sokka for this and I think that they definitely should've had a long conversation about their mother's death and how it affected them. Between Katara supressing her feelings and Sokka supressing his memories, i don't think they ever had this conversation.

But sadly we are given neither of these scenes.

Tl;dr: Everytime Katara mentions her mother, it's with good reason and I don't think it's fair to call a character toxic when they lack a mind to mouth filter for 5 minutes and say some mean things. And considering all that Katara has done for everybody, it isn't fair at all.

Peace out!

[adorablelokie]

Who is hunting who, or alternatively, is Loki going after Sylvie or is Sylvie seeking out Loki?

So far we’ve ‘seen’ Sylvie make an appearance in 6 different scenes: 

- The one where she set the field on fire and knocked out TVA agents

- The one where she’s fighting the agents by the elevator in the TVA building

- The one where she’s spying on Loki and the TVA on surveillance cameras

- The one where she’s running away through a fog

- The one where she’s sitting with Loki by a small industrial lake

- The one where she’s doing a flip in a poorly lit room in a mysterious palace

And surprisingly, Loki has been around for at least 5 out of those 6 scenes. Let me show you:

1. The one where she sets the field on fire and knocks out the TVA agents.

This is a scene where Loki is probably not involved or present at all and is the lone exception. In fact this seems like an introduction scene of a mysterious antagonist of the show who will later on be revealed to be Sylvie.

I’m fairly convinced this scene happens in episode 1 since she’s still keeping her identity hidden. Judging by bts videos she takes off her cloak at some point during the mall scene which is set for episode 2.

Plus Derek Russo, who according to IMDb is only appearing in episode 1, is also involved in this scene as the unknown TVA agent who gets dragged away while he was reaching out for the orange canister.

tl;dr: No Loki here, introduction of Sylvie the enemy of the TVA and first hints of what she’s after. Likely (thanks to her cloak and a fellow actor) this happens in episode 1.

2.  The one where she’s fighting the agents by the elevator in the TVA building

This is a scene where Loki actually is around. In the trailer #2 we saw Sylvie fighting two agents by the elevator in what is obviously, the TVA building.

But we also saw an alert Loki cautiously walking down a, rather monotone looking corridor. Judging by the markings on the wall this is also set in the TVA HQ.

Perhaps one’s first impression would be that Loki went rogue and is trying to escape his TVA ‘friends’, but it doesn’t appear that that’s the case. In the following shot we see a knocked out TVA agent just...lying there on the ground and Loki is, with his knives drawn, slowly making his way towards them, not away from them as he would if he was the one responsible for the poor agent’s state.

It appears that Loki is approaching the commotion/danger and is following the source of the fight. In this case I believe Loki is chasing down Sylvie, who has broken into the TVA HQ for reasons unknown. Perhaps to steal something that would allow he to travel through space and time. She does seem to be after something (note: orange canisters). But I doubt he knows about her identity just yet. I think Loki will find out who she is at the same time as the audience will, meaning, it’ll probably happen in episode 2.

tl;dr: Sylvie is in the building, Loki is there too, following the ‘crumbs’ she left behind and this might be the first time Loki and Sylvie interact in the show and/or are in close proximity.

3. The one where she’s spying on Loki and the TVA on surveillance cameras

A pretty easy one! The TVA and Loki enter the ROXXCART shopping mall (apparently, according to Decatur) it’s a scene set in 2050. They evacuate some people, but they also seem to get involved in a fight. Or at least Loki does as a random guy attacks him and he gets laid out by a roomba. No worries though, as Loki ultimately gets his revenge and knocks him out.

But from the safety of ROXXCART’s security room, Sylvie’s watching the events unfurl before her, still safely hidden in her oversized cloak (also is there a reason other that suspense for her to be so hidden? Can she not shapeshift or magically change her appearance?). I previously theorised that she might be capable of telepathically influencing people and might be behind Loki’s little roomba fight.

Thanks to bts videos and photos we know that at some point during this mall confrontation Sylvie has a rather flippant looking conversation with Hunter B-15 and this time, she doesn’t wear any sort of garments over her head. She’s no longer hiding who she is, but earlier, while she was watching surveillance cameras she was still wearing her cloak, so this is probably the scene when we get our first full glimpse of her.

Ultimately at some point after defeating the mighty roomba guy, Loki seems to realise he has an opportunity to escape and takes it, jumping through a portal waiting for him. Mobius and co are running after him, but too late, Loki’s gone. For now?

I wonder if the portal was opened by Loki himself orrrrr.....if maybe Sylvie’s to blame, and kind of helped him out there. After all, by watching trailer #2 we know she’s aware of the portals and likely knows how to use them.

tl;dr: Loki, Mobius and the TVA are in Roxxcart mall. Sylvie’s there too, being a stalker and watching them on cameras. Loki has a fight, Sylvie has a convo with Hunter B-15 and at some point Loki escapes. Our first look at Sylvie and this might be Loki’s first real confrontation with her. 

4. The one where she’s running away through a fog

This one is my favorite moment because I don’t think many have noticed that the scene of Sylvie running away from chaos through fog might happen on the same planet/realm/place as Loki’s magical fight on a moving bar (possibly a fancy train? A bus?)

Admittedly, this one is hard to see, but if you watch the trailer (or if you watch it frame by frame), please spare a glance at the mysterious bulky figure running straight at her on the left of your screen. 

The shrouded-in-foggy-mystery-figure seems to be wearing the exact same type of pointy, very Daft Punk looking helmets as the figures of authority Loki’s fighting off in a moving bar. They also seem to be wielding some type of a staff resembling weapon, which was also seen in the scene where Loki’s fighting, using his magic.

Even the overall fancy aesthetic looks similar to the one of Sylvie running through fog. 

Even the type of font is similar/exactly the same.

tl;dr: Sylvie and Loki are both in the same place. Sylvie’s escaping a commotion possibly caused by her and Loki’s fighting off what seem to be figures of authority in that place. 

5. The one where she’s sitting with Loki by a small industrial lake

This one is by far the easiest as they’re literally sitting inches across from each other. Where exactly they are it’s unknown, but they’re sitting by what seems to be an industrial lake (drainage/sewer pipes on their far right) and with lights illuminating the entire place.

At first it’s just Sylvie, but then Loki joins her. Looking at the given scenes it seems like she’s waiting for him.

Whatever’s going on in this scene I feel like it’s going to be emotionally heavy one. I think this is the scene where we actually find out who Sylvie truly is, what’s her real agenda. It might also be the first proper ‘ok, let’s sit down and talk’ moment between Loki and Sylvie. It gives me those vibes.

Also, they’re clearly not enemies at this point, in fact, judging by their close proximity and body language, it seems like they’re on okayish, maybe even friendly terms. I do believe they join forces at some point in the show.

And this scene of a portal opening up behind Loki follows their conversation. It’s the same rock structure, the same two rocks Loki and Sylvie were sitting on earlier, same ground, same source of lighting.

It seems like either someone from the TVA finds them or that Sylvie opens a portal for Loki.

tl;dr: Sylvie’s waiting for Loki. They have a heart-to-heart and seem to be okay with each other. After their conversation’s over, a portal opens up behind Loki.

6. The one where she’s doing a flip in a poorly lit room in a mysterious palace

Another very obvious one. At some point in later episodes (thanks to Loki’s injured right upper arm, we know this definitely happens after he and Sylvie have that conversation) Loki finds himself at a weird, semi abandoned (but not really, as the fire’s still lit) dark palace with golden specks and cracks everywhere.

We see a bit of light coming through the window, illuminating the room, giving this place a more pinkish tinge. Whatever this place is, it seems like a cathedral or a palace. It’s not entirely abandoned though.

Sylvie’s there too and she’s in her element, mid-flip, ready to demolish whoever she’s fighting. Loki? Who knows.

Loki is certainly looking for someone, and is on alert. Perhaps they’re actually working together to take down a mutual enemy.

tl;dr: Sylvie and Loki find themselves in the same, very aesthetically pleasing looking place and something goes down.

7. The one where Loki uses Sylvie’s sword to fight off the TVA guys. 

Not really a ‘omg Sylvie’s there too!’, but I wanted to include it anyway.

I mean, it’s possible she’s there. I actually think she is and that’s why I’m including it.

Sylvie always has a sword on her person. In literally every scene we have of her so far, we could see her sword. The TVA agents don’t seem to wield swords (they have some weird glowy sticks) and Loki doesn’t wield a sword until he finds a shorter one later on in the show (it’s totally different from Sylvie’s)

This sword belongs to her. That’s for sure. Hunter B-15 does grab it from her at some point but I highly doubt she’s on her side.

However, at some point Loki is seen fighting the TVA agents (the glowy sticks are a dead giveaway) with Sylvie’s sword.

Now, these two guys don’t look like the usual TVA guards/hunters/agents so they might be from another department or are from another timeline. I believe at this point something either happens to Sylvie and she can’t fight (especially since she seems to be on unfriendly terms with the TVA) so Loki jumps in and helps her, or, he helps her out of the goodness of his heart. (Lol)

Anyway, there’s a reason why he has her swords and why he’s fighting the TVA. This frame just gives me more proof that Loki and Sylvie join forces. 

tl;dr: Loki is using Sylvie’s sword and is fighting the TVA. Sylvie’s nowhere to be seen, but is probably around. Loki helps her.

Anyway, this is it. For some reason Loki and Sylvie do seem to be orbiting around each other a lot in this show. But that’s to be expected as Sophia’s one of the four leads and a possible main antagonist. 

The only thing that I can’t quite decipher just yet is if Loki (and the TVA till certain point) are going after Sylvie for the time mess/crimes she caused OR if Sylvie is actively seeking out Loki for her own reasons. 

Possibly a bit of both. Maybe she’s even the reason why he goes rogue and escapes the TVA, hoping to find the answers about who she is and why he’s in this mess on his own. Because I think there’s a chance the TVA might not be telling him everything and he, intrigued as only he can be, decides to find for himself.

Anyway, I can’t wait to see Loki and Sylvie wreak havoc on the TVA :) 

[itsuki-minamy]

LIMITED KINGSHIP, WAR STORIES:

CHAPTER 1: BUTTERFLY AND MANTIS

* Mini Episodes KFCN (List of Chapters) * Projects & Chapters

Translation: Naru-kun Raws: Ridia

"Uh... do I have to clean this up myself?"

With the mop and bucket on the floor, Tadashi Maruha complained.

Originally, it should have been a good room in this detention center. Whether in the reception room or the director's room, the custom-made furniture was so good that even Maruha could tell, and he might have imagined that it would be nice to live surrounded by such furniture.

If the burned blood didn't stick, he was sure he would.

At that moment, the interior of the room seemed miserable. Charred blood and internal organs were strewn across the table, couch, and cabinet, and every part of the human body, such as the hands, feet, and head, was rolling around randomly. It could be like this if you put multiple people in a red-hot mixer.

"I wonder if I should pick this up with tweezers... but if I don't do it early, Soma-san will get mad."

As he muttered and murmured, Maruha donned a mask, put on gloves, and placed a bucket on a charred table. At the moment, he started from a large place and raised the head that was nearby.

His face was familiar. One of his open eyes was crushed by a burn. "Wow.", he leaned back a bit, put his head on the table for the moment and Maruha clasped his hands.

"Well, what was your name? You sure were an acquaintance of Aniki, right? Well, anyway... Nanmandub, Nanmandub..."

Maybe it was Nembutsu, he didn't remember well. After muttering, Maruha threw the head of "one eye" into the bucket.

He started cleaning.

He put the scattered body parts in a bucket, put the debris from the shattered table in a garbage bag, and put the scattered debris in a bucket after a little hesitation. He could just throw away the garbage bag, but he couldn't bear to throw out the body.

"Sorry, I'll take care of you later."

When he finished cleaning the rough door, the living room door opened. What he see from there was a familiar face.

"Maru-san, are you finished? Let's eat meat, meat!"

With an innocent smile on his young face, Kyoji said that. Maruha looked up at the ceiling with furrowed brows.

"Kyoji, think about the moment and answer me. Do you think I can eat meat after cleaning the corpse?"

"Why? Isn't it good to eat meat at any time?"

"You might like it! I was cleaning burned human flesh just now! Maybe this is your kind of job after all!"

"Hehe, sorry."

The look that he laughed with his tongue out was that of a mischievous villain. Looking at him, he sighed instead of getting angry.

"Well, whatever, help me."

When the mop stuck out, Kyoji was surprised.

"Eh, but isn't it bad to keep Hiiragi-san waiting?"

"Ah? Why did Aniki's name come up?"

"No, because Hiiragi-san told me to go eat meat."

"Stupid, say that first!"

Maruha quickly looked back at the room. He was almost finished, but he had yet to finish. If he left it as he was, he would buy Soma's wrath, but an invitation from Hiiragi couldn't be refused.

"Kyoji, drop this! I'll bury it! Say nice things to Aniki!"

Pushing a garbage bag at Kyoji, he picked up the bucket. The bucket containing the human bodies of various people was quite heavy, and Maruha ran off, feeling the weight of the heavy corpse in both arms.

++++++++++

Executive class "Purgatory" member Hiiragi Soma liked meat

He liked to eat, but he preferred to bake. "Grilling" here was not what was often done in "Purgatory", but ordinary roast beef. Go to a proper steakhouse, order a large quantity of meat that you couldn't eat, and start grilling from one end. He liked the act of grilling and eating meat to the extent that he was careful and beat them when others tried to do so. As a man who had lived a life of violence and murder, it could be said that it was a strange habit.

That's why Hiiragi took Maruha and Kyoji to visit a local yakiniku restaurant. Most of the restaurants had already withdrawn from the area around the hideout. The yakiniku restaurant was one that remained.

Therefore, with the exception, it was like a hangout for "Purgatory". Mysteriously, order was maintained because there was a common understanding that "when this store disappears, there will be no place to drink alcohol". If someone tried to take away their oasis of life, mainly their opponents, "Purgatory" would kick them out quickly, most of the time.

"Hey. Top ribs, top loin, and 3 mugs of ale, old man."

An old man with the flavor of half a century had brought a lot of meat and sake. Hiiragi quietly began to arrange the top ribs and top loin placed on the table in the shichirin. Maruha found that it was always the same routine, but he was in a bit of a good mood.

"Sorry! I'll take it!"

Kyoji raised his mug of beer and began to drink with a squeak. Maruha slightly raised his mug in response to the "toast", and Hiiragi was still quietly roasting the meat. It was a show that would not be possible with a normal yakuza organization, but "Purgatory" is not a normal yakuza organization.

Kyoji, who had half the mug empty, wiped his mouth and then leaned forward and asked.

"By the way, Maru-san! What kind of kanji is King?"

Maruha took just a sip of beer and looked at Kyoji curiously, "Huh?"

"Maru-san, you were cleaning up, after the King fought, weren't you? Didn't you see him fight?"

Maruha was still unfamiliar with the fact that Kagutsu's name was not "Oyaji" or "Kumicho" but "King". Far from being a normal yakuza organization, "Purgatory" was not a yakuza organization in the first place. It was said to be a group of paranormal people with different abilities, led by what was called a "King".

Maruha responded with another mouthful of beer.

"No... I fought, I guess I went crazy. Don't look. I could die."

"Hey! It's a waste! It was close though!"

Kyoji felt sorry like a child who missed the hero show. Maruha wondered why such a boy had lived so long with his head on, and he thought on the other hand that he could have lived so long because he was such a boy. In fact, Kyoji must have been less than 20 years old.

Hiiragi threw down the pliers. Seeing the dripping sauce fall into the flames, he nodded, "Okay."

"Eat it."

"Ok, thanks!"

Kyoji swept about half of the meat with tweezers and brought half to his mouth. With a big smile on his face, he raised a voice between "Delicious!" and "Uhh!" Maruha also sighed as he minced the meat.

"Even so, I really don't understand Kagutsu-san."

"Eh? Why?"

"When I walked into that room, he looked in a good mood. I took some other guys along and I thought it was unusual, but he came out in less than a minute, and that's it. And when he came out he wasn't mad, he was still in a good mood. It was as if he had just taken a walk and came back."

"Mmm..."

"I wonder if I can be like this by killing those below. I don't know at all."

"Maru..."

When Hiiragi yelled, Maruha reacted sharply. It was a moment when he regretted saying that and criticizing, and Hiiragi immediately showed the Shichirin with his chin.

"Take it."

"Oh, yeah."

He took the tenderloin that was dripping with the sauce and popped it into his mouth. It was hot and delicious.

Kyoji, who drank the beer, raised the mug grandly, yelling "Oh, I get it!"

"They must have been spies of the blues! And the King suddenly noticed!"

"No."

Hiiragi denied it like a sled, and Maruha and Kyoji looked at his face at the same time. While he was roasting additional meat, Hiiragi said without looking at them,

"That person is that kind of man. It's the same as an accident."

"Accident?"

"You can't help it if you run into it. If you're lucky, you'll live, and if you're bad, you'll die. That's it."

It was hard to tell that Maruha and Kyoji, who didn't have any, fully understood the meaning of the word. But even so, the reactions of the two were contrasting.

"Uh...", Maruha was scared,

Kyoji admired him, "Wow…".

The two looked at each other. Maruha was stunned.

"Kyoji, you... will you die soon?"

"What's wrong, Maru-san?! What are you saying?"

"……"

Maruha narrowed his eyes. He feels on his skin that the air was tightening rapidly. It would be the same for Kyoji. He glanced at Maruha too, rolled up the arm of his black suit that didn't fit the body, and slammed it against the table.

"I'm not afraid! If the guys in blue come, I'll kill them."

Kyoji's eyes shone with brilliant fighting spirit. In response, the burn scars on his forearm began to glow red. The brilliance of extraordinary ability. Maruha opened his eyes to see if he was sane. If he made a fuss in this place, he may suffer a life-threatening injury from another member in black.

At that moment, Kyoji's body flew to the side.

Maruha was shocked and looked at Hiiragi next to Kyoji.

He had his arms straight at his sides. With the other hand, he was silently roasting yakiniku. Without even looking at Kyoji, he hit him with one arm.

"Guh..."

Kyoji's eyes, holding his cheeks and lifting up, blazed with anger. He wasn't mature enough to hold back here. Maruha was ready again for the worst development that suddenly fell.

However, he ended up melancholy.

Hiiragi looked at Kyoji. There was no killer instinct in his eyes, he was just in a bad mood.

"I'm the one who roasts the meat."

"……"

Kyoji's expression changed from anger to embarrassment.

Both Maruha and Kyoji were familiar with the fact that Hiiragi's words were not timely. Hiiragi was that kind of person.

He didn't know what to do, but there was no front or back. Hiiragi was angry because he tried to bake meat for himself, not because he was fed up with tantrums, or because he tried to wreak havoc in the place of the law.

It was absurd, but that's why it was "Purgatory". And Kyoji was also a person who could understand absurd language. He held her cheeks and bowed his head obediently.

"Sorry."

Hiiragi didn't reply, he was just roasting the meat.

Kyoji rebuilt his chair and sat there. He said to Maruha with the eyes of an angry child and bowed to him.

"Maru-san, I'm sorry. I said something wrong."

"No, not really."

Yakuzas are creatures like mantises. If they get sick, they should squeeze the other person immediately. It is like a reflection, not an action that is the result of thinking.

However, Maruha was no longer a yakuza. He was a member of the "Purgatory" clan.

Therefore, he sighed and sighed.

"I'm not scared. It's just ... I don't think it's appropriate."

That said, he drank the beer to the last drop.

++++++++++

The group that Maruha Tadashi belonged to was a group of leftovers so to speak.

Some might say they were a collection of yakuza and other gangsters. It was, but as with any group, there were differences in shit. Some leftovers can be laughed at, while others can cause nausea just by putting them on the rim of the eyes.

The Maruha group was the last group. Even within the industry, Shinogi with a frown was calm. Thanks to that, the wings were good, but the respect was next to nothing. The color of disgust was stronger than the astonishment in his eyes, and that color stimulated his outer ways.

They did anything to make money. It seemed like Maruha didn't even have the slightest bit of ethics.

The Shinogi are primarily drugs and human trafficking.

The kidnapped woman was drugged and sold to customs. They disarmed the kidnapped youths and sold their organs. In addition, they would take a photo of the situation and sell it to a rich man who had a hobby of hunting. In some cases, they used a combined technique to kidnap a pretty woman and sell her as she was to a rich man with a strange hobby (because the reaction was worse if she kept it on drugs). The woman would suffer almost every pain imaginable and die miserably.

Sachiko Kashiwazaki was one of those women.

The man who kidnapped her was Maruha's older brother at the time. One hot summer day, Maruha was summoned to a warehouse owned by the group. At that moment, he had a bad feeling. That warehouse was only used when making Shinogi in that direction.

There was a man and a woman in a warehouse room, where the concrete was exposed.

The man had scissors that were dripping with blood.

The woman clutched her bloody ankle and groaned without voice.

It was common group practice to cut off the Achilles heel to prevent the victim from escaping. Alternatively, the customer could have made such a request. In any case, man cut through the human body as easily as he cut weeds.

As he washed his hands in the built-in sink, the man turned to Maruha.

"It is time to ship."

"Prepare" meant to adapt the "goods" according to the customer's request, and "ship" meant to deliver the "goods" to the customer.

"Clean her body, you can't leave her bloody. I don't know what the rich think."

With a laugh, the man wiped his hands on a towel and touched Maruha's shoulders to leave the room.

Maruha turned his eyes inside and saw the box on the table. "Preparation", he probably he should use the content. He opened the lid and looked inside.

It contained a pure white wedding dress.

Maruha took a deep breath and exhaled.

Was the concept a bloody girlfriend? He couldn't understand anything.

He didn't even want to understand. He didn't want to understand what happened to the woman who would bring that to the client, but Maruha understood. It was because his older brother had shown him a video like that with half the fun.

Maruha looked at the woman reflectively, thinking that he shouldn't be looking at her.

They looked into each other's eyes.

Sachiko, of course, at that time, Maruha didn't know her name. The "item" was supposed to be called by number, but she was staring at Maruha, bleeding only with the pain of not begging for life and her silent resignation.

Perhaps at that moment, he reached the limit.

Until then, he had been doing the same. Each time, something sank into Maruha's chest, like drops of water in his cup. Then, Sachiko's gaze at that moment became the last drop, and the water finally overflowed from the cup.

By the time he realized it, Maruha was visiting Hiiragi. Hiiragi and Maruha were originally seniors and juniors from the same corps of fools. Even after the corps of fools disbanded and they belonged to different groups, the relationship continued to go out for drinks from time to time. He was a man who embodied the violence of that time, but Maruha did not hate him. He just wanted to hit him.

It was exciting to see that kind of honesty that was hitting the other person at the time.

He was not surprised when he heard that Hiiragi's group was attacked by "Purgatory" and that he belonged to "Purgatory". Within the industry, "Purgatory" meant a group of monsters, and it seemed natural for Hiiragi to be in that group.

Using holly as a messenger, Maruha encountered Kagutsu and gained a different ability in exchange for a part of his body.

Maruha took him to the warehouse and burned the man who was his older brother. After freeing the captive women, he went to the group's office and killed all the members, including the group's leader. He stole the group's entire vault and gave it to Soma, who later cleared up and became a member of the "Purgatory" clan.

He did not regret betraying the group and killing his friends. He just went to hell and sent them to hell. He was sure that he would go to hell, but at least he was no longer interacting with that garbage. That just made him feel refreshed, and the night he killed them all, he was fast asleep for the first time in a long time.

However, Maruha's chest started to feel uncomfortable again.

The meaning of the existence of "Purgatory" was simple. Destroy and kill, that was all. Like Kagutsu, most of the clansmen did.

Fight, raze, kill and die against the mafia, the Yakuza and, above all, the deadly enemy, "Scepter 4".

At the same time, they were causing enormous damage to the surroundings.

Only in that he was stuck. It didn't matter if he fought, rampaged, killed, or died. But it felt different to involve other people. So it was the same as that group. It was difficult to answer whether human trafficking or mass murder was better. Nothing happened, Maruha simply moved from one background to another.

Maybe Maruha was halfway there. He was so crazy that he couldn't live properly, but he was too plain in a swarm of monsters. Neither Hiiragi nor Kyoji could live anywhere else except in "Purgatory". This is where those guys were.

Where should he go if he didn't even have a place there?

Sachiko Kashiwazaki called out to him when he was about to overflow with such a sense of incongruity.

++++++++++

In a crowded cafeteria, he quickly found out where Sachiko was. She had her crutches on the side of her seat. Maruha somehow remembered the salvation that it was not a wheelchair.

"Ah."

Sachiko also soon noticed Maruha. He wore a black suit, which was labeled a "funeral home staff" in the industry, he emitted a seemingly insidious aura. He had an unbearable feeling.

"Oh."

Maruha's expression that raised his hand slightly was not clear. He wasn't sure why this girl called him. Wasn't it the symbol of a nightmare for this girl?

But in contrast, Sachiko smiled happily. She tried to stand up touching the table with her hand, she almost lost her balance and fell. Maruha rushed to reach out and held her body.

"I'm sorry. I'm still rehabbing, but I haven't been able to do it yet."

"No, do not worry."

After seating Sachiko, Maruha sat opposite her.

He was somehow uncomfortable because Sachiko was looking directly at him. Glowing eyes were the kind of thing that wasn't usually directed at him. He was not used to that. Maruha had to move his hips several times to endure the uncomfortable sensation.

"So what did you call me for?"

Sachiko slightly colored her cheeks when he asked her.

"Oh, no, that… I wanted to thank you again."

Maruha wondered what she was saying.

"Maruha-san… you helped me, but I couldn't thank you at the time. Thank you very much."

"I didn't help you in particular. It was a dead end."

It was a fact. He just wanted to get out of there, he just wanted to kill them all, and it was just incidental that he helped Sachiko.

But Sachiko didn't believe those words. She laughed and her eyes looked softly at Maruha.

"You are modest, Maruha-san."

Then Sachiko started talking about the ramblings. From her recent situation, her favorite food, hobbies, what kind of place did she live now, when she was rehabbing and walking around the neighborhood, she found a nice park and a bakery, so she always had lunch there.

Maruha was beginning to understand what the situation was like, as he established a suitable relationship.

Sachiko wanted to make up for it in some way.

She maybe she thought that Maruha was the hero who rescued her from the situation. It was a ridiculous misunderstanding. Maruha sent many women in the same situation as Sachiko to hell. Sachiko was saved because Maruha's boundaries coincided when it was her turn. No more than that.

Of course, he couldn't say that.

"What do you do on your day off, Maruha-san?"

Sachiko wondered if she had talked a lot about herself. She was impatient and nervous. She wondered if Maruha would be bored. Maruha replied with a slight laugh, as if he was a high school student.

"Well, I'm going to eat yakiniku."

He couldn't tell that he was killing and looting. Sachiko happily joined her hands when he responded appropriately.

"It's the best in the neighborhood, it looks delicious."

"You eat meat?"

"That's right. Yes! I like it!"

Maruha calmly analyzed that it was a lie. He maybe he didn't eat much meat. He only said that for her.

"Well then, would you like to go eat with me next time?"

With that said, Maruha closed his mouth tightly.

Sachiko was looking at Maruha with her bright eyes. Eyes with equal expectations and anxieties. The eyes of human beings that are unhappy but still look ahead and try to live hard.

Was he qualified to see that?

He could go eat with Sachiko. He maybe would repeat it two or three times and eventually they would start dating. There are some men who have a woman in "Purgatory" who can live with them, and some men approach the woman instead of hiding. He would be one of those people. Living under one roof, eating together, sleeping, getting up, helping with rehabilitation, eating delicious bread in a nice neighborhood park.

She could be killed by Kagutsu.

Or she may have been kidnapped by the mob who hold a grudge against him

Captured by "Scepter 4".

He could think of many ways to ruin it, but he couldn't think otherwise.

Alternatively, Maruha could expand his imagination and run away together. Somewhere far away, two people. He could escape from Kagutsu, the mafia, and "Scepter 4" and say goodbye to that sinister black suit.

Then he would follow a happy holly. Kyoji might also come. Soma did not allow anyone to escape. Even earlier, the "right hand" ended up being burned in the city. He did not think they would hesitate to involve a woman in the matter.

"Uh."

Maruha laughed. He was thinking about the future when he really didn't have a future.

Sachiko said with a mysterious voice.

"Maruha-san...?"

"Hey. Is there someone else besides you?"

Sachiko opened her eyes a bit in amazement and then shook her head. After all, Maruha thought, people who have family or relatives are not the target of that group.

Still, Maruha leaned forward and asked with a serious expression.

"Is there no one anywhere? Relatives?"

"Uh, I have an uncle and his partner in Kanagawa. They're nice people, but I don't usually get in touch with them."

Maruha was relieved. It was enough to ask for so much.

He looks for his own bag. He grabbed a couple of bills that he found and tossed them to Sachiko. With a pile of bills piled on her lap, Sachiko moved her body as if she had been pressed against a burned stone.

"This, huh?"

"Go to them with that money. They won't hurt you."

Maruha carried a bag on his back and stood up. Sachiko looked at Maruha with a cat face that understood the truth of the universe.

Maruha scratched his head and said...

"The other day, there was a conflict around Yodomiya. It was news. The city was burned down and many people died."

Sachiko blinked. The understanding hadn't caught up yet, but it was going well. If she only considered the facts, understanding will come later.

"It was my partner who did that. If you don't want to get burned, go somewhere far away."

With that alone, Maruha left the coffee shop.

He sighed deeply as he walked through the city for no reason.

"I am not suitable."

For groups, for "Purgatory" and for the world. He was not suitable. He did not know how to live. He was envious of Hiiragi and Kyoji who could find a place there.

Was when…

"You are Tadashi Maruha."

Before looking back, he had an idea who called him.

"We are "Scepter 4". Come with us."

Several blue clothes surrounded Maruha before he realized it.

He looks around. Maruha had come to the square in front of the station without realizing it. He can't find any way to take control. Perhaps he should limit himself to minimize the damage, but Maruha was easily enthused.

"If you resist, I will not forgive you."

There was no deception in the eyes of the blues. They have already cut many with their sabers. Just as "Purgatory" was not a yakuza group, "Scepter 4" were not police officers. It was a battle group to hunt down and kill those in black suits.

Maruha gave a fierce laugh.

"Hahaha!"

The burns on both arms glowed with pain from the heat. Fight violently, kill and die. Maruha also had that instinct. He was also a member of "Purgatory".

Suddenly, Maruha understood.

"Purgatory" cannot be a place for anyone. Only a handful of monsters, like Kagutsu and Soma, can "be" there. Hiiragi, Kyoji and he were the same. There was nothing there for them.

That was just his place of death.

"If you can, try it, blue clothes!"

While shouting happily, Maruha threw swirling flames from both arms and attacked the blues in front of him.

Three people died in the limited royal war that day.

On the "Scepter 4" side, Kuroshio and Kido Rokuhei's team.

Side of "Purgatory", Tadashi Maruha.

"Scepter 4" caught Maruha's movement and surrounded him with 6 people, but Maruha made a burst of different abilities and struggled as he burned his own body. Swinging the flames that sprouted from both arms like a sickle, he cut and killed two people, Kuroshio and Kido, and in the next moment, he was cut by four other people, was cut like a sickle and died.

[ectora]

So, because there has been so much debate in the charmed fandom about screen time and focus and everything, I decided to go down on facts and write down the actual screen time each main character have (by actual I mean approximative cause yes I’m very bored but I’m not a psycho so if a character was taking part of the scene I would write down the time of the scene and not only when it was on said character. The only exception is when the character was barely participating or was like, laying on the ground unconscious (happens more than you’d think)). It’s probably not right to the second but it’s close enough lmao. I saw someone do that with Supergirl in the past so I was like why not ?

Screen time for season 2

Macy : 5h35m57s (19/19)

Mel : 5h27m20s (19/19)

Maggie : 6h11m33s (19/19)

Harry : 4h32m15s + 21m10s as Jimmy (19/19)

Abigael : 2h19m46s (13/19)

Jordan : 1h38m49s (15/19)

Now as you can see, the screen time that both Abigael and Jordan get is barely half what Harry gets (for Abby) and not even close to half for Jordan (to be honest Jordan could get a little more). The sisters clear have more screen times than anyone else (rightfully, as it should). What they do with that screentime though is a different story because Jimmy for example doesn’t get a lot of screentime but was the center of others’ story. Same with Harry being a lot of Macy’s story, or even Abigael’s. The show definitely failed in using that screen time to develop their characters properly at times, but in terms of number only, there is no question the focused is definitely on the sisters, followed by Harry/Jimmy and further behind Abby and Jordan.

But my crazy ass didn’t stop there (yes I have issues I know leave me alone), so I also have graphs or their individual screen times through the season and as a comparative graph of their screentime for each episode.

Note: for Harry I included Jimmy in his screen time but Jimmy only appears in 7 episodes. His screen time (opposed to his place in the story) is rather small though except for one episode where his screen time is a bit above 10mins. More details coming.

And one graph with screen time comparisons by episode for each character.

Detailed screentime

And no. It still doesn’t stop here (someone should stop me though). I also put down with who each character spend their time with when on screen for each episode. Yes I know, something is wrong with me, let’s just ignore it and move along. Anyway. Screen shots of the graphs/tables are easier than writing everything because it’s long. I don’t know if anyone cares but I was like if I do it I’ll do it well

Note: group (2+) means any variantes of three people or more who are part of the main cast. So Macy, Mag and Abigael for example. Or Macy, Harry, Maggi and Abigael. Any group who doesn’t involve all three sisters at the same time.

So basically all of this, I think, resumes pretty well the construction of the episodes. The sisters are definitely the front and center with a screen time far superior to anyone else. So I truly don’t think the issue here is about screen time (I beg, can people stop acting like the screen time is the issue). It’s normal to have a couple of episodes where other characters will be a bit more put ahead, it happens in literally every show ever and it’s also not an issue as long as it’s only occasionally (which was the case for Jordan or even Abby. (For Harry during season 2 it was a bit of a bigger issue which seem to be going a little be better in s3). Honestly in terms of screen time, I’d say (purely on the numbers here) give a bit less to Harry and a bit more to Jordan (Jimmy is also gone so there is that screen time to add) and I think it could be a good balance for now as both Abby and Jordan are still separated from the main storyline so they won’t as involved until they more linked to it ;in S3).

I know season 3 already started but again, based on these numbers only, I hope Jordan will be a bit more involved in other characters than just Maggie. Abby had some time with Harry but thankfully they dropped that story so I hope they’ll reduce that screen time a bit and will give more Abby interacting with Mel and Jordan, as well as Maggie, they can be funny. I also hope the sisters will have more bonding moments, as a trio and in pairs. TCO is the biggest screen time but it feels like it’s mostly trying to kill monsters or in crisis, and we need more sisterly scenes, bonding time, so we can really get more attached to their bond.

SHIPS

There is another thing that I noticed while doing this, even thought it was not the point, is the difference of screen time between pairings.

Macy/Harry - 44 minutes 30 secondes

Maggie/Jordan - 52 minutes 49 secondes

Mel/Ruby - 10 minutes 48 secondes

Mel/Abigael - 13 minutes 22 secondes

I included abimel just cause there are chances they actually go there and it does count into the ground they built all of this on. I know Ruby is not a main so she will obviously not have the same screentime than others (which is why I’m not a big fan of this ship tbh) but even with that they still deserve more imo especially when you compare it to the heterosexual relationships of the show. It’s a strong unbalance the show needs to fix and that is clearly still going in season 3. I will probably talk more about it in the potential season 3 post but I do think attention needs to be brought on the issue. If they do go with Abimel, I also understand they won’t spent too much time on a ship that isn’t meant to last (which, story wise, seems to be the case) but it is still not a great look to have Mel in a relationship by name only and have others have these long development through the entire season. And same if they do end up making Abimel an actual couple. But that’s more of an upcoming because though they did hint at stuff during S2 it also wasn’t the focus.

Anyway, i don’t think anyone really cares but well. I also probably will do season 3 too. But that’s the end of this very long text and doing all this took me so much more time than I’ll admit 😪 gonna blame the lockdown on this one. I don’t think anyone cares but I did it anyway 😂 and I’m also blaming that one person who did it for other shows for giving me the idea. if you have read all of that (you’re dedicated), thanks for reading and if not it’s ok I understand.

[woozisnoots]

light up kicks | lee chan

° pairing: chan x reader ° genre: fluff ° summary: an unexpected ‘visit’ at chan’s first day at work. ° word count: 1153 ° warning: none! ° a/n: thank you to @cha-lan​ and @interludeshadow​ for beta reading !! biggest hugs and kisses to you both <3 and hbd to the one and only lee chan B)

masterlist!

okay, it’s your first day. obviously, they don’t expect you to be perfect. but then again, you’re also just passing out shoes… so leave little room for error or else that would be so, very incredibly embarrassing. like, come on? what can possibly go wrong?

it was wrong for chan to think that friday night would be anything other than busy. as a first-timer handing out shoes (really his first time working at all), chan was not prepared to work one of the hardest shifts on his first day.

kim’s bowling stones is known all throughout town, and better yet - they’re notorious for their mind-blowing, great deals. on fridays, every kid and teen come from far and wide to experience one hour of bowling for unlimited tokens at their arcade.

and not only are every mother and uncle get lured in by such an offer, but also a certain someone chan isn’t expecting to see.

“can i have size six shoes, please?”

spoke too soon. not to jinx it, but- everything might go wrong.

chan mentally smacks the back of his head. duh, of course, you’re gonna be here! he isn’t as much of a bowling fanatic as his coworkers, but as cliche as it sounds - and yes, it makes many people laugh, chan landed this job because of you.

well, maybe not directly. you didn’t know chan at all. the times chan could go out with his friends on the weekend were always spent at the bowling alley out of convenience. none of his other friends knew how to drive, and chan avoided the freeway as much as possible for his “passengers’ safety.” the place was only about three blocks away from his house anyways.

yes, chan knows of you, but he doesn’t know enough about you to think you’d also be there. and the day after, and the day after that. no, each passing day doesn’t help him to get used to you within a few feet away when he was used to being a few meters from where you stood up in the ‘cool kid table’ as people would call it.

tonight is also no exception; it doesn’t make things easier. in this moment, chan could feel the beads of sweat forming on the corners of his hairline and the calluses on his hands from gripping under the counter too hard.

wait fuck, did i ever respond back?

“oh yeah!” chan’s voice suddenly changes, lowering his tone. he ruffles his bangs forward to cover his forehead, mostly in an attempt to distract you from how awkward his stature is, not at all to try and make himself look good now that you’re up close. “i’ll go get that from the back for you.”

now, this may not seem like a big deal  to anyone else, but to chan, it means everything. in every coming-of-age teenage movie, the not-so-popular nerd (whichever breed they may be) ends up with the astonishingly popular main lead—the one everyone knows and loves—so this is chan’s moment!

chan comes back, hands clammy and wet, hoping that none of the residue transferred to the actual shoes. “here ya go!”

okay, maybe the moment is a little more short-lived than chan expected, but this is a good start.

that is until he hears the light tone of your voice come back in hesitation, rather than the thank you he’d been expecting.

“uhh, chan?” this is the first time hearing his name fall from of your mouth, and now he’s embarrassed for two reasons, not knowing which one is worse.

however, the responsible side of his right hemisphere steps up first. “oh shoot, is that not the color you wanted?” chan says, clearly aware that he knows the ins and outs of the small shoe rack corner of the entire facility. “dammit, i should have known. i’ve seen you play a few rounds on the weekends before, and i- i don’t mean to sound at all creepy, but you actually prefer the light up purple shoes over the blue ones.” as soon as the words leave his mouth, chan already knows he’s said way too much. after only a few minutes, your first impression of chan probably resembles that of a creep. “sorry about that! let me just-”

“no, that’s not it all!” you’re quick to say, noticing the distressed, flustered look on his face. “the color is lovely. it’s  just that-” chan prepares for the worst, even though at this point, he already bears the weight of this unfortunate incident. “i think you gave me the kid’s sizes instead.”

yup, everything is definitely going wrong.

“i am so sorry! i’ll go ahead and change those out for you.”

stupid. stupid. stupid.

nothing more as embarrassing than when it happens in front of your crush. that’s not an actual saying, though it sure as hell should be. from the back of the storage room, chan grieves the deepest of sighs and slumps his head on the nearest cabinet.

“here you go, i got you the purple ones to make up for it,” chan shyly nudges the shoes towards you, keeping his head down so his bangs at least hide the tips of eyelashes. out of all the things that could have happened, today just isn’t chan’s day.

“thank you very much,” you say with a smile and a nod to the head. thank goodness you are alone at the booth—who knows what rumours would have started to circulate at school if anyone had seen this unfold.

chan watches as you carefully sort your things and proceed to grab the shoes from the booth. he holds in the heavy sigh at the back of his throat when he sees you turn your head back towards him.

“if giving me a smaller pair of shoes is your way of telling me that you think i’m cute,” chan almost laughs at the statement; not at you, of course. this isn’t exactly the stop-motion, picture-perfect confession episode of iCarly he longed it to be. “i think you’re also pretty handsome.”

chan barely manages to save his hand from slipping off the counter, placing his free hand at the edge to catch his balance after hearing your words. his surroundings are disoriented at this point, alongside his peripherals, which are now starting to blur. shaking his head, chan babbles incoherent sentences to no one in particular, realizing you were no longer there, leaving him to rethink and sort out his thoughts.

scratch that, maybe everything just turned out right?

the job slows down as the night progresses, but you remain there until late. even in the midst of massive crowds of needy children and demanding parents, chan notices the subtle, stolen glances from across the bowling aisle. and again from the skee ball machine. then one last time at the exit, along with a smirk and a wink.

yeah. yeah, i think it did.

[fantasticallyfoolishidea]

So, bath scenes. Amirite?

The Witcher fandom is quite blessed. Over the course one season, the showrunners decided to gift us with not one but two scenes of Henry Cavill, naked in a bathtub, two episodes in a ro-

Wait a minute.

Two back-to-back episodes featuring drawn out bath scenes that go on for 2-3 minutes each. That's a lot of time to dedicate to fanservice when you only have 8 episodes to get your point across. Unless, of course… No. They wouldn't. Or would they?

I re-watched these scenes more times than I care to admit. For science. They’re interesting for numerous of reasons (Henry Cavills’ pecs being only two of them). But you know what’s even more interesting? Some sexy, sexy cinematic and narrative parallels and contrasts.

(Obligatory linebreak for your protection. You thought I went overboard analysing Her Sweet Kiss? This is worse. If you’re on mobile – I apologise. Now’s the time to scroll fast. It’ll take longer than you’re expecting, trust me. I’m sorry.)

Bath in “Of Banquets, Bastards and Burials” Bath in “Bottled Appetites” Please excuse the terrible of the second clip. It’s the only one I could find that had the whole scene in it.

First things first,

the setting

The scene in “Of Banquets, Bastards and Burials” takes place in an inn. The room is dark. Throughout the scene you can hear chatter from the bar. Candles are the only visible light source, although, at the beginning of the scene you can see more light coming in through what’s presumably a window outside the shot. Due to the lighting, the majority of the room has a noticeably blue tint, except for the cabinets on each side of the room where most of the candles are placed. Apart from the cabinets, the bathtub Geralt is sitting in is the only area that’s properly illuminated.

The room itself seems big enough, although we only get to see the bathing area which is separated from the rest of the room by blue curtains, but due the way the scene is shot – frequent close ups of the actors, wider shots frequently partially blocked by the curtains – it appears smaller than it actually is. Geralt stands out against the background due to his skin appearing orange in the candle light; in wider shots he usually appears centred.

In contrast, Jaskier moves from one side of the room to the other a lot and doesn’t remain in either light source for long. Unlike Geralt’s skin, the colour of his clothes matches the background. This is somewhat unusual because in many of his scenes Jaskier and his colourful outfits tend to stick out like a sore thumb – the red outfit in “Rare Species” probably the most visually distracting out of the bunch – but in this scene, the exact opposite happens. Whenever Jaskier’s not the focus of the shot he frequently fades into the background or even gets obstructed by the curtains.

(While I’d love to add visual references for every single point I touch upon, honestly, the amount of editing that’d require is astronomical. Jokes on me though, because it already is. Watching the scenes should give you a better idea of what I’m talking about, though. Also, full disclosure, screenshots and gifs had their brightness an colours altered slightly for better visibility.)

Now, on the other hand, we have the room inside the mayor’s house, which – while also dimly lit by candlelight – appears open and spacious. Due to the candles, the room appears tinged only in colours on the orange/yellow spectrum. No curtains to obstruct parts of the shot, and unlike the inn, this room has got visible windows one of which sits behind Geralt. That window in particular lets in a stream of blue light that, in wider shots, often appears to frame either Geralt alone or both, Geralt and Yennefer. However, the blue light remains behind the characters, neither Geralt nor Yennefer are ever directly illuminated by it.

Why is she going on and on about the lighting you might ask? It’s because there’s basically a whole science to colour theory, colour grading, and the ways they’re used in visual media. It’s one of the reasons why, for example, Guillermo del Toro movies are always such goddamn feasts for the eyes. TV Tropes also has a page dedicated to it, if you wanna get a rough idea of what’s going on here.

Both bath scenes in the Witcher (2019) are gorgeous examples of colour grading and set design. You can tell that a whole lot of thought went into it. “Bottled Appetites” even takes it a step further, carrying the orange/blue colour scheme over into the next scene and directly contrasting the bed frame that’s bathed in amber light with the blue windows it’s framed by.

Fun fact, while colour grading can be used to give colours that certain “pop”, you can also achieve the exact opposite effect. See how washed out and grey Jaskier and his blue clothes appear on the orange bedding in this shot? It becomes even more apparent later on in the scene.

He might as well be one of the pillows for the way his clothes make your eyes just kinda slip over him. Honestly, I wanna marry whoever was in charge of doing colour correction on the Witcher. That person is a fucking artist. I’ll get back to the matter of colours and backgrounds in a minute. For now, let’s talk about

body positioning

Or in other words, yet another reason I’d sell my immortal soul to directors Alex Garcia Lopez and Charlotte Brändström.

One thing the scenes have in common (apart from the copious amounts of eye candy) is that Geralt remains mostly stationary at the centre throughout the scene. Jaskier moves around a lot. He dries his hands behind Geralt, moves in front of him to fiddle with the bath salts, sits down next to Geralt, sets Geralt’s mug down on the cabinet behind him and only stops his continuous back and forth motion when the conversation takes a turn for the serious and he settles down in front of Geralt.

Yennefer, on the other hand, starts off at Geralt’s right hand side, slightly to the back of him. She briefly lies down, stands up, and moves to Geralt’s left while taking off her gown. Same as the other scene, Yennefer settles down as the conversation is about to grow more serious. However, unlike Jaskier, Yennefer is far less restless, once she’s moved to Geralt’s left she settled down and doesn’t get up again.

What’s really interesting about this scene is that throughout the entirety of their interaction, Yennefer and Geralt never look at each other at the same time. They both alternate between staring off into the distance with varying degrees of wistfulness and/or melancholia and turning to look at the other. But their eyes never quite meet, not even when Geralt turns around in surprise after Yennefer says she won’t be taking any payment. The conversation ends with Geralt abruptly getting up and out of the tub and Yennefer turning around to watch him leave (dry up? get dressed? who knows what he’s getting up to in that moment). Notably, when the shot focuses on Yennefer alone in the tub, a significant portion of the room that previously appeared mostly orange suddenly is tinted almost all blue.

However, where eye contact is conspicuously absent in the scene in “Bottled Appetites”, it’s a vital component of the scene in “Of Banquets, Bastards and Burials”. Eye contact is a significant part of Geralt and Jaskiers communication. Mainly because Geralt spends a significant amount time sending glares Jaskier’s way with Jaskier paying him varying amounts of mind, even poking fun at his “scary face” when the opportunity presents itself. Jaskier is all over the place in every sense of the word. His attention is divided between Geralt, the bath, the banquet, etc. before it eventually turns back to Geralt and the whole cycle begins anew. The shift in conversation, from the banquet to Geralt, coincides with a shift in Jaskier’s behaviour. He stops moving around the room and his attention settles on Geralt. He then kneels down and holds Geralt’s gaze until Geralt abruptly switches the subject.

Look at the screencaps above. See how, even in a screencap, the lighting is capable of creating an entire visual narrative all by itself? Yennefer and Geralt are sitting in the water together with their backs to each other in a room full of orange light but their immediate surroundings are tinted blue. Jaskier and Geralt are facing each other directly but despite the orange light surrounding him Jaskier appears shadowed as he kneels in front of the tub while Geralt who is sitting inside the tub glows orange against a blue background.

There’s a metaphor hiding somewhere in that juxtaposition but I can’t quite put my finger on it yet.

edit 12/01/20: I actually got a submission from odense who elaborated on the blocking of the scenes from a theatrical perspective. Go read it for even more meta on the bath scenes.

Anyway, moving on. Next on my list is

the matter of service

What, no more Film Studies for Fandom 101, I hear you ask? Well. Originally, I wanted this part to be about the conversation as a whole but that would’ve gone on for too long (ha! too long, she says like that means anything) so I divided it.

Both scenes deal with the performance of service in one way or another. Jaskier is trying to convince Geralt to act as his bodyguard for a night, while Geralt asked Yennefer to break the djinn’s curse and they’re still settling the matter of payment.

In a way, you could look at both scenes as very, very unusual forms of negotiation. Jaskier may spend a lot of time talking about himself but his actions are almost all focused on Geralt. He douses him with water, “rubbed chamomile onto his lovely bottom” at some point (decide for yourself what you wanna make of that statement), prepares the bath salts for Geralt’s bath, and – also at some point – arranged for Geralt’s clothes to be washed. All throughout the scene, he’s performing a variety of services. He’s taking care of Geralt, whether Geralt likes it or not, and does so like it’s the most natural thing in the world, to the point where it just kinda comes across like more of Jaskier’s usual antics and theatrics.

Geralt may claim he needs no one and doesn’t want anyone needing him but there is some form of reciprocity in their relationship – big things like the shared adventures and the ballads about which made both of them famous in their own right, but then there are the little things like drawing your friend a bath, or watching his back at a banquet so he doesn’t get stabbed by a jealous husband, which Geralt eventually agrees to do despite all of his grumbling and glaring protests.

Which is one of the reasons “And yet... here we are.” is such a brilliant line. Just from this context, you could read it in a number of ways. Jaskier could be calling Geralt out on his bullshit like, e.g. “You might not like it, but yeah, you do need me and I need you.” or he could be asking him to make a decision, e.g. “I know you don’t like it but I really do need your help. What will you do?” or it could be an affirmation, e.g. “I know you didn’t want it but somehow we still ended up here.” etc., etc. And you might have guessed, there’s still more to come regarding this line. Later.

So while Jaskier’s scene is about getting Geralt to perform a service, Yennefer’s scene is about figuring out the cost of the service Geralt asked of her in the previous scenes. Where the first bath scene was about persuasion, this one is about payment. The initial negotiation has already happened, the service been rendered, what’s left to do is figure out the price. And Geralt already offered to pay whatever the price.

Since Geralt seems intent on honouring his promise, that creates a bit of a power imbalance between Yennefer and Geralt at the start of the scene because Yennefer could ask for whatever she wanted, Geralt even brings up that he’s worried about “having agreed to indentured servitude”. (That being said, he does not seem too bothered by current the situation or Yennefer’s company. Quite the opposite, he actually seems quite comfortable talking to her.)

Aside from the payment they haven’t agreed on yet, Geralt’s also got a second promise to make good on since he initially offered Yennefer to “indulge her curiosities” (take that however you will). It’s quite apparent that Geralt is a lot more forthcoming with his thoughts and emotions (actually, his words in general) with Yennefer than he is with Jaskier. In Yennefer’s scene, she and Geralt talk about equal amounts whereas in the other scene Jaskier mostly carries the conversation by himself while Geralt reacts.

However, Jaskier also reaches out where Yennefer keeps to herself. She occasionally teasingly bumps her back against Geralt’s as she’s washing herself but other than that she makes an effort to keep out of sight, even magically turning away a mirror to hide herself, whereas Jaskier touches, quite literally gets all up in Geralt’s “scary face” and just generally repeatedly puts himself in Geralt’s line of sight going so far as to kneel down until they’re at eye level.

Despite the matter of coin coming up repeatedly (mostly in the form of harmless teasing about brothels and prostitution, but also on a more serious way when Geralt accuses her of making a profit off the townspeople), Yennefer eventually decides not to ask Geralt for anything in return for saving Jaskier’s life, determining his “company and conversation payment enough”.

Interestingly, in the scene preceding the bath in “Of Banquets, Bastards and Burials” Jaskier also broaches the topic of coin as he’s setting up to ask Geralt for help. In a sense, Jaskier initially attempts to use that thing about reciprocity I brought up earlier to convince Geralt to do him a favour. He lectures Geralt on his role in making him famous and that he should be making money off their arrangement in an attempt to make the favour he’s about to ask off Geralt seem irrelevant in comparison, like “Look at everything I’ve done for you. Please do this tiny little thing for me.” Obviously, that approach doesn’t work. The (un)holy trinity of “food, women and wine, Geralt”, on the other hand, seems to do the trick. Or maybe it’s the bath and a heart-to-heart. Kind of like Geralt’s company and conversation were payment enough for Yennefer?

While we’re still on the matter of conversation, let’s talk about one of the components that make up part of the emotional core of the scenes. Let’s talk about

the matter of past and future

Geralt has lived a long, long life and its history is written on his body in a web of scars. What struck me is how differently the bath scenes deal with those scars.

With Yennefer, the scars are on full display. She notices and scrutinises them as someone seeing Geralt naked for the first time can be expected to. The scars on his shoulders and back are placed front and centre of the shot several times.

In contrast, with Jaskier, you, as a viewer, barely notice the scars. Most of the time they’re simply not visible to the camera. They’re never in the foreground of the shot and you never even get to see Geralt’s back. The scar on Geralt’s shoulder that Yennefer noticed could easily be mistaken for remnants of dead selkiemore. There’s only one moment that draws attention to the scarred shoulder and that’s when Jaskier pats it as he’s getting up to put away Geralt’s mug of ale.

Again, I feel like there’s a metaphor hiding somewhere in there but what do I know?

Back to the point. While Geralt and Yennefer are talking in the bathtub it immediately becomes obvious that they have a connection. They’ve both had unhappy childhoods, lived long lives and as Yennefer points out Geralt was “created by magic. Our magic.” They have an understanding that quickly let’s you forget that they’re virtual strangers at this point in the Witcher canon.

In the other scene, Jaskier and Geralt have known each other for quite a while already, yet the conversation seems to be restricted to superficial topics at first, mainly Jaskier’s prowess as bard and lover. However, Jaskier unwittingly steers the conversation in a more serious direction when he asks Geralt about retirement, what he wants to do when “all this... monster hunting nonsense” is over and done with.

So far, there’s a pattern in the show that when Jaskier talks to Geralt about serious matters, he starts making plans for the future. After the incident with the elves in Posada he promises to work hard to change Geralt’s reputation. In the infamous scene in “Rare Species” he’s trying to figure out what to do with his own future and offers Geralt to go to the coast with him. Here, in this scene, he’s trying to work out what Geralt wants from his future. Even if Geralt claims to want nothing.

At that point, Jaskier’s already made good on his promise to change the public tune about Geralt. The people in the beginning of the episode are talking about the White Wolf, not the Butcher of Blaviken, which makes for such an interesting parallel when paired with Yennefer’s comment about “Our magic”.

Yennefer’s magic created the Witcher; Jaskier’s song created the White Wolf.

Which, in all frankness, would be a good point to end this post but what’s the point of doing anything if you’re not gonna overdo it? I said the matter of past and future makes up part of the emotional core of the bath scenes. So there must be other parts of that supposed emotional core, right? Of course, there’s still

the matter of want and need

While discussing Geralt’s lack of retirement plan, Jaskier and Geralt keep tossing the word “want” back and forth. Jaskier tries to find out what Geralt wants; Geralt rebuffs him, he wants nothing; Jaskier turns it around on him by saying, well, maybe someone will want you. You could, of course, read that as your run-of-the-mill “just wait, the right person will come along (and that person might just so happen to be me – if you’re wearing shipping goggles)” shtick but the thing is, that’s the kind of reply you usually offer someone who’s bemoaning the fact that they’re single, the exact opposite of what Geralt is doing, and Jaskier strikes me as someone who’s emotionally intelligent enough to know that wouldn’t work on Geralt. I think Jaskier might be very literal when he’s saying “Maybe someone out there will want you.” As in, “even if you want nothing, maybe someone who wants you will come along (and that person might just so happen to be me – again, if you’re wearing shipping goggle).” But Geralt changes strategies and rebuffs him again, he needs no one. And the last thing he wants is someone needing him.

What’s interesting about this bit is the body language. I mentioned Jaskier and Geralt communicating a lot via eye contact. And Geralt is looking at Jaskier quite intently right up until Jaskier kneels down in front of him as he’s saying “Maybe someone out there will want you.” The camera cuts to Geralt and he’s looking off to the side while he says “I want no one.” Then, a pronounced pause follows before he turns to look Jaskier directly in the eye as he finishes, “And the last thing I want is someone needing me.” (I really want to say that this looks so much like he’s warning Jaskier to reconsider whatever he’s building up to say. But alas, that’s just fantasy.) The camera cuts away again and we see that Jaskier’s now looking down behind his clasped hands before looking up and answering “And yet... here we are.” Geralt acknowledges his answer with one of his famed “Hm”s. Then, he immediately changes the subject to the whereabouts of his clothes which Jaskier sent away to be washed.

In the other scene, Geralt and Yennefer breach the topic of “want” and “need” while talking about coin. Geralt claims she’s profiting off the political situation, whereas Yennefer claims she’s working in the interest of the people, “filling a need. Ever heard of it?” Which, yes, Geralt has, literally one episode ago, and he pulls a face that’s simply beyond words. (btw, kudos to Henry Cavill for cramming like five different emotions into one expression.)

Geralt and Jaskier had an entire conversation about how Geralt wants nothing and needs nobody. Jaskier even references that conversation when he yells at Geralt while they’re arguing over the djinn. “You always say you want nothing from life, so how was I supposed to know you wanted three wishes all to yourself!” he screams.

(Also, upon rewatching that scene, I literally just realised that Jaskier was drinking at the beginning of the scene. Combine that with the fact that he repeatedly brings up the Countess de Stael, and flat out states he’s currently heartbroken, and yeah, that explains a lot about his comparatively sour mood and short temper; also, why his speech comes across as much more chaotic than usual. Seriously, compare it to the way he speaks to Geralt after he’s gutted the selkiemore. He talks a lot in both – ok, Jaskier always does – but in the selkiemore scene, or basically any scene that isn’t the djinn scene, his diction is eloquent, artistic, florid; in the djinn scene, it’s all over the place, repetitive, and often bordering on the nonsensical. Frankly, you could probably make a whole post about that scene by itself. I’ll get back to that some other day.)

(Also, am I implying that Jaskier seems bitter over the fact that Geralt apparently keeps telling him he wants nothin from life? ...Yesn’t. Hard to pretend I’m not wearing shipping goggles when I’m literally almost 4000 words deep into a meta post. But remember, nothing but speculation!)

Anyway, and now there’s Yennefer broaching the subject, asking him if he’s ever heard of “filling a need”.

The conversation carries on until Geralt is blindsided by Yennefer telling him that his company and conversation are payment enough. He whirls around but Yennefer isn’t looking at him so he hurriedly gets out of the bath. In the next scene, he emerges with a new set of clothes he doesn’t like, which his companion from the previous scene procured for him. Now why does that feel familiar?

In conclusion...

honestly, I don’t even know where I was going with this originally. This started off as a joke but then things inevitably escalated and now I’m really tired and I wanna go to sleep. (Also, the whole djinn thing is giving me feels now which kinda puts a dampener on the humour in the episode. Jaskier’d already been having a bad day and things just. Keep. Getting. Worse. Ugh, my heart.) But I feel like this post needs a proper conclusion.

I feel like, in the context of these scenes Jaskier and Yennefer could be seen as foils to each other? They’re two of the few people Geralt lets close, very close, actually, since getting naked in front of someone is frequently equated with showing vulnerability to someone. In a lot of ways, Jaskier and Yennefer’s roles work in ways that are the exact opposite of that of the other. Jaskier tries to be seen where Yennefer wants to remain hidden, yet Jaskier gets obscured by the environment while Yennefer is exposed. Jaskier is asking Geralt for a favour, Yennefer did Geralt a favour; Jaskier insists on taking care of Geralt where Yennefer gives him space. Yennefer sees Geralt’s past, Jaskier his future. Jaskier touches the scar but doesn’t look, Yennefer looks but doesn’t touch. But both find a way to scratch at the emotional walls that Geralt’s put up and both times Geralt reacts by immediately trying to escape the situation. Both times, he ends up wearing clothes he doesn’t like in the following scene.

Speaking about nudity and emotional vulnerability, maybe that’s kind of part of the conclusion as well? Sorta? Especially, since Geralt seems to start looking for his clothes or for a way out of the tub the moment someone gets too close. Furthermore, afterwards, he never seems comfortable in the clothes he’s been given, which you could read as a metaphor of sorts, I guess? Like something inside Geralt getting knocked loose in the conversation with his companion and Geralt consequently having to arrange himself with an uncomfortable truth in the aftermath? Does that make sense? Have we finally reached the point where I’m getting too cerebral? Or did we sail past that point like 4000 words ago? God, my brain hurts.

[statusquoergo]

Can we talk about how much of the ending montage of the finale was just marvey moments? They weren't even chronological, it was all these other moments with other people (the one clip of Jessica was from the 'How do you know I'm thinking about Mike Ross?' 'Who else would it be?' scene) interspersed with classic marvey faves especially from the pilot, like Harvey just kept coming back to meeting Mike as the thing tying it all together, his underlying theme at the end of his journey was Mike Ross.

p.s. re: the ending montage, it's even more obvious if you watch it without the music somehow

We sure can talk about that ending montage! (Before we get into the Marvey-ness of it all, though, I just gotta say that especially watching it out of context, and especially with the soundtrack muted, Donna approaching Louis at the elevators and then him biting his lip and them holding hands as the doors close definitely reads to me as a Lonna moment.)

So. Structural critique. A couple of things read weirdly about this whole setup; first of all, they cut immediately, and I mean immediately, from Harvey looking...nostalgically? Mournfully? Reverently? at the painting his mother gave him of baby!Harvey watching Lily paint that stupid duck painting to the first clip of the montage, i.e., Mike’s briefcase breaking open at the interview. So this is either a “Look how far we’ve come” overview, in which case I’m confused that it starts off with a reference to Lily, since she doesn’t come up again so the painting has no referential anchor point, and the montage itself doesn’t specifically reference Harvey’s childhood or life before coming to the firm in any way (which isn’t to say it’s not a nostalgic overview, but if so, it’s very poorly arranged), or it’s a commentary on important people in Harvey’s life, in which case it sure is interesting that we go straight from Harvey’s mother to Mike, given that literally the only link between them is that Mike showed up at her funeral to support Harvey.

Getting down to a granular level, the clips in the montage are:

1. Mike crashes Harvey’s interview (s01e01) 2. Harvey lectures Mike about the importance of a good first impression (s01e03) 3. Jessica advises Harvey to support Mike in being himself (s04e02) 4. [Flashback] Harvey and Louis give each other shit right after Louis becomes a junior partner (s02e08) 5. [Flashback] Harvey and Donna's first meeting (s04e16) 6. Harvey invites Mike to come with him to visit Ava Hessington (s03e03) 7. Harvey yells at Mike for not coming to him when Jessica threatened him (s03e01) 8. Mike tells Rachel he’s a fraud (s02e16) 9. General cycle of clips of everyone supporting each other over Harvey’s dialogue that “We’re not just colleagues, or even friends. We’re family.” (s05e10) 10. Mike does finger guns and Harvey swerves out of the way (s01e01) 11. “Life is like this. And I like this.” (s01e10) 12. Mike and Rachel reunite when Mike gets out of Danbury (s06e09) 13. Harvey and Donna make out (s08e16)

And for a bit of analytical commentary:

1. The start of the series and introduction of the premise, this is an obvious choice. 2. An interesting direction; possibly a commentary on Harvey’s general life philosophy, this could also be interpreted as a continuation of the Harvey-Mike dyad established in the pilot being the show’s central focus, particularly when one considers that it comes on the heels of Harvey’s rather...interesting first impression of Mike. 3. Lacking context, this is just an excuse to showcase Jessica in the montage as Harvey’s mentor; with context, it’s easy to interpret as another reminder that the show is centered around Harvey and Mike as a pair. 4. This is a weird moment to choose because while it fits the direction of Louis’s ultimate story line quite well, from struggling in Harvey’s shadow despite his considerable accomplishments to becoming head of the firm, it doesn’t fit in with the other incidents Harvey’s recalled up to this point; this is for the benefit of summarizing the show, not consistency with the direction of Harvey’s thought process. 5. Another moment for the benefit of summarizing the show that comes otherwise out of nowhere. 6. While this gets us back on track with Harvey’s train of thought prior to the Louis interruption, it really has nothing to do with anyone other than Mike and Harvey; in fact, it’s very much about a moment of reconciliation between the two of them. (On the surface, it’s merely circling back around to the Harvey-Mike dyad, but if you want to go full conspiracy theorist, it’s like...an apology to the viewer, or to Mike, that the narrative got distracted for a minute. And that’s an extremist interpretation that I’m not advocating as truth, but it’s also kind of funny, so I’m mentioning it anyway.) 7. Harvey needs Mike. Harvey needs Mike to need him. There’s not a whole lot of maneuverability in that one. 8. The interesting thing here is that the clip stops right before Mike and Rachel kiss. Showing it would require an extra two seconds of footage and could have been fit in, but the way it’s cut puts the emphasis not on them as a couple but on Rachel’s sense of betrayal after Mike’s deception. 9. The first clip of this montage-within-a-montage is of Rachel hugging Louis, which follows naturally from Rachel interacting with Mike as a way to ease the focus from Harvey-and-Mike to...literally anyone else, but also sets up this quick cycle of clips as kind of a catchall for “characters being supportive of one another because they’re not just colleagues they’re also family but also we need to fit in everyone who isn’t Harvey and Mike because this is technically an Ensemble Show™.” 10. Okay what the fuck, there’s absolutely no reason for this to be in here except to emphasize Harvey and Mike’s camaraderie and easy friendship. It’s from the pilot, for crying out loud. 11. This one is a little bit of a wildcard in that it both re-centers us on Harvey and Mike as partners (reading just slightly deeper into things, Harvey hired Mike in the first place in part because he likes taking risks, but also, having Mike around makes his life exciting), and could also serve as another general commentary on Harvey’s life philosophy. 12. Yet again, this is a Mike-Rachel moment that ends right before the Machel part. Mike walks out of the prison gates and Rachel gets out of the car, but they don’t noticeably move toward one another, let alone actually hug. Maybe this is out of sensitivity toward Meghan’s status as the Duchess of Sussex? (Or it’s a liability issue, I don’t know.) 13. This makes sense as a conclusion to the montage because the final season is largely focused on the Darvey narrative, or trying to establish the Darvey narrative, but it also comes out of nowhere in that very little of the rest of the montage has featured Harvey and Donna as a couple, or even a pair, with the exception of their first meeting (which was right on the heels of Harvey and Louis interacting, making it less an intimate start-of-something type of scene and more of a “Hey remember when the show was just about these six specific central characters, well, now we only have three of them left” tag).

In summary: Boy that sure is a lot of Marvey and Marvey-adjacent content for a series of clips that are supposed to be about everyone but are in fact badly disordered and don’t tell much of a cohesive story. Looking back, especially with this legend of episode citations, it really does seem to be a pretty slapdash collection of some editor’s favorite scenes, or more likely Korsh’s; it doesn’t even have a very smooth emotional trajectory, it’s just a bunch of stuff that happened in no particular order. Oh well, I’m sure they had fun putting it together probably.

Thank you for...asking? Well, thank you for bringing this up, anyway!

[grantyort]

Clearing the Air

[The trio cruises along the empty city streets. Chris is fast asleep in the backseat while Daniel fidgets anxiously in the front.]

SEAN: Need to pee or something? 

DANIEL: Nah, I’m just nervous.

SEAN: [chuckles] About what?

DANIEL: Uh… Nothing. Never mind.

SEAN: [sighs] Whatever you say dude.

DANIEL: [turning to Chris] Is he... okay?

DANIEL: Yeah. He just hasn’t slept well since… you know.

SEAN: Well before he wakes up, we need to have a serious talk about all this.

[Sean pulls the car over to the side of the road. He gets out and sits on the hood, motioning Daniel to join him. Daniel reluctantly agrees]

DANIEL: Sean Iisten-

SEAN: No, you listen! I went through hell just so we could stay in this country, so you could live a normal life! Now you’re just gonna throw it all away on some wild goose chase?! Don’t you even care? I swear this is like Nevada all over again!

[Daniel looks ashamed and on the verge of tears]

DANIEL: I’m s-sorry Sean. It’s just that… we haven’t seen each other in months, and you don’t answer my texts and I thought if I-

SEAN: No… you’re right. That wasn’t fair. I’m guess I’m still… trying to figure this whole thing out.

DANIEL: I know.

SEAN: Why didn’t you just tell me, instead of pulling a stupid stunt like this?

DANIEL: I… didn’t want to drag you into this.

SEAN: Well guess what Daniel? I’m in it now whether you like it or not. In case you haven’t noticed, we’re kind of a package deal.

DANIEL: I’m sorry.

SEAN: There you go again. Always apologizing after the fact. For once, I want you to think things through before you go running off on your next crusade!

DANIEL: I’ll try.

SEAN: You damn well better. Remember the deal we made with the Feds, no big splashes! If they catch even a whiff of what you’re doing… ¡se acabó! They’ll throw my ass back in jail and lock you in some government black site. We’ll never see each other again. Is that what you want?!

DANIEL: No of course not! It’s just… Chris has lost everything. I just want to help him get answers and justice. It’s the least we can after all he’s done for us. We owe him that much!

SEAN: [scoffs] You’ve really grown up, haven’t you?

[Sean leans over and hugs Daniel who is taken off-guard but sinks into Sean’s arms, savoring the familiar comfort]

DANIEL: What was that for?

SEAN: Oh nothing. Just getting you back for earlier.

[Daniel smiles and rests his head on his brother’s shoulder]

SEAN: Enano, listen… I’m sorry I’ve been so… distant. College’s just been hectic as fuck. I’ve got a side-gig going on, and I know haven’t always been… there for you, like I should be.

DANIEL: You don’t have to apologize, Sean. You’ve already done so much. You should go live your own life for a change. Besides, I’m not a kid anymore. I can take care of myself now.

SEAN: [laughs] I’ve heard that one before.

DANIEL: I’m serious! You don’t have to worry about me. Go to parties, hook up, cram for exams or whatever. I don’t wanna be a burden anymore.

SEAN: You’re not a burden, Daniel and worrying about you is kind of in the job description. I mean the hours are long and you don’t get paid, but at the end of the day it’s all worth it, you know?

DANIEL: Yeah I know… thanks, Sean.

If Daniel threatened Sean back at the bus depot:

DANIEL: S-sorry for what happened back at the bus station. I don’t know what got into me.

SEAN: You should be. We don’t see each other for weeks and the first thing you do is try to pick a fight.

DANIEL: I just… got caught up in the moment.

SEAN: Hope you haven’t been doubling up on your pills again.

DANIEL: Of course not! I’m not stupid Sean!

SEAN: Never said you were.

DANIEL: Sorry. I don’t wanna fight.

SEAN: Me neither. But just for the record, I would have kicked your ass.

DANIEL: (rolling his eyes) Sure Sean.

SEAN: I did last time.

DANIEL: That didn’t count! You caught me off-guard!

SEAN: That’s kind of the point, genius. You think the bad guys are gonna warn you before attacking?

DANIEL: What bad guys? Besides, even if one of them got the jump on me, I’d still stop them all. Easy-peasy!

SEAN: This isn’t a superhero movie, it’s real life. You gotta pay attention to your surroundings at all times!

DANIEL: (mockingly) Whatever you say… sensei.

DANIEL: Are you… doing okay?

SEAN: What do you mean?

DANIEL: You know… with college, and track and everything. I don’t really know much except what I hear from Lyla-

SEAN: Oh you mean your little spy? I still haven’t forgotten about the library incident you know.

DANIEL: I don’t know what you’re talking about.

SEAN: Yeah, yeah! play dumb! You’re lucky that marker was washable otherwise your ass would be grass right now!

DANIEL: I thought you were supposed to be able to see that sorta stuff coming.

SEAN: I was asleep! Besides that’s not how it works!

DANIEL: Pfft excuses!

SEAN: Don’t push it. I’m still mad at you, you know.

DANIEL: (making a funny face) Yeah? How about now?

SEAN: [laughs] Okay. I’m letting you off the hook this time.

[Daniel pulls a chock-o-crisp out his pocket and begins to eat]

SEAN: Still eating those?

DANIEL: (mouth full) What? I’m hungry!

SEAN: I read an article that chock-o-crisps can stunt your growth. You better cut back or you might be stuck an enano forever.

DANIEL: That’s bullshit! I grew 3 inches since Christmas. I’ll probably be taller than you soon!

SEAN: Ha You wish! [he ruffles Daniel’s hair]

DANIEL: Stop it! You know how long it took me to get it just right?

SEAN: Since when do you care so much about your hair?

DANIEL: Chris says that it looks cool like this.

SEAN: I thought you “always looked good”.

DANIEL: Yeah, but I just like it better this way.

SEAN: Okay, okay. Hands off the hair. Got it.

DANIEL: So Sean, you...

Seeing anyone? 

Talk to Mom lately?

Seeing anyone?

SEAN: Taking an interest in my love life? Who would've thought?

DANIEL: It’s not like I really care. I just… don’t want you to get lonely.

SEAN: Don’t worry about that, enano, I got plenty of term papers and angry TAs to keep me company.

DANIEL: I’m being serious Sean.

SEAN: Well if you must know, I did meet someone recently. We were actually supposed to have dinner tonight but… you know.

DANIEL: Oh… sorry.

SEAN: (jokingly) You should be. We don’t even live in the same state anymore and somehow you still manage to cock-block me!

DANIEL: (cheekily) That’s my real superpower!

SEAN: (rolling eyes) Yeah, yeah keep laughing. Who knows? Maybe someday, I’ll return the favor.

(They both laugh)

SEAN: How about you? How’s school? Anyone giving you shit?  

DANIEL: Nah. Everyone likes me, well except Wilkes and Brad. But they’re assholes. Anyway, there is this dance coming up next week and I still don’t have a date. I was thinking of asking this one girl, Millie. We text and stuff and I guess she’s pretty!

SEAN: Whoa dude, slow down! Focus on keeping your grades up. You’ve got plenty of time for that stuff later. Me on the other hand. I think I’m just about ready to die alone.

LYLA <-> FINN/CASSIDY (Determinant)

LYLA:

DANIEL: What about Lyla? She’s single! 

SEAN: Dude no! It’d be way too weird. We’ve known each other since forever. It would never work. And besides, I’d never take her from you.

DANIEL: S-shut up. That was just a stupid crush! I’m totally over her! 

SEAN: (deadpanning) Oh no. I’m sure she’ll be devastated.

CASSIDY:

DANIEL: What about… what’s her name? The smelly hippie with the purple wig.

SEAN: Cassidy? She’s all the way up in Canada, dude! Plus, I need to get clearance every time I leave the country. It would never work.

DANIEL: That’s okay. You can totally do better!

SEAN: Oh ouch. Still holding a grudge, eh?

DANIEL: I just think… you’re too good for her.

SEAN: I’ll take that as a compliment. I guess.

FINN:

DANIEL: What about Finn? Weren’t you totally into him?

SEAN: Finn’s still in jail dude. What are we supposed to do? Make out through the glass?

DANIEL: Haha true.

(If Sean forgave Finn in Episode 4)

DANIEL: Do you ever wish things turned out differently with him?

SEAN: Sure… sometimes, but life’s too short for regrets.

DANIEL: You’re starting to sound like Mom.

SEAN: I’m gonna pretend you didn’t just say that.

(If the player did not forgive Finn in Episode 4)

SEAN: He’s applying for early parole and wants to me be at his hearing. Can you believe that?

DANIEL: You’re not going, are you? He totally used us. He deserves to be locked up!

SEAN: Whoa where’s this coming from? Didn’t you use to be his biggest fan?

DANIEL: What are you talking about?

SEAN: (mockingly) Oooo Finn’s so cool! Finn lets me do whatever I want. I wish Finn was my brother!

DANIEL: What?! I never said that! Besides, I was just a stupid kid back then!

SEAN: Yeah and no one’s denying that.

DANIEL: Whatever. If you want to go, go.

SEAN: Nah… I’m done with Finn. There’s plenty of better guys out there.

Talk to Mom lately?

SEAN: Yeah got a call from her two weeks ago. Business has been booming ever since… they legalized it in Arizona. So, expect an extra big birthday present this year.

DANIEL: Bet you want to move there so you can (he makes a toking motion)

SEAN: Haha, maybe after I graduate!

DANIEL: (sigh) I miss Away.

SEAN: I do too. There was something special about that place. Everyone there was so chill. Not like here.

Ask about Away

DANIEL: And Joanne? Is she still-

SEAN: [sigh] The latest round of chemo didn’t work. So they’re preparing for the worst…

DANIEL: I want to see her Sean, before…

SEAN: I know enano. But Arizona’s too far and way too close to the border. The Feds would never go for it.

DANIEL: I don’t care!  I need to say goodbye to her, in-person.

SEAN: [sigh] Okay. I’ll talk to Flores, see if we can work something out.

DANIEL: Thanks Sean.

SEAN: Arthur and Stanley got a new puppy! His name is Rufus. He’s a bit of a handful but super cute.

DANIEL: No way!

SEAN: I’ve got pictures.

DANIEL: Dude! Send them now!

Ask About Sean’s Eye:

DANIEL: How’s your eye?

SEAN: Can’t complain. Still gets itchy from time to time but that’s what the eye lube’s for. 

DANIEL: Ew, can you not call it that?

Ask about Sean’s Appearance

DANIEL: Dude what’s with the beard? It looks all itchy and gross!

SEAN: You’re just jealous cuz you can’t grow one!

DANIEL: Could too! I just don’t want to.

SEAN: Yeah sure… Have your heuvos even dropped yet? 

DANIEL: Ewwww, shut up!

SEAN: I’ll take that as a no. And since you love my beard so much. Here, feel it! [He rubs his cheek against Daniel’s.]

DANIEL: (laughing) Stop Sean! That tickles! Quit it!

SEAN: RESPECT THE BEARD!

[Sean drapes his arm over Daniel who leans on his shoulder. They look at the night sky together]

DANIEL: Whoa... check out that moon!

SEAN: How about a team howl? For old times’ sake?

DANIEL: Yeah! Diaz Lobos! 

[They howl together as “Into the Woods” plays]

< Previous

[ae0nx]

FRUITS BASKET S2 EPISODE 24 (SEASON 2 FINALE PT 1!!)

Ahhh... yes. I'm finally here. A slow, crawl to catch up but I'm getting there lol. These last two episodes were pretty great and fluffy and then just ended with a crescendo with Kureno that just... abruptly moved me at 1am in the morning! (I didn't ask for it, except I did by just watching this show)

Anyways, let's get into it!

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- Awww, yay! End of year party for the presidential club!

Fuckin' RIGHT, Kakeru?! 😂

But for real, I love that Yuki makes such a real effort to make sure Machi is included. Even if it is kinda his responsibility, you can really see the side of him who's desperately nice towards people because he really wants people to like him. However, with Machi specifically, it's the same attitude in a slightly different tone... I wonder why.... <3

- Also, I love Kimi but she sidelines Machi so hard in this episode, like why, dearest, why?!

- Yuki and Kakeru's easy friendship makes me smile almost as much as Kyo and Tohru's cute moments

- The english VA for Machi's mum hit extra hard for some reason. It felt so mean! Great performance, but damn dude lol

- Machi and Yuki noticing each other silently from afar is killing me with it's cuteness and it's so old school romantic? Yet so delightfully awkward as well, it's amazing

Damn, Machi... Fruits Basket's depictions of depression and anxiety have always been pretty spot on through the visuals and through the expressions and metaphors used to describe it. I just really appreciate that Takaya-sensei was so honest with the portrayals of different factions of mental health while still making the story something you still want to come back to.

...But yes, please help Machi! 🥺

Pshhhh <3 Their flustered, anxious, frustrated energy is a lot but I'm here for it

Group shot! Yayyyy :3 I also just wanna say Kimi and Kakeru were contenders for Outfit Appreciation this episode but this episode was bursting full of good looks! Let’s just say... they were 4th and 5th place.

Speaking about flustered, anxious, frustrated energy...

Kyo: ...please, guys. 😅😂🥰 

(Tohru would’ve been in Outfit Appreciation as I love this outfit but I already gave it to her the first time she wore it so...)

Ahaaaaaa 🤣- I love when Tohru gets to be funny!

But awww, Tohru and Kyo staying together at Shishou’s for New Year’s is so cute! <3 Kyo’s definitely right in saying that it feel’s like a proposal... tee hee 

Oh. my. God. A goddess is amongst us. This one was so tough as I love herrr and this might be my 2nd favourite look from her but... she’s 3rd place in Outfit Appreciation. You’ll soon understand why... don’t kill me lol

Lol, so much alpha energy.

Ok.

Ok.

Are you ready?

😍😍😍

...Hatori’s so pretty! And I think he’s wearing the same outfit he was wearing in the illustration in the ending credits? Yes, he gets no. 1 in Outfit Appreciation mostly because he looks amazing in it but I don’t care. I’m biased. I’m imperfect. But I... I’m in love lol

Ritsu gets no. 2 in Outfit Appreciation because you can tell he tried and it’s vibrant and prettier than Hatori’s and I feel bad for not putting him first because of my FEELINGS.

Anyway...

He’s a bitch but he’s right. It was from here that I started to suspect that Shigure’s energy this episode was a little bit more shifty than usual...

Ah... my baby boy. I’m so happy he got this moment. To make it a 100% clear about where and who he is now despite the oncoming backlash. At first, I was a bit concerned about him taking the complete blame for all the abuse that people put on him when he was a child (and technically still is, for now) but I also think in a way he’s trying to be gentle with his approach of being honest with Akito in the hopes that she seeks redemption too. 

As a certain doctor says later, “You’re so kind.”

- Akito’s reaction of course was on brand. But, it was pretty stylistic with the call back to Kureno’s curse breaking

- There’s something about Eric Vale’s performance of Yuki in this episode that’s so... human? I know, that’s a weird way of saying it but Yuki’s so normally put together (on the surface) and it has shown in his voice pretty much since the start of the anime. But slowly, Eric has been adding different and more expressive fluctuations and tones in Yuki’s voice episodes since the beach arc and it feels like in this episode he just completely let loose and it’s now completely slipped into Yuki’s casual conservational speak now. It’s just neat :)

And, I think I can say the same for Hatori’s VA Kent Williams. This is the most expressive Hatori has been in this show so far! It’s great. :3 Although, I think for Hatori he’s only stoic when he feels he has to distance himself to keep himself together from either the situation or the person. Very Doctor-like.

But back to the story, I appreciate that Takaya-sensei thought to tie up their relationship with each other and have them be cool because honestly? I even forgot that Yuki didn’t trust Hatori around Tohru for a while. This moment was so nice and warm! <3

- ‘Don’t turn into Ayame’ 😆

Stop it, Goblin King.

Did she fall asleep standing up because... you know...

I’ll show myself out.

Lalalalala Tohru and Kyo being cute and pleasant and sharing stories from their past lalalalala 🎶☺️

Lalalalala 🎶☺️

Lalal- wAit. Flirty Kyo?! 😳🤡

...stupids. <3

Ok, I just wanna end this by leaving some screen caps from the final moments because it just solidifies why I love this anime :3 

👀🤡

<3

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Wow, recapping this episode was oddly refreshing as I’m still living with the climax of episode 25 and Kureno...

So, that means... I’ll see you soon >:)

[popculturebuffet]

Darkwing Duck: Just Us Justice Ducks

This is it. 7 reviews, 10 episodes, 2 teams,  7 brave heroes, 13 villians but only 5 of which are relevant here. All leading to this. One big final review of one of the most loved, most important and most awesome Darkwing Duck episodes, the ONLY two parter outside of the pilot in the show’s long history. If your just joining us, as hinted at in the opening sentence i’ve been doing reviews of every episode of darkwing duck featuring the first apperances of the Justice Ducks and Fearsome Five. The only exception was Megavolt, but I ended up doing Negaduck instead, so I could cover both Megs and the original version of Negsy in one fell swoop (A great idea and comission from longtime supporter of the blog WeirdKev27). All so I could give this the build up  it deserved and get the background I didn’t have years ago when I wanted to watch this, wanted to see all of the first apperances first.. then just didn’t get around to it, not even finding out the episode order is an utter nightmare.  While i’ve given out about this before, allow me to do so again: Due to prioritzing what got done first over proper order, ALL of the justice ducks first appearances eps were aired after this and while Morgana at least got an episode before this, it was her second appearance. Same with LIquidator and Quackerjack though like Morgana, Quackerjack still got an episode or two before this one. So yeah as a result to most kids it was a bunch of heroes just introduced, up against two new villians and 3 old faviorites. You kinda see the problem. It’s why I watched it in chronlogical order: to have this be a gathering of established heroes against darking’s worst foes... and the debut of the worst of THE worst, the true Negaduck at long last. So with the proper build this deserves and not much else to say, let’s look at this two parter and see if all my effort was worth it and if the hype is real. Let’s, get, dangerous under the cut

We open in St. Canard in Darkwing Duck’s secret HQ over the bridge, where he’s getting ready to go out with Morgana and does... things to his hair. 

Excellently terrible hair do.. seriously I love a good pompadour as much as the next person, probably unheathily more than the next person, but this isa bit much and adding a curl to it is just.. 

I mean Superman’s hair looked better at this point, and for those wondering “Wait superman usually has a pretty good look”.. welll. 

Yeah.. post-ressurection.. he had a mullet. Look there are only 4 people in the world who can pull of a mullet: Brock Sampson, Patrick Swayze (God Rest his soul), Hank Venture and Daniel Cooksy as a teenager. And he ALSO put a curl in it and it still looked okay because that’s one of this things along with being selfless, and idiots calling him bland for you know, being a kind hearted symbol of humanity at it’s best. But man the mullet was just not for you bud. 

Morgana naturally tries to change it while Gosalyn watches and...

Yeah as you can probably guess a LOT has happened.. and all off screen. Morgana is not only fully on the side of good apparently, but she and Darkwing have gone from simply flirting with one another to dating AND Gosalyn has met her and they fought the astro mummies together.. no wait that was the Caballleros yesterday.. but still eveyrthing else is PRETTY important stuff and even with the messed up episode order the kind of thing you’d ASSUME an episode would be made about. I mean this is her meeting darkwing’s kid for fuck’s sake. That’s a big step in any relationship let alone one just starting out. And trust me, I didn’t miss anything: every other morgana ep seems to have them already in a steady relaionship. I DO think it’s stuff like this why some fans aren’t crazy about this relationship. Me I think he’s honestly too good for her. 

But before they can go out for whatever vauge date they were going to have the power goes out and DW notices it’s megavolt and prepares to go after him only for Morgana to question him about their date. 

Morgana.. sweetie.. the entire city is blacked out. Nowhere will be open.  But Gosalyn offers an alternative, Morgana go along with him and while both are reluctant they go with it. So Darkwing confronts Megavolt... and soon finds a bunch of chattering teeth. Yup, it’s Quackerjack as the two have teamed up, and together easily defeat Darkwing, putting him in an electric chair. The two also really get along which makes sense: Both have similar personalities, being kinda nuts indivdiuals with a singular obession , which compliment each other as toys often need electric power after all. THey strap darkwing into an electric chair, that got dark fast and he begs morgana to save him.. only for her to accidently turn him into jello. I mean.. they say pudding but.. their diffrent things. Just because world famous sexual predator Bill Cosby promoted BOTH for the jell-o brand doesn’t mean Jello is magically pudding. If he could magically make one thing 

Point is Darkwing is jello, the villians mock him then set up some kind of device and head off.. while also mentioning a mysterious boss. I wonder who it could be. 

Nah.. too obvious. Darkwing is humilated and of course blames. morgana.. for saving his life.. as while the jello humilated him he’s also you know not dead. 

Anyways Darkwing storms off while Morgana worries he likes her. Morg.. the guy got pissy because you saved his life the wrong way with some bad aim. And before that clearly just wanted you there as a trophy to impress you instead of because he valued you in any way but your looks, because let’s face it he’s shown no intrest so far in any way that isn’t superficial and neither have you in him. You both need to actually try to deepen this or end it.  Anyways enough me ranting at 90′s cartoon characters, it’s time for our next Justice Duck to enter the episode as Stegmutt is selling hot dogs now, but no one stops because they just.. run in terror. Poor guy, good thing he’s too oblivoius to notice. Maybe Dr. Fossil had a point.  Back to the plot and it turns out the next phase in the Fearsome Five’s plan is to take out the police... okay so wait are they the bad guys or not? Questions for later. Point is we get a nice mismatch as Bushroot’s timidity contrasts perfectly with Liquidator’s showman ship and he drowns them out. Darkwing prepares to attack, but gets interrupted by Stegmutt, refuses his help.. and we get the best and most iconic gag of the episodes: Darkwing makes a joke about playing pretend.. and senseing Stegmutt is a dummy have him pretend to “put out the darkwing”.. which equates to pulling a Droopy while saying “put out the darkwing”. So the two villians finsih their job and high five and this is one of the most charming parts of this 2 parter: the camradere between the five minus negaduck. The other four just.. easily bond and enjoy each ohters company, only fighting ONCE, and then being on the same page after that. 

It’s also what makes them so deadly: the go too for ANY superhero team in any medium is to simply get the vilians to fight each other as most vilian teams are built on REALLY shaky ground, a mixture of egos and ambitions that unlike with most superhero teams, can’t really be overcome with the greater good.. because their only in it for what they want. The thing that keeps any of these groups together longterm.. is camradere. I’ts why the Flash’s Rogue’s gallery is easily one of the most dangerous; while there are outliers like the reverse flash, most of them are part of the rouges, and ascribe to their rules and morals.. and thus the camradre and support that comes with it. One guy with a cold gun or a super flamethrower or a weather wand or mirror powers.. is pretty damn tough. All four and more together, willing to bail one another out, having their own tailor and weapons hookups. The four remind me of that: a bunch of guys who have the common goal of beating darkwing but likely just.. hang out when not trying to do crimes. Well except negaduck, hence the four thing. By not being able to just easily turn them on one another, it means you HAVE to take them all at once. Even if you got rid of negaduck as both the comics and the 2017 reboot have shown.. you still have 4 immensley powerful, quackerjack included, supervillians who easily can work together instead of a bunch of angry assholes who tend to work better one at a time and just with a united goal. Point is Darkwing Duck is Darkwing Fucked.  Darkwing once again refuses help and yells at Stegmutt, because he’s been evne douchier than usual, and then makes the mistake of yelling at Neptunia, who promptly has her octopus friend throw him into the distance because .. well he deserves it. So while Darkwing patches up that wound to his pride and his spleen, we finally meet our vilians new boss: NEGADUCK. And... they do not explain why a guy who looks exactly like drake is here, if he has any relation to the other negaduck he was inspired by, or why any of them would trust him. This would bother me more.. if A) it wasn’t too much of a stretch for darkwing to have foes we hadn’t seen given the whole casefiles thing and B).. well okay this isn’t really a logical opinon but since when have that stopped me. 

There’s a damn good reason that Negsy has one of the biggest episode counts of Darkwings villians. The guy is just.. the perfect foil to Darkwing, the Joker to his batman, the reverse flash to his flash, the green goblin to his spider-man, the sabertooth to his wolverine. He’s Drake’s equal and opposite number. While Drake can’t take two steps as Darkwing without wanting some attention, Negsy is happy to avoid having any until the moment strikes. While Drake wants attention as much as he wants to do the right thing, Negsy just simply loves doing what he’s doing. To quote the Spies are Forever song “Somebody’s Gotta Do it” “Can’t you see.. how much I enjoy this, i’d never avoid this, cause buddy i’m a diffrent breed. This is my calling, and though it’s appaling, I love making people bleed.” 

He just LOVES being evil. He’s as comically devoted to being a bad guy as Darkwing is to being a good one. He loves the idea of being able to shoot a bunny, he revels in his villiany and he loves every second. But as I said unlike darkwing he dosen’t let his flaws get in the way of his villiany as much. He still does on occasion, he’s still a version of Darkwing after all, but he has his eyes far more on the prize and is far less prone to distraction. He dosen’t care about toy deals or infamy.. he just wants to watch the world burn and laugh manically over the flames. While his obessions CAN be used against him.. as this episode shows it only lasts for a bout a second and he’s usually ready for it. He’s a Drake with no morals, no connections and few drawbacks. And he’s also every bit as clever, with him winning for most of the two parter. And not because the plot needs him too.. he’s simply THAT good at planning, with his plan here being geninely clever. I’m REALLLY hoping for Frank to lead the reboot because combining ALL of this with his reboot backstory will be divine if he gets to. Negaduck was very much worth the hype. 

So his next plan, itself clever.. is to dress up as Darkwing and inflitrate SHUSH, taking out the next possibly thing that could stop them. And he does so easily, even while Darkwing is there and to show off just how friggin awesome he is predicts what Drake will say. The only thing that trips him up is drake hilarious pointing out a cute bunny, because he and the other Negsy apparently share the same burning hatred, causing him to get out his shotgun. And can I just say how wonderful it is he can use a shotgun?  That’d never pass nowadays, which isn’t the worst thing but i do question why VILLIANS can’t be shown being reckless with fire arms. Their the bad guys, kids aren’t going to see it as a good thing. And they still equate laser guns with guns. They aren’t going to trivilaize gun violence because of Darkwing Duck or Looney Tunes. 

Even being found out Negaduck still acomplishes his goal and floods thing. So now both the cops and shush are down, and things aren’t looking great. Darkwing’s still determined he can do this himself and beat them.. but it’s transparent that not only he CAN’T and won’t admit he’s outnumbered but freely admits he just wants the biggest win of his career by taking them all out 4 to 1. Probablem is.. he’s not spider-man and this isn’t the sinister six. As I said he’s not fighting a villian group whose egos clash so badly , at least whent hey first formed, they have to take turns or in later iterations have some member blackmailed in> Their working in concert. He needs help but as we’ve seen multiple times now Darkwing just can’t accept it. He has to be in the limelight and while he does have to relearn the lesson .. it works better here as personality flaws aren’t the kind of thing that fixes itself overnight. Sometimes never. It feels less like it does sometimes in cartoons, where the character just.. never fucking learns, and more like Darkwing has learned it.. he’s just so very human and thus can’t resist sliding black. Less peter griffin more bojack horseman is what i’m saying. I mean there are still bits of just poor writing, but for the most part his ego is like most of his enimies: he just can’t get it to stay beat. 

So it won’t suprise you that when the national guard and gizmoduck are called he’s not happy. You may recall when I reviewed “Tiff of the Titans” I REALLY hated this verison of Gizmoduck. He was concited as Darkwing but treated like he wasn’t, treating the daring duck of mystery like a criminal for stupid reasons and was generally pretty useless and obnoxious. The fact that hamilton camps gizmoduck voice sounds not like a 20-30 something like Fenton is but like Grandpa Simpson mixed with a dash of dudley doo right dosen’t help. 

It’s not lost on me that Dan Castellaneta’s character is NOT the one that sounds like Abe Simpson either. But while that problem is still around... the rest of them.. aren’t. Gizmoduck’s character development actually stuck from last time, so rather than be a dick to darkwing he’s warm, friendly and happy to accept his help when Darkwing shows up, thinking his old “Buddy” is just volunteering to help instead of screaming at him for doing his job. Not only that but while he still has elements of a standard superman type “Cape” hero parody... their more toned down and actually funny with him giving giant speeches, and that being useda gainst him and being over the top.. but still being the noble, big hearted hero you’d expect from the roll, just wanting to do good not for the Glory he gets anyway, but because people need him. In short.. he’s 100% better thsi go round. Well okay 80.. he still sounds like this. 

Gos also brings Morgana along, because apparently she forgot the entire episode where her father was so obssed with being noticed he tried to upstage his 10-12 year old daughter... and you know the hundred other times Drake put his ego over his job. 

So he naturally wants to shoo her while Gizmo. .warmly welcomes the help because he recognizes that people are counting on them not counting on him.  Just then the villians make their move and activate the electro slave device from earlier which.. does nothing like that’d sound like and just creates a giant electrical wall, cutting off ST. Canard and bringing the plan full circle: The villains have now cut off the town and taken out almost anything that could oppose them. And despite you know everything Darking only gets more pissy when Stegmutt and Neptunia show up., Stegmutt because he still wants to return Darkwing’s change as Darkwing bought a hot dog from him and Stegmutt’s also a really sweet guy and Neptuina because well... .the ocean’s her thing and a bunch of bad guys just put a giant line through it she’s now on the other side of. Gizmo suggests the obvious: It’s a day unlike any other when a threat no one duck, or fish or dino duck, can face alone. It’s time to assemble! And Gos is more than excited about the idea, suggesting the name Justice Ducks which.. is honestly fairly weak in my opinon. Not BAD but very clearly just “Justice League” with Ducks in it. Given how good the series is at names, you think they’d of taken more than five minutes on this one. Maybe it was disney mandate I dunno.  But the concept itself.. is brilliant and I wish it came back in other epiosdes; Taking a bunch of other heroic characters in a setting and making them into a team is always a great idea, it’s why the tmnt unvierses have been using the mutanimals more and more lately, and they do ballance each other out nicely. You have a nice contrast of powers: while multiple have super strength, stegmutt is your bruiser, Gizmo is the tech guy, darkwing’s the strategy, morgana handles magic and Neptuina can swim in anything and is super strong and agile outside and inside water, so as long as she can keep hydrated, she’s useful> Which by the way has ALWAYS been the case for aquaman.. except the superfriends version. 

He really does suck and ruined it for the rest of them till Jason Mamoa and his mighty abs, coupled with Geoff Johns run on the charcter that served as the foundation for that movie, finally rescued the character from a fucking decades old cartoon’s smear campagin.  They have the makings of a great team.. it’s just Darkwing dosen’t want a team and screams at everyone to get out and that he dosen’t need them.. I mean he does try to be softer on Morgana but.. he’s still a dick and she really should dump him. Seriously, their attraction is superficial, at this point at least we’ll see in Feburary if it gets any bettter, he dosen’t respect her as a person, and now he’s having to restrain himself at yelling at her.. for HELPING HIM. When he clearly needs it. Holy shit... I was not prepared for that amount of douche. And this would sink the two parter.. were this not clever setup for one hell of a downfall and not a key part of his character. Like has been said: Ego is a massive part of him, and as Tad Stones has put it his real arch enemy. It’s been the basis for several episodes and as we saw in the pilot was his motivation for getting into crimefighting in the first place. He means well and clearly has a heart.. but this is just as much about thwarting evil as it is the attention. And here it’s used perfectly as in the reverse of the gizmoduck episode, where he wanted attention but for fully understandable reasons and judged Gizmo more on stealing his thunder, which while petty i’ll admit is a bit fair given Gizmo did NOTHING in St. Canard but got the key of the city while Darwing had saved it multiple times at this point. 

Here he’s being petty and selfish.. and he has no good reason. It’s just his own ego wanting the credit for everything when it’s not what he or the city needs. Honestly this feels like an ahead of it’s time parody of how Batman would be written when written poorly sometimes in the years after this episode:  a massive dick who thinks he knows better than everybody else and everything else should be entrusted to him because he’s the goddamn batman, the kind who throws people out as potential parts of his family for petty shit and acts like a controlling ass and okay maybe this is spiralling a bit. But the refusal to see any other way is right? Yeah that defintelyf its darkwing like a glove and eveyrone leaves either bummed or pissed at him. And the most pissed? Launchpad who while agreeing to it, his face and tone clearly mean he’s disapointed in his buddy for acting like this when now is REALLY not the time. 

And I wish.. we got more on this because Launchpad disappears till the ending scene after this. No really. Despite being Darkwing’s best friend and sidekick and despite warranting a spot on the justice ducks and despite having every reason to pitch in. he just vanishes. I mean Ducktales may of gone overboard in not having him around since Let’s Get Dangerous, but at least that’s a valid reason: he has another family, he’s really busy and Scrooge has another talented pilot to do the job for him. Granted he’s clearly still doing it offscreen at times but he was both a major part of an hourlong and will be part of any possible spinoff. And hell even back in season 1 when the character ballance was at it’s worst... Donald and Beakly at least HAD reasons for not being in a whole lot of episodes: Donald HATED his uncle, HATED adventure, and HATED the fact his kids were following in their mothers footsteps as he only saw death at the end of it. While they SHOULD have found ways to include him more and his exclusion was pretty bad... he at least had a reason. Here launchpad just has to go now his home planet needs him. And he’s not the only one Gosalyn gets more, she’s worried about darkwing, we’ll get to why in a second and wants to go but Gizmoduck refuses.. and then ALSO vanishes. Which makes even less sense as when has Gosalyn EVER listned to an authority figure? Especially when her dad might be dead? It’s just grossly out of character for her to agree to sit things out and not just tag along with steggmutt anyway once gizmo can’t stop her. I do get this is about the justice ducks but there’s no reason to neglect the other main characters. At least have Negsy capture them too or something. Cripes. 

So yeah the “thinking he’s dead part”. Darkwing sets out to find the five’s lair and misses the big honking flag Negaduck set up, but finds a crumb, puts two and two together and finds them.. as Negaduck planned. Down to the crumb thing as, in my faviorite line of the episode, he planned on Darkwing missing the flag and focusing on the flimisiit clue instead. Naturally they kick his ass, EASILY, and throw him out a window to his death and in classic bond villian fashion don’t check for proof of death. Krakoa would be ashamed. So part one ends with darkwing duck getting thrown to his possible death...

Only for part 2 to pick up with him landing in a trash truck before exiting. And this.. is what makes the ego parts tolerable.. Darkwing.. earnestly reflects, depressed he let his own ego get in the way of things and shoo off his only hope, and thus let the villians take over the city, with Bushroot’s plants harassing people, quackerjacks teeth running the police, and Megavolt having taken the power company and using it to shake down locals and Liquidator flooding part of the city for a plan we’ll get to in a moment. He’s at his lowest point and tht’s while it work: his hubris DOSEN’T get unpunished, he’s fully sorry for it and while he dosen’t out and out apologize to them, he’s not only genuinely contrite but does work well with them and evenly when he finally does get back to them.. but we’ve got a bit to go before that.  So with Darkwing missing Gizmo takes over as big good and not bein ga prick eagerly takes the others help Neptuina nopes out of helping, which fits her personality, so with only three left because he dosen’t consider children useful  which shame on you. I mean i’ts responsible from a real world standpoint but not from a cartoon show standpoint. But anyways they split up gang: Gizmo will go take the power plant back, Morgana will try and use her spells to find the lair and Stegmutt will find darkwing. I do like despite how they neglect Gosalyn that her friendship with Stegmutt was remembered and used as a plot point here. 

So we then get to a rather repttitive part of the two parter. It’s not lacking in good gags or character moments but it’s basically the same scene repeated 4 times just with a diffrent scenario and gag for each of the justice ducks and the fearsome five member they encounter. They do their respective schicks the hero is defeated.. this is 5 or so minutes of a 20+ minute episode. Not TERRIBLE stuff, iv’e seen worse repttition, but not terribly intresting compared to the rest of the four parter.  So, Neptuina encounters Liquidator, whose scheme is selling rafts to people to not drown in exhange for a millioin dollars.. or whatever they have he’s not picky, and they fight but Liqui ultimately wins, Gizmoduck, in the best of the four sequences, swoops in to stop Megavolt and not only lands on his foot.. but spends so long speechifiing Mega gets him from behind, phrasing. Stegmutt hilariously tries disgusing himself with Groucho glasses and is bested by Quackerjack, and Morgana finds the lair but gets taken out by bushroot, though her pet spider archie escapes to go warn the others. 

So after all that Archie makes it back to darkwing’s hq.. only for launchpad to squish him. “ew a bug!”.. just a great quick laugh. Thankfuly he’s more resilent than the average spider and is fine once Gosalyn scrapes him off and they now know the five are in trouble. Also I was wrong Launchpad does return.. for this one scene. And neither get into action once Darkwing returns and after an overly long bit of him deflecting blame to the point I was screaming. 

That being said it is nice when once Darkwing is aware of the situation he gloats a little.. but still goes to save them without any hint of caring about doing it all himself. He learned his lesson.  So at the Lair of the five, Negsy shows what a sadsitc bastard he is, another great side of him.. from a writing standpoint at least. It shows that like darkwing despite a comedic exterior.. he’s VERY dangerous. And he’s set up speciic tourtures for each of the five he has: He’s hooked up Gizmoducks armor to a device that lets him control it’s power flow, so right now it’s entirely drained.. but he can overload it and electrocute him to death when he flips THE SWITCH. Neptuina is stuck under a heat lamp and will fry when he hits THE SWITCH. Stegmutt is stuck in a weightless enviorment that will also loose air when he hits THE SWITCH and morgana is in a chair that will crush her tod eath when he hits.. THE SWITCH... he really loves THE SWITCH and props to him. A lesser villian would’ve had all the traps have a diffrent trigger which while making it harder on any rescuers is just a time waster asking for the heroes he hasn’t gotten to yet to break free. And while it is based in his sadism he still fully intends to watch the deaths personally. Seriously he’s got all his bases covered.. and would’ve won.. if it wasn’t for the rest of the five.  The rest of the five are fighting over territoiry: Buddies they may be but they all want the pie. Negaduck, in his most badass scene shuts them up by pulling out his signture chainsaw for hte first time and scaring the crap out of htem, then using it to carve up the model of the city: They each get a quarter.. and he gets all the loot. Which they dont’ like but agree to to not die today. Though really... what’s the value of that? They have a full city held hostage, control over a quarter each, and no real way to SPEND the loot without letting someone else, say scrooge mcduck, in to stop them. Just give him the money and let him sit on it Smaug style. You get a quarter of a new york sized city to yourself to live out your dreams. I’d love that... maybe nto become a supervillian for that but still, point is you have carte blanche jsut take the W.  Darkwing meanwhile uses Nega’s scheme against him and plans to be delivering skulls, after flowers only piss nega off, and then knocks the guy out.. though his attempt at playing Nega fails as the Four have wisely decided that since they outnumber him and a four way split of the loot is better than none of it, to kill him. Nega.. is not pleased and just wants them to attack him, and they do, and it seems darkwing’s going to have a front row seat for THE SWITCH. But Darkwing recovers, and we get a great tug of war between him and negsy as the switch is turnd on and off on and off till Darkwing finally wins, and then frees Morgana and apologizes and has her free Gizmo, and so on and so on. So our team is reunited, Darkwing’s finally ready to lead and thus we get our battle cries “Justice Ducks, ASSEMBLE!” “Fearsome Five, GET OVER HERE!” And the two face off

And the battle.. is fantastic. Easily the series best so far as everyone gets a moment to shine. Neptuina takes out both Liquidator and Megavolt, this time beating liquidator by creating a whirlpool inside him and turning him into a watery tornado and crashing him into megavolt before he can get stegmutt. Gizmoduck beats Quackerjack handily by using a drill on the teeth, great gag then giving Jacky some ansteic.. a boxing glove to the face. And Stegmutt takes on bushroot and when unsure of what to do.. we get a truly wonderous callback as Stegmutt.. honestly dosen’t know what to do.. so Darkwing gets some payback and tells him to “put out the bushroot, put out the bushroot” you can guess what happens next

Or if you want the more recent versoin

Point is three down two to go, and we get a call back to the pudding thing with Morgana trying to hit liquidator.. before Darkwing in a show of how much of a team player he is now, offers his help, simply having Morg teleport some instant pudding mix over the guy... I mean at least it’s brown this time even if i’ts still  in a jello mold. And to finish it off he and gizmo awesomely use a mixer on both sides. So our heroes have triumphed.. almost. Negs has the controls for the barrier and runs out planning to destroy st canard if they refuse.. then being Negaduck decides fuck it i’ll do it anyway... but Darkwing stops him and we get a slapstick beatdown as DW uses an anvil a pie and other classics and utterly curbstomps his nemissi in an wesome scne. The day is saved, the generator shut down and the city freed.  So we wrap up with the Justice Ducks celebrating.. with Gos and Launchpad. I have an inlking how that conversation went. 

Darkwing relcutnatnly is forced to eat his own words and admit he both enjoys the team and needed their help, before heading off on that Date with Morgana.. though Gizmoduck tries to make it a group thing. Dude no one likes a third wheel.. not even when i’ts ninja brian. So Darkwing uses the iris out to escape, but Stegmutt does try and give that quarter back first, with Darkwing, in a genuinely sweet moment, telling him to keep it and then going off, having earned his happy ending and grown as a person.  Final Thoughts: This episode was WORTH the build up I gave it. It turns out I really didnt’ need most of the intro epsidoes, as while it enhances the villians the heroes are all given decent enough introductions apart from morgana so tht even without the context of how darkwing knows these people it still works. It’s a thrilling, tightly paced for the most part, hilarious and wonderful two parter that ties a huge chunk of the show together into one hour long masterpice. I had my issues of course and i’ve stated them: Gosalyn and Launchpad doing nothing, the pacing towards the middle of part 2.. but otherwise.. it’s perfect. It’ has a great character arc for darkwing on top of everything, once again having his ego bite him in the ass but in a unique enough way it dosen’t feel like a retread of the pilot, and having him genuinely feel bad about it and grow. a bit smug when he learns he has to rescue them sure but he’s never smug to the heroes themselves. And ironically.. he gets his big moment. While he dosen’t beat the five himself he still infliatrated their hq, beat up their leader, saved his friends and then beat negaduck all by himself AGAIN. It may of not been the big moment he wanted.. but it’s the one he needed.  As for the road to the justice ducks itself.. it was a fun ride. Only one honestly two bad episodes; Tiff otf the Titans and Paint Misbehavin and even those had their moments, paticuarlly Misbehavin’s art sequences. The rest of the episodes ranged from alright to standout and overall it was a hell of a time.. so i’m going to rank all the ones i covered leading up to this review. Just Us Justice Ducks (Both Parts) Negaduck Beauty and the Beat Dry Hard Jurassic Jumble Ghoul of My Dreams Something Fishy Fungus Amongus Whiffle While You Work Paint Misbehavin Tiff of the Titans And i’m proud to say this is the first ongoing project on the blog, the first story arc or what have you, i’ve completed. While I DID do a four parter of catch as cash can, this is the first one i’ve done over several months that i’ve completed and i’m proud of it. Does this mean i’m done with Darkwing?

Next week we’ll be wrapping up some more unfinished buisness with another Darkwing Double Feature, this time covering the short career of Quiverwing Quack and in Feburary, and the reason I spent so much time catching up, we’ll be seeing both Morgana and Negaduck again just in time for Valentine’s day. After that?

We’ll just have to see won’t we? So until there’s another rainbow, goodbye, goodbye, goodbye. 

[podcastlimbo]

My honest honest opinion on second citadel season 3

Uhhhh... short answer? I didn’t like it much.

Okay wait before I go on to my long answer I need to say that this is all just my opinion and it’s all subjective. If you liked sc season 3 that’s awesome! I get why you do and I’m glad you enjoyed it!

But I really wasn’t a fan of where they went with it (even from episode 1), and I’m gonna go on a long rambly and repetitive rant about it.

I’m not gonna talk about the way the season ended and the setup for s4 because I haven’t fully formed my opinion about that - to form my opinion means to relisten to the season and i don’t really feel like doing that.

Anyways, these are my unfiltered 2am thoughts about the Rest Of It - maybe I’ll neaten it up later to make it more palatable but for now it’s wordy n messy and you can just. Not read it bc it’ll probably make you mad, or feel free to pick it apart and tell me I’m wrong, or unfollow me (and at least one person has already done so lmao) but like that won’t change the fact that I just wasn’t feeling s3 so uh. That said.

Long answer? I love the second citadel... at least the first two seasons

I love the world building, how the setting is such a unique, deliberate step away from eurocentric fantasy, how refreshing all that is! The Second Citadel (the place) is rich with culture and history from the brief glimpses we get of it (mostly in knight of the crown). Not to mention the monster society, with its own rules (or lack thereof) and environments and personalities.

I love the storytelling, how different mediums are woven into the way each episode is formatted. Rilla has her tape recorder, Damien his prayers, Caroline her letters, and each medium is so well suited to each character, and it truly lets us get a glimpse of what’s going on in their minds, and I find it utterly fascinating how a protagonist of one story could just as easily become an antagonist (or at least, an annoyance) in another

And the characters! Each one so compelling, with their own goals and motivations, their own intriguing backstories and potential.

Most importantly, the way these characters play off of each other is what makes second citadel amazing. Getting to see people with similar experiences but different world views clash (Caroline and Mira), people with fundamentally different beliefs reconcile and meet in the middle (rilla and arum), just, Kabert created so many interesting characters, and watching them bounce off one another is a joy.

And that’s what made season 2 so great for me. The exploration of each character, getting to see their good sides and bad, through either a medium tailored for them, or through interactions with others, as they explored a fascinating world.

The end of season 2 left me so satisfied, but still with so many questions and excitement about what was to come. I wanted to see Talfryn come into his own and step out of his brothers shadow. I wanted to see Damien, Arum and Rilla navigating their new relationship. I wanted to know more of the fate of Rilla’s parents, Damien’s past, the consequences Arum would surely face after defying the monster court. I wanted Marc to finally be recognized by his fellow knights, to watch as Caroline lead the journeymen knights, while learning to trust in others as she was beginning to do. I wanted Angelo continuing to unlearn the implicit biases that had been instilled in him as a result of his upbringing, or more details on Caroline and Quanyii’s relationship. I was also curious!! How would human and monster relations change after the events of the finale? And would we learn more of the past, when humans and monsters lived together in peace?

I was buzzing with excitement for season 3, and then.. it came, it aired, and then it went.

And I felt... meh?

Don’t get me wrong. There were moments that I liked. Some of what I hoped to see did happen (see the above paragraph lmao), getting a glimpse of the western wastes with its own culture a joy. The dynamics between Olala and some of the characters were really fun! And the direction the story took at the end was one I didn’t expect, but left me open to more.

That said,,, everything else about the season just. Didnt gel with me.

Everything I loved about second citadel pretty much wasn’t there??? Aside from Caroline, Angelo and Quanyii, all the characters they spent so much time introducing to us and fleshing out over 2 seasons were just relegated to the side??

I think my main problem with season 3 was that it felt like a completely different show. Characters introduced as part of an ensemble became side characters in (what was supposed to be) their own stories. Character arcs that got set up were dropped, and mysteries/backstories teased were forgotten. Heck, the monster court and senate wasn’t even brought up! The aftermath of the fear bugs attack ont the citadel went unexplored! It’s like nothing in the past season even happened!

And I’m sorry I gotta say this, but the problem is Olala.

I mean. Okay I don’t wanna be super mean- she’s perfectly fine as a character. We root for her, we cry when she cries, and we cheer when she wins the day.

But since all the episodes were centered around her, we didn’t get to see anyone else’s inner worlds. And like okay, yes, they did it for this season of Juno Steel too, where Juno, the previous POV a character for 2 seasons, became a part of an ensemble, and was a side character for many episodes. But this choice worked for Juno and not Second Citadel, because it was a natural progression for his story! We spent 2 seasons exploring Juno’s character, his backstory, his motivations, we saw him come to terms with his family history, grow and change as a person, and by the time he joined the Carte Blanche, we’d gotten to a point with Junos story where we’re okay to step away for a while, and see events through the lens of others.

But that just?? Doesn’t work in second citadel? Because unlike Juno, the characters introduced in s1-2 are virtually unexplored! There’s still so much about their stories we don’t know, and so many ways for them to progress.

But we didn’t get any of that! Stuff established in s1-2 barely got payoff in this season. Characters stagnated, and when previously it was amazing to watch them interact with each other? Having each episode throw different combinations of characters together and seeing how they clashed and came together? Yeah we didn’t get that, it was all the same characters bouncing off of Olala, which is fine at first, but honestly? After the first couple episodes, it got stale.

And remember how before, we would get to see the characters tell their story through a medium suited for them? Well I noticed that the format of this season was a lot moreee audio drama-y (basically a TV show but with no visuals) and while there’s nothing wrong with that, one of SC’s strengths was in using the medium in unique ways, presenting the episodes in unique formats depending on the POV character. And with the exception of a few moments, the season really lacked that!

I know there were episodes in s1-2, like caves of discord and the Janus beast which didnt follow that format, but I think it’s a fan consensus that the episodes that do (moonlit hermit, KOTC lots, lady of the lake) are favourites, because they fully embraced the advantages and limitations those framing devices offered, and were truly perfect for character exploration.

It’s like. Idk. Imagine wolf 359 s3 where the si5 were introduced, and there was like 1-2 episodes of them interacting with the rest of our cast, but then after that the rest of the season just completely focuses on Eiffel and the new characters, and everyone else just disappears n twiddles their thumbs and doesn’t even do anything during the finale. That’s what happened this season, and that’s the kinda weird vibe I’m talking about.

Since I’m already rambling, I might as well just say some more stuff. I was disappointed with the music this season. I can tell Ryan Vibert was trying to figure a way to make SC sound different from Juno, and he was getting there in s1-2! The pieces that stand out now are the soft, acoustic guitar pieces, like Rillas song, or the lone melody line of the guitar in the SC theme. I thought he was getting it with s3e1, when Marc fought the dinosaur while traditional Japanese instruments were playing!! But then for the rest of the season, it was just samey echoey ambient electric guitar, like how it is for Juno. There could’ve been so much potential to give this world its own musical identity, but in the end, that attempt was dropped (at least that’s how it come off to me), just like so many other elements introduced in s1-2!

I’ve gotten this far in my rant, and I haven’t even talked about the story. And the story is. Hmmmmm

Like. It’s completely serviceable? Kabert are good at what they do so the story is a okay I guess? But to be completely honest, the characters and story were so tied together in previous seasons, so much so that in this season, even though the plot was just fine, it stayed just that. Fine. it always felt like there was something missing because the characters were the story, and to have just. So many holes in that department meant that the story itself was fundamentally empty.

Anyways uh. All of this is to say that this all boils down to character. I had my nits to pick with other elements but the fact that Rilla, Arum, Damien, Marc and Talfryn got completely sidelined (Tal most of all) when so much of the previous seasons were spent setting them up- in favour of a completely new storyline featuring new characters and settings when there was still so! Much! Left! Unfinished! From unfulfilled arcs to dynamics left untapped, and creative potential lost, the essence of the show was watered down and it left me with the intense feeling of

:/

Idk. Season 3 felt like a completely different show. I liked s1, I loved a2, but s3 just. isnt second citadel for me. I’ll probably still listen to the next season out of loyalty, but I don’t think I’ll ever feel as passionately about the shows future as I do it’s precious seasons, especially if they continue this way.

Sorry.

[teamsarawatshusband]

Word Of Honor - 1st watch insta thoughts - Episode 4

Episode 1

Episode 2

Episode 3

In case you haven't read my previous episode summaries, you should know that I now refer to alcoholic tanned tragic hero lord guy as Baby Xu (because he gave the name Zhou Xu), Wen Ke Xing is Smirky Xing, Ke Xing's female travelling companion is referred to as purple love of my life (because she rocks).

Alright let’s get started with Episode 4:

:O WHAT? Smirky Xing is qi-gong-balling nuts? Is he the red masked nut guy??? WTF? Is that why he said he's terrifying? Is that why he wasn't there at first during the fight in the dusty place? Waaaahhhh

Aww, he stilll wants Baby Xu and himself to be on first name basis. Giving horses as gifts. He's so determined.

Oooh the beggars caught up. And they openly state they're with 5 Lakes and want to bring the kid back to... some guy, I already forgot. Hmmm. The kid is instantly scared and hides behind Baby Xu. Baby Xu looks worried too. Nobody trusts 5 Lakes. Smirky Xing also doesn't trust them.

Wow, that's a lot of beggars.

Oh no, Smirky Xing insulted the talky beggar guy. And now they wanna fight.

Woahooooo, Baby Xu is pissy at Smirky Xing, but he trusts him to take care of the kid while he throws himself into the fight. Nice.

Less than 6 minutes in and we already have a million times more action than in the last episode. Thank you.

I see what smirky Xing meant when he called Baby Xu elegant. He is a VERY elegant fighter.

Offering nuts again, lol. Doesn't he know that the kid never wants to eat?

But jokes aside, the way Xing and the kid don't even go far but stay close enough to watch shows really well that smirky Xing is super confident in Baby Xu's fighting skills...

Oh no, they broke the alcohol jars, Baby Xu is gonna be so pissed.

And Smirky Xing is kind of an ass, teasing Baby Xu about his promise to keep an eye on the kid, while the beggar is chasing the kid around and Baby Xu is doing all the work.

Ahhh, it's cause he wants Baby Xu to admit that he needs him. Hehe, smart. Evil but clever.

:O The beggars got swords in their sticks! Cheaty little fuckers.

Baby Xu is fighting a bazillion beggars at once, no problem while the kid is almost caught.

Oh no, Baby Xu is mouthbleeding. That's never a good sign.

Oooooh, Smirky Xing notices and instantly steps in. No more teasing.

Oh how the turntables. Baby Xu and the kid flee, while Smirky Xing takes on the beggars. Nice. Sharing the workload. Like good husbands. Smirklord ftw!

Oh no, Baby Xu is worried about being a loser. And now he's doing the smelly meditation thing again. Awww :(

Meanwhile Smirky Xing has killed all the beggars, and it's not even shown on camera. Like... he probably did it with a determined look, some nut throwing and a snap of a finger or something. Impressive.

LOL, the purple love of my life comes on screen, looks around and has this, "Aww, dangit, he's on a killing spree again" look on her face. So this happens a lot, I gather.

She's concerned about the cleanup and the aesthetics, lol. My queen.

Whoa, what's that? Two tied up girls on a boat. And a jerk. I don't even know him but I know that much. Character introduction 101.

Oh wait, my purple love stops him. She knows him. He's one of the mountain ghost guys? And she knows him? There's a connection. That probably means that Smirky Xing really is nut guy. :O :O :O

She's striking a deal. And I didn't catch what she asked jerk guy to do in return for keeping him tying up girls a secret. But he leaves to do it.

Wow, Baby Xu knows how to cook. And offers the fish to the kid. And the kid ACTUALLY TAKES it. Impressive. I thought he hates food.

Ah, no, he spit it out. Okay. My worldview has been restored. And Baby Xu is not a good cook after all, lol.

My purple queen shows up and explains how to cook fish, lol. Yeah, they wish they had her cooking skills.

Oh, and baby Xu actually asks about Smirky Xing's whereabouts and looks longingly towards the boat where my queen points to.

Very lovely scenery, with Smirky Xing plaing the flute on the boat, and the two girls (who were previously tied up, I think, I still suck at recognizing faces) are enjoying his company, preparing drinks and listening.

Clearly Smirky Xing is playing just for Baby Xu. And then jumps off the boat with a flute twirl (clearly a Wei Wuxian fan, and who isn't?!) and then fly-jumps over the water to the beach and Baby Xu.

Heh, tempting Baby Xu with alcohol and good food, Smirky Xing is really trying everything.

LOL, you can't sit with the cool kids Smirky Xing.

But he never gives up and recites poetry again. Okay, now some story about historic white cloth. And a sword. Wait, is the "white cloth" the sword? Oh, and Smirky Xing is hinting that Baby Xu's sword is so bendy that it might be the legendary sword.

Always digging for info. Always noticing everything.

Oooh, Baby Xing compares their relationship to the fish he threw away, calls it "raw/unrequited". Nice pun. BUT, the fish wasn't raw, you literally discussed with the kid that is was cooked through, you little liar. I see what's going on there. Unrequited my ass. Smirklord setting sails.

Baby Xu explains that he doesn't know himself and couldn't care less about knowing Smirky Xing.

Smirky Xing is such a sweet talker. This whole "I hurt when you hurt" spiel... blergh.

He called him "My A-Xu" awww, cute. Also super invasive.

Some dark figure is playing headach inducing music. Huh? What is going on?

My purple queen and the kid are affected and Smirky Xing, stops them from running off by placing his hands on their backs. How? What?

Wait, Baby Xu plays the flute as well???

Everybody's a musician.

Oh, it's a music fight. The acoustic waves are hitting each other.

And the girls on the boats are jumping off, because they don't have Smirky Xing's hands holding them back.

Whooooooo, Baby Xu's flute sound lawnmowers the grass and the other musician down. Nice skills.

Oh, it's an assassination skill. The one that the dark figure used. :O A music assassin!!!

LOL, Baby Xu apologizes for getting Smirky Xing's flute dirty. Honey, he 100% won't mind your spit.

Why is the kid puking? He hasn't even eaten anything. Oh, he's lacking martial arts skills to defend against the attack, got it, got it.

Awwww, the one who dislikes you is the one who is really good to you. Of course you would live by that motto Smirky Xing, you lovesick boy.

Okay, the kid wants to learn martial arts now. Wants to be Baby Xu's disciple. And he's kind of agreeing, even though reluctantly, because he... doesn't wanna look good in front of Ke Xing?

Oh a camp of assassins. Pretty girl assassins. One of them is getting a leg massage. Nice. Being an assassin has perks, it seems. Ooh, and she gets touchy with some victim guy.

Did that guy just kill the several-times-stabbed victim by throwing a bone at his head? lol

Oh, the music assassin is one of this group, k, got it.

What? Smirky Ke Xing playing this special meditation song means he has a pure mind? I'm with Baby Xu, I would never have thought so. So, he's not nuts guy? WHAT IS GOING ON?

Dude, he does NOT look like of pure mind while playing that flute at all. It looks very... not pure. This looks like a mating ritual to me.

Wait, is he telling my purple queen to kill the two girls she saved? I'm so confused.

Aww, he LIKES Baby Xu. Not that it's a surprise. But he admitted it. Heh. And, once again, my purple queen gets it.

Aww, Smirky Xing plays for his boy all night long. And Baby Xu finally gets some rest. Nice.

And Smirky Xing finally gets to sit next to his crush after all.

But he doesn't get to hold his hand yet. I see how it is.

LOL, tough women can't resist clingy men, what? Is Smirky Xing ever talking about anybody other than himself and Baby Xu?

Ahaha, Smirky Xing is such a bad liar. But really good at making Baby Xu feel guilty. Yes, yes, you poor man driven off the boat, aching from all the flute playing, riiiight.

LOL, he ends up the coachman. Nice.

Oh no, the grandparents are fighting nice undies tree master guy and the mini Wangjis. Why can't they be friends?

Why are they all after that stupid glazed armor, this is so annoying.

Oh no, now pleated skirt soldier boss guy is joining in as well. Which side is he picking?

Okay he's fighting the grandparents, but is he on friendly terms with undies tree guy? Because I don't think so. But the mini Wangjis knew him and seemed to trust him. So confusing all of this...

Okay and there's another new guy. In green and gold with a tiny mustache. Is he the one they were supposed to bring the kid to? Ah yes, okay. Uncle Zhao.

Wait, the leader of the something something sect is chased. Who was that? Undies tree master? I need a name chart mind map or something. I should make one and add on to it as I go along.

Anyway, end of episode.

Okay this was interesting, what have I learned? Baby Xu can't get rid of Smirky Xing, no matter what. The kid wants to be his disciple. My purple queen is 100% a smirklord shipper. There's a bunch of assassins out there to hurt... I don't know, everybody, possibly. Everybody seems to want the glazed armor. Except for Baby Xu who just wants to be left alone, and Smirky Xing who just wants Baby Xu. I feel like I'm getting the hang of this. Except I STILL don't know how everybody is truly connected. And Smirky Xing might be nuts guy but also maybe not because he's pure, but I mean, who are you kidding?

Goals for future episodes: I should really actually make that character name chart mind map thing.

Also, we have officially reached the moment, where I wanna continue watching, even though I'm tired and have other stuff to do. I bet the point of no return strikes during the next episode. I can feel it coming.

[floatingcatacombs]

Evaluting Gatchaman Crowds Through Rui’s Outfits

12 Days of Aniblogging 2020, Day 1

Oh, I’m fashionably late to this one. Gatchaman Crowds is a 2013 superhero anime that serves as a soft reboot of the old tokusatsu franchise, only now with 21st century shitty anime tropes. From this painfully generic setup emerges a surprisingly layered evaluation of technological disruption in the smartphone era. For this reason, Crowds is a favorite amongst anime bloggers as a superhero work that’s actually trying to do something interesting.

Unfortunately I don’t care about any of these guys

But it’s also a favorite amongst all sorts of weirdos because of the character Rui Ninomiya. A horrifying amalgamation of the technolibertarian CEO and trans femme hacker archetypes, Rui is by far the most interesting character in the show, because they’re a surprisingly prescient look at how the tech industry will function throughout the 2010s. But they’re also a ‘boy’ who never leaves their house without dressing in the most girly clothes imaginable. Predictably, this is catnip for me. But the funniest part of the whole situation is that nobody ever addresses it. Rui never provides an explanation for their outfits and the rest of the cast just uses she/her until they properly get acquainted and switch to he/him.

I could tell you that Rui’s obviously trans and wrap up the post right there, but that’s honestly not the most interesting angle of attack here. So I’m just going to use whatever pronouns I feel like in the moment for them and focus on what really matters: fashion! Rui has a surprisingly large wardrobe throughout the show, so I’ll be doing the heavy lifting of ranking each of her outfits. Oh, and also maybe a little analysis of what she represents. Spoilers for the whole show, of course.

7. The Yellow Dress

Let me lay out Rui’s ideology before I lay into their fashion disaster. You see, they’re a tech disruptor who believes that governments and bureaucracies are too slow to achieve the monumental (yet unspecified) change that society needs. So, they preside over a smartphone app called GALAX that successfully predicts Pokemon Go’s geosocial AR gimmick three years early. GALAX is a technolibertarian’s wet dream – crowdsourced emergency response, interest-based meetups, and matchmaking for people who need specific help and the people who can help them, all deeply gamified.

Their outfit here is about as messy as their politics, but at the same time, what a look. She’s got blue-and-white-striped programming thigh highs on under her combat boots, which are both such trans iconography, you know? While they may just be a reflection of early-2010s 4chan crossdressing culture, it’s also totally possible that Rui directly influenced or reinforced trans girl fashion, like the accelerationist she is. What a prescient show, in all sorts of weird ways.

6. Lace-up Dress with Bunny Ears

It wouldn’t be an anime girl cosplay without some bunny ears, now would it? Rui spends 5 minutes in an early episode just wandering around the city in this outfit, listening to people’s conversations and feelings on GALAX. There’s something very funny about how nobody even notices them, like they’re completely invisible despite their ridiculous outfit. This actually factors back into the tech stuff! Like pretty much every tech company, Rui’s app and vision are both sleek and shiny but rely on tremendous amounts of dirty labor kept as hidden as possible. From Amazon’s inhumane warehouse conditions to Facebook’s trauma-inducing moderator farms to Apple’s child labor-tainted supply chains, there’s always suffering humans behind the too-good-to-be-true magic of tech companies. Rui’s lie by omission is failing to mention that the app relies on invisible extradimensional beings called CROWDS that are manually controlled by underpaid workers to assist its users. One of the workers comes to Rui challenging their vision and arguing that they should be sharing this tech with the movers and shakers of the world, not trying to keep it invisible. He threatens a collective walkout and Rui fires him. At this point, we’re not even operating on metaphors.

5. Green Business Casual

Sure, most tech companies have cruel labor underbellies, but there’s also the separate risk of moral rot. It’s what causes Microsoft to take on ICE contracts and Google to develop censored versions of their search engine at the whims of authoritarians. Many tech companies start off with an altruistic message, but without a serious ethical core, they will start doing a whole lot of evil as they bend to financial and other pressures. Rui’s version of this is extremely literal: she made a deal with the devil to gain the ability to use the CROWDS and launch her app. Except this devil is also a butch gender-noncomforming alien (there is a Lot of other gender going on in this show that I don’t even have time for) and the two of them seem to have an extremely fucked-up relationship. Like any good Faustian bargain or any bad attempt at raising more venture capital without a viable business model, eventually the whole thing comes tumbling down and now you’re doing something terribly fucked up. Rui looks good in a dress shirt, at least!

4. Whatever your abusive partner puts on when she body-snatches you

Of course the center won’t hold, GALAX is subject to a hostile takeover, and to nobody’s surprise, an app with the flimsy promise to change the world for the better can actually be way better at ripping it all apart. I guess the prescient social media parallel here is Facebook being used to propagate Myanmar’s ethnic cleansing, or really anything related to Twitter for the last 5 years. FuckedUpAlienMimic!Rui sure does have cute fangs and a way more refined fashion sense though. I don’t feel like looking into that one.

3. Business....Futch?

I know I’m not done outlining Rui’s arc, but I’m going to skip ahead for a moment to say that Gatchaman Crowds also has a second season! I’m largely ignoring it here because Rui is pretty much stripped of all plot relevance and most of her outfits are less exciting, but I had to include this one. For two episodes, she puts on bright yellow stirrup leggings and an oversized polo shirt, with a cute ponytail to boot. It’s a ridiculous look, but still feels really evocative to me. Sometimes a girl just has to put together completely uncoordinated outfits and see what happens.

Unlike the disruption-focused first season, Gatchaman Crowds season two, which aired in 2015, is about how unfettered technolibertarianism can easily descend into fascism. Goddammit.

2. The Bunny Ears Outfit Again Oh God Who Hurt Her

The weight of the world comes crashing down in Rui’s hands, she’s bruised and beaten in a surprisingly sadistic manner by her alien ex-business partner/girlfriend, and she’s locked out of her own company which is very quickly causing society to fall apart. So what does she do? She puts the bunny dress back on, and wanders the streets again until she has to call upon the powers that be to fix her own mess. It’s silly that the powers that be in this world are superheroes, but I bet you forgot that this was technically a superhero show at this point. Anyways, my extended metaphor is quickly drifting off course, but I guess this is the part where Rui gets grilled by Congress and slapped with an antitrust case.

1. Every Trans Girl Stereotype Rolled Into One

I’ve been incredibly harsh on Rui throughout this writeup, because I’m harsh on the industry she represents, but I’ll make it up with this section. Look at what she’s wearing! A choker, the gothiest Hot Topic dress imaginable, arm warmers, no less than three asymmetric garters not even holding up anything, and the tallest black boots she could find. It’s incredible! If the first outfit on this list was hinting at her relationship to stereotypical trans fashion, then this outfit just screams it. It’s the perfect goth femme hacker look, a style commitment I have no choice but to respect.

Gatchaman is a weird show. After spending most of its runtime thoroughly dunking on tech disruptors for being too optimistic and uncritical, it takes a last-minute turn into Lockean state of nature arguments. It settles on “the masses are inherently good enough that empowering people through technology shouldn’t ever be a problem”, ignoring all the suffering that happened due to Rui’s unwillingness to curate their own technology. I’d give Gatchaman Crowds an average rating, but it’s one of those interesting average ratings where instead of being milquetoast, they tried something and failed and wrote themselves into a corner. But hey, at least there’s an interestingly gendered character!

[chaotically-cas]

Tombstone spoilers

- - -

Oh my god. This is my raw reaction (I’m posting in the morning) to finishing Tombstone at 3:30 am. I finished it less than a minute ago. I’m in shock. I’m still crying oh my god. Literally crying.

I did not expect to enjoy a western cowboy movie that fucking much???? But I did??? I don’t even know where to start. I’m not sure if the acting from Wyatt Earp’s actor was good or bad. I genuinely can’t tell. But I thought that Val Kilmer fucking carried that movie dear lord is he so beyond talented oh my god. He is so good in these kinds of roles (Jim Morrison) I swear I literally got goosebumps so so many times. I think he is an incredibly underrated actor & that movie is excited why. Jesus fuck he was incredible it felt so real. It was one of the best performances I’ve seen on that type of role from anyone I can’t. The acting overall was for the most part down right magnificent.

The absolute heart wrenching showing of tuberculosis too omg. Especially in lines as small as ‘forgive me if I don’t shake hands’ to his beautifully the makeup department & Val did with showing how physical the disease was. I’m not sure what else to complement besides the fact that ‘the dying man’ is such a common character but I don’t think you can really do much better at all in this case. Top marks.

& the way it was filmed & the shots were so beautiful. It was so timely & cinematic oh my god I can’t describe it. They used close up shots & far away shots both so beautifully & in such a meaningful way I wanna give the director I high five man.

Jesus even Johnny Ringo’s character was absolutely perfect. I don’t remember the actors name off the top of my head but he is absolutely brilliant as well as the rest of the cast. Including Russell who practically directed the entire thing. Jeez I think he was incredible in that role. Even Ike was a fantastic character I’m sorry but I can’t lie.

I could talk about the scene where Johnny Ringo & Doc Holliday first met forever I think. Not only did they but probably two of the best actors in the movie the same room together. But it’s probably one of the most well known scenes too. Just the belligerence & the absolute wit between the both of them, especially Holliday, is mesmerizing. I love the way he turns to his girlfriend & talks to himself over whether the fact he should hate him or not. & he ends up deciding to hate him because he reminds him of himself. Which is again brought up so fucking incredibly later on in the movie. I think it’s amazing they didn’t let that aspect of their characters fall though. I think that scene is just magnificent. The way Doc is so sly & coy with a simple shot glass. Just the way the own shots are mocking themselves as well as the characters in a way is just. God. It’s unmatched. & the way they bring back the ‘he’s drunk’ later in the movie too as such a juxtaposition is just. Shit man. It’s beyond brilliant.

The scene where they all were at a draw & then Doc just winks. & you can see the other actors face go from fear to anger. & then wyatt realizes. Good it’s just a greatly filmed & directed scene everything about it is perfect from the reactions to the shots.

Now. Here is where I might be getting a bit controversial. This movie is gay. It’s fucking gay.

It’s a love story between Earp & Holliday. I said it. From the very very beginning when they first see each other again I could tell that Holliday was pining, he was crushing. & Wyatt was too except he didn’t know it. It was in the ways he cared for his well being & if he needed anything. They both just supported each other & were such good friends throughout it all even in the small things. But the big gestures is where it gets me.

The first being the multiple times Holliday stood up & actually took a deadly fight for Earp. All whole literally dying himself. He was literally willing to do fucking anything for him he was in love idc. & the second being the scene where he is saying goodbye oh my god. & Earp gives him the fucking book ‘my friend Doc Holliday’ oh my god. That’s when I started crying. Cause it was Doc saying that if Wyatt really loved him he would have to let him go & be happy. & then he died clutching the little book his best friend gave him omg. I cried. & of course Wyatt had to fulfill his best friends last wish. That killed me.

There was even a deleted scene between Doc & his girl where she is asking him why he is leaving again. & she is like ‘it’s Wyatt, isn’t it? It’s always Wyatt’ or something to that effect. & dear god I wish that scene was included because it only further shows how close they were. Both did & his girl also went to the lengths of pushing at the fact that he could & wouldn’t mind dying from him. I just think that’s interesting. He literally would do anything for his friend & his girl knows it (as she called herself.)

But what strikes me most is both times Wyatt was walking away from Doc, thinking he would never see him again, he give him something. Like pretty important too. Idk it really got me in my feels & I’m kind of glad it was so subtextual as well as implied through the clearly more than friendly gestures. I don’t think they could have portrayed the fact that they were so sadly in love any better. In my opinion. God I cannot it’s so sad. & the fact that they stayed by each other. The. Whole. Time. Through literally everything. I can’t describe it. They deserved better but at the same time it was so perfectly heartbreaking.

The way he looked down at his feet at the end & laughs right before he died breaks my fucking heard. Because he thought he would be dying down the road or honestly anywhere else. With his boots on. With his friends. I can’t it just kills me. It’s such a small & missable detail but holy shit if you notice it it hurts like a bitch.

I just. I can’t. I really loved this movie. I didn’t expect to like it a bit. I expected to be bored. But the action sequences were amazing. Everything was beautifully filmed. The dialogue was amazing (see quotes below) & just. Overall it was a great movie. I can see why it’s so a-claimed. I understand Dean Winchester so naturally I have to watch the tombstone supernatural episode again. Ah.

I strongly suggest the movie. Obviously with consideration of heavy gun violence & death. But yea it was incredible. Val Kilmer is god I’m pretty sure. I will most definitely be watching this again & sobbing.

- - -

“There’s no normal life. Wyatt. Theres just life. Now get on with it.”

“Don’t know how.”

“Sure you do. Say goodbye to me.”

- - -

“Live Wyatt. Live for me. Wyatt if you were ever my friend. If you ever had the slightest feelin for me. Leave now. Please.”

- - -

“What does he need?”

“Revenge”

“For what?”

“Being born.”

- - -

“I was just foolin’ about.”

“I wasn’t.”

- - -

“Apparently Mr. Ringo is an educated man. Now I really hate him.”

- -

“You’re so drunk, in fact, you’re probably seeing double”

“I have two Guns. One for each of ya”

- - -

“Maybe pokers just not your game, Ike. I know. Let’s have a spelling contest.”

- - -

“You’re no daisy. You’re no daisy at all. Pour soul. You were just too high strung.”

- - -

“You’re a daisy if you do.”

- - -

“What you doing this for anyway?”

“Wyatt Earp is my friend”

“Hell, I got lots of friends.”

“I don’t.”

- - -

“I’m your huckleberry”

- - -

“Not me. I’m in my prime.”

- - -

God I could quote this whole movie.

But lastly y’all when they were playing cards on his death bed & Doc was like ‘I don’t wanna play anymore’. Yeah. That broke my heart. That scene is 10x more sad imo than Jack’s death in titanic.

& just the fact that his very very last moments alive were spent thinking about his friends future just shows how much they cared for each other. My heart hurts. Such a beautiful portrayal.

& yes I’m going on again about Val’s acting in this because he deserved a fucking Oscar. God. His sophisticated sarcastic & overall ugh everything of the role was absolutely perfection. It’s most definitely my favorite performance by him & maybe actually one of my top ever performances. He is so talented I cannot stress this enough.

-

I was tying fast. Ignore any typos.