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airenyah · 8 days ago

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A LOOK AT STYLE'S JOURNEY | Ep 8

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep9)

Oof. This took me way longer than planned. Partly, because I had some uni assignments to work on and partly, because I went home the weekend after episode 8 dropped and ended up binging the entirety of Star in My Mind with my mother. On her request, btw. Who am I to say no to my mother when she wants to watch a JoongDunk show for the 3rd time together. I actually meant to upload it a day or two ago, but then I kept realizing and noticing and remembering details that I really wanted to add, some of which were also language related, so I then needed to check with my Thai language correspondents which also took some time as I waited for their replies.

But here it finally is! I know in my last meta I said it was my longest one yet, but this one's even longer, actually. Watch my metas hit 20k words by the end of the series lmao. Anyway, enjoy. And apologies in advance if my ep9 meta is also late, since I had to finish this one first. I promise I'll try my best to get it done before ep10 <3

Pronoun situation: As usual, just assume Fadel and Style use the rude pronouns guu/mueng with each other unless I specify otherwise.

To recap: So Fadel and Bison found out. Fadel and Bison are mad. Fadel and Bison want to kill Kant and Style. Style was drugged, kidnapped, found himself tied up at a pool staring down the barrel of his own boyfriend's gun, survived, and then drove off into the sunset, uh, I mean went on a little road trip in search of his best friend and his boyfriend's brother/best friend's boyfriend. As bleak as things may seem with Style being back at square one with the added challenge that Fadel now actively wants to kill him, this, at the same time, may be one of the best things that has ever happened to Style, because finally everything is out in the open. Style no longer has any secrets to keep (except for the deal with the car) and he can finally be brutally honest in everything he says and everything he does.

No. 1: Midnight Mote– Oh Wait Wrong Show

We meet them as they're pulling into the parking lot of a motel. Since it seems to be pretty late at night, I think it's fairly safe to assume that they were driving all day, likely non-stop. The first thing out of Style's mouth is a horny line. "Why are we at a motel? Did you get turned on while we were on the way or what?" And just from that line alone we can actually see how far he's come since the beginning of the series and how far he's come in his feelings for Fadel too. Remember my first few metas about the first few episodes of the show and how I would go into whether Style really meant his flirty comment or not? I don't think in this moment Style was actually trying to seduce Fadel (we know how he acts when he does want to seduce him and we'll even get to see an example of it in a bit when they're in the room), but it's still very different from his flirty/horny comments in the first couple of episodes in the series where he also wasn't really genuinely trying to seduce Fadel. Back then, a lot of his comments were very loud in a performative kind of way, as if he was saying them for an audience, not because he actually meant what he said. This one here? There is absolutely none of that loud, performative energy to be found. No, Style makes this comment very casually, almost matter-of-factly even as if he's asking something like So, what do you want for dinner tonight?

It's no longer a performance to him. In fact, he's quite serious about it and while it was an offhanded rhetorical question, it still almost sounds like an honest question. The flirting is no longer a joke to Style the way it was in the first three episodes of the series. He genuinely wants to know. But Fadel shuts him down and orders him to get out of the car. Style is a bit annoyed at the dismissal, but by now he's also used to it. After all, he did spent 4 episodes doing nothing but hitting one wall after the other. And just like back then, he won't let Fadel shake him off that easily. So Style complains: "I’m just curious so I know what to expect. It’s not like I can just turn the switch on, you know?" Again, this is not a performance. In fact, this time around, he's even more serious than compared his comment before. He may not be planning on actively seducing Fadel right here right now in the car, but who is Style to say no if the opportunity to sleep with Fadel arises? For Style, sleeping with Fadel is absolutely on the table if Fadel makes the offer. And so Style lets him know. "I’m just curious so I know what to expect." Will you be sleeping with me? Are you planning on sleeping with me?

Fadel takes a moment to reply and there is an interesting expression on Style's face as he waits for an answer:

Style is watching him carefully, really observing Fadel's face. He's done this before when he's hit Fadel with a flirty or suggestive line, but where before his expression would always be one of excitement or amusement or curiosity or sometimes even smugness, this time it's completely serious. It's almost as if Style is searching for something. But searching for what?

As I mentioned above, I don't think Style is actively trying to seduce Fadel here. I think he's more testing the waters. Because while yes, Fadel has slept with him before and yes, Fadel is in love with him and Style knows it (he will later confirm it for himself at the end of the episode), the problem is that Fadel is also very pissed at him right now and is actively planning to kill him, has actively tried to kill him only hours ago, actually. If that doesn't send confusing signals, then I don't even know anymore. And so Style needs to figure out where exactly he stands with Fadel right now – that's what Style is searching for when he's staring at Fadel. He's trying to see how far Fadel has pushed him away now that the lies have come to light, is trying to find out how close Fadel will let him come now that Fadel has calmed down a bit from his tantrum at the pool. Will Fadel let Style get close enough again to maybe even be willing to sleep with him like before? Is their relationship maybe not in ruins yet? Has Fadel's anger faded enough? Does Style still have a chance with him? Is there a chance they can go back to the happiness they shared before all hell broke loose? This matters to Style and it matters a lot. And so he tries to look for the answers in Fadel's face as he waits for Fadel's reply. And after a moment, Fadel lifts his gun and hits him with:

I didn't take you here to sleep with you. กูไม่ได้พามึงมาเอาเนาะ [guu mâi dâai paa mueng maa ao nó] I - not - take - you - come - sleep with - [particle] Official subs: I’m not sleeping with you.

Sex is not the purpose for which Fadel made Style drive to a motel of all places. Fadel informs Style that this is where he's meeting Bison and repeats his order for Style to get out of the car. Style actually stares at Fadel for a second before he reacts:

This is the second right before Style turns his head and says he'll wait. And again I think this is him taking in Fadel's response and his brain working out where exactly Fadel has put him now. That's important info for Style to know. Style needs to understand where exactly he stands, because he needs to find out how much distance precisely it is that he has to overcome so that he can figure out a way to overcome that distance. Because Style doesn't want there to be any distance between the two of them at all. But Fadel clearly won't let Style get anywhere close right now. So Style turns his head and announces that he'll be waiting in the car. He's not in the mood to follow along, Fadel is a big boy and can go and get his brother by himself. Fadel, however, isn't in the mood to play either. He points his gun at Style's head again and tells him no. Style will not be waiting in the car. Style looks severely unimpressed.

Fadel orders Style to follow him, and in fact, not just to follow Fadel but walk in front of him, actually, thank you very much. And yes, Fadel does literally say "follow me", not "come along":

ตามกูมา [dtaam - guu - maa] follow - me - come Official subs: You come with me.

As a translation student I think it's a shame the translator didn't stick to a literal translation here, because I think it's pretty funny how Fadel is all "follow me" at first until he remembers that "following" implies walking behind someone and then changes his mind and tells Style to take the lead instead so that Fadel can actually keep an eye on him and threaten him with his gun if need may be. With Fadel ordering Style to walk behind him at first, I think it highlights his unspoken threat of "Walk in front of me (where I can see you)" even more and it's a shame the translator removed that. But despite the threat, Style just continues to be unimpressed. In fact, Fadel is really starting to get on Style's nerves now. And so he rolls his eyes and sighs the biggest sigh ever to make sure Fadel really can't miss how Style feels about this, how he feels about getting out of that car, how he feels about Fadel bossing him around and threatening him and waving a gun in his face.

Style is so fucking done with Fadel's stupid fucking act. And Style knows it's an act, he knows Fadel won't be killing him. At least not any time soon. And especially not right here in the parking lot of this motel. Fadel steps out of the car and Style watches him, then shakes his head, annoyed, before he follows Fadel's lead and gets out of the car as well.

They make their way towards the aunty and Fadel actually does fall behind Style as they walk. Once they reach the aunty, Fadel starts questioning her about Bison. She recognizes Bison on the photo, but hasn't seen him in a while. Aunty is worried and asks if he ran away from home. Style immediately jumps in and comes up with a reasonable story.

@secriden has an interesting thought about this:

[T]he story Style comes up with about why they're looking for a missing person on their own like this (instead of, y'know, going to the police like upright, non-hitman citizens would've) was really good to explain their urgency/frustration and preempt any suspicion so that the auntie is unlikely to report them to the cops. Style is actively, genuinely helping Fadel out and using his excellent skills at playing Asian aunties to full effect for him. Ugh, just look at how earnest and worried Style's expression is!? He totally disarms the auntie while I bet she would've been a lot more suspicious and distrustful if grumpy face on the left had come asking questions alone.

I think this is certainly an aspect of it, but I'm not sure how much of it is Style consciously doing this in order to help Fadel out and to keep the aunty from getting too suspicious and how much of it is Style acting on instinct. Not to mention, part of this is definitely also Style just being a chatty cat, ready to strike up a conversation with anyone who'll listen to him talk. Especially when it involves aunties that he can wrap around his finger with his charm. That is Style's personality after all.

I also love how Style drops the "boyfriend" without a second thought. Because obviously they are still boyfriends. Yes, Fadel drugged him and kidnapped him and pulled a gun on him and nearly killed him but never once did he utter the words "I'm breaking up with you" or "This relationship is over". So of course this relationship is very much still on. Why wouldn't it be?

Though let me just say, I don't think Style necessarily called Fadel his boyfriend deliberately in this moment in the sense of that he is actively trying to send some kind of underlying message to Fadel. I mean, in a way yes, but this boyfriend mention is very casual (as if it's the most self-evident thing in the world) and so I don't think his main goal here is to send some kind of deliberate pointed message along the lines of Do you hear that Fadel, I truly love you and I still consider you my boyfriend to Fadel, because if that were the case, he would have highlighted the word "boyfriend" more. Style will be calling Fadel his boyfriend very deliberately and pointedly later in the episode after a certain confrontation. But for now, this underlying message is more of a side thought.

Aunty asks if the two of them want a room. Style say yes. Fadel says no. Style insists. He's tired and there's no point in continuing their search for Bison right now. Fadel is stubborn. They have to keep going. Style starts getting overdramatic and flaunts his waist. Aunty supports Style. She refers to Style as Fadel's boyfriend. Style throws Fadel a pleased, warm look and raises his eyebrows at him. See? She's on my side. I'm winning this. Fadel says Style isn't his boyfriend. We don't even get to see Style's reaction to that claim, so I guess it couldn't have hit him too hard. Maybe he was even half expecting this sort of reaction with the way Fadel has been pulling back from him and has been rebuilding his walls.

Aunty tells them she'll be putting them in a special room and Fadel doesn't argue. Aunty presents them with lube and a condom. Style throws Fadel an amused and a little smug look.

No. 2: Of Mechanics and Race Car Beds

Fadel is having one of the worst nights of his life. That special room is very much not to his liking. Style, though, loves it. Obviously. Although, I think he also partly says it to be extra nice to the aunty to make up for Fadel being such a grumpy cat and partly as a way to get under Fadel's skin. The "Fast. Hard. Furious." part especially is a direct message to Fadel. Style is being a little shit again in order to get through to Fadel, but what's different now compared to the early episodes is that there is so now much more fondness that comes with it. When he smiles at Fadel afterwards, there is amusement in his expression, but moreover there is so much warmth and affection as well. There's even an air of playful innocence about it like Don't you agree, baby? 😇

The aunty leaves and Style comments on how he's never had sex in a car before (and to those who are calling bullshit on that statement, let me just point out: he said he never had sex in a car, he didn't say anything about never having sex with a car. I mean, we all saw how he touched Kant's car back in episode 1 🤭🤭🤭). Style takes off his shirt, throws it at Fadel, leans onto the windshield of the car and says some very flirty and suggestive things. Fadel finally gets up from his spot in the very last corner of the room, walks up to Style, grabs his hand and leads it down his own body. Then Fadel leans in for a kiss, only to handcuff Style to the bed.

This whole scene is very reminiscent of the kitchen scene at the start of episode 4. In both scenes Style says flirty and suggestive shit with the actual goal of getting into Fadel's pants, in both scenes Style makes a comment about how it's like a sex fantasy (Note: in episode 4 the subs say "wild", but since he is literally saying an English loanword I think you can hear it for yourself and don't need me to spell it out for you in Thai like I usually do), in both scenes Fadel is trying to push Style away, in both scenes Style is also trying to annoy Fadel in some way. And yet both of these scenes go very differently.

In my ep4 meta I discussed why Style genuinely meant all the flirting in the scene and how he was genuinely trying to get into Fadel's pants, but there is one aspect I actually didn't really mention, partly because I was focusing on other things and partly because back then I didn't yet have the comparison of how Style's flirting would be like once they were in an actual relationship and real romantic feelings were involved. I've mentioned before how when Style is saying suggestive things without actually meaning them in the earlier episodes his voice will be louder and his tone much more performative while when he is sincere in his sexual flirting his voice will go more quiet. When Style goes into his whole "I know a guy like you just needs a little nudge" spiel in episode 4 his voice is a lot more quiet than it usually is compared to the insincere flirting which is why (amongst other reasons I discuss in my ep4 meta) I think he definitely meant it, but (and this following part I didn't mention back then) there is something about his tone of voice and also the way he grabs Fadel's crotch in such a rough, unsexy way that makes me think he was also trying to piss Fadel off a bit. It's not just flirting, but it's a challenge too. Because Fadel keeps claiming he didn't miss Style when Style failed to show up at Fadel's usual spots, keeps claiming that Style is a only a bother to him. And so I think, as much as Style was genuinely up for sleeping with Fadel for a second time (the same way something else was, ahem, up that morning when Style awoke from his blissful dream), I think he was also using the chance to try and get under Fadel's skin again, trying to break down Fadel's walls even more, trying to make him admit that he was thinking about Style and that he had grown to like him.

Now in episode 8 Style doesn't need Fadel to admit his feelings anymore. Fadel is his boyfriend already, they've slept together on multiple occasions, and have also gotten to know each other on a deeper emotional level. Yes, Fadel has put his walls back up now that the truth is out, but now Style also knows what lies behind those walls. And so in this scene in the motel room he actively annoys Fadel on purpose, first of all by being flirty in the first place (Style knows exactly that Fadel isn't here to sleep with him since Fadel explicitly told him so when they arrived) and second of all by throwing his shirt at Fadel, which I think is an attempt at kind of connecting to/making contact with Fadel who retreated all the way into the last corner of the room and an attempt at getting some kind of reaction/engagement out of him. And what I've also seen someone note somewhere in the tags is how Style's shirt says "control". Style rids himself of "control" and throws it at Fadel. And we see that in the way he acts.

In the kitchen, even if he let Fadel take the lead once Fadel grabbed his waist and put him onto the table, in the beginning it was still Style who initiated everything, it was Style who moved closer to Fadel and who started touching him. Now in the motel, Style lets Fadel fully be in control from the start. Instead of getting closer to Fadel, Style now stays put exactly where he is. Instead of touching Fadel suggestively as Style did in the kitchen and is generally keen on doing whenever he genuinely wants to get into Fadel's pants he leans on onto the windshield of the car and puts himself on display completely, flaunts himself, offers himself to Fadel in a way that says here I am, take me any time. Style stays put, doesn't touch Fadel, and instead waits as he leaves the choice to engage entirely up to Fadel. Fadel can have him whenever he's ready. Style won't force Fadel before he is ready but he will make sure that Fadel knows loud and clear that Style's offer is here.

Style's tone is also fully grounded and serious now as well as very calm. It's the complete opposite of his loud, showy, performative behavior from the first three episodes when he was trying to "seduce" Fadel and was spewing insincere words. And when he smiles at Fadel, he's kinda amused but there is also so much warmth behind in his expression:

Fadel finally gets up and engages with Style and it's interesting, because back during episode 4 in the kitchen I already thought Style was serious about hooking up with Fadel and it's just so cool to see just how much more serious Style actually gets now that strong romantic feelings are involved. If you watch the kitchen scene from episode 4 and the motel scene from episode 8 back to back you can absolutely tell in which of these scenes Style is full on in love. And what else is interesting is that even though in the kitchen scene from episode 4 Style 10000% means every single thing he says and genuinely wants to hook up with Fadel right then and there, there is still some sort of performative air to his lines when he says "Oh, we’re doing it in the kitchen?" and "Wild. I like it". In episode 4, Style had just found out from the market aunty that his strategy of staying away did have an effect on Fadel, but when Style calls him out on it, Fadel keeps rejecting him and keeps telling him to piss off. And while Style's gut feeling tells him that Fadel does feel something for him, Style doesn't actually know. Because Fadel keeps saying otherwise and keeps pushing him away. But in the kitchen Style genuinely wants something from Fadel and I think when Style makes his comments while Fadel is putting him on the table his words aren't entirely grounded not because he's being insincere, but because he's trying to play it cool. I think he's trying to hide how desperate he is for Fadel to reciprocate his blossoming feelings.

Now in episode 8, though? Style is no longer desperate for it. Sure, Fadel is currently pushing him away again all the time, but it's okay. Because unlike in episode 4, Style now knows for a fact that they're in love. That Fadel is in love with him, too. Fadel is mad at him right now, but that will pass. So when Fadel comes over to (seemingly) go along with Style's seduction, Style doesn't say a word. He doesn't need to anymore. He doesn't have anything to prove anymore. He is confident about their mutual feelings and their relationship now.

Something that both the ep4 kitchen scene and the ep8 motel room scene, and actually also the ep3 storage room scene share is how Style lets Fadel take the lead. Style isn't forcing himself onto Fadel, he sits back and lets Fadel do whatever he wants to do to him.

Fadel grabs Style's hand and leads it down his chest. Style follows with curiosity, looking pleased, clearly happy that Fadel is actually engaging instead of pushing him away and definitely also excited about the prospect of getting some. Fadel leans in for a kiss and Style follows and—

Before Style knows it, Fadel has handcuffed him to the bed. Kissing is off the table, it seems. In episode 4, Style was extremely hurt by Fadel's rejection. Now in episode 8, he's still pretty miffed about it, but he is in no way as hurt as he was that time in the kitchen. Because by now Fadel has done this to him enough times that he's used to it. And also, as I mentioned before, their relationship is on a very different level now. Fadel handcuffs Style and Style is disappointed, but not surprised. Mostly he is just kinda annoyed that Fadel is still keeping up this stupid act. "What the hell? I ain’t running away, you know?"

In episode 4, Style ran off, hurt and humiliated and very enraged. In episode 8, Style stays put. Not that he could have gotten very far even if he had wanted to run off, but Style genuinely doesn't want to. In episode 4, Style spent quite a long time being angry at Fadel for dumping him like that. In episode 8, Style is annoyed for like a second upon realizing what Fadel's plan had been all along, but then he immediately gets over it and meets Fadel with love and warmth instead. Fadel says "I don’t trust you" and Style does talk back, but it's more of an affectionate teasing than an attempt at instigating an actual argument. Style almost smiles at Fadel after he says "And if I need to take a piss?" Fadel lets him know that he will be uncuffing him for that if need may be and Style lowers his gaze. He sees the complimentary gifts and playfully starts teasing Fadel about using them. And unlike earlier, I think this time with that kind, warm smile Style is throwing Fadel, Style's comments about chains and whips and using the complimentary gifts weren't actually meant as genuine seduction. No, I think that was Style's way of saying Hey, I'm not upset with you for chaining me to the bed, I'm not holding that against you. But would you please just drop the act and stop pushing me away all the time?

But Fadel grabs his chin and tells no, he will not be dropping the act: "Didn’t you say you’re tired? I bet it’s because you run your mouth too much. Shut up and go to sleep." Style smiles at Fadel again towards the end of Fadel's new rejection, but that smile falls as soon as Fadel walks away.

And I don't think it's because Style is frustrated that he won't be getting laid that evening after all. I think Style is genuinely disappointed that Fadel continues to push him away like that, that Fadel keeps on being stubborn and refusing to communicate and engage with Style no matter how clear Style makes it that he's not holding a grudge about anything that happened that day, from the drugging to the kidnapping to the attempted murder to the blue-balling. And in addition I think Style is also a little hurt that Fadel won't just trust him at least a little bit and hurt that Fadel keeps acting so distant and stand-offish. Style just wants his boyfriend back.

No. 3: Deliver A Message

Now this scene is interesting because it left some people confused from what I've seen. Is Style being serious with his crying or not? Is he playing Fadel? Especially with the upbeat music that was put in the background at the beginning of the scene. There's another reason why I think this particular scene is confusing (and which was the reason why it confused me in the beginning as well), but that's a topic for a whole separate post. (Side note: While I was still working on this meta, I actually ended up getting an anon about this crying scene and sooo this "separate post" might actually follow at some point, even if I hadn't been planning on actually writing it when I was typing the previous sentence. Stay tuned.) I think multiple readings of this scene can co-exist, but for now I just wanna share what I personally think is happening in this scene.

First and foremost let me just say that I don't think Style is necessarily playing Fadel. If anything, he may be playing the drama up a bit like he tends to do, because that's simply just his personality. He has a tendency to be a bit more dramatic then necessary. But even if he is playing it up, I think it absolutely comes from a genuine place. After all, Style is only human and he has had quite an eventful day. Let's recap...

The day started with Style showing up at the hospital, already antsy because he couldn't reach Kant which was worrisome especially in the context of Fadel's threatening warning of "the two of us have business to finish with the two of you" from the night before. So Style shows up at the hospital, only to find out that his best friend was kidnapped by an actual assassin who is very capable of murdering Kant (Style doesn't know Bison as well as he knows Fadel, so Style has no way to tell whether Bison loves Kant enough to spare Kant's life the way Style can tell with Fadel). And immediately after that he gets ambushed and drugged, which absolutely is a traumatizing thing to go through and certainly must have had some effect on Style, if just subconsciously. Then, he finds himself tied up naked at a pool, which again, would generally be a traumatizing situation to find yourself in, especially when someone you know is very capable of taking other people's lives comes and continuously waves a gun into your face. And yes, by now Style knows Fadel pretty well and so he didn't feel too threatened, but Fadel was also really angry and Fadel also did punch Style in the gut that one time when Style was overly confident that Fadel liked him enough not to harm him. And I think, even if on a surface level Style didn't feel too threatened by Fadel (because Style has learned to read him) on a subconscious level the knowledge that Fadel certainly could and would shoot at any moment if he got too angry is still there. And right at the end of that scene there was a point where Style was genuinely scared for his life. Again, that's pretty traumatizing. And then he spent all day in a tight space with someone who is angry at him and keeps pointing a gun on him. And then he got chained again. And got pushed away by his boyfriend over and over again. Style is only human. And it makes complete sense for all the emotions that he repressed while he was playing it cool in order to get through these traumatizing events to come bubbling up to a surface level now at night where he finally gets to rest.

Lying there, in bed, at night, about to fall asleep, his brain is finally not busy with keeping him alive anymore. His brain finally has the time and the opportunity to process everything that has happened in the last 24ish hours. And as he is lying there in bed his brain is probably playing back everything that has happened and is coming up with a lot of "what if" scenarios. What if Fadel had actually killed him at the pool? What if Fadel will actually kill him in the future just like he actually did punch him in the storage room when Style was confident that he wouldn't? Style's death would come with consequences. We've already heard and seen a lot about Style's loving relationship with his dad and it's no wonder Style thinks of him now. Because Style's death would hurt his dad a lot. Style's dad already lost the mother of his son, now he might lose his only son too? The only family member left in his immediate family? If Style does get murdered, he doesn't wanna die without saying goodbye to his dad. And the only person who would be able to deliver that goodbye message is his own murderer.

I don't think Style meant to cry in the beginning. I do think he was fairly serious in the beginning, but I don't think he was planning on crying about it. It's only when he remembers his mother that it triggers the need to cry, only when he suddenly arrives at his own grief and his own trauma about his mother's death that the tears start flowing. And in my opinion those are real, genuine tears. We've seen Style fake-cry before, we know what his performative crying looks like. Style is a terrible fake-crier and we saw this in episode 4 when he showed up at the Rise Up group meeting for the first time and "cried" about his dog. The crying in the motel bed? Is very far from that.

And it's not just us, the viewers, who know what Style's fake crying looks like. Fadel was at that support group meeting too. Fadel also knows how Style fake-cries. And so when Style starts to cry, Fadel can tell the difference. And it has an effect on him. Except he doesn't really know how to deal with this situation, because Style crying hadn't been part of his plans of kidnapping and killing Style, hadn't been part of his plans to push Style as far away again as possible. And so he awkwardly asks "Are you crying?" (I think a different way to phrase this question would also be "You're crying?") And Style replies in honesty: "Duh. I know I talk all big, but even I am afraid of death."

In the last 24ish hours Style got to feel genuine fear for his life and Style doesn't want to die. He is not suicidal. And yes, he is cocky and confident, sometimes overly so and yes, despite all the threats to his life Style simply went about his day as if it's nothing, but as I said, Style still went through a few traumatizing situations in a very short period of time. Of course, it all had an affect on him. Of course part of him would be afraid. Style is human after all. He is human and he is feeling emotions. And he would really need some comfort right now.

Except all he gets is a "stop being dramatic" and an "I don't wanna listen". So Style turns away from Fadel and cries alone in the little corner of privacy he can get in the shared bed that he is currently chained to and can't leave. Style can neither see nor hear nor feel the hand Fadel is reaching out to him, is unaware of just how much Fadel is longing to give him that comfort Style so desperately needs before Fadel's mind wins over his heart and makes him pull back again.

No. 4: Road Trip Time

It's the next day, Style has rested and from what we can see Fadel has also stopped waving a gun into Style's face almost 24/7. Style is clearly having a blast driving through the country. However, the car is tried now and refuses to continue on. Turns out the radiator is broken. Fadel mocks Style for being a bad mechanic and instead of taking offense, Style comes back with sass and a Harry Potter reference and mimics shooting Fadel. Remember the "Style + guns" counter from last episode's meta? I know, I know, here in this case it's supposed to be a wand and not a gun, but especially with the sound effect the whole thing is quite reminiscent of a gun shot, so I'm counting it. Our "Style + guns" counter is now at 4.

There is no phone signal, so they have no way of calling for help. Style tells Fadel off for insisting on taking a short cut and Fadel brings up the police. Style responds: "What are you worrying about? I told you I wouldn’t run. What do I have to do for you to trust me?" Fun fact, his literal wording when he says "What are you worrying about" is actually "What are you afraid of?" or "What are you scared of?":

มึงกลัวอะไรอ่ะ [mueng - gluua - àrai - àh] you - fear, be scared of - what - [particle]

What I love about this is that Style doesn't let Fadel's verbal stabs dampen his good mood too much. He doesn't respond in anger and he's not really annoyed. In fact, when he tells Fadel that he's not running away, he even sounds a bit amused. And when he asks "What do I have to do for you to trust me?", it's not a verbal stab back at Fadel but it's a genuine question. Style honestly wants to know. Fadel tells him "I can no longer trust a single word that comes out of your mouth."

Style smiles and shakes his head in a mix of amusement (because of course Fadel would say that) and exasperation (because Style is getting quite tired of being back at square one and having to go through all the steps again). Style doesn't fight Fadel, though, and instead asks him what he wants to do. However, there is a bit of a bite to his voice, especially in the last sentence when he asks Fadel what he plans to do if now, wait for a car to pass by or what? He patiently waits for Fadel's reply. When Fadel tells Style to push the car, Style is obviously not very into that idea but instead of resisting by starting a fight he starts getting over-dramatic about potentially passing out, about the hot weather, about being hungry and so on. Look how poor I am, have some mercy on me. Fadel is unimpressed. He tells Style to stop whining and reminds him that he currently has just one good hand. Style yields, but not without sassing Fadel first: "I’ll just die of exhaustion before I ever meet your bullet." Fadel brushes past him to get into the driver's seat (I'm assuming to control the wheels of the car while Style is pushing?) and Style walks behind the car and starts pushing while they continue to bicker.

We don't know how long Style was pushing the car for, but it must have been a while because when Style asks for a break, the road is no longer made of asphalt like it was when the car broke down. Fadel doesn't talk back when Style wants to take a break, instead he wordlessly steps out of the car and lets him have it. On the way to the back of the car, Fadel pulls a paper bag and a water bottle out of his backpack and goes to lean against the trunk of the car while taking a sip. Style eyes the water bottle and Fadel notices. After a moment of hesitation, Fadel somewhat begrudgingly holds the water out to Style. Style doesn't immediately take it, but instead throws Fadel a look, checking if Fadel really is letting him have some water. Style only grabs the bottle after Fadel explicitly tells him to take it. Style obeys and immediately starts teasing Fadel: "Thought you’d let me die of thirst. Either a hitman like you still have his humanity, or you’re in love with me." Despite talking big about killing Style and shoving a gun into his face on multiple occasions, Fadel still cares about Style and his well-being and Style knows it. After the teasing words are out of Style's mouth, he attentively observes Fadel's reaction because he also knows Fadel would never admit to this out loud:

While Style is talking, Fadel turns around to grab some food out of the paper bag. When he turns back he makes a face at Style's words, then wordlessly leans back against the trunk again and takes a bite, ignoring Style completely. Style eyes the snack in Fadel's hands. Then he says: "You’re well prepared, huh? To think you packed snacks and drinks."

I personally think that Style wasn't just thirsty, but also hungry. He did do some physical work under the heat of the sun, after all. I think his words were an implicit prompt for Fadel to not just share his water, but also his food. But Fadel doesn't share, he just responds with "I am always well prepared. I have plans for everything". It's kinda funny he's saying this because it's not like Style was even given the chance to prepare for a trip in the first place. It's not like Style showed up at the hospital with a bag full of travel essentials in anticipation of getting kidnapped and going on an impromptu road trip.

Fadel continues with a stab at Style: "If it wasn’t for you and your friend, my brother and I would have had our long-awaited break already." Style almost rolls his eyes. He's so over this. What happened, happened and there's no way to change the past. All you can do is go forward from there. "Let it go. Shouldn’t you be looking forward to the future? Focus on the future. Let go of your grudge. What good would a grudge do—" Style doesn't get further than that because suddenly there is a bun in his mouth. And just in case the message isn't clear enough, Fadel also explicitly tells him to shut up. Style complains about Fadel's methods. "Couldn’t you have been more gentle?" This is actually funnier to me in Thai:

If you want to feed me, you can feed me gently. No need to be so forceful. มึงอยากป้อนมึงป้อนเบาๆ ได้ไม่ต้องแรงเลย [mueng - yàak - bpôn - mueng - bpôn - bao bao - dâai - mâi - dtông - raeng - loiie] you - want - feed - you - feed - gently - can - not - need - harsh - [particle]

The bun did not manage to shut Style up, on the contrary. Style just keeps talking. "I’m getting paranoid, though. We broke down in the middle of the woods. This is just like the beginning of a horror film. A murderer is gonna come after us in a minute." Fadel gently reminds him of his request to shut up: "The first to get murdered would be a yapper like you." Again, I wanna share my own translations of this bickering (Fadel's line specifically), because it amuses me how Fadel is more or less continuing Style's sentence but turns it against him:

S: A murderer will come and kill us any second now. อีกแป๊บนึงก็จะมีฆาตกรมาฆ่าพวกเรา [ìik bpáep nueng - gôh - jà mii - kâat-dtà-gon - maa - kâa - pûuak rao] in a moment - [sentence link] - will be - murderer - come - kill - us F: And will kill a yapper like you first. แล้วก็จะฆ่าคนพูดมากอย่างมึงเป็นคนแรก [láew gôh - jà - kâa - kon pûut mâak - yàang - mueng - bpen kon râek] and - will - kill - person who talks a lot - like - you - as the first person

I think by now everyone's made fun of Style for being afraid of a murderer when there is an actual murderer right by his side, but the thing is, it is quite interesting how fear is becoming a theme for Style this episode, something that @secriden goes into in this post. Something else she also points out is how Style not only worries about getting murdered himself, but also about Fadel getting murdered too:

[I]t's interesting how Style talks about being afraid of dying generally and specifically how harm could come to them from an external source. How the way his fear is orientated puts Fadel on the inside ("a murderer is gonna come after us"), on Style's side and someone Style wants to keep safe. And when Fadel makes the kind of snide joke about letting the hypothetical cannibals kill and cook Style, Style's solution still involves staying by Fadel's side. At no point does he ever stop referring to Fadel and him as a single unit, even after Fadel very explicitly frames Style as the only victim.

In this moment though, Style isn't actually afraid of a hypothetical murderer suddenly jumping out of the woods to kill them both. So when Fadel responds with one of his usual comments that show how much he "dislikes" Style, Style lets it go and instead continues a different fight: he doesn't wanna keep pushing the car. He did it to humor Fadel, but there really is no point in continuing to push a broken car through the middle of nowhere. Fadel refuses to leave his car. Style starts talking him into leaving it there for now and coming back for it. Fadel threatens Style once again: "If my car was stolen, not only would I kill you, I’d take a car from your garage." Style is very unimpressed by this threat. "Take it. Take them all. You own my life."

Fun fact, this is the literal translation of when he says the "own my life" part:

You already have control over my life. มึงก็คุมชีวิตกูอยู่แล้วนี่ [mueng - gôh - kum - chii-wít guu - yùu - láew - nîi] you - [sentence link] - (have) control - my life - [aux] - already - [interjection]

It's interesting, because being in control of something doesn't necessarily mean you own it. Style's life is still very much his own, but he's willing to give it all to Fadel: "Take my cars, my body, my heart. Take everything." And yes, he is mostly sassing Fadel with these words, but there is also a certain seriousness to it. Fadel can have especially Style's body and Style's heart. Fadel can have 100% of Style. Style has made that decision long ago and he's still set on it, despite or maybe even especially because of everything that has happened since. Style's body and Style's heart are entirely free for Fadel to take. It's a sincere offer and it's on Fadel to take it up. Fadel stares at Style in an attempt to figure him out. Then he goes to get his backpack, walks back over to Style and grabs the water bottle out of his hands and then starts walking down the path. Style follows as soon as he realizes that Fadel is listening to Style's suggestion of leaving the car there for now.

No. 5: Murder House

Again we don't really know how much time has passed but at some point Fadel and Style find a house. Style makes a joke about a cannibal family living inside and while I doubt he actually believed in the cannibal family, I do think he's a lot more anxious now than he was about the hypothetical murderer by the car. Fadel replies with a joke of his own to really underline his alleged disdain for Style: "Good. I’ll ask them to cook you. I’m getting hungry." Style doesn't think it's funny and says "Don’t say that. It’s scary." Fun fact, in Thai Style doesn't just imply that he's scared by calling the situation/the thought of a cannibal family scary but he explicitly says that he's scared:

I'm scared for real. กูกลัวจริงนะเว้ย [guu - gluua - jing - ná wóiie] I - be scared - true, (for) real - [particle]

His anxiety gets even more apparent when he suggests returning to the road. Fadel doesn't believe in Style's creative imaginations but does tell him that if a murderer actually shows up he'll shoot them. Then Fadel pulls out his gun just in case (and potentially also to make Style feel more protected) and starts walking towards the house. Style follows, not very reassured. We can tell that his anxiety has grown from the way how at the beginning of the scene Style and Fadel were walking side by side and Style was walking even slightly in front of Fadel but when they walk up to the house Style is now walking behind Fadel instead:

They make their way towards the front door and Fadel knocks and calls out to someone inside. There's no answer. Style is getting more anxious by the minute and urges Fadel to leave: "Hey, it’s not too late to turn back." Fadel ignores him and starts knocking and calling again. There is still no answer. Style hates it. "This is getting scary," he says and I think that this is the point where his growing anxiety turns into genuine fear. Fadel pulls at the door which actually opens up. "What are you doing?" Style asks and his voice sounds really stressed now. Fadel walks inside the house without hesitation. Style immediately follows, but scolds Fadel for trespassing. Style would rather be anywhere else right now than here. Fadel turns his head to Style and says "I don't care." Or rather he says:

You think I'm scared? แล้วมึงคิดว่ากูกลัวป่ะ [láew - mueng - kít - wâa - guu - gluua - bpà] and - you - think - that - I - (be) scared - ?

Style swallows. Fadel continues to call out for someone. Style squints at him. He wants to leave. Suddenly a baseball comes down the stairs. Style jumps and yells. Fadel's hand goes to his gun, ready to pull it any moment. A second later the baseball is followed by a guy who is being chased by another guy brandishing the bat to that baseball. The first guy goes to hide behind Style and with that Fadel and Style find themselves in the middle of a domestic argument. The baseball guy, Popcorn, yells at his partner for a bit and then moves to attack him with the bat. Despite Style's initial fear walking up to the house, instead of shaking the guy off and getting out of the way he reacts by acting as a human shield, putting his arms out in a conciliatory gesture and suggesting to talk it out over using violence. Somewhere in this series there is a point to be made about Style having a tendency to act like a mediator (when he's not actively picking the fight himself) and if I wasn't so busy with uni assignments and my meta series, that would certainly be a meta post I'd be looking into making.

It's only when Style starts speaking that it fully registers for Popcorn that there are currently random people standing in his house. He starts asking who they are and how they got into his house and Style stutters, completely overwhelmed by the situation and certainly not any less afraid. Before Style has managed to form a proper thought Popcorn accuses them of being his partner's side bits. This immediately has Style stressed again and he yells "no" over and over again. Popcorn isn't convinced and goes for another attack with the baseball bat. It's a bit unclear whether Popcorn had planned to attack only one of them or maybe all three of them but either way, the way Style was standing he definitely would have been the first in line to get hit. Fadel pulls his gun even before Popcorn has managed to take a swing at Style. Style stops yelling and stares at the gun in shock. Popcorn drops his bat on the spot and retreats back to the stairs. His partner comes out from his hiding spot behind Style to follow Popcorn. Together they attempt to scramble up the stairs. Style stands still, completely frozen in place, staring at the gun for a few seconds until he finally turns his head to the stairs to watch the odd pair get away from the gun.

I think there are multiple factors to Style's shock here: his anxiety had already started even before they'd entered the house and it only grew from there. Then, Popcorn and Jimmy's appearance hit them both out of nowhere and Style really got roped into it even more than Fadel did with Jimmy grabbing Style first to use him as a human shield and then Popcorn also almost assaulting Style with a baseball bat. I think part of Style freezing is the left-over shock from Jimmy and Popcorn's initial attacks. It all happens very quickly, after all. In fact, Fadel's gun is out before Style has even had the time to properly process the fact that he was about to die by baseball bat. And so I think part of Style staring at the gun is him reacting to Fadel's movement in general and then Style's brain using the sudden break in action to catch up with everything that was happening in the last couple of seconds. Wait, I'm being attacked with a baseball bat. Wait, there is a movement next to me. Wait, the baseball bat attack stopped. Wait, there is a gun. Wait, the attackers are gone. Wait, the gun was protecting me. Wait, what are these two weirdos doing, where are these two weirdos going.

Style's eyes widen a bit as he turns his head to watch Popcorn and Jimmy scramble up the stairs and he doesn't look that shocked anymore or even terrified. He squints his eyes a little and it looks like he's he's in thought, like he's trying to figure something out.

And I think there are a number of things he's trying to figure out. Like, what the fuck to make of Jimmy and Popcorn. Who the fuck those weirdos are, where the fuck they came from, and where the fuck they are going again. Why the fuck they attacked Fadel and Style, but especially Style like this. In the above gif I think Style's brain has finally finished processing what has just happened, is finally all caught up and I think Style actually isn't all that afraid of the gun in this moment because he does realize that the gun did just save him (them) from dying by baseball bat a moment ago. And Fadel did say earlier that he would shoot anyone trying to murder Style (them).

And another thing that I think Style is trying to figure out is whether Jimmy and Popcorn's lives are in danger now with Fadel's gun on them. When Style's eyes widen it's almost as if he's thinking Wait, I just nearly died and Fadel protected me from them and when he squints his eyes it's like Who are these people? Is Fadel actually gonna shoot them now? Do I have to go from worrying about being killed by them to worrying about them being killed?

No. 6: Mirror Mirror on the Wall

Fadel doesn't shoot them. Instead, he has Style tie them to the piano. I do think it's kinda funny how Fadel tells Style "If you’re done, go look for what you need. Hurry up" and Style just nods and sits down on the sofa instead. So much for hurrying up.

Popcorn starts lamenting his pain dramatically. Neither Style nor Fadel are in the mood to listen to a domestic quarrel. Popcorn goes on and on about how Jimmy cheated on him and Jimmy says "They all meant nothing to me". In Thai he actually says:

They were just people I was chatting with. มันก็แค่คนคุย [man - gôh - kâe - kon kui] he/she/they - just - people one chats with

I asked my friend about คนคุย [kon kui] and he explained it to me as "someone you talk to/flirt with (but something serious is not (yet) happening)". So the original is much more vague about how deep Jimmy's betrayal really runs. There's a chance that Jimmy actually did cheat on Popcorn, but there's also a chance that Jimmy was just talking to them without the intent of having a thing with them and Popcorn just took it the wrong way and made a big deal out of it. Personally, my guess is Jimmy did do something for Popcorn to have a legit reason to be hurt, because later Jimmy does talk about trying his best and having been lost, but I also think he might not be as much of a (serial?) cheater as Popcorn is making him out to be in his anger.

Jimmy assures Popcorn that he is serious with Popcorn, but Popcorn doesn't believe him and cries "You were never serious with me! You made me fall for you and then betrayed me". Don't mind me putting the Thai wording here. It will be relevant later (and also don't worry about the orange bit for now, this will also be explained later).

You tricked me into loving you and being crazy about you and then you do this. มึงอ่ะมาหลอกให้กูรักกูหลง มึงก็ทำยังเงี้ย [mueng - àh - maa - lòhk - hâi - guu - rák - guu - lŏng • mueng - gôh - tam - yang-ngíia] you - [particle] - come - trick, deceive - that - I - love - I - be crazy about • you - [sentence link] - do - like this

And this is the moment when Fadel throws Style a look. Style turns his head to look at Fadel as well. Message received.

Jimmy begs for Popcorn's forgiveness but Popcorn is still too upset and in his anger cries out: "The likes of you don’t deserve second chances. The likes of you who lead people on deserve nothing but death!" I'm gonna share a more literal translation again:

There are no chances for bad people. โอกาสมันไม่ได้มีไว้สำหรับคนเลว [oh-gàat - man - mâi dâai - mii - wái - săm-ràp - kon leow] chance - it - not - have - keep - for - bad people People that trick others into loving them all deserve to die! คนที่หลอกให้คนอื่นรัก สมควรให้ตายไปให้หมด [kon - tîi - lòhk - hâi - kon èun - rák • sŏm-kuuan - hâi - dtaai bpai hâi mòt] people - that - trick - that - others - love • deserve - that - die - all

It's no wonder that this is the thing that makes Fadel, who knows a thing or two about being tricked into loving someone, get up and offer a free kill. Style immediately jumps to his feet and reaches out an arm to Fadel in order to pacify him and to stop him from killing Jimmy. Because Style knows full well that Fadel is perfectly capable of doing so without batting and eye. And again we see Style take on the role of a mediator. Popcorn backs down and admits he was just being dramatic and doesn't actually want his partner to die. But for Fadel it's personal: "But he lied to you." Or Thai he says:

But he deceived you. แต่มันหลอกคุณนะ [dtàe - man - lòhk - kun - ná] but - he - deceive, trick - you - [particle]

Fadel points out the tricking part specifically and again we as well as Style get a hint about what exactly Fadel has been upset about and it ain't the snitching to the police. We aren't shown Style's reaction here but I think it's safe to assume he heard Fadel's words loud and clear considering he is standing right next to Fadel. Popcorn tries to calm Fadel down again by explaining they argue all the time and repeating that he doesn't actually want his partner to die. Fadel looks at them, his expression serious, his gun still pointed. Style observes Fadel carefully, watching his every move:

I think Style is very much afraid in this moment. But I don't think he's afraid of Fadel, I think he's afraid for him. And afraid for the people in front of them. After all, Style doesn't want others to be harmed. We see this over and over again in the way he threw himself into the fight at the host club before he knew Fadel was perfectly capable of fighting for himself, we see this in the way Style grabbed the gun at the bowling alley and pointed it at the shooter to keep him from doing any more harm than he had already caused and we see it now in the way Style immediately jumps to his feet, arm stretched out towards Fadel to try his best to interfere at any second if need may be. Style is afraid for Jimmy and Popcorn, because he knows full well their lives are in actual danger. And Style is afraid for Fadel, because he also knows how much pain this assassin life has caused him and he wants Fadel to quit for his (Fadel's, that is) own well-being. And Fadel's well being is something that is deeply important to Style. Style implicitly told Fadel to quit killing in episode 5 already and later this episode he will explicitly tell Fadel to quit killing again. And every shot that Fadel takes is a step in the wrong direction.

And another aspect that comes to play here is that Style is afraid of dying. This episode has been dealing with Style's very real fear and this fear has taken form in different ways: We started with Style being afraid of his own death by Fadel's hand (last episode for a moment at the pool, this episode when he was crying in the motel bed), then we saw him being afraid of his own death by someone else's hand (the fictional murderer that his mind kept imaging) and now we see him afraid of someone else's death. And yes, the first two were about Style's own death, so why would he be afraid dying now when this situation is about someone else's death, not his own? The thing is, though... Is it really? Is this really about someone else's death? Because the person Fadel is about to kill is Style's mirror. Who is to say that after Fadel has taken care of Style's mirror his emotions won't get the better of him and he'll turn around and shoot the real Style in his hurt, too, while he's at it? So Style doesn't take his eyes off from Fadel, because his own life is still at stake too and how Fadel acts now will give Style a hint about how determined Fadel still is to kill him.

But then Jimmy suddenly changes course. He is willing to accept death if it means Popcorn will be safe. Style is still standing there with his arm halfway up, still tense, still ready to jump into action if Fadel pulls the trigger while Jimmy goes into a plea for Popcorn's life. Jimmy ends it by announcing that he loves Popcorn, which is yet another sore point for Fadel. "If you love him, why did you fool him?" Fun fact, Fadel is so pissed that he actually uses rude pronouns with Jimmy:

ถ้ามึงรักเขามึงจะหลอกเขาทำไม [tâa - mueng - rák - kăo - meung - jà - lòhk - kăo - tam-mai] if - you - love - him - you - will - trick, deceive - him - why

Also, this time we do get to see Style's reaction to Fadel's words:

I think Style partly throws Fadel that look because he is still afraid that Fadel is so angry that he might actually kill Jimmy and is ready to interfere at any time and part of that look is Style taking in and piecing together what exactly Fadel is and has been upset about. During this entire conversation it's always been the topic of loving and tricking and tricking into loving that Fadel's had the strongest emotional response to. That's what Fadel is upset about.

Jimmy doesn't reply to Fadel, doesn't explain himself. Instead he turns to Popcorn and goes into a heartfelt apology. The two of them bicker for a bit. Style's has lowered his arm even more now, but it's still in perfect position to make a grab at Fadel any second if need may be. He checks on Fadel again when Jimmy asks Popcorn to let Fadel shoot him if Popcorn doesn't believe that Jimmy's love is true. The husbands-to-be bicker some more and then Jimmy dramatically offers himself up as a sacrifice again, orders Fadel to shoot him. Fadel clenches his jaw. He knows he can't. He looks over at Style. Style is staring at Fadel intently, observing him, watching him carefully.

And again, I think this stare is about both, checking whether Fadel is still gonna go in for the kill and also Style trying to read Fadel, trying to figure out where Fadel is at emotionally when it comes to his own relationship with Style. Style is actively in the process of piecing together what exactly he's done to make Fadel hurt this much and to make Fadel want to kill him. And I think at this point here, Style is no longer as terrified of a potential murder happening right in front of his eyes the way he was when Fadel had initially pulled the gun on Jimmy.

Speaking of Style's fear, a couple of days ago I saw a post in the tags where someone was asking why Fadel pulling a gun on him was hot to Style but suddenly when Fadel is pulling the gun on other people it's an issue and since this meta series is THE Style manifesto I figure I should maybe write a paragraph about that too. When Style is at the other end of the gun it's hot, because Style is 99% sure Fadel won't actually kill him, won't kill him specifically. But when Fadel is pointing the gun at other people, Style can't be so sure. After all, this is Fadel's profession, this is what he specializes in. Fadel does this on the regular and Style is very well aware of it. The thing is, Style doesn't actually want others to be harmed. We see this over and over again when Style goes and helps people, when Style acts like a mediator in situations. Only last episode Style told Kant that love can turn a bad guy good and I think that's ultimately what he wants for Fadel. For Fadel to quit the job, to stop killing people, to turn "good" for Style and also for himself (putting "good" in quotation marks, because to Style, Fadel is a good person already as he reveals later in the bathtub). Style has already suggested Fadel quits the job even back in episode 5 when Fadel opened up about his parents' murder and about not wanting a relationship in order not to cause trouble to anyone. Style is cool with Fadel pulling a gun on him if no harm is done, but he is not cool with Fadel pulling a gun on others if harm could be done. And at the end of the day Style is also not cool with Fadel pulling a gun on him either, if Style's own life is in actual danger from that. We saw as much by the pool and we saw it again this episode when Fadel was about to kill Style's mirror.

Another thing I find truly fascinating about this scene is how Popcorn and Jimmy are clear parallels to Fadel and Style, but not in the way one might expect. We have Popcorn, the loud and overdramatic one and then we have Jimmy, the calm and collected one. We have Style, the loud and overdramatic one and then we have Fadel, the calm and collected one. You'd think Popcorn would be a parallel for Style and Jimmy would be a parallel for Fadel, but psyche! The calm and collected Fadel relates to the loud and overdramatic Popcorn's problem while the loud and overdramatic Style relates to the calm and collected Jimmy's problems. I think there are various interpretations possible as to why that is. One thing I'd like to think is that Popcorn's loud whirlwind emotions are a representation of how Fadel is quietly feeling inside but would never ever let out in any way, because his walls are that far up. And then we have Jimmy, who did something wrong, but is so serious and sincere in his love for Popcorn, in his longing for Popcorn's forgiveness and in his desire to be with Popcorn, to get married to Popcorn. And as loud and overdramatic Style can sometimes be, Style is completely serious about his love for Fadel and his decision to be with him no matter what. It's not a joke to Style. And Style, too, is longing for that forgiveness, is longing to go back to being happy and in love, is longing to get 100% of Fadel's trust. Fadel has told him before that Style had 80% of his trust, but with the betrayal those 80% have taken a significant dip down. But Style is still serious about wanting those 100% and so he will work his way back up again.

Side note: Another thing I was thinking about was how Jimmy was so willing to take the bullet if it meant keeping Popcorn safe and it just has me wonder if Style will be taking a bullet to keep Fadel safe.

No. 7: Do You Hear the Wedding Bells

Instead of going for a kill, Fadel lets Popcorn and Jimmy have their wedding. Style officiates while Fadel hides in a corner, watching everything from a distance. Style, believer in the power of love, is very happy for Jimmy and Popcorn. He watches with joy as they exchange rings and what I love about this is how Style's joy has such a calm, grounded energy to it. Style prompts the happy couple to kiss and I am absolutely convinced that his laughter when Popcorn jumps Jimmy and Jimmy carries him towards the wall is all Dunk, not Style. Then Style turns his head and looks at Fadel. He is presented with an image of Fadel quietly laughing at this couple's joy and passion and happiness. Fadel then turns his head towards Style as well, but immediately looks away when he meets Style's eyes and his laughter fades.

Remember how in last episode's meta I said:

And it's just veeeery interesting that Style asks Fadel to marry him for the second episode in a row. If it happens again next episode, I'm calling it. But for now, let's wait and see 👀

Well... We didn't get a FadelStyle marriage proposal, but Style's mirror saying "You and I are getting married" to Fadel's mirror? And then the Style and Fadel mirrors actually getting married? With Style officiating the wedding? That's three episodes in a row with a wedding reference in connection to Fadel and Style. Episode 6 with the untranslatable pun, episode 7 with Style's proposal prank, now episode 8 with an actual wedding. Three is a pattern, no? Style may not have uttered the words "Will you marry me" to Fadel this episode, but I'm calling it anyway. These two are so getting married by the end of the series, aren't they...

(Also, sorry for writing so few words about this scene. I don't have words, I only have Big Emotions.)

No. 8: Dinners and Dancing

It's night time now and the four of them are having a nice wedding dinner. Style makes friendly conversation as usual, while Fadel sits there and barely socializes. Jimmy brags about his husband's cooking skills, and Style immediately responds with a brag of his own because his own boyfriend is just as good as cooking. And this time around I think the boyfriend drop is a lot more deliberate than it was at the beginning of the episode, because this time around he actually emphasizes it a little. The word "faen" is the word he stresses the most in the sentence. Then he turns to Fadel and teasingly compliments him: "His burgers are to die for." In Thai, what he says word for word is "make very delicious burgers":

ทำเบอร์เกอร์อร่อยมาก [tam - ber-gêr - à-ròi - mâak] make - burger - delicious - very

Note how there is no pronoun in this sentence. That means, the sentence can be taken either as "He makes very delicious burgers" because Style was just talking to Jimmy and this sentence is still addressed to Jimmy or the sentence could be taken as "You make very delicious burgers" from the way Style is saying this sentence directly to Fadel's face. You hear that? That's you. You're my faen that makes delicious burgers. I love you. Fadel scrunches his eyebrows, skeptical and confused. Style smiles brightly, grabs a spoonful of food and offers to feed it to Fadel. Unlike Fadel earlier that day, Style actually does feed him gently. In fact, he doesn't force the food nor the caring gesture onto Fadel. He holds out the spoon and once again waits for Fadel to go along of his own free will which Fadel awkwardly does after a moment of hesitation. Then, Style goes back to making friendly conversation and we get a bit of backstory about how Popcorn and Jimmy used to live in the city as salarymen and then came to live on a farm because Jimmy loves nature. Style finds in romantic that Popcorn left his good life for a more difficult farm life. Fadel still holds a grudge and asks Jimmy why he cheated when Popcorn had done all of that for him. Jimmy says it's only human to get lost sometimes and that he's come back home in the end. This has Fadel even more pissed. He bangs his fist onto the table so forcefully that it jumpscares Style right next to him. "Only because you take him for granted," Fadel snarls. Popcorn awkwardly says he's already forgiven Jimmy and Style puts his hand on Fadel's hand to calm him down. Fadel looks at Style and Style gives him a little bit of a nod, as if to say Hey, it's okay. You can let it go. You don't need to settle this argument for them. Fadel leans back into his chair, resigned.

Jimmy changes the topic and asks where Fadel and Style are going and Style immediately has a believable answer ready. "We’re heading south. Kinda hoped it was going to be a romantic road trip date." And let me just share a more literal translation about the road trip, because he shamelessly and also very deliberately this time throws around the word boyfriend again:

I wanted to go on a road trip with my boyfriend. พอดีตั้งใจจะมาขับรถเล่นกับแฟนนะครับ [poh dii - dtâng-jai - jà - maa - kàp rót lên - gàp - faen - ná - kráp] because - intend to - will - come - drive for fun - with - boyfriend - [particle] - [particle]

When Style says the word boyfriend, he turns his head and pointedly says "faen" directly into Fadel's face. Because he still considers Fadel his boyfriend, whether Fadel likes it or not. After all, they've never officially broken up. And no, multiple death threats that have involved an actual a gun do not count as a break-up as far as Style is concerned. Not if he still has any say in it. Because their relationship is that serious to him. Because from the moment they started dating, their relationship was never fake to him. Fadel squints his eyes. Popcorn then asks how they met and Style tells them: "I was kinda dared into taking him out, but then I actually fell for him." And again, just a little correction on the whole "I was dared to" part:

It started with me deceitfully flirting with him. มันเริ่มจากผมไปหลอกจีบเขาครับ [man - rêrm - jàak - pŏm - bpai - lòhk - jìip - kăo - kráp] it - start - from - I - go - deceive, trick - flirt - him - [particle]

Nowhere in the way Style phrased it does it say who thought of the idea of the fake flirting. Nowhere does it say whether someone else made him do it or whether it was Style's own idea. Style isn't putting the blame on someone else and in a way is actually even kinda making himself look bad here since it could be taken as Style having come up with the scheme by himself. Popcorn and Jimmy don't know that there are two other guys involved in this story. Popcorn says "Such is love, isn’t it?" and Style turns to look at Fadel for a moment who meets his eyes. Popcorn then continues with "It can start from deceit, but it zigzags its way into something beautiful at the end." Style turns to Fadel again, throwing him a very pointed look. Something beautiful, huh? Did you hear that? Fadel pointedly ignores Style and his pointed look. The newlywed husbands discuss the natural process of a relationship – bickering, fighting, boning. This greatly amuses Style and he looks at Fadel again. In fact, he stares at Fadel for several seconds until Fadel finally properly looks at him. And that's when Style raises an eyebrow at him. Well?

And it's fun, because the scene started out with Fadel doing a thing with his eyebrows and it ends with Style doing a thing with his eyebrows, almost like an answer.

Style's energy in this scene is very boyfriend-like. Fadel took a step back and withdrew at the presence of these two other people, and now that Style doesn't have to fend off Fadel constant stream of personal digs at him anymore, Style comfortably slips back into that boyfriend role. And it's not just that he's comfortable in this role, no, he is proud to be Fadel's boyfriend and proud to have Fadel as his boyfriend. Style brags about Fadel and his cooking skills and calls him his boyfriend to anyone who will listen. Style keeps Fadel in check when Fadel gets hotheaded and is absolutely up for going through the natural process of bickering-fighting-boning if Fadel is up for it as well. And most importantly, Style is simply just happy to be around him, happy to spend time with him. Style is proud of him and he is happy with him and he wants Fadel by his side. He means that choice from the bottom of his heart and so he will act accordingly. Especially now that he is finally starting to understand why exactly Fadel is hurting.

No. 9: Big Small Matters

The time for dinner is over and the time for dancing has started. Fadel and Style sit on the couch, they're watching the happy couple and especially Style is delighted at their happiness himself. After a while, Style turns to Fadel and says "Cute couple, aren’t they? Just like us". This is the third time this evening, a rather short time frame, that Style has made a reference to them being in a relationship (referring to Fadel as his "boyfriend" twice and now calling them a "couple"). And yes, he did blatantly refer to Fadel as his boyfriend when they were talking to the aunty at the motel too, but I think this time around Style is very deliberately and consciously doing so given his observations of Fadel earlier that day. They're a cute couple. Style means it. No joke. No trick.

Fadel is quiet for a moment, then says "We're not a couple". Definitely by sheer coincidence the song that Jimmy put on just happens to be about forgiveness and just happens to play the lyrics Just overlook what is trivial right before Fadel's reply. Style asks Fadel if he wasn't listening to the lyrics and quotes them back at him. Fadel is not amused: "You think what you did to me was 'trivial'?"

Now, the phrase that the song uses to say "trivial" is เล็กๆ น้อยๆ [lék lék nói nói] which word for word makes something like "small small little little". I asked my Thai language buddy if this word was like the word "Kleinigkeit" in German and he confirmed. There is no perfect English equivalent for the word "Kleinigkeit" but it basically means something like "small matter" or "little thing". Depending on the situation there could be other meanings that go along with it. For this context right here "no big deal" could even work in English. Now let me share what Fadel actually said:

You think that you deceiving me is no big deal? (lit. "is a small matter?" / "is small?") มึงคิดว่าเรื่องที่มึงมาหลอกกูเนี่ยมันเล็กๆ น้อยๆหรอ [mueng - kít wâa - rêuuang - tîi - mueng - maa - lòhk - guu - nîia - man - lék lék nói nói - rŏr] you - think that - thing, matter - that - you - come - deceive, trick - me - [particle] - it - small (matter), little (thing) - ?

Fadel uses the word หลอก [lòhk] here, which means "to trick" or "to deceive". That means, he doesn't just vaguely say "what you did to me" but he explicitly tells Style that the thing that has been bothering him is Style deceiving him, Style tricking him. By now you may have noticed a pattern to the orange color: The word หลอก [lòhk] comes up a lot this episode. I've bolded and marked this word orange all throughout this post so you can see just how many times and in which contexts this word is used. Style uses it during the dinner when he says "I was kinda dared into taking him out" (more literally: "It started with me deceitfully flirting with him"), Popcorn uses this word when he cries "The likes of you who lead people on deserve nothing but death!" (more literally: "People that trick others into loving them all deserve to die!") and Fadel uses the word when he says "But he lied to you. (more literally: "But he deceived you.") after Popcorn says he doesn't actually want Jimmy to be killed for real. And now Fadel uses it again to call Style out: "You think what you did to me was 'trivial'?" (more literally: "You think that you deceiving me is no big deal?").

Fadel is mad that Style tricked him, that Style deceived him. This much was already obvious from Fadel's emotional reactions to Popcorn and Jimmy's dispute, but now Style has explicit confirmation. This is where he needs to start working at if he wants to earn Fadel's forgiveness.

The newly-wed husbands walk over and invite them to dance, too. Style is up for it, but Fadel really doesn't want to. Style talks him into it and pulls him up. Reluctantly, Fadel gives in to Style just like he always does.

They dance a little, but at some point Style turns to Fadel, puts his hand on his shoulder, smiles, and tells him: "I know what I did wasn’t 'trivial.' But I’m ready to do anything to make you forgive me." Now for that first sentence you might think that in the Thai line Style repeats Fadel's words from earlier ("You think that you deceiving me is no big deal?") where Fadel used the word หลอก [lòhk] and you might think that Style would use it now, too. But actually, he does keep things more vague in the original itself as well:

I know that what I did was a big deal. (lit. "was no small matter" / "isn't a little thing") กูรู้นะเว้ยว่าเรื่องที่กูทำอ่ะ ไม่ใช่เรื่องเล็กๆ น้อยๆ [guu - rúu - ná wóiie - wâa - rêuuang - tîi - guu - tam - à • mâi châi - rêuuang - lék lék nói nói] I - know - [particle] - that - thing, matter - that - I - do - [particle] • not - thing, matter - small (matter), little (thing)

Maybe Style is referring not only to the fact that he tricked Fadel into loving him but also to how Fadel feels "cheated on" because he did end up falling for Style's (initially) insincere flirting, was head over heels in love with him only to find out Style wasn't his but was "the police's" and that the love wasn't real, was just a trick.

Or maybe there is something we don't yet know about? (Like, there is still the mysterious Boonterm mention from episode 3? Or, something that had COMPLETELY slipped my mind when I was writing my ep7 meta and so ended up writing something from a completely wrong perspective: Style has seen Keen before when he eavesdropped on Fadel and Keen's conversation and so in ep7 in the men's room it could also be taken as Style stopping Fadel from discovering Keen on purpose, which brings up the question... what's up with that????) Or maybe he just keeps it vague so that he can say it at a later point explicitly.

Anyway, so Style firmly tells Fadel that he knows he was in the wrong and that he's ready to do anything to earn Fadel's forgiveness and then pulls him into a hug while they continue to dance. This hug doesn't last very long, though, because next thing Fadel and Style know is that they're being attacked by Jimmy and Popcorn. Luckily, Style sees them in time and shouts Fadel's name in shock and to warn him. They both tumble down and Fadel has his gun out before they've even hit the couch. Fadel shoots into the air and while by now Style is very familiar with the image of Fadel pointing guns, this is the first time he's witnessed Fadel actually fire a shot (from a real gun, that is. Not a BB gun). A shot, that protected not only Fadel himself, but also Style. And while Style does still look at the gun for a moment again, he is nowhere near as frozen or worried as he was when Fadel pulled the gun on Popcorn and Jimmy the few instances earlier this episode.

For a second time that day, Fadel and Style tie up Popcorn and Jimmy. Style makes a comment about how he was off about the serial killer part but they were nearly killed by someone after all. Style's fear and anxiety from the day has proven to be justified. Fadel nags that Style trusts people to easily and that he's only interested in other people's love lives. Style doesn't see a problem with that: "I’m a hopeless romantic. Can’t help it that love stories touch me." Or in Thai:

I'm a romantic person. กูมันเป็นคนโรแมนติก [guu - man - bpen - kon roh-maen-dtìk] I - [marker] - be - romantic person I'm easily tricked by touching things. โดนหลอกด้วยอะไรซึ้งๆง่าย [dohn lòhk - dûuay - à-rai - séung séung - ngâai] be tricked, deceived - by, through - something - touching - easy

I just want to point out that Style uses the word หลอก [lòhk] here. Style gets tricked by romantic, touching things the same way as, you know, someone else in this room feels like he got tricked by romantic, touching things. It's like Style is saying What? Can you blame me? I, too, get tricked by love.

Fadel moves to remove the arm sling and Style goes to help him. Fadel lets him, doesn't block him. And I'm sure it was absolutely necessary for Style to put his arm around Fadel's shoulder like that for easier opening of the buckle. Duh. Style smiles a little as he slides off the arm sling. Fadel makes his way up the stairs. Style first looks at their tied up victims, then watches Fadel walk upstairs. There are certainly things on Style's mind. He'll be voicing them in the bathtub in a bit.

No. 10: Fadel in a Bath Fadel in a Bath Na Na Na Na Na Na Fadel in a Bath

Style finds Fadel in the bathtub and wants to join in. Fadel is reluctant at first, but is also not in the mood to argue with Style and so Style starts getting undressed. Now, usually I'd just skip past this part of Style getting naked and hopping into the tub because it's not a relevant process. However, during this process he does something very interesting: When he lays down his clothes he touches the gun, as if to make a grab for it before he goes and covers it with clothes.

I'm gonna be honest, I really have no idea what to make of this moment. As to why Style covers it, it could probably be because he wants it out of sight, out of the way, wants it gone. Style has made it very clear on multiple occasions that he doesn't want Fadel to be killing people and he will also be telling Fadel exactly that in just another minute as well. Away with the gun.

But if that really is the case, then I still don't understand why Style would touch the gun in the first place. If he wanted to hide it, he could have dropped his shirt down on it without bending down and touching it. But Style does go through the effort and the way he touches it almost looks like he is about to pick it up. The "Style + guns" counter goes up to 5.

Style is also very deliberate about it. He has his eyes glued to Fadel, watching him carefully through the entire process. That has me wonder if Style is maybe testing Fadel. Is he testing Fadel's trust, maybe? Because Fadel did say that the words out of Style's mouth are no longer trustworthy, but what about Style's actions? Are those still trustworthy? Technically Style is also still Fadel's kidnapping victim, so what would the kidnapper do if the victim goes for the weapon the kidnapper has been using to keep his victim in check? But Fadel's reaction is just a raised eyebrow and a bit of an eyebrow scrunch like What exactly is it that you're doing? It's a clear message, but at the same time Fadel doesn't even move a single muscle that indicates he is about to do something to get the weapon away from Style.

Fadel watches Style closely, but doesn't interfere. There is a certain amount of trust involved here, because Style could have easily made a quick grab for it and pulled the gun on Fadel for once.

I actually asked @secriden about her opinion on this because I didn't quite know what to make of it and she came back with an interesting perspective I also want to share:

Oh, I think the purpose of that was to show that Style is really choosing to be with Fadel. In that scenario Style literally has all the advantage— Fadel is naked in a bathtub and he's hampered by a broken arm and literally being in a slippery situation. Like if Style wanted to just take the gun and shoot Fadel there was little Fadel could've done at that point. But Style touches the gun and makes deliberate eye contact and then covers it with his clothes like he's saying "See? Even when you give me the chance to seize control what matters to me is another chance to fix our relationship." He's basically proving his own words when he said "I'll do anything to make it up to you." This includes letting a chance go literally take back his LIFE because the gun still symbolises a threat to Style's life (even if we know Fadel isn't going to go through with it).

After covering the gun with his clothes, Style gets into the tub and the first thing out of his mouth is: "I’m glad you didn’t kill them." And we know this to be true, because we saw how afraid and how tense Style was earlier when the gun was involved. Fadel reminds him that he only kills bad people and even if he disapproves of Jimmy's cheating, at the end of the day it's none of his business anyway. Style states "You’re pretty decent at your core, you know?" and I sigh in exasperation again, because it's not that Fadel is just "pretty decent", no, Fadel is a good person. And buckle up, because there are quite a few language notes to follow over the course of this scene.

Really, you're a good person at your core. จริงๆสันดานมึงเป็นคนดีนะเว้ย [jing jing - săn-daan - mueng - bpen - kon dii - ná wóiie] really, honestly - nature, core - you - be - good person - [particle]

Having made this assessment, Style wants to know how come Fadel is a hitman then and Fadel says he gets hired, there's nothing more to it. Style says it's not true that Fadel is doing it just for the money. Fadel comes back with a challenge: "Why not? You don’t know anything about me." In Thai he actually phrases it like a question which I like because it makes the challenge a bit more direct and Fadel's words sassier:

You know me well? มึงรู้จักกูดีเหรอ [mueng - rúu-jàk - guu - dii - rĕr] you - know - me - well - ?

(German speakers: the mood of this sentence is actually more like "Kennst du mich denn gut?", not just "Kennst du mich gut?")

So Fadel throws Style a sassy question, but Style has an answer, and what an answer it is:

I may not know your past but I know your present well. กูอาจจะไม่รู้จักอาดีตมึงแต่กูรู้จักปัจจุบันมึงดีนะเว้ย [guu - àat-jà - mâi - rúu-jàk - àdiit mueng - dtàe - guu - rùu-jàk - bpàt-jù-ban mueng - dii - ná wóiie] I - may, might - not - know - your past - but - I - know - your present - well - [Particle] Official subs: "I might not know who you were in the past, but I know who you are now."

It's not just that Style didn't know who Fadel was as a person in the past, but also Style was neither present in Fadel's past nor did Fadel share much about his past apart from the fact that his parents were shot. Style may not have been there for Fadel's past, but Style is very much there for Fadel's present, he's lived Fadel's present by his side for a while now and has gotten to know Fadel's life and Fadel himself really well. And Style is here for Fadel's present despite all things that should make him want to leave. Style is here for Fadel's present despite all the things he knows or maybe even because of all the things he knows. He knows Fadel is a killer, but he also knows Fadel is a good person. Being here for Fadel's present, Style's gotten to know many different side's of Fadel that make him want to stay in Fadel's present. Style smiles at him. Fadel can't run away from the mortifying ordeal of being known forever. It's too late. Style already knows him significantly, whether Fadel wants to acknowledge it or not.

Fadel looks away from him and when he looks back at Style, Style brings back the topic of Fadel only killing bad people and asks how Fadel decides. Fadel claims he decides based on his own experiences. Style tells him:

You're not a court passing sentences on other people's lives. มึงไม่ใช่ศาลมาพิพากษาชีวิตคนอื่นนะเว้ย [mueng - mâi châi - săan - maa - pí-pâak-săa - chii-wít - kon èun - ná wóiie] you - not - court - come - judge - life - others - [particle] Official subs: It’s not your job to judge that kind of thing, you know? Just quit doing it. เลิกทำไปเหอะ [lêrk - tam - bpai - hùh] quit, stop - do - [particle] - [particle] Official subs: Why don’t you just quit? The more you keep doing this, the more your life will never be at peace. ยิ่งมึงทำแบบนี้ ชีวิดมึงยิ่งไม่จบไม่สิ้น [yîng - mueng - tam - bàep níi • chii-wít meung - yîng - mâi - jòp - mâi - sîn] the more - you - do - like this • your life - the more - not - end - not - end Official subs: If you keep going, it will never be over.

You may have noticed that in the interlinear translation of the last sentence it says "not end not end" which doesn't make a lot of sense, of course. Style actually uses two different words for "end" here. I asked my friend about it who explained that "not end" as in ไม่จบ [mâi jòb] refers to something external (the killings) while "not end" as in ไม่สิ้น [mâi sîn] refers to something internal (Fadel finding inner peace). The more Fadel keeps killing, the more he'll be stuck in this life and the more he won't be able to rest.

Fadel doesn't want to be lectured, but Style isn't actually saying all this to lecture Fadel. It's a well-meant warning because Style cares about Fadel and his well-being:

I just think there's probably no one who will warn you and mean well for you as much as I do. กูอ่ะแค่คิดว่าคงไม่มีใครเตือนและหวังดีกับมึงเท่ากูละ [guu - àh - kâe - kít - wâa - kong- mâi mii krai - dteuuan - láe - wăng dii gàp - mueng - tâo - guu - lá] I - [particle] - just - think - that - maybe - there is no one - warn - and - mean well for - you - like - I - [particle] Official subs: I just think there’s no one out there who wants the best for you more than I do.

Fadel just stares at him and Style smiles back. He means it. After a moment, he puts his feet on Fadel and targets the nipple. First of all, it's time to be a little shit again and try to annoy his way back into Fadel's life and second of all, maybe I think he hasn't given up hope of getting some yet, even if Fadel is still back to being grumpy. Also, it's my personal headcanon that Style put his feet on Fadel for the same reason Dunk did: the tub is simply just too small for these two grown men.

Fadel reminds him that just because he lets Style mess with him it doesn't mean he won't kill Style. Style tilts his head. That's death threat number what? And yet, Style is still here and still able to mess with Fadel. "Go ahead. Blow my head off whenever you want." Style is here, ready to accept his fate. "I’m a bad person for making you fall for me, head over heels, and then betraying you. I deserve to die." And here is where the exact wording is important again. Literally he says: "I'm bad. I tricked you into loving me, I tricked you into being crazy about me, and then I betrayed you. I deserve to die."

Sorry in advance, but the following will be chaos. There is only so much formatting I can do in a tumblr post (I wish I could add a table!). The arrows indicate the literal translation. The colors will make sense a paragraph down.

→ I'm bad. กูอ่ะมันเลว [guu - àh - man - leow] I - [particle] - [marker] - bad Official subs: I’m a bad person → I tricked you into loving me, หลอกให้มึงรัก [lòhk - hâi - mueng - rák] trick, deceive - that - you - love Official subs: for making you fall for me → I tricked you into being crazy about me, หลอกให้มึงหลง [lòhk - hâi - mueng - lŏng] trick, deceive - that - you - be crazy about Official subs: head over heels �� and then I betrayed you. แล้วหักหลังมึง [láew - hàk lăng - meung] and (then) - betray - you Official subs: and then betraying you. → I deserve to die. กูอ่ะสมควรตายเว้ย [guu - àh - sŏm-kuuan - dtaai - wóiie] I - [particle] - deserve - die - [particle] Official subs: I deserve to die.

The wording is significant, not just because our keyword หลอก [lòhk] makes another appearance, but because Style repeats Popcorn's (aka Fadel's mirror, the one voicing how Fadel feels inside) words back to Fadel. Let's compare with what Popcorn was saying: "You tricked me into loving you and being crazy about you and then you do this. [...] There are no chances for bad people. People that trick others into loving them all deserve to die!" (Style's words: "I'm bad. I tricked you into loving me, I tricked you into being crazy about me, and then I betrayed you. I deserve to die.")

→ You tricked me into loving you and being crazy about you and then you do this. มึงอ่ะมาหลอกให้กูรักกูหลง มึงก็ทำยังเงี้ย [mueng - à- maa - lòhk - hâi - guu - rák - guu - lŏng • mueng - gôh - tam - yang -ngíia] you - [particle] - come - trick, deceive - that - I - love - I - be crazy about • you - [sentence link] - do - like this Official subs: You made me fall for you and then betrayed me. [...] → There are no chances for bad people. โอกาสมันไม่ได้มีไว้สำหรับคนเลว [oh-gàat - man - mâi dâai - mii - wái - săm-ràp - kon leow] chance - it - not - have - keep - for - bad people Official subs: The likes of you don’t deserve second chances. → People that trick others into loving them all deserve to die! คนที่หลอกให้คนอื่นรัก สมควรให้ตายไปให้หมด [kon - tîi -lòhk - hâi - kon èun - rák • sŏm-kuuan - hâi - dtaai bpai hâi mòt] people - that - trick, deceive - that - others - love • deserve - that - die - all Official subs: The likes of you who lead people on deserve nothing but death!

As you can see, Style uses almost the exact same words that Popcorn used and they are all words that Fadel had an emotional reaction to earlier that day. Style's been paying attention. Style finishes with "I deserve to die" just like Popcorn claimed was the case and then closes his eyes and tilts his head back a little like Go on, shoot me. I am at your mercy and I am ready to die for my sins.

Two things are happening here with this little monologue: Style is being a little shit by shamelessly mocking Fadel's empty death threats. Style knows Fadel won't kill him over this, because if tricking people into falling in love had been enough of a reason to fall under Fadel's category of Bad Person™ then Fadel would have killed Jimmy earlier that day. But Jimmy is alive. And so is Style.

And the other thing is that Style is also letting Fadel know that he's figured out what Fadel is really angry about. Style is fully acknowledging now what he did that hurt Fadel so much. It's very different from earlier that day when the car broke down and Style was all "Hey, what happened happened. Let it go. Shouldn’t you be looking forward to the future? Focus on the future. Let go of your grudge." I think in the beginning Style assumed that while yes, Fadel would think Style's love was fake, the main thing he was angry about was Style being a snitch for the police. But then they ran into Jimmy and Popcorn. And then Fadel got unnecessarily offended at someone else's trickery in a relationship Fadel had nothing to do with. And Style paid attention. It's not that Style was working with the police that's the problem. The "working with the police part" is the thing that Fadel was already suspecting and expecting from the beginning. Fadel had been ready for that. That wasn't the problem. No, what hurts the most is that Style had the audacity to play with Fadel's heart first before "cheating" on him by being on the police's side. Fadel is upset because he thinks Style's love was insincere, that it was all just an elaborate trick while for Fadel himself the love was all real and Style now fully and actively realizes that. And acknowledges it. Except, Fadel denies his feelings: "Don’t be so full of yourself. I never fell for you."

Now, when Fadel tells Style not to be so full of himself, he actually tells Style not to คิดไปเอง [kít bpai eng]. Literally this phrase makes something like "think by oneself" and it's a phrase that my friend defined as "to come to a conclusion without there being any solid evidence for it". Fadel is basically telling Style something along the lines of "Don't make shit up, I never loved you." And yeah. He does indeed say "I never loved you" which to me sounds almost more hurtful than "I never fell for you":

กูไม่เคยรักมึง [guu - mâi koiie - rák - mueng] I - never - love - you

Fadel is a lying liar. And Style knows it. He stares at Fadel for a moment as if he can't believe Fadel really just dropped this with a straight face, then smiles a little. "You might be good at cooking and shooting, but you’re not very good at lying at all." And with that, Style immediately puts Fadel to the test. He starts slowly kissing his way up Fadel's arms, pausing to check in with Fadel and even more so to check his reaction. When Style gets close enough to Fadel's face, he slowly leans in for a kiss, his eyes fixed on Fadel's eyes. Style advances very slowly, giving Fadel plenty of time. Fadel actually tilts his head a little towards Style, almost welcoming a kiss, but when their noses are about to touch Fadel turns his head away. And you'd think Style would be annoyed about Fadel refusing him once again, but instead Style smiles. Because I don't think Style went into this with the goal of actually seducing Fadel, of actually trying to sleep with him again like he did in the race car bed in the beginning of the episode (though I'm sure he wouldn't have minded if Fadel had consented). No, this wasn't an attempt at getting into Fadel's pants. This was a test. Fadel refuses to kiss Style and Style smiles a little, looking almost amused. He was expecting this.

There it is. Proof that Fadel is a lying liar who lies. Proof that Fadel is mad about and hurt because of the exact things that Style has just listed only moments before. Proof that Fadel did love him. Does love him. Still loves him. Style keeps looking at Fadel, but Fadel keeps his head turned away, avoiding eye contact at all costs. Instead of calling Fadel out for being a liar again, Style raises his eyebrows and backs off.

He sits back down on his spot at the other end of the tub and makes a promise: "As long as I'm alive, I'll make you kiss me again." Fadel, who in the meantime has started looking at Style again, lifts his head and goes back to avoiding eye contact with Style once more. He looks around the room. Looks anywhere but at Style. Looks at the painting at the wall instead. And that's when Fadel realizes. He knows exactly where Bison is. And with this we are left to wait a week for the next episode (except the next episode will already be out by the time I manage to post this rip).

If you think I have already spent enough words on this scene, think again. Because the dialogue in this scene is really interesting when thinking back to the bed scene from episode 5. Back then Fadel told Style "The real me might be scarier than you think". Towards the end of episode 7 and all throughout episode 8 Style has been getting glimpses of that real Fadel that he was warned about. Back in episode 5 Style knew about "the real Fadel" mostly in theory and told him "I promise that no matter what you are like, I'll still like you". And Fadel told Style that Style can judge once he's ready. And what is Style's judgment now that he's gotten to witness some of the real scary Fadel? "You're a good person at your core." And Style's stance on liking Fadel no matter what kind of person he is? "I just think there's probably no one out there who will warn you and mean well with you as much as I do." Fadel warned Style that Style should be wary of him, but Fadel also only kills bad people and Style isn't bad people and Style knows it. Fadel refused to fully open up to Style and right now in his anger he is likely even less willing to open up to Style at all and yet Style knows him, knows his present so well. And Style was even close to witnessing Fadel murdering someone and even though Style would rather Fadel didn't (and doesn't and won't), Style still doesn't judge Fadel for it. And even if Fadel had killed Jimmy, it likely wouldn't have made Style love Fadel any less. Back in episode 5 Style made the decision to be by this man's side and now in episode 8 he still firmly stands by this decision. In fact, maybe even more so now. Both of these scenes end in a promise made by Style: As long as I'm alive, I'll make you kiss me again. One day, I'll be your 100%. Style is absolutely set on this. And it won't be long until he makes good on that promise. At least on the promise he made this episode.

(Overview | Ep1+2 | Ep3 | Ep4 | Ep5 | Ep6 | Ep7 | Ep9)

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vcg73 · 2 years ago

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Free Kurt - Wedding Edition

OK, so I never made it all the way through the episode, so this is off the cuff. But in the spirit of ‘canon is bullshit and Kurt deserved better’, here is my shot at Carole saving Kurt from that absurd S6 wedding per this request: https://www.tumblr.com/elledelajoie/697137179001028608/free-kurt-challenge-3?source=share

TITLE: Mother May I

~*~*~*~*~

“Excuse me. Can we talk for a minute?” Carole asked, knocking softly on a support post next to the hale bale on which sat Pam Anderson, Blaine’s mother.

The dark-haired woman smiled, looking relieved to have company, and it was then that Carole realized that this woman was a stranger to everyone here, excepting her son and Kurt, and had probably been feeling a little bit lost amongst the twittering throng of wedding guests, and friends and family of the two young brides.

“Of course!” she said, scooting over a few inches to make room on the blanket covered bale. “It’s Carolyn, right? Kurt’s mother?”

“Carole, actually,” she corrected with a smile, trying not to let her puzzlement show. Surely Kurt had, at some point in his relationship with Blaine, met the other young man’s parents. And hadn’t Blaine ever talked to his mom about his boyfriend’s family? She could remember Finn excitedly babbling away about every little detail of his girlfriends’ lives when he had dated, alternately, Quinn and Rachel. And Kurt had told Burt and her all about Blaine. Even before they started dating officially, every visit home from Dalton Academy had been full of information on Blaine, the information frequently seeming to burst out with his enthusiasm to talk about the other boy.

Pam shook her head. “Right, I’m so sorry. I’m terrible with names. I’ve met so many new people today that all of the introductions have flown right out of my head.”

“Are you friends with the brides’ mothers?” Carole asked, momentarily distracted from original intention in seeking this woman out.

Pam blushed. “Actually, no. My son recently broke up with the young man he’d been living with and I was coming as his, and I quote, ‘emergency plus-one’. But then he and Kurt unexpectedly got back together yesterday, so I was going to bow out, but the boys said I should come anyway. Since I’d already bought the dress and all.” She laughed a little awkwardly, seeming to only just notice that her dress and Carole’s were very alike. “I see we have similar good taste. We almost look like we should be mothers of the grooms, instead of guests of the brides!”

The other woman laughed again, but Carole felt like her thoughts had just screeched to a halt. “They just started seeing each other again? I thought my step-son was still dating that older gentleman that he met online.”

“Oh, no. I think they were just friends. That’s what my son told me,” Pam said. “Blaine broke up with Dave last week because he said he felt like he and Kurt had worked things out, but as far as I know it didn’t become official until yesterday.”

Carole’s brow creased. She suddenly felt rather suspicious of this odd chain of coincidental timing and events. “Something is very wrong here,” she said slowly. “And I think it may be partially my fault. Earlier, Kurt was saying something to his dad and me about how he had almost gotten married last year and what a young and foolish decision that was at the boys’ age. We should have just agreed, but instead we started waxing on about how you had to grab every moment of life and make the most of it. I’m afraid I may have inadvertently projected my regrets for the opportunities my son Finn never got to have onto him.”

Pam reached out, giving Carole’s hand a wordless squeeze of sympathy that told her the other woman had heard the tragic news of Finn’s passing.

“And Kurt takes everything to heart, doesn’t he?” Pam said with a small sigh. “He’s such a sweet young man. I never did get the full story on what broke them up the first time, but I regretted losing him almost as much as Blaine did. I love my son, but I know he isn’t good at taking responsibility for his actions, and I suspect he was at least equally at fault in whatever happened. Blaine has a bad habit of assuming that circumstances will always fall in line to suit his preference, and he becomes oblivious to anything that doesn’t fit that narrative. Those two have broken up and gotten back together so many times that I’m starting to believe Blaine’s in claims about destiny and soulmates.”

Carole sighed. “I’m not sure that I agree. Sometimes couples break up because they just aren’t suited for each other, no matter how strong the love is. And now Brittany is trying to convince our sons that they should get married in a double ceremony today. I overheard Sue Sylvester talking to Brittany just now, and I believe the idea originated with her. That woman has an unhealthy obsession with Kurt, and lately she’s been fixed on the idea of ‘Klaine as endgame’.”

“She what?” Pam nearly screeched the words, standing abruptly. “They can’t do that. The first time they got engaged, they’d been back together for a day, and look how that turned out! Maybe they’ll work out in the end, and maybe not. I hope they do, but not like this!”

“Agreed,” Carole said, glad to have an ally in this. She would not hesitate to take on that track-suited maniac for Kurt’s sake, but she could not honestly claim that she wasn’t a little bit scared to do it alone. “Brittany apparently thinks that having two gay weddings at one time will counteract the bad luck of her and Santana having seen each other in their bridal wear before the ceremony.”

Pam’s face froze in a quietly baffled expression, looking so much like her son for a moment that Carole had to smile. Jumping up, she grabbed the other woman’s hand and gave her a tug. “Come on. We have a wedding to save, and another one to stop.”

A few minutes later, after a hurried conference with Mirabel Lopez and Whitney Pierce, the posse of Glee moms descended on the small room where the would-be brides and grooms, along with the still looming presence of Sue Sylvester, were waiting. Each mother drew her child aside for a serious heart to heart talk.

“Kurt, I know I’m not actually your mother, but I’m going to speak to you now as if I were,” Carole said, taking Kurt’s hands in both of her own. “This is a mistake. You and Blaine started dating under less than ideal circumstances and your entire high school relationship was a series of misunderstandings and missed opportunities, usually with you paying the price to end things peacefully. I stayed out of it then, feeling that it wasn’t my place to interfere, but Finn told me a lot, and I need to apologize if I ever made you feel that I was unapproachable. Maybe if I had tried harder to let you know that you could trust me, and that you had someone you could talk to when things got rough, you never would have felt like you had to do everything on your own. Or felt like you had to give and give until there was nothing left.”

Kurt gaped at her. “But, I…” He trailed off, unable to deny that he had done just that. “Things are better now.”

“Are they?” she said, looking into his eyes and nodding to herself when he flinched away from her intent gaze. “Or do you just want them to be better because you’re in love?”

“It hurt when he was gone,” Kurt said softly.

She impulsively gave him a hug. “I know it did. Letting go of someone we love, someone we put all our hopes and dreams into, does hurt. It hurts a lot. Believe me, I know. But your first true love doesn’t have to be your one and only. You and your father taught me that.” Letting go, she led him to a handy bench to sit down. “Honey, you can’t just ignore your problems, or magically make everything okay by wishing everything was good again. If the past year of grief counseling has reinforced any lesson for me, it’s that one. You broke up for valid reasons. Maybe you worked those problems out, and maybe you didn’t. Only you can answer that for sure, but when you and Blaine got engaged, it was essentially by ambush after you’d only just become a couple again, and I don’t think you were ready for that. And now, after another breakup, you’ve gotten back together yet again, and now someone else is trying to ambush you into a wedding. Someone else’s wedding, that you’re being forced to gate-crash no less! Does that seem like an ideal situation, or something that will work out well for you?”

Kurt’s blue eyes were welling up with tears. “No,” he whispered. “I feel like Alice from ‘Alice in Wonderland’, like random things just keep happening to me with no rhyme or reason, and the more I try to go along and make everyone else happy, the more lost and confused I feel. But Carole, what if I call it off and I lose him all over again?”

“If you can’t be honest with him, and with yourself, you’re going to lose a lot more than that,” she said gently. “For now, Brittany and Santana just need to know that they’re stronger than a little bad luck, and that today should be their big moment; a special day just for them. Their moms will figure out what to say to make that right. As for you and Blaine, just tell him that you want to date for a while. You two have always been in such a hurry for a big grand gesture to somehow prove your love, and you don’t need that. Just spend time together. Maybe go back to New York and try leading individual lives, different apartments, different jobs, different schools, and make sure everything between you is open and honest this time. But be a couple in all the important ways. By the time you graduate college, if you’re still on the same page, then set a date and plan out the wedding you want. Not this.”

The tears were trickling down Kurt’s face now, but he looked so relieved that any doubts Carole had harbored about interference vanished. He had not been born to her, but Kurt Hummel was her son just as much as her darling Finn had been, and her love for him was true motherly affection. She hugged him again, tightly.

“I love you, Carole.”

She smiled. “I love you too, honey. Now, let’s go see how the others are coming along, and get this wedding back on track before all the guests get bored and stage a giant musical revolt that makes ‘Les Mis’ look like a summer picnic.”

Kurt laughed and pulled a handkerchief from his pocket, blotting away his tears and blowing his nose. “They would do it, too. You can’t put that many divas in one room and not expect fireworks.”

In the end, only one couple tied the knot that day.

Brittany’s fears of bad luck were lifted by all of the gathered glee club members and guests forming a giant circle around the couple and singing Elvis Presley’s “Good Luck Charm”. (Which somehow everyone knew, including Brad the pianist, who magically appeared at the Indiana barn just in time to accompany the group.)

Sue Sylvester’s bad temper was soothed by a personal invitation from Kurt to be the officiant on his next wedding day – regardless of when and where that happened to take place, or whomever he ended up marrying. At this promise, Sue abruptly decided that she did not particularly care about the identity of his groom, and that really, Blaine was too short for him anyway. He needed someone tall and statuesque. Someone who would look good on a cake topper. Someone not unlike a young male version of Sue Sylvester. Porcelain would be receiving texts and emails of prospective hotties every week for the rest of his single life.

Blaine Anderson picked a fight with Kurt over the drinks table for embarrassing him and ruining his big moment yet again. He whined so loud and snarked so annoyingly, that Burt Hummel abruptly had a change of heart and decided that Kurt had been right all along to dump him. In celebration of this moment, the two Hummel men shook hands and proceeded to dump a bowl of bright red, hair-gel melting, icy punch right over the top of his head.

Pam Anderson bonded with Carole, Mirabel, and Whitney, drinking and dancing the night away, and putting down the roots of a great friendship and a killer ladies bowling league. The next day Blaine - newly single and still showing blotches of a peculiar shade of pink here and there due to Brittany having made the punch out of double-strength Kool-Aid - drove his still happily inebriated mother, who had partied until dawn, home to Ohio.

Kurt returned to New York, much more happily single. Two months later, he went on a blind date set up by his best friend Elliott, and they hit it off immediately. According to Kurt’s very pleased father, the guy wooed his son like romance was a National sport and Kurt’s heart was the pennant.

Brittana lived and loved happily ever after.

THE END

#Free Kurt #elledelajoie

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fakeikemen · 5 years ago

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Katara's Grief

(This is my first attempt at a meta post and I know that this has probably been already done but I just needed to get it off my chest and go on a little rant and it kinda got long so bear with me.)

A lot of the hate on Katara stems from the fact that she keeps on mentioning her mother's death at every chance she gets and invalidates other people's pain to assert that her suffering is the worst of the lot.

And even though everybody is entitled to their own opinions, I'm gonna point out why I think the aforesaid claims are not exactly correct.

First we'll take a look at; Katara's Backstory:

We know that Kya is killed in a fire nation raid and that Katara had been the last person to see her alive before she leaves the tent on her mother's insistence. Only to come back a few moments later and find her dead body. This, in itself is a traumatising event.

So yes, her mother died. Other people in the story go through far worse. You're not wrong when you say that.

But what is more important in Katara's story is the aftermath of her mother's death.

As Sokka says while talking to Toph in "The Runaway" in B3 Ep7:

Sokka: When our mom died, that was the hardest time in my life. Our family was a mess, but Katara? She had so much strength. She stepped up and took on so much responsibility. She helped fill the void that was left by our mom.

As an eight year old, she had to force herself to grow up to step into her mother's shoes and raise herself and her elder brother and simultaneously look after the entire village after her father left to fight in the war. She had to do all of it by herself.

In face of all her responsibilities, she never really had the chance to simply be a grieving child lamenting the loss of her mother. She habituated herself to caring more about others than herself (We see this trait in the entire series as she acts as the stand-in mom friend for the entire Gaang with an exception of Suki and Zuko). She ended up bottling her feelings of grief, resentment, guilt and rage deep within herself.

She had to give up an extensive part of her childhood where most children focus on figuring themselves out, to become a mature and responsible person who was working as the immovable pillar holding up the family and even the whole village not much later.

She put up a strong front to help others and pretended to be fine even though she was hurting inside the whole time.

She could never find any closure from the situation. She never got over it.

Moving on to the criticisms:

1. Katara keeps on mentioning her mother like a broken record:

Here are the number of times Katara mentions her mother's death (not sure if that's all of it, lmk if there are any others):

1. In her first scene with Sokka

Katara: Ever since mom died, I've been doing all the work around camp while you've been off playing soldier!

2. A short while after she meets Aang

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

3. A short while after she meets Haru

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

4. A short while after she meets Jet

Katara: Sokka and I lost our mother to the Fire Nation.

5. In the swamp after she sees a vision of her mother

Katara: I thought I saw Mom.

6. In the Crystal Catacombs with Zuko

Katara: I don't? How dare you! You have no idea what this war has put me through! Me personally! The Fire Nation took my mother away from me.

7. A short while after she meets Hama

Katara: We completely understand. We lost our mother in a raid.

8. Repeated mentions in The Southern Raiders episode

(Most of the episode basically)

The first mention with Sokka is in the middle of a siblings' spat where she tells off Sokka for trying to act as if he were superior when it was obvious that in the face of the gaping hole that was left by Kya's sudden death, Katara had shouldered much more responsibility.

When she tells it to Aang, she uses it as a proof that the Fire Nation is capable of immense cruelty and destruction.

The Gaang travel all around the world and meet different people affected by the war in different ways. So when Haru, Jet and Hama narrate their own stories, Katara sympathises with them and talks about Kya's death in lieu of "I understand, the Fire Nation hurt me too."

After they got separated, Aang, Sokka and Katara each had their visions and after they get back together, they all mention their visions and so does Katara.

When left alone in catacombs with Zuko, whom she considered as the face of the Fire Nation— the same Fire Nation that had her mother killed and forced her father to leave to fight in the war, she has a meltdown where she rightfully accuses him of all the bad things he's done and then breaks down while talking about how the war has cost her i.e., by causing her mother's death.

The Southern Raiders is the episode where Katara hunts down the man responsible for her mother's death. If you think mentioning Kya repeatedly in this episode is uncalled for, then I don't know what to tell you.

In all the incidents mentioned above, Katara mentioning her mother's death is a very natural occurrence is the respective conversations. She mostly talks about Kya's death to either extend her sympathy or to use it as an example of the ruthlessness of the Fire Nation.

Another fact to be noted is that 70% of the Gaang's storyline is followed via Katara from a narrative point of view. Plus, being the mom-friend, she acts as the spokesperson. Considering that Kya's death is a major event that played a huge role in shaping Katara's life and is also the source of her severe, unresolved trauma, which acts as the driving force of her story, it is only natural that she brings up this topic whenever she is engaging in a deeper conversation.

It is us as the viewers who have seen her from the start and already know about her mother's death and we see her talking to multiple people about it. Which is why it might come across as repetitive to some people.

While, Kya's death is not necessary information that everyone needs to know, Katara talking about it never comes across as a forced or unnatural.

2. Katara invalidates others' pain because she thinks she has suffered the most:

First of all, if anything, Katara is the most empathetic person of them all. As the mom-friend of the group, not only is she their constant moral support, she also helps them untangle and sort out their own feelings. She is also able to tap into issues that aren't said out loud.

Instances of Katara helping and supporting Aang, emotionally are uncountable.

She is the first one to notice Sokka's sour mood in B3 Ep4 "Sokka's Master". And even though his insecurities seem baseless, she validates him (by saying "I'm sorry you're feeling so down" instead of something like "That's a dumb thing to say") and knows exactly what to do to cheer him up.

In B3 Ep7 "The Runaway" she has the insight to understand that Toph's unruly behaviour is caused by the mixed feelings she has about her parents even though Toph's herself never talked about it.

She even reaches out to Zuko in B2 Ep19 "Crossroads of Destiny" even though she used to think of him as the face of the enemy.

But then there's The Southern Raiders.

Ah yes, that episode where Katara is extremely OOC and a total b*tch.

Agreed that she said some things that she definitely shouldn't have said. But like, she's just 14?? And has been hurting on the inside since she was 8?? And pretended to be fine just for the sake of other people?? Like, there's a limit to how much she can have her shit under control?? And she did a real good job of Sokka's upbringing and taking care of the village and taking care of Gaang on her own?? Some people out there are really willing to forget everything she has ever done just because she was mean for 5 minutes?? A traumatised 14 yo shouldn't be villianised and called toxic because she got mad and lashed out at people that one time??

But here's my take on the scene anyway:

When Aang gets to know that she's going to go face her mother's killer:

Aang: Um ... and what exactly do you think this will accomplish?

Katara: I knew you wouldn't understand.

Aang is a non-confrontational person who prefers running away from difficult situations as opposed to Katara who firmly stands her ground and is never afraid of confrontations. Katara had approached Aang only hoping that he would understand. But going by his dismissal, he obviously doesn't understand the burning need that she has to confront the man who had single-handedly destroyed her childhood. (Most people infer that what Katara means is that she thinks that Aang doesn't understand the pain of losing people. And so does Aang, I guess)

But things start getting even more tricky when:

Aang: Katara, you sound like Jet.

In all honesty, this is probably the most insensitive thing that she could've heard from anyone right then, let alone one of her closest friends. Hearing herself being compared to a homicidal maniac just because she wants to avenge her mother's killer. (No, I'm not justifying murder but there's a clear difference between homicide and avenging someone's death. And Aang may not be my favourite character but I do love him but this wasn't really a good thing to say either. And he wasn't even mentally distressed in the very least to be completely lacking tact or a filter.)

And then the situation escalates:

Sokka: Katara, she was my mother, too, but I think Aang might be right.

Katara: Then you didn't love her the way I did!

After 6 long years of Katara bottling in her dark feelings and letting them fester inside herself, she is finally letting them out and the first things she faces in a span of few minutes are outright rejection, invalidation of her feelings, comparison to a homicidal maniac and nothing akin to the unconditional support that she has provided to everybody. Her own brother tells her that he is siding with the boy who just compared her to a homicidal maniac.

Yes, accusing your own brother of not loving your mother enough is a very cruel thing to do. But both Sokka and Katara know that she doesn't entirely mean it.

But also, there is one very important factor in here:

In B3 Ep7 "The Runaway", Sokka says to Toph:

Sokka: I'm gonna tell you something crazy. I never told anyone this before, but honestly? I'm not sure I can remember what my mother looked like. It really seems like my whole life, Katara's been the one looking out for me. She's always been the one that's there. And now, when I try to remember my mom, Katara's is the only face I can picture.

Katara overhears this conversation just as Sokka had meant her to.

This dialogue lets us know that Sokka's coping mechanism has made him suppress all memories of Kya and replace them with memories of Katara in order to attain a semblance of normalcy.

Both Katara and Sokka had very different ways of coping with Kya's death. Katara pressed down her feelings and tried her best to pretend to ignore them while Sokka partially succeeded in forgetting her.

When Katara first hears these words she is shown to be crying. But if she were to remember these very words while she was justifying herself infront of her own brother and a close friend for wanting to avenge her mother, it would've had a negative impact on her.

In her rage, she would've thought: "Of course he doesn't want to avenge mom. Because he doesn't think it's worth it and that's because he doesn't even remember enough of her to be mad about her death."

And for someone who has spent each day of the last 6 years trying to fill in the shoes of her mother and experiencing her absence everyday, the idea of forgetting her mother is a ridiculous concept to her.

Her thoughts would have quickly derailed to: "He didn't love her enough to remember her."

In light of these thoughts, saying "Then you didn't love her the way I did" doesn't feel out of the blue.

No, I am definitely not justifying what she said, I'm just laying out a possible explanation to why she said what she said.

Yes, she should've apologized to Sokka for this and I think that they definitely should've had a long conversation about their mother's death and how it affected them. Between Katara supressing her feelings and Sokka supressing his memories, i don't think they ever had this conversation.

But sadly we are given neither of these scenes.

Tl;dr: Everytime Katara mentions her mother, it's with good reason and I don't think it's fair to call a character toxic when they lack a mind to mouth filter for 5 minutes and say some mean things. And considering all that Katara has done for everybody, it isn't fair at all.

Peace out!

#antis really be out there ignoring everything she does to hate on her because of two lines she said #nvm katara is one strong badass girl stan her for good grades and clear skin #katara #atla #atla meta #meta analysis #avatar the last airbender #water tribe #kya #sokka #hakoda #gaang #atla gaang #avatar gaang #zuko #aang #toph #ira's posts

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adorablelokie · 4 years ago

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Who is hunting who, or alternatively, is Loki going after Sylvie or is Sylvie seeking out Loki?

So far we’ve ‘seen’ Sylvie make an appearance in 6 different scenes:

- The one where she set the field on fire and knocked out TVA agents

- The one where she’s fighting the agents by the elevator in the TVA building

- The one where she’s spying on Loki and the TVA on surveillance cameras

- The one where she’s running away through a fog

- The one where she’s sitting with Loki by a small industrial lake

- The one where she’s doing a flip in a poorly lit room in a mysterious palace

And surprisingly, Loki has been around for at least 5 out of those 6 scenes. Let me show you:

1. The one where she sets the field on fire and knocks out the TVA agents.

This is a scene where Loki is probably not involved or present at all and is the lone exception. In fact this seems like an introduction scene of a mysterious antagonist of the show who will later on be revealed to be Sylvie.

I’m fairly convinced this scene happens in episode 1 since she’s still keeping her identity hidden. Judging by bts videos she takes off her cloak at some point during the mall scene which is set for episode 2.

Plus Derek Russo, who according to IMDb is only appearing in episode 1, is also involved in this scene as the unknown TVA agent who gets dragged away while he was reaching out for the orange canister.

tl;dr: No Loki here, introduction of Sylvie the enemy of the TVA and first hints of what she’s after. Likely (thanks to her cloak and a fellow actor) this happens in episode 1.

2. The one where she’s fighting the agents by the elevator in the TVA building

This is a scene where Loki actually is around. In the trailer #2 we saw Sylvie fighting two agents by the elevator in what is obviously, the TVA building.

But we also saw an alert Loki cautiously walking down a, rather monotone looking corridor. Judging by the markings on the wall this is also set in the TVA HQ.

Perhaps one’s first impression would be that Loki went rogue and is trying to escape his TVA ‘friends’, but it doesn’t appear that that’s the case. In the following shot we see a knocked out TVA agent just...lying there on the ground and Loki is, with his knives drawn, slowly making his way towards them, not away from them as he would if he was the one responsible for the poor agent’s state.

It appears that Loki is approaching the commotion/danger and is following the source of the fight. In this case I believe Loki is chasing down Sylvie, who has broken into the TVA HQ for reasons unknown. Perhaps to steal something that would allow he to travel through space and time. She does seem to be after something (note: orange canisters). But I doubt he knows about her identity just yet. I think Loki will find out who she is at the same time as the audience will, meaning, it’ll probably happen in episode 2.

tl;dr: Sylvie is in the building, Loki is there too, following the ‘crumbs’ she left behind and this might be the first time Loki and Sylvie interact in the show and/or are in close proximity.

3. The one where she’s spying on Loki and the TVA on surveillance cameras

A pretty easy one! The TVA and Loki enter the ROXXCART shopping mall (apparently, according to Decatur) it’s a scene set in 2050. They evacuate some people, but they also seem to get involved in a fight. Or at least Loki does as a random guy attacks him and he gets laid out by a roomba. No worries though, as Loki ultimately gets his revenge and knocks him out.

But from the safety of ROXXCART’s security room, Sylvie’s watching the events unfurl before her, still safely hidden in her oversized cloak (also is there a reason other that suspense for her to be so hidden? Can she not shapeshift or magically change her appearance?). I previously theorised that she might be capable of telepathically influencing people and might be behind Loki’s little roomba fight.

Thanks to bts videos and photos we know that at some point during this mall confrontation Sylvie has a rather flippant looking conversation with Hunter B-15 and this time, she doesn’t wear any sort of garments over her head. She’s no longer hiding who she is, but earlier, while she was watching surveillance cameras she was still wearing her cloak, so this is probably the scene when we get our first full glimpse of her.

Ultimately at some point after defeating the mighty roomba guy, Loki seems to realise he has an opportunity to escape and takes it, jumping through a portal waiting for him. Mobius and co are running after him, but too late, Loki’s gone. For now?

I wonder if the portal was opened by Loki himself orrrrr.....if maybe Sylvie’s to blame, and kind of helped him out there. After all, by watching trailer #2 we know she’s aware of the portals and likely knows how to use them.

tl;dr: Loki, Mobius and the TVA are in Roxxcart mall. Sylvie’s there too, being a stalker and watching them on cameras. Loki has a fight, Sylvie has a convo with Hunter B-15 and at some point Loki escapes. Our first look at Sylvie and this might be Loki’s first real confrontation with her.

4. The one where she’s running away through a fog

This one is my favorite moment because I don’t think many have noticed that the scene of Sylvie running away from chaos through fog might happen on the same planet/realm/place as Loki’s magical fight on a moving bar (possibly a fancy train? A bus?)

Admittedly, this one is hard to see, but if you watch the trailer (or if you watch it frame by frame), please spare a glance at the mysterious bulky figure running straight at her on the left of your screen.

The shrouded-in-foggy-mystery-figure seems to be wearing the exact same type of pointy, very Daft Punk looking helmets as the figures of authority Loki’s fighting off in a moving bar. They also seem to be wielding some type of a staff resembling weapon, which was also seen in the scene where Loki’s fighting, using his magic.

Even the overall fancy aesthetic looks similar to the one of Sylvie running through fog.

Even the type of font is similar/exactly the same.

tl;dr: Sylvie and Loki are both in the same place. Sylvie’s escaping a commotion possibly caused by her and Loki’s fighting off what seem to be figures of authority in that place.

5. The one where she’s sitting with Loki by a small industrial lake

This one is by far the easiest as they’re literally sitting inches across from each other. Where exactly they are it’s unknown, but they’re sitting by what seems to be an industrial lake (drainage/sewer pipes on their far right) and with lights illuminating the entire place.

At first it’s just Sylvie, but then Loki joins her. Looking at the given scenes it seems like she’s waiting for him.

Whatever’s going on in this scene I feel like it’s going to be emotionally heavy one. I think this is the scene where we actually find out who Sylvie truly is, what’s her real agenda. It might also be the first proper ‘ok, let’s sit down and talk’ moment between Loki and Sylvie. It gives me those vibes.

Also, they’re clearly not enemies at this point, in fact, judging by their close proximity and body language, it seems like they’re on okayish, maybe even friendly terms. I do believe they join forces at some point in the show.

And this scene of a portal opening up behind Loki follows their conversation. It’s the same rock structure, the same two rocks Loki and Sylvie were sitting on earlier, same ground, same source of lighting.

It seems like either someone from the TVA finds them or that Sylvie opens a portal for Loki.

tl;dr: Sylvie’s waiting for Loki. They have a heart-to-heart and seem to be okay with each other. After their conversation’s over, a portal opens up behind Loki.

6. The one where she’s doing a flip in a poorly lit room in a mysterious palace

Another very obvious one. At some point in later episodes (thanks to Loki’s injured right upper arm, we know this definitely happens after he and Sylvie have that conversation) Loki finds himself at a weird, semi abandoned (but not really, as the fire’s still lit) dark palace with golden specks and cracks everywhere.

We see a bit of light coming through the window, illuminating the room, giving this place a more pinkish tinge. Whatever this place is, it seems like a cathedral or a palace. It’s not entirely abandoned though.

Sylvie’s there too and she’s in her element, mid-flip, ready to demolish whoever she’s fighting. Loki? Who knows.

Loki is certainly looking for someone, and is on alert. Perhaps they’re actually working together to take down a mutual enemy.

tl;dr: Sylvie and Loki find themselves in the same, very aesthetically pleasing looking place and something goes down.

7. The one where Loki uses Sylvie’s sword to fight off the TVA guys.

Not really a ‘omg Sylvie’s there too!’, but I wanted to include it anyway.

I mean, it’s possible she’s there. I actually think she is and that’s why I’m including it.

Sylvie always has a sword on her person. In literally every scene we have of her so far, we could see her sword. The TVA agents don’t seem to wield swords (they have some weird glowy sticks) and Loki doesn’t wield a sword until he finds a shorter one later on in the show (it’s totally different from Sylvie’s)

This sword belongs to her. That’s for sure. Hunter B-15 does grab it from her at some point but I highly doubt she’s on her side.

However, at some point Loki is seen fighting the TVA agents (the glowy sticks are a dead giveaway) with Sylvie’s sword.

Now, these two guys don’t look like the usual TVA guards/hunters/agents so they might be from another department or are from another timeline. I believe at this point something either happens to Sylvie and she can’t fight (especially since she seems to be on unfriendly terms with the TVA) so Loki jumps in and helps her, or, he helps her out of the goodness of his heart. (Lol)

Anyway, there’s a reason why he has her swords and why he’s fighting the TVA. This frame just gives me more proof that Loki and Sylvie join forces.

tl;dr: Loki is using Sylvie’s sword and is fighting the TVA. Sylvie’s nowhere to be seen, but is probably around. Loki helps her.

Anyway, this is it. For some reason Loki and Sylvie do seem to be orbiting around each other a lot in this show. But that’s to be expected as Sophia’s one of the four leads and a possible main antagonist.

The only thing that I can’t quite decipher just yet is if Loki (and the TVA till certain point) are going after Sylvie for the time mess/crimes she caused OR if Sylvie is actively seeking out Loki for her own reasons.

Possibly a bit of both. Maybe she’s even the reason why he goes rogue and escapes the TVA, hoping to find the answers about who she is and why he’s in this mess on his own. Because I think there’s a chance the TVA might not be telling him everything and he, intrigued as only he can be, decides to find for himself.

Anyway, I can’t wait to see Loki and Sylvie wreak havoc on the TVA :)

#loki series #loki show #loki #sylvie #sylvie lushton #loki theory #loki speculation #sophia di martino #tom hiddleston #theory #speculation #analysis

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itsuki-minamy · 4 years ago

Text

LIMITED KINGSHIP, WAR STORIES:

CHAPTER 1: BUTTERFLY AND MANTIS

* Mini Episodes KFCN (List of Chapters) * Projects & Chapters

Translation: Naru-kun Raws: Ridia

"Uh... do I have to clean this up myself?"

With the mop and bucket on the floor, Tadashi Maruha complained.

Originally, it should have been a good room in this detention center. Whether in the reception room or the director's room, the custom-made furniture was so good that even Maruha could tell, and he might have imagined that it would be nice to live surrounded by such furniture.

If the burned blood didn't stick, he was sure he would.

At that moment, the interior of the room seemed miserable. Charred blood and internal organs were strewn across the table, couch, and cabinet, and every part of the human body, such as the hands, feet, and head, was rolling around randomly. It could be like this if you put multiple people in a red-hot mixer.

"I wonder if I should pick this up with tweezers... but if I don't do it early, Soma-san will get mad."

As he muttered and murmured, Maruha donned a mask, put on gloves, and placed a bucket on a charred table. At the moment, he started from a large place and raised the head that was nearby.

His face was familiar. One of his open eyes was crushed by a burn. "Wow.", he leaned back a bit, put his head on the table for the moment and Maruha clasped his hands.

"Well, what was your name? You sure were an acquaintance of Aniki, right? Well, anyway... Nanmandub, Nanmandub..."

Maybe it was Nembutsu, he didn't remember well. After muttering, Maruha threw the head of "one eye" into the bucket.

He started cleaning.

He put the scattered body parts in a bucket, put the debris from the shattered table in a garbage bag, and put the scattered debris in a bucket after a little hesitation. He could just throw away the garbage bag, but he couldn't bear to throw out the body.

"Sorry, I'll take care of you later."

When he finished cleaning the rough door, the living room door opened. What he see from there was a familiar face.

"Maru-san, are you finished? Let's eat meat, meat!"

With an innocent smile on his young face, Kyoji said that. Maruha looked up at the ceiling with furrowed brows.

"Kyoji, think about the moment and answer me. Do you think I can eat meat after cleaning the corpse?"

"Why? Isn't it good to eat meat at any time?"

"You might like it! I was cleaning burned human flesh just now! Maybe this is your kind of job after all!"

"Hehe, sorry."

The look that he laughed with his tongue out was that of a mischievous villain. Looking at him, he sighed instead of getting angry.

"Well, whatever, help me."

When the mop stuck out, Kyoji was surprised.

"Eh, but isn't it bad to keep Hiiragi-san waiting?"

"Ah? Why did Aniki's name come up?"

"No, because Hiiragi-san told me to go eat meat."

"Stupid, say that first!"

Maruha quickly looked back at the room. He was almost finished, but he had yet to finish. If he left it as he was, he would buy Soma's wrath, but an invitation from Hiiragi couldn't be refused.

"Kyoji, drop this! I'll bury it! Say nice things to Aniki!"

Pushing a garbage bag at Kyoji, he picked up the bucket. The bucket containing the human bodies of various people was quite heavy, and Maruha ran off, feeling the weight of the heavy corpse in both arms.

++++++++++

Executive class "Purgatory" member Hiiragi Soma liked meat

He liked to eat, but he preferred to bake. "Grilling" here was not what was often done in "Purgatory", but ordinary roast beef. Go to a proper steakhouse, order a large quantity of meat that you couldn't eat, and start grilling from one end. He liked the act of grilling and eating meat to the extent that he was careful and beat them when others tried to do so. As a man who had lived a life of violence and murder, it could be said that it was a strange habit.

That's why Hiiragi took Maruha and Kyoji to visit a local yakiniku restaurant. Most of the restaurants had already withdrawn from the area around the hideout. The yakiniku restaurant was one that remained.

Therefore, with the exception, it was like a hangout for "Purgatory". Mysteriously, order was maintained because there was a common understanding that "when this store disappears, there will be no place to drink alcohol". If someone tried to take away their oasis of life, mainly their opponents, "Purgatory" would kick them out quickly, most of the time.

"Hey. Top ribs, top loin, and 3 mugs of ale, old man."

An old man with the flavor of half a century had brought a lot of meat and sake. Hiiragi quietly began to arrange the top ribs and top loin placed on the table in the shichirin. Maruha found that it was always the same routine, but he was in a bit of a good mood.

"Sorry! I'll take it!"

Kyoji raised his mug of beer and began to drink with a squeak. Maruha slightly raised his mug in response to the "toast", and Hiiragi was still quietly roasting the meat. It was a show that would not be possible with a normal yakuza organization, but "Purgatory" is not a normal yakuza organization.

Kyoji, who had half the mug empty, wiped his mouth and then leaned forward and asked.

"By the way, Maru-san! What kind of kanji is King?"

Maruha took just a sip of beer and looked at Kyoji curiously, "Huh?"

"Maru-san, you were cleaning up, after the King fought, weren't you? Didn't you see him fight?"

Maruha was still unfamiliar with the fact that Kagutsu's name was not "Oyaji" or "Kumicho" but "King". Far from being a normal yakuza organization, "Purgatory" was not a yakuza organization in the first place. It was said to be a group of paranormal people with different abilities, led by what was called a "King".

Maruha responded with another mouthful of beer.

"No... I fought, I guess I went crazy. Don't look. I could die."

"Hey! It's a waste! It was close though!"

Kyoji felt sorry like a child who missed the hero show. Maruha wondered why such a boy had lived so long with his head on, and he thought on the other hand that he could have lived so long because he was such a boy. In fact, Kyoji must have been less than 20 years old.

Hiiragi threw down the pliers. Seeing the dripping sauce fall into the flames, he nodded, "Okay."

"Eat it."

"Ok, thanks!"

Kyoji swept about half of the meat with tweezers and brought half to his mouth. With a big smile on his face, he raised a voice between "Delicious!" and "Uhh!" Maruha also sighed as he minced the meat.

"Even so, I really don't understand Kagutsu-san."

"Eh? Why?"

"When I walked into that room, he looked in a good mood. I took some other guys along and I thought it was unusual, but he came out in less than a minute, and that's it. And when he came out he wasn't mad, he was still in a good mood. It was as if he had just taken a walk and came back."

"Mmm..."

"I wonder if I can be like this by killing those below. I don't know at all."

"Maru..."

When Hiiragi yelled, Maruha reacted sharply. It was a moment when he regretted saying that and criticizing, and Hiiragi immediately showed the Shichirin with his chin.

"Take it."

"Oh, yeah."

He took the tenderloin that was dripping with the sauce and popped it into his mouth. It was hot and delicious.

Kyoji, who drank the beer, raised the mug grandly, yelling "Oh, I get it!"

"They must have been spies of the blues! And the King suddenly noticed!"

"No."

Hiiragi denied it like a sled, and Maruha and Kyoji looked at his face at the same time. While he was roasting additional meat, Hiiragi said without looking at them,

"That person is that kind of man. It's the same as an accident."

"Accident?"

"You can't help it if you run into it. If you're lucky, you'll live, and if you're bad, you'll die. That's it."

It was hard to tell that Maruha and Kyoji, who didn't have any, fully understood the meaning of the word. But even so, the reactions of the two were contrasting.

"Uh...", Maruha was scared,

Kyoji admired him, "Wow…".

The two looked at each other. Maruha was stunned.

"Kyoji, you... will you die soon?"

"What's wrong, Maru-san?! What are you saying?"

"……"

Maruha narrowed his eyes. He feels on his skin that the air was tightening rapidly. It would be the same for Kyoji. He glanced at Maruha too, rolled up the arm of his black suit that didn't fit the body, and slammed it against the table.

"I'm not afraid! If the guys in blue come, I'll kill them."

Kyoji's eyes shone with brilliant fighting spirit. In response, the burn scars on his forearm began to glow red. The brilliance of extraordinary ability. Maruha opened his eyes to see if he was sane. If he made a fuss in this place, he may suffer a life-threatening injury from another member in black.

At that moment, Kyoji's body flew to the side.

Maruha was shocked and looked at Hiiragi next to Kyoji.

He had his arms straight at his sides. With the other hand, he was silently roasting yakiniku. Without even looking at Kyoji, he hit him with one arm.

"Guh..."

Kyoji's eyes, holding his cheeks and lifting up, blazed with anger. He wasn't mature enough to hold back here. Maruha was ready again for the worst development that suddenly fell.

However, he ended up melancholy.

Hiiragi looked at Kyoji. There was no killer instinct in his eyes, he was just in a bad mood.

"I'm the one who roasts the meat."

"……"

Kyoji's expression changed from anger to embarrassment.

Both Maruha and Kyoji were familiar with the fact that Hiiragi's words were not timely. Hiiragi was that kind of person.

He didn't know what to do, but there was no front or back. Hiiragi was angry because he tried to bake meat for himself, not because he was fed up with tantrums, or because he tried to wreak havoc in the place of the law.

It was absurd, but that's why it was "Purgatory". And Kyoji was also a person who could understand absurd language. He held her cheeks and bowed his head obediently.

"Sorry."

Hiiragi didn't reply, he was just roasting the meat.

Kyoji rebuilt his chair and sat there. He said to Maruha with the eyes of an angry child and bowed to him.

"Maru-san, I'm sorry. I said something wrong."

"No, not really."

Yakuzas are creatures like mantises. If they get sick, they should squeeze the other person immediately. It is like a reflection, not an action that is the result of thinking.

However, Maruha was no longer a yakuza. He was a member of the "Purgatory" clan.

Therefore, he sighed and sighed.

"I'm not scared. It's just ... I don't think it's appropriate."

That said, he drank the beer to the last drop.

++++++++++

The group that Maruha Tadashi belonged to was a group of leftovers so to speak.

Some might say they were a collection of yakuza and other gangsters. It was, but as with any group, there were differences in shit. Some leftovers can be laughed at, while others can cause nausea just by putting them on the rim of the eyes.

The Maruha group was the last group. Even within the industry, Shinogi with a frown was calm. Thanks to that, the wings were good, but the respect was next to nothing. The color of disgust was stronger than the astonishment in his eyes, and that color stimulated his outer ways.

They did anything to make money. It seemed like Maruha didn't even have the slightest bit of ethics.

The Shinogi are primarily drugs and human trafficking.

The kidnapped woman was drugged and sold to customs. They disarmed the kidnapped youths and sold their organs. In addition, they would take a photo of the situation and sell it to a rich man who had a hobby of hunting. In some cases, they used a combined technique to kidnap a pretty woman and sell her as she was to a rich man with a strange hobby (because the reaction was worse if she kept it on drugs). The woman would suffer almost every pain imaginable and die miserably.

Sachiko Kashiwazaki was one of those women.

The man who kidnapped her was Maruha's older brother at the time. One hot summer day, Maruha was summoned to a warehouse owned by the group. At that moment, he had a bad feeling. That warehouse was only used when making Shinogi in that direction.

There was a man and a woman in a warehouse room, where the concrete was exposed.

The man had scissors that were dripping with blood.

The woman clutched her bloody ankle and groaned without voice.

It was common group practice to cut off the Achilles heel to prevent the victim from escaping. Alternatively, the customer could have made such a request. In any case, man cut through the human body as easily as he cut weeds.

As he washed his hands in the built-in sink, the man turned to Maruha.

"It is time to ship."

"Prepare" meant to adapt the "goods" according to the customer's request, and "ship" meant to deliver the "goods" to the customer.

"Clean her body, you can't leave her bloody. I don't know what the rich think."

With a laugh, the man wiped his hands on a towel and touched Maruha's shoulders to leave the room.

Maruha turned his eyes inside and saw the box on the table. "Preparation", he probably he should use the content. He opened the lid and looked inside.

It contained a pure white wedding dress.

Maruha took a deep breath and exhaled.

Was the concept a bloody girlfriend? He couldn't understand anything.

He didn't even want to understand. He didn't want to understand what happened to the woman who would bring that to the client, but Maruha understood. It was because his older brother had shown him a video like that with half the fun.

Maruha looked at the woman reflectively, thinking that he shouldn't be looking at her.

They looked into each other's eyes.

Sachiko, of course, at that time, Maruha didn't know her name. The "item" was supposed to be called by number, but she was staring at Maruha, bleeding only with the pain of not begging for life and her silent resignation.

Perhaps at that moment, he reached the limit.

Until then, he had been doing the same. Each time, something sank into Maruha's chest, like drops of water in his cup. Then, Sachiko's gaze at that moment became the last drop, and the water finally overflowed from the cup.

By the time he realized it, Maruha was visiting Hiiragi. Hiiragi and Maruha were originally seniors and juniors from the same corps of fools. Even after the corps of fools disbanded and they belonged to different groups, the relationship continued to go out for drinks from time to time. He was a man who embodied the violence of that time, but Maruha did not hate him. He just wanted to hit him.

It was exciting to see that kind of honesty that was hitting the other person at the time.

He was not surprised when he heard that Hiiragi's group was attacked by "Purgatory" and that he belonged to "Purgatory". Within the industry, "Purgatory" meant a group of monsters, and it seemed natural for Hiiragi to be in that group.

Using holly as a messenger, Maruha encountered Kagutsu and gained a different ability in exchange for a part of his body.

Maruha took him to the warehouse and burned the man who was his older brother. After freeing the captive women, he went to the group's office and killed all the members, including the group's leader. He stole the group's entire vault and gave it to Soma, who later cleared up and became a member of the "Purgatory" clan.

He did not regret betraying the group and killing his friends. He just went to hell and sent them to hell. He was sure that he would go to hell, but at least he was no longer interacting with that garbage. That just made him feel refreshed, and the night he killed them all, he was fast asleep for the first time in a long time.

However, Maruha's chest started to feel uncomfortable again.

The meaning of the existence of "Purgatory" was simple. Destroy and kill, that was all. Like Kagutsu, most of the clansmen did.

Fight, raze, kill and die against the mafia, the Yakuza and, above all, the deadly enemy, "Scepter 4".

At the same time, they were causing enormous damage to the surroundings.

Only in that he was stuck. It didn't matter if he fought, rampaged, killed, or died. But it felt different to involve other people. So it was the same as that group. It was difficult to answer whether human trafficking or mass murder was better. Nothing happened, Maruha simply moved from one background to another.

Maybe Maruha was halfway there. He was so crazy that he couldn't live properly, but he was too plain in a swarm of monsters. Neither Hiiragi nor Kyoji could live anywhere else except in "Purgatory". This is where those guys were.

Where should he go if he didn't even have a place there?

Sachiko Kashiwazaki called out to him when he was about to overflow with such a sense of incongruity.

++++++++++

In a crowded cafeteria, he quickly found out where Sachiko was. She had her crutches on the side of her seat. Maruha somehow remembered the salvation that it was not a wheelchair.

"Ah."

Sachiko also soon noticed Maruha. He wore a black suit, which was labeled a "funeral home staff" in the industry, he emitted a seemingly insidious aura. He had an unbearable feeling.

"Oh."

Maruha's expression that raised his hand slightly was not clear. He wasn't sure why this girl called him. Wasn't it the symbol of a nightmare for this girl?

But in contrast, Sachiko smiled happily. She tried to stand up touching the table with her hand, she almost lost her balance and fell. Maruha rushed to reach out and held her body.

"I'm sorry. I'm still rehabbing, but I haven't been able to do it yet."

"No, do not worry."

After seating Sachiko, Maruha sat opposite her.

He was somehow uncomfortable because Sachiko was looking directly at him. Glowing eyes were the kind of thing that wasn't usually directed at him. He was not used to that. Maruha had to move his hips several times to endure the uncomfortable sensation.

"So what did you call me for?"

Sachiko slightly colored her cheeks when he asked her.

"Oh, no, that… I wanted to thank you again."

Maruha wondered what she was saying.

"Maruha-san… you helped me, but I couldn't thank you at the time. Thank you very much."

"I didn't help you in particular. It was a dead end."

It was a fact. He just wanted to get out of there, he just wanted to kill them all, and it was just incidental that he helped Sachiko.

But Sachiko didn't believe those words. She laughed and her eyes looked softly at Maruha.

"You are modest, Maruha-san."

Then Sachiko started talking about the ramblings. From her recent situation, her favorite food, hobbies, what kind of place did she live now, when she was rehabbing and walking around the neighborhood, she found a nice park and a bakery, so she always had lunch there.

Maruha was beginning to understand what the situation was like, as he established a suitable relationship.

Sachiko wanted to make up for it in some way.

She maybe she thought that Maruha was the hero who rescued her from the situation. It was a ridiculous misunderstanding. Maruha sent many women in the same situation as Sachiko to hell. Sachiko was saved because Maruha's boundaries coincided when it was her turn. No more than that.

Of course, he couldn't say that.

"What do you do on your day off, Maruha-san?"

Sachiko wondered if she had talked a lot about herself. She was impatient and nervous. She wondered if Maruha would be bored. Maruha replied with a slight laugh, as if he was a high school student.

"Well, I'm going to eat yakiniku."

He couldn't tell that he was killing and looting. Sachiko happily joined her hands when he responded appropriately.

"It's the best in the neighborhood, it looks delicious."

"You eat meat?"

"That's right. Yes! I like it!"

Maruha calmly analyzed that it was a lie. He maybe he didn't eat much meat. He only said that for her.

"Well then, would you like to go eat with me next time?"

With that said, Maruha closed his mouth tightly.

Sachiko was looking at Maruha with her bright eyes. Eyes with equal expectations and anxieties. The eyes of human beings that are unhappy but still look ahead and try to live hard.

Was he qualified to see that?

He could go eat with Sachiko. He maybe would repeat it two or three times and eventually they would start dating. There are some men who have a woman in "Purgatory" who can live with them, and some men approach the woman instead of hiding. He would be one of those people. Living under one roof, eating together, sleeping, getting up, helping with rehabilitation, eating delicious bread in a nice neighborhood park.

She could be killed by Kagutsu.

Or she may have been kidnapped by the mob who hold a grudge against him

Captured by "Scepter 4".

He could think of many ways to ruin it, but he couldn't think otherwise.

Alternatively, Maruha could expand his imagination and run away together. Somewhere far away, two people. He could escape from Kagutsu, the mafia, and "Scepter 4" and say goodbye to that sinister black suit.

Then he would follow a happy holly. Kyoji might also come. Soma did not allow anyone to escape. Even earlier, the "right hand" ended up being burned in the city. He did not think they would hesitate to involve a woman in the matter.

"Uh."

Maruha laughed. He was thinking about the future when he really didn't have a future.

Sachiko said with a mysterious voice.

"Maruha-san...?"

"Hey. Is there someone else besides you?"

Sachiko opened her eyes a bit in amazement and then shook her head. After all, Maruha thought, people who have family or relatives are not the target of that group.

Still, Maruha leaned forward and asked with a serious expression.

"Is there no one anywhere? Relatives?"

"Uh, I have an uncle and his partner in Kanagawa. They're nice people, but I don't usually get in touch with them."

Maruha was relieved. It was enough to ask for so much.

He looks for his own bag. He grabbed a couple of bills that he found and tossed them to Sachiko. With a pile of bills piled on her lap, Sachiko moved her body as if she had been pressed against a burned stone.

"This, huh?"

"Go to them with that money. They won't hurt you."

Maruha carried a bag on his back and stood up. Sachiko looked at Maruha with a cat face that understood the truth of the universe.

Maruha scratched his head and said...

"The other day, there was a conflict around Yodomiya. It was news. The city was burned down and many people died."

Sachiko blinked. The understanding hadn't caught up yet, but it was going well. If she only considered the facts, understanding will come later.

"It was my partner who did that. If you don't want to get burned, go somewhere far away."

With that alone, Maruha left the coffee shop.

He sighed deeply as he walked through the city for no reason.

"I am not suitable."

For groups, for "Purgatory" and for the world. He was not suitable. He did not know how to live. He was envious of Hiiragi and Kyoji who could find a place there.

Was when…

"You are Tadashi Maruha."

Before looking back, he had an idea who called him.

"We are "Scepter 4". Come with us."

Several blue clothes surrounded Maruha before he realized it.

He looks around. Maruha had come to the square in front of the station without realizing it. He can't find any way to take control. Perhaps he should limit himself to minimize the damage, but Maruha was easily enthused.

"If you resist, I will not forgive you."

There was no deception in the eyes of the blues. They have already cut many with their sabers. Just as "Purgatory" was not a yakuza group, "Scepter 4" were not police officers. It was a battle group to hunt down and kill those in black suits.

Maruha gave a fierce laugh.

"Hahaha!"

The burns on both arms glowed with pain from the heat. Fight violently, kill and die. Maruha also had that instinct. He was also a member of "Purgatory".

Suddenly, Maruha understood.

"Purgatory" cannot be a place for anyone. Only a handful of monsters, like Kagutsu and Soma, can "be" there. Hiiragi, Kyoji and he were the same. There was nothing there for them.

That was just his place of death.

"If you can, try it, blue clothes!"

While shouting happily, Maruha threw swirling flames from both arms and attacked the blues in front of him.

Three people died in the limited royal war that day.

On the "Scepter 4" side, Kuroshio and Kido Rokuhei's team.

Side of "Purgatory", Tadashi Maruha.

"Scepter 4" caught Maruha's movement and surrounded him with 6 people, but Maruha made a burst of different abilities and struggled as he burned his own body. Swinging the flames that sprouted from both arms like a sickle, he cut and killed two people, Kuroshio and Kido, and in the next moment, he was cut by four other people, was cut like a sickle and died.

#k #k project #k fan clan #k stories #purgatory #red clan purgatory #kagutsu genji

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ectora · 4 years ago

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So, because there has been so much debate in the charmed fandom about screen time and focus and everything, I decided to go down on facts and write down the actual screen time each main character have (by actual I mean approximative cause yes I’m very bored but I’m not a psycho so if a character was taking part of the scene I would write down the time of the scene and not only when it was on said character. The only exception is when the character was barely participating or was like, laying on the ground unconscious (happens more than you’d think)). It’s probably not right to the second but it’s close enough lmao. I saw someone do that with Supergirl in the past so I was like why not ?

Screen time for season 2

Macy : 5h35m57s (19/19)

Mel : 5h27m20s (19/19)

Maggie : 6h11m33s (19/19)

Harry : 4h32m15s + 21m10s as Jimmy (19/19)

Abigael : 2h19m46s (13/19)

Jordan : 1h38m49s (15/19)

Now as you can see, the screen time that both Abigael and Jordan get is barely half what Harry gets (for Abby) and not even close to half for Jordan (to be honest Jordan could get a little more). The sisters clear have more screen times than anyone else (rightfully, as it should). What they do with that screentime though is a different story because Jimmy for example doesn’t get a lot of screentime but was the center of others’ story. Same with Harry being a lot of Macy’s story, or even Abigael’s. The show definitely failed in using that screen time to develop their characters properly at times, but in terms of number only, there is no question the focused is definitely on the sisters, followed by Harry/Jimmy and further behind Abby and Jordan.

But my crazy ass didn’t stop there (yes I have issues I know leave me alone), so I also have graphs or their individual screen times through the season and as a comparative graph of their screentime for each episode.

Note: for Harry I included Jimmy in his screen time but Jimmy only appears in 7 episodes. His screen time (opposed to his place in the story) is rather small though except for one episode where his screen time is a bit above 10mins. More details coming.

And one graph with screen time comparisons by episode for each character.

Detailed screentime

And no. It still doesn’t stop here (someone should stop me though). I also put down with who each character spend their time with when on screen for each episode. Yes I know, something is wrong with me, let’s just ignore it and move along. Anyway. Screen shots of the graphs/tables are easier than writing everything because it’s long. I don’t know if anyone cares but I was like if I do it I’ll do it well

Note: group (2+) means any variantes of three people or more who are part of the main cast. So Macy, Mag and Abigael for example. Or Macy, Harry, Maggi and Abigael. Any group who doesn’t involve all three sisters at the same time.

So basically all of this, I think, resumes pretty well the construction of the episodes. The sisters are definitely the front and center with a screen time far superior to anyone else. So I truly don’t think the issue here is about screen time (I beg, can people stop acting like the screen time is the issue). It’s normal to have a couple of episodes where other characters will be a bit more put ahead, it happens in literally every show ever and it’s also not an issue as long as it’s only occasionally (which was the case for Jordan or even Abby. (For Harry during season 2 it was a bit of a bigger issue which seem to be going a little be better in s3). Honestly in terms of screen time, I’d say (purely on the numbers here) give a bit less to Harry and a bit more to Jordan (Jimmy is also gone so there is that screen time to add) and I think it could be a good balance for now as both Abby and Jordan are still separated from the main storyline so they won’t as involved until they more linked to it ;in S3).

I know season 3 already started but again, based on these numbers only, I hope Jordan will be a bit more involved in other characters than just Maggie. Abby had some time with Harry but thankfully they dropped that story so I hope they’ll reduce that screen time a bit and will give more Abby interacting with Mel and Jordan, as well as Maggie, they can be funny. I also hope the sisters will have more bonding moments, as a trio and in pairs. TCO is the biggest screen time but it feels like it’s mostly trying to kill monsters or in crisis, and we need more sisterly scenes, bonding time, so we can really get more attached to their bond.

SHIPS

There is another thing that I noticed while doing this, even thought it was not the point, is the difference of screen time between pairings.

Macy/Harry - 44 minutes 30 secondes

Maggie/Jordan - 52 minutes 49 secondes

Mel/Ruby - 10 minutes 48 secondes

Mel/Abigael - 13 minutes 22 secondes

I included abimel just cause there are chances they actually go there and it does count into the ground they built all of this on. I know Ruby is not a main so she will obviously not have the same screentime than others (which is why I’m not a big fan of this ship tbh) but even with that they still deserve more imo especially when you compare it to the heterosexual relationships of the show. It’s a strong unbalance the show needs to fix and that is clearly still going in season 3. I will probably talk more about it in the potential season 3 post but I do think attention needs to be brought on the issue. If they do go with Abimel, I also understand they won’t spent too much time on a ship that isn’t meant to last (which, story wise, seems to be the case) but it is still not a great look to have Mel in a relationship by name only and have others have these long development through the entire season. And same if they do end up making Abimel an actual couple. But that’s more of an upcoming because though they did hint at stuff during S2 it also wasn’t the focus.

Anyway, i don’t think anyone really cares but well. I also probably will do season 3 too. But that’s the end of this very long text and doing all this took me so much more time than I’ll admit 😪 gonna blame the lockdown on this one. I don’t think anyone cares but I did it anyway 😂 and I’m also blaming that one person who did it for other shows for giving me the idea. if you have read all of that (you’re dedicated), thanks for reading and if not it’s ok I understand.

#I don’t know why I did this #don’t judge me #charmed #charmed cw #charmed 2018 #charmed reboot #macy vaughn #macy vera #mel vera #maggie vera #harry greenwood #abigael caine #abigael jameson caine #jordan chase #hacy #Abimel #joggie #Melby #screen time analysis

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woozisnoots · 4 years ago

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light up kicks | lee chan

° pairing: chan x reader ° genre: fluff ° summary: an unexpected ‘visit’ at chan’s first day at work. ° word count: 1153 ° warning: none! ° a/n: thank you to @cha-lan and @interludeshadow for beta reading !! biggest hugs and kisses to you both <3 and hbd to the one and only lee chan B)

masterlist!

okay, it’s your first day. obviously, they don’t expect you to be perfect. but then again, you’re also just passing out shoes… so leave little room for error or else that would be so, very incredibly embarrassing. like, come on? what can possibly go wrong?

it was wrong for chan to think that friday night would be anything other than busy. as a first-timer handing out shoes (really his first time working at all), chan was not prepared to work one of the hardest shifts on his first day.

kim’s bowling stones is known all throughout town, and better yet - they’re notorious for their mind-blowing, great deals. on fridays, every kid and teen come from far and wide to experience one hour of bowling for unlimited tokens at their arcade.

and not only are every mother and uncle get lured in by such an offer, but also a certain someone chan isn’t expecting to see.

“can i have size six shoes, please?”

spoke too soon. not to jinx it, but- everything might go wrong.

chan mentally smacks the back of his head. duh, of course, you’re gonna be here! he isn’t as much of a bowling fanatic as his coworkers, but as cliche as it sounds - and yes, it makes many people laugh, chan landed this job because of you.

well, maybe not directly. you didn’t know chan at all. the times chan could go out with his friends on the weekend were always spent at the bowling alley out of convenience. none of his other friends knew how to drive, and chan avoided the freeway as much as possible for his “passengers’ safety.” the place was only about three blocks away from his house anyways.

yes, chan knows of you, but he doesn’t know enough about you to think you’d also be there. and the day after, and the day after that. no, each passing day doesn’t help him to get used to you within a few feet away when he was used to being a few meters from where you stood up in the ‘cool kid table’ as people would call it.

tonight is also no exception; it doesn’t make things easier. in this moment, chan could feel the beads of sweat forming on the corners of his hairline and the calluses on his hands from gripping under the counter too hard.

wait fuck, did i ever respond back?

“oh yeah!” chan’s voice suddenly changes, lowering his tone. he ruffles his bangs forward to cover his forehead, mostly in an attempt to distract you from how awkward his stature is, not at all to try and make himself look good now that you’re up close. “i’ll go get that from the back for you.”

now, this may not seem like a big deal to anyone else, but to chan, it means everything. in every coming-of-age teenage movie, the not-so-popular nerd (whichever breed they may be) ends up with the astonishingly popular main lead—the one everyone knows and loves—so this is chan’s moment!

chan comes back, hands clammy and wet, hoping that none of the residue transferred to the actual shoes. “here ya go!”

okay, maybe the moment is a little more short-lived than chan expected, but this is a good start.

that is until he hears the light tone of your voice come back in hesitation, rather than the thank you he’d been expecting.

“uhh, chan?” this is the first time hearing his name fall from of your mouth, and now he’s embarrassed for two reasons, not knowing which one is worse.

however, the responsible side of his right hemisphere steps up first. “oh shoot, is that not the color you wanted?” chan says, clearly aware that he knows the ins and outs of the small shoe rack corner of the entire facility. “dammit, i should have known. i’ve seen you play a few rounds on the weekends before, and i- i don’t mean to sound at all creepy, but you actually prefer the light up purple shoes over the blue ones.” as soon as the words leave his mouth, chan already knows he’s said way too much. after only a few minutes, your first impression of chan probably resembles that of a creep. “sorry about that! let me just-”

“no, that’s not it all!” you’re quick to say, noticing the distressed, flustered look on his face. “the color is lovely. it’s just that-” chan prepares for the worst, even though at this point, he already bears the weight of this unfortunate incident. “i think you gave me the kid’s sizes instead.”

yup, everything is definitely going wrong.

“i am so sorry! i’ll go ahead and change those out for you.”

stupid. stupid. stupid.

nothing more as embarrassing than when it happens in front of your crush. that’s not an actual saying, though it sure as hell should be. from the back of the storage room, chan grieves the deepest of sighs and slumps his head on the nearest cabinet.

“here you go, i got you the purple ones to make up for it,” chan shyly nudges the shoes towards you, keeping his head down so his bangs at least hide the tips of eyelashes. out of all the things that could have happened, today just isn’t chan’s day.

“thank you very much,” you say with a smile and a nod to the head. thank goodness you are alone at the booth—who knows what rumours would have started to circulate at school if anyone had seen this unfold.

chan watches as you carefully sort your things and proceed to grab the shoes from the booth. he holds in the heavy sigh at the back of his throat when he sees you turn your head back towards him.

“if giving me a smaller pair of shoes is your way of telling me that you think i’m cute,” chan almost laughs at the statement; not at you, of course. this isn’t exactly the stop-motion, picture-perfect confession episode of iCarly he longed it to be. “i think you’re also pretty handsome.”

chan barely manages to save his hand from slipping off the counter, placing his free hand at the edge to catch his balance after hearing your words. his surroundings are disoriented at this point, alongside his peripherals, which are now starting to blur. shaking his head, chan babbles incoherent sentences to no one in particular, realizing you were no longer there, leaving him to rethink and sort out his thoughts.

scratch that, maybe everything just turned out right?

the job slows down as the night progresses, but you remain there until late. even in the midst of massive crowds of needy children and demanding parents, chan notices the subtle, stolen glances from across the bowling aisle. and again from the skee ball machine. then one last time at the exit, along with a smirk and a wink.

yeah. yeah, i think it did.

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fantasticallyfoolishidea · 5 years ago

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So, bath scenes. Amirite?

The Witcher fandom is quite blessed. Over the course one season, the showrunners decided to gift us with not one but two scenes of Henry Cavill, naked in a bathtub, two episodes in a ro-

Wait a minute.

Two back-to-back episodes featuring drawn out bath scenes that go on for 2-3 minutes each. That's a lot of time to dedicate to fanservice when you only have 8 episodes to get your point across. Unless, of course… No. They wouldn't. Or would they?

I re-watched these scenes more times than I care to admit. For science. They’re interesting for numerous of reasons (Henry Cavills’ pecs being only two of them). But you know what’s even more interesting? Some sexy, sexy cinematic and narrative parallels and contrasts.

(Obligatory linebreak for your protection. You thought I went overboard analysing Her Sweet Kiss? This is worse. If you’re on mobile – I apologise. Now’s the time to scroll fast. It’ll take longer than you’re expecting, trust me. I’m sorry.)

Bath in “Of Banquets, Bastards and Burials” Bath in “Bottled Appetites” Please excuse the terrible of the second clip. It’s the only one I could find that had the whole scene in it.

First things first,

the setting

The scene in “Of Banquets, Bastards and Burials” takes place in an inn. The room is dark. Throughout the scene you can hear chatter from the bar. Candles are the only visible light source, although, at the beginning of the scene you can see more light coming in through what’s presumably a window outside the shot. Due to the lighting, the majority of the room has a noticeably blue tint, except for the cabinets on each side of the room where most of the candles are placed. Apart from the cabinets, the bathtub Geralt is sitting in is the only area that’s properly illuminated.

The room itself seems big enough, although we only get to see the bathing area which is separated from the rest of the room by blue curtains, but due the way the scene is shot – frequent close ups of the actors, wider shots frequently partially blocked by the curtains – it appears smaller than it actually is. Geralt stands out against the background due to his skin appearing orange in the candle light; in wider shots he usually appears centred.

In contrast, Jaskier moves from one side of the room to the other a lot and doesn’t remain in either light source for long. Unlike Geralt’s skin, the colour of his clothes matches the background. This is somewhat unusual because in many of his scenes Jaskier and his colourful outfits tend to stick out like a sore thumb – the red outfit in “Rare Species” probably the most visually distracting out of the bunch – but in this scene, the exact opposite happens. Whenever Jaskier’s not the focus of the shot he frequently fades into the background or even gets obstructed by the curtains.

(While I’d love to add visual references for every single point I touch upon, honestly, the amount of editing that’d require is astronomical. Jokes on me though, because it already is. Watching the scenes should give you a better idea of what I’m talking about, though. Also, full disclosure, screenshots and gifs had their brightness an colours altered slightly for better visibility.)

Now, on the other hand, we have the room inside the mayor’s house, which – while also dimly lit by candlelight – appears open and spacious. Due to the candles, the room appears tinged only in colours on the orange/yellow spectrum. No curtains to obstruct parts of the shot, and unlike the inn, this room has got visible windows one of which sits behind Geralt. That window in particular lets in a stream of blue light that, in wider shots, often appears to frame either Geralt alone or both, Geralt and Yennefer. However, the blue light remains behind the characters, neither Geralt nor Yennefer are ever directly illuminated by it.

Why is she going on and on about the lighting you might ask? It’s because there’s basically a whole science to colour theory, colour grading, and the ways they’re used in visual media. It’s one of the reasons why, for example, Guillermo del Toro movies are always such goddamn feasts for the eyes. TV Tropes also has a page dedicated to it, if you wanna get a rough idea of what’s going on here.

Both bath scenes in the Witcher (2019) are gorgeous examples of colour grading and set design. You can tell that a whole lot of thought went into it. “Bottled Appetites” even takes it a step further, carrying the orange/blue colour scheme over into the next scene and directly contrasting the bed frame that’s bathed in amber light with the blue windows it’s framed by.

Fun fact, while colour grading can be used to give colours that certain “pop”, you can also achieve the exact opposite effect. See how washed out and grey Jaskier and his blue clothes appear on the orange bedding in this shot? It becomes even more apparent later on in the scene.

He might as well be one of the pillows for the way his clothes make your eyes just kinda slip over him. Honestly, I wanna marry whoever was in charge of doing colour correction on the Witcher. That person is a fucking artist. I’ll get back to the matter of colours and backgrounds in a minute. For now, let’s talk about

body positioning

Or in other words, yet another reason I’d sell my immortal soul to directors Alex Garcia Lopez and Charlotte Brändström.

One thing the scenes have in common (apart from the copious amounts of eye candy) is that Geralt remains mostly stationary at the centre throughout the scene. Jaskier moves around a lot. He dries his hands behind Geralt, moves in front of him to fiddle with the bath salts, sits down next to Geralt, sets Geralt’s mug down on the cabinet behind him and only stops his continuous back and forth motion when the conversation takes a turn for the serious and he settles down in front of Geralt.

Yennefer, on the other hand, starts off at Geralt’s right hand side, slightly to the back of him. She briefly lies down, stands up, and moves to Geralt’s left while taking off her gown. Same as the other scene, Yennefer settles down as the conversation is about to grow more serious. However, unlike Jaskier, Yennefer is far less restless, once she’s moved to Geralt’s left she settled down and doesn’t get up again.

What’s really interesting about this scene is that throughout the entirety of their interaction, Yennefer and Geralt never look at each other at the same time. They both alternate between staring off into the distance with varying degrees of wistfulness and/or melancholia and turning to look at the other. But their eyes never quite meet, not even when Geralt turns around in surprise after Yennefer says she won’t be taking any payment. The conversation ends with Geralt abruptly getting up and out of the tub and Yennefer turning around to watch him leave (dry up? get dressed? who knows what he’s getting up to in that moment). Notably, when the shot focuses on Yennefer alone in the tub, a significant portion of the room that previously appeared mostly orange suddenly is tinted almost all blue.

However, where eye contact is conspicuously absent in the scene in “Bottled Appetites”, it’s a vital component of the scene in “Of Banquets, Bastards and Burials”. Eye contact is a significant part of Geralt and Jaskiers communication. Mainly because Geralt spends a significant amount time sending glares Jaskier’s way with Jaskier paying him varying amounts of mind, even poking fun at his “scary face” when the opportunity presents itself. Jaskier is all over the place in every sense of the word. His attention is divided between Geralt, the bath, the banquet, etc. before it eventually turns back to Geralt and the whole cycle begins anew. The shift in conversation, from the banquet to Geralt, coincides with a shift in Jaskier’s behaviour. He stops moving around the room and his attention settles on Geralt. He then kneels down and holds Geralt’s gaze until Geralt abruptly switches the subject.

Look at the screencaps above. See how, even in a screencap, the lighting is capable of creating an entire visual narrative all by itself? Yennefer and Geralt are sitting in the water together with their backs to each other in a room full of orange light but their immediate surroundings are tinted blue. Jaskier and Geralt are facing each other directly but despite the orange light surrounding him Jaskier appears shadowed as he kneels in front of the tub while Geralt who is sitting inside the tub glows orange against a blue background.

There’s a metaphor hiding somewhere in that juxtaposition but I can’t quite put my finger on it yet.

edit 12/01/20: I actually got a submission from odense who elaborated on the blocking of the scenes from a theatrical perspective. Go read it for even more meta on the bath scenes.

Anyway, moving on. Next on my list is

the matter of service

What, no more Film Studies for Fandom 101, I hear you ask? Well. Originally, I wanted this part to be about the conversation as a whole but that would’ve gone on for too long (ha! too long, she says like that means anything) so I divided it.

Both scenes deal with the performance of service in one way or another. Jaskier is trying to convince Geralt to act as his bodyguard for a night, while Geralt asked Yennefer to break the djinn’s curse and they’re still settling the matter of payment.

In a way, you could look at both scenes as very, very unusual forms of negotiation. Jaskier may spend a lot of time talking about himself but his actions are almost all focused on Geralt. He douses him with water, “rubbed chamomile onto his lovely bottom” at some point (decide for yourself what you wanna make of that statement), prepares the bath salts for Geralt’s bath, and – also at some point – arranged for Geralt’s clothes to be washed. All throughout the scene, he’s performing a variety of services. He’s taking care of Geralt, whether Geralt likes it or not, and does so like it’s the most natural thing in the world, to the point where it just kinda comes across like more of Jaskier’s usual antics and theatrics.

Geralt may claim he needs no one and doesn’t want anyone needing him but there is some form of reciprocity in their relationship – big things like the shared adventures and the ballads about which made both of them famous in their own right, but then there are the little things like drawing your friend a bath, or watching his back at a banquet so he doesn’t get stabbed by a jealous husband, which Geralt eventually agrees to do despite all of his grumbling and glaring protests.

Which is one of the reasons “And yet... here we are.” is such a brilliant line. Just from this context, you could read it in a number of ways. Jaskier could be calling Geralt out on his bullshit like, e.g. “You might not like it, but yeah, you do need me and I need you.” or he could be asking him to make a decision, e.g. “I know you don’t like it but I really do need your help. What will you do?” or it could be an affirmation, e.g. “I know you didn’t want it but somehow we still ended up here.” etc., etc. And you might have guessed, there’s still more to come regarding this line. Later.

So while Jaskier’s scene is about getting Geralt to perform a service, Yennefer’s scene is about figuring out the cost of the service Geralt asked of her in the previous scenes. Where the first bath scene was about persuasion, this one is about payment. The initial negotiation has already happened, the service been rendered, what’s left to do is figure out the price. And Geralt already offered to pay whatever the price.

Since Geralt seems intent on honouring his promise, that creates a bit of a power imbalance between Yennefer and Geralt at the start of the scene because Yennefer could ask for whatever she wanted, Geralt even brings up that he’s worried about “having agreed to indentured servitude”. (That being said, he does not seem too bothered by current the situation or Yennefer’s company. Quite the opposite, he actually seems quite comfortable talking to her.)

Aside from the payment they haven’t agreed on yet, Geralt’s also got a second promise to make good on since he initially offered Yennefer to “indulge her curiosities” (take that however you will). It’s quite apparent that Geralt is a lot more forthcoming with his thoughts and emotions (actually, his words in general) with Yennefer than he is with Jaskier. In Yennefer’s scene, she and Geralt talk about equal amounts whereas in the other scene Jaskier mostly carries the conversation by himself while Geralt reacts.

However, Jaskier also reaches out where Yennefer keeps to herself. She occasionally teasingly bumps her back against Geralt’s as she’s washing herself but other than that she makes an effort to keep out of sight, even magically turning away a mirror to hide herself, whereas Jaskier touches, quite literally gets all up in Geralt’s “scary face” and just generally repeatedly puts himself in Geralt’s line of sight going so far as to kneel down until they’re at eye level.

Despite the matter of coin coming up repeatedly (mostly in the form of harmless teasing about brothels and prostitution, but also on a more serious way when Geralt accuses her of making a profit off the townspeople), Yennefer eventually decides not to ask Geralt for anything in return for saving Jaskier’s life, determining his “company and conversation payment enough”.

Interestingly, in the scene preceding the bath in “Of Banquets, Bastards and Burials” Jaskier also broaches the topic of coin as he’s setting up to ask Geralt for help. In a sense, Jaskier initially attempts to use that thing about reciprocity I brought up earlier to convince Geralt to do him a favour. He lectures Geralt on his role in making him famous and that he should be making money off their arrangement in an attempt to make the favour he’s about to ask off Geralt seem irrelevant in comparison, like “Look at everything I’ve done for you. Please do this tiny little thing for me.” Obviously, that approach doesn’t work. The (un)holy trinity of “food, women and wine, Geralt”, on the other hand, seems to do the trick. Or maybe it’s the bath and a heart-to-heart. Kind of like Geralt’s company and conversation were payment enough for Yennefer?

While we’re still on the matter of conversation, let’s talk about one of the components that make up part of the emotional core of the scenes. Let’s talk about

the matter of past and future

Geralt has lived a long, long life and its history is written on his body in a web of scars. What struck me is how differently the bath scenes deal with those scars.

With Yennefer, the scars are on full display. She notices and scrutinises them as someone seeing Geralt naked for the first time can be expected to. The scars on his shoulders and back are placed front and centre of the shot several times.

In contrast, with Jaskier, you, as a viewer, barely notice the scars. Most of the time they’re simply not visible to the camera. They’re never in the foreground of the shot and you never even get to see Geralt’s back. The scar on Geralt’s shoulder that Yennefer noticed could easily be mistaken for remnants of dead selkiemore. There’s only one moment that draws attention to the scarred shoulder and that’s when Jaskier pats it as he’s getting up to put away Geralt’s mug of ale.

Again, I feel like there’s a metaphor hiding somewhere in there but what do I know?

Back to the point. While Geralt and Yennefer are talking in the bathtub it immediately becomes obvious that they have a connection. They’ve both had unhappy childhoods, lived long lives and as Yennefer points out Geralt was “created by magic. Our magic.” They have an understanding that quickly let’s you forget that they’re virtual strangers at this point in the Witcher canon.

In the other scene, Jaskier and Geralt have known each other for quite a while already, yet the conversation seems to be restricted to superficial topics at first, mainly Jaskier’s prowess as bard and lover. However, Jaskier unwittingly steers the conversation in a more serious direction when he asks Geralt about retirement, what he wants to do when “all this... monster hunting nonsense” is over and done with.

So far, there’s a pattern in the show that when Jaskier talks to Geralt about serious matters, he starts making plans for the future. After the incident with the elves in Posada he promises to work hard to change Geralt’s reputation. In the infamous scene in “Rare Species” he’s trying to figure out what to do with his own future and offers Geralt to go to the coast with him. Here, in this scene, he’s trying to work out what Geralt wants from his future. Even if Geralt claims to want nothing.

At that point, Jaskier’s already made good on his promise to change the public tune about Geralt. The people in the beginning of the episode are talking about the White Wolf, not the Butcher of Blaviken, which makes for such an interesting parallel when paired with Yennefer’s comment about “Our magic”.

Yennefer’s magic created the Witcher; Jaskier’s song created the White Wolf.

Which, in all frankness, would be a good point to end this post but what’s the point of doing anything if you’re not gonna overdo it? I said the matter of past and future makes up part of the emotional core of the bath scenes. So there must be other parts of that supposed emotional core, right? Of course, there’s still

the matter of want and need

While discussing Geralt’s lack of retirement plan, Jaskier and Geralt keep tossing the word “want” back and forth. Jaskier tries to find out what Geralt wants; Geralt rebuffs him, he wants nothing; Jaskier turns it around on him by saying, well, maybe someone will want you. You could, of course, read that as your run-of-the-mill “just wait, the right person will come along (and that person might just so happen to be me – if you’re wearing shipping goggles)” shtick but the thing is, that’s the kind of reply you usually offer someone who’s bemoaning the fact that they’re single, the exact opposite of what Geralt is doing, and Jaskier strikes me as someone who’s emotionally intelligent enough to know that wouldn’t work on Geralt. I think Jaskier might be very literal when he’s saying “Maybe someone out there will want you.” As in, “even if you want nothing, maybe someone who wants you will come along (and that person might just so happen to be me – again, if you’re wearing shipping goggle).” But Geralt changes strategies and rebuffs him again, he needs no one. And the last thing he wants is someone needing him.

What’s interesting about this bit is the body language. I mentioned Jaskier and Geralt communicating a lot via eye contact. And Geralt is looking at Jaskier quite intently right up until Jaskier kneels down in front of him as he’s saying “Maybe someone out there will want you.” The camera cuts to Geralt and he’s looking off to the side while he says “I want no one.” Then, a pronounced pause follows before he turns to look Jaskier directly in the eye as he finishes, “And the last thing I want is someone needing me.” (I really want to say that this looks so much like he’s warning Jaskier to reconsider whatever he’s building up to say. But alas, that’s just fantasy.) The camera cuts away again and we see that Jaskier’s now looking down behind his clasped hands before looking up and answering “And yet... here we are.” Geralt acknowledges his answer with one of his famed “Hm”s. Then, he immediately changes the subject to the whereabouts of his clothes which Jaskier sent away to be washed.

In the other scene, Geralt and Yennefer breach the topic of “want” and “need” while talking about coin. Geralt claims she’s profiting off the political situation, whereas Yennefer claims she’s working in the interest of the people, “filling a need. Ever heard of it?” Which, yes, Geralt has, literally one episode ago, and he pulls a face that’s simply beyond words. (btw, kudos to Henry Cavill for cramming like five different emotions into one expression.)

Geralt and Jaskier had an entire conversation about how Geralt wants nothing and needs nobody. Jaskier even references that conversation when he yells at Geralt while they’re arguing over the djinn. “You always say you want nothing from life, so how was I supposed to know you wanted three wishes all to yourself!” he screams.

(Also, upon rewatching that scene, I literally just realised that Jaskier was drinking at the beginning of the scene. Combine that with the fact that he repeatedly brings up the Countess de Stael, and flat out states he’s currently heartbroken, and yeah, that explains a lot about his comparatively sour mood and short temper; also, why his speech comes across as much more chaotic than usual. Seriously, compare it to the way he speaks to Geralt after he’s gutted the selkiemore. He talks a lot in both – ok, Jaskier always does – but in the selkiemore scene, or basically any scene that isn’t the djinn scene, his diction is eloquent, artistic, florid; in the djinn scene, it’s all over the place, repetitive, and often bordering on the nonsensical. Frankly, you could probably make a whole post about that scene by itself. I’ll get back to that some other day.)

(Also, am I implying that Jaskier seems bitter over the fact that Geralt apparently keeps telling him he wants nothin from life? ...Yesn’t. Hard to pretend I’m not wearing shipping goggles when I’m literally almost 4000 words deep into a meta post. But remember, nothing but speculation!)

Anyway, and now there’s Yennefer broaching the subject, asking him if he’s ever heard of “filling a need”.

The conversation carries on until Geralt is blindsided by Yennefer telling him that his company and conversation are payment enough. He whirls around but Yennefer isn’t looking at him so he hurriedly gets out of the bath. In the next scene, he emerges with a new set of clothes he doesn’t like, which his companion from the previous scene procured for him. Now why does that feel familiar?

In conclusion...

honestly, I don’t even know where I was going with this originally. This started off as a joke but then things inevitably escalated and now I’m really tired and I wanna go to sleep. (Also, the whole djinn thing is giving me feels now which kinda puts a dampener on the humour in the episode. Jaskier’d already been having a bad day and things just. Keep. Getting. Worse. Ugh, my heart.) But I feel like this post needs a proper conclusion.

I feel like, in the context of these scenes Jaskier and Yennefer could be seen as foils to each other? They’re two of the few people Geralt lets close, very close, actually, since getting naked in front of someone is frequently equated with showing vulnerability to someone. In a lot of ways, Jaskier and Yennefer’s roles work in ways that are the exact opposite of that of the other. Jaskier tries to be seen where Yennefer wants to remain hidden, yet Jaskier gets obscured by the environment while Yennefer is exposed. Jaskier is asking Geralt for a favour, Yennefer did Geralt a favour; Jaskier insists on taking care of Geralt where Yennefer gives him space. Yennefer sees Geralt’s past, Jaskier his future. Jaskier touches the scar but doesn’t look, Yennefer looks but doesn’t touch. But both find a way to scratch at the emotional walls that Geralt’s put up and both times Geralt reacts by immediately trying to escape the situation. Both times, he ends up wearing clothes he doesn’t like in the following scene.

Speaking about nudity and emotional vulnerability, maybe that’s kind of part of the conclusion as well? Sorta? Especially, since Geralt seems to start looking for his clothes or for a way out of the tub the moment someone gets too close. Furthermore, afterwards, he never seems comfortable in the clothes he’s been given, which you could read as a metaphor of sorts, I guess? Like something inside Geralt getting knocked loose in the conversation with his companion and Geralt consequently having to arrange himself with an uncomfortable truth in the aftermath? Does that make sense? Have we finally reached the point where I’m getting too cerebral? Or did we sail past that point like 4000 words ago? God, my brain hurts.

#the witcher #the witcher netflix #geralt of rivia #yennefer of vengerberg #jaskier #geralt x jaskier #geraskier #geralt x yennefer #gerlion #fantastically foolish literary analysis #this might take the crown as dumbest idea i ever saw through #i have written college essays shorter than this #how do people 'enjoy' things casually?#i mean #if you haven't written at least half a thesis' worth of meta about a show #can you honestly say you've watched it?#somebody commented 'op your galaxy brain' on that post about Her Sweet Kiss #i've been trying to see how much further i can push it ever since #this is it #this is as far as my brain'll take me #now it's fried #just waiting to see how long it'll take for someone to go #'welp'#'looks like she's finally gone off her rocker'#'nothing we can do now'#god i miss livejournal #tumblr really isn't cut out for posts of this length #this might be the longest post i've ever written #i just realised that the fact that i can honestly say 'might be' is kind of concerning

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statusquoergo · 4 years ago

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Can we talk about how much of the ending montage of the finale was just marvey moments? They weren't even chronological, it was all these other moments with other people (the one clip of Jessica was from the 'How do you know I'm thinking about Mike Ross?' 'Who else would it be?' scene) interspersed with classic marvey faves especially from the pilot, like Harvey just kept coming back to meeting Mike as the thing tying it all together, his underlying theme at the end of his journey was Mike Ross.

p.s. re: the ending montage, it's even more obvious if you watch it without the music somehow

We sure can talk about that ending montage! (Before we get into the Marvey-ness of it all, though, I just gotta say that especially watching it out of context, and especially with the soundtrack muted, Donna approaching Louis at the elevators and then him biting his lip and them holding hands as the doors close definitely reads to me as a Lonna moment.)

So. Structural critique. A couple of things read weirdly about this whole setup; first of all, they cut immediately, and I mean immediately, from Harvey looking...nostalgically? Mournfully? Reverently? at the painting his mother gave him of baby!Harvey watching Lily paint that stupid duck painting to the first clip of the montage, i.e., Mike’s briefcase breaking open at the interview. So this is either a “Look how far we’ve come” overview, in which case I’m confused that it starts off with a reference to Lily, since she doesn’t come up again so the painting has no referential anchor point, and the montage itself doesn’t specifically reference Harvey’s childhood or life before coming to the firm in any way (which isn’t to say it’s not a nostalgic overview, but if so, it’s very poorly arranged), or it’s a commentary on important people in Harvey’s life, in which case it sure is interesting that we go straight from Harvey’s mother to Mike, given that literally the only link between them is that Mike showed up at her funeral to support Harvey.

Getting down to a granular level, the clips in the montage are:

1. Mike crashes Harvey’s interview (s01e01) 2. Harvey lectures Mike about the importance of a good first impression (s01e03) 3. Jessica advises Harvey to support Mike in being himself (s04e02) 4. [Flashback] Harvey and Louis give each other shit right after Louis becomes a junior partner (s02e08) 5. [Flashback] Harvey and Donna's first meeting (s04e16) 6. Harvey invites Mike to come with him to visit Ava Hessington (s03e03) 7. Harvey yells at Mike for not coming to him when Jessica threatened him (s03e01) 8. Mike tells Rachel he’s a fraud (s02e16) 9. General cycle of clips of everyone supporting each other over Harvey’s dialogue that “We’re not just colleagues, or even friends. We’re family.” (s05e10) 10. Mike does finger guns and Harvey swerves out of the way (s01e01) 11. “Life is like this. And I like this.” (s01e10) 12. Mike and Rachel reunite when Mike gets out of Danbury (s06e09) 13. Harvey and Donna make out (s08e16)

And for a bit of analytical commentary:

1. The start of the series and introduction of the premise, this is an obvious choice. 2. An interesting direction; possibly a commentary on Harvey’s general life philosophy, this could also be interpreted as a continuation of the Harvey-Mike dyad established in the pilot being the show’s central focus, particularly when one considers that it comes on the heels of Harvey’s rather...interesting first impression of Mike. 3. Lacking context, this is just an excuse to showcase Jessica in the montage as Harvey’s mentor; with context, it’s easy to interpret as another reminder that the show is centered around Harvey and Mike as a pair. 4. This is a weird moment to choose because while it fits the direction of Louis’s ultimate story line quite well, from struggling in Harvey’s shadow despite his considerable accomplishments to becoming head of the firm, it doesn’t fit in with the other incidents Harvey’s recalled up to this point; this is for the benefit of summarizing the show, not consistency with the direction of Harvey’s thought process. 5. Another moment for the benefit of summarizing the show that comes otherwise out of nowhere. 6. While this gets us back on track with Harvey’s train of thought prior to the Louis interruption, it really has nothing to do with anyone other than Mike and Harvey; in fact, it’s very much about a moment of reconciliation between the two of them. (On the surface, it’s merely circling back around to the Harvey-Mike dyad, but if you want to go full conspiracy theorist, it’s like...an apology to the viewer, or to Mike, that the narrative got distracted for a minute. And that’s an extremist interpretation that I’m not advocating as truth, but it’s also kind of funny, so I’m mentioning it anyway.) 7. Harvey needs Mike. Harvey needs Mike to need him. There’s not a whole lot of maneuverability in that one. 8. The interesting thing here is that the clip stops right before Mike and Rachel kiss. Showing it would require an extra two seconds of footage and could have been fit in, but the way it’s cut puts the emphasis not on them as a couple but on Rachel’s sense of betrayal after Mike’s deception. 9. The first clip of this montage-within-a-montage is of Rachel hugging Louis, which follows naturally from Rachel interacting with Mike as a way to ease the focus from Harvey-and-Mike to...literally anyone else, but also sets up this quick cycle of clips as kind of a catchall for “characters being supportive of one another because they’re not just colleagues they’re also family but also we need to fit in everyone who isn’t Harvey and Mike because this is technically an Ensemble Show™.” 10. Okay what the fuck, there’s absolutely no reason for this to be in here except to emphasize Harvey and Mike’s camaraderie and easy friendship. It’s from the pilot, for crying out loud. 11. This one is a little bit of a wildcard in that it both re-centers us on Harvey and Mike as partners (reading just slightly deeper into things, Harvey hired Mike in the first place in part because he likes taking risks, but also, having Mike around makes his life exciting), and could also serve as another general commentary on Harvey’s life philosophy. 12. Yet again, this is a Mike-Rachel moment that ends right before the Machel part. Mike walks out of the prison gates and Rachel gets out of the car, but they don’t noticeably move toward one another, let alone actually hug. Maybe this is out of sensitivity toward Meghan’s status as the Duchess of Sussex? (Or it’s a liability issue, I don’t know.) 13. This makes sense as a conclusion to the montage because the final season is largely focused on the Darvey narrative, or trying to establish the Darvey narrative, but it also comes out of nowhere in that very little of the rest of the montage has featured Harvey and Donna as a couple, or even a pair, with the exception of their first meeting (which was right on the heels of Harvey and Louis interacting, making it less an intimate start-of-something type of scene and more of a “Hey remember when the show was just about these six specific central characters, well, now we only have three of them left” tag).

In summary: Boy that sure is a lot of Marvey and Marvey-adjacent content for a series of clips that are supposed to be about everyone but are in fact badly disordered and don’t tell much of a cohesive story. Looking back, especially with this legend of episode citations, it really does seem to be a pretty slapdash collection of some editor’s favorite scenes, or more likely Korsh’s; it doesn’t even have a very smooth emotional trajectory, it’s just a bunch of stuff that happened in no particular order. Oh well, I’m sure they had fun putting it together probably.

Thank you for...asking? Well, thank you for bringing this up, anyway!

#marvey #analysis #Anonymous

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grantyort · 4 years ago

Photo

Clearing the Air

[The trio cruises along the empty city streets. Chris is fast asleep in the backseat while Daniel fidgets anxiously in the front.]

SEAN: Need to pee or something?

DANIEL: Nah, I’m just nervous.

SEAN: [chuckles] About what?

DANIEL: Uh… Nothing. Never mind.

SEAN: [sighs] Whatever you say dude.

DANIEL: [turning to Chris] Is he... okay?

DANIEL: Yeah. He just hasn’t slept well since… you know.

SEAN: Well before he wakes up, we need to have a serious talk about all this.

[Sean pulls the car over to the side of the road. He gets out and sits on the hood, motioning Daniel to join him. Daniel reluctantly agrees]

DANIEL: Sean Iisten-

SEAN: No, you listen! I went through hell just so we could stay in this country, so you could live a normal life! Now you’re just gonna throw it all away on some wild goose chase?! Don’t you even care? I swear this is like Nevada all over again!

[Daniel looks ashamed and on the verge of tears]

DANIEL: I’m s-sorry Sean. It’s just that… we haven’t seen each other in months, and you don’t answer my texts and I thought if I-

SEAN: No… you’re right. That wasn’t fair. I’m guess I’m still… trying to figure this whole thing out.

DANIEL: I know.

SEAN: Why didn’t you just tell me, instead of pulling a stupid stunt like this?

DANIEL: I… didn’t want to drag you into this.

SEAN: Well guess what Daniel? I’m in it now whether you like it or not. In case you haven’t noticed, we’re kind of a package deal.

DANIEL: I’m sorry.

SEAN: There you go again. Always apologizing after the fact. For once, I want you to think things through before you go running off on your next crusade!

DANIEL: I’ll try.

SEAN: You damn well better. Remember the deal we made with the Feds, no big splashes! If they catch even a whiff of what you’re doing… ¡se acabó! They’ll throw my ass back in jail and lock you in some government black site. We’ll never see each other again. Is that what you want?!

DANIEL: No of course not! It’s just… Chris has lost everything. I just want to help him get answers and justice. It’s the least we can after all he’s done for us. We owe him that much!

SEAN: [scoffs] You’ve really grown up, haven’t you?

[Sean leans over and hugs Daniel who is taken off-guard but sinks into Sean’s arms, savoring the familiar comfort]

DANIEL: What was that for?

SEAN: Oh nothing. Just getting you back for earlier.

[Daniel smiles and rests his head on his brother’s shoulder]

SEAN: Enano, listen… I’m sorry I’ve been so… distant. College’s just been hectic as fuck. I’ve got a side-gig going on, and I know haven’t always been… there for you, like I should be.

DANIEL: You don’t have to apologize, Sean. You’ve already done so much. You should go live your own life for a change. Besides, I’m not a kid anymore. I can take care of myself now.

SEAN: [laughs] I’ve heard that one before.

DANIEL: I’m serious! You don’t have to worry about me. Go to parties, hook up, cram for exams or whatever. I don’t wanna be a burden anymore.

SEAN: You’re not a burden, Daniel and worrying about you is kind of in the job description. I mean the hours are long and you don’t get paid, but at the end of the day it’s all worth it, you know?

DANIEL: Yeah I know… thanks, Sean.

If Daniel threatened Sean back at the bus depot:

DANIEL: S-sorry for what happened back at the bus station. I don’t know what got into me.

SEAN: You should be. We don’t see each other for weeks and the first thing you do is try to pick a fight.

DANIEL: I just… got caught up in the moment.

SEAN: Hope you haven’t been doubling up on your pills again.

DANIEL: Of course not! I’m not stupid Sean!

SEAN: Never said you were.

DANIEL: Sorry. I don’t wanna fight.

SEAN: Me neither. But just for the record, I would have kicked your ass.

DANIEL: (rolling his eyes) Sure Sean.

SEAN: I did last time.

DANIEL: That didn’t count! You caught me off-guard!

SEAN: That’s kind of the point, genius. You think the bad guys are gonna warn you before attacking?

DANIEL: What bad guys? Besides, even if one of them got the jump on me, I’d still stop them all. Easy-peasy!

SEAN: This isn’t a superhero movie, it’s real life. You gotta pay attention to your surroundings at all times!

DANIEL: (mockingly) Whatever you say… sensei.

DANIEL: Are you… doing okay?

SEAN: What do you mean?

DANIEL: You know… with college, and track and everything. I don’t really know much except what I hear from Lyla-

SEAN: Oh you mean your little spy? I still haven’t forgotten about the library incident you know.

DANIEL: I don’t know what you’re talking about.

SEAN: Yeah, yeah! play dumb! You’re lucky that marker was washable otherwise your ass would be grass right now!

DANIEL: I thought you were supposed to be able to see that sorta stuff coming.

SEAN: I was asleep! Besides that’s not how it works!

DANIEL: Pfft excuses!

SEAN: Don’t push it. I’m still mad at you, you know.

DANIEL: (making a funny face) Yeah? How about now?

SEAN: [laughs] Okay. I’m letting you off the hook this time.

[Daniel pulls a chock-o-crisp out his pocket and begins to eat]

SEAN: Still eating those?

DANIEL: (mouth full) What? I’m hungry!

SEAN: I read an article that chock-o-crisps can stunt your growth. You better cut back or you might be stuck an enano forever.

DANIEL: That’s bullshit! I grew 3 inches since Christmas. I’ll probably be taller than you soon!

SEAN: Ha You wish! [he ruffles Daniel’s hair]

DANIEL: Stop it! You know how long it took me to get it just right?

SEAN: Since when do you care so much about your hair?

DANIEL: Chris says that it looks cool like this.

SEAN: I thought you “always looked good”.

DANIEL: Yeah, but I just like it better this way.

SEAN: Okay, okay. Hands off the hair. Got it.

DANIEL: So Sean, you...

Seeing anyone?

Talk to Mom lately?

Seeing anyone?

SEAN: Taking an interest in my love life? Who would've thought?

DANIEL: It’s not like I really care. I just… don’t want you to get lonely.

SEAN: Don’t worry about that, enano, I got plenty of term papers and angry TAs to keep me company.

DANIEL: I’m being serious Sean.

SEAN: Well if you must know, I did meet someone recently. We were actually supposed to have dinner tonight but… you know.

DANIEL: Oh… sorry.

SEAN: (jokingly) You should be. We don’t even live in the same state anymore and somehow you still manage to cock-block me!

DANIEL: (cheekily) That’s my real superpower!

SEAN: (rolling eyes) Yeah, yeah keep laughing. Who knows? Maybe someday, I’ll return the favor.

(They both laugh)

SEAN: How about you? How’s school? Anyone giving you shit?

DANIEL: Nah. Everyone likes me, well except Wilkes and Brad. But they’re assholes. Anyway, there is this dance coming up next week and I still don’t have a date. I was thinking of asking this one girl, Millie. We text and stuff and I guess she’s pretty!

SEAN: Whoa dude, slow down! Focus on keeping your grades up. You’ve got plenty of time for that stuff later. Me on the other hand. I think I’m just about ready to die alone.

LYLA <-> FINN/CASSIDY (Determinant)

LYLA:

DANIEL: What about Lyla? She’s single!

SEAN: Dude no! It’d be way too weird. We’ve known each other since forever. It would never work. And besides, I’d never take her from you.

DANIEL: S-shut up. That was just a stupid crush! I’m totally over her!

SEAN: (deadpanning) Oh no. I’m sure she’ll be devastated.

CASSIDY:

DANIEL: What about… what’s her name? The smelly hippie with the purple wig.

SEAN: Cassidy? She’s all the way up in Canada, dude! Plus, I need to get clearance every time I leave the country. It would never work.

DANIEL: That’s okay. You can totally do better!

SEAN: Oh ouch. Still holding a grudge, eh?

DANIEL: I just think… you’re too good for her.

SEAN: I’ll take that as a compliment. I guess.

FINN:

DANIEL: What about Finn? Weren’t you totally into him?

SEAN: Finn’s still in jail dude. What are we supposed to do? Make out through the glass?

DANIEL: Haha true.

(If Sean forgave Finn in Episode 4)

DANIEL: Do you ever wish things turned out differently with him?

SEAN: Sure… sometimes, but life’s too short for regrets.

DANIEL: You’re starting to sound like Mom.

SEAN: I’m gonna pretend you didn’t just say that.

(If the player did not forgive Finn in Episode 4)

SEAN: He’s applying for early parole and wants to me be at his hearing. Can you believe that?

DANIEL: You’re not going, are you? He totally used us. He deserves to be locked up!

SEAN: Whoa where’s this coming from? Didn’t you use to be his biggest fan?

DANIEL: What are you talking about?

SEAN: (mockingly) Oooo Finn’s so cool! Finn lets me do whatever I want. I wish Finn was my brother!

DANIEL: What?! I never said that! Besides, I was just a stupid kid back then!

SEAN: Yeah and no one’s denying that.

DANIEL: Whatever. If you want to go, go.

SEAN: Nah… I’m done with Finn. There’s plenty of better guys out there.

Talk to Mom lately?

SEAN: Yeah got a call from her two weeks ago. Business has been booming ever since… they legalized it in Arizona. So, expect an extra big birthday present this year.

DANIEL: Bet you want to move there so you can (he makes a toking motion)

SEAN: Haha, maybe after I graduate!

DANIEL: (sigh) I miss Away.

SEAN: I do too. There was something special about that place. Everyone there was so chill. Not like here.

Ask about Away

DANIEL: And Joanne? Is she still-

SEAN: [sigh] The latest round of chemo didn’t work. So they’re preparing for the worst…

DANIEL: I want to see her Sean, before…

SEAN: I know enano. But Arizona’s too far and way too close to the border. The Feds would never go for it.

DANIEL: I don’t care! I need to say goodbye to her, in-person.

SEAN: [sigh] Okay. I’ll talk to Flores, see if we can work something out.

DANIEL: Thanks Sean.

SEAN: Arthur and Stanley got a new puppy! His name is Rufus. He’s a bit of a handful but super cute.

DANIEL: No way!

SEAN: I’ve got pictures.

DANIEL: Dude! Send them now!

Ask About Sean’s Eye:

DANIEL: How’s your eye?

SEAN: Can’t complain. Still gets itchy from time to time but that’s what the eye lube’s for.

DANIEL: Ew, can you not call it that?

Ask about Sean’s Appearance

DANIEL: Dude what’s with the beard? It looks all itchy and gross!

SEAN: You’re just jealous cuz you can’t grow one!

DANIEL: Could too! I just don’t want to.

SEAN: Yeah sure… Have your heuvos even dropped yet?

DANIEL: Ewwww, shut up!

SEAN: I’ll take that as a no. And since you love my beard so much. Here, feel it! [He rubs his cheek against Daniel’s.]

DANIEL: (laughing) Stop Sean! That tickles! Quit it!

SEAN: RESPECT THE BEARD!

[Sean drapes his arm over Daniel who leans on his shoulder. They look at the night sky together]

DANIEL: Whoa... check out that moon!

SEAN: How about a team howl? For old times’ sake?

DANIEL: Yeah! Diaz Lobos!

[They howl together as “Into the Woods” plays]

< Previous

#life is strange 2 #life is strange #sean diaz #daniel diaz #chris eriksen #lis2 #lyla park #captain spirit #captain spirit ww

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ae0nx · 4 years ago

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FRUITS BASKET S2 EPISODE 24 (SEASON 2 FINALE PT 1!!)

Ahhh... yes. I'm finally here. A slow, crawl to catch up but I'm getting there lol. These last two episodes were pretty great and fluffy and then just ended with a crescendo with Kureno that just... abruptly moved me at 1am in the morning! (I didn't ask for it, except I did by just watching this show)

Anyways, let's get into it!

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- Awww, yay! End of year party for the presidential club!

Fuckin' RIGHT, Kakeru?! 😂

But for real, I love that Yuki makes such a real effort to make sure Machi is included. Even if it is kinda his responsibility, you can really see the side of him who's desperately nice towards people because he really wants people to like him. However, with Machi specifically, it's the same attitude in a slightly different tone... I wonder why.... <3

- Also, I love Kimi but she sidelines Machi so hard in this episode, like why, dearest, why?!

- Yuki and Kakeru's easy friendship makes me smile almost as much as Kyo and Tohru's cute moments

- The english VA for Machi's mum hit extra hard for some reason. It felt so mean! Great performance, but damn dude lol

- Machi and Yuki noticing each other silently from afar is killing me with it's cuteness and it's so old school romantic? Yet so delightfully awkward as well, it's amazing

Damn, Machi... Fruits Basket's depictions of depression and anxiety have always been pretty spot on through the visuals and through the expressions and metaphors used to describe it. I just really appreciate that Takaya-sensei was so honest with the portrayals of different factions of mental health while still making the story something you still want to come back to.

...But yes, please help Machi! 🥺

Pshhhh <3 Their flustered, anxious, frustrated energy is a lot but I'm here for it

Group shot! Yayyyy :3 I also just wanna say Kimi and Kakeru were contenders for Outfit Appreciation this episode but this episode was bursting full of good looks! Let’s just say... they were 4th and 5th place.

Speaking about flustered, anxious, frustrated energy...

Kyo: ...please, guys. 😅😂🥰

(Tohru would’ve been in Outfit Appreciation as I love this outfit but I already gave it to her the first time she wore it so...)

Ahaaaaaa 🤣- I love when Tohru gets to be funny!

But awww, Tohru and Kyo staying together at Shishou’s for New Year’s is so cute! <3 Kyo’s definitely right in saying that it feel’s like a proposal... tee hee

Oh. my. God. A goddess is amongst us. This one was so tough as I love herrr and this might be my 2nd favourite look from her but... she’s 3rd place in Outfit Appreciation. You’ll soon understand why... don’t kill me lol

Lol, so much alpha energy.

Ok.

Are you ready?

😍😍😍

...Hatori’s so pretty! And I think he’s wearing the same outfit he was wearing in the illustration in the ending credits? Yes, he gets no. 1 in Outfit Appreciation mostly because he looks amazing in it but I don’t care. I’m biased. I’m imperfect. But I... I’m in love lol

Ritsu gets no. 2 in Outfit Appreciation because you can tell he tried and it’s vibrant and prettier than Hatori’s and I feel bad for not putting him first because of my FEELINGS.

Anyway...

He’s a bitch but he’s right. It was from here that I started to suspect that Shigure’s energy this episode was a little bit more shifty than usual...

Ah... my baby boy. I’m so happy he got this moment. To make it a 100% clear about where and who he is now despite the oncoming backlash. At first, I was a bit concerned about him taking the complete blame for all the abuse that people put on him when he was a child (and technically still is, for now) but I also think in a way he’s trying to be gentle with his approach of being honest with Akito in the hopes that she seeks redemption too.

As a certain doctor says later, “You’re so kind.”

- Akito’s reaction of course was on brand. But, it was pretty stylistic with the call back to Kureno’s curse breaking

- There’s something about Eric Vale’s performance of Yuki in this episode that’s so... human? I know, that’s a weird way of saying it but Yuki’s so normally put together (on the surface) and it has shown in his voice pretty much since the start of the anime. But slowly, Eric has been adding different and more expressive fluctuations and tones in Yuki’s voice episodes since the beach arc and it feels like in this episode he just completely let loose and it’s now completely slipped into Yuki’s casual conservational speak now. It’s just neat :)

And, I think I can say the same for Hatori’s VA Kent Williams. This is the most expressive Hatori has been in this show so far! It’s great. :3 Although, I think for Hatori he’s only stoic when he feels he has to distance himself to keep himself together from either the situation or the person. Very Doctor-like.

But back to the story, I appreciate that Takaya-sensei thought to tie up their relationship with each other and have them be cool because honestly? I even forgot that Yuki didn’t trust Hatori around Tohru for a while. This moment was so nice and warm! <3

- ‘Don’t turn into Ayame’ 😆

Stop it, Goblin King.

Did she fall asleep standing up because... you know...

I’ll show myself out.

Lalalalala Tohru and Kyo being cute and pleasant and sharing stories from their past lalalalala 🎶☺️

Lalalalala 🎶☺️

Lalal- wAit. Flirty Kyo?! 😳🤡

...stupids. <3

Ok, I just wanna end this by leaving some screen caps from the final moments because it just solidifies why I love this anime :3

👀🤡

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Wow, recapping this episode was oddly refreshing as I’m still living with the climax of episode 25 and Kureno...

So, that means... I’ll see you soon >:)

#fruits basket #furuba #fruits basket season 2 #fruits basket 2020

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popculturebuffet · 4 years ago

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Darkwing Duck: Just Us Justice Ducks

This is it. 7 reviews, 10 episodes, 2 teams, 7 brave heroes, 13 villians but only 5 of which are relevant here. All leading to this. One big final review of one of the most loved, most important and most awesome Darkwing Duck episodes, the ONLY two parter outside of the pilot in the show’s long history. If your just joining us, as hinted at in the opening sentence i’ve been doing reviews of every episode of darkwing duck featuring the first apperances of the Justice Ducks and Fearsome Five. The only exception was Megavolt, but I ended up doing Negaduck instead, so I could cover both Megs and the original version of Negsy in one fell swoop (A great idea and comission from longtime supporter of the blog WeirdKev27). All so I could give this the build up it deserved and get the background I didn’t have years ago when I wanted to watch this, wanted to see all of the first apperances first.. then just didn’t get around to it, not even finding out the episode order is an utter nightmare. While i’ve given out about this before, allow me to do so again: Due to prioritzing what got done first over proper order, ALL of the justice ducks first appearances eps were aired after this and while Morgana at least got an episode before this, it was her second appearance. Same with LIquidator and Quackerjack though like Morgana, Quackerjack still got an episode or two before this one. So yeah as a result to most kids it was a bunch of heroes just introduced, up against two new villians and 3 old faviorites. You kinda see the problem. It’s why I watched it in chronlogical order: to have this be a gathering of established heroes against darking’s worst foes... and the debut of the worst of THE worst, the true Negaduck at long last. So with the proper build this deserves and not much else to say, let’s look at this two parter and see if all my effort was worth it and if the hype is real. Let’s, get, dangerous under the cut

We open in St. Canard in Darkwing Duck’s secret HQ over the bridge, where he’s getting ready to go out with Morgana and does... things to his hair.

Excellently terrible hair do.. seriously I love a good pompadour as much as the next person, probably unheathily more than the next person, but this isa bit much and adding a curl to it is just..

I mean Superman’s hair looked better at this point, and for those wondering “Wait superman usually has a pretty good look”.. welll.

Yeah.. post-ressurection.. he had a mullet. Look there are only 4 people in the world who can pull of a mullet: Brock Sampson, Patrick Swayze (God Rest his soul), Hank Venture and Daniel Cooksy as a teenager. And he ALSO put a curl in it and it still looked okay because that’s one of this things along with being selfless, and idiots calling him bland for you know, being a kind hearted symbol of humanity at it’s best. But man the mullet was just not for you bud.

Morgana naturally tries to change it while Gosalyn watches and...

Yeah as you can probably guess a LOT has happened.. and all off screen. Morgana is not only fully on the side of good apparently, but she and Darkwing have gone from simply flirting with one another to dating AND Gosalyn has met her and they fought the astro mummies together.. no wait that was the Caballleros yesterday.. but still eveyrthing else is PRETTY important stuff and even with the messed up episode order the kind of thing you’d ASSUME an episode would be made about. I mean this is her meeting darkwing’s kid for fuck’s sake. That’s a big step in any relationship let alone one just starting out. And trust me, I didn’t miss anything: every other morgana ep seems to have them already in a steady relaionship. I DO think it’s stuff like this why some fans aren’t crazy about this relationship. Me I think he’s honestly too good for her.

But before they can go out for whatever vauge date they were going to have the power goes out and DW notices it’s megavolt and prepares to go after him only for Morgana to question him about their date.

Morgana.. sweetie.. the entire city is blacked out. Nowhere will be open. But Gosalyn offers an alternative, Morgana go along with him and while both are reluctant they go with it. So Darkwing confronts Megavolt... and soon finds a bunch of chattering teeth. Yup, it’s Quackerjack as the two have teamed up, and together easily defeat Darkwing, putting him in an electric chair. The two also really get along which makes sense: Both have similar personalities, being kinda nuts indivdiuals with a singular obession , which compliment each other as toys often need electric power after all. THey strap darkwing into an electric chair, that got dark fast and he begs morgana to save him.. only for her to accidently turn him into jello. I mean.. they say pudding but.. their diffrent things. Just because world famous sexual predator Bill Cosby promoted BOTH for the jell-o brand doesn’t mean Jello is magically pudding. If he could magically make one thing

Point is Darkwing is jello, the villians mock him then set up some kind of device and head off.. while also mentioning a mysterious boss. I wonder who it could be.

Nah.. too obvious. Darkwing is humilated and of course blames. morgana.. for saving his life.. as while the jello humilated him he’s also you know not dead.

Anyways Darkwing storms off while Morgana worries he likes her. Morg.. the guy got pissy because you saved his life the wrong way with some bad aim. And before that clearly just wanted you there as a trophy to impress you instead of because he valued you in any way but your looks, because let’s face it he’s shown no intrest so far in any way that isn’t superficial and neither have you in him. You both need to actually try to deepen this or end it. Anyways enough me ranting at 90′s cartoon characters, it’s time for our next Justice Duck to enter the episode as Stegmutt is selling hot dogs now, but no one stops because they just.. run in terror. Poor guy, good thing he’s too oblivoius to notice. Maybe Dr. Fossil had a point. Back to the plot and it turns out the next phase in the Fearsome Five’s plan is to take out the police... okay so wait are they the bad guys or not? Questions for later. Point is we get a nice mismatch as Bushroot’s timidity contrasts perfectly with Liquidator’s showman ship and he drowns them out. Darkwing prepares to attack, but gets interrupted by Stegmutt, refuses his help.. and we get the best and most iconic gag of the episodes: Darkwing makes a joke about playing pretend.. and senseing Stegmutt is a dummy have him pretend to “put out the darkwing”.. which equates to pulling a Droopy while saying “put out the darkwing”. So the two villians finsih their job and high five and this is one of the most charming parts of this 2 parter: the camradere between the five minus negaduck. The other four just.. easily bond and enjoy each ohters company, only fighting ONCE, and then being on the same page after that.

It’s also what makes them so deadly: the go too for ANY superhero team in any medium is to simply get the vilians to fight each other as most vilian teams are built on REALLY shaky ground, a mixture of egos and ambitions that unlike with most superhero teams, can’t really be overcome with the greater good.. because their only in it for what they want. The thing that keeps any of these groups together longterm.. is camradere. I’ts why the Flash’s Rogue’s gallery is easily one of the most dangerous; while there are outliers like the reverse flash, most of them are part of the rouges, and ascribe to their rules and morals.. and thus the camradre and support that comes with it. One guy with a cold gun or a super flamethrower or a weather wand or mirror powers.. is pretty damn tough. All four and more together, willing to bail one another out, having their own tailor and weapons hookups. The four remind me of that: a bunch of guys who have the common goal of beating darkwing but likely just.. hang out when not trying to do crimes. Well except negaduck, hence the four thing. By not being able to just easily turn them on one another, it means you HAVE to take them all at once. Even if you got rid of negaduck as both the comics and the 2017 reboot have shown.. you still have 4 immensley powerful, quackerjack included, supervillians who easily can work together instead of a bunch of angry assholes who tend to work better one at a time and just with a united goal. Point is Darkwing Duck is Darkwing Fucked. Darkwing once again refuses help and yells at Stegmutt, because he’s been evne douchier than usual, and then makes the mistake of yelling at Neptunia, who promptly has her octopus friend throw him into the distance because .. well he deserves it. So while Darkwing patches up that wound to his pride and his spleen, we finally meet our vilians new boss: NEGADUCK. And... they do not explain why a guy who looks exactly like drake is here, if he has any relation to the other negaduck he was inspired by, or why any of them would trust him. This would bother me more.. if A) it wasn’t too much of a stretch for darkwing to have foes we hadn’t seen given the whole casefiles thing and B).. well okay this isn’t really a logical opinon but since when have that stopped me.

There’s a damn good reason that Negsy has one of the biggest episode counts of Darkwings villians. The guy is just.. the perfect foil to Darkwing, the Joker to his batman, the reverse flash to his flash, the green goblin to his spider-man, the sabertooth to his wolverine. He’s Drake’s equal and opposite number. While Drake can’t take two steps as Darkwing without wanting some attention, Negsy is happy to avoid having any until the moment strikes. While Drake wants attention as much as he wants to do the right thing, Negsy just simply loves doing what he’s doing. To quote the Spies are Forever song “Somebody’s Gotta Do it” “Can’t you see.. how much I enjoy this, i’d never avoid this, cause buddy i’m a diffrent breed. This is my calling, and though it’s appaling, I love making people bleed.”

He just LOVES being evil. He’s as comically devoted to being a bad guy as Darkwing is to being a good one. He loves the idea of being able to shoot a bunny, he revels in his villiany and he loves every second. But as I said unlike darkwing he dosen’t let his flaws get in the way of his villiany as much. He still does on occasion, he’s still a version of Darkwing after all, but he has his eyes far more on the prize and is far less prone to distraction. He dosen’t care about toy deals or infamy.. he just wants to watch the world burn and laugh manically over the flames. While his obessions CAN be used against him.. as this episode shows it only lasts for a bout a second and he’s usually ready for it. He’s a Drake with no morals, no connections and few drawbacks. And he’s also every bit as clever, with him winning for most of the two parter. And not because the plot needs him too.. he’s simply THAT good at planning, with his plan here being geninely clever. I’m REALLLY hoping for Frank to lead the reboot because combining ALL of this with his reboot backstory will be divine if he gets to. Negaduck was very much worth the hype.

So his next plan, itself clever.. is to dress up as Darkwing and inflitrate SHUSH, taking out the next possibly thing that could stop them. And he does so easily, even while Darkwing is there and to show off just how friggin awesome he is predicts what Drake will say. The only thing that trips him up is drake hilarious pointing out a cute bunny, because he and the other Negsy apparently share the same burning hatred, causing him to get out his shotgun. And can I just say how wonderful it is he can use a shotgun? That’d never pass nowadays, which isn’t the worst thing but i do question why VILLIANS can’t be shown being reckless with fire arms. Their the bad guys, kids aren’t going to see it as a good thing. And they still equate laser guns with guns. They aren’t going to trivilaize gun violence because of Darkwing Duck or Looney Tunes.

Even being found out Negaduck still acomplishes his goal and floods thing. So now both the cops and shush are down, and things aren’t looking great. Darkwing’s still determined he can do this himself and beat them.. but it’s transparent that not only he CAN’T and won’t admit he’s outnumbered but freely admits he just wants the biggest win of his career by taking them all out 4 to 1. Probablem is.. he’s not spider-man and this isn’t the sinister six. As I said he’s not fighting a villian group whose egos clash so badly , at least whent hey first formed, they have to take turns or in later iterations have some member blackmailed in> Their working in concert. He needs help but as we’ve seen multiple times now Darkwing just can’t accept it. He has to be in the limelight and while he does have to relearn the lesson .. it works better here as personality flaws aren’t the kind of thing that fixes itself overnight. Sometimes never. It feels less like it does sometimes in cartoons, where the character just.. never fucking learns, and more like Darkwing has learned it.. he’s just so very human and thus can’t resist sliding black. Less peter griffin more bojack horseman is what i’m saying. I mean there are still bits of just poor writing, but for the most part his ego is like most of his enimies: he just can’t get it to stay beat.

So it won’t suprise you that when the national guard and gizmoduck are called he’s not happy. You may recall when I reviewed “Tiff of the Titans” I REALLY hated this verison of Gizmoduck. He was concited as Darkwing but treated like he wasn’t, treating the daring duck of mystery like a criminal for stupid reasons and was generally pretty useless and obnoxious. The fact that hamilton camps gizmoduck voice sounds not like a 20-30 something like Fenton is but like Grandpa Simpson mixed with a dash of dudley doo right dosen’t help.

It’s not lost on me that Dan Castellaneta’s character is NOT the one that sounds like Abe Simpson either. But while that problem is still around... the rest of them.. aren’t. Gizmoduck’s character development actually stuck from last time, so rather than be a dick to darkwing he’s warm, friendly and happy to accept his help when Darkwing shows up, thinking his old “Buddy” is just volunteering to help instead of screaming at him for doing his job. Not only that but while he still has elements of a standard superman type “Cape” hero parody... their more toned down and actually funny with him giving giant speeches, and that being useda gainst him and being over the top.. but still being the noble, big hearted hero you’d expect from the roll, just wanting to do good not for the Glory he gets anyway, but because people need him. In short.. he’s 100% better thsi go round. Well okay 80.. he still sounds like this.

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Gos also brings Morgana along, because apparently she forgot the entire episode where her father was so obssed with being noticed he tried to upstage his 10-12 year old daughter... and you know the hundred other times Drake put his ego over his job.

So he naturally wants to shoo her while Gizmo. .warmly welcomes the help because he recognizes that people are counting on them not counting on him. Just then the villians make their move and activate the electro slave device from earlier which.. does nothing like that’d sound like and just creates a giant electrical wall, cutting off ST. Canard and bringing the plan full circle: The villains have now cut off the town and taken out almost anything that could oppose them. And despite you know everything Darking only gets more pissy when Stegmutt and Neptunia show up., Stegmutt because he still wants to return Darkwing’s change as Darkwing bought a hot dog from him and Stegmutt’s also a really sweet guy and Neptuina because well... .the ocean’s her thing and a bunch of bad guys just put a giant line through it she’s now on the other side of. Gizmo suggests the obvious: It’s a day unlike any other when a threat no one duck, or fish or dino duck, can face alone. It’s time to assemble! And Gos is more than excited about the idea, suggesting the name Justice Ducks which.. is honestly fairly weak in my opinon. Not BAD but very clearly just “Justice League” with Ducks in it. Given how good the series is at names, you think they’d of taken more than five minutes on this one. Maybe it was disney mandate I dunno. But the concept itself.. is brilliant and I wish it came back in other epiosdes; Taking a bunch of other heroic characters in a setting and making them into a team is always a great idea, it’s why the tmnt unvierses have been using the mutanimals more and more lately, and they do ballance each other out nicely. You have a nice contrast of powers: while multiple have super strength, stegmutt is your bruiser, Gizmo is the tech guy, darkwing’s the strategy, morgana handles magic and Neptuina can swim in anything and is super strong and agile outside and inside water, so as long as she can keep hydrated, she’s useful> Which by the way has ALWAYS been the case for aquaman.. except the superfriends version.

He really does suck and ruined it for the rest of them till Jason Mamoa and his mighty abs, coupled with Geoff Johns run on the charcter that served as the foundation for that movie, finally rescued the character from a fucking decades old cartoon’s smear campagin. They have the makings of a great team.. it’s just Darkwing dosen’t want a team and screams at everyone to get out and that he dosen’t need them.. I mean he does try to be softer on Morgana but.. he’s still a dick and she really should dump him. Seriously, their attraction is superficial, at this point at least we’ll see in Feburary if it gets any bettter, he dosen’t respect her as a person, and now he’s having to restrain himself at yelling at her.. for HELPING HIM. When he clearly needs it. Holy shit... I was not prepared for that amount of douche. And this would sink the two parter.. were this not clever setup for one hell of a downfall and not a key part of his character. Like has been said: Ego is a massive part of him, and as Tad Stones has put it his real arch enemy. It’s been the basis for several episodes and as we saw in the pilot was his motivation for getting into crimefighting in the first place. He means well and clearly has a heart.. but this is just as much about thwarting evil as it is the attention. And here it’s used perfectly as in the reverse of the gizmoduck episode, where he wanted attention but for fully understandable reasons and judged Gizmo more on stealing his thunder, which while petty i’ll admit is a bit fair given Gizmo did NOTHING in St. Canard but got the key of the city while Darwing had saved it multiple times at this point.

Here he’s being petty and selfish.. and he has no good reason. It��s just his own ego wanting the credit for everything when it’s not what he or the city needs. Honestly this feels like an ahead of it’s time parody of how Batman would be written when written poorly sometimes in the years after this episode: a massive dick who thinks he knows better than everybody else and everything else should be entrusted to him because he’s the goddamn batman, the kind who throws people out as potential parts of his family for petty shit and acts like a controlling ass and okay maybe this is spiralling a bit. But the refusal to see any other way is right? Yeah that defintelyf its darkwing like a glove and eveyrone leaves either bummed or pissed at him. And the most pissed? Launchpad who while agreeing to it, his face and tone clearly mean he’s disapointed in his buddy for acting like this when now is REALLY not the time.

And I wish.. we got more on this because Launchpad disappears till the ending scene after this. No really. Despite being Darkwing’s best friend and sidekick and despite warranting a spot on the justice ducks and despite having every reason to pitch in. he just vanishes. I mean Ducktales may of gone overboard in not having him around since Let’s Get Dangerous, but at least that’s a valid reason: he has another family, he’s really busy and Scrooge has another talented pilot to do the job for him. Granted he’s clearly still doing it offscreen at times but he was both a major part of an hourlong and will be part of any possible spinoff. And hell even back in season 1 when the character ballance was at it’s worst... Donald and Beakly at least HAD reasons for not being in a whole lot of episodes: Donald HATED his uncle, HATED adventure, and HATED the fact his kids were following in their mothers footsteps as he only saw death at the end of it. While they SHOULD have found ways to include him more and his exclusion was pretty bad... he at least had a reason. Here launchpad just has to go now his home planet needs him. And he’s not the only one Gosalyn gets more, she’s worried about darkwing, we’ll get to why in a second and wants to go but Gizmoduck refuses.. and then ALSO vanishes. Which makes even less sense as when has Gosalyn EVER listned to an authority figure? Especially when her dad might be dead? It’s just grossly out of character for her to agree to sit things out and not just tag along with steggmutt anyway once gizmo can’t stop her. I do get this is about the justice ducks but there’s no reason to neglect the other main characters. At least have Negsy capture them too or something. Cripes.

So yeah the “thinking he’s dead part”. Darkwing sets out to find the five’s lair and misses the big honking flag Negaduck set up, but finds a crumb, puts two and two together and finds them.. as Negaduck planned. Down to the crumb thing as, in my faviorite line of the episode, he planned on Darkwing missing the flag and focusing on the flimisiit clue instead. Naturally they kick his ass, EASILY, and throw him out a window to his death and in classic bond villian fashion don’t check for proof of death. Krakoa would be ashamed. So part one ends with darkwing duck getting thrown to his possible death...

Only for part 2 to pick up with him landing in a trash truck before exiting. And this.. is what makes the ego parts tolerable.. Darkwing.. earnestly reflects, depressed he let his own ego get in the way of things and shoo off his only hope, and thus let the villians take over the city, with Bushroot’s plants harassing people, quackerjacks teeth running the police, and Megavolt having taken the power company and using it to shake down locals and Liquidator flooding part of the city for a plan we’ll get to in a moment. He’s at his lowest point and tht’s while it work: his hubris DOSEN’T get unpunished, he’s fully sorry for it and while he dosen’t out and out apologize to them, he’s not only genuinely contrite but does work well with them and evenly when he finally does get back to them.. but we’ve got a bit to go before that. So with Darkwing missing Gizmo takes over as big good and not bein ga prick eagerly takes the others help Neptuina nopes out of helping, which fits her personality, so with only three left because he dosen’t consider children useful which shame on you. I mean i’ts responsible from a real world standpoint but not from a cartoon show standpoint. But anyways they split up gang: Gizmo will go take the power plant back, Morgana will try and use her spells to find the lair and Stegmutt will find darkwing. I do like despite how they neglect Gosalyn that her friendship with Stegmutt was remembered and used as a plot point here.

So we then get to a rather repttitive part of the two parter. It’s not lacking in good gags or character moments but it’s basically the same scene repeated 4 times just with a diffrent scenario and gag for each of the justice ducks and the fearsome five member they encounter. They do their respective schicks the hero is defeated.. this is 5 or so minutes of a 20+ minute episode. Not TERRIBLE stuff, iv’e seen worse repttition, but not terribly intresting compared to the rest of the four parter. So, Neptuina encounters Liquidator, whose scheme is selling rafts to people to not drown in exhange for a millioin dollars.. or whatever they have he’s not picky, and they fight but Liqui ultimately wins, Gizmoduck, in the best of the four sequences, swoops in to stop Megavolt and not only lands on his foot.. but spends so long speechifiing Mega gets him from behind, phrasing. Stegmutt hilariously tries disgusing himself with Groucho glasses and is bested by Quackerjack, and Morgana finds the lair but gets taken out by bushroot, though her pet spider archie escapes to go warn the others.

So after all that Archie makes it back to darkwing’s hq.. only for launchpad to squish him. “ew a bug!”.. just a great quick laugh. Thankfuly he’s more resilent than the average spider and is fine once Gosalyn scrapes him off and they now know the five are in trouble. Also I was wrong Launchpad does return.. for this one scene. And neither get into action once Darkwing returns and after an overly long bit of him deflecting blame to the point I was screaming.

That being said it is nice when once Darkwing is aware of the situation he gloats a little.. but still goes to save them without any hint of caring about doing it all himself. He learned his lesson. So at the Lair of the five, Negsy shows what a sadsitc bastard he is, another great side of him.. from a writing standpoint at least. It shows that like darkwing despite a comedic exterior.. he’s VERY dangerous. And he’s set up speciic tourtures for each of the five he has: He’s hooked up Gizmoducks armor to a device that lets him control it’s power flow, so right now it’s entirely drained.. but he can overload it and electrocute him to death when he flips THE SWITCH. Neptuina is stuck under a heat lamp and will fry when he hits THE SWITCH. Stegmutt is stuck in a weightless enviorment that will also loose air when he hits THE SWITCH and morgana is in a chair that will crush her tod eath when he hits.. THE SWITCH... he really loves THE SWITCH and props to him. A lesser villian would’ve had all the traps have a diffrent trigger which while making it harder on any rescuers is just a time waster asking for the heroes he hasn’t gotten to yet to break free. And while it is based in his sadism he still fully intends to watch the deaths personally. Seriously he’s got all his bases covered.. and would’ve won.. if it wasn’t for the rest of the five. The rest of the five are fighting over territoiry: Buddies they may be but they all want the pie. Negaduck, in his most badass scene shuts them up by pulling out his signture chainsaw for hte first time and scaring the crap out of htem, then using it to carve up the model of the city: They each get a quarter.. and he gets all the loot. Which they dont’ like but agree to to not die today. Though really... what’s the value of that? They have a full city held hostage, control over a quarter each, and no real way to SPEND the loot without letting someone else, say scrooge mcduck, in to stop them. Just give him the money and let him sit on it Smaug style. You get a quarter of a new york sized city to yourself to live out your dreams. I’d love that... maybe nto become a supervillian for that but still, point is you have carte blanche jsut take the W. Darkwing meanwhile uses Nega’s scheme against him and plans to be delivering skulls, after flowers only piss nega off, and then knocks the guy out.. though his attempt at playing Nega fails as the Four have wisely decided that since they outnumber him and a four way split of the loot is better than none of it, to kill him. Nega.. is not pleased and just wants them to attack him, and they do, and it seems darkwing’s going to have a front row seat for THE SWITCH. But Darkwing recovers, and we get a great tug of war between him and negsy as the switch is turnd on and off on and off till Darkwing finally wins, and then frees Morgana and apologizes and has her free Gizmo, and so on and so on. So our team is reunited, Darkwing’s finally ready to lead and thus we get our battle cries “Justice Ducks, ASSEMBLE!” “Fearsome Five, GET OVER HERE!” And the two face off

And the battle.. is fantastic. Easily the series best so far as everyone gets a moment to shine. Neptuina takes out both Liquidator and Megavolt, this time beating liquidator by creating a whirlpool inside him and turning him into a watery tornado and crashing him into megavolt before he can get stegmutt. Gizmoduck beats Quackerjack handily by using a drill on the teeth, great gag then giving Jacky some ansteic.. a boxing glove to the face. And Stegmutt takes on bushroot and when unsure of what to do.. we get a truly wonderous callback as Stegmutt.. honestly dosen’t know what to do.. so Darkwing gets some payback and tells him to “put out the bushroot, put out the bushroot” you can guess what happens next

Or if you want the more recent versoin

Point is three down two to go, and we get a call back to the pudding thing with Morgana trying to hit liquidator.. before Darkwing in a show of how much of a team player he is now, offers his help, simply having Morg teleport some instant pudding mix over the guy... I mean at least it’s brown this time even if i’ts still in a jello mold. And to finish it off he and gizmo awesomely use a mixer on both sides. So our heroes have triumphed.. almost. Negs has the controls for the barrier and runs out planning to destroy st canard if they refuse.. then being Negaduck decides fuck it i’ll do it anyway... but Darkwing stops him and we get a slapstick beatdown as DW uses an anvil a pie and other classics and utterly curbstomps his nemissi in an wesome scne. The day is saved, the generator shut down and the city freed. So we wrap up with the Justice Ducks celebrating.. with Gos and Launchpad. I have an inlking how that conversation went.

Darkwing relcutnatnly is forced to eat his own words and admit he both enjoys the team and needed their help, before heading off on that Date with Morgana.. though Gizmoduck tries to make it a group thing. Dude no one likes a third wheel.. not even when i’ts ninja brian. So Darkwing uses the iris out to escape, but Stegmutt does try and give that quarter back first, with Darkwing, in a genuinely sweet moment, telling him to keep it and then going off, having earned his happy ending and grown as a person. Final Thoughts: This episode was WORTH the build up I gave it. It turns out I really didnt’ need most of the intro epsidoes, as while it enhances the villians the heroes are all given decent enough introductions apart from morgana so tht even without the context of how darkwing knows these people it still works. It’s a thrilling, tightly paced for the most part, hilarious and wonderful two parter that ties a huge chunk of the show together into one hour long masterpice. I had my issues of course and i’ve stated them: Gosalyn and Launchpad doing nothing, the pacing towards the middle of part 2.. but otherwise.. it’s perfect. It’ has a great character arc for darkwing on top of everything, once again having his ego bite him in the ass but in a unique enough way it dosen’t feel like a retread of the pilot, and having him genuinely feel bad about it and grow. a bit smug when he learns he has to rescue them sure but he’s never smug to the heroes themselves. And ironically.. he gets his big moment. While he dosen’t beat the five himself he still infliatrated their hq, beat up their leader, saved his friends and then beat negaduck all by himself AGAIN. It may of not been the big moment he wanted.. but it’s the one he needed. As for the road to the justice ducks itself.. it was a fun ride. Only one honestly two bad episodes; Tiff otf the Titans and Paint Misbehavin and even those had their moments, paticuarlly Misbehavin’s art sequences. The rest of the episodes ranged from alright to standout and overall it was a hell of a time.. so i’m going to rank all the ones i covered leading up to this review. Just Us Justice Ducks (Both Parts) Negaduck Beauty and the Beat Dry Hard Jurassic Jumble Ghoul of My Dreams Something Fishy Fungus Amongus Whiffle While You Work Paint Misbehavin Tiff of the Titans And i’m proud to say this is the first ongoing project on the blog, the first story arc or what have you, i’ve completed. While I DID do a four parter of catch as cash can, this is the first one i’ve done over several months that i’ve completed and i’m proud of it. Does this mean i’m done with Darkwing?

Next week we’ll be wrapping up some more unfinished buisness with another Darkwing Double Feature, this time covering the short career of Quiverwing Quack and in Feburary, and the reason I spent so much time catching up, we’ll be seeing both Morgana and Negaduck again just in time for Valentine’s day. After that?

We’ll just have to see won’t we? So until there’s another rainbow, goodbye, goodbye, goodbye.

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