#anyway this about both his perspective on the gods and his interpretation of the deal with morri

[revvethasmythh]

God, I love listening to Liam talk about Orym and his perspective on the story because at every turn he confirms that my interpretations of his motivations were exactly correct

[paintedvanilla]

hey!! i would love to hear some of your head cannons for your ‘every man you’re every been’ fic because i am literally obsessed with their dynamic as a domestic couple who still struggle to express their emotions still.

i love you writing so much btw, you are fuelling my fight club obsession in the best way possible!!

Punching the air thank you SO MUCH for asking I am OBSESSED with their dynamic in this au

Me and manar were literally talking about this last night about the balance of domestication between the two of them, and we agreed that like. Tyler absolutely undomesticated the narrator in a sense, but the narrator also has a little bit of a counter balance effect on Tyler? He domesticates him slightly. They eventually reach an equilibrium. And maybe one day they’ll even get a bed frame who knows. Probably not.

Anyway this is corny of me but I took the love languages test for both of them and the results were actually very fascinating. Gift giving didn’t place for either of them so I’m completely ignoring it here. Both of them scored physical touch as their second place and quality time as their third place, but interestingly their first and last places were flipped. The narrator has words of affirmation as his first place, Tyler has it as his last. Tyler has acts of service as his first place, the narrator has it as his last.

I think this affects their dynamic very much as seen in “every man you’ve ever been” when Tyler says I love you to the narrator for the first time after they’ve been together for seven years. Which is an absurd amount of time to wait to say such a thing. But the thing is from Tyler’s perspective that’s not the first time he’s said it. Every little thing he does for the narrator is meant to be a declaration of love. But the narrator doesn’t necessarily interpret them like this because Tyler has never laid a foundation for what he’s trying to communicate with his actions. He just does things and expects the narrator to understand what they mean. He thinks it should be unspoken. And the narrator cannot function like that. The narrator doubts himself and the way Tyler perceives him constantly, and Tyler’s unwillingness to communicate how he’s feeling Does Not help. I think this causes a lot of issues in their relationship. They’ll figure it out eventually but it is a touchy subject for both of them.

Additionally how they met and get together in this au is something I’ve kind of referenced but I really want to eventually write a full on fic for. The way I’m writing it, Tyler and the narrator briefly meet on a nude beach in florida, Tyler immediately becomes obsessed with him and follows him home, stalks him for 18 months and then blows up his condo. The plot proceeds as it does in the movie, the narrator calls him after meeting him on the plane, they get a drink, they fight, they both really enjoy the fight (it awakens many things in both of them), they go back to the paper street house, the narrator starts living there, the encounter with Marla takes place, she and Tyler start sleeping together, the narrator wants to kill himself, yadda yadda yadda

Throughout all this tho the narrator is dealing with a whole identity crisis because prior to meeting Tyler the narrator had noooo idea he was into men. Like it never once occurred to him. He just thought he had the worlds lowest sex drive and was coincidentally not attracted to any woman he had ever laid eyes on. Then he meets Tyler and he’s already like Jesus Christ why does he look like that and why does it make me feel things. And then they have their little fist fight and oohhhhh god does it awaken things in the narrator. He thinks of little else. He’s agonizing and obsessing over this man and unaware that Tyler is just as obsessed with him.

Anyway, Tyler won’t make a move because he can tell the narrator is so incredibly repressed and is actively fighting against any impulse to do something about how he feels, so he waits until the narrator fucking snaps and then the two of them are all over each other, literally inseparable. Tyler tells the narrator about the whole stalking situation and the narrator is a little freak who thinks that’s the hottest thing he’s ever heard in his life, like, genuinely gets way too excited about it. And now the two of them are practically sewn together and cannot be pried apart. Bonded pair do not separate.

Other miscellaneous headcanons:

the narrator cannot swim

Tyler kisses the little mole on the narrators chin

the two of them have never and will never utter the word “cuddle” it’s always “laying down”

Tyler is the fucking miracle cure for the narrators insomnia. When they’re in bed together, the narrator can sleep. When they fight, Tyler uses this against him and will purposefully make sure he can’t sleep for days at a time.

The narrator cannot remember dates for the fucking life of him. He’s great at math, can calculate tip and tax in his head, has a fuck ton of formulas memorized for work, but cannot remember dates

He also frequently loses track of what day it is. He never knows the date.

By the time Tyler and the narrator have been together 7 years the narrator has only remembered two of his birthdays within that time. The others passed without him noticing. He has to do math with the year he was born to remember how old he is.

Tyler on the other hand remembers all dates, always, the instant he’s been told them. He always remembers the narrators birthday, their anniversary, and Valentine’s Day, among other important dates in his head

The narrator still has to sing the months of the year song they teach to you in kindergarten in his head to remember the order of the months

The narrator is autistic. I am an autistic narrator truther. He does not know this about himself nor will he ever know this about himself. He just thinks he’s a little quirky

The narrator is scared of driving and being a passenger in cars. He has his license but never wants to drive

The narrator wishes he’d studied something like English literature in college instead of finance

Tyler learned how to make soap from his mom

Tyler makes the narrator come to work with him at the theater sometimes because he cannot stand being apart from that man

That’s all I can think of at the moment I hope this suffices. Thank you for your kind words I’m going to explode. <333

[selfdigestion]

ooh yeah speaking of aspd interpretations/hcs. personally I always feel a bit annoyed when people say it's always wrong for anyone to say light yagami has aspd or npd, because while I do see where they're coming from (if it's someone without any of those disorders saying this solely based on stereotypes or otherwise wrong ideas about what those pds entail, it'll be ableist and demonizing and frankly just wrong and shallow), I think those interpretations hold merit and interest in this case when done accurately (and respectfully, and/or based on one's personal experiences).

and I like it; I adore those kind of interpretations! I find those to be very intriguing ways of looking at his character that don't cancel out anything else about the series. plus I myself have npd and bpd and just really love to see characters who read as cluster b in media, even when they're not good rep at all lmao (tbh while light isn't good rep for obvious reasons he's at least well-round and complex and... not a really flat/inaccurate/comically evil example? which I like).

tbh usually my hc for/impression of light is that he has npd, probably partly because I have npd haha, but I can see the aspd interpretation too! it's a good take (if I'm not mistaken anhedonia-boredom is an issue for ppl with npd too, but iirc it's less prominent in npd than in someone with aspd? and it's a key thing for him so. the only thing I'd wonder about is that light probably wouldn't have qualified for a conduct disorder diagnosis as a minor based on what we know of him, but we didn't really see him in his childhood anyway and the giftedness and all probably affected things) plus there's an overlap in traits between the two anyway. can also see him potentially having both or at least traits of both

god anon you put my thoughts into words. i've seen SO many people say you can't call light a sociopath just because .... i don't know, he feels emotions? it just showcases a misunderstanding and frankly an ableist perspective of it's like to live as a PwASPD.

and big agree, even tho i don't think light would have a conduct disorder as a teen i think he still qualifies as someone with aspd, at least in my headcanons of him.... not all the time are things like that caught, and at least in my case, i think it's easy for aspd people to get a grasp on masking as a "normal" person, which is also light's whole deal. and agree, i definitely can see him having npd as well ! that's what's so great about light yagami, is he kind of is such a hollow shell of a character, you can fit so many different interpretations inside of him it's great.

[megumixtsumiki]

Finally I found your account dedicated tu Megumi and Tsumiki and....I've read so many of your posts and you're totally right. Fandom nowadays is..idk how to call it..way too obsessed with male×male shipping ignoring way too obvious hints Gege is shoving to readers mouth. I mean these last chapters of Megumi being solebroken pointed by Sukuna and it's because of Tsumiki despite the whole backstory and motivation, his type it's all about Tsumiki...and fandom is still refusing and ignoring and also bullying if you have this kind of opinion..sigh. It's not only they pissed about megumiki possibility but also about yutamaki and itakugi (who also had tons of hints). This really is sad thing that audience is too dumb and can't read properly

Hey hey!!!

Ah my poor abandoned megumiki blog 🥲. Thanks for stopping by and glad you found this little corner of the internet! I considered deleting the blog but someone told me that it's a place for megumiki fans to come and realize that it's safe to love this underrated ship despite what the hive mind might say.

To your point about fandom, at the exception of one instance which I instigated, I've had a couple of trolls stop by and try to harass/bully me over this account and unfortunately for them not only do I love feeding trolls, they're also just not very smart? Like at all?

One of the trolls was adamant about Megumi and Tsumiki being blood related and like... SIGH... if this is the non-existent level of reading comprehension we are dealing with I just don't want to deal with people like that. The fact that they are step siblings is not even subtext ffs.

I've since untagged anything that includes the names Megumi or Tsumiki and only tag megumiki or megutsumi to preserve my peace of mind. Unfortunately this makes it hard to find this blog.

More word vomit under the cut...

Anyways...

You know what's funny? another moot and I kind of predicted that we would get an ambiguous moment between megumiki and that the fandom would cancel that moment and just say "oh its because she's his sister" and like... is this fandom predictable or what?

Because totally. Megumi's soul broke because of Tsumiki and all fandom can see is the itafushi and satosugu parallels.

And like... don't get me wrong, I actually LOVE itafushi and think it makes A LOT of sense--I just don't necessarily ship itafushi and that's perfectly ok.

So I have to admit it does irk me that megumiki gets cancelled by the antis and that reading the panel of Megumi declaring Tsumiki as his type is seen as a poor interpretation. LE SIGH.

Like there's this big account here on Tumblr who gets offended whenever the question comes up about Megumi's type and publicly declares that its canon that Megumi is SOLELY talking about Yuji here.

Me: ok yes. I get it. The kanji is hiding a secret message. But you're going to tell me that you think of your sibling when someone asks you who your type is? Because I sure don't. Not even to represent the idea of who I like. In fact, the idea of thinking of my brother feels repulsive to me. Ew. Gross. No!

It's like people can't handle the idea that Megumi can see both Tsumiki and Yuji as his type. Why is that such a crime? Like come on people, he's suuuuuuper weird about her and I love him all the more for it.

Oh wait... that's right. Gross, they're blood related! 🙄🤦🏻‍♀️.

The state of the fandom really is sad from that perspective. But I have to say that the fetishization of "gayness" is another huge problem--especially when people get called homophobic for not shipping the gay ships in JJK.

Like... my brother in christ, my two favorite ships are gay af and I am very VERY bisexual and pansexual. Please. Talk about poor interpretations ffs.

That's not to say everyone does it, but the vast majority does... unfortunately, a few rotten apples can ruin a fandom experience.

As you say, on top of fetishizing "gay", fandom is also misogynistic in this really weird way. God forbid you ship a hetero ship in JJK.

Like the reaction from itafushi fans when Hana had her wings torn by Sukuna actually broke my heart! People were legit rejoicing at the fact that Megumi stepped up to defend Yuji as though he wouldn't have done it for Hana if he could have.

So it's ok for Yuji and Megumi to loooooooove each other deeply (which they totally do), but God forbid Hana has a crush on him.

There's this REALLY good post that I reblogged to my main blog (but that I can't find for the life of me rn) that goes into the heterophobia that is rampant in fandoms nowadays. If I run into it again I'll make sure to reblog it here too.

Because that's exactly what it is: heterophobia and biphobia.

I get it that straight people and the dominant culture oppressed LGBT people for too long, and that's no reason for the pendulum to swing in the complete opposite direction and to hate on heteroships and the people who love them.

Honestly, I feel like at this point, the inclusive thing to do is to ship hetero ships. I know I ship a bunch of different dynamics, whether gay, lesbian, bi or straight. And I don't ship them because of their sexual orientation but because of the dynamic.

And that is not to say that people shouldn't ship characters based on their sexual orientation either.

Basically, ship and let ship.

Anyways, this is why I don't tweet very much at all lol 🤣. I word vomit too much for twitter.

Thanks for stopping by!!!

[toogayforthistoday]

Hey I hope you don’t mind me asking, but what’s the familial dynamic like between your self insert and Frank? And How does Frank get along with your other marvel f/os?

Because from at least my perspective, putting Wanda, loki and Frank in the same room… probably won’t end well. but they also have the common detail of they lost people they care about and are in the grieving process (although the handling of said grief varies).

Do you think they would bond over that shared loss or is it a ‘they are at each other’s throats regardless of the situation’ type of thing? /genuine, lighthearted

Anyways, SORRY ABOUT THIS WEIRD ASK, I’m just curious to see your thoughts / hear about your interpretation/your version of canon source material /genuine

Hey Ridley, I don't mind the question at all!

Source material-wise, I lean more on The Punisher (2004) than Netflix's Punisher, as I haven't seen it yet. And as for my other Marvel f/o's its sort of a mix of everything? Comics, MCU, Fox's X-Men (The animated series specifically for Remy)

Me and Frank met each other during a joint training exercise where he unofficially adopted me as his little Canadian brother, cause I'm a cheeky little shit and he thought it was amusing. This was before Frank was deployed to Afghanistan. And before Loki... Fell.

After I'd heard about what happened to his family, I left the school and went up-state to help, or at the very least keep him in one piece. He never wanted me to get involved, but I was his best man, and I adored Maria, like hell I'd let him deal with it alone. Doesn't matter if I've got my dad's mutation, now, and will live through anything these guys will try and throw at us... Punisher or not, he's still got a big heart.

Frank is like my father, Logan, and has always questioned my choice in Loki, but he made me happy, so they just did their best to intimidate a God.

As you can imagine, it never really deterred Loki in the slightest.

But Frank won't make a move against Loki (unless Loki starts it). And so far Loki's listened to me about not provoking him. Doesn't stop either of them from glaring at the other.

Frank and my dad get along in that weird guy way where they'll sit in silence with each other, and then afterwards they'll both tell you they had a great chat.

(Remy is an alternate timeline f/o from Loki, but Frank isn't a fan. It's not that he doesn't like him, he just wishes Remy would shut up sometimes. Remy's a very talkative man, and talks to fill the silence. Frank knows what Remy does for a living.)

Wanda... (Pre Wanda-Vision, haven't seen it yet) Luckily for me they haven't been in the same room yet, but I agree with you, I don't think it'd be quiet for too long. But I think they'd probably be willing to grieve together over their losses.

But no, thank you so much for asking! I really don't mind answering any questions about my f/o's, and how they interact with each other~

~Gabe

[igotanidea]

COUNTERPARTS: Morpheus x OC

Summary: Kayleen was born to be the embodiment of Reality. Protector of the Waking World and Keeper of the Order. Naturally, that makes her a counterpart of the Dream of The Endless. Despite their differences in both approach to life and characters they are forced to work together to keep balance between Dreaming and Waking. Thank God, they are both professionals who DO NOT fight or engage emotionally….. Or do they?

And will anything change after Dream gets imprisoned, and gone for a century, leaving both Dreaming and Waking World crumble?

Pairing: Morpheus x OC 

A/N: Not so much Dream in this chapter but we got someone else. Keep hanging on, there's gonna be more of him soon.

Word count: 2087

Epilogue:

Chapter 1 : Sometimes reality sucks

next - chapter 3 : A rough nightmare

Chapter 2

Welcome back to Reality.

Next day after a visit to the Dreaming was always a menace. The human part of me was quite burned with crossing the realms so I felt like I was hangover. Thankfully, I’ve quickly learnt how to deal with that. I mean, I live in the Waking, I am human and I gotta work for a living. That’s what reality is about. So living my second, undercover life and repercussions of that cannot get in the way.

For everyone who may wonder – I work as a teacher at the university. It was actually a funny situation, when a girl looking like she was in her late 20s applied for a position, but let’s face the facts. I am in fact so much older than I actually look. Like, SO MUCH older. Obviously, my knowledge is also proportionally bigger. I got the cathedra on the spot, after answering just a couple of questions.  Funny thing being the fact that I teach writing. And before you start laughing about the irony of Reality showing how to make art just stop and think about it. Words are just the expressions of what’s in our heads but what is possible in the real world. No one would read something that had zero chance of happening, right? Stories are hopes for the future, deriving from the dreams and imaginations but rooted in reality. Serves my purpose quite well, doesn’t it? Besides, reality should not be confused with mundane.

As I quickly gathered my things and rush to catch a train I let my mind drift. Today’s class will be covering the topic of creating characters. Discovering the truth behind the words they say. A little bit of judging their motives. Not that I’m saying people are liars but there’s usually more than what they show. Let’s see than. A woman in front of me talking on the phone. She’s describing the party she was at during the weekend. It was amazing,  I swear. I had so much fun and I believe Nathan finally noticed me. The truth? She attended a birthday surpise for her popular friend and for the entire evening she felt unimportant and humiliated. Almost invisible like a ghost.  A little boy travelling with his mum. Looking like an angel just sitting there with his eyes softly gazing through the window. But in real world? He’s a real devil causing trouble wherever he goes, so his parents decided to take him to the therapy to get some help. Don’t get me wrong, but it’s in human nature to interpret facts and truths in their own. Nothing wrong with that, as long as they don’t get to deep with that.

Oh, here we go, another sleeper. Just an inch from falling of the chair. Morpheus gonna be so pissed but we got human in danger, right? I gently nudge him on the arm and catch him before he gets damaged.

-Hey, here we go! – I sit him back up

-Thank you miss. I guess I dozed off.

-I noticed – I smile at him – rough night?

-You can say so. I was bothered with the nightmares so I did not get enough sleep.

-Well, good thing is was just a nightmare, right? Reality always brings us back on the ground to gain some perspective.

-I suppose it does …..

-Anyway, that’s my station. Have a lovely day, sir.

-You too, miss.

Yeah, Morpheus gonna be SO angry with me.

When the class end I notice one of the students hesitate to leave the room. The girl name is Aubrey, she’s usually the active and bubbly one, always bursting with creative ideas but today she just sat quiet for an entire hour.

-Professor? – she slowly and shyly approach me

-Aubrey, hi. Is everything ok?

-No… I mean, I thought that maybe I could talk to you? There’s something on my mind that I can’t quite shake off. I really don’t know who else to talk to.

-As much as I appreciate that, have you tried the university counsellor? He’s the one qualified for that kind of situations.

-I’d rather talk to you. That is…. if you don’t mind – her eyes are basically begging for help.

-Of course. Please. – I encourage her to sit in the front row of seats and take a place next to her, patiently waiting for her to start.

-So… It’s actually a bit embarrassing, but…. Maybe, that was a bad idea – he abruptly stands up.

-Aubrey, please, let me help in whatever way I can. Tell me what’s happening – my voice resonating in the air.

-Ok – she sighs – it’s a delicate matter. A relationship I was in is crumbling. I blame myself because I never wanted  to….you know – she rolls her eyes so I nod my head knowing exactly what she means. – I’m just not ready, but now everytime I see Trent, I mean, the guy, I picture him in some … situations …. That should not take place. Like… you know…. with other girls and …. – she starts to shake – I just can’t. You always teach us to search for the truth behind the words, so I though maybe you would help me get why is this happening? – tears starts falling down her cheeks.

-Oh, Aubrey – I look at her carefully – do you have any evidence of what’s going on inside your head? Did you see something? Or heard something?

-No, no, nothing like that. I just….

-You are just projecting, aren’t you?

-I guess.

-It’s ok, you know. You are so young, a lot of things can easily influence your mind. But I need to open your eyes now.

-What do you mean? What should I do?

-As much as hard it seems you need to talk to him. Ask him what’s happening. Focus on the facts.

-What if he lies? How will I even know if he’s telling the truth

I sigh. I hate this part.

-Don’t worry, he will tell the truth. You will know it, believe me – I reassuringly tap her hand.

-Thank you, professor, I’ll try that.

-Great. You know you can come to me everytime something captures your mind this way, right?

-I know.

-Good. Now, off you go – I smile at her – you surely don’t want to be late for your next class, do you?

I know this Trent guy, Aubrey was talking about. He’s acts like a popular boy, taking care of his reputation, posing like a playboy and heartbreaker, but in fact he’s broken  himself. He uses this pose as some kind of shield. He’s in my 11.30 class, so I’m gonna put some reality trick on him. Nothing detrimental, of course, simply necessary means to mend two souls. 

***

The conversation groups are usually small, consisting of 5 to 10 people. This gives teachers opportunity to focus on each individuals but also get into some interesting conversations – clash of characters and points of view. This kind of class is the one in which I’m a guest and the students play the first fiddle. I like that. Seeing passion and fire of some, logic and cold approach in others. A clash indeed. This will never get boring for me. We were basically in the middle of conversation when the clock showed that it’s time to end. -

-Ok, class. As much as I hate it and would love to continue, the time we had it’s over. Such a merciless one, isn’t it? – even though I have my abilities because of him – we shall continue this on Wednesday so keep your arguments sharpened and your minds open – Trent I’d like a few words with you, stay please.

-What’s up, prof? – any other student in his place would get cautious, asking whether one did something wrong or something happened but not this one. Like I said, such a poser. How do I even start talking to him, without meddling too much? Let’s roll the ball.

-How’s life been going, Trent? – I mimic his carefree tone – everything all right?

-Yep – he emphasizes the “p”  - Pretty great. But did you really call me for a small talk?

-Not really I shake my head - I noticed some changes in your writings. You last essay seems a little more…. Intense in some descriptions, why is that?

-Well – he tries to hide it but his face becomes reddish. – Wait. How do you even know which was mine? They were written anonymously.

-Trent, please. After all the time I’ve spend reading students’ work …..

-So what is the purpose of anonymity then?

-To help you spread your wings and get rid of inhibitions. But … you’re not gonna tell anyone about it, are you? In exchange I’ll show you some truth in your life. – was that morally ambiguous and could be qualified as manipulating the student? Probably. So sad. Anyway.

-What truth? – Trent frowned in confusion. This one was never a smarty-pants.  

-Well …. – I look into his eyes. It’s not hypnosis per se, more like a search for underlying meaning. No words are needed so that’s something and after all he won’t even remember being here. The whole procedure as I call it, only takes a couple of seconds. And now, I’m pretty sure he’s gonna mend some bridges with Aubrey. – I think you should go now, Trent. You have some other things to take care of, don’t you?

-Yeah…. I guess…  See you Wednesday, prof.

As soon as he exits and I try to gather my things before lunch I hear some familiar voice coming from the door.

-You should be a therapist, you know? Never really understood why you choose a teaching career.

Oh, there she is. Standing there with her perfect smile, her black hair so similar to her brother’s (except curly) floating around as she shakes her head.

-Ego driven choice. I’m a show-off when it comes to knowledge.

-You are a terrible liar – she comes closer and hugs me. Ladies and gentleman, welcome on the stage, The Death herself. Dream’s sister and I daresay – my friend – Hello Kayleen – she smiles blindingly.

-Hello, Death. You truly are a sight for a sore eyes. How many boys broke their necks when you walked in here?

-Just a few I suppose.

-I’m even scared to ask , but are you here on business or pleasure?

-A bit of both, I’m afraid.

Start with good news than.

-Well, I came to visit you. Though maybe a coffee would be a good idea. Maybe in the university cafeteria….

-Oh, no. Don’t tell me you’re here for Ellen.

-As if I had any choice with that.

-Been that busy lately? – I grab my back as we head towards the cafeteria.

-No more than usual. But I see you got your hands full.

We both order out drinks – black coffee for me and cappuccino for Death , sadness dripping from our eyes as we look at cafeteria lady, Ellen. She is left with so little time as drinking a coffee takes.

-I would say its’ really no more than usual as well, but I can sense something in the air.

-What do you mean? Is it the matter of Waking or Dreaming?

-I’m not entirely sure. At least not yet. I can only tell we should ….

-Keep our eyes open? – she smiles widely.

-Precisely.

For a second we stay silent.

-You know, Dream’s been acting weird lately…..

-Oh no, please don’t . This is supposed to be a nice break from my duties. Don’t ruin it with mentioning your brother.

-Ok, fine, fine – she surrenders raising her hands– I’m gonna worry about him all by myself. But deep down you are concerned bout him. Is it not truth, Kayleen? – she lets the question hang as she finishes her coffee. – Anyway, gotta get back to work.

-That was a pretty quick reunion – I point out.

-I know. Not by my choice. You should come visit me though. I will have more time on Sunday, I believe.

-You're inviting me to the Sunless Land? You realise I'm still part human, right? - I look at her carefully, narrowing my eyes - I’ll consider that. - I shug my arms casually like a visit to Death was just a social call.

-Awesome – she hugs me again – you know, I’m right behind those black door of yours.

With that, she leaves, and the only words stuck in my head are “you are concerned bout him ”. Well, maybe I am. And maybe I shouldn't be.

next: chapter 3

[danhoemei]

What do you think of the reconciliation of Wei Wuxian and Jiang Cheng that is confirmed (post canon) in Lan Wangji's letter?

Tbh I just learnt something new from you anon lmao.

First of all, let's establish the post canon here, as I found that it's from cql. I come from the novel so I had no idea about it.

Although all adaptations spring from the same source, all of them have smaller or bigger differences and divergences. Thus, it's not that easy to say what is "canon" here, e.g. something that happens in the drama doesn't mean that it's canon for the novel as well, and the other way around, and as I've seen so far both are quite different in some aspects, maybe even with a few contradictions.

Another thing is the source of the information. For me the strongest will always be the source material, and additional bits of information from interviews, author's posts etc. can be treated with less weight. I had experiences in other fandoms or media where the author started spewing nonsense out of spite, or literally contradicted what was in the original story, so since then I take additional bits added post-release as a free candy which I can take or not.

Now, coming back to mdzs's adaptations. The manhua and donghua are considerably close to the novel, so I consider the novel as the scroll of truth here. However, when it comes to the drama I kind of think of it as an alternate version with its own rights, and I personally pretty much separate these two. So I'd say that the letter could be treated as canon for cql, but not necessarily for the novel.

So now the question is, do I take this candy? 

Gods in all heavens, heck yes.

Even though I treat all adaptations more or less separate, there are certain parts which I will fiercely headcanon no matter what, in all of them. And one of these things is that yunmeng bros need each other and will gravitate towards each other whether they want it or not. Initially, the main reason could be only jin ling. They love him and care about him, so even if both of them avoided each other they would still have this connection and possibly bump into each other from time to time. Jin ling is the last part of their family who they loved very much, but both of them are also these last bits of it. And it is very clear how strong a family instinct they have. Yunmeng is also wwx's home, where he grew up and what he longed for many times, no matter how much time passed. He would want to come back there from time to time, even if he was thrown away from lotus pier. What about jiang cheng, who threw him out? Even when he shouted at wwx to leave (before the whole golden core revelation), to me it seemed like another thing he spouted in the heat of the moment when his emotions and grievances took reins, as he instantly froze and tried to stop wwx who complied and turned away. So I don't imagine him taking excessive steps to keep wwx away later on, especially after his approach changed quite significantly towards the end, even towards wen ning who he initially hated with every fiber of his being.

And don't get me wrong - I don't see them as sweet bros longing for each other who just need to sit down once and talk and it'll be dandy. They have a ton of issues (mostly on jiang cheng’s side) and unspoken secrets between each other which are not easy to disclose but which hold them back very significantly. Mostly jiang cheng needs to change for this to happen, let his thick as hell walls drop a bit to be less on guard and be more open, and stop constantly hurting others because of his lack of control and toxic coping mechanisms. All that stems from childhood trauma, severe inferiority complex, pathological parents who didn't give him support and love he needed. But not one thing from these justifies his behaviour and how he compensates or lashes out when anything triggers him. Still, in the root of his being is love and care for his family, which could be seen so many times when he made sacrifices in order to protect his loved ones or the whole sect, each time when he's overprotective of jin ling, also each time he helped wwx despite being very vocal about the opposite. He's a contradictory character with tons of issues, which he unfortunately takes out on others.

So their reconciliation in my eyes is not gonna be easy and fast. It's a long and bumpy road, began with a long period of absence from each other's lives, then featuring arguments or clashes, unsaid feelings, secrets, and sacrifices finally spilling (probably in shouting voices and tears). I like to think that with time jiang cheng could mature emotionally and learn to be healthier, not only thanks to being surrounded by people who love him and care for him, but also because maybe those people could open his eyes on his behaviour and teach him a bit. As jin ling grows older, he could get bolder and more confident, and say what he doesn’t like about his uncle’s way of being or treating others. I also like to imagine wwx being more direct in his grievances or reproaches and basically being done with jiang cheng’s bs, because he is now happy, with lwj by his side, and may learn to prioritise himself instead of constantly giving to others and sacrificing himself and his own comfort. If jiang cheng is like that then why should wwx deal with him, if he doesn't feel like it? So what if it's jiang cheng who needs to swallow his pride and finally make the first move, if he actually wants any kind of contact with his brother? Maybe there is a banquet at yunmeng after a long time passes, and he invites wwx. Maybe it doesn’t go so well but later on they still keep bumping into each other and having smaller or bigger conversations, maybe meanwhile jin ling gets involved in something and they collaborate to help him. Bit by bit, I like to think that they both slowly (and finally) learn and understand each other more. And that at some point they'd be like a true and close family, not the one they were - something different, more grown up and mature. That they can travel to each other, have casual conversations and goof around, maybe steal some lotus pods together again, but this time with more mirth and fun than those competitive teenage years way back.

I just... want these two to be happy and there for each other ;__; They lost so much, but they still have each other and I don’t want them to forget that as well, especially when they clearly have so much love and care in them ;___; 

So yes, I am very much into taking the letter as a general canon for me, because this is already what I headcanoned anyway ;d

And just a reminder! This is all my own self indulgent headcanon based on my interpretation of these characters and their relationship (rather from the novel’s perspective, I can’t talk with confidence about the drama). Take what you want from it, or don’t take anything at all. These are stories made for us to enjoy and reflect on, not fight or spread hate over, so go wild with your imagination and headcanons, enjoy and have fun <3

[kotos-and-smiles]

The meaning of “I”

Chapter 104 spoliers!

Note 1. I’ll still be calling it “I” even though the translators are changing the way they translate it to be “peace,” because that’s what I’m used to calling it for now.

Note 2. Just a fair warning, this is a long post, but hopefully you enjoy!

Okay, I’ve been meaning to start this blog for months now but I’ve had no idea how to just start so here we are. I decided what better way to start off than talking about the newest chapter because there is oh so much to talk about in this one chapter alone. The first thing I really want to talk about from this chapter is the club’s song for nationals “I” or “Peace” as the translators have started calling it. Despite the fact the club has been working on “I” for a lot of chapters now, we still don’t know about the actual meanings and motifs that are in the song or what feelings they’re aiming to put into it. I think we haven’t heard much about this because the club is still trying to figure it out for themselves. Also, I’ve been questioning for a while what type of song Takinami would write for the club, and that was answered in this chapter.

What we do know about the song is that it has the 4-person part with Chika, Kota, Momoya, and Yoshinaga, a part where all 9 of the club members play together, a part where melodies played by Chika and Satowa and then Takezo and Hiro will intertwine, and everyone has a solo. It’s also been emphasized over and over that all 9 people are needed to play the song. Takinami has only given his usual vague hints as to what meaning he put into the song, because like always he wants the club to figure it out for themselves. Until we get to ch.104, in which Chika interprets it in such the opposite way of how Takinami meant it that Takinami finally feels the need to give him a hint as to what the song means (and thank god, because I really don’t think that poor Chika would’ve gotten it at all otherwise).

In chapter 104, we learn that “I” is actually a piece that can be played with any amount of the 9 parts and still be a full song. This is a huge deal, and honestly blew my mind when I first read it. Takinami has specifically pushed the idea that everyone needs to be there to play this song, knowing full well that in actuality the song would be complete no matter how many people played it. Everyone is still essential in his eyes because the point is the desire to play with everyone and the importance each member holds to each other. Takinami even brings up the conversation he and Chika had before Ku-on, showing just how huge of an impact the whole situation with Ku-on had on Takinami. With the performance of Ku-on, he saw what this group was really made of and what they were capable of, even in less than ideal circumstances they pulled through an intensely emotional performance. Takinami finally found a sound he couldn’t ignore. The conversation Takinami and Chika have in ch.25, when Takinami tells Chika he shouldn’t perform and Chika responds that he really enjoys playing with everyone, that sentiment made it into “I.” Except now, the tables are turned and instead Chika still desperately wants to play, but absolutely will not if it means no one else gets to and thinks that he won’t be able to, and Takinami has taken a complete 180 on what his stance was during Ku-on. Unlike in Ku-on, Chika is, in a way, trying to drop out, and now Takinami is the one telling Chika to stay and play. I honestly love this whole conversation between them, I love how Takinami gets pissed at Chika for even thinking about withdrawing from the club, I love that he points out that Chika is only 16 and does not have to take everything on himself, it’s just so great and just what I was hoping for: someone to knock some sense into Chika.

Anyway, then Takinami gives us the first hint as to what he intended “I” to mean. To paraphrase “Stop focusing only on what the others mean to you, and begin to think about what you mean to them.” This is something that pretty much everyone in the club has a problem with. They care about each other so much, will stand up for each other, but they don’t think about the fact that all the others care about them just as much. Takinami is trying to shift the focus from “these people are important to me” to “what do I mean to them?” hoping that these oblivious teens will someday get it. This works for so many of the characters.

Firstly, let’s talk about Takezo. He’s been club president from the beginning, and he’s always been a great one but has really come into his own. I think everyone sees him as an amazing club president, a leader that holds them together and believes in all of them as a whole and individually. He doesn’t see himself that way. Takezo has the opening notes of “I”, it all starts with him just how the entire club was brought together by him. He’s explicitly stated that he sometimes wishes that someone like Satowa could begin the song because he’s worried about the fact that his is the first sound in the song. He doesn’t think he’ll be able to give a strong enough opening because he still sees himself as a bit inadequate. But how does the rest of the club see him? They see him as this strong club president, someone who’s always been there as the foundation, so why shouldn’t he be able to start the song and be it’s foundation throughout? So, it would help Takezo if he saw himself the way the rest of the club does, because then he’ll realize just what he means to them and hopefully see what they do in himself.

With Momoya, Takinami made a big deal about the fact that he needed to want to play with the club, and that he had to want it for himself. This ties back to the conversation before Ku-on that Takinami has weaved through “I”. But it was also important for Momoya to take up an identity with his sound, to decide to be something, and own up to being someone with a mutable sound. He can fit in, but it all needs to be his choice. Momoya has also never thought about what he means to the club, and they keep surprising him with how friendly they are and how much they care about him. They just want him to be himself and stay in the club. Hopefully he starts realizing that soon.

If there’s one thing that Chika is truly terrible at it’s realizing his worth, both with himself and with other people. As Tetsuki says in ch.99.5 “I bet Chika never thought that he himself could be thought of dearly by somebody else.” Chika still definitely struggles with that. He has no problem letting everyone else know how much they’re cared for, how much they’re valued, but when it comes to himself, he still doesn’t see how he could be a person someone thinks of as dear. He still sometimes gets surprised by little acts of caring. With all this stuff with Uzuki going on, he’s more worried about the wellbeing of the club, meanwhile all the members are more worried about him than the state of the club. I think that’s almost incomprehensible to Chika, and yet it’s there, and in the next chapter it will hopefully come through loud and clear just how much they all care about him, but especially Satowa as she literally won’t let him do this alone.

Satowa, too, is terrible at realizing how much she means to people, as shown by the fact that Chika and the others literally have to spell it out for her sometimes. She doesn’t like being a burden, she doesn’t want to do anything that would disrupt or upset their lives. But she doesn’t really see how much those people care about her and that when you care about someone like that it isn’t a burden. Satowa’s self-worth is low, at least in some areas, and she always puts the club over her own desires or feelings due to having hurt people before, specifically her mother. Hiro even tells her in Ch.92 that the club can withstand whatever emotions she decides to express, but Satowa doubts that. Satowa, much like Chika, needs to come to the realization that people care more about her than they do the club, and again, thinking of herself from the perspective of how much the other’s care could help her realize this and her place in the club.  

Chika and Satowa both are afraid of being selfish, they don’t want to come off as selfish and they want to put other’s first, but their own feelings realistically get in the way of them being entirely selfless. As Granny says to Chika in ch.77, you have to cherish yourself to be able to give to others and it’s important to think about yourself so that you can have a life you’re happy with. So, both he and Satowa need to start thinking of themselves in a more positive way instead of thinking it’s selfish, which could be helped if they looked at how other’s care about them, which is what “I” is all  about.

Now let’s talk about these two intertwining melodies, one of which will be played by Chika and Satowa and the other by Takezo and Hiro, the section Takinami seems to have set aside for the oblivious lovebirds. Takezo and Hiro have each realized, on their own, that they’re in love with each other, and yet haven’t made the connection that the other feels the same way. Part of this is preservation of the club, but seriously how do you not realize? With Satowa and Chika, it’s even more complicated, and I plan to make a full post about it, but they certainly have never really thought about how the other must feel about them. Later on in the chapter, after Chika’s conversation with Takinami, Chika literally asks Satowa what she thinks of him. Not only did Chika take in what Takinami had to say, in the only way he’d listen which is through koto song terms, he thought about it while he was having lunch with Satowa and was trying to ask her a very important question about it before they were so rudely interrupted by the reminder of just how insane Uzuki is.

I think especially for Chika, Satowa, and Takezo, (who I look at as the main trio) this message of realizing who you are to the people around you is a huge part of their journey. They all need to stop denying themselves their own feelings, which is basically what Takinami was trying to tell them with “I.”

So, I seriously wondered for a while what kind of song Takinami had written for these kids. What better meaning could it have than pushing these people to realize just how much they mean to each other and start focusing on how those they care about see them, not just the other way around? Especially for Takinami, who puts up with a lot but ultimately wants to help these kids and believes in them.

I’m really glad he gave Chika the hint though, because I truly do not believe these kids would’ve gotten what “I” is about if he hadn’t given them that push considering they all avoid thinking about how the other’s must care about them, some of them I think are even afraid to think of it. It’s so perfect and I’m so excited to see where they go with it.  

ps. I’m new to posting and stuff, so please be kind.

[lucky-dreamfisher]

The Illusion of Living Notes and Spoilers

I feel like enough time has passed for everyone who wanted to get the audiobook to get it, so here are all the notes I made while reading the book.

Please do NOT show these spoilers to anyone who didn’t give their explicit permission to be spoiled! And do not try to sneaky-spoil while being vague and pretending you’re not spoiling either!

TIOL was written in 1941 and published in 1942

Joey’s biggest dream is to become a God

Joey is explicitly not straight (reaffirms his distaste for dating women multiple times in the book, purposely avoids intimate gestures when meeting female friends, and reacts negatively to a straight couple kissing in his presence) but can be interpreted as either gay or asexual, and there’s evidence supporting both of these interpretations

Joey doesn’t think of people as real. He thinks of them as fictional characters in a show (well, he isn’t wrong)

He witnessed a murder at 10, but isn’t bothered by it, because everyone’s fictional anyway (watsonian perspective: little sociopath, doylist perspective: smartest character in the franchise). It was on that day that he started thinking of people as characters in a play, including his own parents.

He likes to throw peanuts in the faces of vaudeville performers he doesn’t like. Very proud of his aim

Joey’s dad sends him a pair of boots every year as a gift. Joey throws them out and buys himself better ones

Though it’s implied that the stories he tells about his parents aren’t true

While in the army, he was bullied for liking girl stuff, like reading romance novels and genre fiction

Nathan and Joey are very close. Nathan often gives him business advice and knows some of his secrets. Nathan looks down on artistic-type people. Joey is the only artistic-type person he admires, mostly for being business-oriented. Nathan is all about money.

Nathan wears a suit, has perfectly slicked back hair, and an elegant mustache. Smokes Cigars. Calls himself Nate

Nathan says that Lottie (the girl from the preview) isn’t real. It’s implied that there are more made-up people in the book. The epilogue implies that Joey intends to bring the made-up people to life one day, just like the cartoons

After leaving the army, and before starting an animation studio, he worked at a bookstore together with Henry for a few years

He took late-night art classes together with Miss Lambert

Bendy was named after Joey’s friend, who murdered a man to take a photo of his dying face for an award show. Joey finds it inspiring. In his words: "Thank god for dark paths, they lead all great artists to their greatest creations". Joey also likes the name Bendy, because it means someone who bends the rules

Nathan says that Joey had a genuine change of heart in his old age, and had “too much guilt and worry”. Nathan is not pleased with that

Abby Lambert is one of Joey’s oldest friends, and the one who introduced him to Henry. She and Joey used to perform vaudeville acts together. Joey played a Devil and Abby played an Angel

It’s implied that Henry created the Butcher Gang, and they were some of his oldest characters, even older than Bendy, Boris, and Alice

Henry left a year after the studio’s creation because he wanted “something that isn’t Bendy” (it’s either that he felt like his creativity was being stifled by being forced to work on the same project all the time, or that he wanted a real family, as opposed to the “studio family” that Joey was satisfied with)

Joey disses Henry a lot in the book. He paints him as untalented, unimaginative, boring, and a poor dresser on top of that. Nathan thinks that pretending to not care about Henry is Joey’s “greatest illusion”

Nathan hates Henry and thinks that Joey’s going too easy on him (if BATDR is Nathan’s world, Henry’s gonna be screwed)

Sammy used to play music at a movie theatre when he was a teen and Joey came to watch his performance every day

They met again a few years later and Sammy recognized him. Joey hired him and Jack on the same day

Sammy smokes

Sammy and Jack performed jazz songs at vaudeville together for some time before working at JDS

Jack gets upset when people ignore him and only pay attention to Sammy. He loves being the center of attention, and has a knack for showmanship. Very optimistic and good natured

Sammy was hired a year after Henry’s departure and has never met him (curious, given that he recognizes Henry in the game) Not true - turns out Sammy was hired in October 1930, so he still could’ve met Henry

As part of his deal with Joey, Sammy has full creative control over his department and people he’s working with (did Sammy replace Susie?)

Sammy hates being at the center of attention and is always very serious. Making jokes comes hard for him, but he plays along sometimes. His expression is very hard to read and he always seems suspicious of people he’s talking with. He’s dressed very neatly and appropriately (unlike Jack, who wears bright and flashy clothes), his hair is long and not slicked back. He’s a few years younger than Joey, but acts much older

Joey thinks that Sammy is his best decision and the man who comes closest to fully understanding him. He takes pride in the fact that Sammy sticks by him for all these years out of his own will, and not because Joey makes him. He thinks Sammy is a genius and deserves to be worshipped like a god (he doesn’t hesitate to tell him that). Asked him once whether there’s anyone Sammy worships, and it’s painfully obvious that he wanted to hear that it’s him (Sammy replied that a god of this magnitude hasn’t been invented yet, which is a nice foreshadowing) 

Allison is already working at the studio at the time of TIOL. Before that, she was a Broadway actress. Joey likes to watch her recording sessions. It’s not confirmed which character she’s voicing, but Susie wasn’t mentioned anywhere in the book, so there’s a possibility that Allison was already voicing Alice Angel in 1941

Joey’s meetings with Jack Fain and Grant are just an excuse to have a coffee and chat with them

On his first meeting with Bertrum Joey got drunk and flirty with him. Bertrum told him he’s “not that kind of date” and Joey played dumb (the scene is played for laughs though, so idk if it’s supposed to be seriosuly indicative of Joey’s sexuality)

Bertrum returned from retirement to work on Bendyland

Disney exists in this universe, Joey wishes he could be able to achieve the same with Bendy

Nathan wants to prove “very soon” that he is limitless

The moving ink was developed as part of the Sillyvision film process at some point around 1941. The purpose of Sillyvision was to make corrections to images that have already been created, without having to redraw them from scratch. The ink is activated through contact with a special paper

Joey describes Bendyland’s conception, and the Dark Land sounds eerily similar to the studio world in BATIM & BATDR

Light Land is Alice’s Domain, and as the name suggests it will have many lights. It’s designed to create an illusion of being lifted up

Tiny Land is Boris’ Domain and it gives an illusion of getting shrunk

Big Land is Butcher Gang’s Domain and has giant airplanes and battleships

Joey hates the real world and wants to escape to a make-believe one. He was hoping Bendyland would be that for him. His greatest fear is being unable to create that perfect world, and creating only its dark reflection (ironic)

Joey feels like he won’t be able to truly die and rest his soul until his dream fully comes to life. He calls art his “doorway into immortality” (is Dapper Joey?)

Joey believes a soul is needed to make a lifeless artistic imitation of the world into a real breathing world. He says that he’s been looking for a soul for a long time (he means it metaphorically, but it feels like a foreshadowing)

[hoseas-angry-ghost]

YES YES YES I WOULD LOVE TO HEAR UR THEORIES

Hello anon! I am very surprised anyone wants to hear my chutney but here's my Strange Man Hot Take with some hopefully interesting info for curious parties:

To be honest, R* included so much misdirection around the Strange Man's identity (especially in RDR1) that I'm not *totally* convinced they're married to any one idea. RDR2 also complicated things by introducing new religions into Red Dead's world (Voodoo, Old Norse, etc.): he's no longer limited to just Christian / Western interpretations, as in RDR1, and it's possible R* might try to syncretise him with figures from other faiths (they did place Bayall Edge in Bayou Nwa, where most of the Voodoo stuff is).

At the same time, though, I think RDR2 actually narrowed things down somewhat in terms of the direction R* chose to take his character, and what we were shown of that. There's still a level of misdirection in RDR2, but IMO, it almost comes off as half-hearted in comparison to what was basically trolling in RDR1 -- it seems like they were a lot more focused on playing the "bad news" angle the second time round.

Based on what we know, and on the balance of things, I'm not convinced that the Strange Man is necessarily meant to be any one thing or figure, but I do think he's meant to fulfil some type of Satanic role within Red Dead's world, either in main or in part.

I won't compare and dissect other theories or anything, I just thought I'd list off some things that people might find interesting:

Armadillo. The deal between the Strange Man and Herbert Moon seems to be a pretty textbook Faustian bargain: Moon is offered earthly rewards ("happiness or two generations"), and although the price was (tellingly?) never specified, it seems like the recent Blood Money update for RDO all but confirmed that the cost was probably his soul. Although it's left ambiguous what Moon actually chose, the Armadillo curse was possibly an unforeseen (for Moon) consequence of the deal's terms, which would fit with similar tales of the devil or demon in question taking liberties with their end of the bargain.

In the files, there's some great audio of Moon off the shits and straight-up saying "I've made a deal with the devil, and I will never truly die!" It's possible this was cut for its own reasons (too overt?), but as a lot of stuff was apparently cut from Armadillo, I'm guessing it was either cut when Arthur in New Austin got cut, or it was part of something that R* didn't have time to implement in the epilogue. Either way, if it's not actually in the game then it's not technically canon, but it is an indication of what R* was thinking during development.

There's a lot of audio from the Armadillo townsfolk in general about devils and "devil curses," but the only thing I know of that definitely made it into the game is a line from the town crier ("Devil has the town in his hand").

There's audio of the Armadillo bartender saying "I heard the Tillworths made a deal with the devil to keep from gettin' sick! I don't wanna die any more than the next man, but ain't no safety worth a man's soul." Possibly idle gossip, but given Moon, possibly not.

RDO seemed to flirt with the idea of soul-selling a little bit with Old Man Jones' line "Well, this is America, so anything can be bought -- even souls," but then RDO pretty much just came right out and said it with Bluewater John in the Blood Money update. Bluewater John also apparently made a deal, almost definitely with the Strange Man (given the Moon deal and how close Bayall Edge is to all the drama); he was based on blues musician Robert Johnson and the myth that he sold his soul to the devil for mastery of the guitar. It's basically a rehash of the Moon deal, except it's... not subtle in its dialogue about deals, devils and souls.

"I GAVE EVERYTHING FOR ART, AND I LEARNED TOO MUCH AND NOTHING AT ALL" written on the wall at Bayall Edge also sounds like a reference to another one of these deals to me ("everything" being their soul, and "I learned too much and nothing at all" the foolishness of accepting eternal damnation for temporary knowledge). I think Bayall Edge might have originally belonged to a painter who struck a deal with the Strange Man for artistic skill, but then the Strange Man slowly possessed him or something -- which could be why some of the landscapes depict RDR1's I Know You locations, and why the writings on the wall kind of look like they deteriorate in quality. The puddle of blood at the foot of the portrait might also be linked to this somehow (whose is it?).

It's the deal-making for souls that really pushed the "devil" theory over the edge for me, because I can't think of whose wheelhouse that would be in except a devil's, or someone similarly malevolent.

Alternative name. The Strange Man's character model is called cs_mysteriousstranger in RDR2, and he's referred to as "the mysterious stranger" at least once in RDR1's in-game text. This could be a reference to The Mysterious Stranger, written by Mark Twain between 1897-1908, in which the stranger is a supernatural being called Satan. (At the end of the last version written, he tells the protagonist that nothing really exists and their lives are just a dream.)

Bayall Edge. Bayall Edge was possibly based on a Louisiana urban myth called the Devil's Toy Box, which is "described as a shack. From the outside, it is unappealing and average. ...The inside of the shack consists of floor-to-ceiling mirrors, including the walls. No one can last more than five minutes in this room. ...According to the legend, if you stood inside this mirror-room alone for too long, supposedly the devil would show up and steal your soul." The Strange Man does show up in the mirror eventually, and it's kind of curious that the paintings that change depending on your Honour act as metaphorical mirrors. This was also cut, but in the files, Arthur's drawing of the interior of Bayall Edge is unusually sloppy, like his faculties were impaired or something.

"Awful, fascinating and seductive". John writes this about Bayall Edge after the portrait is finished, and I think that's as good a description of something like the / a devil as any, but "seductive" is a big red flag for me, because it's such an odd choice of word and, from a Christian perspective, it's so loaded with connotations of evil and sin and temptation.

I Know You. Some have pointed out that I Know You in RDR1 resembles the Temptation of Christ, as it also takes place in three separate locations in the desert, and John is given moral tests in which he must choose between higher virtue or worldly vice. John is also, in a weird way, a kind of Christ-like figure in that he ultimately sacrifices his life for others. I do think the "temptation" in these encounters is very surreptitious but very much there ("Or rob her yourself" -- excuse me??), but they may also be operating on a Biblical definition of the word, i.e. a test or trial with the free choice of committing sin.

RDR1 dialogue. I don't want to get *too* much into this because I feel like we're all just getting punked in RDR1, but I think the Strange Man's dialogue broadly fits with something like a "devil" interpretation, or at least doesn't contradict it.

I'm thinking particularly of lines like "Damn you!" / "Yes, many have" (which would work metaphorically but also literally, given that the devil was thrown from heaven by God and his angels), and "I hope my boy turns out just like you" (of all the leading theories, I think Satan is the only figure who's popularly conceptualised as having a son, or prophesied to have a son -- God obviously had a son, but that ship kinda sailed).

I think the "accountant" line refers to Honour (which even uses an invisible numerical system), and how John's fate depends on the number of both good and bad acts he's committed throughout his life, and how these weigh against each other. If the Strange Man likes to collect souls, then he would have a vested interest in auditing you and seeing if your accounts are in the black or the red, as it were (and providing you with opportunities to push yourself further into the latter...), because if you're bankrupt, you're his.

Blind Man Cassidy. Interestingly, Cassidy seems to distinguish between "Death" and the Strange Man, implying that he's something else beyond his understanding: in one of Arthur's fortunes, after his TB diagnosis, he says "the man with no nose [Death] is coming for you," but in one of John's fortunes, he says "Two strangers seek thee: one from this world, perhaps one from another. One brings hatred; I'm not so sure what the other brings."

Arthur's cut dialogue. In the files, there's audio of Arthur having the exact same conversation with Herbert Moon as John in the epilogue, asking about the Strange Man picture because he "just seemed familiar". I think it's interesting that, like John, Arthur also would have apparently recognised the Strange Man despite (presumably) never seeing him before. Given how strong a theme morality is in Red Dead -- and how much both John and Arthur struggle with it -- my theory is that they find the Strange Man vaguely familiar because they're both familiar with the evil within themselves, or the potential for evil; and likewise, the Strange Man "knows" John because he embodies evil in some sense, so is aware of John's worst sins (like his involvement at Blackwater), or possibly even all of his sins (which would be, like, a lot).

Honourable mention: There's such a greater emphasis on conspiracies, myths, etc. in RDR2 that I half-wonder if the Strange Man's RDR2 incarnation was partly inspired by Hat Man (~excuse the link~ but often it's hard to find good sources for the kind of weird shit R* includes in their games).

ANYWAY, this got a little long but I hope someone found all this at least passably interesting. Thanks again for letting me ramble about the video game man, anon!

[enn-tea]

When I was younger, I used to play otome games, which were and continue to be hilarious for their absurdity e.g. getting transported back to the Warring States period and romancing Oda Nobunaga et al. I’d play these with my friends because of the bad storylines, and frankly questionable love interests and we’d spend all our time literally breaking down how bad these stories were, like jfc please actually do something, protagonist. Also in no way feel obligated to read this because this is just...word vomit for my own personal reference haha. Honestly don’t read this. Maybe one day I’ll turn this into some kind of actual essay about the impact on these games on wider culture or something (after I write about why romance in AOT is fine and everyone’s just reading it wrong and actually Isayama is peak romance writer and should write a massive Mills & Boon franchise around uh...some characters). But anyway. 

However, amongst all of these was probably the game with the most generic concept was Wizardess Heart, which was this magic school which the protagonist attended. Over the course of two weeks, she would have to be partnered up with a “buddy” and they would help each other with their magic (they also fell in love over these two weeks LOL and quite honestly her best romantic choice was her roommate, which was never an option :( She was, for a while also the only other female character in the school who actually had a personality).

Anyway, the point is - the setting was clearly a riff on certain franchises, the whole system was super basic...but. These stories had no right to be as good as they were. Or perhaps they had every right. Because from the ones I played, they were...genuinely really interesting. Each storyline was a season, and there were three romanceable characters, who all had their own individual plotlines but...tied into one coherent plot, as either a protagonist or an antagonist, which I still find - kind of revolutionary for an otome game haha (I’m not counting Mystic Messenger bc I actually enjoyed getting to set up a bakery and cult investigation).

But honestly? These were within the universe, believable but also super crazy stories. I only ever played two “seasons” fully, because of the ticket mechanic, but the second one has literally stayed with me in terms of really interesting perspective, and the characters themselves because if the first season was mildly crazy, season two was insane and focused on these three characters: Klaus Goldstein (...no comment lmao, I do hate how he’s the figurehead of the game), Serge Durandal (the best character tbh) and Azusa Kuze (a piece of shit and not in a good way, what are the messages this game is telling us). Each season had a mystery as a premise, and the second one was about mysterious animal deaths occurring around the school.

I don’t think I’ll ever really be able to explain Wizardess Heart comprehensively, but the personal lives of these characters? Was crazy. I loved they all had cameos in each other’s storylines and were so tightly linked. Like you have Klaus who does actually have the least interesting plotline, but a shared tragic backstory with Serge (more on that later, because this is literally peak melodrama lmao). You have Azusa who comes from fantasy Japan in that universe, which has been overrun by nature spirits who are taking over because they think humans are overstepping their boundaries, and Azusa has signed a deal with one of them to bring back his dead brother, and in fact is being manipulated by visions of said brother (and even with that in context, he’s still actual trash for other reasons, and I can’t believe the happy end for his route is to get married and have kids with him EW). 

My favourite character in this however was Serge Durandal who is also a premium shit-stirrer but never super maliciously haha (apparently I have a favourite character archetype I’m a fan of). Even now he’s literally the best character because he’s such a passive aggressive individual to Klaus (who deserves it).  But their shared backstory cracks me up, is kind of sad and ridiculously absurd because they’re both so fixated on the past. I also personally find his storyline interesting from a character progression viewpoint, because he’s the main character’s idol when she starts at the school, but has mysteriously disappeared.

So basically in Klaus’ storyline, he always references this dead friend he’s hung up over (although the “friend” part is debatable maybe haha) and you help him investigate the dead pigeons. Ofc you then find out that polite, charming Azusa is the antagonist of the season and you have to play through the next routes in order to get a better picture of this. But throughout Klaus’ route, this character called Randy March (unfortunate name lmao)  keeps on popping up. He’s funny, doesn’t treat the main character as inconvenience (best friend goals right there) but what’s more interesting is how he’s never in the same room as Klaus; as soon as he hears that he’s approaching, he just...disappears. And this continues for the whole of the story until the end, when they finally meet each other face to face, and Klaus reacts badly. Not quite in an upset way, more shocked - but it’s clear that they have a History. 

So - cue “Randy’s” route. He is the same as he is in Klaus’ route, and still dodges bumping into Klaus, but then - then, they bump into each other far earlier in his route (one thing I do like about these stories is how the main character does actually have some impact on the plot. It all follows the same storyline, with the same conclusion, but they do diverge because the character happens to interact with different characters and some things can’t happen if she isn’t there for it). Leading up to this, Randy has been very cagey about being the main character’s “buddy” and insists he already has one, and he really, really gets awkward when the main character states that she really idolises Serge Durandal (who in this is like, IDK good at animal magic like the main character). 

And then, my god, the reveal. The fact that Randy March is not, in fact, Randy March, but Serge Durandal (which honestly is such a cool name comparatively lol, I named all my other otome protagonists Serge Durandal). And that Randy March, is in fact, the dead friend of Klaus who Serge has been impersonating for literal years. On top of this? Serge was also a best friend of Randy, who was his “buddy” and leading up to Randy’s death, he and Klaus were involved in a rivalry over his friendship (and I’m not joking I do actually think this was some kind of unvoiced love triangle, because both Serge and Klaus genuinely say that they’re attracted to the main character because she reminds them of Randy, they need to get over this before they can actually engage in a romantic relationship with anyone else kthx. Also at some point, Serge actually says he loved Randy in a way that really can’t be construed as entirely platonic, and the main character says it as well, and considering her personality and the way she interprets things, when she says love - she definitely means romantically). 

Klaus holds Serge responsible for Randy’s death, as the two were working on a project together which led directly to it. His first reaction on ever hearing Serge’s name is “the murderer” which continues all the way up until the end of the story when they resolve their character arcs (also incredibly satisfying). 

Apparently the reason behind Serge impersonating his dead friend is because he felt so guilty and so ashamed and willingly accepted the blame that Klaus placed on him, he felt that if he became Randy, it would basically be like letting his friend experience the life he didn’t get to have, and he’s spent years searching for a cure to revive him. This has taken him to Hinomoto, where he’s become friends with Azusa (drawing him into the storyline) and back to the main setting of Gedonelune. Side note, Azusa, I’m not going to even go into your character because you’re such a piece of shit and I only played through your storyline because I felt compelled to get the full picture. 

Ofc, this all links to the main plot - because at this time of year, there’s a whole thing related to a unicorn appearing in the nearby forest. This is a unicorn who has struck a deal with Serge years prior to the main storyline who is Serge’s last hope of reviving Randy, and Azusa finds out about this and wants to bring his brother back etc. and this all culminates in a massive showdown. 

Intense.

Anyway, at the end of this, peace returns etc. and there’s a sequel I haven’t actually played but you know what’s perfect about the ending? Serge ends up staying on as a prefect - the same role as Klaus and they have to share a room. I cannot describe how funny their interactions are for the rest of the story and the other storylines they have to live together.

I’m not entirely sure what the point of this was, apart from an exercise in pinning down precisely what I liked about this story but - it’s certainly one that’s stuck with me through a LOT of otome haha. 

[dyketubbo]

my ask didnt send i am going to murder. anyway BEEP CLASSPECTING... now im thinking abt that and aimsey. from the top of my head/only briefly thinking, beep as rage or void vibes with me? (obvs not the typical rage player you see, more like the nuance we were discussing). and aimsey as a life player?

oooo void beep would be suuper cool :oc rage too, he is very fucking stubborn and does have outbursts rather often (also rage players in canon usually have connections to magic, and then the homestuck rage players all had religious themes so, god stuff). meanwhile void fits beeps heavy "this is all irrelevant and you could never understand any of this", and his own belief that even what he does just doesnt matter. personality under a veil (not necessarily a facade), fundamental inability to understand and truly perceive it all.

id say he doesnt fit rage enough, if only because rage players are fundamentally about survival instinct, and, well. beeps already dead, and he seems to be perfectly fine with the fact that one day he just wont exist at all. hes not scared, though he is easily pissed off, but in the end he just sort of likes messing with shit and being in control. lil dickhead (affectionate)

honestly, since he almost fits rage but not quite, he.. almost acts like a prince of hope (unfortunate eridan kinnie). destroying beliefs and asserting his reality as the Absolute Truth, dragging others like aimsey into his delusions and being in a situation where aimseys putting her faith into him even though hes not a good person because she feels the need to believe in him and connect with him, because she genuinely feels like hes the only friend they have left, and because aimsey wants desperately to believe in what beep is trying to show her, desperately wants to understand. he shuts down things he believes to be false, to the point where he can make them false by simply destroying the problem.

hes a force of outward destruction, destroying what he believes to be flaws in others. theyre heavily defensive, putting everyone beneath them, believing hes the one thats doing it Right, and ultimately, he believes its his right to control things. he doesnt trust anyone, he reacts to any fear he may have with anger, lashes out, and the "TELL. NO ONE" scene almost showcases beep shattering and hurting aimsey before he steps back and give a quick "sorry!". his arc seems to be leading up to him realizing he can care about aimsey, that he can trust her to believe him and in him, and he seems to be dealing with the concept of trusting aimsey with his beliefs

hes definitely not a general hope player, but specifically prince of hope could fit. onto possible void class combos, with, first, the notable fact that we dont know what kind of person beep may have been in the past, other than that he was destructive. we know about some events in his past, and how he feels about them (kinda), but generally, this means hes very versatile and has many class possibilities, depending on how we want to interpret what we do know.

for example, he could be a maid whose now in the apeshit stage, stubborn and repressive. its entirely possible he got so tired of listening to the other spirits that he got to the unhealthy stage, exploded, and now without anything stopping him, hes doing whatever the fuck he wants, because hes decided none of it matters, that its all irrelevant and he doesnt have to care because its his fucking universe and no one can stop him from playing god. he spends his time doing menial things, because to him, its all equally unimportant, so why not waste time? he cuts down unnecessary tasks, weeds out what he finds useless, etc etc. basically, he should still be independent, but he needs to be brought back down to earth (metaphorically), because hes kind of burnt himself out and is now fucking with things because he feels none of it matters anyways

sylph of void sort of works too, mainly his meddling and tendency to shut down anything that could reveal something he doesnt want revealed, as well as shutting down others viewpoints and he covers up shit whenever he wants. his motivations are, really, mostly unknown to us, other than that he seems to think this is fun. otherwise, he also has a tendency to try and fix things he thinks needs fixing (like getting rid of fairies and space creatures), and will often try to fix mistakes he sees in mortals. however, slyphs are ultimately healers, and beep just. is not a healer, and he doesnt necessarily invite creation of void in any way, since void isnt really destruction of anything, and what he does invite is destruction of things. hes also just too active to be a slyph

so, with the previous prince assession, theres also the possibility of him being a prince of light, which would mean he would act more like a void player. hed destroy light with light, destroy the importance of information with information. they strip away the importance of things, uses plain fact to force the perception that nothings really important. he dismisses the importance of things, purposefully acts ignorant to draw away from what he knows, destroys knowledge itself from a power standpoint (wiping aimseys memory), and in extreme cases, can physically destroy anything in his way, or assert over and over that what he said/did isnt real, that nothings true or important other than what hes saying. again, little shit. if i had to make up my mind, i think prince of light fits the most

as for aimsey, i think life does fit him really well, shes definitely got the similar "girl next door" kind of vibes, while still being really interesting in her own right. she definitely starts out as a typical fictional life player, enthusiastic, energetic, genuine, wanting to effect the world. shes a normal girl (and this isnt an insult, rather, her being so normal ties the magical themes of the bear smp together really well, and its a perfect way to use a life player, make them be a catalyst for both the normal life player and eccentric others to shine). however, as she struggles with losing trust in bear and not being treated well, not having anyone that cares about them specifically, the energy starts to falter, but comes back when they feel the need to be rebellious. notably, while aspects arent super literal, she contrasts beep so much in just how alive she is, which fits her being a life player rather well. except, as i said, aspects arent literal, which means aimsey being a life player translates to her showing what life means in a metaphorical sense.

life is about agency. its about what you do, your ability to do so, its about asserting your will. not what drives you, but simply you doing at all. interesting enough, life players can be hard to pin down because life is about desire and agency, while the players class defines their ideology. life players can become obsessed with an idea that they need to do something, that they need to change how systems work, and often can cloak their want to fulfill their individual desires as altruistic want to fulfill others needs and desires (i.e., aimsey wants a friend and someone who pays attention to her and is genuine towards her, she feels like shes found that in beep, and as such starts to cloak her want to be his friend as aimsey wanting to help beep rather than aimsey themself).

as for said class.. this was, hard. because of how heavily influenced life is by the class its paired with, and because aimseys arc right now is trying to deal with feeling like shes too much and unneeded, it means that i have to really consider how that connects with which classes struggles. so, i ended up with sylph. aimsey is a creator, and she tries to heal as well. "allowing creation/healing of life or inviting creation/healing through life". from a literal standpoint, she tries to help bear heal by trying to get him to open up, to live, to make friends and interact with people. this could almost seem like a blood player move, but while a lot of aimseys arc is about bonds and relationships, shes not really a strong connecter or leader, shes just good at inspiring others to be, to her own detriment.

also notably, unhealthy sylphs crave, whether craving more of their own aspect, or craving another aspect when they feel theirs is not enough. aimsey talks a lot about how she grew up doing things by her lonesome, and now that she feels like people are moving on without her, she may be craving blood (that sounds so awful out of context). she wants attachments, wants to be the person that brings everyone together, but.. she isnt, not in a way thats appreciated. and due to her insecurities, she sees this as a flaw within himself, and as something to fix. so, she latches onto beep, and desperately tries to have as much of an effect on their life as they do on hers. like life players in general, sylphs try to solve their problems under the guise of helping someone else with theirs. currently, aimsey seems to be trying to find what she needs to do, because when she tried to do what she thought she needed to do, she (from her perspective) failed, so now shes trying to make up for her perceived failure within herself by trying to help herself through helping beep. i would think into it even more but i think its probably best to just leave it here KEKW

[the-littlefangirl]

TFATWS episode 1 rewatch commentary

The first scene was so beautiful. I loved that we didn't start directly with the fight sequence. It feels way closer to the quiet beginning of CATWS and I love it so much.

The title is also SO NEAT, music's on point too but hey it’s Henry Jackman the one thing I’m sure it’s going to be great overall is the score.

The choreography is AMAZING, really well shot. Sam shielding himself with only one wing was MA-JES-TIC.

“WHAT'S UP” EXACTLY SAM EXACTLY

I did feel so uncomfortable in regards to the military aspect of it. Not that I was expecting anything else, but both here and in Captain Marvel the military we're good guys < 3 propaganda is so blatant and ugh:/ At least there wasn’t a literal recruitment spot like with CM. 

The yellow filter in the Tunisia scene BYE please stop with the yellow filters 2k21

"I've been working with the Air Force for six months now" So, did Sam even catch a break at all after Endgame? Or did he just throw himself to work like SOMEONE did after being iced for 70 years. Hmmm? Sam????

"Essentially, these people, they want a world that's unified without borders" OH NO! HOW AWFUL, how evil of these bad guys smh

Joaquin: SO about Steve

Sam: :)))))) nope

"Moon stuff" SAAAM

#1 cry with Sam's speech, full on chills.. Fuck. Me. His voice about to break before saying thank you bYE.

Shady politician: "It was the right decision" (FUCKKKKK YOUUU)

Rhodey: *press any key to doubt *

I need someone to analyze the different curation of the two exhibits pretty please

NOT THE PHOTO POST-AZZANO JFC. That photo is my weakness, Bucky sweetie (also I find hilarious that usually when there are articles about Stucky and/or #givecaptainamericaaboyfriend they aaaalways use that photo LMAO)

In case someone wants to read the transcription of the texts about Bucky: "In 1944, while on a mission to thwart a Hydra weapon transport in the Alps, Barnes was thrown from a train and believed to have been killed in action. It wasn't until 2014, over seventy years later, that it was revealed that Barnes was alive, having been found by Hydra operatives. Captain America himself (i can't read) the effort to bring Barnes in only to later aid in a escape from custody having been convinced of his innocence. Steve's loyalty to his old friend, coupled with his refusal to sign the Sokovia Accords, led to the dissolution of the Avengers and drove the Captain into hiding with other like-minded Avengers including Natasha Romanoff, Wanda Maximoff, and Sam Wilson. The current whereabouts of Barnes remains unknown, habing been labeled a fugitive following his escape from custody."

"current wherabout unknown" but not the government, interesting. Also, pretty good summary of CACW from the public's perspective, although one of the things I always wanted to see explored was the public's reaction of the fallout of them going into hiding after Civil War (which I'm hoping we'll get to see a little bit of in Black Widow).

Interesting point about the 70 years without having Captain America. Clearly the sacrifice play wasn't enough this time to fuel the nationalism so they went with a squeaky clean John Walker instead.

Sam saying the shield belongs to Steve I'm going to cry now excuse me. Sam. Sam sweetie.

The No. 1 Captain America comic in the display ugH fuck yes

See this is how you do a cameo that has actual meaning. Thank god for Malcolm Spellman being a competent writer. That scene was so well written.

HAVE YOU PRAISED ANTHONY MACKIE'S PERFORMANCE TODAY?? Holy shit that last shot fucked me up.

I'm loving the use of the wide shots, especially in the flashback. The camera movements are in synch with The Soldier's state of mind and mission focus, so good.

EVERYONE STAND UP FOR THE NATIONAL ANTHEM aka The Winter Soldier theme composed by Henry Jackman.

Without a doubt the most brutal TWS fight scene there has been, People involved in Punisher and John Wick are involved in this and it SHOWS. 

For the record, still stands that the only time we've seen him chocking someone with his right hand instead of the metal arm remains the Maria Stark assasination. I know it's probably because of blocking and the way the shot was composed but the implications are still bone chilling. God.

Uhhmmmm I'm very ambivalent about the "Hail Hydra". On one hand, it was 100% fanservice and the internet is probably going to go insane over it, and the dead way Sebastian Stan delivered the line. Good shit. Buuut what I love about CATWS is the way Bucky never, ever ever, mouths Hydra rethoric, and even when Pierce tries to gaslight him with it, it's just an empty effort. The Winter Soldier isn't doing anything because of ideological loyalty to Hydra, even if it's product of brainwashing, it's just sheer dehumanization. They don’t need him to say the words because he’s just An Asset. There are people who have put it more eloquently but yeah, I rather go with the fanon interpretation of that aspect.

The music growing louder with the shot of the keys. GOD.

I'm fine this is fine.

#2 cry with the therapy scene of fucking course.

The government monitoring Bucky is noooot going to end well lmao.

"We need to know that you're not gonna * slowmo stabbing motions *

Bucky: * nodding along slowly * 

I laughed out loud.

"It's passive agressive" I love him.

The way this scene just sucker punched me in the face, made me weep and then had me cracking up. Amazing.

Therapist: You can't do anything illegal

Bucky: yup yup check checkity check. What IS considered illegal tho?

*aggresive tablet finger pressing *

"Then why isn't it rule number one?" Bucky your Steve is showing.

I love the close up shot. I'll keep saying it. It's so good.

"I'm James Bucky Barnes" yeah you are🥺

That smile is nightmare fuel LMFAO I love it.

Uhm the way I'm kinning Bucky it's not funny anymore damn

That whole “are you lashing out at me” rambling is really reminiscent of the bar scene in CATFA and how he lashed out at Steve after Peggy left. Uhm yeah fuck.

"WHAT DO YOU WANT?" "Peace"

"That is UTTER BULLSHIT" "You're a terrible shrink"

yeah ugly crying to ugly laughing speedrun for me

"You're free" "To do what?" jesus. That entire scene. #3 and #4 and #5 cries for moi.

Ugh that Brooklyn shot. Someone needs to do a gifset compairing it to the one in CATFA asap.

"It's like Monique but it's got a "U" in there for uniqueness" "That's absurd" LMAO

"You can't keep fighting with your neighbors" uHM * redacted redacted i'm shifting into 1940s mode abort abort *

"Nobody passed 90" "So young. Such a shame" FGADHGA

🥺🥺 yes flex those flirting skills good for you

"It's a dance to this things. You can't… you gotta warm up and I haven't danced since 1943. Feels like." #6 cry I completely broke down into tears with that.

This Yori storyline is going to punch me in the face with a metal fist. Great!

The TWS theme when he looks at Yori fuuuuuck.

GREAT LET'S GO TO LOUISIANA THAT WAS GETTING HEAVY.

Those shots of Sam in the car. Immaculate. Showstoping. Yes.

Marvel, what if instead of promoting the military industrial complex you put a lot of publicity about cars?

"Uncle Sam!" LMAO subtle.

Everyone trying to have the wings lmao same.

I've only had Sarah for a day but etc. Brooklyn 99 meme

Good mirroring about Steve and Sam family's legacy. Good shit. Goooood shit.

Sam is trying so hard ouch my heart. I can't imagine how painful the scene with them reuniting must have been. He 100% still feels a lot of guilt about being gone for those 5 years (and even longer before that).

"Maybe it is time for us to move on" uuuuuuuuuuh

"To the rescue" "Always" 🥺🥺 i love them so much already

That shot outside the restaurant is so beautiful. Can't wait to see the night scenes in Madripoor tbh.

"I tried the whole online dating thing. It's pretty crazy". Uhm well that is something that Bucky Barnes has now said. In canon. Damn.

"It's a lot" "You sound like my dad" LMAO

Every Bucky fanfic trope speedrun with this scene

"Wow you really can drink" OH you have no idea

Just realized we don't even know her name, well.

"You have any siblings?" "I have a sister" THE WAY I SCREECHED. We're definitely getting Becca

Well that escalated quickly. The important thing is to try?

I can't deal with this BUCKY SWEETIE #8 cry right there fuck

The wardrobe department is KILLING IT, there's such a difference between the outfits of the shows vs how ugly and generic it usually is.

"ThEre is NO such thiNg as on time. You're either EARLY or LATE . picK One" lmao the way he delivered that line

At first I thought the flag smashers had thrown two cars out of a window LMAO

"I don't know how jurisdiction works here, but I'mma have to place you under arrest" uhm yikes. The way they changed Joaquín Torres backstory to just random army nice guy #1 is not sitting well with me, what can I say.

Sam's wings motions I LOVE HIM YOUR HONOR

Fuuuuck this guy.

"Funny how thing's always thighten around us" "Look, I'm on your side. After all, he's a hero". This script is C R I S P as hell, great fucking job.

"I don't care, I'm not gonna quit" "What are you trying to prove? And who you trying to prove it to" SHIT HSIT SHIT!!! UGH amazing. Look it's not necessary to say the show's questions out loud but how they flow between the conversations is still very satisfactory without feeling in your face about it. Inner conflicts have been set up fucking perfectly everyone * claps *

Ugh here we fucking go.  I knew this was how the episode was going to end but my stomach still dropped like a rollercoster. God.

The score is on point. Damn. Damn.

God, Sam.🥺🥺🥺🥺🥺🥺

The captain america franchise's visuals in the credits are always so amazing.

Also, does anybody know why Mackie isn't first in the billing?  Uhm what's that about?

ANYWAY CONCLUSION THAT EPISODE WAS SO FUCKING GOOD LIKE HOLY SHIT. I love them so much. The balance between the personal conflicts and the political aspect (although the military aspect is still very much yikes) was on point and it was overall a joy to watch.

[firelxdykatara]

hello!! i just wanted to ask- i wanna do an ouat rewatch bc CAPTAIN SWANN but its pretty long and i honestly dont care for the other characters/how badly the overall writing was handled.. which are your favourite captain swan eps? anything them centered and i think ill just skip around to rewatch their romance as they did invent romance 😭😭 ty in advance <3

they absolutely did invent romance, you are right about that and i love them so much

UHMMMM as far as my favorite CS eps, here’s a roadmap of what I personally consider key eps in their journey (some of this is from memory but I haven’t done a full rewatch in a while so i’m going through the episode list as a refresher)

2x06: Tallahassee--this is a must-watch ep for any CS fan, and I really think this is the episode that sparked the fire that CS would become as a fandom. It has everything--flirtatious banter, all kinds of tension, deliberate parallels drawn between Emma and Killian’s pasts, as well as their first meeting being intercut with her relationship with Neal (which serves, especially in hindsight, to highlight just how sketchy that relationship was, and why she couldn’t bring herself to trust Killian--because the last time she felt this way about anyone, it ended horribly)

2x08 and 2x09: Into the Deep and Queen of Hearts--these episodes cover the race to the portal between Emma&co and Hook/Cora and while they don’t do a ton for CS as a relationship since they’re still enemies at this point, it lays great foundation for their future relationship development. Plus, sexy swordfight, Hook going out of his way to save Aurora’s heart--he may be a pirate, but he has standards ok--and Emma realizing Cora can’t remove her heart without her permission? Poetic Cinema

2x11: The Outsider--more of a Killian-centric episode, it shows a lot of Killian at his worst but it’s necessary for his overall character arc and I genuinely love looking back and seeing just how far he managed to come, to the point of eventually even letting go of his (very understandable) grudge against Rumplestiltskin.

2x12: In the Name of the Brother--am I including this purely for Emma&Hook banter in the hospital, and Killian saying ‘hey beautiful’ when he’s lying on the road because he just got hit by a fucking car? You bet I am. Also, go to youtube and look up ‘ouat season two deleted scene jello’, because it’s beautiful and there was a tremendous outcry in the fandom when we realized it had been cut from the episode lmao (It’s also the episode that made me start shipping Frankenwolf, which I’m still sad never went anywhere, but they had a lot of potential and great chemistry.)

2x22: And Straight On Till Morning--A few of the episodes in between have some fun minor interactions and flashbacks (and I always approve of episodes where Killian gets one up on Rumple, so 2x15 is fun for me if i ignore all the Neal bits) but the finale is where we finally get a glimpse of who Killian could be beyond his need for revenge. He didn’t have to come back, he didn’t have to bring back the bean and help the town--but he did.

Season 3a: there’s a lot of really good stuff here for Hook and Emma that is interwoven between the A plots of other episodes. I think, as far as half-season arcs go, it’s one of the best (and everything after 4a bombed hard, but I digress) But there are a few episodes that stand out if you don’t want to watch the whole season. (I recommend starting with the premier though, it was a really solid season starter overall.)

3x05: Good Form--this is the culmination of David’s poisoned-by-dreamshade arc, and is also Peak Captain Charming Bromance. Hook not only keeping David’s secret, but doing everything he can to help save him??? Poetic cinema. It also provides some crucial Killian backstory, showing how he lost his brother to the very same dreamshade. Plus, the character development--Pan offers Killian a chance to escape the island with Emma if he kills David, and instead, he saves him, refusing the deal and damn the consequences. Also also? The first CS kiss which drove the fandom WILD.

3X06: Ariel--not only to I love OUaT’s take on Ariel, but this episode has the infamous Echo Cave scene, which involves a lot of feelsy confessions and Killian being the one to tell everyone that Neal is alive and helping Emma save him despite his own growing feelings for her.....IT’S JUST A LOT AND I LOVE IT.

3x07: Dark Hallow--oh man, I’d forgotten about this episode, but it has Killian and Neal fighting over Emma, which may sound eye-roll worthy, but Emma is allowed to tear them a new one about it and it’s one of the few times she’s allowed to actually???? put her own feelings first so I have to include it here on spec

3x11 and 3x12: Going Home and New York City Serenade--these mark the end of 3a and start of 3b respectively, and it has some amazing shit like Killian vowing never to forget Emma and Emma smiling as she replies, “Good.” And then she and Henry are in New York with their memories completely altered, but Killian shows up because Storybrooke is back and in jeopardy, and he helps Emma get back to her family and her home and, much later, Emma finds out he sold the Jolly Roger to be able to do it and it’s just. It’s beautiful ok.

3x17: The Jolly Roger--there’s honestly not a whole lot in the back half of season 3 (until the CS movie) but of course anything named for Hook is a must-watch, and this is where we get the iconic line I swear on Emma Swan--which is Killian saying he’s in love with her before he even realizes it. We also find out just what he did to Ariel, and his attempts to make amends are what lead to Zelena being able to curse him, so it’s great from a character perspective as well.

The next four episodes round out the end of the season, and there’s a lot of great stuff in them--Hook refusing to get Emma to kiss him, but Emma feeling like she can’t trust him because he didn’t tell her about the curse to begin with, and then kissing him anyway to save his life regardless of the consequences.... but the only ones that are absolutely necessary are the final two episodes.

They are colloquially termed ‘The Captain Swan Movie’ for a reason, after all.

Killian and Emma essentially have an entire Time Travel adventure all to themselves, where they accidentally ruin her parents first meeting and have to fix it so that she’ll even be born, Emma finally getting into the storybook, the pair of them dancing at a ball, Killian rushing to save Emma only for her to get out of the cell herself, because “The only one who saves me is me.” Killian saying “I would go to the ends of the world for her... or time.” Finally fixing the timeline and making it back to Storybrooke and Killian feeling like he doesn’t deserve a place at the table so he doesn’t go inside, but Emma comes out to him anyway and finds out he gave up the Jolly Roger for her, the true start to their relationship...... IM CRYING JUST THINKING ABOUT IT I’M SORRY.

I personally really enjoyed 4a, the Frozen arc was one of the last good half-season arcs of the show, but a lot of people disliked it so it’s really up to interpretation. I don’t have as many Intense Opinions on this season (except hating almost everything about 4b and the queens of darkness arc), but I will say the episodes with good Killian/CS moments are 4x02 (Emma nearly freezes to death, Killian is desperate to save her, Captain Charming teamwork, my heart hurts), 4x04 (Emma asks Killian out on a real date, he tries to get his real hand back from Gold, things go massively awry and he winds up back under Gold’s thumb), 4x08 (Killian tries to save Emma from Gold’s plans), 4x11 (the 4a finale is just great in general), and then..... it cannot be overstated how much I hate season 4b, but 4x15 is the Killian-centric ep where his past with Ursula is revealed and he makes amends to her in order to get her to leave the QoD alliance and it’s great character stuff for him, and then there’s the season 4 finale.

Both parts are worth watching, if only because Deckhand Coward Hook still being a braver, more heroic man than ‘Hero Rumplestiltskin’ warms the very cockles of my heart, and of course the second part of the finale has him helping Henry to save Emma and it’s beautiful and also Emma watches him die for her and it is angsty as FUCK but gods I love it. Here’s where it gets tricky, though--my recommendation is, turn the episode off right after Emma finds Killian back in the present day of Storybrooke and they reunite.

Just turn off the episode there and skip right ahead to the s6 musical episode (Emma and Killian’s wedding ep) and pretend they got married and none of seasons 5 or 6 ever happened. >.> (Although I will say certain parts of the Underworld arc were incredibly feelsy despite how much I overall hated the season: 5x11 (the 5a finale, Killian as the dark one STILL being a better man than rumple, we love to see it), 5x15 (I am not immune to Brothers Jones feelings ok), 5x20 (emma literally takes a True Love Test trying to find a way to save killian, you don’t get more romantic than that--also Killian telling Emma to promise she won’t put her armor back up just because she lost him again??? my HEART), 5x21 (Hook does what he can from the Underworld anyway and zeus sends him back to Emma, they really just said ‘today I will invent romance’ and then Did That)

And then, yeah, just skip to the wedding. It’s beautiful, I enjoyed the music, personally, though I know musical episodes are hit or miss with most people. And if you turn it off when the last musical number starts (after the wedding ceremony, I believe) you can pretend it was the end of the show! =DDD

.....Oh my god I just rambled for years. I HOPE YOU FIND THIS USEFUL, ANON. I 100% support a CS-centered rewatch, their episodes were consistently some of the best across the entire series, and they are truly one of my favorite romances of all time.

[melonsmessymusings]

Preventing ‘Dark Willow’

This essay is based off an argument with my brother a long time ago. The question is if Giles staying in Sunnydale in S6 would have prevented Darth Rosenberg. There are many thoughts on this, but I’ve probably put my foot in my mouth as per usual and made a mess. 

No. Giles staying in S6 would not have prevented Willow from being a magic junkie. 

Throughout the show, magic is used as a metaphor for drugs and sex, albeit ham-handedly. In this case, it’s about drugs. With this in mind, let’s focus firstly on Willow. From as early as S1, Willow expressed an interest in learning magic. Her relationship with Jenny Calendar and her Technopagan badassery led to her forming what seemed at first to be a harmless interest in magic and Paganism. Towards the end of S2 in I Only Have Eyes For You, Willow admits to Giles: “I found loads of websites and stuff on paganism and magic... it’s really interesting.” which demonstrates her interest may be a little more than purely ‘educational fun’.

Her first taste of powerful magicks was restoring Angel’s soul at the end of S2. In Becoming Part 1, Giles warns Willow of the consequences of such mystical forces: “Channelling such potent magicks through yourself… it may open a door you won’t be able to close.” The Passion of the Nerd touched upon it briefly and explained the choice of phrasing is especially key here. It’s not as simple as a one-off spell that has no ramifications, the nature of the Soul Restoration uses a kind of magic that will stay with the caster forever. It leaves a mark. As we know, Willow does the spell anyway after waking up from a coma (don’t even go there) and successfully restores Angel’s soul. This is how her addiction started and it is the ONLY explicitly direct warning of the impact caused by using magicks that Giles gives her.

In Faith, Hope and Trick, Willow tries to persuade Giles to let her help him with the ‘spell’ to bind Acathla and lets slip that she knows more about the black arts than she’d originally led him to believe. There’s an interesting bit of dialogue between the two:

WILLOW: Are you mad at me?

GILES: No, of course not, no.

It’s obvious that Giles is anxious about this but because of his well-established role and priorities at this point, he’s not going to dwell on it too much, despite it being a genuine concern. Later in the episode, Willow also says, “Giles, I know you don’t like me messing with mystical forces…” so it has evidently been the topic of discussion previously. In Gingerbread, Willow is messing with magic again trying to make a protection spell for Buffy. The symbol used by Willow, Amy and that other kid is one commonly associated with human sacrifices according to Giles. The Black Arts. Even if that isn’t the spell they were casting, the symbol had other less pleasant implications. And so, it continues. By S4, Willow is doing much more than floating a pencil, progressing alarmingly quickly and becoming highly proficient by the end of the season. Giles reminds her of the dangers of magic subtly, “I don’t think it’s wise for you to be attempting spells, your energy is too unfocused” and Willow is still doing magic that is both powerful and harmful enough to have caught the attention of D’Hoffryn, Lord of the Vengeance Demons despite his apprehensions.

In S5 we get a first look at ‘Dark Willow’, when Tara gets brain sucked by Glory. There’s no way the whole gang didn’t know about that. Not a chance. Yet oddly, it’s never mentioned? Obviously, the writers had other priorities with the main plot and Glory etc. but it was criminally neglected. Willow used extremely dangerous dark magicks to go after Glory for hurting Tara at incredible risk to herself and the others who ended up having to rescue her. Justifiable or not, her actions were a reckless abuse of power that very nearly had fatal consequences. How any of them just let it slide without so much as a comment is infuriating. In The Weight of The World, Giles says to Xander, “It’s extraordinarily advanced” when he learns that Willow is trying to enter Buffy’s mind yet again, concerned. Also, we start to see the black eyes when Willow attempts more advanced spells, like teleporting Glory away in Blood Ties, or casting the protective wards in Spiral so it can be theorised that the magicks Willow evokes are steadily darkening.

Roll on S6. Set after Buffy’s death, a huge trauma for all the characters. Willow raising Buffy is evidently a massive achievement from her perspective. She considers herself to be a God. In Flooded, she gets the gut-punch from Giles that he is not in fact pleased with her at all. She’d expected him to be “impressed or something” which he was, but in the wrong ways.

GILES: The magicks you channelled are more ferocious and primal than anything you can hope to understand, and you are lucky to be alive you rank, arrogant amateur!

He blames himself for not stopping her, and rightfully so... to an extent. He failed to provide her with proper guidance or even show an interest in the types of magic that she was engaging with. If he had done so at an earlier stage, then perhaps Willow would not have taken things as far as she did. One interpretation of the argument in Flooded is that Giles is lashing out at Willow because he’s frightened. Most likely for Willow instead of Willow herself. He makes a point of saying that she was “the one [I] trusted most to respect the forces of nature” and bringing Buffy back defies the laws of nature. She had no respect for these forces, bending them to her will which is a scary concept. The argument that the Scoobies were selfish for bringing Buffy back notwithstanding, Willow was the one that actually performed the spell, hell bent in succeeding. That horrifies Giles and if anything, is a wakeup call for him to pull his head out of the sand and deal with this seriously. Willow meanwhile doesn’t want to hear a word of it, pacifying him instead of actually understanding the implications of her actions and listening to anything beyond his anger. There’s a lot that could be dissected in this scene but that’s unnecessary at this moment.

Magic is also the primary factor that caused Willow and Tara to split up at the end of Tabula Rasa. Tara had brought her concerns to Willow as early as Tough Love, saying that she was ‘scared’ about how powerful Willow was getting. When Tara tried to explain why she felt this way, Willow refused to listen. Every single time that Tara raised a concern about Willow’s use of magic, Willow either ignored it or reassured her that it was fine, and she was totally in control. But Willow has a history of altering people and their actions to suit her. She attempted to do so in Lover’s Walk by casting a spell on Xander to stop them having feelings for each other. Again, in Something Blue, while unaware of the effects of the spell, she still made the conscious choice to use magic to ‘have her will be done’. She ended up hurting her friends, however unintentionally. Then in S6 when Tara and Willow are arguing about magic, instead of having a proper conversation, Willow uses the Lethe’s Bramble to make Tara forget they were even arguing. A direct invasion of her mind. And Willow didn’t show any indication that she thought it was wrong. Barely two episodes later, Willow then used a spell which caused everyone to forget who they are after promising Tara that she would go a week without using magic. It’s no surprise that Tara wanted to break up.

Willow does get ‘clean’ by Entropy. Subsequently Tara comes back, and it all seems to go well until the brutal, vicious, non-sensical murder that causes Willow to launch herself back into the dark magicks stating, “I’m not coming back.” Only then does Giles do something about it. Only then does he take it upon himself to step up and realise that he has failed her, by which point it was far too late and resulted in her very nearly killing him, a price he deemed a suitable penance for his neglect.

But NOT ONCE prior to this did Giles intervene. He had the resources and was capable of it, and not once did he sit her down properly and say, “Willow, I think we need to talk about your use of magic because I’m a tad concerned.” Even after resurrecting Buffy, he only chastises her for her recklessness, he doesn’t actively do anything beyond this except a few powerful glares. He is watching her make all the mistakes he made as a young rapscallion and doing nothing about it. Then in S7, he fulfils the mentor role to her and helps keep on track of her recovery, an older addict helping the younger. It just highlights that he could have helped her sooner before it was out of control.

This comes back to Giles’ basic structure as a character. He’s a Watcher, the mentor to the Slayer. His purpose is to be in Sunnydale for Buffy. His whole life is revolved around Buffy, she is factored into every single one of his decisions. He never signed up to be the ‘father-figure’, despite appearing to adopt that role very quickly. He never signed up to care for Xander and Willow, he isn’t the Watcher of them. He has never given any indication that he wants that responsibility, and it shouldn’t fall to him to care for a group of random teenagers. It’s this fundamental construction of Giles’ character that means that he’s borderline dependant on Buffy, which isn’t her fault at all. He sacrifices everything, even parts of himself for her and most of the time gets nothing in return. The point is that Giles is so busy being a Watcher that he can’t think of anything else. It’s not necessarily his fault, that’s exactly how he was trained, and arguably after the whole Eyghon debacle, it’s unlikely that he ever truly had faith in his judgement again. Remember when Giles put Buffy before Jenny, the woman he loves? Buffy comes first, always because the mission is what matters.

On a more speculative note, Giles was aware of Willow’s obsession with magic and didn’t know what to do, instead choosing to believe that he wanted to help her, but he didn’t trust himself to teach her the control she needed. It does narratively fit for Giles to be reluctant to help Willow learn the magicks given his past. However, he neglected her and is at least partially to blame for Willow becoming a magic junkie. He had every opportunity over YEARS to step in and offer her a proper education. He had the skills and if he were hesitant, certainly had the connections to find someone who would teach Willow properly, e.g., the Coven in Devon. The audience is acutely aware after The Dark Age that Giles has a history of abusing dark magic. Note that throughout the series, he does not actually use that much magic himself. This abuse led to Giles having to murder one of his friends among whatever else he and his ‘friends’ got up to, which means he knows full well the ramifications of messing with that kind of power and doesn’t want to go down that rabbit hole again. Magic is an addiction and he’s a recovering addict.

Equally, Willow never asked Giles for help. It’s all very well blaming him for being negligent and grossly irresponsible, but she didn’t ask him to teach her. She didn’t ask him for guidance or whatever, at least not memorably. Assume that he did help her. That he trained her and gave her a proper education in the magicks. There’s no guarantee that any of that would have prevented Willow from taking it too far. Willow has an addictive personality and therefore it makes logical sense for her to become addicted to magic. Ultimately, Giles could have spent years training her, but he can’t make decisions for her, nor does he wish to. Willow is her own person, a bright, capable young woman who is an adult. He cannot push her to do anything and it’s not in his nature to do so. Dark Willow is an inevitability in a sense.

Essentially while Giles staying in Sunnydale would’ve been preferable on a personal level, it would have made very little difference as to whether Willow would abuse the magicks. She’d already done so on countless occasions with no intervention therefore he likely wouldn’t have interfered until it was too little too late. It’s not that he doesn’t care for Willow, but he had other priorities, right or wrong. Should he have helped her? Absolutely. But it takes two to Tango...

[kaylorrehabcenter]

Gold Rush and Happiness are Sisters

Gather round everyone and witness the clown try to prove that Taylor Swift wrote songs about a married (now pregnant) woman in the year of our lord 2020.

Also this is a seven page doc in my google docs so like. Get a cup of tea and some popcorn.

Ok full disclosure this is…..mostly me clowning. Like seriously. Don’t take my words as the word of God, this is just my interpretation and how I listen to the songs. And as a (former? Idk man) Kaylor I’m going to want to make these songs about my ship. Acknowledge your biases kids.

Also like. I change my mind a lot, but for a while this theory that Gold Rush and Happiness are connected has been stuck in my head and I wanted to write it down and post it in case anyone else got something out of this.

If you read my last post on Gold Rush (here!) you’ll know I don’t think of it as a happy song. To elaborate further- I think it’s Taylor catching herself looking back on Karlie/that time in her life (Because I think Karlie is emblematic of the 1989 era for Taylor and is thus tied to the pain that came out of that, along with her ties to the masters heist) and reminding herself it wasn’t good and ended for a reason.

“Gleaming, twinkling/eyes like sinking ships on waters/so inviting, I almost jump in”

“But I don’t like a gold rush” 

The sinking ship line makes me laugh. I like to think it’s Taylor saying she’s literally sunk our (dead) ship, but that’s mostly regressing to 2015 tumblr humur.

To the actual analysis, she almost jumps into these waters, maybe it’s literal (don’t text your ex kids, write a bop like closure instead) or maybe it’s more metaphorical. She almost allows herself to think the good times were the only times. Maybe there’s a desire to move back to nyc, capture the magic that she may have felt during the era. 

“I don’t like that flying feels like falling till the bone crush”

But that’s the thing. It feels like flying at the time, but it isn’t a feeling that can last. These relationships built on temporary promises (we’re assuming here Taylor was a side thing for Karlie, not that serious and built not to last, even if there were genuine romantic feelings on both sides, which I think there were to some level) won’t last, and will hurt when they do end. At least, this one did.

“Everyone wonders what it would be like to love you”

Everybody wants who she’s singing about and is imagining what it would be like to be with them, they think it would be a fairytale. Hell, Taylor probably thought their relationship would be a fairytale against her better judgement. Karlie is a celebrity and a model no less, yes she has other things going for her (Koding and investments), her brand and her success in the fashion world depends to some degree people desiring and fantasizing about her.

“I don’t like that anyone would die to feel your touch”

The funny thing about that, Taylor’s the only one who knows the pain of that relationship, of being a side thing and never committed to. It’s draining. It's difficult. She isn’t allowing herself to jump into those waters.

“I see me padding across your wooden floor/with my Eagles t shirt hanging on the door”

I point out this line mostly because it feels like a Delicate call back (Echoes of your footsteps on the stairs). Am I reaching though? Probably. Also as someone with parents about the same age as Taylor’s (give or take ten years), I like the Eagles reference. Stream Hotel California for clear skin <3

“At dinner parties, I call you out on your contrarian shit”

Taylor was the first person to call Karlie out on her “I’ve tried!!” bullshit, how cute. <3

Besides this line being very iconic, it also shows to me that Taylor’s been frustrated with Kar even when she was busy giving her heart eyes. She’s a frustrating person to be around even when you are “turning her life into folklore”.

“What must it be like to grow up that beautiful?/With your hair falling into place like dominoes”

Damn that’s a gay couples lines you got there Tay. Wonder if you’re wondering what it must’ve been like for Kar to grow up in the model industry, and all of the pressure and exhilaration that entails. From a male’s perspective ofc.

I also take the dominoes line to be Taylor saying what must’ve it been like to have this easy idyllic childhood. Maybe Taylor is the first time Karlie’s been with a girl outside of a hookup and didn’t have to go through the pain of realizing she was into women until later in life. (Not that that’s not painful, it’s just different, and allows you to have a perfectly straight childhood/teenagerhood)

“And the coastal town we wandered 'round had nеver seen a love as pure as it/And thеn it fades into the gray of my day-old tea/'Cause it could never be”

Maybe this relationship never existed in the way she thought at all. You know Carrie Fischer’s character in When Harry Met Sally and how until she meets the right guy, she spends the whole movie insisting that whatever married guy she’s seeing really loves her!! And he’s gonna leave his wife for her!! That’s what these two songs make me think about, waking up and realizing they were never going to leave their wife, you were projecting this whole story onto someone else, but that doesn’t mean there was no value in what happened.

“And the coastal town we never found will never see a love as pure as it/'Cause it fades into the gray of my day-old tea/'Cause it will never be”

The coastal town seems an obvious Rhode Island reference, to get more specific it reminds me of when Josh and Karlie visited Taylor at her Rhode Island home in 2014 and Josh looks peeved as hell. 1, 2 Also if I remember correctly, enty has a blind where he says there was a huge fight between Josh and Taylor which ended in Taylor not wanting to be around him again. Just interesting to note. (And if anyone has the receipt, please send it my way!)

Taylor may have been projecting this fairytale narrative at the time of being able to make it work, of being friends with Josh even but it didn’t work and the fairytale is left to be folklore, never made real.

The outro is the same as the intro to the song, implying to me that while she’s telling herself it was bad, you weren’t happy, she’s still catching herself missing it and what she had with Karlie. She left a part of her back in New York see, and she can’t stop her mind from retracing old footsteps.

Now, onto how I think Happiness and how I think it connects. I’m about to audition for the national team in the reaching Olympics. Wish me luck. :)

A bit of a preamble though, I don’t take this song ~super~ literally. Depending on what day of the week it is I think it’s probably her divorcee rpg simulator or her closing the book on her ex situationship gf on her own terms ~in a straight way~. So not to discredit this whole ass post but. Take with a grain of salt.

“Honey, when I'm above the trees/I see this for what it is”

See that bold bit? That’s the main connective tissue between these songs. She’s finally woken up and now that she’s this far removed from the relationship she sees what it was. To add to the pain of it all, this is especially potent if you wonder if Karlie gaslit Tay into thinking this wasn’t a big deal, they were just fucking around when Karlie has literal Softest Love Song You Are In Love dedicated to her.

“But now I'm right down in it, all the years I've given/Is just shit we're dividin' up”

This seems to me to be a masters heist reference. Karlie since Lover, is musically tied to this event in Taylor’s life, it’s what I think is keeping Tay from making a clean break from her so to speak. 

“Showed you all of my hiding spots/I was dancing when the music stopped”

This seems to be a Rep era/dwoht reference. Yes, Taylor constantly references dancing, but the hiding spots (loved you in secret! you had turned my bed into a sacred oasis!) combined with the dancing when the music stopped (I'd kiss you as the lights went out! Swaying as the room burned down!) brings out the full kaylor clown in me. 

“There'll be happiness after you/But there was happiness because of you/Both of these things can be true”

This is probably some of the most gut wrenching lyrics Taylor’s ever written. Damn, imagine having that written about you. Anyway, the point here is the thesis of this whole damn post. Gold Rush is Taylor catching herself daydreaming about the happy parts, and reminding herself about the bad to make her snap out of it. Happiness is her coming to terms that both parts of that relationship were true. Things aren’t that simple. 

“Haunted by the look in my eyes/That would've loved you for a lifetime/Leave it all behind”

This feels very Cruel Summer doesn’t it? “I love you ain’t that the worst thing you’ve ever heard?” These lines make this relationship read as two things to me. One, it was very one sided, and Taylor/the narrator, was obviously left behind at the end of it when she was heavily invested into making this work. And 2, it was doomed from the beginning. Again. Big cruel summer energy here.

Or it’s a divorcee rpg simulator 3000. Now with extra glamour and opportunities to dramatically drink wine in dressing gowns.

I don’t have a lot to say about the second verse of the song that. Karlie has a nice smile, Gatsby reference, dig at whoever the next person to take Taylor’s place as a side fling (or a dig at Josh, or a baby reference since that’s what the Gatsby line refers to). The only other thing worthy of note for this post is the line following the Gatsby reference.

“No, I didn't mean that/Sorry, I can't see facts through all of my fury”

 is the next line, where she regrets what she just said and admits to saying overly harsh things and overlooking the truth of the matter when she’s angry, which to me feels like a big Afterglow/Me! reference.

“There'll be happiness after me/But there was happiness because of me/Both of these things, I believe”

I think a lot of what Taylor’s doing emotionally in the chorus is legitimizing this relationship for herself. Yeah, Josh and Karlie will have a happy life in Florida with Ivanka and them, but Taylor also made Karlie happy too and she doesn’t want Karlie to forget it. 

It reminds me of the way she talks about August, that she genuinely loves James/Karlie, and thinks they have something. But she’s just the pit stop on the commitment highway, and the depth of her feelings for the other person will never be acknowledged. It’s exhausting you know?

“In our history, across our great divide”

“Guilty, guilty reaching out across the sea/That you put between you and me”

Nothing to see here, just a nifty parallel. Karlie doesn’t want wrinkles in her new life see.

“There is a glorious sunrise/Dappled with the flickers of light/From the dress I wore at midnight, leave it all behind/And there is happiness”

This bit (which has some of my favorite imagery in this whole dang album!!!) reminds me of the end of the Wildest Dreams mv where she runs out to the car with the lover following her after the big charade of pretending not to care as much as she does, while knowing you aren’t the one that got picked.

Interestingly, if you look at the shot of the four characters together near the end, the outfits parallel the ones worn by Kar, Tay, and Josh at the 2014 Met Gala. This was of course the one where Tay and Kar got ready together and Karlie proceeded to spend the night with Josh and where Tay just looks. Miserable. (see here!)

The line also parallels Wildest Dreams lyrically.

“Say you'll remember me standing in a nice dress/Staring at the sunset, babe”

Which you know. Worth noting.

The last line (And there is happiness) seems to point to there being happiness in leaving the bad situation just as much as there was happiness in the situation. It’s Time to Go anyone?

“I can't make it go away by making you a villain/I guess it's the price I paid for seven years in Heaven”

A series of thoughts. One, I love the first line where Taylor acknowledges anger isn’t going to make it better. There’s only so much being angry in this situation will do, and it’s not like Taylor’s record is clean here either. (I mean I assume. We know she went psycho on the phone anyway)

Two. Seven years in heaven is both a play on a famous game/turn of phrase (Seven minutes in heaven) but one of the more bold references to Karlie in her whole damn discography. Do I think they’ve been together for seven years straight? Not really. But do I think Taylor saw an opportunity and jumped on it? Yep. 

“And I pulled your body into mine/Every goddamn night, now I get fake niceties”

No thoughts head empty this line is a sucker punch and I love it. If anyone needs me I’ll be watching her perform ikywt on the vsfs and crying to yail.

“All you want from me now is the green light of forgiveness”

Oh look! Another Gatsby reference. Or Taylor calling Karlie out on profiting off of her association with Tay after they clearly did not end on good terms. (Folklore themed maternity shoot anyone?) I mean, whatever floats your boat. 

A bit on the green light metaphor from Gatsby, because it’s worth noting even if I don’t have much more to say on it here.

“Situated at the end of Daisy’s East Egg dock and barely visible from Gatsby’s West Egg lawn, the green light represents Gatsby’s hopes and dreams for the future. Gatsby associates it with Daisy, and in Chapter 1 he reaches toward it in the darkness as a guiding light to lead him to his goal.”

Yes I copied that from Spark Notes. No I am not sorry. I have an exam tomorrow and I’m writing about a dead ship on a dead social media website. Sometimes we do what we must do.

I love the ending of this song, I really really do, it feels like taking in a breath of air and finally feeling free of the weight you’re carrying. It feels like a final goodbye, like Tay’s getting closure on her own terms and I truly love that for her. Bb’s stepping out into the daylight. <3 

There is happiness

In our history, across our great divide

There is a glorious sunrise

Dappled with the flickers of light

From the dress I wore at midnight, leave it all behind

Oh, leave it all behind

Leave it all behind

And there is happiness

So, what was this whole seven page post for then? 

Gold Rush and Happiness being connected has been a theory rattling around in my brain for forever and I’ve wanted to write it down for just as long. The tldr of it all is pretty simple, Gold Rush is about her reminiscing about the good parts of Kaylor, and pulling herself out of it, reminding herself it was bad and bad for her. Happiness is her legitimizing the relationship, and moving on while acknowledging there was bad and good in their story. It just took me seven goddamn pages to articulate that.

If you’ve reached the end of this. Damn. Thanks. Go get a snack or something, you deserve it after reading this.