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wishcamper · 1 year ago

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Heavy Lies the Crown: Rhysand, greatness, and the pressures of power

Or: the librarian’s daughter, former playwright, licensed counselor mashup of my nightmares dreams because I am vast, I contain multitudes.

No content warnings and no real HOFAS spoilers, I don't think, other than that he's in it but I feel like you know that by now. Spoilers for Breaking Bad (lol).

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In working on my current fic (on ao3 here!) I've been thinking a lot about Rhysand and how he really goes off the rails in ACOSF and HOFAS. It's easy to chalk it up to poor writing, but I like the challenge of trying to make it make sense. What are Rhys’ motivations, truly? What would explain the vast array of heinous shit he does the text tells us is justified?

Rhys is shown over and over to be quite Machiavellian ('ends justify the means' dude, who was maybe writing satire). It's easy to list the times he shows this. The 50 year Velaris hostage situation. The bargain UTM with Feyre. The Weaver's cottage. Stealing the Book from Tarquin. CLARE BEDDOR. Infiltrating people's minds. Torture. Assassination. Allying with Kier. Concealing his wife's medical information. Being an ass to people in general. According to Mr. Machiavelli, any action is warranted if it the goal it achieves is morally important enough.

It seems like Rhys can justify anything to himself if he believes it will serve the greatest good at the end of the day. He does so many things with the air of “it’s for your own good” or “you’ll understand why one day” but that day never.. comes? Not yet anyway, which begs the question: is he that unself-aware, or is there a longer game he’s playing that all of these minor skirmishes are leading up to? What if he knows what's coming? And what kind of cause or threat would feel so great he could justify everything he does up to this point?

Okay I'm gonna talk about Aristotelean literary structure, please don't leave me.

The idea of a tragic hero is a character whose downfall is inevitable but who fights against it anyway. Hamlet is a classic example of a tragic hero, Oedipus being the de facto first, Walter White from Breaking Bad a more modern version. We see Walt learn he’s going to die in the first episode, in the middle he does a bunch of stuff to prevent his physical death (cancer) and metaphorical death (failure/obscurity), and then both his body and reputation die in the last episode as a direct result of his attempts to avoid fate. It’s blissful Aristotelean symmetry. *chef’s kiss*

Every tragic hero has hamartia, more commonly known as a ‘fatal flaw’. In Hamlet, his fatal flaw is procrastination, and his delays create space for all kinds of the fuck shit he was trying to prevent. It’s important to note that hamartia is by design a neutral term - not so much a flaw, but a trait, motivation, or decision that sets off the chain of events the character is trying to avoid. Tragedies have occurred equally from too much love as too much hate, and doing nothing is just as much a decision as doing something. The word itself comes from the Greek for ‘to miss the mark’. To try and fail, the backbone of tragedy.

One of the most common hamartia is hubris, a modern synonym for arrogance but which more specifically means an outsized belief in one’s ability to affect and control the future. Well-known tragic heroes taken down by hubris include our boy Walter White, Tony Soprano, Viktor Frankenstein, Achilles, Jay Gatsby, Kendall from Succession. It exists in real life, too: Lance Armstrong is a perfect example of a modern tragic hero brought down by hubris. And what do all these men have in common? Power, via money, fame, strength, the state, intellect, violence etc.

I’ve been enjoying looking at Rhysand through this tragic hero lens because while it doesn’t really make him more sympathetic, it does make his actions easier to understand logically, which is its own kind of humanization. If Rhysand is aware of a prophesied or fated event sometime in the future and is pulling the cosmic strings now, it must be incredibly important, like annihilation-level important, which is so much pressure.

So he grows to maturity with an understanding that he will one day have to face this intense evil that could completely destroy his world, and it plants in him a hubris. He believes that his immense power grants him a certain amount of influence automatically. And honestly, is he wrong?

And this is where it’s important to think about how power makes people weird. Power gives people a false sense of confidence in their actions and choices, because their status and privilege protect them from so many more consequences. In this way it’s easy to see how someone can get a big ego - no one is stopping me, so I must be doing well! Or: everything is going well for me, so I must be really killing it! I know I feel that way in the first tingles of hypomania, but hypomania is fundamentally a distortion of reality and I believe so is power.

Power not only gives people confidence but also access to make decisions for others. They begin to think they should share the success they’ve found by leading and guiding others to see how great it can be if you do what they say. Just look at one of those cringe 'billionaire morning routine' videos to see what I mean. It’s a very patronizing form of altruism, because the leader genuinely believes they have the people’s interest at heart. And I use the word patronizing intentionally - leaders have often referenced feeling paternal towards their people, Winston Churchill + FDR, 'God the Father'. Power and fatherhood have been linked for a long time. And direct from our girl Wikipedia, "paternalism is action that limits a person's or group's liberty or autonomy and is intended to promote their own good".

I was talking with a girlfriend of mine recently about how I think some men don’t have the experience of other people depending on them in a significant way until they get married and/or become fathers. Like, afab and femme people learn very early to be considerate of others, to think about how others feel, to act in ways that keep others happy, etc. This plants in us a sense of duty to perform in ways that please others, to smile, to create comfort and provide caretaking in every environment we enter. So by the time we get to marriage and motherhood, we already know how to put others’ needs before our own because we’ve been doing it from the jump.

For men, however, this can be a completely novel experience. And it seems like it's SO HEAVY FOR THEM. George ‘Father of his Country’ Washington just wanted to go back to Virginia the whole time he was President. So many men talk about the pressures of being a provider and their families depending on them in a way women don’t, and I think it’s because for the first time others truly depend on them and they don’t know how to handle it.

In response, they either shove down their emotions as patriarchy demands and have a midlife crisis, or they abdicate that responsibility and go completely absent physically and/or emotionally to continue living for themselves. (Obviously there are good men and dads out there, and bless you if you’re lucky enough to know, have, or be one.)

And this aspect of power feels relevant because from the text it seems like Rhysand is unraveling. Between Feyre, the baby, the Trove, Nesta and being threatened by her power, Koschei, Bryce, the whole High King shit - I think he’s starting to crack under the pressure. And honestly, I’m kind of surprised it didn’t happen before now.

According to Aristotle, the tragic hero must:

Be significant (virtuous/capable/powerful/important etc.)

Be flawed

Suffer a reversal of fortune.

Rhysie boy definitely ticks the first two. I wonder what it would look like to get to three? I don’t think Sarah has the balls, but it’s definitely enhanced my reading experience and given me a lot of interesting things to think about.

Okay that's all I've got. Love ya, see ya soon xx

#prythian university #acotar #acosf #rhys critical #sjm critical #tragic hero #lit crit #i love thinking way too deeply about things

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forabeatofadrum · 2 years ago

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Do you have zimbits fic recs? I’ve never really gotten into Check Please fic, but I just got Madison in the mail and now I wanna read more zimbits but don’t know where to start!

YOU GOT MADISON?????? ASAAAAAAAAAAAAAAGHHHHHHH!!! My order hasn't been shipped yet so no spoilers, but you ask and you shall receive. It got long, so I am putting it under a cut in no particular order. ALSO the new Tumblr post maker is absolutely fucking terrible and it took so long to format this because of it. The whole idea of creating "blocks" in posts is stupid and it doesn't function well ANYWAY FIC TIME.

Set Your Old Heart Free by IBoatedHere

Jack doesn’t find Bitty after graduation. They don’t kiss. Jack doesn't go to Madison for the 4th. They still fall in love.

It's a simple premise, but so well executed. I uhhh always cry at the end and I love to read Jack's thoughts.

when it’s over (you’re the start) by @whoacanada

Jack goes to sleep in Providence next to his boyfriend and wakes up in Montréal to discover he's been in a coma since 2009. Refusing to believe Samwell, Bitty, and the Falconers were all a dream, Jack tracks down the real Shitty, Lardo, Ransom, and Holster to find they’ve shared the same group hallucination for years. Now, they’re on a mission to find Bitty, the love of Jack’s non-existent life, and the only member of SMH they can’t seem to get in contact with.

What it says on the tin. It is a "what if" story and it is great.

i'll see you with your laughter lines by the_one_that_fell

Eric Bittle was fourteen when his soulmate died.

They'd never even gotten to meet.

This is a great story, but heed the warnings. It's an interesting spin on the soulmate trope, because yeah, you can argue that Jack died when he overdosed, even if it was just for a small moment.

like a handprint on my heart by the_one_that_fell

"Dude, we've got an over-competitive golf dad, a badass art freak, a pre-med lax bro on the verge of a breakdown, a chronically naked rugby player, a beat-boxing giant, and an itty-bitty, baking figure skater - there's no way we came together accidentally. This was fate."

"Or it's the normal progression of human beings making friends. Chill out, bro."

(Or, the one where no one plays hockey, but it still manages to bring them all together.)

I have so much to say about this story. SO MUCH. It once gave me a breakdown when I was feeling super lonely, cause the fic is about friendship. Zimbits is just a part of it, though. Everyone gets a moment to shine and it's so good.

don't you look charming (here in the eye of a hurricane) by @whoacanada

In 2009, Jack Zimmermann doesn't just walk away from his future, he packs a bag and runs.

ANGST ANGST ANGST!! This fic captivated me so much. I don't know what else to say!!!

My Words on Your Skin by There_Once_Was_A_Girl

Jack and Bitty have a unique soul connection, they can write back and forth to each other by writing on their own skin. They know each other long before they've ever met. But when Jack overdoses Bitty thinks he's lost the love of his life forever.

Just like the other soulmate AU fic above, this takes the soulmate idea and runs with it. What do you do when you believe the other is dead?

you’ve got my number by ambrosius

It’s not as if Jack was totally inept when it came to technology. He could handle his Tweeter (Tweety? Twits? Twitter? Did it really matter?) just fine and if he’s honest, he much preferred texting to calling most days. So when he gets added to a group chat full of strangers, well, he’s pretty sure he can handle whatever comes next.

This one is so good. I am a bitch for epistolary stuff and I am glad it exists.

Graduation Dayby IBoatedHere

It takes Jack 50 days to finally see what's been right in front of him for the past two years.

Groundhog Day AU, but make it Zimbits. Jack doesn't kiss Bitty when he graduates, and that's fine, right? Well, looks like the universe disagrees. Also this fic has a real good platonic Jackshit moment.

Will Wonders Never Cease by @porcupine-girl

Eric has landed his dream job: social media manager for the Providence Falconers! Not only does he get paid to tweet, for an NHL team at that, but it’s a job where he’ll be able to make good use of his magic - when nobody’s looking, of course. Everyone on the Falconers is a joy to work with… with the notable exception of Jack Zimmermann. Eric understands that Jack doesn’t like social media, but he could certainly be a little more polite about it.

Luckily, Eric has support from his Samwell buddies, as well as his best friend - a man whose face he’s never seen, and whose name he doesn’t know. They met on an online forum where witches can gather anonymously, since it isn’t safe for them to advertise their existence in a world where magic isn’t trusted. They’ve been friends for years now, but Eric is only just starting to realize that he might have deeper feelings for someone he can never meet face-to-face.

THIS FIC!!! Jenna, I don't know if you read my fic Ebb & Flow, but I mentioned this fic in the author's note, because it was a huge inspiration. It's a secret identity magical She Loves Me AU. It sounds bonkers, but it is so goooood.

if you're going through hell (keep going) by @whoacanada

Eighteen years ago, Samwell suffered the tragic loss of one of their most promising young athletes. Ever since rumors have circulated that the school is haunted by the ghost of Eric Bittle. At least, that’s the only way anyone can seem to explain why the locker rooms smell like freshly baked apple pie on game days instead of the usual, omnipresent hockey funk.

Now in the twilight of his career, Jack Zimmermann is facing his own mortality and the last item on his bucket list?

Return to Samwell and disprove the rumor that his long-dead boyfriend is haunting Faber Memorial Rink.

MAIN CHARACTER DEATH!!! WARNING!!! And not like the previous soulmate AUs where the one thinks the other is dead. Bitty dies and Jack moved on, but he has to face the past, because people claim Bitty's ghost is real. Jack decides to find out himself.

Inertia by @foryouandbits

At the age of seven, Eric Bittle is tackled so hard in peewee football, it feels as though he's been knocked into another dimension. At the encouragement of his father, he avoids contact sports until he receives a scholarship to play hockey at Samwell University. The result is the same: every check on the ice hurts so much that Eric hallucinates another world. Eric spends the rest of his freshman year attempting to prove himself to his captain and his coaches. He questions his worth, his talent, and his sanity, and in his search for answers, he uncovers long-hidden secrets that change everything he has ever known.

I loved this one. It is an interesting take on dimension travel and Coach in this story is so great as well. I highly recommend it.

Ice Crew Please! by @petals42

Jack Zimmermann was drafted first by the Providence Falconers when he was eighteen years old. He is good at hockey. Very good. His team won the Cup his second year and now, in his third year, they are looking good. Jack should be on top of the world. And some days, he manages to convince himself he is.

He’s not, of course.

Enter the Ice Crew.

AKA: The Ice Crew AU

This sorta!fic is a fic about friendship thawing Jack Zimmermann's heart. Jack realises he's kind of a dick towards the ice crew of the Falcs and so he gets to know them, including Bitty. It's a good fucking friendship fic.

All shall know the wonder by me, lol

When Bitty decides to skate on Sunday mornings, he didn’t expect to meet a nice, handsome man who cannot hear. The Sunday mornings lead to a deep friendship that slowly leads to more.

Yes, I am finishing this list with a shameless self-promotion. I have 28 fics on AO3, 27 of them being Zimbits (one Holsom) and this is my favourite. Yeehaw.

That's it for now. There's a lot more in my Check, Please! fic tag. Also, hi to the people I have @'ed. If y'all know the tumblr URLs of some writers mentioned on this post, lemme know so I can add them.

#ask #thelegendofjenna #i uhhh went nuts #fic rec

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kangaracha · 2 years ago

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🍜🍡🍚

🍜 Do you ever feel pressured to write?

this made me think so hard lmao. i don't think i've ever felt pressured to write specifically, like in the context of feeling like i absolutely need to finish this next chapter on time or whatever? i'm really aware these days of when i need to rest, push myself to not be lazy and write to see results later, and find time to let a full idea tank rip out 3k, and i don't really care about people on ao3 not being able to wait until i'm done lol

the only pressure i feel re: writing is the need to schedule time for it when i have such limited hours to offer it. i've been battling recently with the idea of needing to. rank my priorities and give time to hobbies that are important to me and neglect the ones that aren't. currently i'm trying to commit to 400 words a day on 4tw, but i need to start writing as soon as i get home, because my brain starts to melt after a couple of hours and i can't write then, and that's. sticking to that is hard sometimes. knowing that i'll only write 50 words and fall asleep if i relax and watch tiktoks instead of going straight from work to imaginary work. this was a tanget off topic. anyway.

🍡 Which of your fics was the most emotionally difficult to write?

without a doubt, part 3 and 4 of The Slaughter Of The Lambs, the assassin's creed fic. i set the plot of this fic out following canon, which means the end is. not particularly happy. i also set this fic out to explore how circumstances and people change over the course of a lifetime, and idk i once described it as 'living the life you've been given' which i think is what i'm trying to say.

the point is, i wrote these two parts of this story that are like shining, golden years, innocence of childhood, the bright future ahead. part two is just a whole ass coming of age romance. and then there was a day when i reread everything i've written so far and the things i've put down for part 3 and 4 were just so grim and gutwrenching. like the first parts were painted in bright colours and the last two were just tones of grey. and i sat there and i thought about these characters and i just don't know anymore if i can really do it or if changing the ending to be happy would be a betrayal to the hard truth of the story. and that's part of why i haven't turned back to that fic yet, because i'm still stewing on whether i change it or leave it or write two fucking endings so that not everyone has to cry.

🍚 What genre do you have the toughest time writing?

Fluffy, slice of life, or anything uhhhhhhh what's john green's genre hang on. google doesn't know. yknow, those sorts of stories where the character work is really, really forefront, not playing off an equally complex plot, which is more what i excel at.

also romance. i've been deliberately trying to play with different romances (pretty, my hand in yours, tgbyb) trying to make it something i'm more flexible at. i think i'm getting better?

#i love you sm do you know that?#i don't deserve you #in like a casual way

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serendipitous-magic · 4 years ago

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What is your writing advice for young people who want to write fanfiction and original stories in the near future?

If this is just Way Too Much, skip to the end (#16). My most important piece of advice is there. I also happen to think #5 is pretty good.

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1) Literally just write. Write whatever you want, and do a lot of it.

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2) You don’t have to post everything. In fact you don’t have to post anything. You can, don’t get me wrong, but it can be intimidating to sit down and think “I will now write something that other people will see and read and judge with their eyeballs.” Because that’s probably gonna lead to nerves and writer's block. Just write down the ideas that you have, the things you want to write, whatever’s in your brain that you want to explore and expand upon and make into something. And then if you want to, share it. Or don’t share it. I have plenty of half-baked ideas and documents and random story chapters and shit hidden away on my Google Drive that will never see the light of day, for a whole number of reasons. I wanted to write it but it wasn’t ~Spicy~ enough to warrant posting, or it’s only like an eighth of a good idea, or it’s like one scene with no story around it, or it’s just something incredibly self-indulgent I just wanted to write for my own enjoyment.

Point being, don’t write for other people. Don’t write so that other people can read it; write what you want, write for yourself, and then if you want to share it, do.

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3) You can pretty much ignore any and all of these for fanfiction. In fact, you can ignore pretty much any rules or guidelines you want for fanfiction. Fanfic is a sandbox. You don’t have to be a “professional writer” to post fic. No one expects you to be Stephen King or Margaret Atwood. Fanfic is just for playing in a fandom and having fun. If you wanna write a 50 chapter slow burn with very little plot aside from the OTP slowly getting to know each other, and no real stakes or central conflict, I guarantee people would read that. Really, fanfiction is the Old West of writing: lawless, wild, unpredictable, and free.

However, here are the rules you must follow:

-Separate your paragraphs. (I’m sure you know this already, but I’m gonna say it anyway just in case.) Do not post one big block of text. Make a paragraph break when someone new is talking, when the characters are in a new place, when a new event occurs that changes the scene, when a chunk of time has passed, and when there’s a major change in subject.

-I know it’s obvious, but... grammar, punctuation, and capitalization. They exist to make writing easy for readers to read, and more people will read your stuff if they don’t have to stop and try to figure out what you meant.

-Use tags and labels, as is possible with whatever site you’re using. Especially if you include possibly triggering content in your story. Again, I know it’s obvious, but it’s common courtesy. Bonus: tagging the themes and content of your story helps readers find it and read it :)

-If possible, limit the use of all-caps and exclamation marks / question marks. 99% of the time, one ! or one ? will do. If you overload the page with a lot of all-caps and long rows of exclamation marks or question marks, it hampers readability.

... That’s literally all I can think of. And, like I said, it’s all pretty basic stuff. You were probably rolling your eyes like, “Uh, yeah, Gwen, I know.” But that’s literally it. You can pretty much do whatever you want in fanfic.

That being said, here’s my advice for both fanfiction and original work...

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4) A quick and dirty rule for coming up with a plot, starting a story, keeping up pacing, or maintaining tension: figure out what dreams, desires, and goals are nearest and dearest to your main character’s heart (see #16). Then set up the main conflict to be directly in opposition to that goal. It doesn’t have to be in a tangible way, though it could be. But, if your main character wants more than anything to reach the ships on the southern coast of your world and sail to a new life, make sure the main conflict immediately prevents them from doing that - in fact, make sure to send them north. If your main character just wants to keep their loved ones safe, kidnap the loved ones. If your main character just wants to date their best-friend-turned-crush, make sure they think they have no chance - or, make them cocky about it, and make sure it makes Person B determined not to ever like them. You get it. Figure out what your character most wants, and then keep them from having that. Boom - your conflict now ties in with your character's motivation. It's like instant yeast for plots.

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5) If you’re anything like me, you want your first draft to be Good, despite all that advice about how the first draft doesn’t have to be good and it’s just to get words on the page, yadda yadda. And if you’re somewhat of a perfectionist (like myself), it’s easy to get stuck looking at a blank page because you don’t have The Perfect Words, and you want what you write to be Good the first time.

Here’s how I cheat that:

Instead of trying to write a Good First Draft from a blank page, hit the enter key a few times, skip a little down on the page, change your ink to red (or blue, or whatever - just something immediately identifiable as Not Black) and just thought vomit. Write whatever the hell you’re thinking, exactly as you think it. Don’t worry about it being readable, don’t worry about narrative flow for now, don’t worry about covering all the details, don’t worry about anything except either a) getting all the details of your idea out onto the page, whether that’s a lot or whether it’s just a sentence or two, or b) if you don’t have an idea yet, finding your way there.

Because this method is also very good for finding your way to ideas when you’re stuck in writer’s block.

Because of how human brains work, getting this stuff out onto the page - in all its messy, stream-of-consciousness glory - will likely spark more thoughts. As you write your original idea about the scene, it’ll likely spark more ideas. Creation begets creation. If you just start thought-vomiting your ideas onto the page, chances are you’ll think of more things as you go, and you’ll start filling out description or dialogue or tone or action or whatever, and pretty soon the scene starts writing itself.

Not sure where you’re going with the scene or which ideas you wanna use? Use a lot of ambivalent language in your “thought-vomit draft.” My pre-writing notes are chock-full of the words “maybe,” “perhaps,” and the phrases, “At some point...” and “...or something like that.” In this way, I don’t tie myself down to one idea; it’s just an idea, and I’m keeping it on the page in case I use it, but I might chuck it in the trash or change it or whatever.

And then, once your ideas for the scene (or story, or chapter, or whatever) are on the page, then go back to the top and start translating them into a “real” first draft. Use black ink, and start copy-pasting chunks of the thought-vomit up into the top part of the document and translating them into Draft 1. Separate out paragraphs where paragraph breaks should be. Add the correct punctuation and whatnot. Change “describe the lobby here - include potted plants, fancy carpet, blood stain, etc.” into an actual description of the lobby. Flesh it out, or condense, or whatever it needs. And if you’re still stuck, change back to red ink and ramble some more until you find a path that feels right, then plug that in. This keeps you from looking at a blank page, and it allows you to generate a kind of Draft 0.5, somewhere between a plan and a first draft.

You don’t have to use every idea. Like I said, jot down whatever comes to mind, put a “maybe” before or after it, and keep working. If the idea grabs you and you wanna keep expanding on it and exploring it, cool. If you just wanna jot it down so you don’t forget it and then move on, also cool. Red-ink draft / “thought-vomit draft” is your time to jump around in the timeline, add or finesse details at whatever point your brain moves to, etc. Don’t try to do it exactly in story order, because you will get tangential thoughts and ideas, and you will not remember to write them down five pages later when you finally get to taking notes on that scene. Trust me. On that note...

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6) Write everything down the moment you think of it. Seriously.

“I’ll remember it when I get around to writing that scene in a couple days / weeks / months (/years).”

You won’t.

Write it down.

Phone, journal, google docs - hell, my family regularly laughs at me for grabbing a napkin during dinner and scribbling thoughts down alongside pasta sauce stains.

And then, once you have it written down somewhere...

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7) Consolidate your writing ideas in one place.

Maybe this isn’t really your style, and that’s totally chill.

Buuuut, if you’re Type-A like me - or if you tend to be somewhat unorganized and you know you’ll lose track of your writing notes if they’re scattered across multiple notebooks, journals, napkins, phone notes, etc. - having one consolidated document of notes is a life saver. I keep mine on Google Docs so I can access it, add to it, and look through it for inspiration anywhere at any time. When I have one of those Shower Thoughts that I jot down on my phone or on a napkin during dinner, I set myself a reminder on my phone to type it up in my Story Ideas document later.

(Or, if the idea I had was for a story of mine that I’ve already started planning / drafting / whatever, I put it in the document for that story instead of the Big Random Story Ideas doc. You get it.)

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8) Have other ways to collect and save writing ideas, besides just writing stuff down. If you like Pinterest, make pinterest boards of your characters or stories or settings or whatever. If you’re big into playlists, make a playlist for your character / setting / story / etc. Or both. Or something else. I’m not good at drawing, but maybe you are, and maybe you like to draw your ideas. Whatever form it takes, having another way to save ideas and think about your stories is invaluable.

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9) Some writers can just start writing with no idea where the story is going, and they just kind of figure it out as they go. I envy those writers. And I do that sometimes for fanfiction, where the stakes are somewhat lower and the audience is reading more for scene-to-scene enjoyment (and to see their OTP kiss) than for a Driving And Compelling Narrative.

But here’s the thing: especially if you’re just kind of starting out, writing without some sort of plan is really, really hard, and will likely lead you into a slow, meandering narrative that will likely frustrate you.

Even if you think you’re someone that just can’t write with a plan (and again, I have the highest respect for pansters out there - I don’t know how you do it, you crazy bastards, but you keep doing you) - even if you think “I can’t work with plans, they’re too prescriptive, I just want to write and see what happens -”

Try at least making the most skeletal of plans.

Even if you have no clue what 90% of the story is, yet. That’s fine. But you need to have some idea of what you’re building to, even if that’s nothing more specific than a feeling, or a turning point for your character. Even if your entire plan for everything beyond Chapter 1 is, “At some point, Charlie needs to realize that Ed was lying to her.”

This is where those Draft 0.5 notes come in handy. Because, more than likely, working on your current scene that way will spark ideas for later scenes, which you can put down at the bottom of the document and save for when they become relevant. In my experience, the line between planning ahead and making a Draft 0.5 is exceptionally thin. One can quickly turn into the other.

If you’re really, really resistant to the idea of planning ahead, that’s okay. It’s not everybody’s style. But for the love of all that is holy, write down your ideas for future scenes, even if you’re a person that doesn’t like to plan and writes only in story order, because you will not remember that idea once you get to that scene.

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10) You don’t have to write in order.

Here’s the thing: I’m a person that can only do my Draft 1 in story order (meaning, chronological order). I just have to be in that flow; I need to write in story order for me to best channel where the character is at from scene to scene, both narratively and emotionally.

But my Thought Vomit Draft is another thing entirely. By using the brain hack of putting my notes in red (or another color, it doesn’t matter) and going down to the bottom of the document / page and taking notes there, and then integrating them into whatever plan I have, and then translating them into Draft 1 once I get there in the story - by doing that, I can get my good ideas onto the page (and expound upon them and let my muse carry me and ride that momentum while I’m in the moment of inspiration) without writing out of order.

Maybe that’s just me. But if you’re a person who really prefers to write in story order, that could be hugely helpful to you. It is to me.

_-_

11) Emotion and motivation will do more for your story than technicalities of plot.

If your characters really care about something, and their journey through the (shaky or weak) plot is emotionally engaging, it will be a much more compelling story than a story with a “perfect” plot and unrelatable or unmotivated characters.

If your characters care about what they’re doing, and it means something to them, and their goals and actions are driven by dreams or fears or emotions that are integral to who they are, your audience will care too. If you have a perfectly crafted plot that hits all the right beats and has high stakes and fast pacing and drama - but your characters don’t connect with what’s happening in a way that’s deeply meaningful or emotional for them? You’re gonna have a hard time engaging readers.

When in doubt, prioritize character emotion and motivation over plot. Emotion is what drives story.

This power is highly exploitable. (Just look at pulp novels and shitty but entertaining movies.) You can even use it to glaze over plot holes or reinvigorate a limp narrative. Use it that way sparingly, though. It’s a band-aid, not a surgery.

_-_

12) Evil villains are hard to write - mostly because there are very few truly evil people in the world. (There are a few. Billionaires and several big name politicians come to mind.) But by and large, there aren’t that many evil people. There are plenty of bad people, but bad people have some good in them, somewhere in there. Trying to write an evil villain is hard, because they often turn very cartoony.

Here’s a tip: it’s much easier to write antagonists who aren’t evil. Even if they’re bad people. Of course, there’s no reason you can’t write a villain that’s just truly evil - a serial killer, or an abuser, or a billionaire, or someone who legit just wants to hurt people or blow up the earth or stay in control of an oppressed population, or whatever. But chances are, it’s gonna be really hard to make them feel real, and even harder to create a plot around them that doesn’t feel forced or contrived.

Instead, try writing an antagonist / villain whose motivations and goals directly clash with your protagonist’s - but not because they want to take over the world or see people suffer. Write an antagonist who’s chaotic good, but whose perception of the situation is completely opposite from your hero’s. Write an antagonist whose only desire is to save people, and who will do anything to achieve that goal - anything. Write an antagonist who believes in the letter of the law, and will hinder and oppose the hero’s methods even if they agree with the hero’s motivation. Write an antagonist who got in way over their head and did some things they regret, and now they don’t know how to get out, and they’re doing their best but whatever they set in motion is too powerful for them to stop now.

Write villains who are human. Write a killer who thought they were doing the right thing by taking their victim out of the equation, who vomits at the sight of the body and sobs over the grave they dig. Write a government leader who truly believes she’s doing what’s best for her people in the long-term, even if it might hurt them in the short term, and is willing to endure the hatred and belligerence of the masses if it means securing what she thinks is a better future for her people. Write a teenage bully that thinks they’re the one being picked on by the world, and they’re just fighting back, standing their ground. Write a scientist who will break any code of ethics and hurt anyone he needs to - in order to bring back his baby sister from the grave, because he promised her he’d protect her and he failed. Write an antagonist who is selfish and self-centered and capricious - because in order to survive they had to look out for Number One, and that habit ain’t about to break anytime soon.

Write villains who aren’t even villains. Write antagonists who oppose the hero because of moral differences. Write antagonists who are trying to do the right thing. Write antagonists who treat the heroes with kindness and dignity and respect and gentleness.

They don’t have to be good. They don’t have to be Misunderstood Sweethearts who “deserve” a redemption arc. They can be cruel and nasty and dismissive and callous and violent and etc. etc.

Just hesitate before you make them Evil-with-a-capital-E. Because evil is hard to write, and honestly, boring to read. Flawed human beings with goals and motivations that directly oppose the main characters’ are much easier to write and much more interesting to read.

Ask why. Why is your villain trying to take over the world? What does that even mean? Are they trying to create a Star-Trek-like post-capitalism utopia, but they know that won’t happen in a million lifetimes, so they’re trying to do it by force? Are they actually super in favor of human rights, but they got very impatient waiting for the world to do anything about poverty and war, so they decided to take it into their own hands? Are they determined to fix the world - no matter the cost? Are they terrified and overwhelmed, but committed to see it through to the end? Or - maybe they’re just doing it on a dare. Maybe they don’t really give a shit about world domination, they were just a mediocre rich white guy who decided to fuck around and find out, and now he’s kind of curious how far he can take this thing. And now he’s kind of an internationally-wanted criminal, so he’s kind of stuck living on his hidden private island in his multi-billion dollar secret base, strapping lasers to sharks’ heads for the hell of it. Gross, selfish, uncaring, and dangerous? For sure. Evil? Depends on your definition. See, now we’re getting somewhere.

_-_

13) It’s tempting to let the plot control the characters. It’s easy to drop your characters into a situation and see how they react. But here’s the thing: that doesn’t drive plot. In fact, it bogs down pacing. Instead, try to build you plot off of your characters’ actions and decisions. Let your character build their own situation. Not to say it should go they way they wanted it to go; in fact, usually, their grand plans should go to hell very quickly. But having the characters take action and make decisions, and letting the plot develop based on that, is much easier to make compelling than making a rigid series of events and then trying to herd your characters into them.

_-_

14) Having trouble justifying a character’s actions? Consider having them make the opposite decision, or having them approach the situation in a different way. For example: you need your character to go meet the bad guy, for plot reasons, even though there’s no way it’s not a trap. If the character goes, readers are gonna be groaning with their head in their hands, because c’mon man, that was really fucking stupid. But he’s gotta go, because the plot needs that. Two ways you might handle this: a) He knows it’s probably a trap. He decides not to go. The plot conspires to get him near the villain anyway. Or, b) He knows it’s a trap. But he needs to go, for (insert reasons here). So, he approaches it in an unexpected way. He brings backup, recruiting a side character we met earlier in the story. Or he arrives on the back of a dragon, because ain’t nobody gonna fuck with a dude on a dragon. Or he goes - early, and ambushes the villain. It may work, it may not. He may get himself kidnapped anyway. But it moves the plot along without having Stupid Hero Syndrome.

_-_

15) This is a legit piece of advice: if all of this sounds overwhelming, literally just ignore it and write what you want. For real. Writing should be fun, and every single writer operates differently. If you’re sitting here like “I’m getting stressed just reading this,” just flip me a good-natured bird and get on with your life. I promise I won’t take it personally. Same goes for literally any other writing advice you see. Lots of rules and guidelines can very quickly make anything thoroughly un-fun. Just write. If you’re passionate about it and you do it for long enough, you’ll start figuring out the tips and tricks on your own.

_-_

16) Here’s the best piece of advice I can give you: know your characters. More importantly, know what’s important to them. Build their personality and decisions off of that, and build your plot off of their decisions.

I see a lot of character building sheets that ask a shit-ton of questions like “What’s their most prized possession?” “Do they like their family?” “What’s their favorite food?”

And while these are good questions, my problem with this type of character building is that if you start there, with the little stuff, you’re building on nothing. IMO, to make a truly strong character (not strong like Inner Strength, strong like effective), you need a strong foundation.

Here are the things you must know about your character:

a) What are their greatest fears / deepest insecurities? And I don’t mean “wasps” or “heights.” I mean the deep shit. I mean fears like “living a meaningless life,” or “turning out just like their parents,” or “that no one will ever love them,” or “being powerless.” You may say, “But they’re really scared of wasps! They fall into a wasp nest when they were little and got stung so much they almost died!” Great! That’s a fantastic bit of backstory. They should absolutely be afraid of wasps, and that should absolutely be an impediment later in the story. But dig deeper. What about that event actually scarred them? Was it the helplessness? Stumbling around, swatting at the air, not being able to do a single thing to stop what was happening to them? Was it that they were alone, and no matter how loud they screamed, no one was coming? Was it the bodily horror of feeling themself turn into an inhuman creature as they swelled up from the stings, unable to move their fingers or face normally anymore?

And don’t forget insecurities, because those factor in, too. Are they deeply insecure about their identity? Do they believe, deep down, that they’re ugly? Did they grow up poor and they’ve always been really touchy about that? Why? Dig deep. Figure out what really, really bothers them.

b) What are their hopes and dreams? What do they truly want out of life? What do they consider the most valuable to their experience here in this thing called life? Is it the freedom to forge their own path and be independent? Is it the approval of their family or peers? Is it a home? Is it knowledge, or understanding? Spiritual fulfillment? Is it deeply important to them that they contribute to their community, or protect those they love? What do they need in order to feel truly and deeply fulfilled in life?

Figure out those two things (each one encompasses several things, btw, you don’t have to stop at just one for each), and then use that to inform how they behave and the types of decisions they make within the story.

It also informs character behavior and personality.

Let’s say we have a character who’s afraid of helplessness. They’re probably gonna be the person that always wants to do something, try something, no matter how hopeless the situation seems. They’d despise just sitting and waiting, probably, because it makes them feel powerless. They might even be the person that makes rash decisions and acts impulsively and puts themself in danger unnecessarily, because in their mind it’s better than being at the mercy of fate. This is one way you could use a character’s personality to inform their decisions, which in turn helps to inform plot.

Or, let’s say we have a character whose greatest fear is being left behind or forgotten. We may have a chatterbox on our hands. They might be obnoxious. They might love the spotlight, constantly vying for attention no matter the situation, because deep down they’re so afraid that they’d be forgotten otherwise. Or, it may go the opposite way. They may be so afraid of people leaving them that they’re terrified of bothering people. They don’t want to do anything that could annoy people, anything that might give people a reason to leave them. They might be exceedingly polite, quiet, accommodating. A push-over, really.

These are two nearly opposite types of personalities, both stemming from the same core fear/insecurity. You can go a lot of different ways with it. But if you build on that strong foundation, you’ll have a strong character, and a stronger plot.

Likewise, the structure of your story can and should inform the design of these character traits. If you need your characters to team up near the end, it may be impactful if you give your main character a deep fear of commitment, an insecurity about being unwanted or left behind, and make them highly value independence and freedom. That could make their team-up for the final battle very meaningful. Conversely, you can use your character’s deepest fears and desires to help design the plot. Is your character deeply insecure about voicing their opinions or taking a stand, because of trauma they faced in the past? Make them face that. Build that into the climactic third act. Give them the big inspirational speech where they stand up and talk about what they believe to be important, what they think the group should do. And then design that character arc to run through the story, giving you more handholds and stepping stones, more pieces of foundation on which to design the plot.

In this way, character should inform story as much as story informs character. It’s a feedback loop.

Bonus: if you build your character and your plot off of each other in this way, it automatically starts to build in the foundations of that emotional investment I mentioned earlier. If your character’s decisions are based on what they most want and do not want in life, you basically have your character motivation and stakes pre-built.

Note: you need to know these things about your villain, too.

-_-_-

I’m genuinely sorry about the length of this, lmao. But you did ask.

Best of luck!

Edit: I forgot an important one:

17) Start when the scene starts and end when the scene ends.

What do I mean by that?

If your notes say “Danny asks Nicole out after school and majorly flubs it,” start the scene when Danny approaches Nicole after school. Better yet, cold-open the scene on “I was wondering if, you know, you’d wanna. You know. Hang out some time?”

Don’t start that morning when Danny goes to school, unless you’re gonna cover the school day in like one or two sentences. Don’t spend whole paragraphs going through the school day, unless it’s to cover other plot points first (in which case apply these same guidelines there), or if the paragraphs are there for a specific reason, like to illustrate how stressed he is and how it seems like every little thing is going wrong. Even then, trim the fat as much as possible. Expounding and describing everything Moment-to-moment is for the meat of the scenes, not the leading-up-to and coming-away-from.

Here’s my rule of thumb: study how and when movies cut from scene to scene. Movies have exceptionally strict, limited time for storytelling; they’re excellent examples of starting a scene when the plot point starts and ending when it’s over. If you can’t picture a movie showing everything you showed, start the scene later and end it earlier.

#asks #anon #writing advice #writing tips #writing #fanfic writing #fanfiction #character creation #plot development #character development #my advice #original writing

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tofindloveinpoison · 4 years ago

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Iconic Fanfictions ive read two years ago and what I currently remember of them:

I will premise this by saying that these fanfics were famous only in certain specific niches of the internet, and that when i say that a work is badly written or i critique it in anyway it?s just my opinion from what i vaguely remember, whihch might not be correct.

Fanfics below the cut: filthy lucre, asotm, twist and shout, the hat and lung fics, anatomy of a fall, throam, unholyverse. feelfree to add what you remember of “famous fanfics” you’ve read.

tw for mentions of: sexual assault, violence, animal abuse, pedophilia and some other upsetting topics.

The Milk Fic

Oh my God this was bad but not nearly as extreme as other fics. An iconic and shocking read i do not recommend, but if you really want to read it it will not ruin your life, your month at most.

From what i remember at least the sex was consensual aaaaaaand i don’t remember any other good/decent aspects about it.

Very famous, a lot of ppl have read it, gerard way said it was “well-written” but honestly it wasn’t.

( original? ryden version) 4/10 because of lack of actual crimes.

Filthy Lucre

So bad i don’t remember the plot. They’re prostitutes i think? there definitely was an abusive relationship and the sex scenes were so bad i had to skip all of them, meaning i read the whole thing in half an hour.

Really terrible, they don’t end up toghether and that’s the only interesting element. I recomend no one reads this unless you are literally dying of boredom.

(frerard version) 1/10 because its a completed work, but at what cost

Twist and Shout

This is considered one of the good ones and you know what? for iconic fanfiction standards it’s not bad at all, decently-written with actual characters that don’t feel, like most fanfic characters, like bad ooc versions of the original.

How about the overcomplicated plot tho? I don’t remember a thing except for the homophobia (its set in the 50s-60s), the war, the Elvis songs, one cute sad beach scene and one of the protagonists dying of aids. Maybe they also watch star trek,idk; lots to unpack.

If you want to suffer and you have lots of free time i recommend it, i skipped most of the sex scenes but there is an actual plot so that was not a problem.

(original Destiel version) 8/10 bc I don’t remember how they handled the aids thing but it made me uncomfortable, might be just bc of the upsetting subject matter but i don’t remember

The Hat Fic

DO NOT READ THIS THING. Go read the milk fic if you want weird but not this one please. A milk enema is NOTHING. Contains animal abuse and i don’t remember how consensual the whole thing was.

I CAN ASSURE YOU THIS MAKES ME WANT TO PUKE TO THIS DAY I FEEL SICK WRITING THIS. There is a whole subset of early phanfiction centered on being as disgusting and upsetting as possible and i think this started it.

I higly doubt anyone got off on this but still the possibility unsettles me.

(original phan version ) -8233983743764346/10 should be illigal to talk about it. We should all agree to Damnatio Memoriae this thing.

A splitting of the Mind

Some people insist on treating this as one of the good iconic fics but it’s bad.

So bad its actually an interesting read if you feel like analizing some text, trying to see what is so appealing about it, despite its evident flaws.

The age gap is 19-16 so not as bad as the Other Iconic mcr Fanfic About Doves that i did not read bc from what i remember it was basically pedophilia/grooming but i might be wrong. God the bar is so low

Portrayal of mantal illness and trauma was truly a shitshow, the writing was not great but also not horrible. The sexual assault elements upset me greatly but it might be just bc of the subject matter

pros: unreliable narrator done decently, ray toro’s character saw the future looking in cereal, characters are characters and not merely names (not to be confused with actual good characterization), nothing else.

(original frerard version) 5/10 for the effort honestly, but i do not recommend this unless you are mentally ready for some heavy topics handled poorly.

The Lung Fic

This was written with the goal of shocking the reader, in the same vein as all hat fic/ milk fic copycats.

Should be more upsetting, given it contains gore, pedophilia and a bunch of other disgusting madness (maybe mpreg?), but it just reads as a fanfiction taboo list.

Not worth reading at all, clearly intentionally designed to shock and disgust to the point where it’s obvious.

0/10 i don’te remember which version, irrelevant, don’t waste your time

Anatomy of a fall

Contains ghosts, high school au, possibly resurrection or death, idk.

I don’t remember this being particularly offensive in any way, but its been a long time. Then again i did not read the sex scenes so it might contain necrophilia and i wouldn’t know. (i checked and no necrophilia, just “weird supernatural sex”)

is it well written? no, but it’s not outragiously badly-written. Is it funny sometimes? yes.

In the context of this list, this might be a good one, in any other context probably not. I might be biased bc i love ghost stories in general and this one does not contain sexual assault if i remember correcly. (The bar is soooo low)

(original? frerard version) 7/10 bc ghosts and funny aND IT HAS ILLUSTRATIONS (vietnamese translation available)

The Heart Rate of a Mouse

Good but not in the classical meaning of the word. It contains some Hot TakesTM on human sexuality, substance abuse and unhealthy relationship(s).

Its set in the 70s so the homophobia is there and she is thriving. Wonderful internalized homophobia, really 10/10 for that.

The sex and the plot sometimes intersect, putting me in the uncomfortable position of having to read smut or not knowiong what is going on (0/10 ).

Well written for the genre (=beloved fanfictions that are rarely redeemable); characters are original and flawed, even interesting sometimes.

The plot is three pubblished books worth of plot available for free on the internet and that is a blessing. I suggest reading this as if all the characters are OCs and you found this book forgotten on the train and decided to read it.

But is it actually good as a story? idk its a lot honestly, if you have to quarantine for 14 days bc of covid and you don’t have anything to study, this will fill at least 4 full days of reading.

(original version)8/10 bc it has everithing but its still not a masterpiece of modern fanfic literature sorry

Unholyverse

Contains Demons, priests, scarfs, exorcisms(affectionate), vergin mary tatoos and much more. Not as carefully written as throam or tas, but it still makes it as one of the good fanfics solely for the cool factor.

It would be so cool if this was better written and a comicbook or a grafic novel with original characters.( I skipped all the sex scenes bc they made me uncomfy, as usual so idkwhat was going on there)

If there was anything extremely upsetting about this one i forgot about it (i checked: they say “ warnings for religious themes, pain, trauma, blood, torture and death”). There is a lot of plot, its not even just one fic its a whole serie.

Great for passing the time, I forgot most of it 7/10 for the demons (original version)

#throam #asotm #milk fic #twist and shout #filthy lucre #unholyverse #uhv #hat fic #lung fic #anatomy of a fall #i did this so no one has to #iconic fic list #none of them is actually good #and all of them are results of the internet's 2015's slash paring of the month obsession #fanfiction

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lem-20 · 4 years ago

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Past and Future

Summary: Set a little bit down the line. MC & Ethan discuss the story of how they met and what they want in the future.

Book/Pairing: Open Heart/Ethan Ramsey x f!MC (Cecilia Gibson)

Category/Rating: Fluff/General (one use of mild language)

Word Count:<700

Prompts: @choicesficwriterscreations Silly love stories Day 5: Meet cute

@choicesfebchallenge Day 11: Flash forward

@wackydrabbles "Stop looking at me like that." (Will appear in bold).

Disclaimer: Characters owned by Pixelberry.

A/N: I wanted to write something fluffy after my With Every Heartbeat fic earlier in the week 🥺 And this is super fluffy! 😆

Ethan stroked her hair softly as she rested her head in his lap. It still amazed him that something as simple as sitting on the couch watching TV, could make him feel so happy and content. It certainly hadn't been that way when his evenings were spent alone. But apparently when you're madly in love with someone, their presence makes everything infinitely more enjoyable.

She rolled onto her back and looked up at him with a smile.

"You okay?" he asked, as he continued to run his fingers through her long blonde hair.

"Yeah. I just remembered a conversation I had with a patient earlier. She was telling me about how she met her husband."

"You love hearing people's life stories don't you?"

"I do. It's one of the best parts of the job," she grinned. "Anyway, she was telling me that they lived on the same street, but had never spoken to each other. Then one day, it had been snowing, and they were walking opposite ways down the sidewalk. Just as she was passing him, she slipped on some ice and he caught her. And now they've been married for 50 years and have like 12 grandkids," she beamed at him.

"Where are you going with this?" he asked with a quirked eyebrow.

"Stop looking at me like that. I thought it was cute, that's all," she said, biting her lip. "And it made me think of when we first met."

"There we go. Let's reminise fondly back to when you thought I was an asshole," he smirked.

"Well you know I didn't think that for long," she giggled.

"Hmm, yes lucky me," he smiled before pulling her up for a kiss. "I'm sorry our first encounter wasn't cute. But you know why I was like that."

"I know. You wanted to be a good mentor, to push me to be the best I could be...and you were totally in denial over how hot you thought I was."

"Oh, there was no denying that," he said with a chuckle.

"Oh really?" she replied with raised eyebrows. "Our first meeting wasn't all that bad though. It had excitement and drama, someone nearly died...I guess it'll be a fun story to tell the grandkids," she teased, but held his gaze.

She was doing that thing again. Where she would say something as though she was joking, but really it was her way of testing the water or trying to get him to talk about something serious.

Their future was something he had been thinking about a lot since he asked her to move in with him two months previously. He could tell that Cecilia wanted to talk about it, but she always seemed to tiptoe around the subject, almost as though she was afraid of what his answer would be. He couldn't blame her of course, after everything he'd put her through during the first couple of years they'd known each other.

Why she was so patient and so persistent, he'd never truly understand. But he'd be eternally grateful that she had been. Those days of confliction and doubt were well in the past—he was entirely certain of his feelings for her now.

He'd never really understood love until she came into his life. It had made him do some stupid and reckless things, but it also made him happier than he had ever been before.

If she wanted marriage, he'd marry her. If she wanted babies, they'd have babies. Not just because he wanted to give her the world and to see her happy, but because he wanted to share those things with her. He wanted to experience the joy of making a life and a family with the woman he loved and he wanted her to know he'd welcome those things in the future.

He gently stroked her cheek as she looked into his eyes. "Yes it will," he replied.

And the smile that appeared on her face, was the most beautiful thing he'd ever seen.

~~~~

Thank you so much for reading ❤

~~~~

Tags: @pixie88 @lifeaskim @shewillreadyou @queencarb @udishaman @lucy-268 @starrystarrytrouble @txemrn @ethanramseylover @schnitzelbutterfingers @drariellevalentine @irisofpurple @alina-yol-ramsey @maurine07 @stygianflood @iemcpbchoices @aussieez @openheartfanfics @aarisa-frost @binny1985

#cfwc silly love stories #choices fic writers creations #choicesfebruarychallenge2021 #choicesfebchallengeday11 #open heart fanfiction #ethan ramsey x mc #ethan x mc #open heart choices #wacky drabbles #ethan ramsey #open heart

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friendofhayley · 4 years ago

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I’m back after my hiatus from fanfiction, to give y’all the best multifandom recs of the fics I read this month. Shoutout to all content creators who helped us live to see the close of this year. This fic includes 15 fics for Sterek, Larry, Winteriron, and Geraskier. The starred ones put me through heaven and hell *chef’s kiss*.

Sterek (Teen Wolf)

1. Six Letter Word for Romance by @troubleiwant | domestic kink - omg there’s only one bed - soft Derek - oblivious idiots in love - 6k

Stiles definitely starts off thinking it’s fucking hilarious that Derek-sourwolf-Hale does crosswords and cares about scuffs on his furniture.

But at a certain point, and he can’t pinpoint exactly when, “fully functional adult couple” somehow becomes a massive fetish of his. Derek in sweats and bare feet, nudging his glasses up his nose while he does the Sunday crossword? Unff. Derek filling out forms to get some renovations on his property approved? Oh God, yes. Derek putting away groceries and bitching that the corner store was out of the right type of Greek yogurt? Take me now, Stiles thinks, worrying at his lower lip with his teeth.

This can’t be normal.

2. *Dirty Little Secret* by @isthatbloodonhisshirt | Cora & Stiles bffs - no one can resist the Stilinski charm - celebrity Derek - human au - 91k

“Holy shit, this is a date!” he blurted out, turning back to Derek wide-eyed. “This is a date! You intended for this to be a date, this was supposed to be a date!” He figured if he said it enough times, maybe he would believe it, but so far, no dice.

Derek was scowling again—seriously, did he want wrinkles?—but he just reached into one of the bags and pulled out a burger, checking what was written on the foil in sharpie before handing it over to Stiles.

“Of course it’s a date, what did you think this was?”

3. Can You Feel A Whole New Part of Your World? by @isthatbloodonhisshirt | i genuinely don’t look at authors names i just click i am sorry for spamming you but you write too good - neighbors Sterek - emotionally mature Stiles - the ideal fluffy world you’d want to live in - 53k

Can you hear me singing in the shower?” Stiles blurted out, because he had to know, now. If one of his neighbours had slid that note under his door, then it meant Parrish as another neighbour could hear him, too! He had to know if this was all a huge joke and one person had walked by and overheard him and decided to fuck with him.

Parrish gave him a weird look at the question, but answered anyway, making Stiles’ plans to leave the country speed up in his mind.

“Of course I can. You’re actually not bad. Though you have been singing a lot of Frozen lately, getting kind of tired of the soundtrack.”

4. Theory of Overprotective Canines by @petals42 | derek can turn into wolf - oblivious Stiles - future fic - mutual pining - 11k

Stiles is totally looking forward to living alone in his super cool apartment off-campus. He is. He is also very excited to bike to school every day, ready to set up an awesome game room, and definitely over his crush on Derek Hale. Completely over it.

Or at least he is until Derek decides he's moving in with him. And then turns out to be the perfect roommate. And then starts attending all his classes. As a wolf.

This is not going according to plan.

Larry (One Direction)

5. **The Changer and the Changed** by @homosociallyyours | literally the best fic of all time i want to live in there - girl direction - NYC ‘70s au - trans Zayn - the girls are so lovely - 59k

It’s the spring of 1977 and Harry Styles has just moved to New York City after graduating college. She knows she’s a lesbian. She just needs to figure out how to meet other lesbians.

Louis Tomlinson works at a popular women’s bookstore in the Lower East Side, Womon’s Direction, where she spends her days reading feminist literature, writing poetry, exchanging friendly barbs with her boss Niall, and dreaming of finding someone to love.

When Harry and Louis meet, their connection is instantaneous. Slowly but surely, Louis welcomes Harry into her community of women. Stonewall veteran and old school butch Niall; Liam, a land dyke who’s moved to the city for love; and Zayn, a lesbian musician who’s been ostracized by a vocal part of women’s community for being trans, welcome Harry with open arms, ready to help her find her place in New York City’s bustling lesbian scene.

6. others i’ve seen might never be mean (but they would never do) by @cherrylouvol6 | aaaaaaaa it’s lesbian When Harry Met Sally !!! - rom com - girl direction - coming out and first times - really great sex - 20k

Louis sighs.

“Do you remember what I said to you the first time we met?”

“That I’m naive and neurotic and would be hard pressed to ever find someone who could put up with me?” Harry snaps.

7. some things fade (some never do) by @so-why-let-your-voice-be-tamed | aaaaaa this story took me apart and back together again just like Louis and Harry - urban fantasy au - second chances - exes to friends to lovers - hurt/comfort - 25k

Matching tattoos. He’d never thought he’d be the type for tattoos to begin with, let alone matching or magical ones, but once Harry had put the idea in his mind it had never quite managed to disappear. And it had made sense. With their relationship a long distance one, this was simply another way of feeling close to one another. Of knowing where the other was, how they felt. It had made so much sense.

Back then.

8. we can take the long way home by @eleadore | i usually don’t rec my porn but there’s so much feels in this one - canon-divergent - kink discovery - friends to lovers - this was written in 2015 as a future fic but it felt like it was taking place now so good job - 27k

“Fertile,” Louis says, and then laughs because it sounds stupid to say out loud. He hasn’t ever really thought of himself in those terms. Baby-making terms. It’s just one of those things his body can do, like exercise, or go without tea. Doesn’t mean he will.

Winteriron (MCU)

9. **Dig No Graves** by @missaphelion | Tony finds out about his parents right after winter soldier au - Tony Stark has a heart - Bucky heals with bots and lots of sugar - slow burn - 142k

"I'm here to kill you, Terminator," Tony said slowly, "does that compute?"

The soldier looked up at him with wide blue eyes and no expression. "Okay."

Tony froze. "Okay," he echoed. "I tell you I came here to kill you and your response is 'okay'?"

10. A Rifling Matter by Penndragon27 | Winter Soldier has such a big crush on Tony’s weapons, he escapes Hydra au - identity porn - pining Bucky - fluff and angst - Winter Soldier is a fanboy and it’s cute - 37k

All the Asset knows is fighting, killing.

He also knows a good weapon when he sees one and Stark Industries... they make some great weapons.

11. *Winter is Coming (aka Fifty First Avengers Dates)* by @tisfan & @everyworldneedslove | enemies to friends to lovers to 50 first dates - pining Bucky - Tony gets amnesia - no Steve bashing but he’s a little bit of an ass - mental health issues - 109k

Bucky Barnes is still mostly The Asset, and he's pretty sure Hydra is going to come back for him soon, so in the meantime he's just going to keep an eye on the Avengers for them. But then Clint spotted him hiding in the shadows, so Tony came out and dragged Bucky back to the Tower, threw him in the shower, and fed him cheeseburgers.

Now The Asset is having anomalous feelings. In his pants.

Geraskier (The Witcher)

12. *no reason to run* by @yoursummerfrost | different meeting au - only one bed but camping - cursed Jaskier - soft Geralt!!!! - poly negotiations - 61k

"You'll change your mind one day," says the innkeep. "The road can't love you back."

What a strange way to flatten something so beautiful, Jaskier thinks. What a small way to love.

13. *He Fell into a Faerie Ring* by @geraltnoises | Jaskier gets bardnapped after the fight au - non-human Jaskier - soft Geralt - Jaskier encourages people to be kind and becomes a god - emotionally mature Geralt - 57k

Traders are a gossiping sort. If there was a scandal within the noble houses of Posada, you’d hear about it in Cretegor by the end of the week. So, the quick spread of a rumor about a little village in the Kestrel Mountain range was not at all surprising. What was surprising was the story that the traders wove. They said that Luibhtorrach, a sad, ghost of a farming town, had miraculously become a hub for trade, as if overnight. Their lands unbelievably fertile and brimming with crop. Even stranger, each and every one of Luibhtorrach’s people professed that their good fortune was the work of a mysterious beast they’d claimed as their personal deity. Most recent news foretold of their plans to throw a midsummer festival celebrating this newfound god. In preparation, silken blue banners were erected in every corner of the town, each bearing the symbol of their new patron: A delicate dandelion wrapping around a golden sun.

14. Barking Up the Wrong Tree by KHansen | 5+1 things - I’m worried about Geralt’s skills - non-human Jaskier - monsterfucker Geralt - crack treated seriously - 11k

Geralt is 100% certain that Jaskier is a vampire.

He's 100% proven wrong.

15. Bardic Idyll by Lisztful | fake relationship - Geralt is soft and oblivious - pining - fluff and angst - Jaskier you can’t show your emotions mainly through song! - 13k

Jaskier is certain he can win the Continent's annual bardic competition, but he needs to be accompanied by a dashing romantic companion in order to enter. Enter Geralt, who is definitely, for sure, only interested in the free food, and not at all in staring lovingly into Jaskier's eyes.

#monthly fic rec #fic rec #sterek fic rec #larry fic rec #winteriron #geraskier #larrie hijinks #witcher #mcu

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kaleidoscope13579 · 4 years ago

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Hello! I recently came across your fanfic and gotta say I LOVE IT! I’m only on ch4 and I like how things are developing so far and the set up is pretty nicely paced. I saw the 8/50 and holy cow!! I’m here for the whole ride 😎 I’m glad you are updating it. Can I ask what made you write this story? What do you have hopes for the future of it? What other AUs have you got interested to write? I hope this isn’t too much lol have a good one!

Thank you for the kind message!!! <3 And also thank you for the questions too, I'm more than happy to answer them! What made me write this story was because I read a LOT of shizaya fanfiction back in the day and I always wanted to imagine "What would happen if they actually got along? What if they were friends?" and "What if *this* happen? What if *that* happen?" and so the fic was just me throwing all of my headcanons of friendship/lover au (and many more) into a story. At the time, I think Erased (the anime) and Life is Strange had heavy influence on me. So the time travel element had the hamster wheel in my mind running. What I have hopes for the future of it... is finishing it all the way to the end XD It will get there eventually because I have my outline. Unlike my previous fanfictions, I did not have an outline - I wrote whatever came to mind and then I ran out of plot ideas. So I'm glad I waited to plan everything out before writing it. Other than that, fanart maybe? Idk, if I received fanart one day from one of my fics then I'm set for life. Also this wasn't an original hope, but now it is from all of the sweet messages that people gave me: I hope it influences more interesting Izaya interactions in fics like a Kasuka and Izaya friendship or maybe even a Vorona and Izaya friendship. Oooohh! So, I do have other AUs in the brainstorming stages but I don't know if I'll ever write them out one day. It'll depend in the future because I am bad at coming up with plot points :( (These fics are in no particular order.) 1. It's a Shizuo-centric fic called "Become Thy Worst Enemy". An AU where Ketsu didn't happen. Plot: Izaya spent his final moments having one last conversation with Shizuo before falling off a building. A year later, Shizuo still has guilt for not saving Izaya back then, which causes him to want to know more about his former enemy. And then a new mysterious threat emerges to terrorize Ikebukuro which forces the whole gang to find out what it is and take it out. And it will cause Shizuo to become like his worst enemy (Izaya) to defeat it. 2. I have been reading a lot of "reincarnated as a villainess" isekai stories, so I'm currently obsessed with the genre right now. I called it “Another Villain Story” lol Plot: Izaya woke up in the body of the main villain/second love interest to the heroine of an aristocratic historical fiction novel. In the original ending, his character has one final battle with crown prince before being defeated and exile out of the country. He is determine to change his fate of the ending. 3. A Miraculous Ladybug version of Shizaya (mixed with Shugo Chara elements). Plot: Izaya and Shizuo get superpowers and become superheroes. There is the love square. The kwamis are their alts version (hence the Shugo Chara elements) and Saika is the "akumatized" version of the story. 4. A kidfic Shizaya version. Essentially, snippets of Izaya and Shizuo growing up together as kids to adult life. Plot: Izaya's father told him one day that he hopes Izaya will come to love humans twice as much as others would, and not spend so much time at the library and make friends. So little Izaya ventures off and finds a kid who destroyed a bakery. Meeting him at the park, Izaya and him would become friends. Yeah, these are what I have. Again, I don't know if any of these will see the light of day but maybe? Idk, again I'm so bad at coming up with plot events. XD (Keep in mind, even the first one, all of my fics are happy endings because I am a sucker.) But anyways, thank you again for this ask. It was really fun to answer your questions. Thanks for reading my fic! (I'm sorry this is so long lol)

#hour fate #shizaya

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lifeofclonewars · 4 years ago

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I’m always obsessed with characters having little fun tics and habits and am also bored this Easter so like in beginn do you think kix walks around humming vode an under his breath, or still reflexively calls everyone sir regardless of gender, or react whenever someone calls either his number or one of torrenst members numbers.

For either funny or angst I’m picturing whoever’s visiting in beginn also joining in these habits as either a funny ghost moment or a sad kix is the only clone left and all his bros are dead

Noooo I had a full response ready and then my laptop glitched and lost it all :(

Anyway, I’m glad you asked! I’ve been meaning to talk about this in a post recently, actually. The ‘sir’ thing is in Beginn — that’s how Kix addresses Leia in Chapter 3 when she comes to find Artoo. It’ll come up again in Chapter 5, too (oop, spoilers-ish?).

The interesting thing is that there are tons of things he probably had to adapt or stop doing altogether because of how things are different 50 years in the future. I think I’ve only mentioned it once in Chapter 4, but Kix isn’t wearing his blacks and armor on a daily basis anymore. As a result, he tugs on his sleeves a lot, rolls them up, takes them down, etc, often because they’re more in the way than he’s used to sleeves being. He likely spent a good chunk of time when he first stopped wearing his armor constantly reaching for where the armor belt sits instead of his pockets.

He also probably gestures with his head often, a side effect of years of talking while wearing a helmet and not having visible facial expressions. It can happen both when he gestures with his hands and when he’s got his hands full. People would take notice of this, though wouldn’t say anything about it. After all, he is a medic, and gesturing like that can be useful when he needs both hands for whatever healing needs to be done.

(Heads up, my mind almost always chooses angst lol sorry?) Jesse has regularly called Kix out on things he says that are the same as during the Clone Wars throughout Beginn, despite the fact that Kix can’t hear him. He’s got his own share of habits he hasn’t stopped from the war, especially since he does still wear his armor most of the time. It’d be interesting if there was a Resistance member also named Jesse. He’d probably turn around every single time he heard someone calling for the other Jesse, even knowing nobody saying it can see him.

I don’t doubt he’d pick up on the similarities and differences of Kix’s habits now, even if he doesn’t fully realize his own. It hits him every once in a while that Kix is the last living clone to go around humming Vode An or saying remembrances. It also occurs to him occasionally that Kix goes about setting up medical supplies in a different order now, or something like that, since there have been advancements he had to catch up and practices evolved past the ones he used to use.

There are things Kix may do because they’re the same as what he used to do and it gives him some sort of comfort in the time. Intentional, as he also is acutely aware of the fact that he’s the last one doing it. Perhaps things he does that bring memories of brothers and he doesn’t want to forget them. For example, double-checking that someone hasn’t placed a rock or something on his bed before lying down (which could also be a side effect of campaigns and sleeping in tents). Or twirling a stylus when he’s thinking while writing because it reminds him of Hardcase asking him how he did it and Jesse getting annoyed by the two of them back on Kamino. Stuff like that.

But, yeah, you’re right, anon. Habits and tics are always fun to talk about with characters. Even if my brain decided to dump some angst on us today. Also, I am always down to talk about Beginn or my other fics, so thanks for asking!

#b answers #anon #beginn shed-ic kix and jessplea #kix #jesse #also idk how long you were waiting on an answer sorry #hardcase #also this is...long lol oops? not really #long post #ohmh

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hollyand-writes · 4 years ago

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How about 2 dealers choice questions for the writer’s ask, since I see you’ve been asked quite a few already and I’ve lost track of which ones you haven’t answered ^^;

Hey there Andrastesknickerweasel, always good to hear from you and this is no exception! ❤️ Anyway. Thanks so much for sending this in, and sorry for the delay in replying! ❤️

From the “Fun meta asks for writers” post

Alright, let’s see...

1. Tell us about your current project(s) – what’s it about, how’s progress, what do you love most about it?

I might as well just list current DA2 writing projects and where I’m at with each of them:

“A Chance Engagement” (Regency AU Carver/Merrill) - currently writing Chapter 50; struggled a little after having to delete or re-work a plot point i.e. a ball that needs to be scheduled at a full moon (and the last ball was less than a month ago at the previous full moon so... basically it’s too soon in the story for another full moon and I did not think this through 😂 )

“Employer Relations” (Gym AU M!Hawke/Anders) - recently posted Chapter 3, need to write and post Chapter 4

“The Templar And The Blood Mage” (canonverse Templar!Carver/Merrill) - on hiatus, although I may return to it as a recent commenter has said some lovely things about it and is trying to persuade me to write it again 😭❤️🥺

“How To Push Up A Daisy” (Gym AU Carver/Merrill) - on hold, probably until Employer Relations is finished or nearly finished. First written in 2016 and set in early to mid-2010s London, UK, so it’s not Brexit compliant

“Actually, Love” (Pornstar AU Carver/Merrill) - on hold; 80% written until I was interrupted last summer with health problems and a few serious health scares that stopped me finishing it

And two more that don’t have titles yet:

The secret Hawke/Anders fic I’m writing for the Handers Exchange;

The Batman AU Carver/Merrill fic I started plotting out for last year’s Black Emporium Exchange but decided it was too risky to write (although I’ve been discussing it again with the lovely @vonuberwald and @storybookhawke tonight as I still love the idea of Batman Carver Hawke and Catwoman Merrill, like, a lot)

😅 I really should progress some of these, LOL.

2. Tell us about what you’re most looking forward to writing – in your current project, or a future project

Right now I am really looking forward to writing the Hawke/Anders fic for my assigned giftee in the Handers Exchange being run by @handers-time / @faux-fires (Reikah). There’s a particular request my giftee had that I absolutely LOVE and I’m looking forward to brainstorming more ideas for it with trusted friends. I hope my giftee will like what I write!

#andrastesknickerweasel #replies #fun meta asks for writers #ask meme #WIPs #works in progress

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thethirdamell · 4 years ago

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I’ve seen a lot of people posting a few writing memes about fic titles so I just wanted to break down where all of mine have come from and what they mean in Accursed Ones because I’m bored. Probably nothing you don’t already know in here

1. Awakening - Name of the game + Anders literally waking up + metaphorically waking up and understanding his obligation to help 2. Nothing For It - Mean to imply that Anders had no alternative but to help and be helped by Amell in turn 3. Conscription - What it says on the tin 4. Joining - What it says on the tin 5. It Comes From Beneath - Name of the quest 6. Last of the Legion - Name of the quest 7. Memories of the Stone - Name of the quest 8. A Night of Revelry - Meant to be ironic considering what happens 9. Freedom for Anders - Name of the quest 10. Freedom for Anders Part Two - Name of the quest 11. The Righteous Path - Name of the quest 12. In Retreat, Panic - A play on the Grey Warden motto. (Also my favorite chapter in the story.) 13. All Soul's Day - Name of the annum 14. The Dark Theurge - Name of the demon 15. Paramour - Name of the achievement for a romance 16. Ground Rules - Ground rules for a relationship 17. Lost in Dreams - Name of a similar quest 18. Far Afield - Name of the quest 19. Far Afield Part Two - Name of the quest 20. Uprising - Name of the quest 21. The Resolutionist and The Aequitarian - Amell and Wynne’s respective fraternities 22. Serpents High, Angels Low - Both the rules of the team’s card game and an over-arching theme of the fic where things that are presumed to be good/evil are often the reverse. 23. Malleus Maleficarum - The name of a treatise on witchcraft elevating sorcery to heresy and a song Malleus Maleficarum by Ordo Funebris 24. Shadows of the Blackmarsh - Name of the quest 25. The Blackmarsh Undying - Name of the quest 26. Pride Goes Before Destruction - A reference to the Pride demon and Amell’s pride in thinking he can handle it 27. And a Haughty Spirit Before a Fall - A reference to Justice and Anders falling for Amell 28. The Apple And The Tree - A quote about Amell being like his father 29. Lullabies - A Song - Lullabies by Yuna 30. Fools Gold - Meant to reference both Quentin and Anders’ happiness. Also a song Fools Gold Fitz and the Tantrums. 31. Eyes of the Beholder - A play off “Beauty lies in the eyes of the beholder” meant to reference the difference between Amell and Anders’ perspectives on losing his eyes. 32. Blame it on the Night - Meant to indicate what happened isn’t Anders’ fault. Also a song - Blame it on the Night by Calvin Harris 33. White Lies, Red Eyes - A reference to both the colors of the Amell family and Amell’s personality 34. Spirits and Demons - What it says on the tin 35. Love is Blind - An overarching theme in the story. 36. Satinalia - Name of the annum 37. Brothers and Sisters - A reference to Wardens and Anders still having family without Amell. 38. Score One for Our Heroes - Meant to be ironic. Also a quote from Anders. 39. Out of Control - The current state of things and also a reference to A Leader on Losing Control by Corb Lund which is a Leonie song. 40. Justice for Naught - Meant to imply that sometimes there is no justice but you have to keep trying anyway 41. Here's to Us Blighters - What Oghren says when night is darkest 42. Bold and Brazen and Beautiful - Amell’s description of Anders 43. Monsters and Men - Self explanatory for Justice/Anders. 44. The Best Intentions - Oft Go Awry is Unspoken 45. Blessed Are the Peacekeepers - A quote from the Chant of Light 46. Champions of the Just - The rest of the quote. Meant to be ironic. 47. The Black City - A reference to both Kirkwall and the actual Black City 48. Rip Up Your Roots - A quote from Cor and what Anders does to cope, but the follow up, “You ain’t gonna have a tree.” is equally important. 49. A Good Man - A quote from Lirene about Anders 50. First Day - The name of the annum 51. As The Crow Flies - Foreshadowing Anders learning shapeshifting 52. Wintersend - Name of the annum 53. Chasing the Sun - Name of a song. Chasing the Sun by the Wanted. 54. Doubts and Revelations - What it says on the tin 55. Birds of a Feather - Flock together. Both a joke about shapeshifting and Kanders. 56. Snap - What it says on the tin 57. Ray of Sunshine - Joke on Bethany’s name 58. Oopsy Daisy - Joke on Merrill’s name 59. Pretty Reckless - Meant to reference both Anders and Hawke’s behavior. 60. Let's Try This Again - What it says on the tin 61. A Preoccupation with Spirits - A joke about Justice and alcohol 62. Meetings - What it says on the tin 63. Acquainted - Basically just Meetings Part 2 64. Bloodline Part One - What it says on the tin 65. Bloodline Part Two - What it says on the tin 66. Trail of Love - Name of the quest but also references Anders’ many past and future loves. Amell, Karl, Isabela, Hawke. 67. Rude Awakening - A call back to the first chapter meant to show how much Anders has changed. Anders takes on the role of Amell here and Hawke takes on the role of Anders with respects to Blood Magic. 68. Safe Harbors - A joke about sex with Isabela 69. The Best Laid Plans - Oft Go Awry is implicit. 70. Oft Go Awry - What it says on the tin 71. All New, Faded For Him - This was an anagram like the quest in DAI but I can’t remember what it is an anagram for. RIP 72. A Year Ago Today - What it says on the tin 73. Friends in Low Places - Name of the quest 74. No Turning Back - What it says on the tin 75. Senior Warden Anders - What it says on the tin 76. Bodies So Maimed - Quote from the Chant of Light about darkspawn 77. Down in the Dark with the Dead - A quote from Eli 78. Up in the Light with the Life - The opposite of the above quote 79. A Day for Silence - Name of the annum 80. My Failing and My Falling Part One - A line from Anders’ story for Nika and a reference to Hawke’s failure to protect his sister. 81. My Failing and My Falling Part Two - Same as above 82. Pain and Bane - Name of the poem Merrill sings. Also an overarching theme of the story 83. Luck of the Dog - Reference to the Dog Lords but also ironic considering Anders is not lucky. 84. Bird's Eye View - Both a reference to Anders’ transformation magic and his perspective on the Circles and how Bethany doesn’t share them 85. Act of Mercy - Name of the quest 86. The Revolutionists - Name of Decimus’s fraternity 87. Burn After Reading - what it says on the tin 88. Not in Hand, Not in Play - A quote from the chapter but also Fenris’ perspective on love and a theme of the story. It is or it isn’t. 89. Enemies Among Us - Name of the quest 90. Save Me - What it says on the tin 91. Benedictions - A Canticle in the Chant of Light that makes Hawke think of Anders 92. What Will The Neighbors Think? - A mini-theme throughout the story regarding Anders (in)ability to be openly in a relationship, be it with Amell, Justice, Hawke, etc. 93. Have Your Pie and Eat it Too - What Anders keeps trying and failing to do 94. Dead Set on Ending Badly - Foreshadowing 95. Where We Stand - Where Hawke and Anders’ relationship stands 96. Hearts of Gold or Near Enough - Meant to apply to all of the main characters 97. Ghilan’him Banal’vhen - The Path that Leads Astray. Foreshadowing. 98. Abstention and Absolution - Meant to be Ironic 99. Until the Last Dog is Hung - What it says on the tin 100. Free To Good Home - References the mages, Dog Lords, and also Anders 101. It Gets Easier - Narrator Voice: It did not get easier. 102. Luxury of Leaning - A reference to Hawke not having the option to pursue men as the scion of a noble house but doing it anyway because fuck you mom. 103. Dissent - Name of the quest 104. Into Madness - Play on words. Descend into Madness / Dissent into Madness 105. Fester - What it says on the tin 106. The First Sacrifice - Name of the quest 107. Once Removed - Play on words. A reference to Amell/Hawke’s Eyes and Quentin being Hawke’s cousin once removed. 108. Not Again - Haha get wrekt 109. All That Remains - Name of the quest 110. The Way Forward - A reference to Fenris’ quote about the stairs being out. Meant to symbolize that there are no other options for Anders, Hawke, and the narrative as a whole. Also, ironically, meant to show that Hawke does not actually move forward. 111. Lyrium and Lies - Foreshadowing 112. Ser Cumference and the Terrible Tower - A children’s tale vibe meant to show the dichotomy of man. 113. The Calm Before - Foreshadowing for the name of the next chapter. 114. The Storm - What was foreshadowed. 115. Long Time No See - A reference to both not seeing Amell for a long time and Amell not being able to see for a long time. 116. To Catch a Thief - Name of the quest 117. To Save a Sinner - Similar naming methodology of the previous chapter meant to show Isabela is more than just a thief. 118. On Deaf Ears - Both Hawke being deaf and Hawke not agreeing with Anders. 119. Hey Sparkles - Meant to give a “It’s gonna be okay dude” vibe. 120. Give Me A Sign - Sign language reference but also a plea for Hawke and Anders’ relationship to get better. 121. We Should Talk - About both Hawke and Amell, but Amell is the only one Anders talks to in this chapter. 122. The Weight of Years - Shit’s heavy 123. How Have You Been? - Asking the dangerous questions again 124. Spin a Story - Varric’s terrible advice to Anders but also Amell’s approach to interacting with Anders after they’ve been apart for so long. 125. Give and Take Part One - Commentary on Anders relationship with both Amell and Hawke. 126. Give and Take Part Two - See above 127. What You Make It - What love is according to Fenris 128. Letters from the Vigil - What it says on the tin 129. Consent is Key - A quote from the chapter and commentary on responsible use of blood magic. 130. What Have You Done Now? - A song. What Have you Done Now by Within Temptation 131. But This is All I Ever Was - A song lyric. Ditmas by Mumford & Sons 132. Wasted Time - Also a song lyric from Ditmas but like accidentally.

#ao rambles #ao nonsense #might do this again for apples #what a productive use of my time i regret nothing #don't mind me #just having fun

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dutten-does-the-fanfic · 4 years ago

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Obviously you don’t have to say anything if you don’t feel motivated or don’t want to write but i was wondering if you had any big plans for the future- both personal/original projects and fan fictions. Love ur writing! Again, plz i mean not to pressure you just genuinely curious

Hello! And thank you, that’s so sweet of you :3 I don’t remember if I’ve said this (I’m pretty sure I have??) but I’m currently in uni, and course-load and exams have practically made it their mission to kick my ass at every possible moment, which is why there are these long breaks where I’m just, completely inactive (and I hate it, but I haven’t unlocked enough levels of adult to figure out how to healthily balance my work life and personal life - maybe in a few years ¯\_(ツ)_/¯ )

But I am still writing!! (or, am going to be when I get a moment to breathe) Definitely motivated and interested and keeping at it!! :D

As for projects, oh boy. What haven’t I got going on (loads, is the answer, but to go over a few!)

I don’t really have any original projects - I’ve never really liked creating oc’s for some reason? I much prefer having the characters from a show/book/whatever and working off of them for the story/plot whilst still keeping some of the character we all fell in love with intact - I don’t know. I really love making small comments about the OG platform (quotes, moments, mentions, really anything, just small easter eggs for myself and whoever reads the story) that I obvs wouldn’t be able to make with my own OG content xD Everything would be canon then.

As for fanfiction! So much!! Absolutely none of it is finished, because I have zero patience or sense of delayed gratification when it comes to posting - I just want it all out at once and to read everyone’s comments at once xD

I’ve got stories going for a few different fandoms and ideas just written down in my ever-growing ideas-doc for even more! I think I’m going to correctly assume you might be here for the SKAM fics, tho ;p

Basically, I’m horrible with understanding what is and isn’t a spoiler because I know the twists and turns so I just take it all for granted - however, when I actively try to describe a fic without spoilers, they end up sounding genuinely dull xD But I’ll do my best without giving too much away!

I’ve basically got so many stories going at once that I genuinely have no idea how many there are as I always forget some, so here are a selected few!

Obvs, there’s Even’s POV for “Something Great” (aka “that fic” aka my twitter legacy) which is nowhere near done. I’m really loving what I have got down, though! As far as I remember, I’m about 8k in, but I’m shooting for 30-40k, so no time frame. In case you didn’t know, I’ve done an entire announcement post where there are also a few previews included :D

Then there’s a pretty much crack fic with some angst and a way for me to memorize my course work that actually isn’t too far from being finished, but... it needs some work. It’s basically one of those “heeey, you’re pretty much my best friend and I don’t have unrequited feelings for you at all (lies), so it’s totally okay that we pretend to hook up to get back at our roommate who keeps sexciling us only for it to turn real” kind of AU.

Then there’s the other crack fic from boy squad’s POV (well, Jonas, but they practically serve as one entity) about them being oblivious to Evak until one day Isak announces #Evak is real, but they’re just so sure they would have noticed something, so they think Isak and Even are pranking them, so they set out expose them. A+ content, if I have to say so myself.

Next there’s my newest pride and joy that I’ve currently got sitting somewhere between 50-60k with no end in sight. I love this story, I cannot being to describe just how much I love this story. There is so much to this story, and I don’t want to give anything away :’( Basically, Isak has quite serious trauma from something that happened in his childhood, and it’s set during his second year in high school - he’s living in the Kollektiv (with four rooms, ‘cause I aint sending Noora to London), and he’s got the boy squad, Eva and Jonas are still dating so the girl squad also make a lot of appearances. And it’s basically just this major character exploration of the different ways Isak’s trauma appears, how it impacts the way he interacts with other people, the way he sees the world and other people, how he basically doesn’t deal with the trauma and how severely it affects him. And then there’s this entire thing about the sudden suicide of a famous Norwegian pianist (not one of the major characters, I ain’t about that life) that somehow ties into everything and everything turns very shady.

That barely covers the actual story and I’m pretty sure it sounds so jumbled up, but I literally can’t figure out how to describe it without spoilers.

Then we’ve got another angst-galore! A traveling AU! Which, timing, I know. We’ll ignore that. With my pace, it won’t be ready until traveling is allowed again anyway ^__^’ It plays on the themes of lost and found, and it’s basically about how Even travels to find out who he is, but he ends up finding Isak instead, running into him in different cities and countries, and they fall in love, but Isak is traveling to lose himself and everyone - ah. Angst-galore indeed.

What else - there’s a snakesak ABO!AU, because I’ve never written either, and for some reason, I must’ve apparently felt the need to put the two together. ABO is the kind of AU that pretty much everyone holds different opinions on - it’s not a tag I filter out, but it pretty much differs from story to story how much I like it. All I know is, when it is done well, it is done well.

I know there are more, because there are always more. I’ve definitely got so many ideas that I haven’t gotten anything down more than the premise: There’s a murder mystery AU, because I’ve wanted to do one pretty much since I wrote the first chapter for Beat the Record (you know, back when it was still just supposed to be a oneshot xD) and now I’ve finally got a basic storyline for it! Featuring detective Even who has been demoted to a permanent deskjob and basically only kept on out of pity after screwing up evidence? an assignment? plans still pending. Not accepting this, he sets out to catch the new serial killer with the help of newly hired forensic scientist Isak, whom he asks for help because of how talented Isak is, not because Even has a big-ass crush on him. Then there’s the university AU that’s basically a rom/com where Even is one of the hosts for the uni’s radio station, sees pretty boy Isak generally being a mess, falls instantly in love and keeps talking about “the cute boy” on the radio, asking if anyone knows his name and if they can get him his number. Isak only finds out about it because Magnus is a listener and accidentally figures it out.

And so many more. Literally. We are talking pages upon pages, let alone some quite long stories I also have going for other fandoms. I seriously can’t wait - I just need to get myself writing xD

I hope this helps tide over the long waiting period a little :) xx <3

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fvckyouimaprophet · 4 years ago

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Fanfic questions! 2, 3, 5, 10, 11, 16, 21, 25, 33, and 35!

thank you for sending in so many, ash! 😱 i’ve put them under a cut!!

2. why do you write fanfiction?

i generally love writing, but fanfic definitely takes less energy than original fiction, and it’s a nice perk that you kinda have a built-in audience. also, i just love the feeling of taking certain characters and ships and exploring those dynamics in 50 different scenarios. i feel like there’s something really thrilling because there’s something familiar, yet they still feel new and different every time. at least, that’s my hope when people read it!

3. what do you think makes your writing stand out from other works?

oh geez. i’m not really sure! uhh, i think i’m able to capture the beats in a conversation and write banter pretty okay. i don’t know if that makes it stand out necessarily though, ha.

5. what’s the fic you’re most proud of?

oh, hmmm. oneshot would probably be nobody loves me (like you do), which i wrote this year. and multichap (and maybe overall) would definitely be colorblind.

funnily enough, they’re both soulmate aus, which i didn’t realize until i looked at both names side-by-side.

10. what’s your favorite genre to write for?

the general broad world of aus is my fave. if i do canon-compliant, it’s usually anyway a future fic. more specifically, if we’re talking about tropes, i’d say slowburn fics with lots of yearning that really center on one character’s emotional state, as written through a third-person omniscient pov. i know that’s not a genre, but oh well.

11. who or what do you find yourself writing about most?

answered here.

16. any guilty pleasure trope(s)?

ooh, hmm. i am pretty unabashed with my interests. i guess tattoo artist aus or punk aus are kinda silly and have a very romance novel idea of a bad boy, but i do really love them.

21. favorite pairing to write for? (platonic or romantic!)

answered here.

25. have you ever daydreamed about side adventures/spin-offs from your fic? Tell us about them!

i’ve wanted to expand on my woflstar drabble where remus is hitchhiking home, and he gets in the car with sirius, who is a band member for his favorite band. it ends right before they go on a date.

for longer fics, i'd have to go with all summer long. it's anyway a character study of draco more than anything else, but i think it'd be cool to have a fic set before the events of all summer long that really just is about his life adapting post-war. you'd see more of his job as a healer, his relationship with his mom, the surveillance tabs aurors keep on him and what that does to his mental health.

i’ve never done a pure character study without a ship, and i think it’d be challenging in a really fun way.

33. is there anything you wish your audience knew about your writing or writing process?

i sprinkle so much of both me and my interactions with people into my fics. it’s... a lot. but i feel like having small, really concrete details like that makes characters feel more real. and if it’s about an interaction with someone, it’s frequently done almost as a love letter (platonic or romantic) to the person with whom i had the interaction.

35. ramble about any fic-related thing you want!

i honestly have never been super into the trope “but there was only one bed,” and i don’t know why! it sounds like exactly the sort of cute trope that easily lends itself to both friends-to-lovers and enemies-to-lovers, but i’ve yet to read a fic where it didn’t feel shoehorned.

i think part of it is that so many of those fics take place over one night, and before the characters share a bed, they tend to be oblivious. i adore a well-done obliviously-in-love trope, but it feels kinda forced and too quick when add all those details together. while i like a sort of “sudden realization” (the “oh. oh.” trope) in a slow burn, i’m not huge on it if you don’t get it in the context of their larger relationship

also, while the ones where they’re forced to share a bed for an extended period of time make more sense, the reasoning always feels a little flimsy when. it’s always like, “we’ll be at this hotel for two weeks, and in that time, there won’t be a single cot available.”

i know i’m not supposed to bring logic into fics, and that frequently sucks the joy and fun out of them, but i feel almost guilty for not being into the one bed trope since it’s so, so incredibly popular.

#i'm sorry my answers are novels!!#sirdorkalot #ask

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mittensmorgul · 5 years ago

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When I talk about samwena, someone always says that their relationship is motherly, just like when I talk about destiel, someone always says that they are like brothers. Although I firmly believe that Sam and Rowena's relationship is not motherly, it bothers me that Rowena said "this is my boy" to Sam, because she also talked about Crowley, her son. Do you think this was an attempt by the writers to try to turn samwena into a mother-child relationship?

Aw, hi there! and I’m gonna start this by saying that I have written a lot on the subject, and none of it has seemed to change anyone’s mind, so I don’t know whether writing another long post on the subject will, either.

I’m putting this under a cut because it’s long-ish, and because I don’t need saileen shippers attacking me again... y’all have been warned if you don’t wanna read stuff that isn’t glowingly heart-eye’d about them... bearing in mind that I read all the positive saileen posts and just smile and nod politely at them and then move on with my life while shutting up about it...

(sorry about that... I edited this post for a typo and it seems to have messed up the read more cut...)

For years, we’ve watched the relationship between Sam and Rowena grow slowly, and it reached a point somewhere along the line where I couldn’t ignore the blatant romantic themes. The thing is, for me, their relationship can’t possibly work as her being “motherly” toward him. Because Sam has just as often been the provider of comfort/security to her as she has to him, you know?

I’ve seen a lot of people just flat out reject the read of their relationship as romantic, but I think that’s mostly because folks were clinging to the notion that Eileen was actually still alive. Granted, the fact that she had actually been dead all those years was only confirmed after Rowena’s death, but I think folks were dead set on them picking up their “romantic” relationship (which I don’t even think approached romantic in canon until Sam offered her that parting kiss, but again, that’s just me) and immediately were able to dismiss Rowena with that. Despite the fact that Sam (in canon, again) couldn’t just dismiss Rowena and strike up a relationship with Eileen (even after he verbally, repeatedly confirmed that he and Eileen were “not like that” after Dean’s prodding, a lot of people still only had heart-eyes for the two of them, and I get it, I really do, but I don’t see it, and can’t see it as ever having been romantic in canon before that point).

I personally do not think that Eileen will be back as Sam’s endgame love interest, and never have. I know that comment upsets a lot of people who cannot see a happy endgame for Sam without some sort of relationship with Eileen. But canon literally has not laid the groundwork for that. She could come back, he could call her at the end and suggest they give a relationship a try, but to me it would be just that-- not some Grand Romance that has been years in the making, but the very beginning of what could potentially be a happy life together. And I just find that... disappointing on so many levels. But again, that’s just me. If that’s what the show gives us, I’ll personally be incredibly meh about it.

In 15.03, as Rowena is attempting to convince Sam to kill her, to sacrifice her for the spell that was SUPPOSED to save the world, to finally free them from Chuck’s Final Punishment and heal the rift he opened into Hell, she sacrificed herself believing it would be to save Sam and the world. And the key thing to understand here is that her sacrifice did NOT end Chuck’s game of horrors for them. He was SUPPOSED to have left their world after that, and yet he didn’t. He just kept writing, destroying, and pushing them. Eileen was a pawn in his game. I can’t see her as anything more than that, as far as Sam goes anyway. In fact, her return prompted Sam to spend that entire episode thinking about Rowena, learning he was the only one able to enter Rowena’s home without being cursed by her security system. Had to bear the weight of the fact that he was the one who killed her, even if she basically had to force him to do so... Eileen being resurrected felt like cold comfort, especially when Sam still thought it had been Rowena’s one-time-use spell that had brought her back.

Learning that spell had been planted there by Chuck, after Sam had gone to Rowena’s in search of a crystal to trap Eileen’s soul for an eternity (better than going back to Hell or wandering the earth until she went vengeful), (which is admittedly not a very romantic start to any of this), and then learning that Rowena was first Queen in Hell and then had apparently lost control of the place by the next time Sam and Dean went to seek her help... I mean, the whole notion that Rowena was actually happy there is blown to shreds.

Heck this is getting long, and I already wrote a dissertation on Rowena’s character (too long for tumblr, it’s on ao3: https://archiveofourown.org/works/21641770). Somehow every time I start talking about Sam and Rowena’s romantic potential it always devolves into a dissertation on why I can’t see Sam and Eileen as a romantic potential, but that long essay is almost entirely about Rowena herself and has very little to do with shipping at all. I’m not interested in ship wars here. If y’all are happy thinking about Sam and Eileen together, congrats! I’ve written them as a couple in fic! They are cute together! But in canon, there’s no there there...

But back to Rowena, and that final line from 15.03:

ROWENA Hell's closing. The walls are falling. SAM There has to be another way. ROWENA I wish there were... I do. I don't care about anything enough to take my own life. Not you, your brother... not even the world. But I believe in prophecy. I believe in magic. And I'm here, and you're here, and everything we need to end this right is in our hands. [She puts the dagger in Sam’s hands and tries to get him to stab her.] ROWENA I know this in my bones... it has to be this way. Do it! Kill me, Samuel! [Sam hesitates. Rowena puts a hand on his shoulder.] ROWENA I know we've gotten quite fond of each other, haven't we? But will you let the world die, let your brother die, just so I can live? [...] SAM No. [He stabs her, crying. Rowena touches his face.] ROWENA That's my boy. [She twists the dagger where Sam stabbed her. Then, she takes it out.]

(and for every reason why I believe that entire conversation is key to Rowena as a character, again, see that long essay)

Rowena doesn’t do “fond.” She wields flirtations as defensive weapons. She manipulates and shields herself with favors and sensuality. I mean, remember every man she’s had flirtations with-- from the men she’d attempted to con into relationships in order to take them for everything they were worth to flirting with the most powerful being in the room from Chuck right on down to Cas. We know her history, from Crowley’s birth story to how she’d survived for hundreds of years by ingratiating herself to those wealthier and more powerful. Remember those witches in 12.11 who’d basically used her up and dumped her out again. But with Sam? With Sam she’d never made a power play. She’d never aggressively come on to him, never felt the need to assert herself to control him or defend herself from him. He was the only person she’d ever been entirely honest with, about her fears and her concerns.

Sam was the only person, possibly in her entire life, that she trusted fully.

And in return, Sam literally held her life in his hands. Nobody else had the power to kill her, and that is a fuckton of trust to have in someone you will then refer to as “fond of each other.”

I mean, honestly

how is that not romantic?

And yet her final attempt to comfort him after he’s done what she asked of him and has tears streaming down his face is “that’s my boy...”

What was she supposed to do? Kiss him? Knowing she would die and condemn herself to Hell didn’t seem like the right time for anything else... And yet now she is trapped there after a futile sacrifice that failed to save the world.

The look of abject shock on Sam’s face in 15.08 when they find her in Hell is telling. She dismisses him to refill her drink, because I don’t think she could bear that look on his face, and then advises Dean and Cas to fix their own mess. And that, to me, only served to underscore the fact that her own mess remained unfixed, and possibly unfixable at that point, you know? She was still dead, still trapped in Hell because of her own choices. She hadn’t even earned redemption for that sacrifice.

Are we supposed to believe that she’s still condemned to that fate, and that’s just the end of her story in an “oh well, moving on” sort of way just so Sam can have a cute lil fledgling relationship with Eileen (who left, with no immediate intention to return) and forget all about all of that? Nah, no thank you.

There are seven more episodes to air, and one of the major things I personally feel needs to be resolved with Chuck’s imminent dismissal from his creation (because honestly do any of us believe that Chuck won’t be defeated in the end?) is the reorganization of the whole of Heaven and Hell. Something tells me that without Chuck manipulating creation, Heaven and Hell will not survive as they are, and then what would happen to Rowena? I think she’s still important to the story, or at least I hope she is.

It will be interesting to see how this all plays out, and I don’t have any definitive guesses about anything, but to me, this is the only way things can play out happily for Sam, saving Rowena the same way Cas once saved Dean (sorry Saileen shippers, I know Sam “saved” Eileen already, but uh... there’s about 50 asterisks on that where Chuck’s desired story just falls apart all over the place, especially the peek into the future Chuck gave Sam in 15.09).

#samwitch #spn 15.03 #spn 15.06 #spn 15.08 #spn 15.09 #spn 15.13 #spn 12.11 #rowena #Anonymous

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