#anyway thank you for asking of course

[misc-obeyme]

Oya CC Tell us more about your OC powers Beside Arsenios, because I'm greedy

Oh you want to know about the other OCs?? Well admittedly they aren't quite as developed as Arrie aldksfj but their powers are something I can describe easily enough I think! I apologize in advance for the length of this response lol.

There are several OCs of course, but generally I gave each one of them some sort of specific power that is unique to them, aside from the general use of magic. Mostly because I think it's interesting when characters have a specific thing they can do that others can't.

Everybody probably knows by now that Arrie's is music lol.

The other demon OCs also have specific powers. Liviana's is psychometry, which is where you can sort of read things from an object by touching it. Specifically, she can touch something and see where its been, kind of like its memories. She'll also gain some insight into the object itself, like what it's made of or who it belongs to, that kinda thing.

Lael's power is memory, in that he can manipulate the memories of people. He can see them, but also remove them or replace them or alter them in some way. He also has a photographic memory so he's able to remember everything in exact details.

Chymion's power is chaos. He's... kindaaa got a bit of a backstory that I've been ruminating on that has to do with this. But the main idea is that his power is very unpredictable. It can be explosive and erratic and he can't always control it. So when he taps into the chaos power, he tries to make certain things happen with it, but the chances of that actually happening are very low. It's powerful, though, so it's like he's exchanging precision for power, if that makes sense.

Abraxas, whose profile hasn't been posted yet, has a power related to language, words, and confusion. He can understand and speak any language, read any book, but he can also scramble words or make it impossible for someone else to understand speech.

I went the same route with the reapers because I thought it would be interesting if they had specific abilities, too.

Caligo, my poor little meow meow, has a relatively weak power. He can manipulate fog or mist. It's basically like he uses it to hide himself when he doesn't want people to see him. But that's about it. He has a complex about it lol. He does make up for it a little bit by being extra skilled with the scythe he uses as a weapon.

Stella, whose profile also hasn't been posted yet, has the ability to see how a person will die. Not when or where, just how. And she has to deliberately search for it, like a mark on their soul. She doesn't use this very often, but it's helpful for a reaper.

I didn't really do the same thing with the angels, exactly. It's more like they each have a specific job and their powers necessarily correspond to it.

For instance, Gabriel is still a messenger angel and has a trumpet and all that good stuff. So their power is related to oration and music specifically. But it's a little more vague and it works in mysterious ways.

Azrael is the angel of death. And he has the power to create life as well as destroy it. He's kinda op due to the whole angel of death thing, but he's been confined by the Celestial Realm for a long time.

I think that's everybody. I mean, assuming you're asking about the Unchained characters. Oh well I didn't talk about Zebulon, who is also an angel, but I'm not sure about his powers entirely yet... he's a very minor character in Unchained, so any development for him would have to happen in a different story.

[naffeclipse]

Talk about your monster husband ocs coward (affectionate❤️)

Everyone, the tumblr user themeeplord is bullying me (affectionate <3)!!

You have no idea how normal I am about my monster OCs. They're so lovely just let me—ahhh!

Hawthorn is a Mothman monster. His wings are based on the garden tiger moth and he is so fluffy! He has a thick fuzz on his neck and chest and is a warm, cuddlebug. He also possesses bright orange eyes that pierce the darkness and startle the unfortunate late-night hikers or anyone piercing into the woods after midnight.

He has a thing for hanging out in the thick woods near where the MC lives. Wherever he goes, bad omens follow. He really shouldn't be near MC—he knows he'll be the death of his precious little human, but he can't help it. He's drawn to the MC like a moth to a flame (heheh). He's delightful and gentlemanly, but don't let that fool you. He's got a possessive stretch a mile wide and does not take kindly to anyone giving the MC looks or reaching out for a too-familiar touch. He will bristle and buzz, and fly swift and silent through the darkness to chase after anyone to ensure the MC stays all to himself. He is a bad omen, after all.

Grease is an oil demon! He feeds off of fear, literally, and delights in terrifying people in the night. His body is slick and iridescent, and he is constantly dripping black goo from his person. He is capable of shifting his form to hide in a puddle, slink underneath doors, or bubble through a crack in a broken window. He's got wicked sharp teeth, and eyes like a tiger but with a pale, unsettling blue color. He possesses tendrils on his head that constantly drip and a long, slick tail that he can use to grab MC by the ankle. He's terribly seductive and charming, terrifying but mischievous. He likes to say 'boo' just to watch MC jump. Of course, he's not all tang and salt. He's got a sweet side that rouses in a protectiveness over MC. He's possessive, sure, and he's marked his claim with the oil stains on MC's work apron, but he's got an ooey-gooey center of sweetness that MC occasionally finds when he blushes at a stray touch or a nice comment about him.

Calmo 91, otherwise just called Calmo, is a robot. Constructed in the 90s with a box TV screen head to match, he has bright yellow optics in the screen face along with thick wires falling behind his head in a ponytail-like fashion. He is cool and difficult to read but wickedly intelligent and learning much about humans and affections. His body is a thin endoskeleton with plastic matt gray coverings that give peeks of blue, red, and yellow wires at his metallic joints. He's got a mysterious past the MC is attempting to unravel that he truly wishes the MC would leave be. He's got much to learn about technology but he quickly figures out how to connect to the MC's phone for texting, phone calls, and other useful things of course, like keeping tags on where MC is and monitoring MC's heart rate. Useful tools. Modern technology. Living in the MC's house, he gets to spend more domestic time with the human he decided is kind and generous, but the MC occasionally finds him at the foot of the bed in the darkness, his yellow optics strangely switched to red until the MC says his name and his optics revert back to yellow again.

[sensitiveheartless]

Teleporting nonsense? 👀 (where are they going)

Oh gosh, this one is almost aggressively goofy — Chuuya gets hit with an ability which keeps teleporting him to Dazai every single time that Chuuya thinks about him. Which, according to the laws of "trying not to think of a pink elephant", immediately becomes nearly impossible for Chuuya to avoid (also they are Weird about each other which doesn't help askdfjskdjf)

Here's a snippet from towards the beginning:

---

Suddenly, without warning, Dazai heard an odd popping noise, and something—or rather, someone—materialized out of thin air, dropping on top of Dazai with a yelp.

…Of course, since Dazai was in the midst of tipping his chair back, he had no chance to brace himself, and he and the newcomer both went tumbling down backwards onto the floor, the chair producing a loud crash that echoed throughout the agency.

“Dazai!” Kunikida exclaimed, jumping to his feet and reaching for his notebook, prepared to fight the intruder. “Are you alright?!”

Atsushi jolted up as well, backing away from the chaotic jumble of limbs beside his chair. “Wait,” he said, squinting. “Isn’t that…?”

The newcomer struggled up from Dazai’s chest, his cheeks flaring redder than his disheveled hair, opening and closing his mouth wordlessly with an expression of utter fury.

Dazai wheezed, dazed from being so abruptly crushed, and propped himself up on his elbows. “Chibi is so heavy,” he complained automatically, peering up at his old partner. “…Chuuya? How did you get here?”

Chuuya flushed somehow even darker than before, the red spreading to the tips of his ears and down his neck beneath his choker. Before anyone could say another word, however, he jumped up from Dazai’s lap to storm over to the nearest window and wrench it open. “Stupid—fucking—ability user!” he shrieked as he launched himself over the sill. “Forget this ever happened!”

Then he glowed dark crimson with his ability and leapt away into the sky, vanishing over the rooftops of Yokohama.

In the aftermath, Dazai cautiously picked himself up from the floor, dusting off his waistcoat with an expression of disdain. “Such a messy slug, leaving without so much as an explanation,” he sniffed, and wrangled his chair back upright so he could sit once again. Before long, a sly look crossed his face. “Say, Kunikida-kun, since I’ve just been injured in an altercation with the Port Mafia, surely I don’t have to work anymore today—?”

“You’re perfectly fine!” Kunikida snapped, though not before checking over Dazai’s condition carefully. “…Still, that was peculiar. What do you suppose happened to him?”

Dazai shrugged, kicking his feet back up onto the desk once more. “Who knows?” he sighed. “The Port Mafia comes across all sorts of abilities in the course of their dealings. I expect the slug found himself up against some manner of teleportation-type gifted, that’s all. Though why he would wind up teleporting here specifically, I don’t kn—”

Before Dazai could finish his sentence, they heard another loud POP, and Chuuya once more appeared out of nowhere to drop straight down onto Dazai’s lap. This time, though still caught off guard, Dazai managed to remain upright in his chair by grabbing hold of Chuuya’s waist to steady him.

The pair stared at each other for a long, stunned moment, both equally nonplussed.

Chuuya broke out of it first and buried his face in his hands, letting out a low hiss of frustration. “Are you fucking serious,” he said into his palms, slightly muffled. “Every single time?”

Dazai grinned, sensing blood in the water. “Gotten yourself into a fix, have you hatrack?” he said innocently.

[r0semultiverse]

Hey Digital Extremes, why are you limiting our play style to only one romance? Thought this game was about player choice. Let us choose to have the gameplay option of polyamory! 💕

There should also be a platonic New Years night option too that involves no romance for those not comfortable with it!

[zeroducks-2]

This is quite random sorry but has Dick ever acknowledge (or as close to it) that a lot of things that Bruce did to him are abusive? (this is for a fic I’m trying to write)

Yes and no!

Dick knows Bruce is an assholes and WILL yell at him to stop being an asshole, or at least he used to. Dick would call him out on his BS and wouldn't let him get away with a lot of things, but this was once upon a time, before they rebooted everything and erased decades of character development. The closest he gets to that post reboot is after Forever Evil - everyone thinks Dick is dead, and Bruce wants people to keep thinking that, hence he forces Dick to join Spiral and become Agent 37.

Dick is, as you can imagine, not thrilled. He yells and fights and Bruce beats the everloving shit out of him in a very upsetting sequence, where Dick is half naked and Bruce is wearing most of his gear while he keeps hitting him to the point of leaving him bleeding on the floor of the Batcave.

Dick begs and tries to appeal to everything he can including the "things can never be the same between us after this", to which Bruce essentially replies that it's a sacrifice he's willing to make. Ha. I say that this is especially upsetting because Dick went through a horribly traumatic experience during the events of Forever Evil, in which among other things he was tortured by Thomas Wayne Jr AKA Owlman, who wanted to turn Dick into his own sidekick after losing his Talon. The way Bruce beats and humiliates Dick is drawn in a way which creates a clear parallel between Thomas and Bruce's actions towards Dick, in a way that suggests they're "not that different after all", but this narratively goes nowhere and I don't get why they fuck they even came up with that. But anyway.

All of this gets forgotten soon enough. Despite his own warnings Dick forgives Bruce after a very short time, pines for home and tries to communicate with Bruce in any way he can because he "misses his dad", which to be honest made my guts churn and my bile rise after Bruce nearly beat him comatose. Essentially the story forgets Bruce did all of that and so does Dick, but for the brief time Dick was allowed to be aware of it and angry about it, he was indeed aware that he was being abused even if he never used the word abuse.

This is the case for lots of stories in which similar instances happen, as I mentioned before especially pre-reboot. Dick does call Bruce out on his bullshit - especially if Bruce is being an abusive asshole to someone else, since Dick is way more prone to defend other people than he is to defend himself, like here

or here

But despite being obviously aware that there are issues in the way Bruce does things, to put it mildly, he never uses the word "abuse" (which is sort of a prohibited word for DC standards, kind of like "rape". They're way more likely to say non consensual than rape because it's a less upsetting word apparently).

There is an instance of this post reboot, and it's during a conversation Dick has with Tim. I believe it happens in the Pride comics of 2022, but I don't have the panels on hand at the moment. Basically Tim asks for advice on how to please Bruce, being the man demanding and prone to bad moods, and Dick flat out replies "I spent a very big part of my life trying to please him, and I left when I realized it was impossible" which to me is so interesting since it's the textbook reaction of a former Golden Child who fell from grace and became a Scapegoat (please note that tumblr's definition of Golden Child is completely arbitrary; golden child doesn't mean "good kid", it means a child who the parent holds to the highest standards, on which there are the biggest expectations and the strongest pressure regarding everything the child does. Sometimes a parent lives vicariously through them and perceives them as an extension of themselves, but not necessarily. If you watched Encanto, Isabella is the Golden Child of the family).

Something similar happens during Nightwing's run from the 90s.

Dick lives in Bludhaven and at this point he's gone essentially no-contact with Bruce. Tim, being the new Golden Child, is trying to reel Dick back into the toxic dynamic because he genuinely thinks it's going to be good for both Dick and Bruce.

I'm pointing this out not to fault Tim in any way, he's just a kid what does he know, but to show you that indeed yes, Dick is aware that he's been abused otherwise he wouldn't have left, he wouldn't be on a no talking basis with his parental figure, and he wouldn't reply to Tim that he spent so much time of his life deluding himself into thinking that Batman actually needed him. Of course this also goes nowhere and their relationship isn't allowed to grow or heal (things are just conveniently forgotten after a while), but as I mentioned, Dick knows what's up.

That being said, I believe it's also worth noting that many many times Bruce abuses the fuck out of Dick and Dick doesn't really acknowledge it, just takes it. Sometimes he doesn't have the spoons to fight back, sometimes he thinks he deserves it, sometimes he just doesn't know how to react because Bruce strikes like an unprovoked viper (this happens especially when Dick was still a kid but already a Titan). A very good example of this is what happens after Jason's death.

Bruce doesn't tell Dick that Jason died. When Alfred offers to let him know, Bruce says "I will handle it", and he doesn't. Then there's Jason's funeral and Bruce doesn't tell Dick about it, again Alfred offers to inform him, Bruce says he will handle it. He doesn't.

Eventually Dick finds out for collateral reasons and has an emotional breakdown in front of the other Titans, which are powerless to help him. For reference, this is how he reacts when he has definitive proof that the boy is undoubtedly gone, if there was any doubt that Dick did care about Jason.

So Dick goes to the grave with Kory but then decided to confront Bruce alone, and Bruce, in the abusive feat of the century, blames Dick for not having showed up to Jason's funeral, despite having refused to 1: tell him about Jason's death AT ALL, and 2: refused TWICE when Alfred very gently suggested to inform Dick.

Dick of course argues that he didn't know anything, and so Bruce reacts by gaslighting him, telling him they he never cared about Jason and in fact he was angry that Bruce adopted Jason and not him. Which is not true, Dick just wanted to know WHY Bruce adopted Jason and hot him. Oh and also punches him in the face when Dick tries to argue that Jason was an untrained kid. Please note that when all of this happens, Dick is hurt and can barely stand on his feet, having one of his legs in a cast.

Cherry on top, Bruce explicitly saying that he never should have had a partner and never will again, essentially "our partnership up to this point meant nothing".

In this instance Dick is too neck-deep in his own self guilt to see that he's been through a sequence of extremely abusive behavior, and never really faults Bruce for that, using the easy-coming rationalization that Bruce was in pain, suffering for Jason's death, couldn't see reason etc etc (quick PSA: someone suffering isn't entitled to abuse and gaslight anyone. And even if we really want to enable Bruce cut Bruce some slack because he was grieving, it doesn't make his behavior any less abusive. Regardless of the reasons why, the way he acts here is very damaging towards Dick who in turn did nothing to deserve it, and is grieving Jason too).

See, the problem with Dick and Bruce is the sysyphean nature of comicbooks. Dick is doomed to be the original Golden Child who falls from grace, becomes the Scapegoat, but ultimately can never be completely free of the clutches of the relationship he has and had with Bruce, for better or worse. And since he can't ever truly get out and can't ever completely be independent, the abuse end up getting downplayed. If Dick never truly gets away from Bruce it's because it's not that bad, isn't it? Nay, it's because Dick cant. He is quite literally not allowed to, same as Bruce is not allowed to truly grow from his mistakes and learn to treat his former partner, sort-of-child and dear friend with the respect and love he actually feels for him, because despite all of this and because this is fiction, Bruce does love Dick more than it can be put into words and would set the world on fire for him. But, alas, he also is doomed to keep treating Dick like shit and never really learn from his mistakes.

So again, the answer to your question is yes and no. Dick is aware of how much of a difficult person Bruce is. He's aware of the domineering aspects of his personality. But he will ultimately brush it off in the name of the good that there is and there was between them, and he will keep answering Batman's call every time, because he's not allowed to ever truly grow apart from him. It doesn't matter how much he gets angry and how much Bruce hurts him, they're indissolubly tied in this dynamic and unless there is a huge shift in the way DC execs handle things, I don't see how this dynamic can change in the foreseeable future. Sadly enough, because I'd really like to see something new.

[anglerflsh]

wow ive been kind of off lately I should take a day to rest an[explosion]

[ccherrybloom]

Ashtrays & Antihistamines Pt. 1

oc, m, hayfever, wc: 2.8k

Part 2

CW: foul language and allusions to gay sex lol

~~

a.n. + summary: i don't think i've ever posted a snzfic on this blog, but there's a first for everything, right? featuring my lovely little ocs and their stupid dumb little band. i don't normally write them in snzcerions, but...every now and again i can’t help myself and one slips through the cracks lol. This particular one centers around my absolute shithead of an Irishman, Peter, as he deals with a hayfever flare up for the first time in like…twenty years, lol. of course, ever the lucky one, this begins to happen during the band’s first mini-tour. Cue shenanigans. I hope you all enjoy!

~~

“hH’RRSHhiue!” Peter fell into himself with a harsh sneeze, the band’s rundown van jerking sporadically with its driver’s sudden movement. “Goddamnit!”

“Bless.” Geoff offered lazily from the passenger seat as he turned a page of his book, unbothered by the vehicle’s erratic veer. “That’s like the tenth one since we’ve left Dublin.” The bassist pointed out, shooting the guitarist a pointed look from the corner of his eye. “You alright?”

“Fuckin’ hayfever,” Peter answered as he scrubbed his palm aggressively against the underside of his nose, careful not to put too much pressure against his nose rings. He followed it up with a drawn-out sniffle. “I’m fine. Christ.”

“I don’t remember ya being like this before,” Maurice quipped from the back of the van, leaning forward to join in on the conversation. “I mean hell, ya lived in Dublin fer how many years…?”

“Longer than you, Frenchie.” Peter retorted as he thrust a tattooed hand backwards to try and shove the singer away. Maurice easily dodged with a laugh, swatting at Peter’s hand as Geoff instinctively reached out to steady the van as it began to swerve again. “You can piss right off.”

“Look, I’m just sayin’, yer born and bred Irish — who knew all it took was a few months in London for yer own country to turn on ya.”

“I said piss off.”

“Who gives a shit!” Chris suddenly interjected as he pulled his headphones from his ears, a curly lock of the drummer’s dark hair falling between his eyes. “Just keep your bloody eyes on the road! I dunno ‘bout you lot, but I’d like to get there in one piece.”

Maurice backed off with a snicker, hands up in surrender as Peter quickly flipped Chris off in the rear view mirror before returning his full attention to the road.

After Peter and Maurice had both left Dublin for London a few months shy of one another, the four men began to pour almost all of their free time into their passion project, The Undergrounds. Much to their genuine surprise, people seemed to really enjoy their band’s sound and performances, so much so in fact that they’d hit a point where pubs across the UK were beginning to reach out to them, asking the group to come play for their open mic nights, with some even offering payment. With the requests getting further and further away from their homebase in London, the band finally decided to bite the bullet and buy themselves some transportation, namely their shithole of a van lovingly referred to as Van Halen. Despite its old clunkiness, it really did do the trick, and allowed the men to head across the border on their first ever ‘Let’s-Not-Call-It-A-Tour’ Tour. Realistically, with two of the four members being from (or as close to ‘from’ as one could be, in Maurice’s case) Ireland, the band had picked up quite a bit of traction across the small country with the men getting many open mic night requests which they normally had to turn down, much to Peter’s dismay.

At least until now, that is.

Peter had noticed something was off after their show in Dublin the night prior. At first he just assumed he strained his voice singing backup vocals — a product of over-excitement from getting to play in his old stomping grounds. But by morning the scratchiness in his throat lingered and was now accompanied by faint itchiness in his nose that forewarned him of worse yet to come. 

By the time the men packed up their gear and filed into the van late that afternoon, the unwelcoming prickle that had been festering in his nose demanded more attention, and his eyes began to itch in a maddening way that he hadn’t experienced since he was a kid back in Belfast. Initially he tried to ignore it, chalking it up as a residual reaction to dust from the old pub, or that it had been awhile since Van Halen had gotten a good clean. But as time slowly passed on their nearly three hour drive to Cork, and the itchiness in his sinuses progressed into full-blown sneezing, the reality of the situation began to dawn on him. He was immediately thrust back to Belfast, memories of summers spent constantly sneezing thanks to the fields near his old home, his eyes watering, his nose running, each summer spent absolutely miserable. He hadn’t had a hayfever flare-up in years, thinking it was something he had thankfully outgrown once his mum had moved them to Dublin, but yet here it was, back to rear its ugly head once more all these years later. The familiar lush scents of the countryside that used to conjure such vivid memories of home were now turning every intake of breath the guitarist took into a gamble. 

The itchiness in Peter’s nose only seemed to increase in urgency as Van Halen bumped its way through the Irish countryside. The landscape blurred past the windows, a mix of greens and greys under a sky that threatened rain.

“Nearly there.” Geoff hummed, taking a peek at the map app on his phone. “About another twenty or so.”

“Thank fuck.” Peter grumbled with a sniffle, his eyes squinting past the relentless itchiness. He adjusted his grip on the steering wheel and pulled his glasses up slightly before slamming his wrist into one eye and scrubbing hard.

“I think we could all do with a pint,” Maurice chimed in, trying to lighten the mood. “Especially you, Peter.” He added, gently poking the man’s shoulder.

Peter managed a weak chuckle in response, his wrist still pressed hard into the corner of his eye. 

“Just keep it steady Pete, yeah?” Chris leaned himself forward and rested his elbows onto his knees, eyes scanning the road ahead. “Not much longer and you can go ahead and drown yourself in whatever local brew you fancy.”

Peter opened his mouth to reply, but the van hit a particularly bumpy patch of road, jolting everyone inside. Instead he just swore under his breath, turning his full focus back towards the road as Cork began to appear on the horizon.

“There she is.” Geoff whistled, pointing ahead. “Welcome to Cork, lads.”

Peter managed to manoeuvre Van Halen expertly through the narrow streets of Cork despite battling his allergic reaction, the van’s tires crunching over cobblestone as he pulled them into the parking lot of their dingy motel.

“Home sweet home.” Maurice hummed as he clapped a hand onto Peter’s shoulder, a smile tugging at the corners of his lips as the other two members filed out. “At least fer the next few days.”

Peter leaned back into the driver’s seat and let his eyes drift closed as he exhaled deeply, shutting off the engine. He only cracked an eye back open when he felt Maurice give his shoulder a gentle squeeze.

“You alright?” The singer asked, his voice low and expression soft.

“I’m grand, Mur.” Peter grumbled, his voice heavy with sarcasm. The real truth of the matter was that he was miserable, itchy, and absolutely dying for a cigarette — not that he cared to say any of that out loud. 

The guitarist pulled off his glasses to give his watery eyes another scrub before continuing. “Just got a fierce bad dose of this nonsense…This shite best be all said and done before our show or I’ll–hh! hH’ITSHHhiue!”

“See, but that’s what we don’t wantcha doin’, actually.” The blonde teased as he patted the guitarist’s shoulder before the other quickly slapped it away as if he were swatting a mosquito.

“You fuck right off, Murry.” Peter sniffled hard, dragging the backside of his hand beneath his nose. “Just get yer shit and get goin’.”

Maurice did as he was told and hopped out of the van with Peter not far behind as the pair hurriedly began to help the others unload. With the sky steadily darkening the four moved quickly, eager to avoid the potential rain. Luckily the unloading and reloading of Van Halen had become more and more familiar with each passing gig, and it didn’t take them long to have all the necessities laid out beside the van, ready to go.

The motel itself was a shabby vintage looking two-story building, its neon sign flickering with an almost uncertain intermittence as if it were clinging onto its last shred of life.

Maurice and Geoff took the lead, carrying the group’s heavier equipment while Chris and Peter followed suit with their four bags. They bustled their way to the reception desk where they were met with a disinterested looking clerk who simply handed them a single worn key with a faded plastic tag attached.

“Yer in room 107.” He mumbled, barely looking up from his magazine.

“Cheers, mate.” Geoff scoffed as he shot the others an exasperated look and snatched the key. He led the group down the dimly lit hallway, their feet dragging against a carpet that had clearly seen better days. When they reached their room Geoff wasted no time unlocking the door and shoving it open, revealing a tightly packed space with two queen beds, a small television, and a bathroom that looked like it hadn’t been updated in at least two decades.

“Alright, how we doin’ this?” Chris asked as he tossed the bags he had onto the closest bed.

“By drawing straws, of course.” Geoff instructed as he pulled a set of straws he had prepared earlier out of his pocket. “Shortest straw shares with the other shortest straw.”

The others agreed on this being fair enough and drew their straws, quickly comparing them.

“Well, it’s you and me, innit?” Chris said as he held up his short straw next to Peter’s. He gave the other a playful nudge and smirked. “Just don’t go tryin’ nuffin, yeah?”

Peter sniffled thickly and shoved Chris away before pinching his nose between his thumb and forefinger, careful to avoid the rings, and itched it aggressively. “I got enough of ya the first time.” He moved from rubbing his nose to scrubbing his eyes, trying to ignore the way Maurice bristled at the mention of their one-off fling. “Won’t be doin’ that again.” Chris flipped him off and called him a wanker, but he went ahead and ignored that too.

“Hey, Pete,” Geoff called out as he tossed his bag onto the other bed. “Why don’t you take a shower? Might help clear up a bit of that hayfever.”

Peter, who’s eyes had started to glaze over, did his best to nod in the ginger’s general direction. “That’s the best ideee-hha I’ve heard all d—hh! hhUH’DITSHhhiuew! ‘IGKSHhhiueww!” He doubled over hard into cupped hands, his entire body tensing violently with each sneeze before he groaned thickly against his palms. “—all damn day.” He finished on an exhale, voice cracking. “-snf- Jaysus…”

“Bless you.” Geoff offered, a twinge of sympathy in his voice. “You know you really ought to—”

“G’way outta that.” Peter interjected with a dismissive wave of his hand as he trudged his way to the bathroom, eyes half-lidded. “Last thing I need is yer bloody mother hennin’, Geoffrey.” He added before pulling the door closed behind him. 

Flicking the light switch, Peter had to wait a full second before the dull fluorescents sputtered to life, illuminating the unsightly bathroom as he dragged his feet towards the shower. The tiles were cracked and the floor was splotchy, but he didn’t care, he just wanted some relief. 

The pipes whined in protest as he turned on the taps before water began to sputter out from the shower head. The water pressure seemed abysmal at best, and Peter cursed to himself as he leaned his weight against the sink, waiting for the water to warm. As steam steadily started filling the small space, he could feel the tightness in his sinuses ease up slightly, making his nose run. The liquid caught on his septum ring and trailed rapidly down towards his upper lip. Blowing out an annoyed breath, the guitarist took a second to wipe his nose haphazardly against his sleeve before stripping and stepping into the tub, letting the warm water cascade over him with an appreciative sigh.

Outside of the bathroom Geoff and Maurice were seated on each side of their shared bed as they sorted through their bags.

“Think he’ll live?” Maurice asked as he pulled out his plastic toiletry bag, setting it to the side.

Geoff gave a small shrug in return, glancing towards the bathroom door. “I reckon it could go either way with that dumb git.”

Maurice snorted at this, but his knit brow betrayed his feigned air of nonchalance. “Just hope the shower helps, I s’ppose. Don’t think we can really afford to have him down fer the count.”

Chris, already sprawled out on the other bed, headphones back on, piped up. “Eh, he’ll be alright. Just needs to wash off whatever’s settin’ ‘im off. It’s no big, yeah? You French people are wound too tight.”

Maurice rolled his eyes at this but chose to ignore the drummer’s comment. “I just don’t want anythin’ to screw this up for us.” He murmured as his eyes fell onto the bathroom door. “That’s all.”

“hh-Hh! hH’dDZTShiueww!” Peter sneezed loudly and openly, his head snapping downwards as the shower’s stream continued to steadily pelt against his tattooed back. He blinked hard, eyes bleary as the need to sneeze lingered in his nose like an unwelcome houseguest. Instinctively he brought up a hand to hover over the lower half of his face as his breathing began to come out in shuddering, shallow gasps. “hah…Ha’TdSHhhiuew!” This one bent him double and he swore immediately afterwards, more than a little frustrated as he blew his nose harshly into his hand. Had his hayfever always been this maddening? He couldn’t remember. It had been a long time since he’d had a flare-up, probably pushing two decades at least. The thought that it had come back now during the band’s first tour just pissed him off further.

Sighing, Peter turned off the water and stepped out of the shower, reaching out for one of the worn threadbare towels from the hotel rack. He dried himself off quickly before wrapping the towel dangerously loose around his waist – the only member who had yet to see his dick was Geoffrey, and the guitarist couldn’t give less of a shit if today was the day that changed.

Wiping a hand across the fogged bathroom mirror, Peter allowed himself a moment to peer at his reflection as he dragged a hand through his damp, dark hair and threw on his glasses. His green eyes were still red-rimmed and watery, his nose and cheeks were decorated with a soft dusting of pink…he looked pathetic, but at least the shower was helping him breathe a little easier.

Residual steam billowed out into the cooler room as Peter made his way out of the bathroom, catching the eye of Maurice.

“Peter,” The singer looked up from his bag and offered the dark-haired man a small smile, taking in the other’s lean frame. “How ye fairin’?” 

“Bit better, I’d say.” Peter hummed, though a small sniffle still escaped him as he wandered over to his bag, making Maurice frown.

“Reckon you’re up for a drink?” Geoff asked, not looking up from his phone. “We were thinking of checking out this pub nearby. Interested?”

Peter mulled it over for a moment, turning his back on the others before dropping his towel and pulling on a pair of boxer-briefs. “Yeah, g’wan then.” He finally affirmed, clearing his throat against a fist as he fished an old t-shirt from his bag. “Pint’ll do me some good.”

“Are ya sure?” The singer asked, chewing on his lip nervously as Peter wiggled into a pair of jeans. “If yer not feelin’ up for it–”

“Sod off, Maurice, will you?” Chris suddenly retaliated as he pushed himself up onto his elbows. “Actin’ like you’re his bloody mum or somefin’ just cos you’re shaggin’. Prat.”

Peter couldn’t help but snort as Maurice glared daggers at Chris, his face turning a delightful shade of crimson. The fact that he and Maurice slept together on occasion wasn’t exactly a secret – their initial one-night stand was how the two had met in the first place, after all – but it wasn’t something that was often discussed amongst the group. Peter personally didn’t care, but Maurice clearly did.

“You don’t see me actin’ like a bloody bellend even though I’ve also sucked his–”

“Ça commence à bien faire!” Maurice shot up suddenly from the bed, cutting Chris off as his native tongue spilled rapidly from his mouth. “Fer the love of God, no more, thank you!” 

The singer hurriedly made a beeline for the hotel room door, grabbing his coat as he rushed past the others, his face absolutely aghast as the others snickered. “Just…hurry up, then! Christ, I need a feckin’ drink…”

“I think we all do.” Geoff huffed as Maurice stepped into the hall. “C’mon, lads. Let’s go.”

[imminent-danger-came]

I was rewatching s2 last night, and ohhh man mk looks over mei so much it's not even funny. times mei has been ignored:

maybe you need to really listen! (during the blindfold ep)

mk just? grabs stuff she's using out of her hands all the time? (video game ep)

maybe you shouldn't skip the tutorials? (video game ep again)

the way he addresses her in dumpling destruction and then immediately pushes her aside for tang

i honestly remember it lowkey kinda bothering me on first watch but now it's REALLY egregious on rewatch. are you scared? I'm so scared. do you WANT to end up like shadowpeach MK

2x03 is so rude because the whole fucking episode they're like "MK you don't listen" and it's so true. He doesn't. Pigsy literally points it out again at the end of 4x14 with the whole sun screen bit:

Pigsy: "Tch, don't bother, I've been telling him that for years but he LITERALLY never listens." Sun Wukong: "Yep! That's how we role."

-

THEY'RE SO FUCKING RUDE. "That's how we role." We. We????? Wukong and MK???? Like WHATEVER. FINE. (("I told you going against the Jade Emperor was a bad idea, but no. Wukong doesn't listen to ANYONE! He just does whatever he wants" Like shut up. Shut up!))

MK gets so stuck in his own head ("You're all stuck up in your own head! None of this is your fault!" +1 to the MK ignoring Mei counter from 4x08) and I think that really contributes to his s2 scramble to get more powerful.

LIKE:

MK: "Stop? Now? Never! I just have to try harder. It's just like the Monkey King said! *laughs manically* I just need to get stronger!"

(2x06 Game On)

VS

MK: "Why didn't he just stop, right here? He was already so much stronger than anyone ever needed to be!" Macaque: "Wukong didn't think so, he always felt he had to be stronger—more immortal."

(4x11 A Lifetime of Mistakes)

-

(Bonus thing between eps 2x03 and 2x06, look at 0:42 in this video for MK hearing Mei but not listening to her. Because of course that's what he would do. *head in my hands .png*)

The terrible s2 choices both Wukong and MK make in relation to their friends is just absolutely delicious after 4x11. Like, OH. This has been a lifelong pattern of Wukong's—paranoia is one of his fatal flaws (paired with his terrible communication and self-sacrificial nature), and while he had the power to stop LBD before he still feel's the need to go after the Samadhi Fire to stop her now, and to protect MK.

Hold on look at this parallel that I don't know what to do with:

MK: "Ugh, I can't do it!"

Mei: "It's alright MK—you did it before, you'll do it again!" Sandy: "Yeah! Maybe it's like Monkey King said: the power will come when you need it most!"

(3x04 The Winning Side)

-

MK: "What! But you said the Samadhi fire was the only thing that could stop her!" Sun Wukong: "I KNOW WHAT I SAID! But I've beaten her before I'll- I'll do it again! Mei was right—I need to stop dragging you into my fights, all of you."

(3x10 The Samadhi Fire)

-

Wukong and MK's reach for power inspires a lot of fear in me! It does! Because, well, MK's current reach for power is going to lead him to his Monkey Form, and uh:

Like I'm scared. I'm scared!

"All doomed to play a role in tearing this world apart!" ; "This is Azure's utopia, and this barren wasteland is the price he paid to build it." ; "I'd do anything for my friends! But at the cost of the world?" "I'm sorry pal, ain't NOTHIN' worth that price!"

[madebyteenagefury]

What do you think about Trina in Falsettos??

what do i think about trina in falsettos??? i wwould do anything for her. but also i think if i ever talked to her i might break down sobbing.

ive mentioned it in ramblings before but trina marvin and jason are like a carbon copy of my family. besides the whole, my fathers a homo part and the whole trina marrying marvins psychiatrist part. their dynamics and everything are pretty much the same as my own parents. i was jasons age when they divorced. only difference is (besides the two mentioned) marvin and trina coexist more civilly than we do.

idk why i felt the need to mention that, i think its important like, background to my feelings about her(and the family in general). Shes amazing first and foremost, everyone always talks about marvin and the work he has to do to improve himself, but trina and what she mustve gone through to forgive him? after everything, its incredible. she cares a lot about her family and marvin is apart of it. and she accepts whizzer too i think, ("he shared my life") by the end of it and thats even more amazing to me. i think she deserves a break. i think she deserves the world. i worry (/lh more like just think) about what happens after whizzers death, how marvin cant be there emotoinally for jason and trina and mendel have to take that responsibility. i see my mother in her, a woman who wanted to be free of her ex and live her life but is still chained to him ("ill fight the gods, ill fight my ex") but augh shes so spunky and joyful despite everything!!! year of the child is probably one of if not my absolute favorite song from the soundtrack because its marvin and trina (+mendel charlotte and cordelia) fawning over jason and just being glad and excited that hes growing up and being his parents. the performance especially, because even though theyre techincally fighting at the beginning of the song, they still hug and laugh throughout it. they banter, and its beautiful. i think shes such a strong and resiliant woman, putting up with what she did, coming out the other side only to immediately find more pain. i wouldve liked more insight to her and mendel and jasons relationship. mostly her and jason. but i think there are lots of implications and inferences to be made, and its nice that some things are still up for interpretation.

I have yet to relisten/or even watch in trousers, but i have listened once all the way through, and re-read the lyrics through. trina in trousers,,, god i love her. like. ugh in trousers makes me so sick, marvin and trina and whizzer. mostly marvin and trina. trinas not dumb she knows. especially with love is blind, all the examples she gave and in im breaking down "i used to cry, hed make a scene" she totally knew! and still she even begged him to stay. she tried she really wanted it to work. but ofc it couldnt and im so glad she got to live a life away from him, and find some happiness. that she knows what love is. (oh also, the like. suspected suicide attempt??? bbyg dont worry ill kms for you-. everything about her makes me so so ill because she reminds me so much of my mom.) she tries so hard, with an uncooperative ex and an uncooperative (ish) child, and godbless. i just adore her and want the best things for her. shes such an incredible woman.

anyway thanks for asking! :]

[gingermintpepper]

hi I love your tags so so much! they were so sweet and so interesting and creative and the whole Aphrodite type of beauty thing sounds really interesting do you have any articles and recommendations to read further into it??

-hogoflight

Hello my fine feathered (I am assuming possession of feathers if you are, indeed, capable of flight) @hogoflight! I'm always always happy to hear that people appreciate my frenzied rambling in the tags :D! I have a lot of articles and recommendations :D!! Ancient Greek notions of beauty and representations of it in their art and sculptures is a pretty well studied topic! There isn't any way for us now to know definitively what the beauty standard was (it varied widely from region to region and culture to culture after all) but here are a couple of my favourite reads about Aphrodite and what her representations tell us about idealised beauty!

Probably the most empirically extensive one I can list is Krönström's thesis which compares statues of Aphrodite and literary text referring to both the goddess and mortal women to determine physical ideals for women in five specific eras of Grecian antiquity. Including measurements of the statues there are many descriptions of Aphrodite as 'curvy' with a 'voluptuous figure' and with 'ample buttocks and bosom'.

"When the beauty traits are described in the texts, they are never extreme or anything that could not be found in normal people just that they are more beautiful in every aspect. Furthermore, the sculptures’ physical forms look healthy, they are tall and have distinct curves. Great examples of this are the Knida sculpture and de Milo (the Melian) sculpture."

Of course, these images are still idealised, and there was still a concept such as 'too fat' or 'too skinny' found in written records (and this thesis even includes analysis of pornographic writings and descriptions of the fashion and stylings of pubic hair of women from different regions!!) but from an interpretational standpoint? There is absolutely no reason why these can't refer to a fuller figure. Height was also a very important factor after all and over the course of many eras, it seems like being well proportioned in addition to the length and appearance of one's hair were the most important factors (and, like Apollo, greater beauty was given to those with curlier hair)

Mireille M. Lee's 'Other Ways of Seeing' essay which talks about the forgotten female viewers of Knidian Aphrodite which is also extremely illuminating on how Aphroditic sexuality and sensuality was perceived totally differently from the well documented male voyeuristic gaze (which was overly preoccupied with the statue's nakedness and therefore over-sensationalised the statue's physical appearance) vs women's perspective on the statue which is more centered on the beauty of simplicity in Aphrodite's garment and decoration and in her power and ability to captivate both in her finery and without it. I think it's especially useful in exploring the importance of finery, jewellry and adornment in representations of Aphroditic beauty.

"Some of the small-scale copies are heavily jeweled, especially those from the eastern Mediterranean, for example the Hellenistic gilded terracotta statuette in the Çanakkale Museum (Fig. 5) in which the goddess wears, in addition to the armband on her (right) arm, the following: a necklace with multiple pendants; cross-bands extending over both shoulders and hips, with a cascading pendant in the center; a coiled snake armband on the left arm and another snake on her left thigh, and a twisted anklet on her right leg. (The left leg has been restored, and might also have featured an anklet.)"

"Jewelry is especially associated with Aphrodite in Greek literature. As seen above, in the Homeric Hymn to Aphrodite, the goddess adorns herself with gold jewelry, dress-pins, and earrings in the shape of flowers (162–3)..."

Finally, and to me, the most important one in the argument for an interpretation of Hyacinthus as fat, beautiful and fundamentally Aphroditic comes from Brilmayer's brilliant brilliant thesis done on Aphrodite's work and influence in Archaic Greek Poetry which does away with all of that masculine preoccupation with physical proportion, measurement and bodily ideals for a focus on a Sapphic Aphroditic ideal centered in clothing, ornamentation and, most importantly cunning as symbols of Aphrodite and ultimately a feminine idealised form of beauty. This paper also discusses Pandora and Helen in these terms and it is just kind of a wonderful read tbh.

"Combining Homeric and Hesiodic elements with her own ideas, she [Sappho] alters the way female beauty is viewed. For example, the Homeric war chariot – a symbol of male, military prowess - comes to symbolise the totality of Aphrodite’s power uniting in itself male and female qualities. Having addressed the concept of beauty directly, Sappho then concludes that beauty lies in the eye of the beholder. With the help of Helen of Troy and her beloved Anaktoria, Sappho sets out to reinvent the concept of female beauty as a godlike, subjective quality that may be expressed in many ways, yet remains inspired by Aphrodite."

The conclusion to all of this of course is that Aphroditic ideal beauty is much more fluid compared to its stricter Apolline masculine standard. The nuances and understandings of both are of course, constantly being studied, analysed and scrutinised but really, if Dionysus who was both bearded and clean shorn, effeminate, birthed and rebirthed (and twice gestated!) and strongly associated with vegetation can be popularly portrayed as fat and handsome, why can't Hyacinthus?!

[clowningaroundmars]

prowlerbyte hcs

ok..... yall got me. you did. i ship prowlerbyte now 😅 and i'd like to throw out some Thoughts about them bc damnit if this ship doesn't have some Flavor to it that i'd like to share with you all 🤌

both margo and miles g here are from earth 42 tho bc i think miles g has been thru Enough and he deserves someone in his corner in his own universe, besides his family members

LOTS of words under the cut ↓

♡ weirdgirl nerd x edgyboy nerd 100%… you just KNOW IT. miles is absolutely a geek either for comics or anime and he only opens up to his closest friends to let them see that side of him, no one else. margo brings that side out of him often when they meet up (but miles is still p reserved if anyone else is with them)

♡ margo is a fantastic singer and hums mind-blowing runs as easily as she breathes and miles absolutely loves it. when she's depressed, she sings a lot less so whenever she DOES sing that's how he knows she's in a good mood. he loves having her over bc he gets to pull out uncle aaron's old secondhand record player and place rnb and 90's hiphop vinyls on it, playing soulful music that she hums to as they parallel-play or do homework together

♡ when margo first convinced miles to let her do his hair, he was hella worried that his mom would disapprove and chastise him once she saw but she was surprisingly very supportive of it, although a bit hesitant. eventually she was grateful she didnt have to braid her son's hair as often (being a single parent is exhausting enough lol)

♡ rio42 ofc had the same reaction to margo as rio1610 when she 1st met gwen, but when margo eventually started showing up more and more to hang out with the morales fam (and aaron too lol), she grew on rio. they both keep a close eye on miles and try to keep him going towards the right path

♡ in their universe they both go to visions and even have a class together, and they are both very very academically competitive. rio doesn't need to stay on miles' ass about his grades bc margo is right there taunting him with an A+ on a test every single time

♡ they actually ACTUALLY study together in the library or in miles' room during study sessions. neither of them can afford to fall off wrt their grades and they both have big dreams they wanna achieve: margo wants to become a hardlight technician and apply for oscorp (much to miles' chagrin), and miles wants to continue his engineering and robotics career so he can provide for his whole family

♡ margo's parents constantly fighting means she is often over at miles' house more than he is at hers. it actually took her an embarrassingly long amount of time to finally invite him over because she never wanted her parents to know he even existed, let alone actually meet him at all. miles was at first kinda offended she didn't want him to meet her parents even after they got together but when he heard them arguing in the background during a call one day, he finally Understood

♡ after he found out about her crappy home life (and also secretly told rio), she was welcome to stay more often at his place. she has a blanket, a few clothes and several diff books and console games lying around in his room

♡ it honestly also took them both a ridiculously long time to finally start dating. everyone around them shipped them but they remained friends for a long time bc miles was just too closed off and scared to let anyone into his private life like that. also i hc they are both on the ace spectrum but don't realize it until later (listen i see purple characters and i HAVE to wave the ace wand on them ok 😭)

♡ margo is sometimes frustrated at miles for being so secretive and hiding his emotions behind walls, as goofy and dorky as he can be. she wishes he would just come out and be more honest about his feelings but understands that after his dad's passing, its harder for him to communicate his emotions

♡ she was the one who asked him out first, actually. he was beating around the bush way too much and so she finally put her foot down and initiated the relationship

♡ in public or with strangers they are: sunshine x sunshine protector. in private or with family n friends they are: "EXCUSE ME! miles asked for no pickles ☝️" esp since margo is the extrovert and he's the introvert.

♡ miles is actually p jealous and protective of margo and she finds that hilarious.

"i don't need any protecting, babe. i am a certified badass," margo says, flipping her box braids.

miles laughs, winding boxing wraps around his hands and standing in front of his giant punching bag. he looks over at his girlfriend sitting on a bean bag, with her adorable kitten t-shirt and fluffy sweater and grins even wider. "yeah… aight, sure thing."

margo scoffs, noticing his line of sight and looking very offended. "i may look cute and unassuming but that's exactly what i want our enemies to think! it gives me an advantage!"

miles hums, nodding. "mhm. advantage to do what, exactly?"

margo throws an empty soda can at him, which miles easily dodges as he laughs harder.

♡ it's funny, bc on the outside they seem like the stereotypical traditional straight relationship with a macho boy and sweetheart girl. but in reality they're both sarcastic snippy geeks who can both throw down in any verbal argument. and miles adores his gf, he's completely whipped for her. lets her paint his nails and everything, and if anyone tries to make fun of him for it, he doubles down and threatens to fight them over it

♡ they are THAT couple that wears lowkey matching outfits every once in a while. they actually enjoy shopping together which was a relief for both of them bc miles LIVES just to go sneaker shopping and margo absolutely loves trying new things on in the dressing room. theyre also both fashionistas in their own ways and love to accessorize. they swap accessories a lot

♡ whenever they hit up a bookstore, they are the first to head right on over to the manga section. right afterwards, they make a beeline over to the science fiction section and compare their purchases together after leaving

♡ miles is absolutely the "idc what my girl wears bc i know how to fight" boyfriend. margo doesn't go out in revealing outfits or anything, but looking a little TOO adorable in a dystopian city can sometimes paint a target on your back and so miles makes sure she's with him at all times if she wants to put her braids up into heart buns or wear a dress outside

♡ any hardware or mechanical problem that margo has, she takes it straight to miles. miles takes any software or coding issues he has to margo. if those software issues have anything to do with his prowler gear, however… he tries to isolate the issue and explain in vague terms what the problem is to avoid telling his gf he's actually the prowler

♡ no, he has not revealed to margo that he is the prowler yet. he's terrified to see her face when she inevitably finds out anyways, just KNOWING it would doom their relationship to a breakup if she ever figured it out. he does everything in his power to keep her from finding out his secret, even if it means disappointing her when he misses out on dates they set together

♡ they are both total champions at whatever multiplayer video game they get hooked onto. their personal faves are mmorpgs and battle royale games, but they are UNBELIEVABLY competitive when it comes to party games and even board games. they absolutely wipe the floor if they get to team up together

♡ tbqh they're the EXACT level of nerdy that they would consider playing video games in their separate homes as a date. "mmorpg and chill babe?" miles texts margo sometimes as a joking way to ask her on an online date. every minute they spend on voicechat as they kick digital ass together counts as quality time for sure

♡ even tho she's kind of embarrassed about it, margo has an absolutely huge plushie and figurine collection. she was worried miles would judge her SUPER HARD for her lowkey (highkey) special interest in anime figures when he 1st came over to her room, but immediately felt relieved when miles practically flew up to a rare figure she got secondhand from a japanese seller online and started ooohing and aaahing about it

♡ he actually tries to put aside whatever he earns prowling around the city for his mom first. then whatever's left over goes right to margo. he likes taking her out shopping and letting her pick out two or three things and seeing her beam like a sunrise before giving him a kiss on the cheek

♡ miles tries to hide his prowling behind the excuse of getting a job with his uncle at the family auto shop. every time he has a job to do or needs to leave suddenly, he blames it on "an emergency/new car job at the garage". margo eventually starts hating the word "garage"

♡ get either of these 2 to start talking abt their special interest, and it will be like Infodump City in there in 2 secs flat. they listen to each other's infodumping with hearts in their eyes, ESPECIALLY miles. margo goes "hey can i just rant to you about my new interest rq" and he goes "yes ma'am 🥰"

♡ everyone thinks margo is the one who cooks and cleans but hell no. miles is a neat freak whose room is the total opposite of margo's and he spends a lot of time alone at home when his mom is working a double shift and his uncle is out trying to secure another job for them. he knows how to cook like a damn chef by the time he's 16 (and also rio42 is not a toxic boymom. she will not raise any lazy needy son, her boy WILL know how to do laundry, cook meals and wash the damn dishes!)

♡ margo on the other hand tries to avoid the kitchen as often as possible and gets panic attacks when having to clean anywhere else but her own room bc of bad memories of having to sweep up broken glass after hearing her parents have violent fights that left the apartment in tatters. she never got to learn how to cook bc they never taught her, either

♡ margo is actually p traumatized from her parents' constant hateful fighting that she tries to squash down or hide behind a confident mask. but sometimes it pops up in ugly ways like when miles accidentally slams a cupboard door too loudly or a sarcastic comment sounds a little too bitter. her knee-jerk reaction is to always distance herself from miles a bit as a coping mechanism, which they had to work through

♡ miles' own grief and loss traumatized him beyond belief too ofc. after his dad's passing, his anxiety grows and he becomes more withdrawn, easily tired, and forgetful. it becomes worse after he becomes the prowler, bc dipping into the NYC underworld every so often gives p much anyone a healthy dose of paranoia. plus it takes some time away from his gf on top of all of that.

♡ if they're ever at parties or get-togethers at all, its always margo initiating conversations and meeting with people, making introductions and chatting happily. she always happens to have a quiet, chill miles-shaped shadow with her the whole time

♡ if margo was going to date miles, he told her one time, she was GOING to learn how to dance bachata and salsa. throw in a lil reggaeton in there as they get older and rio becomes a TINY bit more chill with seeing them on the dancefloor. they actually become much better at dancing together as they practice at family reunions and birthday parties

♡ miles carries around plush keychains and other trinkets that remind him of margo. he's a total sap when it comes to her, even if he tries to hide just how much he loves her sometimes. his phone's lockscreen is something dark or aesthetic like a city skyline or whatever but then when he unlocks it, margo is always his wallpaper

♡ aaron likes margo, he really does. he worries that miles doesn't have enough friends but he's happy that his nephew has a gf that is genuinely good for him. they all have a great time together whenever they do get downtime to chill together, like playing cards or helping aaron clean the garage

♡ that being said, aaron loves to pretend to sabotage their relationship as a running joke and watch miles get all riled up about it. it is hilarious to him, never gets old.

they're giving the garage connected to the autoshop its bimonthly deep clean just ahead of the yearly inspection.

it's a sunday, the only day of the week that the shop is closed for business and miles is on corner duty once they get down to the concrete floor. he's tasked with using the short hard brush attached to a long wooden handle to scrub the dust and grime out of the neglected corners. margo is scrubbing the middle with a much bigger sturdier widebroom, and aaron--being the tallest ofc-- has the duster on an extendable handle, swiping through the metal rafters and high shelves.

he notices miles struggling a bit with a mysterious stain in one corner, repeatedly attacking it before finally crouching down to shove the brush even harder against the floor with his hands.

aaron casually sneaks backwards and catches margo's attention with a smirk and a point of his chin. she swings her gaze around to her slightly frustrated boyfriend crouched down into a corner and starts giggling.

aaron grins as he suddenly says, "so yeah, thats why i got miles here on corner duty, usually. y'know being a little guy and all, he can do all that that someone as tall as me can't really do anymore yanno what i'm sayin? he's real good in those small spaces. that's why i'm up here, dustin' these rafters."

scandalized, miles springs back up with a "hey!!" and a withering glare shot their way. margo bursts out laughing.

♡ miles is the little spoon and margo is the big spoon, fight me abt it. his fave cuddling position is actually when his arms are wrapped around her and her cheek is laid against his head. otherwise, he loves his weighted blanket, and margo loves her warm mattress ♡ when they're home alone and on the couch watching movies, his back is usually to her side as he half-lays on her, using her arm as a pillow

♡ margo is def not a sports kind of girl but she tries for her bf. he and aaron are very much into basketball which she tries to keep up with just to join in on their convos. she always attends miles' boxing matches tho, ofc. she actually likes watching boxing matches in general! aaron gives her some old tapes of his own matches when he was younger and that's how margo gets into televised mma fights and ufc. she's always cheering for miles the loudest in the audience

♡ miles actually uses margo sometimes in his workouts. the proudest day of his life was when he was able to have margo laying on his back as he did pushups, and he made it to 10 before tiring himself out. she's the one holding his feet down as he does sit-ups and ab crunches. she tries to join in on his workouts too, and gets p good with the speedbag relatively quickly!

♡ miles-- being the paranoid guy he is-- happens to be the one to teach margo all of the effective self-defense moves. she thinks he's always exaggerating the danger out on the streets but she can't lie sometimes; whenever she's out past sunset with her keys in between her knuckles, she's just a TINY bit glad that miles taught her how to escape a rear chokehold

♡ margo is the soc media girl who is embarassingly online and posts about anything and everything of her life. new website coded? met a stray cat on her way over to miles'? bought a new manga? invented a cool gadget? they always show up in her followers soc media feed. she tries to get miles to pose for pics with her but he's mostly content to just be the guy behind the camera tbh. his own soc media account is pretty boring and bare since he rarely ever posts. he's got other things on his mind, errands to run

♡ the one and only time margo has ever seen miles cry was right after his dad died. the whole neighborhood got the news and she ran straight over to miles' apartment the minute she could. they climbed into his bed (the only time rio didn't reprimand them for it) and he just sobbed his heart out while they held each other for a real long time. she brought over homework and notes when he stayed home from school to recuperate

[boyfridged]

You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.

Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.

I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.

Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.

oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.

tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.

and the long, long version, coming with panels and quotes: under the cut.

first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.

i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.

bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)

i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"

this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.

so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.

the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."

the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.

but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.

so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.

that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.

we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.

the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.

and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.

which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.”  to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.

[b4kuch1n]

I actually for real feel like my phone's scanning quality has dropped monumentally while I was away on thing so that's a fun thing to figure out now. anyways

[millenari]

If you could make one permanent change to a cats replica production what would it be?

You know... kind of a simple answer, but I would want modern productions to include the Alonzo shadowdance again.

I'm honestly not sure where that bit of choreo originated-- I wanted to say US Tour 5 but then I remembered that this video included it and that was a British 90s performance, so I have no clue where or when it came from off the top of my head. And I know people tend to associate the shadowdance with Demlonzo/ give it a romantic context but I like that bit a lot, regardless of what Demeter's relationship with Alonzo looks like.

I really like the ambiguity of it. Is that supposed to be Macavity's shadow, looming over Demeter as she sings about him? Is there no metaphor at hand and that's genuinely supposed to be actual Alonzo? If so, why him? Alonzo is usually cast as a dancer primarily, so it would make sense if they picked him for no other reason than the actor's skill, but it doesn't feel like a coincidence that he's involved in the Macavity fight And is something of a protector And is often the one to directly 'save' Demeter during the fight (by picking her up and carrying her off in the beginning, usually, or by prying Macavity off of her at the end in the bway revival).

idk, there's something about it, romantic or not. That Alonzo may share Demeter's fear, or may feel some kind of responsibility for her, or may be trying to share that vulnerability and anxiety. 'Bearing the burden' together, so to speak.

(It reminds me of how in Midsommar the cultpeople™ would echo dani's crying and screaming as a way to kind of share her pain and make it a community thing. That was kind of predatory at the heart of it bc it was. you know. a cult. but you know what I mean)

I also like that Alonzo is there. I've always kind of got the impression that the boys all leave the stage during this part to search for Macavity-- I don't love the implication there that none of the female cats can apparently fend for themselves and seek Mac out along with the Strong Manly Men™, (You could argue that the grown queens are all hanging back to keep an eye on the kittens and Alonzo's watching Demeter specifically but that's only a step better tbh) but if you are going to go that route it makes sense to leave someone who can defend with the girls.

(Unrelated but for similar reasons I like how in US Tour 5 you can see Pounce and Tumble* backup dancing along with the other girls: listen, if Cassandra apparently can't go out there with the Men™ and look for Macavity, then the babey boys shouldn't be able to either.

*Not actually sure if it was them: It mightve been Pounce/Tumble and Alonzo instead, but there's two boys in the backup and three options, so I'm choosing to believe it was Pounce and Tumble.)

So yes, there's a lot to dig your teeth into with that bit. It also just looks cool, and on top of all of that: I love when male cats mirror female cats, and I also love Alonzo being slutty. 🙏

[shivunin]

If you had to pick 5 fics you’ve written to make a “crash course” and sum up your writing personality, which would they be?

Oooh thank you so much for asking! <3 I had to ponder this a bit, but here's what I think:

I love angst/confronting your feelings at the moment your loved one faces mortal peril so Only Ghosts (4,267 Words). It's all the tasty Zevran/Wen feelings after she takes a deadly wound in the Deep Roads.

I have to include As Two Reflected Stars (12,429 words) because I also love hurt/comfort and tracing the role a specific habit or occurrence has in character growth over time. In this case, healing.

Internal conflict is (I think!) one of my specialties so I offer up Only a Kiss (1,215 Words), the first thing I ever wrote for Wen and Zevran. Wen is always such a treat to write because so much goes unspoken with her, but I feel like this is a peak example of her warring with herself.

I also consider tropes I don't love a little puzzle to unwrap for myself, so next is Search Your Hands (13,581 words). I wrote it as a silly little story about cultural misunderstandings between Cullen and Lavellan. It wound up being a more well-liked fic than most of mine, which surprised me a lot!

Aaaand last but not least I will always be a sucker for unspoken feelings, idiots in love, and romantic tension, so Summer Tea (897 Words) with Elowen and Cullen. These two are the worst at making that first move with each other but it's so fun to write the lead-up.

[starflungwaddledee]

In a fandom where everyone loves to make villains Nice, thank you for making them Even Worse. <3

*salutes nobly* absolutely delighted to be of service!

i am genuinely always sooooo thrilled that folks enjoy this?? as you said fandom does seem to tend to prefer them being Nice so i'm always a little nervous so i'm very glad if anyone enjoys my particular little sip of villain flavour! 😭💖 the enthusiasm helps a lot and i really appreciate it!