#anyway i Very like this job so far

[sibyl-of-space]

working around the holidays in retail: hell on earth

working around the holidays in social services: NUTS working around the holidays in admin/facilities at an office job: literally free money let's go

[deoidesign]

when your main characters start dating after years of writing so they finally get to be like this

[gomacave]

5p yuuram bloood twww

[cozystars]

tee hee

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[dawnthefluffyduck]

Crazy issues that come up when a character is written a little too well

[occidentaltourist]

bbc: Some sweet #Silvacre content for your FYP ❤️

[thefrogdalorian]

I think on this fine Saturday afternoon it's a good opportunity to take a breather and remember that there are really no ethical paparazzi pictures. Every single one is inherently exploitative.

Just because photos were taken on a movie set, when someone is 'working,' does not make the practice any less invasive and creepy. Imagine just going about your day, doing your job and having some weirdo snapping pictures of you to sell without your consent for others to endlessly repost online.

There are thousands of pictures of your favourite actor online already. Plenty taken with his knowledge and consent. I'd really like to see more of them on my dash, rather than the creeper shots.

And don't get me started how disseminating these pictures directly leads to people going to said sets. What starts off as admiring how good someone looks has real world implications.

No, hanging around a movie set and disrupting people doing their jobs is not harmless fun or a way to show your appreciation.

If you hang around a movie set, you are a stalker.

Don't tell me that it's okay to take your online admiration for someone offline. You may admire him but he does not, and will never, personally know you. He will never be your friend/boyfriend/daddy. He is a stranger.

The only way meeting your favourite actor is going to happen is at a convention or maaaaaybe a movie premiere if you're incredibly fortunate. You know, places they appear specifically to meet fans (or not in the case of premieres, where the purpose is to promote a movie. Which is also completely understandable if actors don't stop. You are not owed an interaction).

Of course, you cannot help it if you randomly run into someone you admire in the wild. Even then, consider that they probably won't be all too thrilled to be approached in public by a complete stranger. It's up to you to gauge the situation, but remember there is a person at the heart of all of this.

Boundaries and respect are a kindness which deserves to be extended to each and every human being regardless of their looks/talent/fame/wealth.

Fandoms blur those lines a little too often for my liking and I think just scrutinising what you're interacting with, or what behaviour you could be possibly falling down that slippery slope towards is nice to do every once in a while.

I mean no malice with this post and it is not directed at anyone in particular. It's something I cannot help but feel strongly about because I've seen this destructive cycle time and again in fandoms over the years. It's not healthy and it makes us all a little bit more disconnected from our humanity for it...

[angelmush]

some of my friends n family have been asking to commission knitting projects from me 4 the holidays so i l accepted a handful of projects and they r being so niceys to meeeee

[thebirdandhersong]

Lol

[welcometogrouchland]

Babygirl I can concieve of stephcass dynamics you couldn't even imagine (arospec Cass not understanding why "probably bi but has a job so she doesn't have time to think about that" Steph apparently needs a man (she doesn't, it would just be nice) and doesn't want to platonically settle down with cass in their old age)

[milkbreadtoast]

random but i resolved to post abt it every time i find a webtoon that I enjoy... and lately I've been having fun reading this one...

*rubs nose* heh... I do dabble in het from time to time... no but seriously it's a p straightforward lighthearted enemies to lovers romcom, not groundbreaking or anything yet im over here kicking my feet and giggling the main couple is SO cute to me... i luv them... I actually couldnt wait to find out what happens next so ive been slowly reading ahead in the kor whenever i have time and they're sooo cute😭😭 I also like the art style and costume design a lot!! it gives me like. a nostalgic 90s shoujo anime vibe tbh... w the puffy hair and babyfaces...

[tapeworrmart]

Realised that since I've been on mental health leave from uni that I've moved into doing my comms as a full time thing instead, which has started to bring me just as much stress as uni did, with even less of the routine lol. So I've decided that I need to take a work week type schedule rather than forcing myself to do something every day and punishing myself when I feel too tired. So three days a week will be commission days, and the rest is rest or personal project days. This shouldn't really effect the pace I finish comms (if anything it might speed me up since I won't be burnt out) but just a heads up!

Comm spaces still available this month too :)

[sysig]

Skelefam

Unfortunately, as much as I love this mod - I mean, it’s beautiful! Just look at it! - it does have a game-crashing bug D: For some reason skeletons can’t get jobs, it crashes the game lol, so as much as I’d love to have Gaster in the Science career, he is a stay-at-home parent! That’s fine, nannies suck in TS2 lol. There’s also only a few clothing options but I’m gonna try some poking around to at least expand upon what’s there already :D

I ended up using the stretchSkeleton cheat - hehe, skeleton - to make Papyrus a bit taller and Sans a bit smaller. It’s only really noticeable in their ankles, and their animations are a bit misaligned, but other than that it’s very cute! :D Sans is also chubby but it’s kinda hard to tell :0

Sans, stop breaking the fourth wall!

Look how little he is compared to his brother hehe

Also, and I did not edit or plan this - they naturally started falling into their relationship dynamics! Gaster and Sans have a much lower Short Term Relationship here than Gaster and Papyrus haha

Would that I could! I was still testing at this point and yup, it crashed. Sadge

Well even if I can’t get the jobs, I can still cheat-unlock the Career Awards! Scientist behaviour lol

Look at their delicate little haaands

Did you know that Gaster sucks? He does!

Oh what are skeletons not your type? Don’t be rude

Sans even rejected him when Gaster offered to dance together! I love them

Gaster’s POV - he was listening to Sans tell a joke and next in the queue Papyrus wanted to show off to him. So accurate haha

Papyrus’ POV, of course he’s friends with both of them, sweet boy

And Sans’, look at how much more he thinks of his brother over Gaster! What more could I ask for honestly

Only concerned with Gaster seeing lol, Papyrus is way closer! He doesn’t count haha

Racecar bed babyyyy

Retextured the outfit for Papyrus, so now they’re much easier to tell apart! :D

Crossover babies ♪ One of the Todds walked by and I just now realized I also gave them a red/blue twin aesthetic haha

And that’s all he’ll want and care about from now on :)

Hehe. He gets it!

Papyrus is bad at making friends! Sans there in the background passively ++ing with Todd lol, he’s a natural

[lesbiancarat]

every time jun has gone back to China for activities I become more and more done with XCSS (Pledis China)... it's so clear they're incompetent and don't understand how the Chinese entertainment industry works 🙃

[papermonkeyism]

sorry for being active

logical... i think I'm annoying you too much /especially with my bad English/, and if you don't want to answer, that'll be fine ^^` in any case, thanks for your attention! i'm probably overthinking this, but...

the last question was, what is Crippled (and the others for that matter) afraid of? I understand that all the hounds lived in a pretty terrible place, but what about simple, almost human things like darkness and loneliness? Surama seems quite fearless to me, despite her dislike of the dark, unlike her brother (okay, he's just quite active), and Iacar is reliving the past. of course, they worry about each other, I think, but... hey, admit it, who is afraid of thunderstorms? :)

sorrysorrysorry ^^`

English isn't my first language either (terveisiä Suomesta). It's just that I'm wary.

I do not currently live in a creative enough environment nor life situation where I can reasonably sacrifice several days out of my week into such a demanding creative work, alone, without burning out.

And every time I so much as casually mention Wurr online, there's usually at least one person who'll come and let me know how tragic it is that I've "decided" to "abandon" my "great story and characters". (Or, in one case, how irrelevant and pathetic I am as a failure of a person. Fuck that one, though.)

Like, I had a bit of a nervous breakdown because of health and livelihood issues back in last spring that I'm still occasionally dealing with (one's systolic blood pressure is definetely not supposed to stay over 190 for long), and I just don't want to be dealing with the people sending me obituaries for my comic on top of that right now.

Like, maybe, maybe, if I one day move closer to Tampere to have my Brainstorm Buddy in my reach regularly again. I miss having creative company.

But right now? I'm just tired.