#anyway hes like a cousin to me

[endofbeginings]

Im planning to make an oscar poster for the australian gp (and make it like a old ikea catalog or a race essential list) when i realized i basically know nothing about him personally..... kinda obsessed

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[tricoufamily]

just some ivy league kids trying to figure out necromancy

[saturnsorbits]

Sero Hanta, early-twenties, sat in a small room with his pants around his ankles and a small pot in his hand. There’s porn magazines all over the place, something he’s never quite cared for, but he still manages to deposit his sample with the nurse within a break-neck 10 minutes. Blame his youthful exuberance and the fact he hasn’t touched himself for almost two weeks leading up to his appointment, he guesses.

And you, fifteen years later, with your son. A lanky boy who’s too tall for his age, with a mop of black hair and eyes of such a richly, dark brown they’re often mistaken for black.

[tj-crochets]

Donut isopod!!!!

Made using a pattern by Cholyknight (aka sewdesune) and frosting fabric from a spoonflower designer I cannot remember but will find a link to if anyone wants it

[yesokayiknow]

human au. some of these guys spend too much time on here and it shows

[blatantprinterpropaganda]

ai-oon's current search history like. "am i gay" "am i gay quiz" "universal design initiatives bangkok" "how to tell a beautiful smart attractive interesting clever rich woman who kissed you that your twin sister who she thinks is you and who she is actually dating in fact ditched her when she went blind to get married to a man but then your sister fell into a coma on the same day she asked you to break up with this woman who is too good for both of you and whose heart you don't want to break and who you may be 50% in love with already" "what if it's 75% actually" "how to stop thinking about lesbian sex" "how to get rid of a cockroach without touching it or looking at it or thinking about it" "is it gay to forget there's a cockroach in the room because you're so busy thinking about lesbian sex"

[wardensantoineandevka]

one of my favorite parts of speculating ahead of the Veilguard is the number of people talking themselves around and around in the loop of "Illario is extremely suspicious and the most obvious choice for who betrayed Lucanis → However, Illario seems like he genuinely cares for Lucanis and seemed sincerely distraught in The Wake → I know in my heart it must be Illario: there is no one else with means and motive → If Illario did it, I understand why given how Caterina has treated him and them, and he has arguably earned a bit of a villain era → The situation is ultimately caused by Caterina and Crow politics and, again, Caterina → I don't want it to be Illario because I want he and Lucanis to have a good relationship given all they've suffered together → However, there is already an existing bitterness between them because of the succession question and in Illario generally because he's seen as lesser → Illario is the most obvious choice"

[lilithofpenandbook]

Seriously how can M*r*uders stans like random Slytherins (who tf are Evan Rosier, Pandora (is that Luna's mum and why tf is she Evan Rosier's twin in half of these), and I don't even want to discuss Regulus) and make them Actually Misunderstood Good People Who Were Forced Down That Path when at least one of them *coughreguluscough* was obsessed with Voldemort

And then turn around and make Snape an awful person?

[wanderer-clarisse]

cousin bonding time (I like to imagine that Maedhros is the one who tied baby Finrod's hair!)

sorry for being suddenly inactive here lately, Things Happened and I haven't really had the time to sit down and draw until this week ;-; hope this little sketch can make up for it!

[oceans-beloved]

Meme dump yayyy🥳✨️

(off to make more now muhahaha >:3)

[vegaseatsass]

You know, these past two episodes I was thinking to myself, Su Yin is almost perfect in every way, simply the ideal devoted, protective, loyal, dedicated sworn brother, call him Da-ge indeed!!!, but my one piece of constructive criticism is that he needs to learn how to give real hugs - he does a lot of manful shoulder clasping, but Xiaobao is a shivering chihuahua desperately in need of cuddles and body heat, you gotta HUG THAT BOY - but now I see that Su Yin's hugs are simply reserved for his horrible little gremlin of an imperial cousinwife.

[henreyettah]

Foxhole 🦊🦊 🦊 🦊🦊 🦊🦊 🦊 🦊

[overleftdown]

farleigh analysis part 2, because the first post wasn't enough. this is going to cover all scenes set at oxford university that i find significant to my understanding of the character (this ended up including pretty much every scene with farleigh in it). once again... buckle up.

[0:03:48] farleigh: oh, he's got the scarf. hey, cool jacket! and the tie?

starting off with a banger! this is farleigh's first line, his introduction as a character. this is how the viewers are intended to see farleigh, at least for this portion of the movie. this is what i'd consider an outer-circle perspective of farleigh, how the majority of his classmates understand him as a person. catty and casually rude. it's significant how surface-level and mild this introductory piece of dialogue is. farleigh is pointing out how hard oliver is trying to appear mature and scholarly, because farleigh is too nonchalant to try hard to fit in (haha).

[0:07:10] farleigh: i'm so sorry. got completely lost- hi, nice to meet you. so sorry. tutor: you're farleigh start, i take it. nice of you to join us, finally. you're not a, uh relation of frederica start, by any chance? farleigh: uh, shes my mother. tutor: no! i knew her when i was your age, when we were both here! when she was frederica catton, before she went to america. farleigh: no way! oh my god, i'll tell her! she's gunna be thrilled that i'm being tutored by one of her friends.

and again, an outer-circle perspective. here you can see the supposed influence of farleigh's family title. "when she was frederica catton," signifying the beginning of the end of frederica's social rappour. farleigh is a product of his mother's abandonment of everything the catton's stand for; wealth, coldness, heartlessness. however, from this perspective, the one we've been introduced with, farleigh is still hiding in the ghost of his mother, before she moved, before she had him.

[0:07:48] tutor: not sure we ever spoke. farleigh: ...oh.

HEHEHEHEHE. i giggled.

[0:08:48] oliver: so you're picking apart the style of my essay instead of the substance? that's kind of... farleigh: kind of what? oliver: lazy? farleigh: it's completely valid to debate the rhetoric of an essay. it's not what you argue, but how. tutor: great point. oliver: yeah, especially if you haven't read any of the poems.

i think this dialogue is incredibly fitting for farleigh's character. as in, it represents how farleigh interacts with people at oxford, with the cattons. picking apart the style rather than the substance, because it's not what you argue, but how. using that comparison, oliver pointing out that farleigh clearly didn't read the material is synonymous with farleigh being clueless to how and why the cattons truly tick. this makes farleigh's socializing hollow by nature. whereas oliver... he does his research. he learns how the cattons function, what motivates them, what their dynamics are. he doesn't play into style or rhetoric; he doesn't need to.

[0:13:11] felix: oh, there he is! oliver! ollie! oliver, come here, mate! yeah, come here. come here. what? come here!

farleigh's face visibly drops, and he sits up straight where he's sitting beside felix. he's not disgusted, nor offended. he looks anxious. a few seconds later, as felix says "this is my fucking hero, right here," farleigh is giving oliver the gnarliest look. he's fidgeting with his hands, and you can see him swallow. i think he looks a healthy blend of angry and exasperated. as it's made known later in the movie, felix has a notorious savior complex. farleigh knows exactly what's happening.

[0:14:00] (shots) you can see that, between the last timestamp and this one, farleigh has been displaced to the other side of the table. previously, every single sighting of felix has farleigh glued to his side. standing right next to him. farleigh on the opposite side of the table as felix is very indicative of the very real threat that oliver poses to farleigh's stability.

[0:14:10] farleigh: it's your round, man! oliver: i should go to bed. farleigh: wait, no no no. you can't snake your way out of a round. oliver: i'm not. farleigh: it... looks like you are.

the most important thing about this scene that i'd like to point out is that oliver would not have, and should not have, stayed for his round if it wasn't an intentional plan. the nature of "buying rounds" was made clear and is clear. he reasonably shouldn't have stayed and specifically left when it was his turn to pay. that's gnarly. that's generally just rude.

[0:14:30] felix: farleigh. farleigh: what? felix: just cut him a break, mate. farleigh: what? felix: that round's gunna cost a fucking fortune. farleigh: pub rules, felix.

yes, i understand that farleigh is being intentionally confrontational. but felix consistently falls flat when "combating" the judgmental attitude of his family and classmates. although he did exactly what oliver wanted him to do by paying for the round, he lacks a genuine purpose behind his verbal condemnations. felix wants to believe he is morally better than his family, the people he surrounds himself with. because of this, he lacks passion. farleigh surrounds himself with whoever felix surrounds himself with; he has become part of felix's background noise. he has become another steppingstone to felix's upward climb to righteousness. another blurring, booing voice, antagonizing the people felix protects and defends.

[0:16:09] felix: yeah, well you know farleigh basically grew up with us. oliver: i didn't know you and farleigh were cousins. felix: mmm, my aunt, farleigh's mum, ran away to america when she was 19 to escape the cold-hearted english. ciggie? oliver: eh, i don't smoke. farleigh: dear aunty fred married a lunatic who pissed everything she had up the wall and a fair chunk of dad's money, too, until he had to finally cut her off.

(oliver did know that farleigh and felix were cousins tbh what a liar, can't believe he would lie like that. unbelievable. truly criminal).

at 0:16:10, farleigh watches felix and oliver sitting with each other at a party. this is played behind felix's voice-over, as he tells oliver about farleigh's family history. i find that so emotionally impactful. jealousy is a hard emotion to read on someone's face, but almost always, farleigh just looks sad. i often see him glancing down; this can often mean disappointment, insecurity, deep thought. at 0:16:27, you can see him briefly scrunch his eyebrows together as he watches felix light oliver's cigarette. he looks confused, judgmental, or surprised. the only thing i can compare this to is taking a bite of food that you didn't expect to taste horrible.

i wish we got to see more of farleigh and his mother, or at least what their dynamic entails. we know he asks (begs) james and elsbeth to give frederica money. we know that frederica was either too kind or too weak to cope with her family. we know that she was well-loved at oxford, or at least had some admirers. i find it poetic, that frederica ran from the english, and now her son is running back in place of her. i also wonder about farleigh's dad. there's no mention of him, past this scene; but if he's no longer with frederica, why would she still be cut off by the cattons? are the cattons really that cold to her, or is frederica still married? curiosity, man. i'm about to start making stuff up on the spot.

[0:16:42] felix: well dad, you know, he felt so guilty about the whole thing that he decided that he would pay for all of farleigh's education. oliver: lucky farleigh. felix: oh, fat load of good that's done him. he's been expelled from almost every school in england for sucking off the teachers.

at 0:16:50, farleigh is shown with a woman on his lap. she's more adult than farleigh. i think it's relevant, considering the voiceover.

i think an important word in this dialogue is guilt; it's a strong motivator among the cattons. yet, it's an inconsistent one. because the cattons guilt is so external as opposed to internal, there is a threshold at which their guilt feels resolved. they just have to convince themselves that they are charitable and therefore good. there is no real understanding of love, and what comes with it. there is no intrinsic need to support their family, simply because they are family.

i don't know what to say about farleigh and his relationship with authority. clearly, he has an unhealthy attachment to transactional and exploitative relationships. how does that complex interact with his social life? his family life? to live surrounded by money and to surround your life around money creates a need to quantify everything. it means you're trying to understand what you're worth, and what your actions are worth. this can also be a testament of farleigh's character; is he just unwilling to put more effort into school? is he unable to compete with the schools that he's attending through money instead of merits? yes, james is paying for his education, but since when? how long has farleigh attended school in england, and what schools did farleigh attend in america? there's a large difference in education. i digress. i find this detail about farleigh significant and upsetting in a lot of ways, and it would be just as upsetting if he really did just prefer transactional sex over doing his homework.

[0:22:27] (oliver sees felix at the bar without him) and this is where farleigh regains his place next to felix. the framing of the shot specifically includes farleigh and felix, centered together on screen. oxford is the only period in this movie where you can truly consider oliver and farleigh mutual threats. this is the limbo, where both of their minuscule actions could change the course of their relationship with felix. oliver and farleigh are both intimately aware that only one of them can exist at felix's side, only one of them can be felix's accessory. oliver's motivation to be in this position is infatuation. he hates what felix represents and loves felix as an individual. is this the same for farleigh? how much is farleigh motivated by his love for his cousin? how far devolved is their relationship, since farleigh realized he needed to play a game just to be treated with compassion by his family?

[0:26:30] farleigh: oh, nice tux. oliver: thank you. farleigh: wow! it's a rental, right? oliver: yeah- farleigh: yeah. yeah, the sleeves are too long. always check the sleeves! but still, not bad. i mean, you're almost passing. oliver: for what? farleigh: i don't know! a real human boy.

he's so petty, it's hilarious. there's not much to say about the majority of this interaction, other than the fact that farleigh is overcompensating for his own social insecurities. to be expected. i like that last line, though. "you're almost passing for a real human boy." does that have anything to do with oliver's poverty? maybe it's just a jab at his fashion choices. i think it's also safe to say that farleigh finds something legitimately unsettling about oliver. or maybe he really is just prepared to give felix's new project a tough time. there are a few reasons for farleigh to go out of his way to make felix's friends uncomfortable or inconvenienced; almost all of them are petty. venetia does the same. elsbeth, who shares felix's habit of hosting people, seems thoroughly entertained by oliver.

farleigh's oxford era is hard to get a read on. he's truly just... rude. he's also scared. his dynamic during the school year with oliver is so compelling to me, because oliver is still in a place of deep instability. he almost lost felix halfway through the year; he needed a high card to win him back. farleigh doesn't play cards, though. that's one of the biggest differences between the two characters. for all their similarities, the only action against oliver that farleigh seems to have is being mean. oliver is driven by an obsessive ambition to control, interfere, dominate. during the school year farleigh is shown, repeatedly, that he just wants to get through it. he's coasting, truly. he slides right back into place next to felix when the spot opens up, and he stays in the background. again; all style, no substance. no research. the cattons were never a game, to farleigh. they were just an uphill battle. they were his family.

[crybaby-bkg]

Bakugou who agrees to let you practice some of your makeup skills on his face as long as you cockwarm him the entire time. You don’t know why you do, because you know it’s just gonna distract you the entire time, and it does. Because he sits so, so agonizingly still the whole time, leans his head back to rest on the back of the chair so that the column of his throat is exposed, kissable. He rubs your thighs and bare ass the entire time in big palms, soothing and sweet and so non-sexual, that it only turns you on more.

“What’s wrong, baby?” He’ll tease, pick your chin up with a single finger so you can look at the smokey black and red eye look you’re halfway finished with. “Why did ya stop?” He’ll smirk, cocky, when he sees the ache of just wanting to bounce on his cock until you cream all over him starts to take over the need to finish his face. And he lets you, so sweetly he lets you—just sits back and holds you in his arms, but is still such a little shit, doesn’t let you get close because he doesn’t want to fuck up the hard work you created. He’s insufferable.

[redeemed-wren]

Thought too long about Hermoine daughter of Meneleus and Helen and got sad