#anyway I'm so sorry if there's anything I can do to make it up to you like try to draw smtg for you or anything I will

[gotta-winwin]

OT13 Reaction -- when you're injured

SCOUPS:

he's speeding you to the hospital no matter how small the injury is. will lowkey make a big deal out of something as tiny as a cut. scolds you for not telling him sooner and for putting yourself in harms way. coddles you once you're home, refusing to let you touch a single piece of housework. he'll mother hen over you for at least a couple days before he accepts you're ready to be independent once again.

JEONGHAN:

laughs. (im so sorry) he will 100% start cackling first before he asks if you're okay. makes fun of you as he takes care of you and reenacts the moment for your viewing pleasure. scolds you for being so clumsy and will baby you as you recover.

JOSHUA:

the type of immediately jump into action. the moment you cry out in pain or he sees you falling, he's by your side as if he's teleported. holds you as he checks your injury, fussing over it and asking if you need to go to the hospital. will take you anyways even if you say no. holds your hand the whole time. tells you to be more careful cause he doesn't like seeing you in any sort of pain.

JUN:

if it's a particularly funny way you injury yourself, he'll eat that shit up. is too busy laughing to check if you're okay until you start crying and he'll be like oh shit it's real okay let me lock in. extra attentive once he realizes its serious.

HOSHI:

the type to let out a loud scream when he sees you go down with an injury - you'd think he was the one in pain. he wants to help, he swears - but he's just as lost as you are. the only thing he knows is to take you to the hospital for professionals to help you since he can't.

WONWOO:

is immediately playing doctor with the random bits of knowledge he's gained on the medical side of tiktok (why he's on the medical side of tiktok idk). he's meticulous and precise with it, taking care of you like it's his profession. will crack a few jokes (albeit quite poor jokes) to try and cheer you up. reads to you as you try to fall asleep, his attempt at distracting you from the pain.

WOOZI:

realistically, woozi hears about your injury over the phone. he's at work in his studio cooking up another massive banger, and isn't fazed when he picks up your call. you tend to call him at least twice to make sure he's eating anyways. worried when you tell him what happened and asks if you need him there with you. either way, he's packing up to leave asap, no longer in the mindset to work knowing you're in pain.

MINGHAO:

if your injury was your own fault, he'll look at you like: (¬_¬") he's sighing at your clumsiness and you can hear the disappointment as he tends to your injury, all the while nagging about how you've got to be more careful. calls his mom to ask which herbal medicine will fix you faster - jokingly comes back with ginseng tea, telling you its to fix your clumsy ass brain.

DK:

screeches when he sees you drop. gags at the sight of blood. he approaches you slowly, hands shaking to check if you're okay. he's inwardly very panicked and lowkey not hiding it well. this wasn't in the boyfriend handbook! he's ready to be there for you though, cheering you up with funny anecdotes about him and the boys, doing his best to make you laugh through the pain. he will do anything you need him to during recovery -- just far from blood and anything icky that might come with it.

MINGYU:

lowkey probably the cause of the injury (sorry gyu stans, yk i'm right tho) he apologizes profusely, stating that he is 'just a clumsy big boy' and cannot help that he just has a rougher hand with things. makes it up to you with snacks, cooking and cuddles. allows you to use this incident against him till the end of time, although he gets sulky every time you bring it up.

SEUNGKWAN:

complains that he's got to take care of you but does it lovingly anyways. "i'm doing this cause i love you. you're lucky i love you or i would've left you suffering ages ago." gives you that signature seungkwan side eye if the injury was your fault. chides you to be more careful.

VERNON:

his first instinct is to ease the pain with bad jokes. will ask you if you'd wanted it to happen 'is this the result you wanted, baby?' and will quickly stfu when you glare at him. follows your orders on how to take care of you cause he's lowkey very lost. puts on a movie once everything is done to help you relax and to take your mind off the pain.

DINO:

ya'll 100% were doing something stupid and got injured together. dino has that 'you say jump, i say how high' energy, and you're definitely both in pain because one of you was doing something for jokes and the other joined for fun. takes care of you while complaining about his own pain. is a big baby when its your turn to take care of him. tells you to never bring this up to his hyungs or else he will never hear the end of it.

[the-lying-heavens]

"Pick One Moment"

[Spencer Reid x fem!reader]

Masterlist

Summary: A rough case in Dayton, Ohio brings unexpected emotions to the surface for you, forcing you to confront feelings you'd been hiding for years—feelings for Spencer Reid.

Warnings: Fluff, angst, moment of awkwardness

Word Count: 2.0k words

A/N: just based on the lyric 'And then I go and spoil it all by saying something stupid like I love you...I love you' from the song Something Stupid by Frank Sinatra because it's been stuck in my head. I've been planning to write Spence for a while but I've been intimidated.

Staying professional in Dayton, Ohio proved to be a challenge.

It had been a rough case, but what case wasn't, right? Just have to wrap this one up and you can go back to your house and dog.

Okay, fine, this wasn't like most cases at all, not to you anyway. This one had hit particularly close to home. And you didn't like that one bit.

This made you more short-tempered than usual, even snapping at a witness. After a lengthy lecture from Hotch, I mean from the look on his face you would think you had insulted him, he had 'benched' you by having you go through old files that might be related to the UnSub.

Hey, at least you got to do it with Spencer.

After working with him for so many years, you grew quite fond of him. Too fond maybe.

You stared at him going through files with a speed that should not have been human. 20,000 words at a minute, and you thought you were a fast reader.

"Got anything yet, Boy Genius?" you asked, flipping the page of your own file.

He looked up at you. God those eyes...

"No. This one isn't even related to it." he dropped the file on the table.

"Didn't you read the entire thing?"

"Yes," he replied, "It was interesting."

"You find everything interesting."

"Not true," he protested.

You rubbed your eyes, sighing. "Sure, Spence."

He tilted his head at you, a look of concern on his face. Adorable.

"Are you okay?" he asked.

You considered lying, you had been doing that the entire time you had arrived in Dayton after all, but decided against it. "Not really."

"Is it about your family? I thought this case might bring up some bad memories."

You couldn't help but smile at how quickly he had gotten it. "Yeah, something like that."

"Can I help?"

"Can you make memories go poof?"

He actually seemed to ponder it. "No. I'm not sure why you would want to."

"You never wish that you could just forget the bad stuff?" You knew what he had been through, you had seen quite a bit of it.

His brows furrowed. "I don't like the idea of forgetting anything. I mean, Mom forgets enough so I remember for her too."

You realized your mistake and winced. "Spence... God, sorry."

"It's okay," he reassured you. "You're remembering a dark time in your life, it can be overwhelming. Also explains you snapping at the witness, with your nerves on edge."

"Yeah?" You grinned. "It was going to be Morgan but the asshole left before I could. So collateral damage."

He laughed. "He's outside if you want to insult him now. I don't want to be collateral damage too."

"You? Never."

"Never?"

"Never," you repeated.

Oh, how you loved his lopsided grins. "Thank you."

"Always." If you could pick one moment to live in forever, it probably would've been that one.

Minus JJ coming through the door right then. "We got something."

You wanted to throw a file at her. Instead, you get up with a heavy sigh. The sooner you get this done the better, you had to remember that.

~~~

The BAU was heading back to Washington tomorrow, so you could leave this far far behind. Finally. This case taking up two weeks of your life was enough.

You sat at a cafe next to the hotel where you were staying. It was a cozy little place with a mostly brown interior and warm lighting. The scent of freshly brewed coffee and warm pastries filled the air.

You sipped your drink, feeling the cup's warmth in your hands. You had been coming here for the past few days and you had to admit, you would miss this place.

Just then, the door opened, and in walked someone you recognized, glancing around the room before spotting you. With a smile, Spencer made his way over, pulling out a chair across from you.

"Mind if I join you?" he asked.

You smiled back, gesturing to the seat. "Not at all."

He sat down and looked around. "So this is where you disappear to?"

You hummed in confirmation. "it's a nice place to think."

He stared at you for a while before nodding thoughtfully.

"What?" you sipped your coffee.

"Just... Are you feeling better?"

You shrugged. "Yeah, UnSubs behind bars. What more could I want?"

"Closure," he replied quietly.

You pressed your lips together tightly. "It's fine Spence. I'm alright with it."

"I don't think you are."

"Spencer," you said, a hint of warning in your voice, "You want to help, I get it. But not with this. Okay?"

It was an unspoken thing, the way Spencer always seemed to know when you needed space and when you needed someone to push just a little. He respected your boundaries, but there were moments—like this one—when his concern slipped through the cracks.

He sat across from you in that quiet cafe, watching you. You couldn’t tell if he was waiting for you to speak or if he was just giving you the time to process, as he always did.

It had been a rough case, yes, but that wasn’t why you were still here, staring into your coffee like it held all the answers.

Your eyes flickered up to meet his. He was still staring at you, quietly, as if he could see past your walls.

"Spence," you said, your voice quieter than you intended, "I’m fine. Really."

He didn’t respond immediately. His hand rested on the edge of the table, and you could see him fiddling with his fingers. That subtle nervousness he only ever seemed to show when he wasn’t sure what to say, but he knew he needed to say something.

"I don't believe you," he murmured, his voice soft but insistent. “I’ve seen you too many times to believe that everything’s okay, especially when it’s not. You’ve been holding it in, and I know that—"

"Spencer—" you started, but you were too late. He was already talking over you, his voice getting faster.

"Please. I just want to make sure you're alright, okay?" He sighed, his eyes briefly darting away before looking back at you. “I just... I care about you."

Everything felt very... loud. Too loud.

He looked at you expectantly, almost uncertain. Maybe, just maybe, he was waiting for you to make the first move.

You cleared your throat. God, you really hated moments like this, when everything inside you seemed to tremble at the prospect of just being honest.

His hand shifted on the table, and before you could stop it, you had reached out to touch his fingers. It was the smallest of gestures—barely noticeable—but it was enough.

For a long moment, you simply looked at each other, the conversation hanging in the air. There was so much unspoken between you, so much left unsaid. Maybe that was the problem.

Before you could stop yourself, the words spilled out of you, quicker than you could catch them. "I love you."

Spencer's face went completely still, his eyes wide as he processed your confession.

You had not meant to say that. You didn’t. It was an accident. You weren’t ready. You weren’t ready to put that kind of pressure on this, on him, on whatever this was.

But the words had slipped out anyway. You stared at him, feeling the heat rise in your face, hoping the ground would swallow you up.

"Sorry-God, I'm sorry," you quickly got up and rushed out of the cafe.

He just sits there. Frozen.

If you could pick one moment to rewind, it would be this one.

Oh, you fucked up big time.

~~~

You had never been more ready to get home, but unfortunately, there was an hour and thirty minutes on the private plane. With him.

Usually, you would spend an entire flight, after a case well done, talking to Spence. But after yesterday? But not this time. Maybe not ever.

You could feel Spencer’s presence beside you, but he was quiet. So quiet. Not the usual playful banter, no sudden bursts of random trivia or observations. It was almost like he was giving you space... or maybe he was just too uncomfortable to say anything.

Your eyes flickered to him once, twice, each time hoping for some indication of what he was thinking. He was staring out the window, a far-off look in his eyes, his fingers curled loosely around a book in his lap. For a moment, you almost felt the pull to apologize again, but the last thing you wanted to do was make him feel obligated to comfort you. You had put your foot in it already. Now, it was time to ride this out and pray it didn't become permanently awkward.

But Spencer, as always, was unpredictable.

"You don’t have to apologize," he said, his voice quiet, but it still carried across the cabin, cutting through the engine's hum.

You stiffened, eyes fixed on your lap. Had you been that obvious?

"I wasn’t going to," you said, a little too defensively.

He didn’t respond right away. You could feel him looking at you, the weight of his gaze making you want to curl into yourself.

“You know I care about you, right?” He said it so gently, like he wasn’t sure how you were going to take it.

You felt your chest tighten. Care about you. Those words. He was still speaking, still looking at you, but it was hard to focus on his words because everything was spinning around that one sentence.

"I do," you replied. You had to stop yourself from saying more—there was more you wanted to say, needed to say—but you couldn’t. Not yet. Not until you figured out where your head was at, where you both were at.

Spencer shifted in his seat. He didn’t look hurt, but there was something in the way he held himself. Maybe he was just holding back, afraid to push too hard, afraid of what that push might break.

You finally took a breath and turned to face him. He was still watching you, his expression a mix of concern and... something else. It was the something else that had you questioning everything.

"You don’t have to say anything," you added quickly, "I just...said something stupid. I didn’t mean to make things weird."

Spencer didn’t break his gaze, but a small smile tugged at the corner of his lips. Not his usual goofy grin, but something softer. More real. Something... intimate.

"It’s not weird," he said, his voice still quiet, "You’re not the only one who gets nervous around here, you know."

You blinked at him, genuinely confused. "What do you mean?"

His smile flickered, a small laugh escaping him before he adjusted his posture and leaned back in his seat. He seemed less tense, more at ease, "I’m just saying... I’ve had my own share of... feelings. I just didn’t know how to... deal with them."

Your breath caught in your throat. Spencer had feelings? For you?

The question hovered between you like an unspoken truth, but it seemed too risky to ask outright. Instead, you glanced down at your hands, the heat rising in your face.

And then, finally, you said something else, the words coming out quieter than you intended: "Do you think... we can just... forget it happened?"

You almost expected him to shrug it off, to offer a playful remark about how awkward it was or how maybe you'd both laugh about it someday. But he didn’t do that.

"No," he said softly. "I think maybe... we should talk about it. When we’re ready."

Your heart fluttered. Was this... was this him telling you he was ready? That maybe he wanted to figure it out too? Or was this Spencer, as usual, just giving you a window to process everything at your own pace?

You weren’t sure. You weren’t sure of anything. But you couldn’t deny the weight of his words, the connection that had always been there and that seemed to grow stronger the more time you spent together.

"I’m not great at talking about feelings," you admitted, looking over at him sheepishly.

Spencer chuckled softly, a breath of amusement. "Yeah, I’ve noticed."

You gave him a sidelong glance, your lips twitching into a reluctant grin. “Smartass.”

"Hey, you started it," he teased, finally breaking the tension just a little. "And I’ll finish it. But not right now. I think... we both need time to think."

You nodded slowly. He was right. You both needed time. The last thing either of you needed was to make rash decisions while emotions were still running high.

"You’re not mad?" You asked it before you could stop yourself, the doubt creeping in.

"Mad? Why would I be mad?" Spencer’s face was open and sincere.

"I don’t know. I just..." You didn’t finish your sentence. What was there to say? How could you explain the mess of emotions you were still trying to sort out?

He reached out across the seat, almost as if he was testing the waters, and placed a hand gently on yours. The touch was brief, but it sent a spark of warmth through you.

"I’m not mad," he said again, more firmly this time. "Not for that."

You were both quiet for the rest of the flight, but the silence between you felt different—more like an understanding, like a promise that when the time was right, you’d figure it out together.

It wasn't the one moment you would pick to stay in forever, but it was a moment you didn't mind being in for the rest of the flight.

[revelboo]

Hello, sorry if I'm being annoying. But I’d love to see something with IDW Ratchet or Tarn if you could write anything with them—especially Ratchet. I just don’t see enough good stories about him. I really enjoy your writing style and can’t get enough of it. Sorry for any mistakes; English isn’t my first language.

Sure, I’ve been meaning to do an IDW Ratchet. Tarn’s on my list, too, but he and Ratchet will likely be the last new characters for a while. I’m currently over 30 ongoing storylines at this point 😅

Feel Like Rain

IDW Ratchet x Reader

• Sometimes it’s all too much. Even with First Aid helping, there’s just not enough medics in the Ark to support so many Autobots. Wheeljack and Perceptor can help if push comes to shove, but even then once the fighting begins again it won’t be enough. He’s never enough. And when he can’t get his processor right, when it threatens to drown him, he goes driving in his alt mode. Feels the sun baking him, the sand and hot asphalt under his tires. No real destination in mind, just trying to calm the panic that’s always there, the worry about what might happen. Driving for hours sometimes in a widening spiral about the Ark. Never going too far in case he’s needed. As he turns, he almost misses the car down in a crevice, only part of the bumper still visible, emergency lights flashing. Not his problem, but he’s still slowing anyway. Because he’s still a medic and someone might be hurt.

• Transforming and sliding down next to the car, he lays a hand on the roof feeling the heat of the metal and knowing it’s been there a while. Leaning to look inside anyway, there’s a human slumped forward against the wheel, broken glass glittering in their hair. Unmoving. Too late, then. Spark constricting, he’s turning away, pushing off the car to make the metal groan, when their little fingers flex and you make a low, guttural noise of pain that freezes him.

• It takes time to carefully peel back the roof of the car, snap the seatbelt and pull the door off to remove you. Feeling how hot your skin is against his servos as he lifts your limp form. Your eyes never open but you mumble incoherently, broken fragments he can’t make sense of. That make him wonder just how long you’ve been here, trapped and waiting to die. Because there’s no leaving you now that he has you in his hands. Carefully transforming around you to carry back to the Ark.

• Wheeljack’s in Medbay when he returns, digging through his tools and looking up guiltily, vocal indicators flickering green before he notices the human. “Haven’t seen that one before. Looks rough,” Wheeljack murmurs, moving closer as Ratchet lays you on a berth, your tiny form looking even smaller in the bot sized space. He’s almost absurdly glad Wheeljack’s there. Even though he’s been trying to brush up on human medicine since there’s so many of them now in the Ark, he doesn’t know nearly enough. Doesn’t know how to help you, but Wheeljack has a human. He has to know something.

• Snatching a scanner to run over you, he frowns at the results. Wrist and arm broken, one leg fractured. Body temperature well outside of normal parameters, dehydrated. Blood pressure off from normal, too. And he doesn’t know enough to know which problem is a priority. Which will kill you if he doesn’t fix it first. “Get your human,” he says softly. Temperature? It’s a place to start, cooling you off. “Now, Wheeljack,” he adds without looking up when the other bot doesn’t immediately move. Using a servo to brush your hair from your face, he can see the glass glittering on your skin and in your hair. “You held on this long.”

[tan1shere]

Tattoos

A/n: Was just listening to Agora Hills when I just had to write a little something about it - sorry if this isn't the best. Have this while I work on her favorite. I didn't know what to do at the end 😔

Warnings - smuttyish content ?! || masterlist

You thought you hid it well but you guess not. You were currently on your way home from a long shift at work. It was currently 8 pm. You open the door to your home and head in. You see her standing there infront of you, loose sweats and a loose button up shirt. She had done a few things today so probably just wanted to be comfortable with that and the sweatpants on. You look at her confused on why she's just standing there. "Hi babe." You say with caution. "Licking on her tattoos, or even my own." Whyd that sound so familiar.

"Maybe hitting and smacking too." Your face stays the same, utterly confused. "Hello to you to?" You walk further in when she flashes a black book. Your sex book. It was just some silly thing you had written in for laughs, even if deep down those were some actual fantasies of yours. "Oh..." How'd she even find it. You don't even remember where you last put it, it had been that long. "Got home earlier today and wanted to clean our room a bit. Then found this. Is it true?" You didn't know whether to feel embarrassed or nervous.

Her head tilts at you and that's when your nerves kicked in. Billie would never ever make you feel embarrassed over anything. "They might be." You fiddle with your fingers. "Yeah? You wanna lick my tattoos? The one on my spine." Your throat closes that was the exact one you were thinking of. That and the one on her upper. Upper. Thigh. "Where else?" She walks over to you slowly. "I uhm.. uh-" "My thigh one?" You look into her eyes, hers were droopy. "You didn't read it all right?" She smirks.

How dumb could you be right now. "Sure did baby. Got some interesting desires in here." Your head spins at the closeness, her lips being so close to your own. "You know, I think I wanna lick on that one tattoo of yours. You know what one I'm talking about. It's almost like mine." You gulp loudly. You had a tramp stamp on your lower back, she was talking about that. "You can.." You quietly utter. "Can I?" Her tone was mocking. You stay quiet. "I mean, i was planning to do so anyway." Then suddenly you were being slung over her shoulder. Heading straight for the bedroom. She lays you down, hovering over you hungrily.

Your breath catches as she hastily takes your pants off. Her hands reach to lift your shirt up a bit. "Bills." You sigh out, really wanting to be the one to kiss her dragon tat. "Patience, I'll give you what you want." You let out an annoyed whine, wanting to now. "Hey hey, don't be like that. Just want to admire you first. Then I'm all yours." You nod slowly, taking in her words. Calming down just slightly as her fingers run over your body. But you get impatient again.

"Baby let me lick on your tattoos."

She smirks at you as you say that, grabbing your waist and flipping you so you're straddling her. Your hands retract to the sides of her stomach. She smiles up at you. "Go on then, take my pants off." You gladly obey, starting to pull them both off. Your eyes land right on the tattoo, big and beautiful. Her hand cups your jaw. Swiping some drool that had escaped in the process. "Look at you, such a mess already and we haven't even started. Cute." She smirks at you, loving how your face relaxes into your hand like putty. "Go on baby, know you're dyin for it."

You nod yet again, moving your face to her thigh, your tongue darting out and licking slightly over the ink. She watches you intently, moving her hand into your hair, lacing it throughout. "That's it.." She says more so to herself. But you clearly hear it. Going mental inside. It made you wonder what else she'd be willing to do in the dumb little book of yours. Your tongue eagerly moves all over the dragon, slowly becoming dazed as you can smell her so close, your head moves. Going to just have a little lick but she grabs your face. "Just the tattoo." She was messing with you.

She knew how badly you wanted to taste her with your raging oral fixation. "But please.. The smells going to my head." You whine. She chuckles at you, faking a sad look. "Naww, is it making that stupid brain go fuzzy?" Another nod. "Shame, tattoo. Keep doing what you were doing." She was so tempting, you just wanted to have a little lick of her. But you adored how much she was enjoying the show of your licks on her tattoo. It was different for the both of you, something simple yet still effective. "There you go, so good at listening huh?" Your teeth retract going to bite, she lets out a breath but she sure as hell enjoyed the action. Biting her lip in the process.

You may not of gotten a taste of her that night but she got a taste of an amazing show.

[goingmerryfics]

HELLO, I was seeing that you were open to requests and I've had this in my head for a long time and I would really like to see something about this, a reader who has a huge scar on his face that is literally ugly, they got it as a child, apart from the fact that it shows part of the teeth of how serious it was and for this reason the reader wears a mask for fear of being told things about them face, I'm sorry if it's something explicit just that sometimes I feel like I don't explain myself

Reader with a scar - Luffy & Penguin

Content: reader is referred to as a ‘guy’ and a ‘dude’, reader wears a face mask, can be read as platonic, face scarring due to a past accident not specified, fluff and reassurance, a few mentions of Shachi in Penguin's part.

Notes* Hey there! There wasn't a character specified for this ask, so I chose two that I'm less experienced with to write out this prompt with :) male reader because of the pronouns used in the ask! I got really interested in this prompt right away and wrote it immediately upon receiving the ask and absolutely had to post it now so I apologize if the formatting is wonky! I'm on mobile haha

Luffy

When you first met Strawhat Luffy, it was while he was stopped at your home island along his grand adventure

You'd never really paid much attention to pirates and their lives- you had your own to live and figure out anyway

But as you and Luffy became closer- first as acquaintances, then as temporary allies, and then as friends as he boldly declared it in a short amount of time, you started to really like the guy

He'd only asked you about the mask you wore once. But the second you tried to answer him, he was distracted by dinner. After that, it was if he'd forgotten all about his question

It was kind of nice that way, not needing to worry about constant pestering or comments about it

Luffy truly didn't give a shit what you wore on your face at all. He cared about you (and your food, of course)

Luffy had a way of making you feel as if you could trust him to see your face. What you've kept hidden for most of your life, after a terrible accident had, in your opinion, ruined your life

But Luffy's care for you was unlike anything you've ever felt before. Luffy made you feel safe, protected, and just a little anxious at how willing he was to throw himself in harm's way to help you, the appointed new friend

One evening, you decide that you do in fact want to talk to him about your past. It's a decision you've been thinking over for a while, but actually getting up and moving to Luffy's room is such a sudden action, and then you're suddenly seeking him out in the dead of night on his ship to tell him about your scar.

The Thousand Sunny was still docked peacefully at the edge of the south side of your island, where you had originally met them what felt like so long ago. In reality, it had only been about a week since the Strawhats arrived, and yet it felt like so much longer in the chaos.

Their gangplank was pulled up, but before you could start trying to climb the ship's side, you spot Luffy out on the deck- evident by the straw hat on his head.

You call out his name, and he turns right away. With a grin quickly spreading on his face, he hops off the sunny and onto the grassy island floor. He calls your name happily.

“What are you doing over here? Is something wrong?” He asks.

You tell him it's not that, and he picks up on your unease.

“Well, what is it? It's hard to tell but you look like something's bothering you. Are you hungry?”

You shake your head, and you begin to explain. You tell him about your accident, about how your face was scarred and disfigured. You tell him about your upbringing, how hard it was to fit in with the other kids while you looked like that.

You can feel yourself getting emotional. Luffy can hear it in your voice, too. He calls your name in a stern tone- one he only seems to use when he gets serious.

“Listen, I don't care about all that crap.” He speaks. And though his words are blunt, you know he means them in the best way.

“I like you. You're a really nice guy, and you fight really well. So what else matters? You think I care if you've got a scar on your face?”

He stares at you, and you feel it in the center of your chest.

“You should feel free to do whatever you want! If you want to wear your mask then that's fine. But if you don't, then take it off! And if people don't like it, that's their problem! If they don't want to get to know you because of what your face looks like, then they're the ones that are missing out!”

You can feel tears in your eyes. There's something about the way Luffy says- no, declares it so passionately that leaves no doubt in your mind of his pure fondness for you.

Through your tears, you can see Luffy's smile, and your heart soars.

Penguin

You'd been a Heart Pirate for a short amount of time, but somehow you had made quick friends with many people on the Polar Tang- one of them being the man who called himself, ‘Penguin’ with the hat to prove it

There was something about him that was so easy to click with. Maybe it was your shared sense of humor, or the fact that you found it hilarious watching him and his partner in crime Shachi get into trouble for pulling pranks around your Captain (for the millionth time)

You weren't the only person on the crew who wore a full face mask, either. So while he was curious and questioned it in the beginning, one word from you to leave it alone and he backed off. Surprisingly.

Still, you definitely caught him eyeing you at times. The urge to pull the mask off your face to see what you were hiding was strong in him, but you two were friends and he wouldn't do that to you

One evening, Shachi had been pressing you just a little too much about the matter and he'd said, “What, are you ugly or something under there?”

Which earned a swift smack to the back of his head from Penguin, chastising him for saying something that insensitive

He'd noticed the way your teeth clenched, how tense you got. It had obviously hit home, and he made Shachi apologize for his rude joke right then and there

After that though, he found himself wondering why. Why did you think you were ugly? What were you hiding? Did you actually have a reason to be insecure, or was it something more?

He cared about you. He didn't want you to feel like you couldn't be yourself around them- the Heart Pirates were your family now, and a proper family didn't hurt each other for something so miniscule.

You had gotten over the comment, but Penguin had already begun his mission.

It was late into the evening. The chores were done for the day, and Penguin wanted to catch you before you went to bed. He wasn't really sure what he was gonna do or say, but he knew he wanted to address it before the worry drove him to insomnia.

He searches the halls for you and eventually finds you in the common room. He calls your name cheerfully, thankful that you're alone here- at least for the time being.

You greet Penguin, looking up from what you'd been doing. He takes a seat nearby and starts to make idle chatter, asking you about your day, telling you a bit of gossip, smiling when he gets you to laugh.

Then he clears his throat and switches gears, moving on to the conversation he really came here for.

“So, uh… There was something I wanted to talk to you about.”

You watch him fidget for a minute. He's not good with feelings at all, and he's trying to figure out how to bring this up without accidentally offending you. Eventually, he finds the words.

“So… About what Shachi said a while back. I was kinda worried about it.”

You quickly assure him that it was fine, that Shachi apologized and he only meant it as an, albeit bad, joke.

“Yeah, but… I don't know. It looked like it really bothered you. I hope you don't think that, like, we would think you're ugly or something! Whatever you look like under there, you're still the same cool dude we know. Nothing would change that. I guess I just wanted to say that.” Penguin shrugs.

You're not sure what to say to that. Your initial reaction is bitter- to insist that actually they would think you're ugly if they could see your face. But something stops you, and you get stuck just choking on your words.

“Look, I'm just saying, it bothers me to think that you don't like the way you look. I'm not saying you have to show me your face or anything, but just… If you choose to take your mask off one day, I hope you know that we'd love you all the same. You'll always be our family, no matter what you look like.”

You nod, because it's all you can bring yourself to do in the moment. It's nice, hearing that reassurance.

Penguin quickly changes the subject to try and dissipate the tension in the room made by the serious conversation, going on about something stupid Shachi had done that got him into some shit with the Captain earlier, which makes you laugh.

His words stick to your heart -You'll always be our family, no matter what you look like- and you know that when you do decide to show yourself to them, that you'll be alright.

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[dehliadelights]

Lyric is rambling about Epic the musical whauh woah

spoilers read more just in case you havent heard it yet. also trigger warning for typical greek mythology references like rape, torture, ect.

Not Sorry For Loving You

I'm not a fan of this song! I've never been a fan of the slow romantic songs in the musical, and I never particularly liked Love in Paradise either so. But I do like the parallels between the two songs, and Calypso's story is one that facinates me because she was punished for assisting her father Atlas and the other Titans during the Titan war. She's literally doomed by the narrative.

Dangerous

Sad in the start, reminecent of Full Speed Ahead, but with the sadder, more melancholic instrumental that would fit with The Underworld. When Hermes enters with "All you have to do is not open this bag", it's a direct parallel to Aeolus' in Keep Your Friends Close, which leads to Odysseus bring betrayed by his crew, but now it's just Ody alone.

Odysseus sounds so tired, like he's a man being beaten down at every turn, but his voice perks up when Hermes arrives; The last time Hermes showed up, he gave Odysseus the Moly flower to drain Circe's power, which lead to his victory. There's a spark of hope in his tone, and that's clear.

Odysseus sounds mostly more awake and like himself as he speaks with Hermes, who's his usual silly (/pos) self. Hermes' whole demeaner is a bit more serious than it was in Wouldn't You Like, with less of his jokes and general humor, he's giggling but it feels like he's laughing almost out of pity for Odysseus, the man who's been beaten down so badly.

"Well, it's a little bit dangerous, my friend, you'll need a mindset change for this, you cannot get away with safe, for this, you wanna get home? Put it all on the line"

Hermes is trying to tell Odysseus that he needs to leave his regrets and his guilt behind in order to succeed, that in order to get home, he needs to basically wipe the blood from his hands. He needs to be smart, clever, quick, like he was when he fought the Trojans, like when he tricked Polyphemus to drink wine with lotus in it. But he also needs to be merciless, be ruthless.

Hermes tells Odysseus to follow the North Star, which serves as a guiding factor for many sailors. The North Star is part of the Constellation Ursa Minor, and in Greek Mythology, Ursa Major and Ursa Minor refer to the story of Callisto and her son Arcas. In some version in the myth, Callisto was a follower of Artemis, Maiden Goddess of the Hunt, though was raped by Zeus (disguised as Artemis). This caused Callisto to break Artemis' Celibacy rule, and she was turned into a bear (In varying versions of the Myth, it can be by Hera, out of jealousy, Zeus, to placate Hera's rage, or Artemis, out of anger of Callisto breaking the celibacy rule). She gave birth to her son Arcas, who grew up to be a hunter himself, which eventually lead him to find his mother as a bear and attempt to kill her, thinking she was a wild bear. Before she could die, either Zeus or Artemis decided to turn Callisto and Arcas into constellations, Ursa Major and Ursa Minor. This really doesn't have anything to do with the song, but I just really like sharing my Greek Mythology brainrot. Also it's another tale of the gods ruining the lives of their followers.

Anyways, Hermes directs Odysseus to follow the North Star without hesitation, to fight any monsters that attack, and then we get to the wind bag!

Hermes says "Keep the bag closed if you wanna get home, sir", reminding Odysseus of the fact that he was alone now, that he was the only one that he could trust, and the Winions make their return, the melody and tone a direct, albiet more melancholic reference to Keep Your Friends Close. The Winions sing "It was meant to stop you by design" as a reference to Poseidon's storm, which he'd created with the desire to kill Odysseus for harming his son.

Odysseus regains his typical confidence and hubris by now, and sings that "I'm gonna use ruthlessness" as a direct callback to Poseidon's song from the Ocean saga, Ruthlessness. In the end, Odysseus thanks Hermes as he did back during Wouldn't You Like, but instead of Hermes replying, "Don't thank me, friend, you very may well die" like last time, he sings, "Don't thank me, friend, I'm not the one who fought for you", referencing Athena's trials in God Games.

Charybdis

This is actually the first time I'm listening to this song in full, so new songs yippee, but I'm not hearing many references to the other songs.

Odysseus' typical hubris is fully back now, pride and confidence echoing as he taunts Charybdis due to already knowing the sea monster's attacks thanks to Hermes.

Odysseus finally manages to see the beach of Ithaca, so close to his son and wife, the only minor callback to The Horse and The Infant where he calls for Penelope.

I do like the leadin for Get in the Water, though. Odysseus realizing what was happening.

Get in the Water

I love this song, it was one of the first clips I heard from Epic, next to Warrior of the Mind! Steven Rodrigeus did a fantastic job as Poseidon, and you can tell he absolutely adored the role and put his heart into it. He actually sounds livid, like Jorge had offended him personally, and I love that for actors/singers.

Get in the Water starts out similarly to Ruthlesness, with the raging storms and angry waters, albiet without the crew's voices calling out to Poseidon, making it more eerie.

"There you are...

Coward."

Poseidon's voice is full of irritation, like an irate child having his toy taken away. He's angry that Odysseus managed to get away last time, using the wind bag to escape, and he didn't want it to happen again. His voice is almost eerily calm a couple of times he orders him to get in the water, like he was on his last nerve with Odysseus, and it shows. Every lyric shows how Poseidon is feeling, rage and mercilessness towards Odysseus.

"Maybe you could learn to forgive?"

"...no."

A god doesn't need to do anything, he doesn't want to give a mortal the time of day, after everything he's done to disrespect him. And throwing him to the sea, letting him drown, leading to...

Six Hundred Strike

OKAY SO I originally thought that Get in the Water was going to be my favorite UNTIL I saw an animatic for Six Hundred Strike.

It's this one. This is my favorite. THE SYMBOLISM, THE IMAGERY, EVERYTHING ABOUT IT MAKES ME FOAM AT THE MOUTH.

I enjoyed Duvetbox's animatics beforehand, but this one specifically shows the absolute care they put into the animatics they make, the attention to detail and willingness to follow their own heart in their thoughts.

First off, Odysseus in the water, trying to grab at the wind bag desperately for a way to escape being dragged to the depths, a call back to the way he used the wind bag to escape originally in Ruthlessness.

"I don't think you get it; I can't afford to die, because I will get back to my son, and I will get back to my WIFE!"

Odysseus is using his cleverness to fight, using the wind bag to serve as a weapon, deflecting and escaping all of Poseidon's attacks using it. Only one weapon draws the God of the Sea's Ichor (God Blood), being Poseidon's own trident. This leads Odysseus to clash open the wind bag (With a picture of Aeolus in the sky, since they're the wind god). It catches Poseidon off guard, and he taunts that Odysseus wouldn't get home because he released Poseidon's storm.

Odysseus uses Poseidon's spear to hurt Poseidon, knowing he couldn't kill him, but could torture him. His words are full of sorrow, regret, and vengence as he attacks, and Duvetbox does a fantastic job at portraying this in their animatic.

"After everything you've done, how will you sleep at night?"

"Next to my wife."

[mwahsol]

What do you want from me?

Description: Constant arguments, ignoring each other, miscommunication, etc. After a big fight, you get tired and ask her a question that leads to tears and clarification. Anyway, enjoy(?)

“Say something, got nothing to say now?” She says as she thinks she's got the upper hand, but in the pit of her stomach, she can feel something brewing. Nerves? But what does she have to be nervous about, that blank look on your face? How does she feel like you're looking right through her? No, she's winning, so why does she feel like something bad is coming? No, she's just overthinking. Right?

It felt like hours passed of you just staring at her, why aren't you saying something. As she goes to say something, you beat her to it. “What are we doing?”

Time stops. What do you mean? She's at a loss for words. Her mouth feels dry, all of the words that she braked at you now are words that she regrets, why does her throat feel like it's closing up?

“Paige, what do you want from me?” You ask her. You can't take it. All of the fights, yelling at each other with no end.

“One day we're happy and can't get enough of each other, we kiss, hold hands, we’re in love one day then the next another fight starts and we go to ignoring each other.” There's no way that's true, is it?

“Y/n what are you saying” She lets out scared that she may know the answer.

“Paige, what do you want? Because this isn't healthy, this isn't a relationship.” Looking at you now she notices that you're crying, the beautiful eyes that she could look into forever are crying, and the faces that looks at her with nothing but pure adoration is stained with tears and exhaustion. The face that she holds with care so that she won't hurt you is red and puffy. How did she not see it?

“I love you, I love you more than I've ever loved anyone, I love you so much that it consumes me, it eats me alive, but I can't keep fighting with you. I want to be able to come to you and just love you and when we fight it can't be like this. So what do you want? Please I can't take it” Why can't she say anything? Why can't she move? She wants to hug you, she wants to tell you that she wants to fix this but she's stuck. Why? Why now?

You watch her; you can see that she's nervous, but you need an answer. You need to know. You deserve one. “Say something, say anything, fight for me, show me you care.” You scream at her in your head.

You had to ask, it's selfish but you had to, you can't keep going like this. Watching her panic hurts you, all you want to do is hold her and tell her that it's okay and that you're sorry. You could take it back but you don't want to. You need her to tell you even if you sound pathetic. For her, you'll more than happily be.

Why can't she answer? She looks at you like she wants to say something but no words will come out. Why now?

“Maybe we should take some time apart. A few days could be good,” you say, believing it could be good for you both.

“What? No no, we don't need that.” She rushes out scared that if you walk out of her dorm you won't come back. She can't lose you.

“Paige, you can't even answer me. I know what I want, I want you, I've always wanted you through everything, even through all our fights, I fought for you. I know sometimes it didn't seem like it, but I did it all for you. I'm selfish and want you all to myself, but you need some time to think. Maybe the space will be good. Come find me when you're ready to answer me. No matter the answer, I'll be waiting.” Before she can argue and try to make you stay, you collect your bag and shoes, rushing out, but before you kiss her, just in case it may be the last. You pull away to leave her dorm and close the door behind you, knowing if you don't, you'll turn around and run back. It's for the best, you tell yourself, so that maybe it comforts you.

She watches you. How could she stand there and watch you walk out? How could you have thought that space would be good? Why didn't she stop you? Why?

When you kissed her she couldn't react fast enough to kiss you back, if it was one second longer she would’ve kissed you back, she would've held on so that you could see that she needs you, that she wants you. She can taste your tears, even your tears taste sweet to her. Why couldn't she just have told you that she wants you, just you. You are everything she's ever wanted. If you were a drug she would never even think of quitting you.

She can feel herself slowly start crying, as she stands shaking and hyperventilating she feels her crying turn into sobbing quickly. Sobbing over you, the lack of your presence, your tears that she caused, the pleading look in your eyes begging her to just say something, how you rushed out quickly, the kiss that still lingered, how you closed the door before she could even think. She can still smell your vanilla perfume, and the coconut smell of your shampoo, even while you're crying you're still the most beautiful person she's ever seen. Paige Madison Bueckers is completely and utterly in love with you.

She's still sobbing by the time her roommates get home, the only difference is that she's now sitting on a couch trying to calm herself down. KK and Azzi rush over to her trying to ask her what happened. Aubrey rushes to the kitchen to get water while Ice asks if they should call you so that you can help. At hearing your name she's finally able to say something.

“No.” She choked out, “You can't call her, this is my fault.”

“P, what are you talking about?” Azzi asks because they're curious and worried when they walk into their teammate crying alone.

“We were arguing and after a while, she asked me what I wanted and I didn't say anything, why didn't I say anything, I was in shock because I love her so much and she knows I do but the words couldn't come out. Oh god, what if I lost her? Azzi, I can't lose her. I can't do it without her. She said maybe the time would be good and that she’ll wait for my answer but I don't need time, I want her.” She spits out while crying.

“Ok, ok, it's only a little bit of space for you both to calm down and gather your thoughts. She's not gone, and if she's willing to wait for your answer, then that means she loves you too. She's putting your relationship first by giving you time to think because even though she knows you love her, the relationship hasn't been healthy for a while, and she wants to make sure you want to work towards it being healthy, no?” Azzi relays, trying to show Paige that this isn't the end.

“Exactly, and if you mean what you say and want to work on your guy's relationship, this may be good so you can come up with a game plan. Try to see how this could benefit you guys.” Aubrey chimes in, handing her the water making sure she drinks it.

It makes sense but she can't help but be worried that when she goes to give you an answer you won't want it anymore. The rest of the night is a blur to her all she can focus on is how there's reminders of you scattered throughout her dorm. Your pillows and blankets on her bed, your hair ties on her desk because you always lose them and she finds them, perfumes you've left there that she smells whenever she misses you, your clothes lying around, your jewelry mixed with hers, books you've read on her bookshelf, polaroids of you decorate her walls and desk, some of your makeup in the bathroom along with your skincare, you're all around her. You haunt her, all that runs through her mind is how she misses you. She craves you. She prays for you.

Right before she falls asleep she vows you get you back.

You're not any better. As you get to your dorm you feel like you just got hit by a bus, you look like it. As you walk in your roommates see you and try to get your attention to check in on you but all you can do is walk to your room, wanting to be alone. You change into clothes that Paige left there. They swallow you but you don't mind. They smell like her. You can't bring yourself to do anything else, all of your energy has been sucked out of you. All you can think about is Paige, your beautiful girl, how could you leave her like that?

You had to, you love her too much to keep fighting back and forth with her. You exist just for her, you were designed to love her, you breathe for her, and if you could you would crawl inside of her. As your eyes start to shut you wish on every star that she comes to you and tells you that she's ready to fight for you. Every single star is worth her.

As you suggested Paige takes a few days to think, but not about what she wants. She knows what she wants but she wants to make a gesture to show you how much she wants you. Planning has taken her a while but when she was ready to act on her plan she had to almost beg your roommates to help get you out of the dorm. When she heard that you locked yourself in there rarely coming out except to eat it broke her, all she wanted to do was run to you and get on her knees and beg you to come back but she knew that she needed to make it special for you both.

You missed Paige like crazy. You were a bit sad that she hadn't reached out yet but in all fairness, you told her to take a few days and you may have turned off your phone not wanting to hear from anyone.

You slowly started coming out of your room more day by day, after four days one of your roommates asked you if you could get groceries later on in the day so that when she got home she could make dinner.

“Yeah, by what time do you need them?” You ask not wanting to be late.

“Hm probably around 6ish but if you don't mind could you go to the Target 30ish minutes away, I checked if the one near us had the protein powder I need and they don't but the other one does pretty please, I’ll owe you one,” she begs knowing you'll say yes but in reality, she's just trying to get you out of the house so Paige, her teammates, and your other roommate could help them with her plan.

“Yeah, sure, I'll leave like at 4ish, maybe 3:30, that ok?” Thinking about possible traffic, you give yourself some time.

“Yes, thank you so much.” She can't wait to start settling everything up as soon as she sees you leave.

As you check the time it reads 3:16, you get up and start getting a bit ready so you don't go out looking like how you feel, you shower in the morning so now it is just to do a bit of makeup and change. When you feel presentable you start collecting your things to head out.

“Kay, imma head out.” You gave them a heads-up.

“Ok, be safe,” they call out as you shut the door. When they see your car heading out from the window, they call the team to give them the green light to come over and start prepping.

As they start rearranging the dorm to fit the plan they hear a knock and come face to face with the all team.

“Do you think she’ll like it?” Paige asks nervously knowing you'll like it but needing a bit of reassurance from the people who are also close to you.

“You know she will, but hey, remember we know where you live, so treat our girl right, yeah?” Your other roommate tells her while bringing in some flowers, threatening her teasingly, she knows Paige would die before she ever purposely hurt you.

“Yeah, I know, let's get to work so we can finish,” she replies, confident in her plan.

When you're nearing your dorm you're a bit suspicious that you can't hear anything, usually, there's at least some noise from the TV or speaker playing music but it’s oddly silent. You ignore it just wanting to drop off the groceries and go into your room to take a nap.

As you put in your key and push the door open, you're greeted by roses, candles, and flower petals leading to the living room? As you follow them, confused, you see her, Paige, your Paige. Everything in your body wants to run to her and kiss her till you can't breathe anymore, you hold yourself back. The last time you saw each other, a lot of tears were shed, and she never gave you an answer. You had to respect that.

“What are you doing here?” You ask, wanting to appear calm, but in reality, inside, you were jumping up and down, just happy to see her.

“I never gave you an answer,” Paige says while looking at you trying to soak in your appearance. God, you are more beautiful every time she looks at you. Your hair that she could run her hands through, your face that is embedded into her mind, her shirt that you're wearing, how you can tell that it isn't yours showing people that you're hers. She could look at you forever and never get tired of you.

“Yeah, you didn't.” You turn to put the groceries in the kitchen, hoping to hide the fact that you're desperate to hear what her answer is. As you set them down, you come to stand in front of her, your soul focus is her. Even with all the roses, candles, and twinkling lights around you, all you can stare at is her. “Well, Paige, what do you say,” you need to hear her say it. It won't matter unless it is from her.

“Y/n, my sweet girl, you are the love of my life, you're the greatest thing that's ever happened to me, I'm blessed that every day I get to wake up next to you, and if I'm not next to you, I look forward to see you. You are the most enchanting person I've ever seen, since the first time I saw you, I never wanted to look away, whenever I play, I make sure you're watching me because I want to impress you and show you how hard I work so that one day when I go pro, you'll still watch me and get that beautiful smile when I score. I can't fathom the thought of ever not loving you. Baby, I can't even talk regularly about you, you make me dizzy with your near existence, I admire you every day. I soak up every detail about you. Whenever I'm not with you, I miss you, during my away games, when you can't come, or just when you’re in a different room, I miss you. For so long, my dream has been basketball then I met you, and I started dreaming about you. When people ask me about you, I cannot help but light up at the chance to talk about you, even coach has told me that my eyes light up when I talk about you. When I listen to older love songs, you come to mind. Every love song is about you in my eyes. I'd give up anything just to be in your presence. The first time you said you love me, right then, in that moment, I found out what heaven is. You asked me what I want, y/n all I want is you, I want you, only you, I want you entirely, no one and nothing else will work. I want to work on this with you, I want to do everything with you, I promise to be better with you, please, baby I can't be me without you.” While Paige went on with her speech, you started crying. You couldn’t believe how much this woman loves you, how much she adores you, how much she's ready to give so that this can work. She wants you just as much as you want her.

“Paige I want you so much,” when you say that she rushed to you, she crashes into you holding you like you could vanish into thin air, she holds you like she’ll never let you go. You hold her just as much.

While you both just hold each other in the middle of your living room, she can feel you laughing. “What's so funny, baby?” She asks curiously.

“Well, I kind of also have a gift for you, but I have to go get it from my room,” you say, legging go of her slowly to go get it, but she's holding you tighter, not liking the idea, “Yeah nah get it another time I'm happy here.”

You giggle, swaying your bodies, “I promise it'll only be like five seconds. Come on, my love.” As you tell her, you cradle her face, sipping away some of the tears that she let out while she was giving her speech for you. Now pouting teasingly, she nods but tells you to be quick. You rush to your room to collect a pink envelope from your vanity and come back to see her sitting on the couch, waiting for you with open arms.

“What's that?” She asks with a smile, having an idea of what it is. You climb in next to her while she wraps her arm around your shoulder you answer, “A letter I wrote for you.”

“Read it to me,” she says, laying her head on your shoulder, ready to hear you speak, you nod your head, opening the letter, and start reading it.

“P I was destined to meet you, I was destined to fall in love with you, I knew it as soon as you said hi to me and asked me if I knew where the theater was. I have loved you for three years, and I will love you for many more. I'll love you even when we're nothing but dust. I believe that we were made from the same star. I fall for you every day, I fall for your smile; your laughter is my favorite sound, and I could listen to your voice forever. You make me feel alive. You have shown me what it's like to be loved gently and have taught me how you love gently. I have memorized the shade of your eyes, how your hair feels, the warmth of your skin, every small scar on your face, your teeth, and your favorite perfumes, I even remember your heartbeat. I crave just to lay down beside you. I love you with every part of my soul. I cherish the nights when we cook together and just laugh. The small moments are things I will never overlook or forget. When your hands hurt, I want to hold them, I want to kiss them better. I want it all for you. I will forever support your dreams, I'll do everything in my power to help you get to where you want. To me, you're everything. If you wish to have a star, I'll steal one from the sky to give it to you. Anything you want, I'll give you. Paige, I love you more than words could ever describe.”

As you finish, you look and see her crying again, “I'm sorry, love I didn't want to make you cry.” You try to wipe all the tears you can.

“No, no, I'm just happy that we both are here together and in love. I never imagined that I could ever love someone this much. Y/n, you're it for me, you know that, don't you? I'll marry you one day and give you my last name that you can wear with pride.” She confesses, hoping you know how certain she is that she will marry you.

“I know baby, I'll proudly wear your name even now. You're it for me too,” you say while looking directly into her eyes so she can also see how much you want it to.

“Good, I'm so grateful for you baby.” You can't help but laugh a little that you were worried a few days ago that she didn't want this, “I'm grateful for you too.”

“Do y'all think they're good?”

“Probably those two are too locked in to give up.”

“Yeah, I was kinda looking forward to making dinner though…”

‘Shut up, let's go get food I’m starving too.” Both of your roommates knew you would work it out, but they weren't patient enough to wait for y'all to get done to go get food.

Soooooo, hey, you guys...anyway, I kinda have an idea for a fic, but I'm still working out a few details, and maybe I'll post it before I go back to editing my old work to be reuploaded. Omg also, I'm about to drop out of school soon to go to cosmetology, so wish me luck, ya girl needs it. <3

Kiss the sun🌞

[what-have-i-unleashed]

somewhat in the same 'verse as this

killer lingers around at the busy station as he waits for his partners to come back with a valid token so they can continue their trip. he's bored out of his mind, since dust has grilled incessantly into him about not terrorizing anyone in the waiting area and causing a ruckus. there's a reason horror is killer's favorite right now.

seeing there's an empty seat, killer moves to sit on it. but then he bumps into someone, the liquid in their cup spilling over killer's shoes.

"oh stars, i'm so sorry!" that person exclaims. "do you need something to clean it with? i have a cloth somewhere-"

"no, it's fine," killer smiles, trying to keep a friendly face. "accidents happen."

"if you're sure about that..." the stranger says, quieter. "you can take the seat actually. again, i'm sorry."

killer takes a look at the stranger. they're sure a colorful skeleton, with swirls of rainbow-colored flames coming out of a should-be-fatal hole in their cracked skull. the clothes they wear look heavy, as if they just came out of a winter resort or something. they're carrying multiple bags too, none of which seems to carry anything dangerous in its outer pockets.

smile twitching at the corner, killer says, "nah, take the seat. you look exhausted."

"oh," the stranger mumbles, "thank you."

as they move to take the seat, killer leans against the wall next to them. like this, he's less vulnerable. if he wants, he can just stab them in the back when they're sitting like a rock.

but he's promised dust he would behave, as much as his promise is worth anyway.

"that's a lot of baggage for one person," killer comments, and his attempts at small talk make the stranger perk up.

"i'm traveling with friends. just a little road trip around the this section."

"road trip, huh? must be nice."

"well, we all have demanding jobs. it's nice to take a vacation sometimes," they turn to him. "what about you?"

killer chuckles, "i'm with my partners. we're also on a little trip for pleasure. honeymoon and shit."

"oh!" the stranger's eye sparkles happily. "you're married?"

"ehh maybe," killer shrugs. "i hate all that ceremonies and status. we're... something. trip for me is more for soul-searching." he grins. yeah, more like soul-hunting.

"must be nice," the stranger smiles at him, "to have someone with you on your journey, that is."

"... yeah, it is."

the two of them lapse into a comfortable silence for a short moment before the colorful skeleton speaks again.

"i don't think i've asked, but what's yo-"

"hey bruh!" someone shouts from the crowd near the doorway to the travel tunnels, making the stranger jump. "we got the tokens! let's go!"

"oh i have to go now!" they exclaim, hurriedly picking up their bags. with one last look at killer, they beam. "it's nice to meet you by the way. safe travels!"

with that, they disappear into the crowd. killer has a feeling he'll never see them again. what a shame. they were quite a nice person to talk to, and he's dying to see if they would be an equally nice target to kill too.

"who was that?" horror appears next to him, in his hands a new token, a bit dusty no doubt from the poor creature he's stolen from. killer chuckles.

"i'd say... no one important."

{ @toffeebrews @qin-qin16 this is for you specifically >:3)

[atlantis-just-drowned]

i'm back with another request favorite writer 😼, i was wondering if you could do Sun n Moon/Reader who's the daycare manager.

Essentially they help tidy, manage schedules, supplies, ect???

(sorry for not leaving more notes on your posts, tumblr doesn't show me ur stuff often 😭😭)

A/N: Hiii thank you so much for your kind words and patience?? My motivation has been on the floor but I'm trying to make it work somehow! Anyway, here is some mildly-annoying-coworkers to friends (to lovers) for your heart! :D

Sun & Moon x daycare manager!reader relationship headcanons

Please reblog this post! Likes make posts die :(

Masterlist

When you first got hired as the Daycare manager, you work was... Well.... Tough

To say the least.

Sun's sassy attitude and constant micro-aggressions were really getting to your nerves

And Moon.....

Well

Let's say you sometimes wondered if he saw you as his boss or his toy

He WILL jest around and stare at you while chuckling instead of following your commmands

Both of them don't really like the idea of having a human supervising them

I mean they're doing a super neat job on their own!! They don't need you!! Why would management send you here?!?

But surprisingly, instead of quitting

You actively try to work with them.

Unexpected I know.

You're not just bossing them around and yelling when they don't do what you want!!

You actually communicate with them to explain the goal of your missions and ask for their ideas when they refuse to do things your way!!

Okay to be honest how it ends up working out is truly a mystery to you

But after a while of almost constant bargaining

Welp the bargaining starts to lessen.

They do the activities you prepared instead of announcing a completely different unrelated thing to the kids

They don't argue as much about the schedule for naptimes

Hell, you can finally catch a fucking break

Of course you let them know how much you're thankful to them for agreeing with stuff (finally)

Sun also starts to get a little less mean, thankfully

You're greater at your job than he thought you'd be!! Different than the managers they had before, for sure, but it's a good thing!! You actually adapt your work and the schedule for them, and not despite them!!

He might start to take a liking for you

After a long while

I mean you truly are the first human handler to not treat them as objects

So of course it takes time for them to trust you

But Sun eventually does because he's just too much of a sweetheart

Moon just... Teases you a bit less. If that means anything.

(it does)

Or at least it's not mean teasing anymore

He's still a Creature™️ tho

Sun still acts confident and almost cocky at times, but it's not passive-agressive anymore

He can even appear charming at times, now that his jokes and remarks aren't meant to make you quit your job

And of course both argue from time to time

Or well, show their dislike of your commands in their own ways I guess

Their "own ways" being that Moon crawls up to the ceiling and sits in a corner upside-down to pout

And Sun just outright refuses to execute whatever you told him to do (and WILL get snappy if you insist)

The trips at Parts N Service are the worst, but you manage to get them down there two times out of three

But overall your relationship with the both of them is getting better and better everyday!

And you genuinely feel so glad the day they give you a friendship drawing!! You're officially their friend now!!

You almost teared up, but no one needs to know that

And then, they gave you another one

And another one

And MANY other ones

And plenty of them both holding your hands

Overtime, you became their bestest friend!!

Who could have thought you would end up being so close!!

Well you, at least, didn't expect it

Not that you're complaining!

You had to admit you grew VERY attached to them too

But oh boy was this development unexpected.

[stans-kissing]

I'm just gonna keep sending stanbel asks until my break ends

MABEL WAS SUPER HEARTBROKEN AFTER HER LATEST ATTEMPT AT SUMMER ROMANCE FAILED SO SHE'S MOPING IN HER STAN CAKES AND STAN WALKS UP AND SHE'S LIKE 'I was supposed to have a date tonight what do I do nowwwww' and Stan's like 'Oh sweetie I'm sorry boys are the worst. We could stay in and watch movies if you want?' and Mabel interprets this as Date so she's like 'yes but you're wearing your suit and you're gonna come to my bedroom door with flowers and... ' and Stan's like 'well if it makes you happy okay'

i love this. i love his. thilvoe this.ilvoe this. okay. first time writing stanbel. lmk if i got it wronf. id ont nknow if this is what uouwere foingw iththis this. but this mainly about the aftermath to their date ok.

stan would be like aahaahah silly mabel she doesnt mean anything by this shes just being a young girl and im the weirdo for gteting all flustered when she clings to my arm as we walk downstairs and shes just being an innocent kid when she bats her eyelashes all doll-like and im just the weirdo here. i need tp repress my old man urges im foing this for her because shes upset and i love her aand iw ant to make her feel better. he has the most conflicting annoying emotions throughout the whole thing right and ofc bc hes stan he hates himself for it bc he almost slips and forgets hes on a 'date' with ihs niece yadda ydda you get the idea

mabel however is like yes yes yes my plan is owrking mwhahaha i am determined to romance that old man bc shes mabel and she had been like. purposefully throwing herseld all over him right so wheneber their date is over and mabel has to go to bed shes like grunkle staaan youre supposed to walk me to my door!! so hes like sigh ok and carries her upstairs bridal stylw and sets her down infront of her door and he's like alright pumpkin, bed time goofnight loveyou and she tugs on his sleeve with a little pout and looks up at him with her big anime eyes and is like.. grunkle stan.. youre supposed to give me a kiss goodbye.. thats what they do in all the movies.. all shy and and pokin her bottom lip out and stans like Guh. ma m m abel i . Not even thinking that he could just kiss her on the cheek bc hes been going through it all night but yknow. if shes asking. he cant say no to his little girl can he?? he swallows nervously and decides fuck it and leans down to press a little kiss to her pouty lips and he has to bite back a groan because holy fuck he's always wanted to do that and her lips felt so so soft against his even if it was just for a moment and he can feel her sticky glittery lipgloss on his lips and then her little hands are on either side of his face and she pulls him down to press another kiss to his lips and he just caves and pulls her in, wrapping hands around her and tugging her closer, licking her bottomlip open, tasting the flavored lipgloss and feeling over his braces and she whines into his mouth and his hands get tangeled in her hair and he moves to nip at her neck, losing himself and pressing her impossibly closer and she lets out a high pitched moan

And then they hear shuffling from the room next to them and stan can hear dipper's soft footstepspadding towards the door and hes liek Fuck oh mygod and pulls away from mabel and she's jst starin up at him wide-eyed n panting, looking absolutely fucked and oh god if that sight doesn't give him an instant boner and then dipper opens the door all blinkey and sleepy and he's like are u guys ok did i hear someone crying and stn just stutters out some shit like uhmgmm no mabels just going to bed okbye and he skitters away cuz hes a pusssy

anyways yeah thakn you i kinda ran with this sowwwyyyy

PELASE DONT STO SENDING ME ASKS I CANOT PROMISE ILL ANSSER LL OF THEM BC IM SO LAZY BTUPELAASASEE DONT STOP I LVOEV LOVELVOE ALL THE 6 TRILLION YOU SEND ME PLS NEVER DIE

[cosmossystem]

ok fuck it. system tinder post. yes this is cringe. no i don't care i do what i want forever. NOT a joke post at all (it is a little silly though.) our protectors only let me get away with this because they think it's funny. mostly i just think it's funny because it makes me feel like i'm trying to convince you to adopt us, which is accurate. anyway enjoy my sales pitch

also sorry if this clogs the tags (feel free to block us. there will be no hard feelings) -cass

System Tinder Post

System (20) seeking Partner System(s) (18+)

Are YOU& over 18 and seeking a NEW QPR/PARTNER SYSTEM?? Look no further than US, THE COSMOS. Interested? Have more questions? Want a follow-up interview? Just want to say hi? That's all great! Send an ask, DM, or reply to this post.

We are: American, white, collectively nonbinary and transmasculine, disabled, autistic, OCD, polyamorous, objectum (but not POSIC), kinky, therians General interests: Minecraft & Hermitcraft, Baldur's Gate 3, art, writing, space and astronomy, disability activism, cartoons, sleeping, some bugs, clowns, original characters Ask privately for: fandoms, other interests, any more specific details (trying not to dox us too much here bc this is a sideblog)

What we NEED in a partner system: covid-conscious, anti-zionist, anti-transmedicalism, endo-friendly What we would PREFER in a partner system: having literally anything in common with us in terms of likes/identity What we are interested in: whatever the vibes are (platonic/romantic/sexual/whatever)

Love language: does not speak unless spoken to, but when spoken to, will NOT shut up ever. at first, needs constant reassurance we are not bothering you. our host gets b&w thinking VERY easily so you might need to be persistant in checking on us, however we will do the same for you. would love to get to know you and eventually maybe video call. will send you cool pictures and stuff that reminds us of you.

Trivia:

collectively a gemini

ate our twin in the womb

sleep with dozens of plushies on the bed (all of them are named)

have known about our plurality for over 8 years

currently have about 40-ish members but we are not counting

have had at least one in-system wedding

have had the same special interests for several years now

our regular pizza order is a cheese pizza plus pineapples, onions, and green bell peppers

we cover everything we own in stickers

our christmas tradition consists of making hot cocoa and watching the same movies every year

we are REALLY good at making kandi but we don't normally wear it

red knows how to play a kalimba/thumb piano and a ukulele (but he hates to admit it because he had a cringy soft-boy phase a few years ago)

jam can juggle!

crush makes his own plushies

several of us can code HTML/CSS

caspar and red can often be found watching bluey together when cass is regressed

avid players of Pokemon Go (have caught 2 shinies!)

we each have a favorite pokemon!!! ask what they are

we collect a lot of stuff (pins/buttons, keychains, plushies, mugs, hats, stickers)

ok if you read this far i feel like you are at least obliged to say hi in the notes

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[overtake]

“a sexual awakening so intense it registered on the richter scale” is the single best and most accurate description I have ever heard.

pov: you're 16 years old and doing the final test for your super license ahead of joining f1 as the youngest ever driver. you expect the doubt and hate, and you know you can prove on track why you deserve to be there once you actually get in a car, but until then, you just have to be the subject of everyone's headlines and criticism for a factor you can't control.

then this guy comes along.

race winner who got himself to a top team and is beating his world champion teammate, a cool older handsome charismatic guy with a giant smile and big brown eyes, beloved and kind while still being fiercely talented, competitive, and hungry? the guy who you met in 2011 and who gave you the time of day before you were old enough to sniff at the f1 grid. he's not even going to be your actual teammate (yet), but he still takes the time to tell you he's looking forward to seeing you on the grid when so much of what you've heard is nonstop criticism.

he tells you good luck for your super license with a big grin meant just for you

and this is how it makes you feel.

this is live footage of daniel ricciardo becoming a permanent fixture in max's spank bank. it's one of those foundational crushes you have at a young age that sticks with you for life and unconsciously affects "your type" forever and never truly goes away.

also, i just think everyone should hear the way max very softly says "he's a really nice guy, yeah" with so much affection packed into every word.

how are you not to psychosexually imprint on him? one look at that video and max was ready to risk it all. he's been metaphorically tucking his hair, kicking his feet, and giggling since day one. he found a guy who he could race hard, who would challenge him on track, but who would still make the miserable pr days better for them, who was always laughing at max's jokes every time he did his little glance over to ensure it landed. max is so fiercely loyal to his people, and daniel has clearly earned that trust.

tldr: max verstappen is number one dirlie and if he were on f1blr, he would be writing long posts with onboards, data, and that ☝️🤓 attitude of his explaining in detail why everyone is wrong about daniel, and i hope it haunts all the max fans who get their rocks off to calling daniel a washed asshole loser that max's porn folder is daniel late braking compilations.

[kyouka-supremacy]

I think we should just bring back Wungo Wednesday and start a fandom collective anime rewatch

[deoidesign]

just wanted to say that I absolutely LOVE your comic I am so inspired by it and it’s so lovely and I wanna buy the physical books (I’ve never done that before) I just AUGGHHH EVERYTHING ABOUT IT IS SO 💙💙💙

do you allow fanart? And is there anything not allowed? I wanna draw adam and steve so bad 😭

Of course it's allowed! Fanart fanfic fan music fan dubs whatever!

I like to think I'm sort of "building a playground" when I make a story, have fun on it! I made it for you!

In my general opinion, it's not my business what my "fandom" does... It's on you and also me to curate our own spaces! If you're inspired by my work in any way, that's the greatest honor I could imagine and I want you to feel fully free to explore that. If someone is being weird, I know where the block button is and they can keep being weird where I don't have to see it haha

Just don't like... sell it... it's messy legally with webtoon and I'm one person making the story and it's my whole income so the few sales I get are kind of huge for me ;_;