#anyway! yeah I think its a good dynamic!

[ambrosiagourmet]

Hello! Thought I'd say THANK YOU for your laios-marcille posts and rts, they might be one of my favorite dynamics in the series (or in any series) *because* of the layers it has, there is so much going on and I love how it's shown. And I'm glad I found ppl who see it in a similar way. They mean the world to me and ch 96 makes my heart all warm bc they CARE so much! They all know each other so well. This whole party is a family!! And found family has complex dynamics, it's not clear cut and with easy labels. That goes for them too.

Ahem, sorry for the ramble lol I'm just happy

YOU ARE SO WELCOME I obviously love them a lot too and I'm very glad I can occasionally manage to condense the "!!!!!!" emotions in my brain into coherent enough words to talk about it. They care SO much T.T

[trashcanwithsprinkles]

Baizhu design :V ? For funsies totally not going to draw him or anything

had way too much fun with this one hahah

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[lunaryhues]

Me: "Can I please use all this energy to draw on an actual project"

My brain: "You will draw the same character over and over and you will like it."

Me: "Okay."

[sallytwo]

be nice to me!

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[bacchuschucklefuck]

you get riz gukgak so well 👍👍

thank u!! he really kinda is all of my favourite character things rolled into one package (negotiation of principles/investigator-truth seeker-negotiator with reality and the narrative/obnoxious character whose narrative reward for participating in the story is getting to be even more authentically obnoxious/deeply and hauntingly aroace

[skitskatdacat63]

Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)

- explanation & w/o text:

Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!

First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.

Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.

Basically: He's both a Bond girl and Bond villain.

Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.

About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.

I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")

I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.

[ccbatman]

actually so evil how much of hal's internal world gets obliterated with the rewriting of his relationships with jessica and martin.

[steaksex]

Guys did you know being a puppy is actually awesome. Hey guys did you know that this thing was popular because its enjoyable and nice. Guys did you know its actually awesome to allow someone you trust and love to exert control over you knowing you could stop at any time but not wanting to stop because its nice and aweslme and good. Guys did you know if someone offered to let me play role of pet forever right now id be unable to do anything but accept

[longagoitwastuesday]

Every day I wake up regretting getting emotionally invested in Jujutsu Kaisen

[rwby-confess]

Confession #118

[the-kipsabian]

(so it turns out i never posted this actual video so like.. here. i have so many brain worms about this now cause like. holy shit my dude. once again asking where. OH WHERE. the fuck is/was this character after his return and why wasnt he given a fair chance when all the building blocks were so obviously fucking there.......)

[doctor-who-war-doctor]

Anyways I think if someone with a more ambitious, ambiguous wish somehow turned Asha in I don't think Magnifico would have granted that. I also don't think he would have a wish ceremony ever again since he no longer views them as the people's wishes but his own. He would still require everyone give their wish to him under false promises or face banishment because he would form a dependency on the power of the wishes ultimately becoming a tyrant, absorbing Star and locking up Asha & co for treason before they get a chance to inspire the people of Rosas.

Or maybe their able to go in to hiding for a long time as they hatch a plan to overthorw Magnifico. Maybe Asha would spend this time becoming very skillful in magic to be able to face the king.

Furthermore, I think he would ultimately end up locking away Amaya. I don't think he would be able to bare the thought of her leaving, rejecting his corruption & tyranny, so he would take that chance away from her. Which really upsets me but I think he would. I dont think he'd want to take away the person that loves him the most and despite his narcissism he still loves her. I'd imagine Amaya's hate for him would grow she would still continue to love him deep down perhaps in hopes the person she knew before this would still be inside him. I don't think she would kill him if given the chance.

Also he definitely seeked out Simon knowing he was most likely to cave under the pressure as the only Teen to have given his wish, learning that he was becoming insecure not knowing if he'd ever achieve his goals. It definitely helped that Simon's was to be a knight it was too perfect for him (Magnifico). Like the night Asha that questions his authority, unauthorized magic happens. I would wanna question her friends too lol.

[visdiefje]

I'm pretty sure my experiences haven't changed from when I last asserted my identity labels but my view kinda has I guess

[truethes]

“go to hell” is basic. “i hope you have the opportunity to write a romatically dense character in a situation where even you can see the other characters romantic sense” is smart. it’s possible. it’s terrifying