#anyway! play inevitable.

[ailinu]

inevitable game officially scheduleddddddddd

[doodledrawsthings]

Hey just wanted to let you know that my good friend Zerum (who is totallyyy not the creator of hit character Sebastian Solace haha) is very normal about your art of him :] But seriously both of us adore your art!! when we saw you draw him we yelled like sdfghjkl ;;v;; also you hit the nail on the head with the brotherly dynamic!

BHWUH???

Thank you so much????? I'm a fan of your work too so this is super flattering to hear! He's a lot of fun to draw, so tell Zerum I said thanks and that I'm glad she likes it. I can't say I've played the game much because I'm a frequent patron of the local Weenie Hut Jr, but I think the character is a lot of fun. Here's the guy

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[ria-starstruck]

and also "putting everyone in a simulation will make it all ok 👍" and also "let's park next to this random system's sun" and also "we can't live on our own planet because of our own folly" and so on

[gayness-and-mayhem]

Father Mulcahy being a spin the bottle champion is something that's so important to me actually.

[bookshelfpassageway]

one of these days i'm writing some kind of essay about lost media and humanity's need to solve loose ends. people only care about it because its lost. people only know its lost because somebody cared about it. it's such an achingly beautiful concept. it's such a horrifying fate. it's about mortality and the traitor that is memory and about love. its about the human spirit and a new kind of folklore. all forms of media preservation are a race against the deprecation and physical decomposition of their storage medium. i hope there's a heaven for art.

[spacedace]

Reluctant War AU Part 3

Part 1 Part 2

More of the brain worm that has taken me over, gonna probably post it to Ao3 here before too long. Already got another part started and so many ideas for additional stuff, someone please send help I've been consumed by this thing lol

Sorry if Waller seems out of character, outside of fandom I'm mostly familiar with her through Justice League the animated show & Justice League: Unlimited and her vibe there has always struck me as "deeply incredibly unlikable character that also kind of has a point but also has done so much fucked up shit in the name of her goals that you don't really care about her point anymore." So you know, complicated lol. If she's completely unrecognizable let me know, but I'm hoping she feels at least somewhat like Waller.

Forgot to say this in the last update, but still feel free to use all this as an overly long prompt if yall want. Literally anything I throw out to the void should be treated as a prompt lol If there's anything at all interesting to you in any of this nonsense go for it <3 <3 <3

---

Amanda Waller was someone who did what needed to be done.

Ruthless, heartless, vicious, cruel.

She’d been called it all. Wore the words thrown as insults as a badges of pride and valor. Because at the end of the day, when it came to the problems she was given to face, the issues she was meant to solve, those words meant she’d done what others had been too squeamish or cowardly to do. Life was a never ending slog of trolley problems and she the only one unshakable enough to pull the levers that needed pulling.

It wasn’t so simple as a matter of greater good.

Greater good was what the weak willed muttered to themselves after having feelings over doing the bare minimum. A justification used by people on all sides to do what they wanted with fractured, faulty logic thrown around like truth was a thing immutable. To assuage their guilt when they were forced to make a call they didn’t want to.

It wasn’t a matter of greater good. It was a matter of preservation. Of protection. Of digging through the filth to find the threats skittering beneath and crush them with ruthless abandon. Of facing a god and not blinking because if you did it could cost the world.

Of doing what needed to be done, no matter how underhanded or atrocious it was.

Hands dirty.

Hands red.

Hands wrapped tight around the throat of something that could threaten to destroy it all.

When the Ghost Investigation Ward had been shoved her way with it’s sucking wound of a budget, it’s bloated incompetent staff, its asinine methods she’d seen a rotted limb in need of hacking off. It hadn’t been until she’d been conducting her inspection, digging through the trash for a few pearls of effective agents she could snatch up and put to work elsewhere, that she’d truly seen what they were working on. The potential.

Potential to better arm themselves with in the forms of the strange new weapons being created.

Potential for threats far greater than anything even she had thought possible before.

The GIW as it had been when she’d first come across it was a fetid waste of time and resources. A laughing stock agency only secret because no one took them seriously enough to look. Made stupid and useless with its own conceited delusions of importance it didn’t actually have. Yet.

She went to work on it. Hacking away as she’d originally intended, but this time with a different goal in mind. She ripped out the weeds with bare, calloused hands and planted proficiency and loyalty in their place. She took over as director herself, tossing the self-aggrandizing fool that had been running the place into the ground to the dogs as the culprit for misappropriate spendings, saving the agency by tweaking things until their ballooning budget was pinned neatly onto the former director as an embezzling charge.

Then she got to work.

The Fentons were brilliant, if entirely insane. But Amanda could work with that. She’d reigned Harley Quinn in - more or less - she could do the same to the two deranged scientists that so eagerly wanted to be apart of the fight against the dead. Especially when the benefit came in the form of the inventions they threw together so easily, especially when those inventions were weapons.

It took very little to get them on board with her plans for the GIW. Keeping their focus could be a chore, at times, but she didn’t even have to really do much in the way of pressing to get them back where she wanted them. They craved knowledge and understanding nearly as much as they craved the eradication of the entities themselves. Letting them have the first look at a new subject here, free reign over a vivisection there, it took so little to fuel their fervor and keep them busy working on the projects she set for them.

Things had been going smoothly.

For a time at least.

Until Phantom.

He’d been the main focus of the previous director’s attention, the big fish he’d so desperately wanted to catch and put up on his wall. Amanda wouldn’t lie and say it wasn’t a tempting prospect, but not one she’d put above the other projects she had set in motion since taking over. No, Phantom was powerful, enough to be a real problem one day, but she could the awkward youth in the way he held himself, the inexperience in how he handled situations. She had time to get everything else in order before focusing on getting Amity Park’s would-be hero brought to heel.

And he would be brought to heel. One way or another.

Hands dirty.

Hands red.

Hands wrapped tight around the Core of a fledgling god and bending him to her will.

An artifact, old an powerful, recovered with some effort. A means of controlling specters, of chaining them to the will of the artifact’s wielder. Dangerous in the wrong hands. Dangerous in the right hands.

It was shattered, and even whole and functional Phantom was resistant to its power. But Amanda Waller prided herself in her ability to see the potential in things. It could be repaired, be made better. Even gods could be bound, be made to kneel, with the right pieces, with the right application of force.

It was just a matter of time to gather everything needed.

Phantom didn’t know he could single handedly destroy every last member of the Justice League. The baby fat, the innocent eyes, the split-second hesitations when he fought. He knew enough to be confident in fighting the usual ghosts that haunted Amity Park, but he still very much saw himself as a little fish. Maybe it was the part of him that was still Daniel Fenton, gangly teenager not quite sure what he was truly capable of yet.

She had time before the Fenton’s son truly became an issue. Time to judge if his parents’ obsessiveness would overcome their - rather shoddy, by Amanda’s estimation - parental instincts and continue to hunt him once they knew the truth. Time to get as much out of them as she could before hand, should they falter at the idea of attacking their own son. Time for the staff to be repaired and returned to working order, to get the other items needed for the truly big fish hidden on the other side of the veil between worlds.

She had time.

Until she didn’t.

Pariah Dark had not been something she thought she’d have to account for - not yet, at least.

If he wasn’t already dead, she’d ring the Ghost King’s neck with her bare hands. His arrival had opened Phantom’s eyes to what he was capable of, of just how big of a fish he was. Worse still, Phantom’s defeat of the war mongering King changed the state of play. Phantom was no longer an impressively powerful half dead teenager.

He was King Infinite.

He was an Ancient.

He was getting on her last damn nerves.

Phantom’s rogue gallery were now firmly under the boy’s control. Still distinct nuisances around Amity Park, but no longer considered true concerns. They were loyal to their boy king, delighting in ruffling his feathers but never crossing the line into treason or attempted regicide. Which meant that the GIW was the only thing that held his attention.

Amanda took the time to send a care package to the former GIW director in his tiny, dank prison cell. As thanks for his carelessness in revealing to the entire town - both living and dead - of the agency’s existence and their intentions. Had he stuck to standard protocol, Phantom would have been none the wiser to their presence. Would have scratched his head and shrugged his shoulders at the ghost that went missing upon occasion. Would have been boredly uninterested in the people his parents had begun working with. Would have been taken by surprise when they finally came for him.

But no.

No that self-obsessed, fame chasing imbecile had to go and announce to everyone and their dead mother that the GIW existed and exactly what it was they were in Amity Park to do.

Phantom knew what they were there to do.

They could only count on his naive certainty that he could broker peace with them for so long.

Peace. As if he and his people weren’t the invading force, the monsters slipping in through the cracks between worlds, the latest threat that had to be accounted for. As if he himself hadn’t rent their world asunder himself in another world, another time. No. Peace was not something they could hash out with this baby-faced monarch with his too-big crown. Peace was the assurance of safety, security. Of control of the situation.

There could be no peace.

The higher ups were somehow surprised when Phantom took that to mean there would be war.

Amanda Waller was not.

The Fentons, as suspected, took the right side when all was revealed. Steady hands and flinty eyes as they crafted the weapons that would be needed for the coming fight. Minds even sharper in their maddened grief, hearts set on revenge for the son lost and the entity that stole his face and friends and sister in his garish pretense at humanity. They were blinded to the reality of the situation in its entirety, the potential in what their son truly was, but at the end of the day it didn’t really matter. They did what she needed them to do, they could believe whatever it was they wanted so long as they did.

By the time the boy king and his armies marched upon the Amity park facility, preparations had been put into place. The base in Amity had been stripped back to bare essentials, everything of importance moved to more secured locations.

The weapons labs.

The artifact.

The girl.

All tucked well away from the front lines where Phantom and his motley crew could not reach. Their time to be put in play would come, but not yet. First she needed to gauge what Phantom and his people were capable of, what they were willing to do in the name of what they wanted. Amity Park was a pawn well sacrificed on that front. As were the other facilities she’d left easy to find.

The problem with making children gods, with giving them crowns and calling them King and giving them armies to play with, was that they thought there should be rules. That even in the trenches tearing apart their enemies, there was a certain level of playing fair that everyone was held to. They thought there was a way the world worked, of how things should be that blinded them to more effective options even as time stretched on and desperation set in.

It was the Dead’s problem though, not hers.

She reached out to the Justice League. Sour faced, unhappy, bitterly reluctant to accept that she needed their help. Stone faced and barely containing their rage at what little they knew of the situation, they agreed to a meeting.

She didn’t let herself smile until she was well and truly alone in her office.

Greater good. A lie people told themselves. A fairytale told to children. A means of convincing the weaker willed that they had no choice, that they had a noble duty to bend to. A belief that could be wielded like a weapon if the fantasy of the idea had dug in deep enough. And there were few it had dug into so deep as the members of the Justice League.

Amanda Waller was someone who did what needed to be done.

Hands dirty.

Hands red.

Hands clenched tight on a victory long in the making.

---

Part Four

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[spectrum-color]

As a longtime believer that Honor is not, in fact, good and righteous, and that this will be a major plot point, I (having read up to Dalinars flashback to the night Gavilar was assassinated) am feeling really vindicated right now

[mcytegg]

Roshambogames Teammate tierlist 👍

its basically just my incredibly biased personal opinion on who i think ro would work well w in a team. (mapicc gets his own tier bc he is mapicc.)

[theodysseyofhomer]

the problem with iphigenia at aulis. and i say this as a euripides fan, and an agamemnon-neutral. the problem with it as a play is that it really does feel like he could have tried harder to *not* ritually sacrifice his daughter

[yourlocalchronicdaydreamer]

Rip Marlene McKinnon you would have loved Ginny Weasley

[fromtheseventhhell]

"It's normal for siblings to fight" Okay well it's not normal to be extremely classist and look down on your sister for being non-conforming. Or to go to the woman who ordered the death of your pet to tell her about your father's plans, when he specifically warned you against doing so, because you want to marry the boy you saw attack your sister and her friend (contributing partially to said father's death and your sister being unable to escape on the ship he chartered). Or to think of your sibling as unsatisfactory in comparison to another when you believe her to be dead. I notice that none of the "Sansa and Arya are going to reunite and instantly have no issues" crowd ever acknowledge any of this, which makes it seem like they don't actually believe what they say about their relationship being normal and easily reconciled. People wanting them to have no issues simply because they're siblings is another example of how fandom likes to flatten complex characters and relationships. They get reduced to being bickering siblings when their conflict runs deeper than that. If the author is telling you that they have "deep issues" to work out [X], I don't understand being so adamant about ignoring said issues. I also get the sense it's about ignoring the capacity for a certain character to be flawed, but that isn't going to change the fact that her "slip of the tongue" is very likely to be revealed and a source of further conflict 🤷🏾‍♀️

[gingermintpepper]

Day 3: Asclepius

Interpretation notes and trivia under the cut!!

Woo boy, this guy was another difficult character to settle on both a design and an interpretation for! Asclepius tends to have two big schools of thought for his tale, either he's the tragic doctor who resorted to illicit methods in order to save his patients or he's a strict scientist who was so skilled at his art that his resuscitations were called magic but were just science. I don't actually mind either interpretation, but due to the way I personally see Coronis and the way I chose to interpret Asclepius' birth story, I chose to focus on a different facet of Asclepius; Asclepius the family man. The theme of geneology and the inheritance of 'curses' through blood and birth is one that permeates this work and Asclepius, in a lot of ways, has not only inherited both his mother and father's banes but his actions and talents create new ones for his children. Throughout this, and all the many messy crimes Asclepius will commit in the name of what he thinks is necessary and right, he will willfully ignore the warning signs staring him dead in his face screaming that he will leave the burden of his work to his children and it will be easy. After all, Asclepius has made a career out of ignoring his own father's warnings and cautions, what are a few more red flags to ignore?

Less of a character note and more of a personal thing, but for a very long time I used his teenaged design when sketching out scenes and ideas but after tidying up my timeline, I realised that he would be an older man throughout the events of the story!! Since he's properly mortal, he would have to look his age and while that was slightly intimidating since I've not drawn many older characters, it also made me very excited since characters in the 40+ age range are rarely protagonists of these sorts of adventure/fantasy stories and working in the physical differences between him and his brothers was extremely fun!

Some fun trivia:

Youngest of Apollo's children currently alive and kicking. Maybe it was because Apollo so intensely regretted the way he dealt with Coronis but he doted endlessly on Asclepius and essentially personally oversaw his education and training. Because of this, Asclepius, without a doubt, is the child with the best relationship with Apollo between the brothers and believes unfalteringly in his father even if they have many practical and philosophical differences.

Has a bit of a sixth sense when it comes to necromancy and communing with the dead and spirits beneath the earth. Because he was rescued from the torch of death when he was babe, he has retained a connection with the chthonic. While he cannot exactly see figures like Thanatos or Hermes, he can certainly sense when they are afoot. Is very aware that Thanatos cannot stand him and expects to be taken by Ker when he does finally die.

Always keeps gold coins on him on the off chance he is spontaneously struck down while doing research or healing some previously unhealable disease. His father, upon realising that his warnings would be thoroughly ignored, pleaded for him to do at least that since after Asclepius is dead, Apollo would be unable to intercede for him.

Happily married and has four children! His eldest Machaon chose to follow his footsteps and became a gifted surgeon in his own right while his second eldest Iaso chose to follow her mother's footsteps and become more of a nurse than a doctor. He's endlessly proud of all of his children and hopes his research makes the world a better place for them.

Was recognised by Apollo at 15 and became Doctor Laureate at 17. Lost said laurels at 22 after he revived his second corpse from the dead and since then has been on a strict probation when practicing his medicine. Has a mark on his left wrist that will fill itself out if he commits such an atrocity again and then he will be marked for death and supposedly tormented until he forfeits his soul.

On very good terms with Orpheus and the two often work together and catch up when they happen to meet up while travelling. Never knew Eurydice but he gets the feeling that he would've really liked her.

Despite being a son of Apollo, has absolutely zero musical talent and cannot dance. He can't maintain his hair either and would've cut it multiple times over if Apollo himself didn't stop him and chastise him for even thinking about such a thing. Epione does his hair. The little braids in his beard are courtesy of the twins Hygiea and Panacea who enjoy putting little braids in anything they can get their hands on.

Doesn't resemble his father or his mother actually! The relative he resembles most is his paternal grandfather Zeus, a fact that gives his wife endless grief because his hair is thick but not curly, a trait she covets. Asclepius having thick body and facial hair was also very awkward considering Apollo is incapable of growing body hair and, for a while, his lack of curls and cascade of body hair when Asclepius started puberty made Apollo doubt whether Asclepius was truly his or if he had saved Ischys' child instead.

Has zero self preservation and will hunt monsters and creatures for their blood, teeth, claws and hides for his medicines. Like his father, he has a personal 'wall of horrors' where he stores everything from gorgon blood to pegasus feathers to hydra venom. Sometimes gods in the guise of men will simply give him precious materials because they know Asclepius is the one who will take their unsolveable cases in the face of disaster. It is a very risky exchange and has only barely skirted by Zeus' notice because actual money hasn't been exchanged (yet).

Preferred weapon is the scalpel and doesn't like fighting humans. Has a fire-retardant mantle made from chimera skin Apollo gave him when he was a child that doubles as a very good shield in a pinch.

Favourite colour is withy purple and his favourite food is goat butter spread on bread and topped with celery, tomatoes and olive oil. Has a lot of snake themed jewellry that he's passed on to his son because he thinks they're too gaudy for his old self to be wearing.

[i3utterflyeffect]

Pov: You ask your dad to make a toy for you with his weird drawing powers and you accidentally get a new sibling because your dad is also cursed for whatever reason.

Ok, but like if Alan accidentally made Hangman like that with the intention of them being a plush, Hangman could have like plush physics like their body is generally more limp and ragdoll-like due to being made as a plushie rather than a regular stickfigure. [Sorry any mention of Hangman makes me go insane, they appeared in one short and now I need to see them explored as a character-]

(don't mind the coloring, i just wanted a way to color code it so i don't get confused by it later........ i'll probably find a better color for hangman later)

that's such a funny idea...... also they'd be extremely small since they're made for the kids but i think it'd be really funny if they were more around Chosen/Dark's initial age actually (which i hc at like. something like 10 or 11.)

their name also almost definitely wouldn't be hangman obv but. yk sklfgslkfjlksg

[thisbluespirit]

So, yesterday, I remembered to glance at current dramas on BBC Sounds again for the first time in a while, and got a huge and wonderful shock on finding this at the top of the SFF category.

It's a 1971 6 part supernatural series starring Martin Jarvis & Patricia Gallimore. I don't think it's ever been repeated since. At least parts of it were missing for a while, and I had no idea whether the rest of it was extant or not. But I liked the sound of it enough that I bought the novelisation, and it was top of my impossible radio listening wishlist.

Yesterday, I got to listen to Part 1, Part 2 should be broadcast later today!

ETA: You can listen to the link regardless of where you are in the world! (UK listeners just get the Sounds app as well if they want it.)